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These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
Together, they make up the Eggheads, | 0:00:10 | 0:00:12 | |
arguably the most formidable quiz team in the country. | 0:00:12 | 0:00:14 | |
The question is, can they be beaten? | 0:00:17 | 0:00:20 | |
Welcome to a special celebrity edition of Eggheads, | 0:00:22 | 0:00:26 | |
the show where a team of five quiz challengers pit their wits | 0:00:26 | 0:00:29 | |
against possibly the greatest quiz team in Britain. | 0:00:29 | 0:00:31 | |
Here they are, the Eggheads! | 0:00:31 | 0:00:33 | |
-How's that for a build-up? You like that, do you? -Yeah. | 0:00:33 | 0:00:36 | |
OK. Challenging the quizzing prowess of the Eggheads are... | 0:00:36 | 0:00:38 | |
Now everyone on this team is surely going to be fighting over | 0:00:40 | 0:00:43 | |
the music category if it comes up, as they are all DJs | 0:00:43 | 0:00:46 | |
at the BBC's Asian Network. | 0:00:46 | 0:00:48 | |
-So let's meet them. -I'm Noreen Khan and I present the Afternoon Show | 0:00:48 | 0:00:52 | |
on the BBC Asian Network. | 0:00:52 | 0:00:54 | |
I'm Tommy Sandhu and I host the Breakfast Show on the Asian Network. | 0:00:54 | 0:00:57 | |
I'm the only one out of this lot that doesn't get a lie-in in the mornings. | 0:00:57 | 0:01:01 | |
My name is Mim Shaikh, | 0:01:01 | 0:01:02 | |
I present the Thursday Evening Show on the BBC Asian Network | 0:01:02 | 0:01:05 | |
as well as the Weekend Breakfast Show on BBC Radio 1Xtra. | 0:01:05 | 0:01:08 | |
My name's Bobby Friction. I present the Drivetime Show, | 0:01:08 | 0:01:11 | |
I'm a journalist, documentary maker | 0:01:11 | 0:01:13 | |
and I'm in love with the one true religion they call music. | 0:01:13 | 0:01:16 | |
Hi. My name is Guz Khan - stand-up comedian, | 0:01:16 | 0:01:19 | |
radio presenter with the BBC Asian Network. | 0:01:19 | 0:01:21 | |
-Hairy and handsome. -So, Noreen and team, hello. | 0:01:21 | 0:01:24 | |
-Hi. -Great to see you all. | 0:01:24 | 0:01:26 | |
And, Noreen, are you actually in charge here? | 0:01:26 | 0:01:28 | |
I am officially the team captain. | 0:01:28 | 0:01:30 | |
-And I know you watch the show. -I do, yeah, I'm a big fan. | 0:01:30 | 0:01:33 | |
So you're now confronted by the reality of the five. | 0:01:33 | 0:01:36 | |
Absolutely. It's great just sitting here and seeing all the Eggheads. | 0:01:36 | 0:01:40 | |
And in watching it, have you begun to work out a way of defeating them? | 0:01:40 | 0:01:44 | |
-That's the key thing. -Kind of, yeah, but I've tried explaining that | 0:01:44 | 0:01:47 | |
to the team, but I don't know if they've quite grasped it yet. | 0:01:47 | 0:01:50 | |
-We have, we have grasped it. -As we go through you can... | 0:01:50 | 0:01:53 | |
Yeah, yeah. Mim, you've got it, you've got a sense of a strategy? | 0:01:53 | 0:01:56 | |
Yeah. I can see, I've made eye contact with a lot of them, | 0:01:56 | 0:01:59 | |
-especially Dave. -Has he looked away? -He hasn't looked away yet, so... | 0:01:59 | 0:02:03 | |
-Oh! -..I'm a bit worried. | 0:02:03 | 0:02:04 | |
Oh, dear. Tommy, what about you, any strengths and weaknesses? | 0:02:04 | 0:02:08 | |
I'm flirting with Judith across the table, | 0:02:08 | 0:02:10 | |
and I'm hoping that's going to work. | 0:02:10 | 0:02:12 | |
Let's have a look. It's working already! | 0:02:12 | 0:02:14 | |
-Yeah, I can tell, I can tell. -It's working already. | 0:02:14 | 0:02:16 | |
Her film and TV knowledge has collapsed, I can tell. | 0:02:16 | 0:02:19 | |
Bobby, any particular areas you want to be doing? | 0:02:19 | 0:02:21 | |
I want to do music... | 0:02:21 | 0:02:23 | |
-Of course! -I want to do politics as well, cos I like to think I'm | 0:02:23 | 0:02:26 | |
a Jeremy Vine in training. | 0:02:26 | 0:02:28 | |
Like a kind of disco Jeremy Vine. | 0:02:28 | 0:02:30 | |
-Funky dubby Jeremy Vine. -Yeah, much more funky than me. | 0:02:30 | 0:02:33 | |
Um, but don't give me sport because I literally can't tell | 0:02:33 | 0:02:37 | |
-a cricket ball from a football. -Guz, what about you? | 0:02:37 | 0:02:39 | |
Er, I thought we were filming Match Of The Day, | 0:02:39 | 0:02:41 | |
-so I'm confused at the moment. -So you're ready for sport, are you? | 0:02:41 | 0:02:44 | |
Yeah, I'll get you, I'll get to grips with the sport, yeah. | 0:02:44 | 0:02:47 | |
OK. How do you feel, Guz, about quizzing in general? | 0:02:47 | 0:02:50 | |
Do you do a pub quiz, do you do a BBC Asian music...? | 0:02:50 | 0:02:53 | |
Is there any moment in your life when you go into a quiz zone? | 0:02:53 | 0:02:56 | |
-For me, I was a secondary school teacher till last year... -I know. | 0:02:56 | 0:02:59 | |
..so elements of quizzing and questions I should be all right with. | 0:02:59 | 0:03:03 | |
-Yes, that's true. -Now, what subjects were you teaching? | 0:03:03 | 0:03:06 | |
All the subjects which kids really struggle with, which is, like, | 0:03:06 | 0:03:09 | |
a lot of it in the school I was in, so humanities related. | 0:03:09 | 0:03:12 | |
So not science, geography, no, it's more... | 0:03:12 | 0:03:15 | |
-A couple of PE lessons, intermittently, yeah. -Yeah. | 0:03:15 | 0:03:18 | |
I'm feeling confident, Jeremy. | 0:03:18 | 0:03:20 | |
Tell me, I'm feeling that we've got something here at the end. | 0:03:20 | 0:03:23 | |
We've got something! We don't know what it is, | 0:03:23 | 0:03:25 | |
-but we've got something! -Can I just share a story? | 0:03:25 | 0:03:28 | |
I met you, and you gave me some advice ages ago | 0:03:28 | 0:03:31 | |
-when I was starting my first radio show. -OK. | 0:03:31 | 0:03:33 | |
And the first bit of advice you gave me was not to panic, | 0:03:33 | 0:03:35 | |
so I'm going to embody the advice that you gave me, tonight, | 0:03:35 | 0:03:39 | |
-and I'm sure everything is going to be fine. -I love that. | 0:03:39 | 0:03:42 | |
Definitely don't panic, and good luck, Challengers. | 0:03:42 | 0:03:45 | |
So every day there is £1,000 worth of cash up for grabs | 0:03:45 | 0:03:48 | |
for our Challengers' chosen charity. | 0:03:48 | 0:03:50 | |
If they fail to defeat the Eggheads, the prize money rolls over to the next show. | 0:03:50 | 0:03:54 | |
OK, now, Faces for Radio, what has happened is that | 0:03:54 | 0:03:56 | |
the Eggheads have upped their game for the celebrity shows, right? | 0:03:56 | 0:04:01 | |
So they've won the last 16 on the trot. | 0:04:01 | 0:04:03 | |
-What?! -Right. -I think that's good. | 0:04:03 | 0:04:05 | |
-No pressure. -That's good, cos every time they win, the money goes up, | 0:04:05 | 0:04:09 | |
so it's £17,000 we're playing for, for your charities, | 0:04:09 | 0:04:12 | |
so the stakes are high, as they say. | 0:04:12 | 0:04:15 | |
And the first head-to-head battle is on the subject of Music. | 0:04:15 | 0:04:19 | |
How about this? | 0:04:19 | 0:04:21 | |
So it's one of you, | 0:04:21 | 0:04:22 | |
Noreen knows this cos she watches, | 0:04:22 | 0:04:24 | |
you choose one to go against either Judith, Kevin, Beth, Barry or Dave. | 0:04:24 | 0:04:28 | |
-OK, so who's going to go from us? -It's got to be Bobby. | 0:04:28 | 0:04:30 | |
-Bobby's wanted this one. -I want to do it. -OK. | 0:04:30 | 0:04:33 | |
So who are we going to choose from the Eggheads? | 0:04:33 | 0:04:35 | |
I can't do chamber music or classical music or Celtic music | 0:04:35 | 0:04:38 | |
-or any other music... -Don't say that now! -No, no, no! | 0:04:38 | 0:04:41 | |
-Never tell them that! -We've got to choose an Egghead. -OK, all right... | 0:04:41 | 0:04:44 | |
-Who's the weakest when it comes to music? -I'm thinking maybe Judith? | 0:04:44 | 0:04:47 | |
Judith. Judith, do you like rap music, dubstep, drum and bass? | 0:04:47 | 0:04:51 | |
-Oh, love it, yes. -Yeah, all right, let's have Judith. | 0:04:51 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
Judith thinks dubstep is the bit before your front door at home. | 0:04:56 | 0:05:00 | |
LAUGHTER Hasn't got a clue about that! | 0:05:00 | 0:05:03 | |
So Bobby from Faces for Radio versus Judith from the Eggheads. | 0:05:03 | 0:05:07 | |
