Browse content similar to Episode 9. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:07 | |
Together they make up the Eggheads, | 0:00:09 | 0:00:11 | |
arguably the most formidable quiz team in the country. | 0:00:11 | 0:00:14 | |
The question is, can they be beaten? | 0:00:17 | 0:00:19 | |
Welcome to a special celebrity edition of Eggheads, | 0:00:23 | 0:00:26 | |
the show where a team of five quiz challengers pit their wits | 0:00:26 | 0:00:29 | |
against possibly the greatest quiz team in Britain. | 0:00:29 | 0:00:32 | |
They are the Eggheads. | 0:00:32 | 0:00:34 | |
Is that a good build-up for you, Eggs? | 0:00:34 | 0:00:36 | |
-It's excellent. -You like that. | 0:00:36 | 0:00:38 | |
Having designs on taking down our quiz Goliaths today are... | 0:00:38 | 0:00:41 | |
Now, Everyone on this team will be familiar to you | 0:00:44 | 0:00:46 | |
for the creative expertise they bring to some of | 0:00:46 | 0:00:48 | |
the most popular lifestyle programmes on TV. | 0:00:48 | 0:00:51 | |
So, let's meet them. | 0:00:51 | 0:00:53 | |
Hello, I'm Tom Dyckhoff, | 0:00:53 | 0:00:54 | |
I'm an architecture and design historian and broadcaster, | 0:00:54 | 0:00:57 | |
and presenter of The Great Interior Design Challenge. | 0:00:57 | 0:00:59 | |
Hello, I'm Piers Taylor, I'm an architect, | 0:00:59 | 0:01:01 | |
and I present The House That £100k Built, | 0:01:01 | 0:01:03 | |
and The World's Most Extraordinary Homes. | 0:01:03 | 0:01:06 | |
Hello. I'm Esme Young, | 0:01:06 | 0:01:08 | |
I've been involved in making clothes my whole life, | 0:01:08 | 0:01:12 | |
from designing, cutting, making, teaching, | 0:01:12 | 0:01:16 | |
and now I'm a judge on The Great British Sewing Bee. | 0:01:16 | 0:01:20 | |
Hello, my name's Danny Clarke. | 0:01:20 | 0:01:22 | |
I present a series called The Instant Gardener, | 0:01:22 | 0:01:26 | |
which shows us how we can have a nice garden | 0:01:26 | 0:01:28 | |
without it breaking the bank. | 0:01:28 | 0:01:30 | |
Hello, I'm Keith Brymer Jones. I'm a potter and a designer, | 0:01:30 | 0:01:34 | |
and I'm also a judge on The Great Pottery Throw Down. | 0:01:34 | 0:01:38 | |
-So, Tom and team, hello. ALL: -Hello. | 0:01:38 | 0:01:40 | |
Welcome, great to see you. And I should start, Tom, | 0:01:40 | 0:01:42 | |
by just asking about the team name here, Seamingly Clueless, | 0:01:42 | 0:01:45 | |
I notice the spelling of that. | 0:01:45 | 0:01:47 | |
Yes, a little witty aside there in honour of Esme, | 0:01:47 | 0:01:50 | |
and the fact that we're trying to be a little bit | 0:01:50 | 0:01:53 | |
self-deprecating as well. | 0:01:53 | 0:01:54 | |
What about you then, Tom, have you quizzed before? | 0:01:54 | 0:01:56 | |
I'm hopelessly uncompetitive. | 0:01:56 | 0:01:57 | |
I've done University Challenge once, | 0:01:57 | 0:02:00 | |
and we got through to the semifinals, so that's not bad. | 0:02:00 | 0:02:02 | |
Oh, well, they will immediately be on their mettle with that. | 0:02:02 | 0:02:05 | |
Believe me, you've just rung a bell there! | 0:02:05 | 0:02:07 | |
Piers, quizzing, any strengths or weaknesses? | 0:02:07 | 0:02:10 | |
I pretend I'm uncompetitive, but actually I'm really competitive, | 0:02:10 | 0:02:15 | |
and I have to confess I have won Celebrity Mastermind | 0:02:15 | 0:02:17 | |
fairly recently. But I don't have great hopes | 0:02:17 | 0:02:20 | |
for today, actually, yet. | 0:02:20 | 0:02:21 | |
When you said the words "Celebrity Mastermind", | 0:02:21 | 0:02:23 | |
there was a little "Oh!" There was a little noise. | 0:02:23 | 0:02:26 | |
They just suddenly are thinking, "OK, game on." | 0:02:26 | 0:02:30 | |
Esme, I suppose, yes, fashion is your thing, | 0:02:30 | 0:02:32 | |
-arts and books by extension. -Yeah. | 0:02:32 | 0:02:34 | |
Any subject you definitely don't want? | 0:02:34 | 0:02:37 | |
I definitely don't want to do sport, I definitely don't want to do telly, | 0:02:37 | 0:02:41 | |
cos I don't have one, so I never watch it. | 0:02:41 | 0:02:43 | |
-You don't even watch yourself? -Well, I have watched myself, | 0:02:43 | 0:02:46 | |
I have to admit. | 0:02:46 | 0:02:47 | |
I was forced to! | 0:02:47 | 0:02:49 | |
But I didn't want to. | 0:02:50 | 0:02:52 | |
You then got rid of your telly! | 0:02:52 | 0:02:53 | |
I've never had a telly. | 0:02:53 | 0:02:55 | |
Have you had, Danny, any kind of battle plan? | 0:02:55 | 0:02:57 | |
Have you had a strategy session as a team? | 0:02:57 | 0:03:00 | |
Yeah, we've actually been trying to motivate each other. | 0:03:00 | 0:03:03 | |
We've had the big huddle outside before we came in, | 0:03:03 | 0:03:06 | |
and I gave these guys a good team talk, so we're ready to go. | 0:03:06 | 0:03:10 | |
Yeah. Very, very good. | 0:03:10 | 0:03:11 | |
So the huddle, and maybe even, Keith, | 0:03:11 | 0:03:14 | |
a little bit of a thought about subjects and how to play them? | 0:03:14 | 0:03:17 | |
Or did it not go that far? | 0:03:17 | 0:03:18 | |
Not really. I mean, for me, geography and maybe politics | 0:03:18 | 0:03:22 | |
I could do. | 0:03:22 | 0:03:23 | |
I really don't want to do sport. | 0:03:23 | 0:03:25 | |
I think that's more Danny's bag, so, yeah. | 0:03:25 | 0:03:28 | |
OK, well, if you've got Danny on sport, | 0:03:28 | 0:03:29 | |
you've got actually quite a good spread there. | 0:03:29 | 0:03:31 | |
All right, good luck, Challengers. | 0:03:31 | 0:03:33 | |
Every day there is £1,000 worth of cash up for grabs | 0:03:33 | 0:03:36 | |
