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'These people are amongst the greatest quiz players in Britain.' | 0:00:04 | 0:00:08 | |
'Together, they make up the Eggheads, | 0:00:09 | 0:00:12 | |
arguably the most formidable quiz team in the country.' | 0:00:12 | 0:00:16 | |
'Question is, can they be beaten?' | 0:00:17 | 0:00:20 | |
Welcome to a special, celebrity edition of Eggheads. | 0:00:24 | 0:00:26 | |
That's the show where the team of five quiz challengers | 0:00:26 | 0:00:29 | |
pit their wits against possibly the greatest quiz team in Britain - | 0:00:29 | 0:00:33 | |
they are the Eggheads. | 0:00:33 | 0:00:35 | |
Tackling our awesome quiz Titans today are the Songwriters. | 0:00:35 | 0:00:38 | |
This team of the country's most prestigious songsmiths | 0:00:38 | 0:00:42 | |
can lay claim to a fine canon of work. | 0:00:42 | 0:00:44 | |
Great pop songs, show-stopping musical numbers | 0:00:44 | 0:00:47 | |
and of course, who can forget Mike's involvement with those burrow-dwelling furry creatures, | 0:00:47 | 0:00:53 | |
who surround themselves with litter? | 0:00:53 | 0:00:55 | |
Thank you so much for writing that song about the Eggheads! | 0:00:55 | 0:00:59 | |
Let's meet the team! | 0:00:59 | 0:01:01 | |
Hello. I'm Mike Batt, and amongst other things, I wrote "Bright Eyes", | 0:01:01 | 0:01:04 | |
"The Closest Thing To Crazy" and all the Wombles songs. | 0:01:04 | 0:01:07 | |
Hello. My name's Tim Rice and I write words for musicals, | 0:01:07 | 0:01:10 | |
such as Evita, Joseph, Superstar, Lion King - things like that. | 0:01:10 | 0:01:14 | |
Hi. My name's Gary Kemp, guitarist and songwriter with Spandau Ballet. | 0:01:14 | 0:01:18 | |
Hi. My name's Roger Greenaway and together with Roger Cook, | 0:01:18 | 0:01:21 | |
I wrote "I'd Like to Teach The World To Sing". | 0:01:21 | 0:01:24 | |
Hello. I'm Gary Osborne and I co-wrote "Blue Eyes" for Elton John, | 0:01:24 | 0:01:28 | |
"War Of The Worlds" with Jeff Wayne, "Forever Autumn" with Justin Hayward | 0:01:28 | 0:01:32 | |
and now Gary Barlow. | 0:01:32 | 0:01:34 | |
Okay, songwriters, it's fantastic to have you all here. | 0:01:34 | 0:01:37 | |
We are so excited to see you. | 0:01:37 | 0:01:39 | |
Mike, did you get this wonderful team together? How did it happen? | 0:01:39 | 0:01:42 | |
Well, we're all members of the Society Of Distinguished Songwriters | 0:01:42 | 0:01:45 | |
and you can work out the acronym yourself - | 0:01:45 | 0:01:48 | |
and I'm this year's "king" songwriter, | 0:01:48 | 0:01:50 | |
so I decided it would be a good idea if we had a team of, um, the great and the good, | 0:01:50 | 0:01:57 | |
who could join in and see if we could have a go. | 0:01:57 | 0:02:01 | |
Let's start playing and see how you do! | 0:02:01 | 0:02:04 | |
Now, every day there's £1,000 up for grabs for our challengers' chosen charity. | 0:02:04 | 0:02:09 | |
But if they fail to defeat the Eggheads, the prize money rolls over to the next show. | 0:02:09 | 0:02:13 | |
So, Songwriters, the Eggheads have won the last nine games, | 0:02:13 | 0:02:15 | |
which means £10,000 says | 0:02:15 | 0:02:17 | |
you can't beat the Eggheads today. | 0:02:17 | 0:02:21 | |
Okay, so nine teams have tried and failed. Let's see if you can do it. | 0:02:21 | 0:02:26 | |
The first Head-to-Head battle is on the subject of Arts and Books. | 0:02:26 | 0:02:29 | |
Who'd like to take this on? Arts and Books. | 0:02:29 | 0:02:32 | |
It's gotta be... What about you, Gary? | 0:02:32 | 0:02:34 | |
I did say... I did offer that up. Now I'm dreading it. | 0:02:34 | 0:02:37 | |
-I'll go. -Okay. Choose your Egghead. Kicking off means you can choose anyone you like. | 0:02:37 | 0:02:42 | |
-I'll go against Dave. -All right. | 0:02:42 | 0:02:44 | |
Not much discussion there. Let's have Gary and Dave into the Question Room, please. | 0:02:44 | 0:02:49 | |
That's to make sure you can't confer. | 0:02:49 | 0:02:51 | |
Well, Gary, great to have you here. | 0:02:52 | 0:02:54 | |
Now, the Eggheads miss nothing, and they tell me you've been on a quiz before. 1984! | 0:02:54 | 0:02:59 | |
-Pop Quiz. -Oh, yes, of course. | 0:02:59 | 0:03:01 | |
-Us v. Duran Duran, yeah. -DERMOT CHUCKLES | 0:03:01 | 0:03:04 | |
It was a special. Unfortunately, we lost. | 0:03:04 | 0:03:07 | |
-What? -But I think I'm just as nervous now as I was then. | 0:03:07 | 0:03:10 | |
Andy Taylor, in his book, said that they got all the questions before, so they cheated. | 0:03:10 | 0:03:15 | |
But don't let me take that away from them. | 0:03:15 | 0:03:18 | |