-Are they picking on you, Judith? -Yes! My worst nightmare, this. | 0:05:07 | 0:05:10 | |
To ensure there's no conferring, please take your positions | 0:05:10 | 0:05:13 | |
in our legendary question room. | 0:05:13 | 0:05:15 | |
So, Bobby, your show is the weekday early evening show. | 0:05:17 | 0:05:20 | |
-That's correct, Jeremy. -And so, for Judith's benefit, | 0:05:20 | 0:05:23 | |
cos I don't know if you're on it every day, Judith, | 0:05:23 | 0:05:26 | |
what sort of music do you play? | 0:05:26 | 0:05:28 | |
Basically a mix of South Asian beats and audio, we'll play Bollywood, | 0:05:28 | 0:05:32 | |
which is very glittery, very beautiful. | 0:05:32 | 0:05:35 | |
I play British Asian artists as well, you know, new genres | 0:05:35 | 0:05:38 | |
evolving in this great island of ours when it comes to music. | 0:05:38 | 0:05:41 | |
And then, on top of that, lots of stuff that's from the fringes | 0:05:41 | 0:05:46 | |
and the left-field, and then lots of just mainstream stuff as well. | 0:05:46 | 0:05:49 | |
It's basically a mixed bag of genres. | 0:05:49 | 0:05:51 | |
And you started, actually, on Radio 1, didn't you? | 0:05:51 | 0:05:55 | |
I did, a Radio 1 DJ for eight years. | 0:05:55 | 0:05:56 | |
-How was that? -Brilliant. I travelled the world, DJing, | 0:05:56 | 0:06:00 | |
I travelled the world, essentially living a very rock and roll lifestyle. | 0:06:00 | 0:06:04 | |
It was just glorious, | 0:06:06 | 0:06:07 | |
and then I just had to move on, it was too much. | 0:06:07 | 0:06:10 | |
You're in this very small number of people who can work on | 0:06:10 | 0:06:12 | |
Radio 1 and Radio 4, because I know you've had documentaries on Radio 4, | 0:06:12 | 0:06:15 | |
so you've gone across all those different networks. | 0:06:15 | 0:06:18 | |
Yeah. I love Radio 4, I love making documentaries. | 0:06:18 | 0:06:20 | |
I made one recently on the power of social media, and these bubbles that | 0:06:20 | 0:06:24 | |
we're now all living in, and how it's affecting politics and society. | 0:06:24 | 0:06:29 | |
And then, you know, on a Saturday night, it's just about the music. | 0:06:29 | 0:06:32 | |
So let's give this a go. | 0:06:32 | 0:06:33 | |
Bobby, would you like to go first or second on music? | 0:06:33 | 0:06:36 | |
Just bring it to me, Jeremy. | 0:06:36 | 0:06:38 | |
I think that means first. | 0:06:41 | 0:06:43 | |
LAUGHTER I reckon that means first. | 0:06:43 | 0:06:46 | |
Here we go. Here's your question. | 0:06:46 | 0:06:48 | |
Noel Sullivan and Danny Foster found fame as the male members | 0:06:48 | 0:06:53 | |
of which group, formed in 2001? | 0:06:53 | 0:06:55 | |
OK. So S Club 7 were formed, | 0:07:00 | 0:07:03 | |
I assume, I'm thinking before 2001. | 0:07:03 | 0:07:06 | |
I could be wrong, let's just move them to the side. | 0:07:06 | 0:07:10 | |
One Direction, I don't really know all their names, apart from | 0:07:10 | 0:07:13 | |
the brother, Zayn Malik. But I don't think there's | 0:07:13 | 0:07:16 | |
a Danny Foster, so I'm going to go with Hear'Say. | 0:07:16 | 0:07:19 | |
Hear'Say is the answer. Well done, you've got it right. | 0:07:19 | 0:07:22 | |
Yes! | 0:07:22 | 0:07:24 | |
That is... Beware, we do not necessarily do fashionable music | 0:07:24 | 0:07:28 | |
here, that is the trouble, that is the danger. | 0:07:28 | 0:07:30 | |
OK. Judith. | 0:07:31 | 0:07:33 | |
Blue Lines, released in 1991, | 0:07:33 | 0:07:36 | |
is the debut album by which group? | 0:07:36 | 0:07:39 | |
Blue Lines, Judith? | 0:07:39 | 0:07:41 | |
-Why are you laughing? -I don't know, it's funny names. | 0:07:43 | 0:07:46 | |
I really don't know. | 0:07:48 | 0:07:50 | |
I'm going to go down the magic right and say Elbow. | 0:07:50 | 0:07:53 | |
Elbow is the wrong answer. | 0:07:53 | 0:07:55 | |
-I thought it would be. -Go on, Bobby, tell us. | 0:07:55 | 0:07:57 | |
The seminal first album from Massive Attack. | 0:07:57 | 0:08:00 | |
Yeah. Massive Attack. The one I've got is Mezzanine, | 0:08:00 | 0:08:02 | |
which is amazing. Well done, Bobby. | 0:08:02 | 0:08:04 | |
Sorry, Judith, you got that wrong. | 0:08:04 | 0:08:06 | |
This is not looking good at the moment. | 0:08:06 | 0:08:07 | |
No, it isn't. I didn't expect it to, though. | 0:08:07 | 0:08:09 | |
All right. Bobby, here's your question. | 0:08:09 | 0:08:11 | |
The American rapper born Cameron Jibril Thomaz in 1987 | 0:08:11 | 0:08:15 | |
found fame under what stage name? | 0:08:15 | 0:08:19 | |
All right, so if he was born in 1987 he can't be Snoop or Dre, | 0:08:25 | 0:08:29 | |
because they were already killing it in the early '90s. | 0:08:29 | 0:08:32 | |
It's got to be the man, the brother, Wiz Khalifa. | 0:08:32 | 0:08:36 | |
It is indeed the man, the brother, Wiz Khalifa. | 0:08:36 | 0:08:39 | |
-LAUGHTER See, I'm getting it! -Yeah. | 0:08:39 | 0:08:41 | |
-You got it, you got it. -Seriously, Jez, you got this, fam. | 0:08:41 | 0:08:44 | |
All right, I've got this. | 0:08:44 | 0:08:45 | |
-You've got to say you've got this, fam. -Jez, say you're the man. | 0:08:45 | 0:08:48 | |
You've got this, fam. | 0:08:48 | 0:08:50 | |
LAUGHTER You got it. | 0:08:50 | 0:08:52 | |
OK, Judith. How do I warn Judith she's in danger of going out, | 0:08:52 | 0:08:56 | |
-what do I say? -Leave it babes, innit? | 0:08:56 | 0:08:58 | |
-Just leave it. -Leave it babes, innit? | 0:08:58 | 0:09:00 | |
What? | 0:09:00 | 0:09:02 | |
LAUGHTER | 0:09:02 | 0:09:03 | |
OK, that's a way of just saying that if you get this wrong, Judith, | 0:09:03 | 0:09:06 | |
-you will have gone. -Yes, I realise. | 0:09:06 | 0:09:09 | |
Here it is. Justine Frischmann was a guitarist and lead singer | 0:09:09 | 0:09:13 | |
for which band in the 1990s? | 0:09:13 | 0:09:16 | |
Justine Frischmann. | 0:09:16 | 0:09:18 | |
I have absolutely no idea. | 0:09:22 | 0:09:23 | |
Magic right again, Catatonia. | 0:09:23 | 0:09:25 | |
Dave, you know this. | 0:09:25 | 0:09:27 | |
It's Elastica, because she was well known for, at the time, | 0:09:27 | 0:09:32 | |
also for having a relationship with Damon Albarn from Blur. | 0:09:32 | 0:09:35 | |
-Right. -But it's Elastica, Justine Frischmann. | 0:09:35 | 0:09:37 | |
OK. The answer is Elastica. | 0:09:37 | 0:09:40 | |
I'm sorry, Judith, that's been a bit of a difficult one for you, | 0:09:40 | 0:09:43 | |
hasn't it? It's the lack of opera, I think, that did it. | 0:09:43 | 0:09:46 | |
Well done, Bobby, you've won, you've won the round, this is good. | 0:09:46 | 0:09:49 | |
-Bobby! Bobby! -Yay! | 0:09:49 | 0:09:51 | |
So Bobby Friction's in the final, Judith Keppel has been knocked out. | 0:09:51 | 0:09:55 | |
Early days, return to us, please, we'll play on. | 0:09:55 | 0:09:58 | |
OK. Noreen, that was good. | 0:09:59 | 0:10:00 | |
-That was good, Bobby. -Yeah, well done. | 0:10:00 | 0:10:02 | |
-Thank you, but I want to do politics as well. -Ah! -You can't. | 0:10:02 | 0:10:05 | |
I know, because we never have anyone say they want to do politics. | 0:10:05 | 0:10:08 | |
Tommy's doing that. I've decided. | 0:10:08 | 0:10:10 | |
Anyway, all right, so listen, Faces for Radio, | 0:10:10 | 0:10:13 | |
this is an excellent start, | 0:10:13 | 0:10:14 | |
and remember, all the other celeb teams have gone down. | 0:10:14 | 0:10:16 | |
So, in fact, a lot lost in the first round. | 0:10:16 | 0:10:19 | |
So you're doing well, no brains gone so far. | 0:10:19 | 0:10:23 | |
The Eggheads, we're almost starting to feel sorry for, they've lost a brain. | 0:10:23 | 0:10:26 | |
We're not really feeling sorry for them at all, though. | 0:10:26 | 0:10:29 | |
The next subject is Arts & Books. | 0:10:29 | 0:10:31 | |
Who wants this? | 0:10:31 | 0:10:32 | |
-I think... -This is where the Eggheads may get dangerous. | 0:10:32 | 0:10:36 | |
He's going to be all right. I don't think you'll be all right. | 0:10:36 | 0:10:38 | |
I think Noreen should do Arts & Books. | 0:10:38 | 0:10:40 | |
-What if Sport comes up? -I prefer sports to Arts & Books. | 0:10:40 | 0:10:43 | |
-Yeah... -You do it, then. -Arts & Books, yeah? | 0:10:43 | 0:10:46 | |
-OK, I'll do Arts & Books. -Great, Noreen! | 0:10:46 | 0:10:48 | |