for your chosen charity. If you fail to defeat the Eggheads, | 0:03:36 | 0:03:40 | |
we just roll the prize-money to the next show. | 0:03:40 | 0:03:43 | |
Now, we've had some celeb teams in already, | 0:03:43 | 0:03:46 | |
and they've all come a cropper, OK? | 0:03:46 | 0:03:48 | |
-No pressure, then. -Eight of them in a row. | 0:03:48 | 0:03:50 | |
Well, I think that's good for you. It means that no-one's won before, | 0:03:50 | 0:03:54 | |
and the jackpot for you to win is... | 0:03:54 | 0:03:57 | |
-Wow. -OK. -OK. | 0:03:57 | 0:03:58 | |
So, eight teams have failed, you're the ninth, good luck. | 0:03:58 | 0:04:01 | |
-Shall we start? -Yeah, go on, then. | 0:04:01 | 0:04:03 | |
-Focus, team. -Bring it on! -Shall we hold hands? | 0:04:03 | 0:04:06 | |
We can do it! | 0:04:06 | 0:04:08 | |
You can do it! Come on! | 0:04:08 | 0:04:10 | |
We've got a lot of talent on this desk. | 0:04:10 | 0:04:12 | |
The first head-to-head battle is on the subject of Music. | 0:04:12 | 0:04:15 | |
And it's one of you you've got to choose, | 0:04:15 | 0:04:18 | |
against either here, Judith, who famously won £1 million, | 0:04:18 | 0:04:21 | |
Kevin, Steve, Dave, Lisa. | 0:04:21 | 0:04:24 | |
I'm happy to do Music. | 0:04:24 | 0:04:25 | |
-Are you Music? -OK. -You want to do Music? | 0:04:25 | 0:04:28 | |
-Yeah. -I'll do sport, if it comes up. | 0:04:28 | 0:04:30 | |
-I'm good at music. -Go, Piers, go! | 0:04:30 | 0:04:32 | |
-But against who? -I think Judith. | 0:04:32 | 0:04:34 | |
-Judith? Yeah. -Bold! | 0:04:34 | 0:04:36 | |
You think she doesn't look very musical? | 0:04:36 | 0:04:38 | |
She's just the first one on the end. | 0:04:39 | 0:04:41 | |
Knock them off one by one! | 0:04:41 | 0:04:43 | |
It's very methodical. OK, I like that. | 0:04:44 | 0:04:47 | |
That's an architect's mind there, isn't it? | 0:04:47 | 0:04:49 | |
-You know? -Line them up. | 0:04:49 | 0:04:50 | |
And I know you did Bob Dylan as your specialist subject | 0:04:50 | 0:04:52 | |
-for Celebrity Mastermind. -I did. -OK, Piers from Seamingly Clueless, | 0:04:52 | 0:04:56 | |
our first celeb in going against our own Judith from the Eggheads. | 0:04:56 | 0:05:00 | |
And just to ensure there's no conferring, | 0:05:00 | 0:05:02 | |
would you please now take your positions | 0:05:02 | 0:05:04 | |
in our famous question room. | 0:05:04 | 0:05:06 | |
Well, your thing is architecture, Piers, I know, | 0:05:07 | 0:05:09 | |
but we don't have an architecture round. | 0:05:09 | 0:05:10 | |
That's a pity. So I'm going to have to settle for Music. | 0:05:10 | 0:05:13 | |
But you've done some amazing programmes, | 0:05:13 | 0:05:15 | |
both about what you can do to a modest house with £100,000, | 0:05:15 | 0:05:19 | |
and then looking at some of the most beautiful homes in the world. | 0:05:19 | 0:05:21 | |
That's right, completely up the other end of the scale, yeah. | 0:05:21 | 0:05:24 | |
That's right. So I need to come back at some point | 0:05:24 | 0:05:26 | |
-and do the bit in the middle. -Yeah, what do you like best? | 0:05:26 | 0:05:28 | |
I saw one where you built an enormous blue porch on the front of | 0:05:28 | 0:05:31 | |
somebody's house in Warwick, and he managed to look really happy | 0:05:31 | 0:05:34 | |
-about it. -It looked a little bit like a Portaloo, | 0:05:34 | 0:05:36 | |
and his neighbours weren't so happy, but actually he was happy, | 0:05:36 | 0:05:38 | |
so that's what counts. | 0:05:38 | 0:05:40 | |
Yeah, and the interior of that house and the others you've done over have | 0:05:40 | 0:05:43 | |
been amazing afterwards, | 0:05:43 | 0:05:46 | |
and it must give you a lot of pleasure to see their reaction. | 0:05:46 | 0:05:48 | |
It does. I mean, the big idea is that it doesn't cost much. | 0:05:48 | 0:05:51 | |
Design is about thinking, not about going to buy things, | 0:05:51 | 0:05:53 | |
and that's what we really try and show in the programme. | 0:05:53 | 0:05:55 | |
Well, I know you love music, Piers, and Bob Dylan especially. | 0:05:55 | 0:05:58 | |
That's right, yeah. Bob Dylan is a big hero, but I do have my gaps, | 0:05:58 | 0:06:02 | |
-I'm telling you. -OK, well, let's hope we avoid them. | 0:06:02 | 0:06:04 | |
Would you like to go first or second against our Egghead? | 0:06:04 | 0:06:07 | |
I would like to go first, actually. | 0:06:07 | 0:06:09 | |
So, playing music against Judith, Piers, your first question. | 0:06:13 | 0:06:16 | |
Roxie Hart is a character in which musical of stage and screen? | 0:06:16 | 0:06:21 | |
Gosh, I haven't got a clue, but I'm going to have to guess here. | 0:06:25 | 0:06:27 | |
So, I suspect it isn't The Sound of Music. | 0:06:27 | 0:06:30 | |
It sounds like it could be an American name, | 0:06:30 | 0:06:35 | |
so I'm going to go for Chicago. | 0:06:35 | 0:06:37 | |
Judith, is he right? | 0:06:37 | 0:06:39 | |
-Yes, he's right. -Absolutely right, well done. | 0:06:39 | 0:06:41 | |
-Yes! -Thank goodness for that. -Phew! -Well done, Piers. | 0:06:41 | 0:06:44 | |
Sometimes that first question can be a nightmare. | 0:06:44 | 0:06:47 | |
Judith, yours. | 0:06:47 | 0:06:49 | |
When Jason Orange left Take That in 2014, | 0:06:49 | 0:06:53 | |
how many members of the original group remained? | 0:06:53 | 0:06:56 | |
Oh, deary me. | 0:06:59 | 0:07:01 | |
Take That. I think three remained. | 0:07:01 | 0:07:05 | |
You're absolutely right, Judith, well done. | 0:07:05 | 0:07:07 | |
-Three. -Phew! | 0:07:07 | 0:07:08 | |