It's Arts and Books. You're the challenger. Do you want to go first or second? | 0:03:18 | 0:03:22 | |
I'll go first. | 0:03:22 | 0:03:24 | |
Okay. Best of luck, Gary. First question. | 0:03:26 | 0:03:29 | |
In 2012, TV personality Gok Wan released a book called Gok Cooks... what? | 0:03:29 | 0:03:35 | |
Well, I'm really only good at things before I was born, really. | 0:03:37 | 0:03:41 | |
as far as most books are concerned. | 0:03:41 | 0:03:43 | |
Um, I don't think it's Polish. | 0:03:43 | 0:03:45 | |
Um, it's either Indian or Chinese. | 0:03:45 | 0:03:48 | |
I'm guessing it's Chinese. | 0:03:48 | 0:03:50 | |
You'd be right to guess that. Correct and a good start. | 0:03:50 | 0:03:53 | |
It's gone green on the board for you | 0:03:53 | 0:03:55 | |
-Dave, are you a big fan of Spandau? -Very big fan, yeah. | 0:03:56 | 0:03:59 | |
I've been to see Gary and the band one time at the Opera House in Manchester, | 0:03:59 | 0:04:04 | |
er, where we had opera glasses. | 0:04:04 | 0:04:06 | |
I don't know if he remembers that concert. | 0:04:06 | 0:04:09 | |
-From way, way back in the day. -Yeah, it would've been early days. | 0:04:09 | 0:04:12 | |
-The True Tour, I think. '83. -Yes, it was. Yeah, I'm a very big fan. | 0:04:12 | 0:04:17 | |
You need bigger glasses now, for the arenas, if you're at the back. | 0:04:17 | 0:04:20 | |
-I'll get you a front-row seat, don't worry. -That's good. All right, then. | 0:04:20 | 0:04:24 | |
-I wonder if that'll have an effect on his answer here. -It might do. | 0:04:24 | 0:04:28 | |
Okay, Dave. Which sport is referred to by the title of Nicola Barker's 2012 novel, The Yips? | 0:04:28 | 0:04:35 | |
-Golf. -Yeah! | 0:04:37 | 0:04:39 | |
Is the right answer. Hole in one. | 0:04:39 | 0:04:41 | |
Okay, we've loosened you both up with those first questions. | 0:04:41 | 0:04:45 | |
Let's see what happens with the next two. This is to you, Gary. | 0:04:45 | 0:04:48 | |
The character Irene Adler appears in which Sherlock Holmes story? | 0:04:48 | 0:04:53 | |
Well, I do know it, | 0:04:59 | 0:05:01 | |
but it's in my distant memory. | 0:05:01 | 0:05:04 | |
I don't think it's A Case of Identity. | 0:05:04 | 0:05:07 | |
Study in Scarlet, I believe, was the first one. | 0:05:08 | 0:05:11 | |
Scandal in Bohemia... | 0:05:13 | 0:05:15 | |
Irene Adler... Sounds like she should be Bohemian. | 0:05:15 | 0:05:18 | |
Um, I'm gonna go for Study in Scarlet. | 0:05:18 | 0:05:21 | |
Okay. Irene Adler appears in... | 0:05:22 | 0:05:24 | |
..A Scandal in Bohemia. | 0:05:25 | 0:05:27 | |
-Bad luck. -Yeah. | 0:05:28 | 0:05:30 | |
Tricky one, though. | 0:05:30 | 0:05:32 | |
Okay, let's see how Dave does with his second question. | 0:05:32 | 0:05:35 | |
Which comedy writer adapted the 1955 film The Ladykillers | 0:05:35 | 0:05:39 | |
for the stage in 2011? | 0:05:39 | 0:05:41 | |
Not heard of this. | 0:05:46 | 0:05:48 | |
Um,... | 0:05:48 | 0:05:50 | |
I'm gonna go down the middle with Graham Linehan. | 0:05:51 | 0:05:53 | |
-I think it's Li-ne-han. -Sorry. | 0:05:53 | 0:05:55 | |
Of Father Ted fame and others. | 0:05:55 | 0:05:58 | |
Graham Linehan is the right answer, anyway. | 0:05:58 | 0:06:00 | |
Whatever you call him, he'll be happy you got that. | 0:06:00 | 0:06:03 | |
Adapted The Ladykillers for the stage in 2011. | 0:06:03 | 0:06:06 | |
Which means you need this, Gary. | 0:06:06 | 0:06:08 | |
Which novel by Nevill Shute concerns the world in the aftermath of a nuclear war? | 0:06:08 | 0:06:14 | |
-A Town Called Alice. -Okay. No deliberation. | 0:06:18 | 0:06:21 | |
A Town Called Alice... | 0:06:21 | 0:06:23 | |
-It's not, Gary, no. Dave? -It's On The Beach. -On The Beach. | 0:06:23 | 0:06:27 | |
I don't know that writer. | 0:06:27 | 0:06:29 | |
-So you thought you'd go for it. -I went for it. -Down the middle again. | 0:06:29 | 0:06:32 | |
Gary got that wrong and threw me a lifeline. Sorry, Gary. | 0:06:32 | 0:06:36 | |
Well, you can discuss that concert way back in the '80s on the way back from the Question Room. | 0:06:36 | 0:06:41 | |
Dave, you're coming back for the Final Round. | 0:06:41 | 0:06:44 | |
Would you both please come back and join your teams? | 0:06:44 | 0:06:47 | |
After that victory by Dave, Gary HAS agreed to let him come to the next Spandau Ballet concert, | 0:06:47 | 0:06:52 | |
but bring your dustpan and brush cos you'll be cleaning up afterwards. | 0:06:52 | 0:06:57 | |
And maybe a hi-vis jacket as well. | 0:06:57 | 0:07:00 | |
As it stands, the Songwriters have lost one Brain from the Final Round. | 0:07:01 | 0:07:04 | |
