Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
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These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
Together, they make up the Eggheads, arguably the most | 0:00:09 | 0:00:12 | |
formidable quiz team in the country. | 0:00:12 | 0:00:15 | |
The question is - can they be beaten? | 0:00:16 | 0:00:20 | |
Welcome to a special celebrity edition of Eggheads, the show where | 0:00:23 | 0:00:28 | |
a team of five quiz challengers pit their wits against possibly | 0:00:28 | 0:00:31 | |
the greatest quiz team in Britain. You might recognise them, as they | 0:00:31 | 0:00:34 | |
have won some of the country's toughest quiz shows. | 0:00:34 | 0:00:37 | |
They are the Eggheads. | 0:00:37 | 0:00:40 | |
And taking on our quiz Goliaths today are the Fab Five. | 0:00:40 | 0:00:43 | |
Now, when Pat heard that a certain person was going to be joining | 0:00:43 | 0:00:46 | |
this team of some of the country's most respected journalists | 0:00:46 | 0:00:49 | |
and broadcasters, he got a little bit excited, it must be said. | 0:00:49 | 0:00:53 | |
Suffice to say the mention of a white dress, a high kicking | 0:00:53 | 0:00:55 | |
dance routine and Morecambe and Wise brought a very big grin to his face! | 0:00:55 | 0:00:59 | |
And Pat, Angela has promised to recreate it for you backstage, | 0:00:59 | 0:01:05 | |
if you let her win! | 0:01:05 | 0:01:06 | |
Eggheads, there may be trouble ahead! Let's meet them. | 0:01:06 | 0:01:10 | |
Hello, I'm Jennie Bond. Best known, I suppose, for standing outside | 0:01:10 | 0:01:13 | |
Buckingham Palace for 14 years as the BBC's | 0:01:13 | 0:01:15 | |
Royal Correspondent and these days presenting a number of TV shows. | 0:01:15 | 0:01:20 | |
Hello. I'm Jan Leeming, | 0:01:20 | 0:01:21 | |
TV interviewer, presenter and former newsreader. | 0:01:21 | 0:01:25 | |
Hello, I'm Angela Ripon. I'm a journalist and a broadcaster. | 0:01:25 | 0:01:28 | |
Hello. I'm Sue MacGregor, radio broadcaster. | 0:01:28 | 0:01:31 | |
Used to be one of the presenters of the Today programme, | 0:01:31 | 0:01:33 | |
now I'm doing A Good Read and The Reunion on Radio 4. | 0:01:33 | 0:01:37 | |
Hello, I'm Rosie Boycott. | 0:01:37 | 0:01:39 | |
I'm a journalist and broadcaster | 0:01:39 | 0:01:40 | |
and I'm also the chair of the London Food Board. | 0:01:40 | 0:01:43 | |
Great to see you, Fab Five. | 0:01:43 | 0:01:44 | |
Thank you so much for coming along to try and take | 0:01:44 | 0:01:47 | |
the Eggheads out today. Tell me, I've been wondering about this. | 0:01:47 | 0:01:50 | |
You've obviously got the current affairs side of things covered. | 0:01:50 | 0:01:54 | |
We've got a politics round, I hope. It will be a scramble to play that. | 0:01:54 | 0:01:57 | |
What about the other subjects we've got here? What are your | 0:01:57 | 0:02:00 | |
hidden talents? | 0:02:00 | 0:02:01 | |
Who'd play the arts category if it comes up? | 0:02:01 | 0:02:04 | |
Sue, I think. | 0:02:07 | 0:02:08 | |
Possibly. Possibly. | 0:02:08 | 0:02:10 | |
Keeping our cards close to our chest. | 0:02:10 | 0:02:12 | |
Giving nothing away! | 0:02:12 | 0:02:14 | |
All right then. Listen, let's play the categories for real. | 0:02:14 | 0:02:18 | |
Because only four will come up, and let me tell me what's been | 0:02:18 | 0:02:20 | |
happening so far. Every day there's £1,000 worth of cash up for grabs | 0:02:20 | 0:02:24 | |
for our challengers' chosen charity. | 0:02:24 | 0:02:26 | |
However, if they fail to defeat the Eggheads, the prize money | 0:02:26 | 0:02:29 | |
rolls over to the next show. So Fab Five, the Eggheads have won just | 0:02:29 | 0:02:33 | |
the last game, which means £2,000 says you can't beat the Eggheads. | 0:02:33 | 0:02:36 | |
And let's unveil our first category today. This one is Music. | 0:02:36 | 0:02:41 | |
We didn't discuss that, who'd like to play this? Music? | 0:02:41 | 0:02:44 | |
-Any one of you at this point. -Is it classical or modern? | 0:02:44 | 0:02:47 | |
It's all mixed up. You've got classical, modern, pop, jazz... | 0:02:47 | 0:02:50 | |
I think it's got to be Angela. | 0:02:50 | 0:02:52 | |
-I know nothing about pop music. -I think it should be her. | 0:02:52 | 0:02:55 | |
-Musicals... -Angela's been nominated. | 0:02:55 | 0:02:56 | |
-She's volunteered! -I've been nominated, yes! | 0:02:56 | 0:03:01 | |
Go on, high kick your way across! | 0:03:01 | 0:03:02 | |