OK, and which Egghead would you like to take on - so Dave, Barry, | 0:10:48 | 0:10:52 | |
you've got the nearest Egghead Beth, or Kevin. | 0:10:52 | 0:10:54 | |
Think. You know them, Noreen, so think what you want | 0:10:54 | 0:10:57 | |
but I do think that taking Barry down early on is always advisable. | 0:10:57 | 0:11:01 | |
Then they'll all crumble. | 0:11:01 | 0:11:03 | |
I've still got my eyes on Dave, you know. | 0:11:03 | 0:11:05 | |
Dave hasn't made no room for eye contact. | 0:11:05 | 0:11:08 | |
And you know Kevin and Beth, they're both looking at all of us | 0:11:08 | 0:11:12 | |
like, "Just you try it." | 0:11:12 | 0:11:15 | |
Yeah. | 0:11:15 | 0:11:16 | |
-Dave. -OK, Dave. | 0:11:16 | 0:11:18 | |
All right, good stuff. Noreen from Faces for Radio versus | 0:11:18 | 0:11:21 | |
Dave from the Eggheads. I'm just sensing the seriousness | 0:11:21 | 0:11:23 | |
of this challenging team here. | 0:11:23 | 0:11:25 | |
Please take your positions. | 0:11:25 | 0:11:27 | |
Well, I think you're a musician, Noreen, aren't you? | 0:11:29 | 0:11:32 | |
Well, I did do music for about six years at school. | 0:11:32 | 0:11:35 | |
And it was violin and oboe, and you were in a steel band as well. | 0:11:35 | 0:11:38 | |
Yeah, I was in a steel band for over five-and-a-half years, so I spent | 0:11:38 | 0:11:42 | |
a lot of my school life in practice rooms and playing instruments. | 0:11:42 | 0:11:45 | |
And I did actually make an effort to find Sonik Gurus, | 0:11:45 | 0:11:49 | |
your band, on YouTube, and I failed, but I think I might have looked up | 0:11:49 | 0:11:52 | |
the wrong name or something. But is there evidence there? | 0:11:52 | 0:11:54 | |
There is evidence, yeah. | 0:11:54 | 0:11:56 | |
I actually played at one of Bobby Friction's nights | 0:11:56 | 0:11:58 | |
many, many years ago when I was on keyboards, | 0:11:58 | 0:12:01 | |
so, yeah, I've done a lot of music. | 0:12:01 | 0:12:04 | |
So to go...and I know this is the same at Radio 2, to be | 0:12:04 | 0:12:07 | |
somebody who loves to play music, to go into a station and play | 0:12:07 | 0:12:11 | |
other people's music to your listeners is just wonderful. | 0:12:11 | 0:12:14 | |
It's the dream job, really, I can't complain. | 0:12:14 | 0:12:16 | |
All right, well, let's see how you do here, Noreen. | 0:12:16 | 0:12:19 | |
It is Arts & Books, I know it's not your first choice. | 0:12:19 | 0:12:21 | |
You can choose whether you go first or get Dave to go first. | 0:12:21 | 0:12:24 | |
I'll go first. | 0:12:24 | 0:12:25 | |
So here we go with your first question, good luck. | 0:12:28 | 0:12:30 | |
Which of these Shakespeare plays is considered a tragedy? | 0:12:30 | 0:12:33 | |
I wish I'd paid attention now in A-level English. | 0:12:38 | 0:12:42 | |
Um... | 0:12:42 | 0:12:44 | |
For some reason I'm thinking Twelfth Night, | 0:12:44 | 0:12:48 | |
but not a Shakespeare expert. | 0:12:48 | 0:12:50 | |
I'm going to go with that one. | 0:12:51 | 0:12:53 | |
Let's see if your Challengers know. | 0:12:53 | 0:12:55 | |
-Would you say Twelfth Night here? -No, we wouldn't. | 0:12:55 | 0:12:56 | |
-I think it's King Lear. -Love's Labour's Lost is a comedy. | 0:12:56 | 0:12:59 | |
Yeah, Love's Labour's Lost is a comedy. | 0:12:59 | 0:13:01 | |
Twelfth Night, what do we... Is Twelfth Night a comedy? | 0:13:01 | 0:13:03 | |
-No? -It's kind of comedy. | 0:13:03 | 0:13:04 | |
-It's kind of entertainment. -Yeah, comedy. -It's a play. | 0:13:04 | 0:13:07 | |
It's fun, basically. | 0:13:07 | 0:13:08 | |
And Lear is all, well, screaming and gnashing of teeth. | 0:13:08 | 0:13:11 | |
-Oh. -King Lear is the answer. | 0:13:11 | 0:13:12 | |
Egghead, here's your question. | 0:13:12 | 0:13:14 | |
Where was the poet Dylan Thomas born in 1914? | 0:13:14 | 0:13:18 | |
Dylan Thomas is a Welsh poet. | 0:13:21 | 0:13:23 | |
Wales. | 0:13:23 | 0:13:24 | |
Yeah, Wales is the right answer. | 0:13:24 | 0:13:27 | |
All right. So, Noreen, back to you. | 0:13:27 | 0:13:29 | |
"The stars are not wanted now Put out every one | 0:13:29 | 0:13:33 | |
"Pack up the moon And dismantle the sun" | 0:13:33 | 0:13:35 | |
are lines from which poem? | 0:13:35 | 0:13:37 | |
Going to go for The Raven. | 0:13:43 | 0:13:45 | |
Let's see. Er, Challengers, what do we think? | 0:13:45 | 0:13:48 | |
-We think it's Funeral Blues. -It just sounded quite morbid, so... | 0:13:48 | 0:13:50 | |
It is Funeral Blues. | 0:13:50 | 0:13:52 | |
Oh, sorry, Noreen. | 0:13:52 | 0:13:54 | |
-Just missed it. -Bad guess. | 0:13:54 | 0:13:57 | |
It's the one that, cos this is my favourite poem, | 0:13:57 | 0:13:59 | |
it's the one that is famous for starting, "Stop all the clocks, | 0:13:59 | 0:14:02 | |
"cut off the telephone", that was in Four Weddings. | 0:14:02 | 0:14:05 | |
-Ah, yeah. -We knew that, Jeremy, we knew that. | 0:14:05 | 0:14:07 | |
Yeah. "Prevent the dog from barking with a juicy bone." | 0:14:07 | 0:14:10 | |
-Got that, blud. -All right. | 0:14:10 | 0:14:11 | |
So, Dave, you can take the round with this. | 0:14:11 | 0:14:14 | |
I sort of hope you don't, cos you're going to be knocking out | 0:14:14 | 0:14:16 | |
a great fan of Eggheads here if you do. | 0:14:16 | 0:14:18 | |
Which of these famous works of art was created first, Dave? | 0:14:18 | 0:14:22 | |
I don't think it's The Scream. | 0:14:28 | 0:14:30 | |
Sorry, I'm not going to go for the Mona Lisa. | 0:14:31 | 0:14:33 | |
I'm going to go for the Venus de Milo, please. | 0:14:33 | 0:14:36 | |
Venus de Milo's right, Dave. | 0:14:36 | 0:14:38 | |
You've taken the round. Noreen, sorry. | 0:14:38 | 0:14:40 | |
It just didn't fall right. And it wasn't your subject, really, was it? | 0:14:40 | 0:14:43 | |
-No, not at all. -Well, thank you for playing. | 0:14:43 | 0:14:45 | |
You've been knocked out. It's level. | 0:14:45 | 0:14:47 | |
Please return to us and we'll play round three. | 0:14:47 | 0:14:49 | |
As it stands, Faces for Radio have lost a brain, | 0:14:51 | 0:14:54 | |
now they've lost the team captain. THEY GROAN | 0:14:54 | 0:14:56 | |
It's a blow. We're going to have to get through this. | 0:14:56 | 0:14:59 | |
The Eggheads have also lost one, so it's absolutely level. | 0:14:59 | 0:15:02 | |
No cause for panic yet, | 0:15:02 | 0:15:04 | |
and the next subject, you might like this, actually, Film & TV. | 0:15:04 | 0:15:07 | |
Oh. | 0:15:07 | 0:15:08 | |
Who wants this? No, no, no, no, don't give it out yet. | 0:15:08 | 0:15:11 | |
-He did ask for it. -I did ask for it. -You're going to upset him now. | 0:15:11 | 0:15:14 | |
I'm not going to be upset, I'm saying, is there anyone who wants it? | 0:15:14 | 0:15:18 | |
-Do you want to do it? -I DO want to do it. | 0:15:18 | 0:15:20 | |
I feel confident in it. | 0:15:20 | 0:15:22 | |
But if anybody else thinks they would do a better job... | 0:15:22 | 0:15:25 | |
Can I make a proposal? | 0:15:25 | 0:15:27 | |
I thought you'd also be good at... | 0:15:27 | 0:15:29 | |
That's what I... I did think that as well. | 0:15:29 | 0:15:31 | |
I think... I watch a lot of film and TV, my show ends at ten, | 0:15:31 | 0:15:34 | |
I'm home by 11, all I have is film and TV. | 0:15:34 | 0:15:36 | |
-OK. -So I can, but... | 0:15:36 | 0:15:38 | |
-OK. -If it's your thing, it's your thing. | 0:15:38 | 0:15:41 | |
-See what I mean? -I'm going to make a decision. Tommy's going. | 0:15:41 | 0:15:43 | |
-Oh! -I feel bad. -No. -Are you sure you're all right with that? | 0:15:43 | 0:15:46 | |
-I'm absolutely fine. -I don't want her to come in between us. | 0:15:46 | 0:15:49 | |
-OK, there's lots of other... -We've got to decide | 0:15:49 | 0:15:51 | |
which Egghead goes up against you. | 0:15:51 | 0:15:52 | |
OK, so it's going to be Tommy, Breakfast Show DJ. | 0:15:52 | 0:15:55 | |
You can have... It is the three of them in the middle. It is Barry, | 0:15:55 | 0:15:58 | |
-Beth or Kevin? -Or Barry. | 0:15:58 | 0:16:00 | |
I have a feeling Kevin knows less than Barry. | 0:16:00 | 0:16:03 | |
-Barry knows everything. -No, Kevin knows everything. | 0:16:03 | 0:16:06 | |
You know what it is? It depends on the film. | 0:16:06 | 0:16:08 | |
It is whatever show it is. | 0:16:08 | 0:16:10 | |