The Eggheads are all there, but it's very early days. | 0:07:04 | 0:07:06 | |
Our next Head-to-Head is on History. | 0:07:06 | 0:07:09 | |
Who from the Songwriters would like to play this? History. | 0:07:09 | 0:07:12 | |
Tim's the one who had an education. | 0:07:12 | 0:07:15 | |
-He knows all things. -A lot of money was spent on Tim's education. | 0:07:15 | 0:07:18 | |
I know nothing about anything, he knows a lot about everything. | 0:07:18 | 0:07:22 | |
I've now had a terrible build-up and I'll look an even bigger wally when I fail. | 0:07:22 | 0:07:27 | |
Tim, if it is you, would you choose your Egghead? | 0:07:27 | 0:07:29 | |
Can't be Dave. Any of the other four. | 0:07:29 | 0:07:32 | |
Oh. I will go for Judith. | 0:07:33 | 0:07:35 | |
Okay. Let's have Tim and Judith into the Question Room, please. | 0:07:36 | 0:07:40 | |
Tim, you must have picked up an awful lot of knowledge, | 0:07:41 | 0:07:45 | |
just from the writing and researching you've done, including historical knowledge. | 0:07:45 | 0:07:49 | |
I suppose if you do a show that is based on real events, | 0:07:49 | 0:07:53 | |
you have to do some research, but a lot of it has to be made up. | 0:07:53 | 0:07:57 | |
There wasn't a lot of information in the Bible about Judas Iscariot. | 0:07:57 | 0:08:01 | |
But there was a bit about Eva Peron. | 0:08:01 | 0:08:03 | |
Not in the Bible! In the library. | 0:08:03 | 0:08:06 | |
We get you. Now, do you want to go first or second? | 0:08:06 | 0:08:09 | |
I'll go first. | 0:08:09 | 0:08:11 | |
Okay, you're kicking off. Here's your first question. Good luck. | 0:08:13 | 0:08:16 | |
Tonnage was a tax historically imposed on the import of which of these products? | 0:08:16 | 0:08:21 | |
Well, the obvious one would seem to be wine, but maybe too obvious. | 0:08:24 | 0:08:28 | |
But I guess, if I say... | 0:08:28 | 0:08:30 | |
If I don't say wine and it is, I'll look a bigger twit | 0:08:30 | 0:08:34 | |
than if I say one of the others. | 0:08:34 | 0:08:36 | |
So I will go for wine. | 0:08:36 | 0:08:38 | |
Okay. Wine... is the right answer. | 0:08:38 | 0:08:40 | |
A small tip on the first question - never overlook the obvious. | 0:08:40 | 0:08:45 | |
That would be my advice. | 0:08:45 | 0:08:47 | |
Tim didn't and got it. Well done. | 0:08:47 | 0:08:49 | |
Judith. Thorkell the Tall, | 0:08:49 | 0:08:51 | |
who invaded England in the early 11th century, | 0:08:51 | 0:08:54 | |
was from which group of invaders? | 0:08:54 | 0:08:56 | |
Thorkal? T-H-O-R-K-A-L? | 0:08:58 | 0:09:00 | |
K-E-L-L. Thor-KELL, if you want to say it that way. | 0:09:00 | 0:09:04 | |
He sounds like a Viking, to me. | 0:09:04 | 0:09:06 | |
Um, so I'm going to say Viking. | 0:09:06 | 0:09:08 | |
Yep, be around the time, wouldn't it? It's the right answer. | 0:09:08 | 0:09:11 | |
Okay, back to you, Tim. | 0:09:11 | 0:09:13 | |
The American gangster, George Moran, | 0:09:14 | 0:09:16 | |
was better known by what nickname? | 0:09:16 | 0:09:19 | |
I don't know. I mean, again, the obvious one would seem Bugs, | 0:09:21 | 0:09:23 | |
because it's quite like... | 0:09:23 | 0:09:25 | |
It's quite like Bugsy Malone, but maybe, maybe that's not right! | 0:09:25 | 0:09:29 | |
Um.... Fingers sounds like a sort of shoplifter or pickpocket, | 0:09:30 | 0:09:36 | |
rather than a gangster - seems a half-hearted criminal. | 0:09:36 | 0:09:39 | |
So I think I'll go for Toots. | 0:09:39 | 0:09:41 | |
I thought you were gonna go for Bugs. It is Bugs! | 0:09:41 | 0:09:43 | |
-Ah. -Not Toots. Bugs Moran. | 0:09:43 | 0:09:46 | |
Was Tim onto something there? Bugsy Malone sounds like Bugs Moran. | 0:09:46 | 0:09:52 | |
Could it have been besed on that? | 0:09:52 | 0:09:54 | |
Bugs or Bugsy was a kind of generic name for people who were a bit crazy | 0:09:54 | 0:09:58 | |
Bugs in the head. That was the idea. So yeah, Bugs Moran, Bugsy Siegel. | 0:09:58 | 0:10:03 | |
-Okay. -It was a not uncommon name. | 0:10:03 | 0:10:05 | |
Thank you, Eggheads. And Judith, your second question. | 0:10:05 | 0:10:09 | |
What name was given to the 17th-century North American wars, | 0:10:09 | 0:10:13 | |
in which the Iroquoi fought the Hurons and their allies? | 0:10:13 | 0:10:17 | |
I've got a sort of inkle about the Grizzly Wars. | 0:10:20 | 0:10:24 | |
I have an inkling about the Grizzly Wars | 0:10:25 | 0:10:27 | |
and also it's the magic rights. | 0:10:27 | 0:10:29 | |
I'm going to do Grizzly Wars. | 0:10:29 | 0:10:32 | |
For the uninitiated, Judith, if guessing, | 0:10:32 | 0:10:34 | |