Phew! Piers, your question. | 0:07:08 | 0:07:11 | |
If Every Day Was Christmas is a 2016 single by which celebrity child? | 0:07:11 | 0:07:16 | |
Gosh, again I haven't got a clue, and I haven't heard the song. | 0:07:21 | 0:07:24 | |
Is it music? | 0:07:26 | 0:07:28 | |
I'm going to have to... | 0:07:28 | 0:07:29 | |
..guess again, and I think | 0:07:31 | 0:07:35 | |
it is Cruz Beckham. | 0:07:35 | 0:07:38 | |
You're right, Cruz Beckham it is. | 0:07:38 | 0:07:41 | |
-Phew. -I can see how competitive you are. | 0:07:41 | 0:07:43 | |
Judith, to catch up. | 0:07:44 | 0:07:46 | |
Which US singer had posthumous UK number one albums with Songbird, | 0:07:46 | 0:07:51 | |
Imagine and American Tune? | 0:07:51 | 0:07:54 | |
I don't know, but I'm going to guess at Karen Carpenter. | 0:07:59 | 0:08:06 | |
Yeah, I know why you did that. | 0:08:06 | 0:08:09 | |
Eva Cassidy is the answer. | 0:08:09 | 0:08:11 | |
Ooh, a bit of a glitch. | 0:08:11 | 0:08:13 | |
What's the architectural equivalent of what's just happened, | 0:08:13 | 0:08:15 | |
-a hanging beam? -Yeah, a bit of a bodge. | 0:08:15 | 0:08:18 | |
Yeah, a bodge from the Eggheads there. | 0:08:18 | 0:08:20 | |
So, Piers, you can take the round with this question. | 0:08:20 | 0:08:23 | |
Don't let her back in. | 0:08:23 | 0:08:25 | |
First performed in New York in 1954, | 0:08:25 | 0:08:28 | |
The Tender Land was a major operatic work by which composer? | 0:08:28 | 0:08:32 | |
Gosh. Again, I don't think it's avant-garde enough for John Cage, | 0:08:37 | 0:08:41 | |
who I know is an avant-garde composer. | 0:08:41 | 0:08:43 | |
I think it isn't Aaron Copland, so I'm going to go | 0:08:43 | 0:08:47 | |
for Leonard Bernstein. | 0:08:47 | 0:08:49 | |
Yeah, I could see the logic of not going Cage, | 0:08:49 | 0:08:51 | |
but are you right on Copland Bernstein? | 0:08:51 | 0:08:53 | |
-Eggheads, do you know? -I would have gone the same as | 0:08:53 | 0:08:57 | |
-Piers. -You like Bernstein. | 0:08:57 | 0:08:58 | |
-What about you, Judith? -Well, I'm going to say Aaron Copland, | 0:08:58 | 0:09:01 | |
cos I just hope that's what it is. | 0:09:01 | 0:09:03 | |
Aaron Copland is right. | 0:09:03 | 0:09:05 | |
Aaron Copland is the answer, so Judith has a chance to come back. | 0:09:05 | 0:09:10 | |
Judith, get this wrong, you're out. | 0:09:10 | 0:09:12 | |
In 2015, which American hip-hop group sold the only copy | 0:09:12 | 0:09:16 | |
in existence of their album Once Upon A Time In Shaolin | 0:09:16 | 0:09:20 | |
for a reported £1.3 million? | 0:09:20 | 0:09:23 | |
Shaolin is S-H-A-O-L-I-N. | 0:09:29 | 0:09:31 | |
Right, well it's completely pointless asking me questions | 0:09:31 | 0:09:34 | |
like that, I'm afraid. | 0:09:34 | 0:09:37 | |
I have absolutely no idea. | 0:09:37 | 0:09:39 | |
I'm going to go Arrested Development. | 0:09:39 | 0:09:42 | |
The answer is Wu-Tang Clan. | 0:09:42 | 0:09:45 | |
I so nearly went for that. | 0:09:45 | 0:09:47 | |
You so nearly got it right, but you're knocked out, I'm afraid. | 0:09:47 | 0:09:50 | |
-Oh. -First blood to our Challengers. | 0:09:50 | 0:09:53 | |
-This is good, guys. -Yes! -Well done, Piers. | 0:09:53 | 0:09:56 | |
Phew! By the skin of my teeth! | 0:09:56 | 0:09:58 | |
You've emerged triumphant against Judith. | 0:09:58 | 0:10:01 | |
You will be in the final round. | 0:10:01 | 0:10:02 | |
Please rejoin your team-mates, and we'll play on. | 0:10:02 | 0:10:04 | |
As it stands, Seamingly Clueless have not lost any brains. | 0:10:07 | 0:10:09 | |
Well played, Piers. | 0:10:09 | 0:10:10 | |
That was good, that's a good start for you, Challengers. | 0:10:10 | 0:10:13 | |
The Eggheads have had a brain knocked out, | 0:10:13 | 0:10:16 | |
and the next subject is Sport. | 0:10:16 | 0:10:18 | |
-Who wants Sport? -There's only one person! | 0:10:18 | 0:10:20 | |
It's Danny, right? | 0:10:20 | 0:10:22 | |
-Do you mind, Danny? -No, I don't mind. -Yeah. | 0:10:22 | 0:10:25 | |
OK. Our brilliant gardener, against which Egghead? | 0:10:25 | 0:10:29 | |
It can't be Judith, Danny. | 0:10:29 | 0:10:30 | |
So, you can have Lisa, Dave, Steve or Kevin, left to right. | 0:10:30 | 0:10:33 | |
I think I'll go for Lisa. | 0:10:33 | 0:10:35 | |
Hang on, hang on, what happened to this starting at that side, | 0:10:35 | 0:10:37 | |
-and working down? -Well... -Either end, then you pick off the middle! | 0:10:37 | 0:10:41 | |
There is a tactical ploy here. | 0:10:43 | 0:10:44 | |
So, Danny from Seamingly Clueless is playing Lisa from the Eggheads. | 0:10:44 | 0:10:48 | |
They're starting at the ends and moving to the middle. | 0:10:48 | 0:10:50 | |
This is exciting. | 0:10:50 | 0:10:52 | |
To ensure there's no conferring, please take your positions. | 0:10:52 | 0:10:56 | |
Well, I'm sorry we haven't got a garden for you | 0:10:58 | 0:11:00 | |
-to work on here, Danny. -Oh, that's a shame, Jeremy. | 0:11:00 | 0:11:02 | |
I love what you do on your programme with more modest gardens, | 0:11:02 | 0:11:05 | |
and your programme says you can do stuff with them! | 0:11:05 | 0:11:08 | |
Absolutely. Basically, the programme's about doing gardens | 0:11:08 | 0:11:12 | |
on a budget, and not all of us want to spend | 0:11:12 | 0:11:14 | |
a lot of money on our gardens, do we? | 0:11:14 | 0:11:16 | |
I was watching the other day, and you were talking about... | 0:11:16 | 0:11:19 | |
You said "foreshortening a garden", | 0:11:19 | 0:11:21 | |