Make Pat's day! Would you like to choose? | 0:03:02 | 0:03:06 | |
You get to choose, Angela, because | 0:03:06 | 0:03:08 | |
we try and tip the balance in your favour. | 0:03:08 | 0:03:11 | |
-We would like to choose CJ, please. -I'd be honoured! | 0:03:11 | 0:03:13 | |
CJ. Absolutely. You should be! | 0:03:13 | 0:03:15 | |
-Angela Ripon, no less! -Absolutely! | 0:03:15 | 0:03:17 | |
.. is taking you into the question room. Could I ask you both | 0:03:17 | 0:03:20 | |
to go to the question room, to make sure you can't confer with team-mates. That's Angela and CJ. | 0:03:20 | 0:03:24 | |
So, Angela, where do we start? Your musical tastes - what is | 0:03:26 | 0:03:30 | |
your favourite musical genre? | 0:03:30 | 0:03:32 | |
Quite a lot of classical, some jazz. | 0:03:32 | 0:03:36 | |
Pop probably mostly from the Sixties and Seventies. My era! | 0:03:36 | 0:03:41 | |
OK. And we can't pass by without... | 0:03:41 | 0:03:45 | |
Pat's asked me to. | 0:03:45 | 0:03:47 | |
The high kicking with Morecambe and Wise, just tell me how that | 0:03:47 | 0:03:51 | |
came about? Did you suggest it? Did they suggest it? | 0:03:51 | 0:03:53 | |
Or were you volunteered, a bit like playing this round today?! | 0:03:53 | 0:03:56 | |
Yeah, a bit like that! | 0:03:56 | 0:03:58 | |
No, I was asked to do the programme because they would get somebody to do | 0:03:58 | 0:04:04 | |
something out of the box, as it were, at the end of | 0:04:04 | 0:04:07 | |
their Christmas show every year. | 0:04:07 | 0:04:09 | |
And at that time, I was the first journalist news reader, the first | 0:04:09 | 0:04:13 | |
woman journalist news reader on the BBC and I had quite a high profile. | 0:04:13 | 0:04:16 | |
And so they asked me if I would be the end turn, as it were. | 0:04:16 | 0:04:20 | |
They asked me first of all to sing, which I can't. | 0:04:20 | 0:04:23 | |
But I said, well, I did study classical ballet till I was 17. | 0:04:23 | 0:04:26 | |
So Ernest Maxim, who was the producer, said, well that's it, | 0:04:26 | 0:04:29 | |
we'll get you to do a dance routine. That was how it started. | 0:04:29 | 0:04:32 | |
OK, let's play the round now. Would you like to go first or second? | 0:04:32 | 0:04:35 | |
I think I'd like to go second. | 0:04:35 | 0:04:37 | |
Right then, CJ. Your first question then. Don't Stop Moving and Never | 0:04:39 | 0:04:43 | |
Had A Dream Come True were UK number one hit singles for which group? | 0:04:43 | 0:04:48 | |
S Club 7, All Saints or Hear'Say? | 0:04:48 | 0:04:52 | |
I think | 0:04:52 | 0:04:54 | |
they are both S Club 7. Let me just have a moment. | 0:04:54 | 0:04:58 | |
Not Hear'Say, because they only had one number one, I think. | 0:04:58 | 0:05:01 | |
And I don't think All Saints would have reduced themselves to that. | 0:05:01 | 0:05:04 | |
So I think it's S Club 7. | 0:05:04 | 0:05:08 | |
It's the right answer, yes. S Club 7, Don't Stop Moving | 0:05:08 | 0:05:09 | |
and Never Had A Dream Come True. | 0:05:09 | 0:05:11 | |
Glad you swerved that one, Angela? | 0:05:11 | 0:05:13 | |
Oh, yes! | 0:05:13 | 0:05:16 | |
Here's your first question. | 0:05:16 | 0:05:18 | |
Part of the chorus of the song, It's a Long Way to Tipperary, runs | 0:05:18 | 0:05:22 | |
"goodbye, Piccadilly, farewell..." | 0:05:22 | 0:05:24 | |
where? Berkeley Square, Trafalgar Square, or Leicester Square? | 0:05:24 | 0:05:28 | |
It's not exactly my era, but I do actually know it! | 0:05:28 | 0:05:31 | |
I'm pretty sure it's "farewell, Leicester Square". | 0:05:31 | 0:05:34 | |
Leicester Square, of course. Yes, the right answer. | 0:05:34 | 0:05:37 | |
Okay. All square. CJ, | 0:05:37 | 0:05:40 | |
in which century did the Austrian composer Anton Bruckner live? | 0:05:40 | 0:05:45 | |
18th, 19th, or 20th? | 0:05:45 | 0:05:48 | |
Hate these! Hate these! | 0:05:48 | 0:05:50 | |
Don't like classical music. | 0:05:50 | 0:05:52 | |
Hate these! | 0:05:52 | 0:05:54 | |
Oh, dear, I'm not at all sure, but I thought it was later rather | 0:05:54 | 0:05:57 | |
than earlier so I'll try 20th. | 0:05:57 | 0:05:59 | |
OK, 20th century for Anton Bruckner. | 0:05:59 | 0:06:01 | |
Angela, you said you fancied classical music more. | 0:06:01 | 0:06:05 | |
-What do you think? -I think he's right. I think he's | 0:06:05 | 0:06:09 | |
20th century. I think he's early 1900s. | 0:06:09 | 0:06:12 | |
Well, nearly made it there, but it's not your question, so | 0:06:12 | 0:06:15 | |
it doesn't matter. It's incorrect! | 0:06:15 | 0:06:17 | |