likes to go for the "magic rights". | 0:10:34 | 0:10:36 | |
-The right-hand option is NOT the right option in this case. -Oh. | 0:10:36 | 0:10:40 | |
It is the Beaver Wars. | 0:10:40 | 0:10:43 | |
And, er, Huron, Iroquoi - Last of the Mohican territory, isn't it? | 0:10:43 | 0:10:48 | |
Yes, er, wars over the trade in beaver pelts. | 0:10:48 | 0:10:52 | |
It stays all-square. No damage done. | 0:10:52 | 0:10:55 | |
Both slipped up on your second question. | 0:10:55 | 0:10:57 | |
Number three for both of you. This is yours, Tim. | 0:10:57 | 0:11:00 | |
King's Cross in London takes its name from a short-lived monument | 0:11:00 | 0:11:05 | |
that was erected locally, featuring a statue of which king? | 0:11:05 | 0:11:08 | |
Well, I doubt if it's Edward VII. | 0:11:12 | 0:11:14 | |
I don't know when King's Cross got there, | 0:11:14 | 0:11:17 | |
but presumably in the early days of the railways, so early 19th century, | 0:11:17 | 0:11:21 | |
which doesn't help much, | 0:11:21 | 0:11:23 | |
as both George IV and William IV are early 19th-century. | 0:11:23 | 0:11:27 | |
William IV, 1830-37... When did the railways get going? | 0:11:27 | 0:11:32 | |
I'll punt for William IV. | 0:11:32 | 0:11:34 | |
Okay, William IV. Knowing his dates there, on the kings. | 0:11:34 | 0:11:38 | |
And it is George IV. | 0:11:38 | 0:11:40 | |
-TIM SIGHS DEEPLY -No. Okay. Judith. | 0:11:40 | 0:11:44 | |
In the 1600s, the Reverend Devereux Spratt | 0:11:44 | 0:11:47 | |
was one of thousands of British and Irish people captured and enslaved | 0:11:47 | 0:11:51 | |
by pirates from where? | 0:11:51 | 0:11:53 | |
Well, there were famously Corsairs in North Africa. | 0:11:57 | 0:12:02 | |
I think it must be North Africa with the Corsairs. | 0:12:02 | 0:12:05 | |
Okay. North Africa. | 0:12:05 | 0:12:08 | |
Pirates enslaving thousands of British and Irish people, | 0:12:08 | 0:12:11 | |
-including the Reverend Devereux Spratt. It's the right answer! -Oh. | 0:12:11 | 0:12:14 | |
Judith, well done. You've knocked Tim out. | 0:12:14 | 0:12:17 | |
Daphne's going to be very cross with you. | 0:12:18 | 0:12:21 | |
Would you both please come back and join your teams? | 0:12:21 | 0:12:24 | |
So the Songwriters have lost two Brains from the final round, | 0:12:26 | 0:12:28 | |
the Eggheads haven't lost any. | 0:12:28 | 0:12:31 | |
Our next subject - it's Music. | 0:12:31 | 0:12:33 | |
Who'd like to play this? You've got three players left. | 0:12:34 | 0:12:37 | |
Mike, Roger or Gary O? | 0:12:37 | 0:12:39 | |
Who's gonna be...? | 0:12:39 | 0:12:41 | |
-Do you want me to take one for the team? -Do you wanna try? | 0:12:41 | 0:12:44 | |
Roger, we need someone who'd like the Chairman of ASCAP or something. | 0:12:44 | 0:12:49 | |
-Okay. -Or a member of the Songwriters Hall of Fame. | 0:12:49 | 0:12:53 | |
-He is. -It has to be Roger. -Roger Greenaway. -I'll do it. | 0:12:53 | 0:12:57 | |
-Okay, Rog. -Okay, Roger, choose an Egghead - there are three left. | 0:12:57 | 0:13:02 | |
Judith and Dave have played. You can play Kevin, Daphne or Chris. | 0:13:02 | 0:13:06 | |
Daphne. I like a lady, so I'll go with Daphne, if I may. | 0:13:06 | 0:13:09 | |
You'd like a lady, but you'll take Daphne anyway. | 0:13:09 | 0:13:13 | |
She doesn't mind. Let's have Roger and Daphne into the Question Room. | 0:13:13 | 0:13:18 | |
Okay, Roger, I wanna know, I wanna get an insight... | 0:13:19 | 0:13:22 | |
The number of people you've written for, the songs you've written... | 0:13:22 | 0:13:27 | |
Where do the ideas come from? | 0:13:27 | 0:13:29 | |
Do you keep a notebook? Do you force yourself to do it? Does it come through inspiration, or what? | 0:13:29 | 0:13:34 | |
Mostly it comes from conversation, | 0:13:34 | 0:13:36 | |
where somebody says something like "You've got your troubles, son" | 0:13:36 | 0:13:40 | |
and there's a title. | 0:13:40 | 0:13:42 | |
But... Or reading papers, or sometimes just divine inspiration. | 0:13:42 | 0:13:46 | |
If we all knew where it came from, we probably wouldn't tell you. | 0:13:46 | 0:13:50 | |
Exactly. Quite right, too. | 0:13:50 | 0:13:52 | |
But do you write a song because you think | 0:13:52 | 0:13:54 | |
"This really works, I love the lyric, I can hear it in my head," | 0:13:54 | 0:14:00 | |
or do you actually think "I know who could perform this!" | 0:14:00 | 0:14:03 | |
Or are you asked to write for specific singers? | 0:14:03 | 0:14:06 | |
Well, most of my original songs were written for a guy called Roger Cook | 0:14:06 | 0:14:10 | |