which is a technique in painting which gives it depth, | 0:11:21 | 0:11:24 | |
and I couldn't quite work it out. | 0:11:24 | 0:11:26 | |
What do I do to make my garden look longer than it is? | 0:11:26 | 0:11:29 | |
The way I foreshortened the garden was by creating a bit of mystery. | 0:11:29 | 0:11:34 | |
I used fencing, and I created an invisible opening, | 0:11:34 | 0:11:38 | |
so by creating that invisible opening, by staggering the fences, | 0:11:38 | 0:11:42 | |
it made it look like the garden was longer than what it was, | 0:11:42 | 0:11:46 | |
because you want to see what's beyond that fence. | 0:11:46 | 0:11:48 | |
Yeah. I feel bad about turning to sport, | 0:11:48 | 0:11:51 | |
but I've got to mention, you're actually | 0:11:51 | 0:11:53 | |
a sportsperson really, aren't you? | 0:11:53 | 0:11:54 | |
Yes, I am. I used to play a little bit of sport. | 0:11:54 | 0:11:56 | |
And you've been on the books of Charlton Athletic? | 0:11:56 | 0:11:58 | |
-A long, long time ago. -And Borussia Monchengladbach? | 0:11:58 | 0:12:02 | |
Borussia Monchengladbach in Germany, yes. | 0:12:02 | 0:12:04 | |
And was there a point in your life, Danny, | 0:12:04 | 0:12:06 | |
when you thought, "This could be my career"? | 0:12:06 | 0:12:08 | |
There was. I mean, I was a guy growing up | 0:12:08 | 0:12:10 | |
and I always wanted to be a footballer. | 0:12:10 | 0:12:13 | |
And I was fortunate enough to play for Borussia Monchengladbach's | 0:12:13 | 0:12:19 | |
youth team, when my father was stationed in Germany, | 0:12:19 | 0:12:22 | |
because he was in the Army. | 0:12:22 | 0:12:24 | |
And I played for them for a little while, amongst other teams, | 0:12:24 | 0:12:28 | |
and then when my father got posted back to this country, | 0:12:28 | 0:12:30 | |
I had a little go with Charlton Athletic. | 0:12:30 | 0:12:34 | |
And we noticed that when you played Celebrity Mastermind, | 0:12:34 | 0:12:36 | |
cos you did as well, you chose the career of Gary Sobers. | 0:12:36 | 0:12:41 | |
I certainly did, a boyhood hero of mine. | 0:12:41 | 0:12:43 | |
-The cricketer, yeah. -Do you know, I even wanted to walk like him | 0:12:43 | 0:12:46 | |
-when I was a kid. -Has he got a special walk, has he? | 0:12:46 | 0:12:48 | |
Well, he had this sort of lope with his collar up, | 0:12:48 | 0:12:51 | |
and he kind of walked forward, | 0:12:51 | 0:12:54 | |
and he had this sort of spring in his step. | 0:12:54 | 0:12:56 | |
I would have paid to have seen him walk to the middle! | 0:12:56 | 0:12:58 | |
Well, I think we've got you on the right round here. | 0:13:00 | 0:13:02 | |
-I really do, Danny. -OK. -So, good luck on sport. | 0:13:02 | 0:13:04 | |
You're playing Lisa. Danny, would you like to go first or second? | 0:13:04 | 0:13:07 | |
I'll go second. | 0:13:07 | 0:13:09 | |
Got a feeling about this one, Lisa? | 0:13:12 | 0:13:14 | |
I think we've just proved that all of Danny's specialist subjects are | 0:13:14 | 0:13:17 | |
things about which I know absolutely nothing, so this is going to be fun. | 0:13:17 | 0:13:21 | |
Here's your first question, Lisa. | 0:13:21 | 0:13:23 | |
Which word is used instead of match to refer to | 0:13:23 | 0:13:26 | |
each of the five tennis contests that make up a Davis Cup tie | 0:13:26 | 0:13:30 | |
between two countries? | 0:13:30 | 0:13:31 | |
That's a rubber. | 0:13:35 | 0:13:36 | |
It is a rubber. | 0:13:36 | 0:13:38 | |
Danny, on to you. | 0:13:38 | 0:13:39 | |
The Rugby Union centre Jean de Villiers has played | 0:13:39 | 0:13:42 | |
over 100 times for which country? | 0:13:42 | 0:13:44 | |
Well, I'm not really a rugby person, Jeremy. | 0:13:49 | 0:13:51 | |
And I reckon the clue has got to be in the name, Jean de Villiers. | 0:13:53 | 0:13:58 | |
I think I would have known if he'd played for England. | 0:13:58 | 0:14:01 | |
Definitely not Fiji, so it's got to be South Africa. | 0:14:01 | 0:14:04 | |
Sounds like a South African name, so I'll go with that one. | 0:14:04 | 0:14:07 | |
Yes, I lived in South Africa for a while, | 0:14:07 | 0:14:09 | |
and that name J-E-A-N, you're never sure how to pronounce it, | 0:14:09 | 0:14:12 | |
whether it's "John", or "Jean", or "Gene", or what. | 0:14:12 | 0:14:15 | |
But you're absolutely right, South Africa. | 0:14:15 | 0:14:18 | |
-Whoa! -South Africa. Yeah! | 0:14:18 | 0:14:19 | |
OK, Lisa. | 0:14:19 | 0:14:21 | |
Which athlete broke the indoor | 0:14:21 | 0:14:22 | |
and outdoor pole vault world records 35 times during his career? | 0:14:22 | 0:14:27 | |
So, Carl Lewis was a sprinter, | 0:14:33 | 0:14:35 | |
and I don't think ever went near a pole vault pole in his life. | 0:14:35 | 0:14:38 | |
It was part of Sebrle's discipline, because he was a decathlete, | 0:14:38 | 0:14:43 | |
world record-breaking decathlete. | 0:14:43 | 0:14:45 | |
But the one we want here is Sergei Bubka. | 0:14:45 | 0:14:47 | |
Well done you, Sergei Bubka is quite right. | 0:14:47 | 0:14:50 | |
35 times. | 0:14:50 | 0:14:52 | |
They're quite good, Danny, aren't they? | 0:14:52 | 0:14:54 | |
-They are, yeah, very good. -They know stuff. | 0:14:54 | 0:14:56 | |
OK, your question, Danny. | 0:14:57 | 0:14:59 | |
The footballer Thibaut Courtois typically plays in which position? | 0:14:59 | 0:15:03 | |
Well, I know this one. | 0:15:07 | 0:15:08 | |
Goalkeeper. | 0:15:09 | 0:15:11 | |
Yeah, he is. | 0:15:11 | 0:15:12 | |
Goalkeeper is correct. | 0:15:12 | 0:15:15 | |
So, two each and, Lisa, your question, your third question. | 0:15:15 | 0:15:18 | |