-19th! -19th, indeed. | 0:06:17 | 0:06:20 | |
1824-1896. | 0:06:20 | 0:06:23 | |
Just on the cusp. But that's good news for you, Angela. CJ not getting | 0:06:23 | 0:06:27 | |
that one means you can take the lead on your second question. | 0:06:27 | 0:06:30 | |
But only if I get it right! | 0:06:30 | 0:06:31 | |
That's the very point! Yes! That is the important thing. | 0:06:31 | 0:06:35 | |
Let's hope you can. Here you go. | 0:06:35 | 0:06:37 | |
Don't It Make My Brown Eyes Blue was a hit in 1977 for which singer? | 0:06:37 | 0:06:42 | |
Carly Simon, Crystal Gayle, or Elkie Brooks? | 0:06:42 | 0:06:46 | |
Not Elkie Brooks, I don't think, so I think it's either Crystal | 0:06:46 | 0:06:49 | |
Gayle or Carly Simon. | 0:06:49 | 0:06:51 | |
Crikey! | 0:06:51 | 0:06:54 | |
I think it might be Carly Simon. | 0:06:54 | 0:06:57 | |
OK, Carly Simon, Don't It Make My Brown Eyes Blue. | 0:06:57 | 0:07:00 | |
You narrowed it down quite well, but didn't get it! It's Crystal Gayle. | 0:07:00 | 0:07:05 | |
Listen, it's a shot to nothing, Angela, it stays all square. | 0:07:05 | 0:07:08 | |
No particular damage done. | 0:07:08 | 0:07:10 | |
And your third question, CJ. | 0:07:10 | 0:07:12 | |
Which song was at the top of the UK singles chart on 4th May, 1979? | 0:07:12 | 0:07:18 | |
The day Margaret Thatcher was elected prime minister. | 0:07:18 | 0:07:21 | |
Do Ya Think I'm Sexy?, Wuthering Heights, or Bright Eyes? | 0:07:21 | 0:07:25 | |
I don't know it, but I'm hoping this is just ironic and it's | 0:07:29 | 0:07:32 | |
Do Ya Think I'm Sexy! | 0:07:32 | 0:07:34 | |
I don't think it was Bright Eyes, cos I think that's earlier. | 0:07:37 | 0:07:39 | |
I'm just going to help it's unbelievably ironic, | 0:07:39 | 0:07:43 | |
it's Do Ya Think I'm Sexy?. | 0:07:43 | 0:07:45 | |
Do Ya Think I'm Sexy? | 0:07:45 | 0:07:47 | |
It's not. It is Bright Eyes. | 0:07:47 | 0:07:50 | |
Like you, | 0:07:50 | 0:07:51 | |
I thought that was earlier. Maybe the film came out earlier. | 0:07:51 | 0:07:55 | |
Okay, well, that's great news for you, Angela, because you've got | 0:07:55 | 0:07:59 | |
a chance to win the round and get into the final round with this. | 0:07:59 | 0:08:01 | |
The standard tuning for a regular six string guitar has both | 0:08:01 | 0:08:06 | |
the lowest and the highest strings tuned to which note? A, D or E? | 0:08:06 | 0:08:12 | |
Well, I don't know, because I don't play the guitar. | 0:08:13 | 0:08:18 | |
I think an orchestra | 0:08:20 | 0:08:22 | |
tunes to an A. | 0:08:22 | 0:08:27 | |
I have to go with A, I can't think that it would be anything else. | 0:08:27 | 0:08:30 | |
Because I just don't know! | 0:08:30 | 0:08:32 | |
OK! Well, it's a one in three shot, then! | 0:08:32 | 0:08:35 | |
A regular six string guitar, both the lowest and highest | 0:08:35 | 0:08:37 | |
strings are tuned to E. | 0:08:37 | 0:08:41 | |
E, Angela, E. But again, CJ got his previous question wrong, | 0:08:41 | 0:08:44 | |
so it stays all square. | 0:08:44 | 0:08:47 | |
We change it ever-so-slightly now, similar type of questions, but we're | 0:08:47 | 0:08:52 | |
going to remove the options now to sort out a winner. | 0:08:52 | 0:08:56 | |
CJ, what was the surname of the jazz pianist and vocalist and his singer | 0:08:56 | 0:08:59 | |
daughter whose first names were | 0:08:59 | 0:09:03 | |
Nathaniel, usually shortened to Nat, and Natalie? | 0:09:03 | 0:09:06 | |
Cole. | 0:09:06 | 0:09:08 | |
Correct. Yes. | 0:09:08 | 0:09:11 | |
I knew that! | 0:09:11 | 0:09:12 | |
You'll know this. You'll know this, Angela. | 0:09:12 | 0:09:15 | |
In 1994, Barbra Streisand had a UK | 0:09:15 | 0:09:18 | |
top 20 hit single with As If We Never Said Goodbye, | 0:09:18 | 0:09:22 | |
written for which stage musical with music by Andrew Lloyd Webber? | 0:09:22 | 0:09:26 | |
I think it's the one that Don Black wrote the lyrics for. | 0:09:26 | 0:09:31 | |
And I think it's Sunset Boulevard. | 0:09:31 | 0:09:34 | |
Yes, it is. Well done, Angela. | 0:09:34 | 0:09:36 | |
Sunset Boulevard. OK, still going strong. | 0:09:36 | 0:09:39 | |
CJ, which avant-garde British group had a UK top-ten single in 1979 | 0:09:39 | 0:09:46 | |
with a cover version of the Berry Gordy song Money? | 0:09:46 | 0:09:50 | |
Pass. | 0:09:50 | 0:09:52 | |
Good, that's nice and quick. | 0:09:52 | 0:09:55 | |
The group, the Flying Lizards. | 0:09:55 | 0:09:58 | |
That doesn't enlighten anyone. | 0:09:58 | 0:10:00 | |