and we were both singers, so we just wrote for ourselves. | 0:14:10 | 0:14:14 | |
But slowly but surely, we came off the road as singers, and started to write for other people. | 0:14:14 | 0:14:19 | |
So people would say "Can you write a song for me?" | 0:14:19 | 0:14:22 | |
So you'd study their style and hopefully write a song they could sing, depending on octaves and... | 0:14:22 | 0:14:28 | |
You know, most songs have to be within about 10 notes, | 0:14:28 | 0:14:32 | |
cos lots of people can't sing within two octaves, | 0:14:32 | 0:14:34 | |
although Roger and I could sing up to two octaves. | 0:14:34 | 0:14:37 | |
Let's hope you have a hit here. It's Music, a very broad category. | 0:14:37 | 0:14:41 | |
Let's see how you do. Do you want to go first or second against Daphne? | 0:14:41 | 0:14:45 | |
I'll stay with first, if I may. | 0:14:45 | 0:14:47 | |
Very best of luck, Roger. Here's your first question. | 0:14:50 | 0:14:53 | |
What is the title of the 1980s UK number-one single | 0:14:53 | 0:14:56 | |
in which "ridicule is nothing to be scared of"? is a repeated line? | 0:14:56 | 0:15:01 | |
I have not got a clue. | 0:15:04 | 0:15:07 | |
Um,... | 0:15:08 | 0:15:09 | |
I know I'm gonna be ridiculed now, | 0:15:09 | 0:15:12 | |
because I'm supposed to know about music, um... | 0:15:12 | 0:15:14 | |
I'm gonna guess. | 0:15:14 | 0:15:16 | |
I'm gonna say "Sleeping Beauty". | 0:15:16 | 0:15:18 | |
Okay. I have to go to Gary on this one. | 0:15:18 | 0:15:22 | |
-Gary? -Oh, dear. Adam Ant. Prince Charming. | 0:15:24 | 0:15:26 | |
Prince Charming. I mean, d'you know Adam well? | 0:15:26 | 0:15:29 | |
-Did you know him well in those days? -We were very competitive. | 0:15:29 | 0:15:33 | |
We tried to avoid all the stars during the '80s | 0:15:33 | 0:15:35 | |
and run our own course. | 0:15:35 | 0:15:38 | |
"Ridicule is nothing to be scared of." | 0:15:38 | 0:15:40 | |
Given the clothes you lot were wearing, that was a very apt song. | 0:15:40 | 0:15:44 | |
-Thank you, Dermot(!) -LAUGHTER | 0:15:44 | 0:15:46 | |
Okay, it's Prince Charming. So, as you see, Roger, nothing for you. | 0:15:46 | 0:15:51 | |
So Daphne, what was the first name of the Czech composer called Dvorak? | 0:15:51 | 0:15:56 | |
Sorry, Roger. It's Antonin. | 0:16:00 | 0:16:03 | |
It is the right answer. It doesn't soften the blow, you apologising. | 0:16:04 | 0:16:08 | |
Roger, your second question. | 0:16:08 | 0:16:09 | |
In which year was "Beautiful Day" a UK number-one single for U2? | 0:16:09 | 0:16:14 | |
"Beautiful Day", U2. Um,... | 0:16:17 | 0:16:20 | |
Again, I'm not sure. I don't think it was 2000. | 0:16:20 | 0:16:24 | |
Could be 1980 or 1990. | 0:16:26 | 0:16:28 | |
Um,... I'm gonna go down the middle and say 1990. | 0:16:28 | 0:16:33 | |
Okay, 1990. It's tricky, | 0:16:33 | 0:16:35 | |
with a band as successful over such a long period of time as U2 | 0:16:35 | 0:16:39 | |
to narrow down any of those dates. | 0:16:39 | 0:16:41 | |
1980 just about too early for them. | 0:16:41 | 0:16:44 | |
But it is 2000. | 0:16:44 | 0:16:46 | |
And, er, Daphne. | 0:16:46 | 0:16:48 | |
Which band found fame in the 1980s with Dave Gahan as lead vocalist? | 0:16:48 | 0:16:54 | |
Which band found fame in the 1980s | 0:16:56 | 0:16:59 | |
with Dave Gahan as lead vocalist? | 0:16:59 | 0:17:02 | |
Ooh. Ha. | 0:17:04 | 0:17:06 | |
The 1980s passed me by. | 0:17:06 | 0:17:08 | |
Um,... | 0:17:09 | 0:17:10 | |
Depeche Mode. | 0:17:11 | 0:17:13 | |
-Is the right answer. -DAPHNE CHUCKLES | 0:17:13 | 0:17:16 | |
Keep coming back to you, Gary. | 0:17:16 | 0:17:18 | |
When Daphne said the 1980s passed her by, I thought "Same for Gary." | 0:17:18 | 0:17:21 | |
-He WAS there but,... -I don't remember much of them. -Exactly. | 0:17:21 | 0:17:24 | |
Okay, well, two-nil. | 0:17:24 | 0:17:27 | |
I'm afraid the round's over. | 0:17:27 | 0:17:29 | |
I wanted to ask some more questions. | 0:17:29 | 0:17:31 | |
Roger, you're not in the Final Round. Daphne, you are. | 0:17:31 | 0:17:34 | |
Would you both please come back and join your teams? | 0:17:34 | 0:17:37 | |
Songwriters, I know you can turn it round. You've lost three Brains, | 0:17:37 | 0:17:41 | |
but I've a good feeling about this category, our last before the Final Round. | 0:17:41 | 0:17:46 | |
And it's Geography. | 0:17:46 | 0:17:48 | |
Well-travelled, I know. It's Gary or Mike left, there. | 0:17:48 | 0:17:51 | |
Shall I take it on the chin? | 0:17:51 | 0:17:54 | |
You probably know more about stuff than I do, but... | 0:17:54 | 0:17:58 | |