It's like you had One Direction and boybands. | 0:16:10 | 0:16:13 | |
-Shall we go for Barry? -Shall we try and take out Barry now? | 0:16:13 | 0:16:16 | |
-Tommy, you have Barry. -Yeah, go for it. | 0:16:16 | 0:16:18 | |
Tommy versus Barry. | 0:16:18 | 0:16:20 | |
-A match made in heaven. -Brilliant. | 0:16:20 | 0:16:22 | |
Barry likes... He likes to play, | 0:16:22 | 0:16:24 | |
let's put it like that, so he'll be pleased to be called. | 0:16:24 | 0:16:27 | |
Let's see how he does. | 0:16:27 | 0:16:28 | |
Tommy from Faces for Radio versus Barry from the Eggheads, | 0:16:28 | 0:16:30 | |
in the shirt, | 0:16:30 | 0:16:32 | |
and to ensure there's no conferring please go to the question room now. | 0:16:32 | 0:16:35 | |
-How are you feeling, Tommy? -Yeah, great. | 0:16:36 | 0:16:39 | |
Your team are cheering you on. | 0:16:41 | 0:16:43 | |
Of course they are. I know those guys. | 0:16:43 | 0:16:45 | |
-I'm sure they are. -And you are... | 0:16:45 | 0:16:47 | |
Let's just get the formalities over with. | 0:16:47 | 0:16:49 | |
You're the presenter of the Breakfast Show on the Asian Network. | 0:16:49 | 0:16:52 | |
-Yeah. That's right. -So you are starting at what time of day? | 0:16:52 | 0:16:55 | |
Start on air at 6am, till ten, four hours every day. | 0:16:55 | 0:16:59 | |
-Man! What? Five days a week? -Five days a week. | 0:16:59 | 0:17:02 | |
-20 hours on air a week? -Yes. -Oh, my goodness. | 0:17:02 | 0:17:05 | |
And do you find that when somebody says, "Can you come out | 0:17:05 | 0:17:07 | |
"on Friday night?" you're just thinking, "You must be joking"? | 0:17:07 | 0:17:10 | |
We've discovered a new thing. For Fridays | 0:17:10 | 0:17:12 | |
we start at one o'clock in the afternoon, and then we're done | 0:17:12 | 0:17:14 | |
by 9pm and in bed by 10. | 0:17:14 | 0:17:17 | |
So all-day-er sessions, that's the way forward on a Friday. | 0:17:17 | 0:17:20 | |
Cos the Breakfast Show is... | 0:17:20 | 0:17:21 | |
With any radio station, it's the one with the biggest audience always... | 0:17:21 | 0:17:25 | |
-Yes. -But it's also the hardest, isn't it? It's real stamina required. | 0:17:25 | 0:17:28 | |
Yeah. I don't know what we talk about and I don't know where the four hours go. | 0:17:28 | 0:17:32 | |
People will quote back things you've said on air | 0:17:32 | 0:17:35 | |
that morning and I don't remember. It's like an exam - | 0:17:35 | 0:17:37 | |
once I walk out of the studio, I've forgotten everything. | 0:17:37 | 0:17:40 | |
And you had a break in a really unusual way, which was Blind Date. | 0:17:40 | 0:17:43 | |
-Yeah! -Tell us about that. | 0:17:43 | 0:17:45 | |
I was at university, the posters were up - | 0:17:45 | 0:17:48 | |
do you want to go on Blind Date? | 0:17:48 | 0:17:49 | |
A mate of mine said, "Let's both go on it," | 0:17:49 | 0:17:51 | |
and we applied and I was on it. | 0:17:51 | 0:17:53 | |
I was a picker as well, | 0:17:53 | 0:17:55 | |
so off I went to Monte Carlo on a date. | 0:17:55 | 0:17:58 | |
There was no romance. But after that I got the bug, the TV bug, | 0:17:58 | 0:18:01 | |
and I thought, I think I want to be on this stage all the time, | 0:18:01 | 0:18:04 | |
and after that, TV and radio stuff all followed. | 0:18:04 | 0:18:07 | |
Yeah, and was that in the days of Cilla Black? It must have been. | 0:18:07 | 0:18:09 | |
-Miss her! -Yeah, it was, yeah. | 0:18:09 | 0:18:11 | |
Subsequently Cilla and I became quite good friends | 0:18:11 | 0:18:13 | |
and we went on holiday together, | 0:18:13 | 0:18:15 | |
we were in the music studio together, making music and stuff. | 0:18:15 | 0:18:18 | |
She was a great mentor and taught me a lot of great things about | 0:18:18 | 0:18:21 | |
-being in this business. -Yeah, cos I know that the team then said, | 0:18:21 | 0:18:24 | |
do you want to do the voice on the show and stuff, | 0:18:24 | 0:18:27 | |
so that was almost the way you got started? | 0:18:27 | 0:18:29 | |
Yeah, that's right. I did a little demo. | 0:18:29 | 0:18:31 | |
I was in the studio making music to Blind Date, they said, | 0:18:31 | 0:18:34 | |
"Put your voice down and we'll hear what you sound like," so I did. | 0:18:34 | 0:18:36 | |
I didn't like the sound of my voice. Nobody ever does when you hear yourself. | 0:18:36 | 0:18:39 | |
They said, "It works and we're going to use it for the show," | 0:18:39 | 0:18:42 | |
use it for Blind Date, and after that it just kind of carried on. | 0:18:42 | 0:18:44 | |
How fabulous. Here we are, Film & TV. | 0:18:44 | 0:18:47 | |
This could be a decisive moment cos you're equal at the moment. | 0:18:47 | 0:18:50 | |
You've got to win through here, Tommy. | 0:18:50 | 0:18:52 | |
Would you like to go first or second against our Barry? | 0:18:52 | 0:18:54 | |
Well, I think it's only right, in our culture we show respect | 0:18:54 | 0:18:57 | |
to our elders, so, Barry, you MUST go first. | 0:18:57 | 0:19:01 | |
Good luck, Barry. Here we go. | 0:19:05 | 0:19:07 | |
Film & TV, your first question. | 0:19:07 | 0:19:09 | |
Which of these TV drama series was primarily set in Liverpool? | 0:19:09 | 0:19:12 | |
Well, Eldorado was set in Spain. | 0:19:17 | 0:19:19 | |
Crossroads I think was a motel in Birmingham somewhere, | 0:19:19 | 0:19:23 | |
but Brookside was definitely set in Liverpool. | 0:19:23 | 0:19:26 | |
Brookside is the right answer. | 0:19:26 | 0:19:28 | |
Tommy, how old was the actor James Dean | 0:19:28 | 0:19:32 | |
when he died in 1955? | 0:19:32 | 0:19:34 | |
James Dean. | 0:19:34 | 0:19:36 | |
I don't remember seeing a picture of James Dean looking old, | 0:19:40 | 0:19:43 | |
so I don't know for sure, | 0:19:43 | 0:19:45 | |
but definitely not 64. | 0:19:45 | 0:19:48 | |
Very unlikely that he was 44. | 0:19:48 | 0:19:50 | |
Every picture I've seen of James Dean, every T-shirt, | 0:19:50 | 0:19:53 | |
every bit of memorabilia, it shows him looking very cool | 0:19:53 | 0:19:55 | |
on a motorbike, so... | 0:19:55 | 0:19:57 | |
is it 24? | 0:19:57 | 0:19:59 | |
24 is correct. | 0:19:59 | 0:20:01 | |
Absolutely right. Well done. | 0:20:01 | 0:20:02 | |
All right. One point each. Barry, back to you. | 0:20:02 | 0:20:05 | |
Which 2015 film stars, among others, | 0:20:05 | 0:20:08 | |
Samuel L Jackson, Kurt Russell, | 0:20:08 | 0:20:10 | |
Tim Roth, Walton Goggins, | 0:20:10 | 0:20:12 | |
Jennifer Jason Leigh and Michael Madsen? | 0:20:12 | 0:20:15 | |
All those people in... | 0:20:15 | 0:20:17 | |
Well, I am a huge Tarantino fan | 0:20:22 | 0:20:24 | |
and I have watched this film at least five times now, | 0:20:24 | 0:20:27 | |
and it's the wonderful The Hateful Eight. | 0:20:27 | 0:20:30 | |
Yes, you're right. I didn't know there were so many. | 0:20:30 | 0:20:32 | |
I suppose they've got about eight famous people in it, at least. | 0:20:32 | 0:20:35 | |
It's a film of two halves. | 0:20:35 | 0:20:37 | |
The first half is so atmospheric. It is an unmissable film, in my book. | 0:20:37 | 0:20:41 | |
Tommy, back to you. Hang on in there, you're doing well. | 0:20:41 | 0:20:44 | |
This is a big moment. Which of these films was directed by | 0:20:44 | 0:20:46 | |
Richard Attenborough? | 0:20:46 | 0:20:48 | |
If it's Gandhi and I don't get it, | 0:20:54 | 0:20:56 | |
I'm going to so get it from my dad when I get home! | 0:20:56 | 0:20:59 | |
OK, they are all, obviously, epic films. | 0:20:59 | 0:21:02 | |
Richard Attenborough only does epic films. | 0:21:02 | 0:21:04 | |
He could have probably directed all three of those. | 0:21:04 | 0:21:07 | |
As soon as you said Out Of Africa that sprung out to me. | 0:21:08 | 0:21:14 | |
Gandhi or Chariots Of Fire? | 0:21:14 | 0:21:17 | |
I've got to go with my instinct, and I'm going to say Out Of Africa. | 0:21:17 | 0:21:20 | |
Argh! | 0:21:20 | 0:21:22 | |
OK, there's a very animated reaction here. | 0:21:22 | 0:21:25 | |
Challengers, what is it? | 0:21:25 | 0:21:27 | |
I think it's Gandhi. Didn't he win eight Oscars? | 0:21:27 | 0:21:30 | |
I have seen pictures of Attenborough on the set, | 0:21:30 | 0:21:32 | |
-directing it. -Gandhi is the answer. | 0:21:32 | 0:21:35 | |
-Oh man. -Man! | 0:21:35 | 0:21:37 | |