Isn't that great CJ got that?! | 0:10:00 | 0:10:02 | |
That's great. | 0:10:02 | 0:10:04 | |
Angela. Another chance to get into the final round, knock CJ out. | 0:10:04 | 0:10:09 | |
Which US rock musician, who died in 1970, | 0:10:09 | 0:10:13 | |
has a blue plaque dedicated to him in Brook Street in London's Mayfair? | 0:10:13 | 0:10:18 | |
Ooh, I think I know this. | 0:10:20 | 0:10:22 | |
I think it's Jimi Hendrix. | 0:10:22 | 0:10:23 | |
You're rocking. | 0:10:23 | 0:10:25 | |
It's the right answer, Angela. | 0:10:25 | 0:10:28 | |
Rocking into the final round. | 0:10:28 | 0:10:30 | |
You've knocked CJ out. | 0:10:30 | 0:10:32 | |
Would you both come back and join your teams? | 0:10:32 | 0:10:36 | |
A storming round by Angela means the Fab Five are all intact. | 0:10:36 | 0:10:40 | |
The Eggheads have lost one of their team. | 0:10:40 | 0:10:43 | |
We move on it to our next subject, this is Politics. | 0:10:43 | 0:10:47 | |
Who would like to play? It can't be Angela. | 0:10:47 | 0:10:49 | |
Rosie? | 0:10:49 | 0:10:52 | |
-I'm going to do general knowledge. -THEY CONFER | 0:10:52 | 0:10:55 | |
-It's Sue. -Definitely. | 0:11:00 | 0:11:03 | |
Now, pick an Egghead. It can't be CJ. | 0:11:03 | 0:11:05 | |
So, they are Pat, Barry, Chris and Daphne. | 0:11:05 | 0:11:09 | |
She'll be very good, but we think | 0:11:09 | 0:11:12 | |
it should be Daphne. | 0:11:12 | 0:11:14 | |
I don't even know the name of my MP. | 0:11:14 | 0:11:19 | |
OK, it's going to be Sue and Daphne playing politics. | 0:11:19 | 0:11:22 | |
Could I ask you both to take your positions in the question room? | 0:11:22 | 0:11:27 | |
OK, Sue, let's play the round. | 0:11:27 | 0:11:29 | |
Politics - put that accumulated knowledge to the test here. | 0:11:29 | 0:11:32 | |
Would you like to go first or second? | 0:11:32 | 0:11:34 | |
I'll grab the mace and go first. | 0:11:34 | 0:11:36 | |
In Greece, the leader of | 0:11:40 | 0:11:42 | |
the military junta that seized power in 1967 was Colonel who? | 0:11:42 | 0:11:47 | |
It began with a PAPA! | 0:11:51 | 0:11:54 | |
My goodness. | 0:11:56 | 0:11:58 | |
I have a feeling it might have been Papadopoulos. | 0:11:58 | 0:12:01 | |
I'll go for Papadopoulos. | 0:12:01 | 0:12:03 | |
Well done, Sue. You sorted out your PAPAS. | 0:12:03 | 0:12:05 | |
It's the right answer. | 0:12:05 | 0:12:08 | |
And one to you, Sue, with Papadopoulos. | 0:12:10 | 0:12:14 | |
And your first question Daphne. From 1950 to 1974 Enoch Powell was | 0:12:14 | 0:12:18 | |
an MP for a constituency in which Midlands town? | 0:12:18 | 0:12:21 | |
I'm not sure but I think it was Wolverhampton. | 0:12:25 | 0:12:28 | |
Is the right answer. Well done. You have a tick. | 0:12:28 | 0:12:33 | |
Back to you, Sue, second question. | 0:12:33 | 0:12:36 | |
Anthony Giddens, the former director of the London School of Economics, | 0:12:36 | 0:12:40 | |
significantly influenced Tony Blair's thinking on which subject? | 0:12:40 | 0:12:44 | |
It wasn't the Northern Ireland Peace Process. | 0:12:49 | 0:12:53 | |
I never understood what it meant and I'm not sure anyone else did either | 0:12:53 | 0:12:56 | |
but I believe it was the Third Way. | 0:12:56 | 0:12:58 | |
Yes, not much discussed these days. | 0:12:58 | 0:13:00 | |
Rather disappeared. It's the Third Way. Well done. | 0:13:00 | 0:13:04 | |
So, Daphne's second question for you. | 0:13:04 | 0:13:07 | |
The writer and editor Norman Cousins once said which US President's | 0:13:07 | 0:13:12 | |
motto was, if two wrongs don't make a right, try three? | 0:13:12 | 0:13:17 | |
It sounds very much like Richard Nixon. | 0:13:20 | 0:13:23 | |
It does indeed. It's the right answer. | 0:13:23 | 0:13:26 | |
Well, both playing really well. | 0:13:26 | 0:13:28 | |
Sue, third question. | 0:13:28 | 0:13:30 | |
The name of which leading political party in Israel means forward? | 0:13:30 | 0:13:35 | |
Ooh, that's a difficult one. | 0:13:40 | 0:13:43 | |
I'm afraid I'm going to take a punt on this one. | 0:13:43 | 0:13:46 | |
I'm going to say that it's Likud. | 0:13:46 | 0:13:51 | |
OK, forward is... | 0:13:52 | 0:13:56 | |
Kadima. | 0:13:56 | 0:13:58 | |
So, Kadima is forward and Daphne, | 0:13:58 | 0:14:03 | |
you go forward into the final round if you give me a correct answer. | 0:14:03 | 0:14:06 | |
In 1970, the future Irish Prime Minister Charles Haughey | 0:14:06 | 0:14:10 | |
was tried for but acquitted of which offence? | 0:14:10 | 0:14:13 | |