In which city did the British swimmer Anita Lonsbrough | 0:15:18 | 0:15:22 | |
win an Olympic gold medal? | 0:15:22 | 0:15:24 | |
OK. Now, when Becky Adlington won her gold medals, | 0:15:28 | 0:15:34 | |
it was the first time that a British woman had done it since Lonsbrough. | 0:15:34 | 0:15:40 | |
And I think it was in the '60s, which would make it Rome, | 0:15:40 | 0:15:44 | |
but I'll just have a little think about that. | 0:15:44 | 0:15:47 | |
Erm, no, I don't think you've got to go back as far as '48 for it. | 0:15:47 | 0:15:51 | |
I think it's Rome. | 0:15:51 | 0:15:53 | |
You're absolutely right, Rome it is. | 0:15:53 | 0:15:55 | |
Three out of three, Lisa, on Sport. | 0:15:55 | 0:15:57 | |
OK, to stay in, Danny, you've got to get this right. | 0:15:57 | 0:16:00 | |
Which cricketer scored a century on his Test match debut for England | 0:16:00 | 0:16:05 | |
against India in December 2016? | 0:16:05 | 0:16:08 | |
That's a question and a half. | 0:16:16 | 0:16:20 | |
Keaton Jennings certainly did. | 0:16:20 | 0:16:21 | |
You know what, I'm going to go for Keaton Jennings. | 0:16:23 | 0:16:26 | |
Keaton Jennings is the right answer. | 0:16:26 | 0:16:28 | |
Oh, it is? | 0:16:28 | 0:16:29 | |
-Whoo! -Whoa! | 0:16:29 | 0:16:32 | |
I know you were on the edge, there. | 0:16:32 | 0:16:34 | |
You're playing well, you've got three out of three, | 0:16:34 | 0:16:36 | |
Lisa's got three out of three. We go now to Sudden Death. | 0:16:36 | 0:16:39 | |
It gets a bit harder - I don't give you different options. | 0:16:39 | 0:16:42 | |
Lisa, your question. | 0:16:42 | 0:16:43 | |
In which country was the tennis player Tommy Haas born? | 0:16:43 | 0:16:47 | |
Yeah, Tommy Haas, he had a late career renaissance. | 0:16:47 | 0:16:51 | |
He started playing brilliantly at about 36 or 37. | 0:16:51 | 0:16:54 | |
I think he's a German, but let's just have a little think. | 0:16:54 | 0:16:57 | |
No, I don't think he's Austrian or Swiss, or any of those, no. | 0:16:59 | 0:17:03 | |
I think it is Germany. | 0:17:03 | 0:17:05 | |
Germany's correct. She's difficult to shake off, Danny. | 0:17:05 | 0:17:08 | |
-She is, isn't she? -Here's your question. | 0:17:08 | 0:17:10 | |
Can I go for another Egghead, please? | 0:17:10 | 0:17:13 | |
They're all good, they're all good. | 0:17:13 | 0:17:14 | |
All right, here's your question. This to stay in, Danny. | 0:17:14 | 0:17:17 | |
The Chicago Bulls basketball team retired the number 23 | 0:17:17 | 0:17:22 | |
in honour of which player, | 0:17:22 | 0:17:24 | |
who played for them between 1984 and 1998? | 0:17:24 | 0:17:26 | |
I've got no idea. | 0:17:29 | 0:17:30 | |
-Michael Jordan. -Lisa, is he right? | 0:17:35 | 0:17:37 | |
-I think he might be. -Yeah, you're right, well done, Michael Jordan. | 0:17:37 | 0:17:40 | |
There's nothing more satisfying, is there? | 0:17:43 | 0:17:45 | |
Nothing more satisfying than getting a guess right. | 0:17:45 | 0:17:47 | |
Yeah. All right, well done. | 0:17:47 | 0:17:49 | |
Sudden Death. Lisa, back to you. | 0:17:49 | 0:17:51 | |
What is the first name of the American high jumper | 0:17:51 | 0:17:54 | |
after whom the Fosbury flop technique was named? | 0:17:54 | 0:17:58 | |
Erm, I think he was Dick Fosbury. | 0:17:58 | 0:18:00 | |
Dick Fosbury is quite right. | 0:18:00 | 0:18:02 | |
So, Danny, you need to get this one. | 0:18:03 | 0:18:05 | |
In 2016, | 0:18:05 | 0:18:06 | |
which English man became golf's first Olympic champion since 1904? | 0:18:06 | 0:18:11 | |
Well, it wasn't Rory McIlroy, because he didn't go. | 0:18:12 | 0:18:15 | |
Look, I'm going to take a punt on this one. | 0:18:15 | 0:18:17 | |
Darren Clarke. | 0:18:19 | 0:18:21 | |
Darren Clarke is your answer, | 0:18:21 | 0:18:22 | |
let me just check with your team-mates here, is he right? | 0:18:22 | 0:18:25 | |
No idea. | 0:18:25 | 0:18:28 | |
-Absolutely no idea. -They don't know. | 0:18:28 | 0:18:30 | |
OK, Lisa? | 0:18:30 | 0:18:31 | |
-Justin Rose. -Justin Rose is the answer. -Ah, Justin Rose! | 0:18:31 | 0:18:35 | |
So sorry, Danny, you've been knocked out by our Egghead there, | 0:18:35 | 0:18:37 | |
which levels things up. | 0:18:37 | 0:18:39 | |
Please return to your teams and we'll play on. | 0:18:39 | 0:18:42 | |
So, Seamingly Clueless, I'm afraid that's what it's like | 0:18:43 | 0:18:47 | |
playing this lot. Danny, how did that feel? | 0:18:47 | 0:18:50 | |
-It's tough, wasn't it? -I tell you what, I'm exhausted. | 0:18:50 | 0:18:52 | |
Can I go and have a lie down, please? | 0:18:54 | 0:18:56 | |
I know it's all fun, | 0:18:56 | 0:18:58 | |
but I can see in the booth, everybody gets that focus thing | 0:18:58 | 0:19:01 | |
of they want to win. So, all right, | 0:19:01 | 0:19:03 | |
you've lost a brain, Seamingly Clueless, | 0:19:03 | 0:19:06 | |
the Eggheads have lost one, too. | 0:19:06 | 0:19:07 | |
We're in a perfect situation for a great contest here, | 0:19:07 | 0:19:10 | |
and your next subject is Arts & Books. | 0:19:10 | 0:19:13 | |
Who would like this? | 0:19:14 | 0:19:15 | |
-Go for it, mate. -Probably me. -Yeah. | 0:19:15 | 0:19:17 | |
-Me, I think. -OK. | 0:19:17 | 0:19:19 | |
It's going to be Tom Dyckhoff, | 0:19:19 | 0:19:20 | |
architecture critic, against which Egghead? | 0:19:20 | 0:19:23 | |
Now, you've tried them knocking out the bookends here, | 0:19:23 | 0:19:25 | |
you've got to go for one of the three in the middle. | 0:19:25 | 0:19:28 | |
Dave, Steve, Kevin. | 0:19:28 | 0:19:30 | |