Oh, man! | 0:21:37 | 0:21:38 | |
You don't realise the repercussions of that answer there, Jeremy. | 0:21:38 | 0:21:42 | |
Not to worry, but we've allowed the Eggheads a way in here. | 0:21:42 | 0:21:45 | |
If Barry gets this right, because you let him go first, | 0:21:45 | 0:21:47 | |
then the round is over. | 0:21:47 | 0:21:49 | |
Nollywood is the nickname given to which country's film industry? | 0:21:49 | 0:21:53 | |
I don't think the Netherlands or Nicaragua | 0:22:00 | 0:22:02 | |
have a film industry to speak of, really, | 0:22:02 | 0:22:05 | |
but Nollywood is from Nigeria. | 0:22:05 | 0:22:08 | |
Nollywood is in Nigeria. | 0:22:08 | 0:22:10 | |
Well done, Barry. Three out of three. | 0:22:10 | 0:22:12 | |
Sorry, Tommy, no way back. | 0:22:12 | 0:22:13 | |
-Argh! -Argh! | 0:22:13 | 0:22:15 | |
And, oh, the Gandhi question. Come back to us, | 0:22:15 | 0:22:18 | |
we've got one more round to play. | 0:22:18 | 0:22:20 | |
Tommy, we feel your pain. | 0:22:21 | 0:22:23 | |
It's so... Honestly, I can't believe it. | 0:22:23 | 0:22:25 | |
You're kicking yourself. I feel sick. | 0:22:25 | 0:22:27 | |
Doing the little walk back to this table, I was embarrassed | 0:22:27 | 0:22:30 | |
to look these guys in the eyes. Look at them. | 0:22:30 | 0:22:32 | |
There is no support either, Jeremy. | 0:22:32 | 0:22:34 | |
I'm on my own right now. I feel like going home. I want to go home. | 0:22:34 | 0:22:37 | |
-I feel... -I want to go home. | 0:22:37 | 0:22:38 | |
I know it's painful. We've to forge on here. | 0:22:38 | 0:22:41 | |
Faces for Radio have lost two brains now in the most terrible circumstances. | 0:22:41 | 0:22:45 | |
The Eggheads have lost only one. | 0:22:45 | 0:22:47 | |
And now is the time to level it up. | 0:22:48 | 0:22:50 | |
The subject is Sport. | 0:22:50 | 0:22:52 | |
-Sport, OK, you two. -It's going to be Guz or Mim? | 0:22:52 | 0:22:56 | |
Guz or Mim? | 0:22:56 | 0:22:57 | |
-Guz, I think you should go. -I'm not good at Sport. | 0:22:57 | 0:22:59 | |
-Yeah, Guz... -Do you know football as well? -Come on, let's do Sport, then. | 0:22:59 | 0:23:03 | |
-It's going to be Guz. -Poor old Mim keeps getting passed over. | 0:23:03 | 0:23:05 | |
-Mim, are you sure, bro? -Yeah, 100%. | 0:23:05 | 0:23:07 | |
Anyone who knows me, I'm not a massive sport fan. | 0:23:07 | 0:23:11 | |
-OK. -We're going to send Guz through with... | 0:23:11 | 0:23:13 | |
I think Beth. | 0:23:13 | 0:23:14 | |
-Beth. -Beth. -Beth, yeah. -What is it, Beth or Kevin? | 0:23:14 | 0:23:17 | |
-Definitely Beth. -I think Beth. | 0:23:17 | 0:23:20 | |
OK, Guz from Faces for Radio taking on Beth from the Eggheads. | 0:23:20 | 0:23:23 | |
Right, big moment now. To ensure there's no conferring, | 0:23:23 | 0:23:26 | |
please, for the last time, go to the question room. | 0:23:26 | 0:23:28 | |
Guz, you were a teacher. | 0:23:30 | 0:23:32 | |
-That's correct. -What was it that caused you to think, | 0:23:32 | 0:23:34 | |
-I've to go into entertainment? -I just stumbled into it, really. | 0:23:34 | 0:23:37 | |
I was really bored marking books one day and I thought, you know what? | 0:23:37 | 0:23:40 | |
I need to do something else. | 0:23:40 | 0:23:42 | |
And then I started doing a couple of kind of YouTube videos, | 0:23:42 | 0:23:45 | |
a bit of stand-up, and it's all taken off from there, man. | 0:23:45 | 0:23:48 | |
Yeah. I know comedy is your thing, particularly. | 0:23:48 | 0:23:51 | |
You've got a particular character called Mobeen. | 0:23:51 | 0:23:54 | |
That's correct, Jez, my brother, yeah. | 0:23:54 | 0:23:56 | |
We've got Mobeen back up in this, like a Hershey's Kiss, | 0:23:56 | 0:23:58 | |
brown chocolatey goodness, Jezzy, mmm. | 0:23:58 | 0:24:00 | |
LAUGHTER | 0:24:00 | 0:24:02 | |
I have seen quite a lot of Mobeen online, actually. | 0:24:02 | 0:24:04 | |
He's got a friend who's sort of a ginger-haired guy | 0:24:04 | 0:24:07 | |
-who he kind of helps with advice and stuff? -That's correct. | 0:24:07 | 0:24:11 | |
The character came to life as a representation of inner-city lads | 0:24:11 | 0:24:14 | |
all over the country, really, | 0:24:14 | 0:24:16 | |
and he's kind of a representation of them, and it's nice to see | 0:24:16 | 0:24:19 | |
people in a different light as opposed to the stuff | 0:24:19 | 0:24:21 | |
-that's usually in the media. -Tell us about your Tuesday night show | 0:24:21 | 0:24:24 | |
-on the Asian Network. -It's quite good. I've only just started it. | 0:24:24 | 0:24:27 | |
So kind of getting used to it. Again, I'm a radio novice, really, | 0:24:27 | 0:24:30 | |
so I've only been in the game a year, | 0:24:30 | 0:24:32 | |
so I need some advice off you, really, Jez. | 0:24:32 | 0:24:34 | |
I was looking at the stuff you've got on, like the toddler talks thing | 0:24:34 | 0:24:37 | |
and I'm thinking, whenever you have any item | 0:24:37 | 0:24:40 | |
that involves children, it can go wrong. That's my thoughts. | 0:24:40 | 0:24:42 | |
What, they get on the phone and they interview you, or something? | 0:24:42 | 0:24:45 | |
Thankfully it is a pre-record. | 0:24:45 | 0:24:47 | |
They do ask some weird questions, but it's good fun. Kids are fun! | 0:24:47 | 0:24:50 | |
What's happened with that item? | 0:24:50 | 0:24:52 | |
There was one kid that said, "Excuse me, Uncle Guz, | 0:24:52 | 0:24:55 | |
"when you flush the toilet, where does poo go?" | 0:24:55 | 0:24:58 | |
As an example. | 0:24:58 | 0:24:59 | |
-Yes. -So there is a whole weird load of questions going on, yeah. | 0:24:59 | 0:25:02 | |
All right. So, against Beth, Guz, do you want to go first or second on Sport? | 0:25:02 | 0:25:06 | |
Ladies first. | 0:25:06 | 0:25:07 | |
So here we go with your question, Beth. | 0:25:10 | 0:25:13 | |
Who won their third BBC Sports Personality of the Year award in 2016? | 0:25:13 | 0:25:18 | |
That was Sir Andy Murray. | 0:25:23 | 0:25:25 | |
It is indeed Andy Murray, yes. Sir Andy. | 0:25:25 | 0:25:29 | |
OK, Guz. | 0:25:29 | 0:25:30 | |
Combatants in the sport of fencing | 0:25:30 | 0:25:33 | |
traditionally wear protective clothes of which colour? | 0:25:33 | 0:25:35 | |
It's white, innit? | 0:25:38 | 0:25:39 | |
It's white, well done. | 0:25:39 | 0:25:41 | |
You're straight there. | 0:25:41 | 0:25:43 | |
Now, don't snatch at it, I don't want you to make a mistake. | 0:25:43 | 0:25:46 | |
-All right. -You've got to give it some thought, | 0:25:46 | 0:25:48 | |
but you were right there. This is Beth's question. | 0:25:48 | 0:25:51 | |
The Welsh rugby union player JPR Williams | 0:25:51 | 0:25:54 | |
typically played in which position, Beth? | 0:25:54 | 0:25:56 | |
Hm, now he was, er... | 0:25:59 | 0:26:01 | |
He's from a little while ago. | 0:26:01 | 0:26:03 | |
Let me think where he might be. | 0:26:03 | 0:26:06 | |
I can remember seeing pictures of him and I do recognise the name, | 0:26:06 | 0:26:12 | |
but I'm not sure of where he played. | 0:26:12 | 0:26:15 | |
I'm trying to think of his stature. | 0:26:15 | 0:26:18 | |
I think he might have been a tall, big chap, | 0:26:18 | 0:26:21 | |
so that would put him... It wouldn't make him a hooker, | 0:26:21 | 0:26:25 | |
cos they are short, square chaps. | 0:26:25 | 0:26:27 | |
Full back or second row. | 0:26:32 | 0:26:33 | |
It's going to be a 50-50 guess for this one | 0:26:35 | 0:26:38 | |
but I'm going to go full back. | 0:26:38 | 0:26:39 | |
OK. Let's check with Dave. | 0:26:39 | 0:26:41 | |
-Dave? -Yes, she's right. -Yes, you're right. | 0:26:41 | 0:26:43 | |
Full back it is. | 0:26:43 | 0:26:44 | |
OK, Guz, get this one right to stay level. | 0:26:44 | 0:26:48 | |
In which year was the basketball player LeBron James born? | 0:26:48 | 0:26:53 | |
So LeBron's of the era that I kind of stopped watching basketball, | 0:26:59 | 0:27:06 | |
but I think '94 is too young | 0:27:06 | 0:27:09 | |
cos he's either wrapped up or wrapping up. | 0:27:09 | 0:27:11 | |
'74... | 0:27:11 | 0:27:13 | |
makes him too old. I'm going for 1984. | 0:27:13 | 0:27:16 | |
You've got it right, well done. | 0:27:16 | 0:27:17 | |
1984. | 0:27:17 | 0:27:19 | |
You really used a bit of good logic there. | 0:27:19 | 0:27:22 | |