-I'm very patchy. -I left school at 15. | 0:17:58 | 0:18:01 | |
Which of you could do General Knowledge? Are you better? | 0:18:01 | 0:18:05 | |
He's got a David Attenborough box set, haven't you? | 0:18:05 | 0:18:08 | |
-Up to you, Michael. -I'll do Geography. -Okay. | 0:18:08 | 0:18:10 | |
Stay with us, Mike, and choose your Egghead. | 0:18:10 | 0:18:13 | |
The remaining Eggheads are Kevin and Chris. | 0:18:13 | 0:18:16 | |
Both killers. | 0:18:16 | 0:18:18 | |
-Kevin. -Kevin? Okay. Why not? | 0:18:19 | 0:18:22 | |
Mike and Kevin, into the Question Room. | 0:18:22 | 0:18:24 | |
Let's play the Geography round. | 0:18:25 | 0:18:27 | |
-Do you want to go first or second? -I'll go first. | 0:18:27 | 0:18:30 | |
Mike, best of luck. Let's see if you can winkle Kevin out of the game. | 0:18:34 | 0:18:38 | |
Here's your question. Which residence enjoys the largest private garden in central London? | 0:18:38 | 0:18:43 | |
Well, it certainly isn't 10 Downing Street. | 0:18:47 | 0:18:51 | |
Um, unless Winfield House is a trick, sort of diversion question, | 0:18:51 | 0:18:59 | |
I'm going to go for the obvious, which is Buckingham Palace. | 0:18:59 | 0:19:02 | |
Buckingham Palace - the obvious. | 0:19:02 | 0:19:04 | |
As I always say, don't ignore it in the first question. | 0:19:04 | 0:19:06 | |
It's the right answer. Well done. | 0:19:06 | 0:19:08 | |
All right. This is your question, Kevin. | 0:19:08 | 0:19:11 | |
Sidmouth is a coastal resort in which English county? | 0:19:11 | 0:19:14 | |
Sidmouth is a coastal resort in which English county? | 0:19:16 | 0:19:19 | |
I've been there a few times. It's Devon. | 0:19:20 | 0:19:23 | |
You would've been(!) It's the right answer. | 0:19:23 | 0:19:26 | |
Okay, Mike. | 0:19:26 | 0:19:28 | |
La Guardia airport is located in which US city? | 0:19:28 | 0:19:31 | |
La Guardia airport is located in which US city? | 0:19:34 | 0:19:37 | |
It's in New York, Dermot. | 0:19:37 | 0:19:40 | |
-It is and I bet you've been there many times. -I have, several times. | 0:19:40 | 0:19:44 | |
Good, right, you've got two. Going well. | 0:19:44 | 0:19:47 | |
Kevin. Denpasar and Singaraja are cities on which Indonesian island? | 0:19:47 | 0:19:53 | |
I'll just have a think about that. | 0:19:56 | 0:19:58 | |
I think I know what it is, but I'm just, er... | 0:19:58 | 0:20:01 | |
It's D-E-N-P-A-double S-A-R? | 0:20:01 | 0:20:05 | |
-It's single S. -Single S. What was the other one? Sin...? | 0:20:05 | 0:20:09 | |
Singaraja. S-I-N-G-A-R-A-J-A. | 0:20:09 | 0:20:13 | |
Yeah. That's Bali. | 0:20:14 | 0:20:16 | |
I love the way it just suddenly clicks. | 0:20:17 | 0:20:19 | |
-Well. -Bang! It's the right answer. | 0:20:19 | 0:20:22 | |
It's going well for both of you. | 0:20:22 | 0:20:25 | |
Mike, can you really put the pressure on Kevin here? | 0:20:25 | 0:20:27 | |
The city of Concepcion is the capital of the Bio Bio region in which country? | 0:20:27 | 0:20:33 | |
I don't think it's Philippines, it just doesn't sound Philippine. | 0:20:36 | 0:20:39 | |
Er, Concepcion, it's a Spanish ending. | 0:20:39 | 0:20:43 | |
It's gotta be Chile or Spain. I'm gonna say Spain. | 0:20:43 | 0:20:47 | |
It's Chile. Oh, no! | 0:20:48 | 0:20:50 | |
Narrowed it down. Luck really isn't going with you guys today. | 0:20:50 | 0:20:54 | |
So, Kevin, a chance to get through. | 0:20:54 | 0:20:56 | |
An unusually large and valuable deposit of which mineral | 0:20:56 | 0:20:59 | |
was discovered at Grey Knotts in Cumbria, | 0:20:59 | 0:21:02 | |
probably in the 16th century? | 0:21:02 | 0:21:04 | |
Well, kaolin I would associate more with china clay, clay industry, | 0:21:07 | 0:21:12 | |
and I'd associate that more with Cornwall. | 0:21:12 | 0:21:14 | |
Alum, various places. | 0:21:15 | 0:21:17 | |
But I think in Cumbria, | 0:21:17 | 0:21:19 | |
that's where you get the graphite for pencils from. | 0:21:20 | 0:21:24 | |
Great big deposits there. I may be wrong. | 0:21:24 | 0:21:27 | |
The name Grey Knotts doesn't ring any particular bell, | 0:21:27 | 0:21:30 | |
but with Cumbria, I would associate graphite. | 0:21:30 | 0:21:33 | |
Okay, so they could have made a very big pencil. It is the right answer. | 0:21:33 | 0:21:37 | |
You've won the round. Bad luck, Mike. | 0:21:37 | 0:21:40 | |
Would you both please come back and join your teams? | 0:21:40 | 0:21:43 | |
So this is what we've been playing towards. | 0:21:43 | 0:21:46 | |
It's time for the Final Round, which as always is General Knowledge. | 0:21:46 | 0:21:49 | |
Those who lost your Head-to-Heads won't be allowed to take part. | 0:21:49 | 0:21:53 | |