I like a bit of symmetry, so who are we going to knock out? | 0:19:30 | 0:19:33 | |
-I think Dave. -All right. | 0:19:33 | 0:19:35 | |
I thought symmetry would mean taking out Steve in the middle. | 0:19:35 | 0:19:38 | |
I know, I know, but one by one, one by one, | 0:19:38 | 0:19:41 | |
-then we'll get the middle one. -I see the logic. | 0:19:41 | 0:19:44 | |
Tom from Seamingly Clueless to take on Tremendous Knowledge Dave, | 0:19:44 | 0:19:47 | |
as he's known, from the Eggheads. | 0:19:47 | 0:19:48 | |
On Arts & Books, please go to the Question Room. | 0:19:48 | 0:19:51 | |
So, design is your thing, Tom. | 0:19:53 | 0:19:56 | |
Yeah, exactly. In all its forms from the design of the city, | 0:19:56 | 0:19:59 | |
right the way down to the design of an egg cup - all scales. | 0:19:59 | 0:20:02 | |
I was going to say, and the design of an Egghead studio, | 0:20:02 | 0:20:05 | |
do you think we're a bit 21st century here or...? | 0:20:05 | 0:20:08 | |
You're very postmodern, I think is the term. Very postmodern. | 0:20:08 | 0:20:11 | |
You approve of our blues and all that? | 0:20:11 | 0:20:13 | |
I think the design of quiz show sets is a fascinating subject in its own | 0:20:13 | 0:20:17 | |
right. I love all the kind of the clean lines. | 0:20:17 | 0:20:19 | |
It looks very Art Deco, kind of very like a cruise ship. | 0:20:19 | 0:20:22 | |
Yeah, I never thought that there's a design element, but of course there is. | 0:20:22 | 0:20:25 | |
Yes. And there's always a little bit of kind of gaffer tape that | 0:20:25 | 0:20:28 | |
the people at home can't see. But we can. | 0:20:28 | 0:20:31 | |
Visible in HD, that's the trouble. | 0:20:31 | 0:20:33 | |
So how did you enjoy the Great Interior Design Challenge? | 0:20:33 | 0:20:36 | |
Because I watch... I always think going into homes and changing | 0:20:36 | 0:20:39 | |
the inside of someone's bedroom is almost the most intimate thing | 0:20:39 | 0:20:42 | |
-you can do. -Oh, it is. I'm a real nosy parker, that's why I love | 0:20:42 | 0:20:46 | |
doing it, but to me your home is obviously the most intimate, | 0:20:46 | 0:20:49 | |
the most personal piece of architecture and design you'll ever inhabit. | 0:20:49 | 0:20:53 | |
And yet it's so easy to change it. | 0:20:53 | 0:20:55 | |
I mean, Piers spends all of his time changing the structure of people's | 0:20:55 | 0:20:58 | |
lives, the buildings. We go in and it's more than rearranging | 0:20:58 | 0:21:01 | |
the cushions but, you know, it's much more simple. | 0:21:01 | 0:21:04 | |
We challenge our amateur designers with £1,000 and 48 hours and within | 0:21:04 | 0:21:08 | |
that time they can change a room and they can change people's lives. | 0:21:08 | 0:21:11 | |
We've seen people brought to tears because they finally got the bedroom | 0:21:11 | 0:21:15 | |
-that they want. -Yes, I saw somebody got emotional about a headboard. | 0:21:15 | 0:21:19 | |
Exactly. We all get emotional about something. And, you know, got | 0:21:19 | 0:21:22 | |
emotional about a headboard! I get emotional about chairs sometimes. | 0:21:22 | 0:21:25 | |
Do you have any particular thing that you particularly love? | 0:21:25 | 0:21:28 | |
I'm thinking, when I walk into the old Broadcasting House, | 0:21:28 | 0:21:30 | |
you'll know that reception, | 0:21:30 | 0:21:32 | |
they rebuilt it as was in the '30s and they've done it Art Deco, | 0:21:32 | 0:21:35 | |
and although it is dated, it is beautiful. | 0:21:35 | 0:21:38 | |
Oh, yeah. If you spend money on architecture, it's going to last. | 0:21:38 | 0:21:42 | |
It's always a key thing. Architecture... | 0:21:42 | 0:21:44 | |
Although Piers has shown us how he can do it on a budget, | 0:21:44 | 0:21:47 | |
it's kind of expensive. | 0:21:47 | 0:21:49 | |
We like to kind of increase people's access to it but you always spend | 0:21:49 | 0:21:54 | |
money on good quality materials. | 0:21:54 | 0:21:55 | |
You know, stone, brick, really good quality materials and craftsmanship. | 0:21:55 | 0:22:00 | |
-Good advice. Good luck in this round, Tom. -I'm going to need it! | 0:22:00 | 0:22:02 | |
Arts & Books the subject against Tremendous Knowledge Dave. | 0:22:02 | 0:22:05 | |
-Would you like to go first or second? -I'd like to go first. | 0:22:05 | 0:22:07 | |
Get it over and done with. | 0:22:07 | 0:22:08 | |
And here we go. Arts & Books. | 0:22:12 | 0:22:13 | |
Your first question. | 0:22:13 | 0:22:15 | |
Which of these is a book by Roald Dahl? | 0:22:15 | 0:22:17 | |
Well, I actually know this one. | 0:22:23 | 0:22:25 | |
I've got two small kids so I know about children's books | 0:22:25 | 0:22:27 | |
so this is something I know about. Fantastic Mr Fox. | 0:22:27 | 0:22:30 | |
Is the right answer. Well done. Fantastic Mr Fox. | 0:22:30 | 0:22:33 | |
Dave, your question. What is the opening line of Shakespeare's play | 0:22:34 | 0:22:37 | |
Twelfth Night? | 0:22:37 | 0:22:38 | |
If music be the food of love, play on. | 0:22:46 | 0:22:49 | |
Absolutely right. If music be the food of love, play on, | 0:22:49 | 0:22:52 | |
-is the right answer. -Yeah. -Tom, back to you. | 0:22:52 | 0:22:54 | |
The Running Man, | 0:22:54 | 0:22:55 | |
featuring a futuristic game show in which contestants are hunted down | 0:22:55 | 0:23:01 | |
is a 1982 book by which author? | 0:23:01 | 0:23:03 | |
Science fiction is not my thing. | 0:23:09 | 0:23:12 | |
I'm pretty sure William Golding didn't write much in the way of | 0:23:12 | 0:23:14 | |