I suppose the logical answer is gunrunning but... | 0:14:17 | 0:14:21 | |
But why do I think this? | 0:14:24 | 0:14:26 | |
I know it's silly | 0:14:28 | 0:14:31 | |
but I'm going to go for hijacking. | 0:14:31 | 0:14:33 | |
A lot of that kind of thing going on in Ireland north and south | 0:14:33 | 0:14:36 | |
in the '70s. | 0:14:36 | 0:14:37 | |
But it was the one you first thought of. It was gunrunning. | 0:14:37 | 0:14:41 | |
There were concerns in the Republic of Ireland about | 0:14:41 | 0:14:44 | |
the troubles in Northern Ireland kicking off at their height. | 0:14:44 | 0:14:49 | |
So, a let-off, Sue. We go to Sudden Death as we saw Angela play which | 0:14:49 | 0:14:54 | |
means I can't offer you any more options and this is your question. | 0:14:54 | 0:14:58 | |
Which female Labour MP and minister | 0:14:58 | 0:15:00 | |
entered Parliament in 1982 as the Member for Peckham? | 0:15:00 | 0:15:05 | |
Peckham, south of the river, south of the Thames river. | 0:15:05 | 0:15:09 | |
I believe it was, and she's still | 0:15:09 | 0:15:11 | |
very much there, it was Harriet Harman. | 0:15:11 | 0:15:14 | |
Yes, it was, Sue. Well done. Harriet Harman. | 0:15:14 | 0:15:17 | |
The constituency changed its name in '97 to Camberwell and Peckham | 0:15:17 | 0:15:22 | |
but in '82 it was just Peckham. | 0:15:22 | 0:15:24 | |
So, Daphne, from 1949 to 1957 | 0:15:24 | 0:15:28 | |
Sidney Holland served as the Prime Minister of which country? | 0:15:28 | 0:15:31 | |
Oh, dear. | 0:15:31 | 0:15:33 | |
It's going to be fifty-fifty. | 0:15:33 | 0:15:37 | |
It's either Australia or New Zealand. | 0:15:37 | 0:15:41 | |
And as usual, I'll pick the wrong one and say | 0:15:41 | 0:15:48 | |
Australia. | 0:15:48 | 0:15:49 | |
It's the wrong one. | 0:15:49 | 0:15:51 | |
It's New Zealand! | 0:15:51 | 0:15:53 | |
I think you did well | 0:15:53 | 0:15:54 | |
narrowing it down to Australia or New Zealand out of your own head. | 0:15:54 | 0:15:58 | |
But that means another member of the Fab Five progresses into the final | 0:15:58 | 0:16:02 | |
round, that's you, Sue. Would you both come back and join your teams? | 0:16:02 | 0:16:07 | |
Eggheads, the Fab Five swatting you off like flies at the moment. | 0:16:07 | 0:16:13 | |
As it stands, you've lost two brains from the final round. | 0:16:13 | 0:16:15 | |
The Fab Five are all there. Our next head to head is Science. | 0:16:15 | 0:16:21 | |
What joy! | 0:16:21 | 0:16:23 | |
-It gets better - Jennie, Jan or Rosie to play. -You said... | 0:16:23 | 0:16:26 | |
Oh, no, you can't do another round. | 0:16:26 | 0:16:29 | |
Only Jennie, Jan or Rosie can play. | 0:16:29 | 0:16:31 | |
-I'm hopeless. -It's not one of my things at all. | 0:16:31 | 0:16:35 | |
-I don't think anything is my thing! -Are you going for it? | 0:16:35 | 0:16:39 | |
You need to pick an Egghead. | 0:16:39 | 0:16:40 | |
There's that bit, too. | 0:16:40 | 0:16:43 | |
We'll go for Barry. | 0:16:43 | 0:16:44 | |
Rosie against Barry and the subject is Science. | 0:16:44 | 0:16:49 | |
Could I ask you both to please go to the question room? | 0:16:49 | 0:16:52 | |
Rosie, first or second? | 0:16:52 | 0:16:54 | |
I think I'll go first and get it over with. | 0:16:54 | 0:16:58 | |
Good luck, Rosie. The first question coming up, because of its ability | 0:17:00 | 0:17:04 | |
to absorb electromagnetic radiation, which metal is used to provide | 0:17:04 | 0:17:08 | |
protective shielding around nuclear reactors and X-ray equipment? | 0:17:08 | 0:17:13 | |
-It's lead. -It is. | 0:17:15 | 0:17:18 | |
Don't beat around the bush. Lead is the right answer. | 0:17:18 | 0:17:22 | |
There you are. | 0:17:22 | 0:17:24 | |
Barry, the pons is a tract of nerve fibres in which organ | 0:17:24 | 0:17:28 | |
of the human body? | 0:17:28 | 0:17:31 | |
Not the liver. | 0:17:31 | 0:17:34 | |
Just trying to think if there's | 0:17:34 | 0:17:35 | |
a pons in the heart. My instinctive answer would be the brain, | 0:17:35 | 0:17:38 | |
because I think that's where the brain stem comes into the brain. | 0:17:38 | 0:17:43 | |
I'll go for the brain. | 0:17:43 | 0:17:44 | |
Yours is obviously very active. It's the right answer. | 0:17:44 | 0:17:46 | |
Brain is correct. | 0:17:46 | 0:17:49 | |
Rosie, the Newton named after Sir Isaac Newton is the absolute unit | 0:17:49 | 0:17:55 | |
of what in the international system of units? | 0:17:55 | 0:17:59 | |
I'm going to go for Force. | 0:17:59 | 0:18:02 | |
You've gone for Force. | 0:18:02 | 0:18:04 | |