So Mike, Tim, Gary and Roger from the Songwriters - | 0:21:53 | 0:21:56 | |
would you leave the studio, please? | 0:21:56 | 0:21:58 | |
Gary, before we start, five Elton John albums you've worked on, is it? | 0:22:00 | 0:22:04 | |
-Yes. -What's he like? He's got a reputation. A bit like the Eggheads. | 0:22:04 | 0:22:09 | |
-But when you see them up close... -They're lovely, up close and personal. | 0:22:09 | 0:22:14 | |
They've made us feel very welcome. | 0:22:14 | 0:22:16 | |
Is Elton a bit like that? | 0:22:16 | 0:22:18 | |
He's the most wonderful person to work with, because he's so talented. | 0:22:18 | 0:22:22 | |
When he gives you a job, he just lets you get on with it, | 0:22:22 | 0:22:26 | |
He would give me a tune, I'd write a lyric, I'd take it back... | 0:22:26 | 0:22:30 | |
I never got a pat on the back, he would just go in and sing it. | 0:22:30 | 0:22:34 | |
Most of the people I've written with would take it apart, change things. | 0:22:34 | 0:22:39 | |
He would just assume that it was right and go and do it. | 0:22:39 | 0:22:42 | |
Fool, because it was mostly wrong. | 0:22:42 | 0:22:44 | |
-But it's that level of trust. -It was nice. | 0:22:44 | 0:22:46 | |
Now, I'm gonna tell you what we're gonna do. | 0:22:46 | 0:22:49 | |
You're playing to win the Songwriters £10,000. | 0:22:49 | 0:22:52 | |
Judith, Kevin, Dave, Daphne and Chris, you're playing for something money can't buy - | 0:22:52 | 0:22:56 | |
the Eggheads' reputation, that's it. | 0:22:56 | 0:22:58 | |
As usual, I ask each team three questions in turn. | 0:22:58 | 0:23:01 | |
Gary, they're all General Knowledge and you lot are allowed to confer. | 0:23:01 | 0:23:05 | |
The question is, Gary, is your one brain better than the Eggheads' five? | 0:23:05 | 0:23:10 | |
You get to choose. Do you wanna go first or second? | 0:23:10 | 0:23:12 | |
I'm gonna go second, cos we didn't do very well going first. | 0:23:12 | 0:23:16 | |
Let's hope it works. A switch in tactics, putting the Eggheads first. | 0:23:19 | 0:23:22 | |
Which creature's name is used to describe a long, thick, drooping moustache? | 0:23:22 | 0:23:28 | |
Which creature's name is used | 0:23:30 | 0:23:32 | |
to describe a long, thick, drooping moustache? | 0:23:32 | 0:23:35 | |
-(EGGHEADS IN UNISON) Walrus? -Yeah, walrus. -Go with walrus. | 0:23:35 | 0:23:39 | |
Yeah, that's walrus, Dermot. | 0:23:39 | 0:23:41 | |
-(DERMOT CHUCKLES) -You are the walrus. | 0:23:41 | 0:23:43 | |
-Koo-koo-ka-choo. -Yeah. It is the right answer. So, walrus. | 0:23:43 | 0:23:47 | |
Okay, Gary, your first question. | 0:23:47 | 0:23:50 | |
Which mechanism uses a valve controlled by a flotation device | 0:23:50 | 0:23:54 | |
to regulate the flow of water in a toilet cistern? | 0:23:54 | 0:23:57 | |
Which mechanism uses a valve controlled by a flotation device | 0:24:01 | 0:24:04 | |
to regulate the flow of water in a toilet cistern? | 0:24:04 | 0:24:06 | |
You make them all sound so charming. | 0:24:07 | 0:24:10 | |
I know! Isn't it amazing, the questions we get here? | 0:24:10 | 0:24:13 | |
I think we're gonna have to go for ballcock. | 0:24:13 | 0:24:16 | |
It's just great hearing you say that. It is the right answer! | 0:24:16 | 0:24:20 | |
One each, looking at the scores. | 0:24:20 | 0:24:23 | |
Good start for both teams. | 0:24:23 | 0:24:25 | |
Eggheads, which river flows through the site of London's 2012 Olympic Park? | 0:24:25 | 0:24:30 | |
Which river flows through the site | 0:24:33 | 0:24:35 | |
of London's 2012 Olympic Park? | 0:24:35 | 0:24:36 | |
-My old stomping ground. -The river Lea. -Yes. -It's the Lea. | 0:24:38 | 0:24:41 | |
Flows out the Thames at Bow Creek. | 0:24:41 | 0:24:43 | |
That's the Lea, Dermot. | 0:24:43 | 0:24:45 | |
The Lea. | 0:24:45 | 0:24:47 | |
-You were saying, your old stomping ground? -My old stomping ground. | 0:24:47 | 0:24:51 | |
Have they built over... Is it exactly on the site? | 0:24:51 | 0:24:56 | |
The stadium itself is where Bow Midland Goods Depot was. | 0:24:56 | 0:24:59 | |
A lot of it wiped out Temple Mills Marshalling Yard. | 0:24:59 | 0:25:02 | |
What they didn't take, the Channel Tunnel rail link did, so... | 0:25:02 | 0:25:05 | |
That's a scandal. They should never have had the Olympics. | 0:25:05 | 0:25:09 | |
-They should have left the yard there. -Yeah. | 0:25:09 | 0:25:11 | |
It is the right answer. | 0:25:11 | 0:25:13 | |
Well done, Eggheads. And Gary's second question. | 0:25:13 | 0:25:17 | |