science-fiction. Stephen King might have done. | 0:23:14 | 0:23:17 | |
But I'm going to go with Clive Barker. | 0:23:19 | 0:23:23 | |
That's interesting. So 1982 book, | 0:23:23 | 0:23:27 | |
it's by Stephen King. | 0:23:27 | 0:23:28 | |
-Stephen King wrote The Running Man, not one of his best-known. -No. | 0:23:30 | 0:23:34 | |
It was actually released under the name Richard Bachman and these days | 0:23:34 | 0:23:37 | |
usually gets Stephen King writing as Richard Bachman. But, yeah, | 0:23:37 | 0:23:40 | |
that's the book on which the Schwarzenegger film of the same name | 0:23:40 | 0:23:43 | |
is based. Right, so it wasn't one of his classic Stephen King horror | 0:23:43 | 0:23:46 | |
franchise? No, he used another name for another genre but these days, | 0:23:46 | 0:23:50 | |
obviously, they link it up for the sales. | 0:23:50 | 0:23:53 | |
-And it was made into a movie? -Yeah. -Dave, your question. | 0:23:53 | 0:23:56 | |
In Oliver Twist, | 0:23:56 | 0:23:58 | |
which character is described by Dickens on his first appearance | 0:23:58 | 0:24:01 | |
as having two scowling eyes, one of which displayed various | 0:24:01 | 0:24:06 | |
parti-coloured symptoms of having recently been damaged by a blow? | 0:24:06 | 0:24:10 | |
I'm not sure about this one at all. | 0:24:14 | 0:24:17 | |
I could go very wrong here. | 0:24:17 | 0:24:20 | |
I don't think it is Mr Brownlow. | 0:24:20 | 0:24:23 | |
Logic would normally take me to Fagin... | 0:24:23 | 0:24:25 | |
..but "damaged by a blow" - because Bill Sykes was a bit of a bruiser - | 0:24:26 | 0:24:31 | |
leads me more to Bill Sykes. | 0:24:31 | 0:24:32 | |
Yeah, you know what, let's go Bill Sykes. | 0:24:35 | 0:24:38 | |
The answer is Bill Sykes. | 0:24:38 | 0:24:40 | |
So, Dave takes the lead. | 0:24:42 | 0:24:44 | |
And it means, Tom, you need this to stay in. | 0:24:44 | 0:24:46 | |
"What's it going to be then, eh?" | 0:24:46 | 0:24:49 | |
is the opening line of which novel? | 0:24:49 | 0:24:51 | |
Well, I don't think it's 1984, I've not read Moby Dick, | 0:24:55 | 0:25:00 | |
but I've read A Clockwork Orange, | 0:25:00 | 0:25:02 | |
but can I remember that being the opening line of A Clockwork Orange? | 0:25:02 | 0:25:05 | |
I'll go for A Clockwork Orange as a punt. | 0:25:09 | 0:25:11 | |
You're absolutely right, Tom, well done. | 0:25:11 | 0:25:13 | |
A Clockwork Orange, well done. | 0:25:13 | 0:25:16 | |
Dave, you can take the round with this question. | 0:25:16 | 0:25:19 | |
The Alan Ayckbourn play A Chorus Of Disapproval is based around | 0:25:19 | 0:25:24 | |
rehearsals for an amateur production of what? | 0:25:24 | 0:25:27 | |
I didn't know which opera it was. | 0:25:32 | 0:25:34 | |
Oh, dear. It could be any of them. | 0:25:34 | 0:25:38 | |
I'm going to go Albert Herring. | 0:25:38 | 0:25:39 | |
Albert Herring. | 0:25:39 | 0:25:41 | |
-Do know this, Tom? -No, but I would punt on The Marriage of Figaro. | 0:25:41 | 0:25:44 | |
It's neither. It's The Beggar's Opera. | 0:25:44 | 0:25:46 | |
-I would never have got that. -The Beggar's Opera. | 0:25:46 | 0:25:48 | |
So after three questions, you're level. | 0:25:48 | 0:25:50 | |
We go now to Sudden Death just to make it that bit harder, | 0:25:50 | 0:25:52 | |
these questions are not multiple choice. | 0:25:52 | 0:25:54 | |
Tom, here's yours. | 0:25:54 | 0:25:56 | |
TS Eliot's poem The Love Song of J Alfred Prufrock ends with the words, | 0:25:56 | 0:26:02 | |
"By sea-girls wreathed with seaweed red and brown, | 0:26:02 | 0:26:07 | |
"till human voices wake us and we..." | 0:26:07 | 0:26:10 | |
What? | 0:26:10 | 0:26:11 | |
Oh, I should know this. I studied this at university. | 0:26:11 | 0:26:14 | |
Blimey. | 0:26:14 | 0:26:16 | |
No idea. | 0:26:16 | 0:26:17 | |
And I'm going to just say drown. | 0:26:17 | 0:26:20 | |
Drown is correct. | 0:26:20 | 0:26:21 | |
I was hoping that brown was... | 0:26:21 | 0:26:24 | |
Maybe I'm a poet and I never know it. | 0:26:24 | 0:26:25 | |
Yeah, I was hoping giving you the brown as the end of the line there, | 0:26:25 | 0:26:29 | |
I'm so pleased you got that. Well done. Great line as well. | 0:26:29 | 0:26:32 | |
Dave, to stay in. | 0:26:32 | 0:26:34 | |
Which famous Gothic novel of 1818 closes with the line - | 0:26:34 | 0:26:38 | |
"He was soon borne away by the waves and lost in darkness and distance."? | 0:26:38 | 0:26:42 | |
Frankenstein. | 0:26:44 | 0:26:45 | |
Frankenstein is correct. | 0:26:45 | 0:26:47 | |
Tom, the novel The Last of the Mohicans was first published | 0:26:48 | 0:26:52 | |
in which century? | 0:26:52 | 0:26:54 | |
The 19th century. | 0:26:54 | 0:26:55 | |
19th is right. | 0:26:55 | 0:26:56 | |
Dave, in Harry Potter And The Philosopher's Stone... | 0:26:58 | 0:27:02 | |
HE LAUGHS | 0:27:02 | 0:27:03 | |
-You don't like your Harry Potter. -No. Go on. Yeah. | 0:27:03 | 0:27:05 | |
In Harry Potter And The Philosopher's Stone, the blood | 0:27:05 | 0:27:08 | |
of which creature is said to keep you alive | 0:27:08 | 0:27:11 | |
even if you are an inch from death | 0:27:11 | 0:27:14 | |
but at a terrible price? | 0:27:14 | 0:27:17 | |
Me and... It was always going to catch up with me. | 0:27:17 | 0:27:21 | |
The blood of which creature? | 0:27:21 | 0:27:23 | |
No, not going to get anywhere near it. | 0:27:23 | 0:27:25 | |
Dragon. | 0:27:25 | 0:27:26 | |
No, a unicorn. You've been knocked out, Dave. | 0:27:26 | 0:27:28 | |