-I've gone for Force. -You have got the right answer. | 0:18:04 | 0:18:09 | |
Barry, the Schick test introduced in 1913 is used | 0:18:09 | 0:18:15 | |
is used to determine the susceptibility to which disease? | 0:18:15 | 0:18:18 | |
Diphtheria. | 0:18:21 | 0:18:23 | |
Is the right answer. You're rattling out these answers. 2-2. | 0:18:23 | 0:18:27 | |
Third question could decide a winner of the round. | 0:18:27 | 0:18:31 | |
Rosie, which poisonous substance was | 0:18:31 | 0:18:34 | |
often used in the production of green wallpaper in the 19th century? | 0:18:34 | 0:18:39 | |
Green wallpaper? Why not pink wallpaper? | 0:18:42 | 0:18:46 | |
I don't know. I'm going to go for Arsenic. Arsenic and Old Lace. | 0:18:48 | 0:18:51 | |
Arsenic and wallpaper. | 0:18:51 | 0:18:53 | |
It's the right answer. | 0:18:53 | 0:18:56 | |
-Well done, Rosie. -There's a theory, Dermot... | 0:18:56 | 0:18:59 | |
-Napoleon! -That's what I was going to say. | 0:18:59 | 0:19:03 | |
His wallpaper was full of arsenic. | 0:19:03 | 0:19:05 | |
That's right and when he was imprisoned on St Helena | 0:19:05 | 0:19:07 | |
his bedroom had green wallpaper and some tests were taken on Napoleon's | 0:19:07 | 0:19:13 | |
hair some time after he'd been transferred to Hotel des Invalides | 0:19:13 | 0:19:16 | |
in Paris and they found large quantities of arsenic in his hair. | 0:19:16 | 0:19:19 | |
Well, you are behind and need to get this. | 0:19:19 | 0:19:23 | |
Or another Egghead bites the dust. | 0:19:23 | 0:19:27 | |
The Wollaston medal inaugurated in 1831 is | 0:19:27 | 0:19:31 | |
an award for which of the sciences? | 0:19:31 | 0:19:34 | |
That's a tough one but I think it's Astronomy. | 0:19:36 | 0:19:40 | |
It's a tough one. But it's for geology. | 0:19:40 | 0:19:44 | |
I don't think they had invented geology then. Or psychology. | 0:19:48 | 0:19:52 | |
All those | 0:19:52 | 0:19:55 | |
green ticks there after the green wallpaper, rather appropriate. | 0:19:55 | 0:19:58 | |
You're through to the final round as well, Rosie. | 0:19:58 | 0:20:00 | |
Would you both please come back and join your teams? | 0:20:00 | 0:20:03 | |
Going swimmingly for the Fab Five at the moment. Three Eggheads gone! | 0:20:03 | 0:20:08 | |
And none of the Fab Five. | 0:20:08 | 0:20:10 | |
But will the Eggheads take this lying down, or will they fight back? | 0:20:10 | 0:20:13 | |
The last head-to-head before the final round. | 0:20:13 | 0:20:16 | |
This one is Arts and Books. Jennie or Jan to play it. | 0:20:16 | 0:20:18 | |
Arts and Books. | 0:20:18 | 0:20:20 | |
Jenny. Literature degree, off you go. | 0:20:22 | 0:20:25 | |
Stay with us and pick an Egghead. | 0:20:25 | 0:20:28 | |
-The remaining ones are Chris and Pat. -I'm going for Pat. | 0:20:28 | 0:20:30 | |
Let's have Pat and Jennie into the question room, please. | 0:20:30 | 0:20:35 | |
Jennie, do you want to go first or second? | 0:20:35 | 0:20:38 | |
I'd like to leave the room, actually. | 0:20:38 | 0:20:40 | |
I will go... second. | 0:20:40 | 0:20:44 | |
That puts you in to bat, Pat. | 0:20:46 | 0:20:48 | |
And your first question is this. What was the name of the artist | 0:20:48 | 0:20:51 | |
and older sister of the Welsh painter Augustus John? | 0:20:51 | 0:20:55 | |
Lyn John, Dawn John or Gwen John? | 0:20:55 | 0:20:58 | |
I think she was named Gwen John. | 0:20:58 | 0:21:02 | |
Augustus John's sister, Gwen John. | 0:21:02 | 0:21:04 | |
That is the right answer. | 0:21:04 | 0:21:06 | |
One to you, Pat. OK, Jennie, good luck with this. | 0:21:06 | 0:21:08 | |
Which poet laureate wrote biographies of John Keats and Philip Larkin? | 0:21:08 | 0:21:12 | |
Andrew Motion, Cecil Day-Lewis or John Betjeman? | 0:21:12 | 0:21:16 | |
Um... unsurprisingly, I don't know. | 0:21:16 | 0:21:20 | |
Um... I'm going to say... | 0:21:20 | 0:21:23 | |
I don't think it was Andrew Motion. | 0:21:23 | 0:21:27 | |
Um... | 0:21:27 | 0:21:29 | |
I'm going to say John Betjeman. | 0:21:29 | 0:21:33 | |
OK, John Betjeman, biographies of Keats and Larkin. | 0:21:33 | 0:21:37 | |
-Is wrong? -Is wrong. It's Andrew Motion. -Oh, no! | 0:21:37 | 0:21:39 | |
You can comfort yourself that it wasn't one you were considering. | 0:21:39 | 0:21:45 | |
But it is the early question. | 0:21:45 | 0:21:47 | |
Anything can happen. Pat can slip up on any of the next two, I'm sure. | 0:21:47 | 0:21:49 | |
Pat, which Charles Dickens character is always describing himself and his | 0:21:49 | 0:21:55 | |