The songs "Steam Heat" and "Hey There, You With The Stars In Your Eyes" | 0:25:17 | 0:25:22 | |
are from which 1950s musical? | 0:25:22 | 0:25:24 | |
The songs "Steam Heat" | 0:25:27 | 0:25:29 | |
and "Hey There, You With The Stars In Your Eyes" | 0:25:29 | 0:25:31 | |
are from which 1950s musical? | 0:25:31 | 0:25:34 | |
Well, The Crying Game was written by my friend Geoff Stephens, | 0:25:34 | 0:25:38 | |
The Beautiful Game was about football... | 0:25:38 | 0:25:40 | |
-HE SINGS -# Hey there | 0:25:40 | 0:25:42 | |
# You with the stars in your eyes # | 0:25:42 | 0:25:43 | |
From The Pajama Game. | 0:25:43 | 0:25:45 | |
Fantastic, the way that fell. It's the right answer. | 0:25:45 | 0:25:48 | |
Well done, Gary. Lovely. That's good to see. | 0:25:48 | 0:25:51 | |
Okay. It's two-all. The Eggheads might start to get worried. | 0:25:51 | 0:25:55 | |
They'd be very worried if they don't get this. | 0:25:55 | 0:25:57 | |
What was the nickname | 0:25:57 | 0:25:59 | |
of the silent-movie actress called Theda Bara? | 0:25:59 | 0:26:02 | |
What was the nickname of the silent-movie actress | 0:26:05 | 0:26:07 | |
called Theda Bara? | 0:26:07 | 0:26:09 | |
-I think Bara was the Vamp. -Yeah, the Vamp. | 0:26:09 | 0:26:12 | |
The Biograph Girl was Florence Lawrence. The It Girl was Clara Bow. | 0:26:12 | 0:26:16 | |
-Clara Bow, yeah. The Biograph Girl was... -Florence Lawrence. | 0:26:16 | 0:26:21 | |
Yeah. Theda Bara was the Vamp, Dermot. | 0:26:21 | 0:26:24 | |
Theda Bara was the Vamp. It is the right answer, I'll give you that. | 0:26:25 | 0:26:30 | |
So there were Biograph Girls and It Girls as well? Who were they? | 0:26:30 | 0:26:33 | |
The Biograph Girl was one of the very earliest stars | 0:26:33 | 0:26:36 | |
to be identified by name in the very early days of cinema, | 0:26:36 | 0:26:40 | |
and her name was Florence Lawrence. | 0:26:40 | 0:26:42 | |
Great name, isn't it? | 0:26:42 | 0:26:44 | |
And the It Girl, like Theda Bara, slightly later in the '20s, | 0:26:44 | 0:26:48 | |
-was Clara Bow. Mm. -Clara Bow. | 0:26:48 | 0:26:51 | |
Gary, you need this, but you're doing really well. | 0:26:53 | 0:26:56 | |
Let's see if you can do it for the team. | 0:26:56 | 0:26:58 | |
In 1957, which British tennis player won both the Women's Singles and Doubles titles at the French Open? | 0:26:58 | 0:27:06 | |
In 1957, which British tennis player | 0:27:10 | 0:27:13 | |
won both the Women's Singles and Doubles titles at the French Open? | 0:27:13 | 0:27:17 | |
Well,... | 0:27:17 | 0:27:19 | |
I don't wanna make a bloomer... | 0:27:20 | 0:27:22 | |
The only one I've actually heard of is Angela Mortimer, | 0:27:22 | 0:27:25 | |
so I'm gonna go for her. | 0:27:25 | 0:27:27 | |
Okay, Angela Mortimer, | 0:27:27 | 0:27:29 | |
as the winner of both the Singles and Doubles titles... | 0:27:29 | 0:27:30 | |
Ooh! Can't change my mind, can I? | 0:27:30 | 0:27:33 | |
-No. -Sorry, no. It has been selected. | 0:27:33 | 0:27:36 | |
What would you have changed it to? | 0:27:36 | 0:27:39 | |
-I would've gone for Kitty Godfree. -That's interesting, | 0:27:39 | 0:27:42 | |
-because it's Shirley Bloomer! -Ah! | 0:27:42 | 0:27:45 | |
-The Bloomer you didn't wanna make. -I was never gonna get that right. | 0:27:45 | 0:27:48 | |
If we'd given you three goes, you would've got it. | 0:27:48 | 0:27:50 | |
Shirley Bloomer. Which means, Eggheads, you've won. | 0:27:50 | 0:27:54 | |
You gave it a good crack there, Gary. It's tough being on your own. | 0:27:59 | 0:28:02 | |
But three-two is no disgrace against five of them. | 0:28:02 | 0:28:05 | |
-We hope you've enjoyed the Final Round. -Thank you. | 0:28:05 | 0:28:07 | |
We've enjoyed all the rounds. It has been fantastic having such an array... | 0:28:07 | 0:28:12 | |
-There they are! -..of musical talent in the same studio as the Eggheads. | 0:28:12 | 0:28:17 | |
We, seriously, are not worthy. | 0:28:17 | 0:28:19 | |
-I'm saying that for you, Eggheads. -It's true, yes. -Just agree with me. | 0:28:19 | 0:28:23 | |
Thank you once again. The Eggheads have done what comes naturally. | 0:28:23 | 0:28:26 | |
Their winning streak continues, I'm afraid. You haven't won the £10,000. | 0:28:26 | 0:28:30 | |
So that money will head to Children In Need, to add to this year's appeal. | 0:28:30 | 0:28:34 | |
Eggheads, congratulations. Who will beat you? | 0:28:34 | 0:28:38 | |
Join us next time, to see if a new team of challengers have the brains to defeat our Eggheads. | 0:28:38 | 0:28:42 | |
Until then, goodbye! | 0:28:42 | 0:28:44 | |
Subtitles by Red Bee Media Ltd | 0:29:06 | 0:29:08 |