OK, Beth, your third question. | 0:27:22 | 0:27:24 | |
Which team did Manchester United defeat 2-1 in the 2016 FA Cup final? | 0:27:24 | 0:27:29 | |
I was at the semifinal of Watford, which is my team, | 0:27:34 | 0:27:38 | |
versus Crystal Palace, | 0:27:38 | 0:27:41 | |
where Crystal Palace beat Watford 1-0, | 0:27:41 | 0:27:43 | |
so it has to be Crystal Palace in the final against Manchester United. | 0:27:43 | 0:27:46 | |
You're absolutely right. Crystal Palace is correct. | 0:27:46 | 0:27:49 | |
So she's got three out of three there. | 0:27:49 | 0:27:51 | |
Guz, you need to get this one right to stay in. | 0:27:51 | 0:27:53 | |
The West Indian cricketers Malcolm Marshall and Gordon Greenwich | 0:27:53 | 0:27:58 | |
both played for which English county team? | 0:27:58 | 0:28:00 | |
Jeremy, I haven't got a clue, blud, | 0:28:05 | 0:28:07 | |
so I'm going to go for Judith's special formula | 0:28:07 | 0:28:10 | |
which was down that... Mmm, maybe on the magic right-hand side, | 0:28:10 | 0:28:14 | |
as she was referring to. | 0:28:14 | 0:28:16 | |
Can you repeat the question one more time, please? | 0:28:16 | 0:28:18 | |
The West Indian cricketers Malcolm Marshall and Gordon Greenwich | 0:28:18 | 0:28:21 | |
both played for which English county team? | 0:28:21 | 0:28:24 | |
Take your time. If you get this wrong you're out. | 0:28:24 | 0:28:28 | |
It's jumped out at me, I don't know why, | 0:28:28 | 0:28:30 | |
I think I'm going to say Somerset. | 0:28:30 | 0:28:32 | |
Right. Oof... | 0:28:32 | 0:28:35 | |
-Anyone? -Hampshire. -Hampshire is the answer. | 0:28:35 | 0:28:38 | |
Guys, Beth is in the final, well done to our Egghead. | 0:28:38 | 0:28:41 | |
Guz, you've been beaten and knocked out, | 0:28:41 | 0:28:45 | |
so if you come back to us, we will see how the land lies for the final. | 0:28:45 | 0:28:49 | |
So this is what we have been playing towards. | 0:28:50 | 0:28:53 | |
It's time for our final round, which, as always, | 0:28:53 | 0:28:55 | |
is General Knowledge, | 0:28:55 | 0:28:56 | |
but I'm afraid those of you who lost your head-to-head | 0:28:56 | 0:28:59 | |
won't be allowed to take part in this round, so it's Noreen, | 0:28:59 | 0:29:02 | |
Tommy and Guz from Faces for Radio, but also Judith from the Eggheads. | 0:29:02 | 0:29:06 | |
Would you please now leave the studio? | 0:29:06 | 0:29:08 | |
OK, Bobby and Mim, is this big? | 0:29:10 | 0:29:12 | |
Yes, this is very big. | 0:29:12 | 0:29:14 | |
It is big, and he has a big ting on his show, | 0:29:14 | 0:29:16 | |
he has a feature called Mim's Big Ting. | 0:29:16 | 0:29:18 | |
Oh, is this going to be a big ting? | 0:29:18 | 0:29:20 | |
Big Ting is basically my big record that I love | 0:29:20 | 0:29:22 | |
more than any other record. | 0:29:22 | 0:29:23 | |
I feel like this is the biggest ting of all big tings ever, | 0:29:23 | 0:29:27 | |
-combined to make a big ting. -Well, we're complemented cos... | 0:29:27 | 0:29:30 | |
Me and Bobby have never done a show before but I feel more anxious | 0:29:30 | 0:29:33 | |
about this than if we were to ever do a show. | 0:29:33 | 0:29:36 | |
I think we're going to be fine and also you have to remember, we have | 0:29:36 | 0:29:39 | |
better facial hair than all of those Eggheads. | 0:29:39 | 0:29:41 | |
-Yeah, that's true. -This is very true, because they have none. | 0:29:41 | 0:29:45 | |
And, Mim, you are on Thursday evenings. | 0:29:45 | 0:29:47 | |
-I am on Thursday evenings. -And apart from the Big Ting, | 0:29:47 | 0:29:49 | |
-what else is there? -Yeah, so my show is like a place for young | 0:29:49 | 0:29:52 | |
British Asians to come and debate about issues | 0:29:52 | 0:29:55 | |
that are affecting them, so some debates we've | 0:29:55 | 0:29:58 | |
discussed multiculturalism, we've discussed different ideologies, | 0:29:58 | 0:30:02 | |
we've discussed growing up without a dad, mental health, | 0:30:02 | 0:30:06 | |
loads of issues that I think sometimes young people | 0:30:06 | 0:30:09 | |
are not allowed to talk about, but | 0:30:09 | 0:30:11 | |
I just wanted to make that a place for us to have our opinion shared. | 0:30:11 | 0:30:15 | |
And you are an actor as well, you like to act? | 0:30:15 | 0:30:17 | |
-Yes, I am an actor. -You have been in a movie? | 0:30:17 | 0:30:19 | |
Yeah, I shot a film last year that's coming out called Two Pigeons... | 0:30:19 | 0:30:22 | |
-Fantastic. -..which is amazing. | 0:30:22 | 0:30:24 | |
-Everyone should look out for it. -OK. | 0:30:24 | 0:30:25 | |
Here are the two pigeons playing. | 0:30:25 | 0:30:28 | |
The two competitors we have got now, | 0:30:28 | 0:30:30 | |
playing to win Faces for Radio £17,000. | 0:30:30 | 0:30:34 | |
Is this... Are you ready? | 0:30:34 | 0:30:36 | |
-You're in the zone? -Totally in the zone, | 0:30:36 | 0:30:38 | |
-totally ready to take them down. -All right. | 0:30:38 | 0:30:40 | |
Dave, Barry, Beth and Kevin, you're playing for something else, | 0:30:40 | 0:30:43 | |
which is to just keep this run going against the Celebrities, | 0:30:43 | 0:30:45 | |
which I know has become a source of pride to you. | 0:30:45 | 0:30:48 | |
As usual, I will ask each team three questions in turn. | 0:30:48 | 0:30:51 | |
They're all General Knowledge and you may confer. | 0:30:51 | 0:30:54 | |
The question is, can your two brains take down these four | 0:30:54 | 0:30:57 | |
in a famous victory? | 0:30:57 | 0:30:59 | |
Mim and Bobby, do you want to go first or second? | 0:30:59 | 0:31:01 | |
-You make the call, Mim. -We will go first. | 0:31:01 | 0:31:04 | |
OK, General Knowledge. | 0:31:07 | 0:31:09 | |
Challengers, your first question. | 0:31:09 | 0:31:11 | |
Until it was renamed in 1868, what was the name of the city of Tokyo? | 0:31:11 | 0:31:15 | |
OK, Pondicherry is in India. | 0:31:21 | 0:31:23 | |
So it's not that. | 0:31:24 | 0:31:25 | |
Byzantium is the Byzantine Empire. | 0:31:25 | 0:31:27 | |
That was in the Middle East. | 0:31:27 | 0:31:28 | |
I would have said the third one. | 0:31:28 | 0:31:30 | |
I think it... The third one, Edo, sounds a bit Japanese, anyway. | 0:31:30 | 0:31:34 | |
My gut was telling me that, out of all three, straightaway, anyway. | 0:31:34 | 0:31:38 | |
Tell him... Tell him like a samurai. | 0:31:38 | 0:31:39 | |
-Edo. -Edo. | 0:31:41 | 0:31:43 | |
I'm going to throw this to Barry, | 0:31:43 | 0:31:45 | |
cos we always say Barry has been to every answer. | 0:31:45 | 0:31:47 | |
Barry, are they right? | 0:31:47 | 0:31:48 | |
-Absolutely right. -Yes, Bazza! | 0:31:48 | 0:31:50 | |
Yes! | 0:31:50 | 0:31:52 | |
Bazza's confirmed it. | 0:31:52 | 0:31:53 | |
Edo is correct. | 0:31:53 | 0:31:56 | |
OK, Eggheads. | 0:31:56 | 0:31:57 | |
In The Owl And The Pussycat by Edward Lear, | 0:31:57 | 0:32:00 | |
which animal officiates at the marriage | 0:32:00 | 0:32:03 | |
of the two title characters? | 0:32:03 | 0:32:05 | |
-Turkey. -Turkey? | 0:32:07 | 0:32:09 | |
-Turkey, yeah. -Turkey. That was a bit of a chorus there. | 0:32:09 | 0:32:12 | |
It's the turkey. | 0:32:14 | 0:32:16 | |
Said it in sync, didn't they? | 0:32:16 | 0:32:17 | |
So, how does it go? "The owl and the pussycat went to sea | 0:32:17 | 0:32:19 | |
"in a beautiful sea green... pea green boat." | 0:32:19 | 0:32:21 | |
"They took some money and plenty of honey wrapped up in a £5 note." | 0:32:21 | 0:32:25 | |
And then I get stuck. | 0:32:25 | 0:32:27 | |
I'm not sure. Where does the turkey come into it? | 0:32:27 | 0:32:29 | |
-Later. -How do you... | 0:32:29 | 0:32:31 | |
How do you know this? | 0:32:31 | 0:32:32 | |
We all have things in our lives we're good at. | 0:32:32 | 0:32:35 | |
-They just happen to be good at... -Everything. -..everything. | 0:32:35 | 0:32:38 | |
They know facts. | 0:32:38 | 0:32:40 | |
They know Turkey's in the poem | 0:32:40 | 0:32:41 | |
even though they didn't know the poem. Right. | 0:32:41 | 0:32:45 | |
Your second question. Which British political leader once said, | 0:32:45 | 0:32:49 | |
"An appeaser is one who feeds a crocodile, | 0:32:49 | 0:32:52 | |
"hoping it will eat him last"? | 0:32:52 | 0:32:55 | |