circumstances as "very 'umble"? | 0:21:55 | 0:21:57 | |
Uriah Heep, Abel Magwitch or Edmund Sparkler? | 0:21:57 | 0:22:02 | |
Um... before his heavy metal days, it was Uriah Heep. | 0:22:02 | 0:22:07 | |
Very nice, I like it. Very good. | 0:22:07 | 0:22:08 | |
It is the right answer, yes, Uriah Heep. | 0:22:08 | 0:22:12 | |
And your second question, Jennie. | 0:22:12 | 0:22:15 | |
Let's get you going. You need to get this, actually. | 0:22:15 | 0:22:17 | |
Which artist | 0:22:17 | 0:22:19 | |
painted Christ in the house of his parents, now owned by the Tate, | 0:22:19 | 0:22:24 | |
which portrays the young Jesus in Joseph's carpentry workshop? | 0:22:24 | 0:22:27 | |
Is it JMW Turner, John Everett Millais or Edward Burne-Jones? | 0:22:27 | 0:22:32 | |
I don't imagine, for some reason, that it was Turner. | 0:22:32 | 0:22:37 | |
So it probably is! Um... | 0:22:37 | 0:22:39 | |
I am going to go for Burne-Jones. | 0:22:39 | 0:22:42 | |
-OK... -Oh, it's wrong! | 0:22:42 | 0:22:43 | |
It is wrong, Jennie! | 0:22:43 | 0:22:46 | |
It's just unlucky. If you've got to guess at two, it's | 0:22:46 | 0:22:49 | |
worse than tossing a coin, isn't it? It's one in three. It is Millais. | 0:22:49 | 0:22:52 | |
John Everett Millais, the Christ in the house of his parents. | 0:22:52 | 0:22:57 | |
So it brings the round to a rather abrupt end. | 0:22:57 | 0:22:59 | |
You won't be playing in the final round, Jennie. | 0:22:59 | 0:23:03 | |
Come back and join your teams. | 0:23:03 | 0:23:04 | |
So, this is what we have been playing towards. It is | 0:23:04 | 0:23:08 | |
time for the final round, which as always is General Knowledge. | 0:23:08 | 0:23:11 | |
I'm afraid those of you who lost your head-to-heads won't be allowed | 0:23:11 | 0:23:13 | |
to take part in this round. | 0:23:13 | 0:23:15 | |
So Jennie from the Fab Five and CJ, Daphne - yes, you - and Barry | 0:23:15 | 0:23:20 | |
from the Eggheads, would you please leave the studio? | 0:23:20 | 0:23:25 | |
Jan, Angela, Sue and Rosie, | 0:23:25 | 0:23:26 | |
you're playing to win the Fab Five £2,000 for your chosen charity. | 0:23:26 | 0:23:30 | |
Chris and Pat, you're playing for something which money can't buy. | 0:23:30 | 0:23:33 | |
-Do you know what it is? -Yes, it's reputation. | 0:23:33 | 0:23:37 | |
Well said, Chris, yes. The Eggheads' reputation. | 0:23:37 | 0:23:40 | |
As usual, I'll ask each team three questions in turn. This time, | 0:23:40 | 0:23:43 | |
the questions are general knowledge and you are allowed to confer. | 0:23:43 | 0:23:46 | |
That is the big difference, you are not on your own. Fab Five, | 0:23:46 | 0:23:48 | |
are your four brains better than the Eggheads' two? | 0:23:48 | 0:23:53 | |
And Fab Five, would you like to go first or second? | 0:23:53 | 0:23:56 | |
Second, please. | 0:23:56 | 0:23:58 | |
It seems to be working, doesn't it, going second? OK, Eggheads, | 0:23:59 | 0:24:02 | |
it's your first question, then. The early years of which media | 0:24:02 | 0:24:05 | |
mogul's publishing career included taking charge in the 1950s | 0:24:05 | 0:24:10 | |
of the Adelaide News, a paper he inherited from his father? | 0:24:10 | 0:24:14 | |
Is it Robert Maxwell, Ted Turner or Rupert Murdoch? | 0:24:14 | 0:24:17 | |
Ted Turner is American, so it's not him. | 0:24:17 | 0:24:20 | |
Robert Maxwell, the less said, the better. | 0:24:20 | 0:24:23 | |
He was a Czech originally. | 0:24:23 | 0:24:24 | |
So it has got to be an Australian, hasn't it? The Adelaide Times. | 0:24:24 | 0:24:28 | |
It's got to be Rupert Murdoch. | 0:24:28 | 0:24:29 | |
Murdoch's father was a press man, as well. | 0:24:29 | 0:24:31 | |
-It's Rupert Murdoch, Dermot. -OK, the Australian connection, clearly. | 0:24:31 | 0:24:34 | |
It is the right answer, Rupert Murdoch. | 0:24:34 | 0:24:38 | |
Your first question, Fab Five. You're the Fab Four now. | 0:24:38 | 0:24:41 | |
The four Inns of Court in London, the associations to which all | 0:24:41 | 0:24:45 | |
barristers in England and Wales must belong, are known as Middle Temple, | 0:24:45 | 0:24:49 | |
Inner Temple, Lincoln's Inn and which other? | 0:24:49 | 0:24:52 | |
Black's Inn, Gray's Inn or White's Inn? | 0:24:52 | 0:24:55 | |
The four Inns of Court in London, the associations | 0:24:55 | 0:24:58 | |
to which all barristers in England and Wales must belong, are known as | 0:24:58 | 0:25:01 | |
Middle Temple, Inner Temple, Lincoln's Inn and which other? | 0:25:01 | 0:25:05 | |