-I know this. -Who do you think? | 0:33:00 | 0:33:02 | |
It's definitely Winston Churchill, | 0:33:02 | 0:33:04 | |
because he actually went up against the so-called appeasers | 0:33:04 | 0:33:07 | |
who appeased Hitler, pre-Second World War. | 0:33:07 | 0:33:10 | |
Neville Chamberlain was called an appeaser | 0:33:10 | 0:33:13 | |
for coming back with a piece of paper | 0:33:13 | 0:33:15 | |
after visiting Hitler, and Harold Wilson was the '70s. | 0:33:15 | 0:33:18 | |
Yeah. No, Harold Wilson, it wouldn't be. | 0:33:18 | 0:33:20 | |
So you want to go for Churchill? | 0:33:20 | 0:33:21 | |
-The Bulldog. -Yeah? -Yeah. | 0:33:21 | 0:33:23 | |
Yeah. All right. | 0:33:23 | 0:33:24 | |
Winston Churchill, JV. | 0:33:26 | 0:33:28 | |
Bobby's right in every respect. | 0:33:28 | 0:33:30 | |
It's Winston Churchill. Well done. | 0:33:30 | 0:33:32 | |
Well done. Perfect. | 0:33:32 | 0:33:33 | |
Bang on. You are in the lead against the Eggheads in the final round, | 0:33:33 | 0:33:36 | |
guys, with £17,000 to play for. | 0:33:36 | 0:33:38 | |
This is a moment to treasure. | 0:33:38 | 0:33:40 | |
Now we have to hope something bad happens to them. | 0:33:40 | 0:33:43 | |
Which navigator was the first known European | 0:33:43 | 0:33:46 | |
to lead an expedition across the Pacific? | 0:33:46 | 0:33:49 | |
Was it...? | 0:33:49 | 0:33:50 | |
Magellan. It was Magellan, although he never completed the voyage, | 0:33:55 | 0:33:58 | |
because his deputy, Sebastian Del Cano, | 0:33:58 | 0:34:00 | |
completed it for him. | 0:34:00 | 0:34:01 | |
Yeah, depends how you define Pacific. | 0:34:01 | 0:34:03 | |
They got to the Philippines. | 0:34:03 | 0:34:04 | |
Yes. | 0:34:04 | 0:34:06 | |
Yeah, the other two were much more connected with the Atlantic. | 0:34:06 | 0:34:10 | |
The one who crossed the Pacific most of the way was Ferdinand Magellan. | 0:34:10 | 0:34:14 | |
Magellan is correct. | 0:34:14 | 0:34:16 | |
Third question. You're doing well here, | 0:34:16 | 0:34:18 | |
2-2. This is good. We can relax a bit, but not much. | 0:34:18 | 0:34:22 | |
Get this right, you may not need to do any more work. | 0:34:22 | 0:34:25 | |
Which British composer wrote the 1965 musical Twang!!!, | 0:34:25 | 0:34:32 | |
based on the legend of Robin Hood? | 0:34:32 | 0:34:34 | |
Are we talking about...? | 0:34:36 | 0:34:37 | |
It's "Twang!!!" with three exclamation marks, just so you know. | 0:34:42 | 0:34:45 | |
You couldn't necessarily tell that. | 0:34:45 | 0:34:47 | |
So the title is T-W-A-N-G-!-!-!. | 0:34:47 | 0:34:52 | |
-And what year was it? -1965, OK? | 0:34:52 | 0:34:55 | |
OK, so I'm sure Stephen Sondheim is American, but I could be wrong. | 0:34:55 | 0:35:00 | |
My gut's telling me Andrew Lloyd Webber. | 0:35:00 | 0:35:02 | |
Andrew Lloyd Webber is the '80s, | 0:35:02 | 0:35:03 | |
Phantom Of The Opera and all that stuff. | 0:35:03 | 0:35:06 | |
-I'm just thinking... -You think it might be Lionel Bart? | 0:35:06 | 0:35:08 | |
I don't know who Lionel Bart is but then again, Andrew Lloyd Webber's... | 0:35:08 | 0:35:13 | |
This is what he does, but I just... | 0:35:13 | 0:35:15 | |
'65, I'm assuming he would have been really young, | 0:35:15 | 0:35:18 | |
but then maybe he was that smart, he wrote... | 0:35:18 | 0:35:20 | |
Maybe it was his first musical and he wrote it when he was... | 0:35:20 | 0:35:23 | |
Can we have... Can you say the question again, please? | 0:35:23 | 0:35:25 | |
By all means. Which British composer wrote the 1965 musical Twang!!!, | 0:35:25 | 0:35:32 | |
based on the legend of Robin Hood? | 0:35:32 | 0:35:34 | |
So Andrew Lloyd Webber's famous for stuff like Phantom Of The Opera, | 0:35:34 | 0:35:39 | |
-right? -I hear that. | 0:35:39 | 0:35:41 | |
I've never heard Twang!!! | 0:35:41 | 0:35:43 | |
associated with him but, then again, I don't know about Twang!!!. | 0:35:43 | 0:35:47 | |
And, also, he'd have been really young because he was, I think, | 0:35:47 | 0:35:50 | |
mid-40s or mid-30s in the '80s. | 0:35:50 | 0:35:53 | |
So he would have had to have been 20... | 0:35:53 | 0:35:55 | |
-To make that. -Yeah, so maybe it was his first musical. | 0:35:55 | 0:35:58 | |
I don't know who Lionel Bart is. | 0:35:58 | 0:36:00 | |
I see the name Lionel and I think of a British guy in the '60s. | 0:36:00 | 0:36:03 | |
I just feel... | 0:36:03 | 0:36:05 | |
I understand what you're saying, but I feel like Lionel Bart | 0:36:05 | 0:36:08 | |
is too old. | 0:36:08 | 0:36:10 | |
You know what? My intuition says Lionel Bart, but I could be wrong. | 0:36:12 | 0:36:16 | |
I think you should make the decision. | 0:36:16 | 0:36:18 | |
I ain't going to hound you, | 0:36:18 | 0:36:20 | |
I'm not going to visit you at your house late at night, one night, | 0:36:20 | 0:36:22 | |
and start shouting at you. You make the decision. | 0:36:22 | 0:36:25 | |
I'm saying Lionel Bart | 0:36:25 | 0:36:27 | |
because I think Andrew Lloyd Webber was too young, | 0:36:27 | 0:36:29 | |
unless it was his first-ever musical. | 0:36:29 | 0:36:31 | |
Can I put that on you? Is that horrible? | 0:36:33 | 0:36:35 | |
It's a lot to put on me. | 0:36:35 | 0:36:37 | |
-What do YOU think? -I think Andrew Lloyd Webber. | 0:36:37 | 0:36:40 | |
OK. | 0:36:40 | 0:36:41 | |
Yeah, cos he could have been really young. | 0:36:41 | 0:36:43 | |
As I said, he could have been... | 0:36:43 | 0:36:45 | |
He would have been alive in '65, put it that way. | 0:36:45 | 0:36:47 | |
-He would have been really young, though. -Doesn't matter. | 0:36:47 | 0:36:49 | |
Maybe that was... I just don't remember... | 0:36:49 | 0:36:51 | |
You know, I grew up with, like, Phantom Of The Opera. | 0:36:51 | 0:36:54 | |
I just assumed, during an interview, someone would have gone, | 0:36:54 | 0:36:56 | |
"You wrote Twang!!! - that's what started your career," | 0:36:56 | 0:36:59 | |
and I don't remember that, but I could be wrong. | 0:36:59 | 0:37:01 | |
I'm saying Lionel and I don't mind. | 0:37:01 | 0:37:03 | |
No, you've got good reasoning. | 0:37:03 | 0:37:06 | |
'65, '85. | 0:37:06 | 0:37:07 | |
It could have been Andrew... Lionel Bart. | 0:37:07 | 0:37:09 | |
Lionel Bart. | 0:37:09 | 0:37:11 | |
We're going to go with Lionel Bart. | 0:37:13 | 0:37:15 | |
Lionel Bart is your answer. | 0:37:15 | 0:37:17 | |
OK. You're a good quizzer, Bobby. | 0:37:17 | 0:37:20 | |
The one thing that might have led you towards Lionel Bart is this. | 0:37:20 | 0:37:24 | |
He did Oliver!, right? | 0:37:25 | 0:37:27 | |
Oliver! is his... And Oliver! | 0:37:27 | 0:37:28 | |
has an exclamation mark after it, as well. | 0:37:28 | 0:37:30 | |
Oh! So Lionel Bart is absolutely the right answer. | 0:37:30 | 0:37:32 | |
-Yes! -Well done. | 0:37:32 | 0:37:34 | |
-Three out of three. -Get in! | 0:37:34 | 0:37:37 | |
-Get in! -Come on, Eggheads. | 0:37:37 | 0:37:39 | |
You did well, cos you didn't... | 0:37:39 | 0:37:41 | |
I could see you were tempted to change the answer. | 0:37:41 | 0:37:43 | |
No, but... Always trust your team. | 0:37:43 | 0:37:44 | |
I was begging you not to change it. Well done. | 0:37:44 | 0:37:46 | |
Well done. You've got a good quizzer here. | 0:37:46 | 0:37:48 | |
Jeremy, all the money Lionel Bart made out of Oliver! - | 0:37:48 | 0:37:51 | |
and he made a big deal of money - he sunk into Twang!!! | 0:37:51 | 0:37:53 | |
and he lost the lot, cos it was a complete failure. | 0:37:53 | 0:37:56 | |
It was a failure. Cos Twang!!! is not well remembered. | 0:37:56 | 0:38:00 | |
It was a good ask because Andrew Lloyd Webber is not beyond | 0:38:00 | 0:38:02 | |
the bounds of possibility, even though it was only... | 0:38:02 | 0:38:04 | |
Because it was only a couple of years after that | 0:38:04 | 0:38:07 | |
that he and Tim Rice did | 0:38:07 | 0:38:08 | |
Joseph And The Amazing Technicolor Dreamcoat, the first version. | 0:38:08 | 0:38:11 | |
Really? Oh, so it could have been the prequel, almost. | 0:38:11 | 0:38:13 | |
So it wasn't, as Kevin says, beyond the bounds. | 0:38:13 | 0:38:17 | |
Those third questions! | 0:38:18 | 0:38:20 | |
If the Eggheads get this one wrong, | 0:38:20 | 0:38:22 | |
you've become the first celebrity team to beat them and you've won | 0:38:22 | 0:38:25 | |
£17,000, so just hang on in. | 0:38:25 | 0:38:27 | |
Eggheads, third question. | 0:38:27 | 0:38:29 | |
The first reported sightings of | 0:38:29 | 0:38:32 | |
which of these mythical creatures | 0:38:32 | 0:38:35 | |
were in West Virginia in the 1960s? | 0:38:35 | 0:38:40 | |
Is it...? | 0:38:40 | 0:38:41 | |
-I think it's the Mothman. -The Mothman. | 0:38:45 | 0:38:47 | |
He's in West Virginia, isn't it? | 0:38:47 | 0:38:48 | |
The Chupacabra is sighted in Mexico, normally. | 0:38:48 | 0:38:51 | |
The Thunderbird is American Indian. | 0:38:51 | 0:38:53 | |
-It goes back a lot further. -In the plains. | 0:38:53 | 0:38:55 | |
It goes back a lot further, yeah. | 0:38:55 | 0:38:56 | |
The Mothman is supposed to be West Virginia. | 0:38:56 | 0:38:58 | |
Yeah, I'm pretty certain it's the Mothman. | 0:38:58 | 0:39:00 | |
OK? Happy with that? | 0:39:00 | 0:39:02 | |
I'm happy, yeah. | 0:39:02 | 0:39:04 | |
It's one of these things... | 0:39:04 | 0:39:05 | |
I mean, just started up, one of these urban legends | 0:39:05 | 0:39:08 | |
about the Mothman. | 0:39:08 | 0:39:09 | |
In fact, there has even been a film called The Mothman, | 0:39:09 | 0:39:12 | |
starring Richard Gere, I think. | 0:39:12 | 0:39:14 | |
Chupacabra is a South American thing. | 0:39:14 | 0:39:16 | |
Thunderbird is an ancient Native American thing. | 0:39:16 | 0:39:20 | |
This is the Mothman. | 0:39:20 | 0:39:22 | |
If this is wrong, they've won. | 0:39:22 | 0:39:25 | |
Do you know the answer? | 0:39:25 | 0:39:27 | |
No, I would have picked the Mothman if I had that question. | 0:39:27 | 0:39:30 | |
West Virginia, 1960s, it was the Mothman. | 0:39:30 | 0:39:34 | |
Well done, Eggheads. | 0:39:34 | 0:39:36 | |
You've got it right. Three out of three for you both. | 0:39:36 | 0:39:38 | |
Ooh, we're tense here. | 0:39:38 | 0:39:40 | |
-Oh! -So we go to Sudden Death. | 0:39:40 | 0:39:42 | |
Gets a bit harder. I don't give you alternative options. | 0:39:42 | 0:39:44 | |
Oh, man! | 0:39:44 | 0:39:46 | |
Who played Morticia Addams in the 1991 film The Addams Family? | 0:39:46 | 0:39:50 | |
Angela someone... Angela... | 0:39:51 | 0:39:55 | |
No, no, no. | 0:39:55 | 0:39:58 | |
Famous Hollywood royalty. | 0:39:58 | 0:40:00 | |
Say the name again? | 0:40:01 | 0:40:03 | |
-Brisset? Angela Brisset? -No! Morticia Addams... | 0:40:03 | 0:40:06 | |
-Take your time. -Not Angela Lansbury. | 0:40:06 | 0:40:09 | |
That's that woman who did... | 0:40:09 | 0:40:11 | |
Are you sure it's Angela? | 0:40:11 | 0:40:13 | |
-I don't know. -I haven't got a clue. -Oh, wait, wait, wait. | 0:40:13 | 0:40:16 | |
I've got it, it's just... It's gone. | 0:40:16 | 0:40:19 | |
Like, I know the answer but I can't call her name up. | 0:40:19 | 0:40:22 | |
Angela Brisset? No. | 0:40:22 | 0:40:24 | |
I think she was in a film about the three witches | 0:40:25 | 0:40:28 | |
with Jack Nicholson, as well. | 0:40:28 | 0:40:29 | |
Oh! Something to do with Jack Nicholson. | 0:40:29 | 0:40:33 | |
The Witches Of Eastwick. | 0:40:33 | 0:40:34 | |
She's so famous! | 0:40:35 | 0:40:37 | |
She was so great in it, as well. | 0:40:37 | 0:40:39 | |
1991 - that was the year I was born! | 0:40:39 | 0:40:41 | |
HE LAUGHS | 0:40:41 | 0:40:43 | |
Yeah. Sorry. | 0:40:43 | 0:40:45 | |
Er, I can't... | 0:40:46 | 0:40:48 | |
Honestly, if I had it, I'd pull it out of my head. | 0:40:48 | 0:40:52 | |
What should we do? | 0:40:52 | 0:40:53 | |
Morticia Addams, Morticia Addams, Uncle Fester, | 0:40:53 | 0:40:55 | |
the little girl with the ponytails and... | 0:40:55 | 0:40:57 | |
-It's not going to come? -Jessica... | 0:40:57 | 0:40:59 | |
I don't think it's Angela. Maybe it's Jessica. | 0:40:59 | 0:41:01 | |
Just say Jessica, even though it needs two names. | 0:41:03 | 0:41:06 | |
Angela Jessica. | 0:41:06 | 0:41:07 | |
And we get best of both worlds, but that is a complete guess. | 0:41:09 | 0:41:13 | |
All right, and I know who you're searching for. | 0:41:13 | 0:41:16 | |
If I were to say the first name to you, | 0:41:16 | 0:41:18 | |
Bobby, you'd get it straightaway. | 0:41:18 | 0:41:20 | |
-Anjelica... -Huston! | 0:41:20 | 0:41:21 | |
Anjelica Huston! | 0:41:21 | 0:41:22 | |
-Ohhh! -Argh! | 0:41:22 | 0:41:25 | |
That's it, and it was just... | 0:41:25 | 0:41:26 | |
-As soon as... -It was right there, on the... | 0:41:26 | 0:41:28 | |
I was thinking, if you say Angela Huston to me, | 0:41:28 | 0:41:30 | |
I'm going to have to say | 0:41:30 | 0:41:31 | |
that's wrong, and that's going to be very painful. | 0:41:31 | 0:41:33 | |
Of course, as soon as you went to Huston, | 0:41:33 | 0:41:35 | |
you would have got Anjelica. | 0:41:35 | 0:41:36 | |
-Man! -So close! | 0:41:36 | 0:41:37 | |
You were just so certain it was Angela, as well. | 0:41:37 | 0:41:39 | |
-So close, so close. -You knew it. | 0:41:39 | 0:41:41 | |
OK, you're still in it, though. | 0:41:41 | 0:41:43 | |
Eggheads, you need to get this right to end the contest. | 0:41:43 | 0:41:45 | |
In 1963, | 0:41:45 | 0:41:47 | |
Lee Harvey Oswald was assassinated in the basement | 0:41:47 | 0:41:50 | |
of a police station in which US city? | 0:41:50 | 0:41:53 | |
-Dallas. -Dallas. -Assume it's Dallas. | 0:41:54 | 0:41:57 | |
-Has to be. -Yeah, it is Dallas. | 0:41:57 | 0:41:59 | |
The first murder ever shown... | 0:41:59 | 0:42:01 | |
Live murder shown on TV. | 0:42:01 | 0:42:03 | |
OK? | 0:42:03 | 0:42:05 | |
Well, he assassinated - | 0:42:05 | 0:42:07 | |
it's all still very controversial, of course - | 0:42:07 | 0:42:11 | |
John F Kennedy in Dallas, was arrested the same day, and then, | 0:42:11 | 0:42:17 | |
as he was being taken from the holding cell | 0:42:17 | 0:42:20 | |
for a pre-trial arraignment, | 0:42:20 | 0:42:22 | |
two days later, he was himself shot and killed by Jack Ruby, | 0:42:22 | 0:42:26 | |
so it was all still in Dallas. | 0:42:26 | 0:42:28 | |
-Dallas. -Your answer is... | 0:42:28 | 0:42:30 | |
-Dallas. -Dallas. If this is right, the contest is over. | 0:42:30 | 0:42:35 | |
Great contest. | 0:42:35 | 0:42:36 | |
Dallas is the right answer. | 0:42:36 | 0:42:37 | |
We say congratulations, Eggheads. | 0:42:37 | 0:42:39 | |
You have won. | 0:42:39 | 0:42:41 | |
We nearly had you! | 0:42:44 | 0:42:45 | |
We had you right to the end. | 0:42:45 | 0:42:47 | |
-KEVIN: -I'm sure it was agonising for you, | 0:42:47 | 0:42:49 | |
because you were so close when you were saying Angela. | 0:42:49 | 0:42:51 | |
Old Anjelica Houston! | 0:42:51 | 0:42:53 | |
I was trying to beam Anjelica to you. | 0:42:53 | 0:42:55 | |
As soon as you put the Anjelica, you would have got it straightaway. | 0:42:55 | 0:42:58 | |
-Yeah, of course. -She wasn't... | 0:42:58 | 0:42:59 | |
By the way, she wasn't in The Witches Of Eastwick, | 0:42:59 | 0:43:01 | |
but she was the head witch in The Witches. | 0:43:01 | 0:43:04 | |
-Oh, The Witches. -The film based on the Roald Dahl. | 0:43:04 | 0:43:06 | |
So you were exactly... | 0:43:06 | 0:43:08 | |
You knew who it was. Commiserations to Faces for Radio. | 0:43:08 | 0:43:10 | |
Great to see you back there. Don't worry about the Gandhi, Tommy. | 0:43:10 | 0:43:13 | |
Stop thinking... He's still thinking about it! | 0:43:13 | 0:43:15 | |
No, worry about it! Worry about it! | 0:43:15 | 0:43:17 | |
-He should worry about it! -Still thinking about it. | 0:43:17 | 0:43:19 | |
The Eggheads have done what comes naturally to them, | 0:43:19 | 0:43:21 | |
even if it was hard today. | 0:43:21 | 0:43:23 | |
This winning streak continues. | 0:43:23 | 0:43:24 | |
It does mean the Challengers don't leave with the £17,000 | 0:43:24 | 0:43:27 | |
for their charities, so the money rolls over to our next show. | 0:43:27 | 0:43:30 | |
Eggheads, are you going to beat all of these celebrity teams, I wonder? | 0:43:30 | 0:43:35 | |
Join us next time, to see if a new team of Challengers | 0:43:35 | 0:43:38 | |
have the brains to finally defeat them, with £18,000 to play for. | 0:43:38 | 0:43:42 | |
Till then, with many thanks to our Asian Network colleagues, | 0:43:42 | 0:43:45 | |
thanks for coming in, and we bid you goodbye. | 0:43:45 | 0:43:47 |