Right. Unanimously, Gray's Inn. | 0:25:05 | 0:25:08 | |
Gray's Inn it is, that's correct. | 0:25:08 | 0:25:11 | |
Gray's Inn. | 0:25:11 | 0:25:13 | |
And so you have one apiece. | 0:25:13 | 0:25:16 | |
And Eggheads, in 2009, cricketer Philip Hughes became the youngest | 0:25:16 | 0:25:21 | |
person to score a test century in each innings for which country? | 0:25:21 | 0:25:26 | |
South Africa, Australia or New Zealand? | 0:25:26 | 0:25:29 | |
I think he is an Australian prodigy. | 0:25:29 | 0:25:31 | |
He's a super new talent from Australia. | 0:25:31 | 0:25:35 | |
I wouldn't know! No relation of mine. | 0:25:35 | 0:25:38 | |
-We think he's Australia, Dermot, so it'll be Australia. -OK. | 0:25:38 | 0:25:42 | |
You've almost had two questions in a row where the answer's Australian. | 0:25:42 | 0:25:46 | |
It is the right answer, yes. Philip Hughes, the Australian | 0:25:46 | 0:25:50 | |
player, the wunderkind. | 0:25:50 | 0:25:52 | |
OK, Fab Five. | 0:25:52 | 0:25:55 | |
Sphairistike is seen by many as a precursor to which game? | 0:25:55 | 0:26:00 | |
I am going to spell this for you after I give you the options. | 0:26:00 | 0:26:02 | |
Tennis, ice hockey or water polo. | 0:26:02 | 0:26:05 | |
-How do you spell it? -I am just about to do that for you. | 0:26:05 | 0:26:07 | |
Sphairistike, S-P-H-A-I-R-I-S-T-I-K-E. | 0:26:07 | 0:26:14 | |
It must be Greek. Don't you think it's a Greek word? | 0:26:14 | 0:26:17 | |
They didn't play ice hockey in Greece. | 0:26:17 | 0:26:21 | |
Can you say... It's a prelude to it? | 0:26:21 | 0:26:24 | |
It is seen by many as a precursor to which game? A precursor. | 0:26:24 | 0:26:30 | |
Tennis, ice hockey or water polo? | 0:26:30 | 0:26:33 | |
What does a precursor mean? | 0:26:33 | 0:26:36 | |
-Precursor means what it was before it became water polo. -It depends how | 0:26:36 | 0:26:39 | |
far back you want to go, Dermot? How far would you like to go? | 0:26:39 | 0:26:43 | |
Do you think so? All right. OK. | 0:26:45 | 0:26:48 | |
Fine. | 0:26:48 | 0:26:50 | |
The girls think it's water polo. | 0:26:50 | 0:26:52 | |
Water polo for sphairistike. | 0:26:52 | 0:26:55 | |
It is seen by many as a precursor to... | 0:26:55 | 0:26:57 | |
Tennis. | 0:26:57 | 0:26:59 | |
-What?! -Yes, tennis. | 0:26:59 | 0:27:02 | |
It's the original version of lawn tennis as opposed to real tennis. | 0:27:02 | 0:27:05 | |
Sphairistike is Greek for "ball game". | 0:27:05 | 0:27:09 | |
Ah! OK, well, it means the Eggheads have a chance to win it here | 0:27:09 | 0:27:15 | |
if you get this. If not, another question for the Fab Five. | 0:27:15 | 0:27:19 | |
Oneiromancy | 0:27:19 | 0:27:20 | |
is the practice of interpreting what in order to fortell the future? | 0:27:20 | 0:27:24 | |
Animal entrails, weather patterns or dreams? O-N-E-I-R-O-M-A-N-C-Y. | 0:27:24 | 0:27:32 | |
Animal entrails is haspercy...whatever the proper term | 0:27:32 | 0:27:35 | |
is. I don't know weather patterns... I think it's dreams. | 0:27:35 | 0:27:37 | |
-Oneiromancy is dreams. -Right. | 0:27:37 | 0:27:40 | |
We're unanimous on this, Dermot. It's the interpretation of dreams. | 0:27:40 | 0:27:43 | |
You've just shattered the Fab Five's dreams. | 0:27:43 | 0:27:47 | |
It is the right answer, Eggheads. You've won. | 0:27:47 | 0:27:49 | |
APPLAUSE | 0:27:49 | 0:27:51 | |
Don't clap. It only encourages them! | 0:27:53 | 0:27:56 | |
Yeah, but you're got the moral victory. | 0:27:56 | 0:27:58 | |
Look at that in the head-to-heads. It is the first time in | 0:27:58 | 0:28:00 | |
Celebrity Eggheads where they've been beaten | 0:28:00 | 0:28:03 | |
3-1 in the head-to-heads, where there have been four of | 0:28:03 | 0:28:05 | |
the challengers against two of them. So, thank you very much, Fab Five. | 0:28:05 | 0:28:09 | |
Great to see you but the Eggheads have done what comes naturally | 0:28:09 | 0:28:11 | |
and they still reign supreme over quizland. | 0:28:11 | 0:28:14 | |
You haven't won the £2,000, | 0:28:14 | 0:28:15 | |
which means the money rolls over to the next show. | 0:28:15 | 0:28:18 | |
Eggheads, congratulations. | 0:28:18 | 0:28:20 | |
Who will beat you? Join us next time to see | 0:28:20 | 0:28:22 | |
if a team from the One Show have the brains to defeat the Eggheads. | 0:28:22 | 0:28:25 | |
£3,000 says they don't. | 0:28:25 | 0:28:27 | |
Until then, goodbye. | 0:28:27 | 0:28:29 | |
Subtitles by RED BEE MEDIA LTD | 0:28:53 | 0:28:54 |