Tom, well done, you're in the final round. | 0:27:28 | 0:27:31 | |
-Well done. -That was a close one. -Are you a Harry Potter fan? | 0:27:31 | 0:27:35 | |
I've never seen any Harry Potter or read any Harry Potter | 0:27:35 | 0:27:37 | |
so if I got that question, I'd be in exactly the same position. | 0:27:37 | 0:27:41 | |
And unicorn is not that guessable, is it? | 0:27:41 | 0:27:43 | |
So please come back to us. This is looking very good for our celebs now. | 0:27:43 | 0:27:46 | |
We'll play the last round before the final. | 0:27:46 | 0:27:49 | |
So, as it stands, Seamingly Clueless have lost one brain from the final | 0:27:50 | 0:27:54 | |
round. The Eggheads have lost two, though. Dave has gone. | 0:27:54 | 0:27:57 | |
One more round before the final and the subject for you is Science. | 0:27:57 | 0:28:01 | |
So, it's going to be Esme or Keith. | 0:28:04 | 0:28:06 | |
-Do we have to flip a coin? -I am absolutely hopeless. | 0:28:06 | 0:28:08 | |
Anyone got a science background they can declare? | 0:28:08 | 0:28:11 | |
-Doesn't look like it. -No, not really. -Doesn't look good. | 0:28:11 | 0:28:13 | |
-I'll have a go. -Go on, Keith. | 0:28:13 | 0:28:14 | |
-I'll give it a go. -All right, brilliant. | 0:28:14 | 0:28:17 | |
And against which Egghead, Keith? | 0:28:17 | 0:28:20 | |
You can have Steve or Kevin. | 0:28:20 | 0:28:21 | |
It's difficult for me to advise. | 0:28:23 | 0:28:25 | |
I'd love to advise you but you can't avoid at some point meeting both | 0:28:25 | 0:28:29 | |
of them, cos one of them is going to be left for the final. | 0:28:29 | 0:28:31 | |
So, do you hurl yourself at Kevin, do you try and take out Steve? | 0:28:31 | 0:28:34 | |
-I don't know. -I'll hurl myself at Kevin. | 0:28:34 | 0:28:37 | |
OK. | 0:28:37 | 0:28:38 | |
-Always the best tactic. -Stand well back. | 0:28:38 | 0:28:41 | |
So, Keith, from Seamingly Clueless | 0:28:41 | 0:28:43 | |
gets Kevin on the potter's wheel from the Eggheads. | 0:28:43 | 0:28:46 | |
To ensure there's no conferring, please, for the last time, | 0:28:46 | 0:28:49 | |
take your positions. | 0:28:49 | 0:28:50 | |
I'm wondering if you might be Britain's most famous potter, Keith? | 0:28:52 | 0:28:54 | |
Well, either me or maybe | 0:28:55 | 0:28:58 | |
-Grayson Perry. -That's true but The Great Pottery Throw Down | 0:28:58 | 0:29:02 | |
with Sara Cox is very popular, | 0:29:02 | 0:29:03 | |
and it has shown us how difficult it is just to make a cup or a bowl. | 0:29:03 | 0:29:07 | |
Well, it's a fantastic programme. | 0:29:07 | 0:29:11 | |
And obviously it's my passion, | 0:29:11 | 0:29:13 | |
and it is something that I've done all my life. | 0:29:13 | 0:29:16 | |
And I just wanted to show people how cathartic... | 0:29:16 | 0:29:19 | |
and the process of creativity, | 0:29:19 | 0:29:22 | |
from this lump of clay to something remotely useful | 0:29:22 | 0:29:26 | |
or something to look at. | 0:29:26 | 0:29:28 | |
When it goes well for the contestants, you become tearful, | 0:29:28 | 0:29:30 | |
-which says it all. -I do, yes. | 0:29:30 | 0:29:33 | |
I do get rather emotional. | 0:29:33 | 0:29:36 | |
I just love seeing them enjoy what they've made | 0:29:36 | 0:29:41 | |
and just really see the whole success | 0:29:41 | 0:29:45 | |
of the process that they've gone through. | 0:29:45 | 0:29:47 | |
That's it for me, really. | 0:29:47 | 0:29:48 | |
And how was it that you, as an 11-year-old, Keith, | 0:29:48 | 0:29:51 | |
suddenly thought, "This is what I want to do"? | 0:29:51 | 0:29:54 | |
Well, my art teacher at school gave me a lump of clay, said, | 0:29:54 | 0:29:58 | |
"Make something". I made my... | 0:29:58 | 0:30:01 | |
My first thing I ever made was a pottery owl. | 0:30:01 | 0:30:04 | |
I made this owl and he thought it looked wonderful. | 0:30:04 | 0:30:08 | |
It was basically the first time anyone had told me I'd done anything | 0:30:08 | 0:30:10 | |
really well, and I really just took to clay. | 0:30:10 | 0:30:14 | |
I love the substance, | 0:30:14 | 0:30:16 | |
I love the material, | 0:30:16 | 0:30:18 | |
and I've loved it ever since. | 0:30:18 | 0:30:19 | |
I must mention your band, The Wigs, as well. | 0:30:19 | 0:30:21 | |
I was looking up on YouTube the other day and there they were, | 0:30:21 | 0:30:25 | |
and it's you gigging and you're singing. | 0:30:25 | 0:30:27 | |
-Yeah. -It's proper indie music. | 0:30:27 | 0:30:29 | |
It was kind of a lifetime ago now. | 0:30:29 | 0:30:32 | |
Yeah, it was really good. | 0:30:32 | 0:30:34 | |
It was my university of life. | 0:30:34 | 0:30:36 | |
Good luck in this round. This all adds to the university of life. | 0:30:36 | 0:30:39 | |
You're up against Kevin, Keith. | 0:30:39 | 0:30:41 | |
He's very good. | 0:30:41 | 0:30:42 | |
Would you like to go first or second? | 0:30:42 | 0:30:44 | |
I shall go first, please, Jeremy. | 0:30:44 | 0:30:46 | |
And here is your first question, Keith, good luck. | 0:30:49 | 0:30:52 | |
The sun is at the centre of which of these? | 0:30:52 | 0:30:54 | |
Well, it's... | 0:31:00 | 0:31:01 | |
..not the universe. | 0:31:02 | 0:31:04 | |
The galaxy... | 0:31:05 | 0:31:06 | |
No, I'm pretty sure it's the solar system. | 0:31:08 | 0:31:10 | |
Clue's in the name. Yes, the solar system is the right answer. | 0:31:11 | 0:31:13 | |
Kevin. What type of animal is a tapir? | 0:31:15 | 0:31:18 | |
Uh, it's... | 0:31:22 | 0:31:23 | |
Well, it's a mammal. | 0:31:23 | 0:31:25 | |
It's a creature found in... | 0:31:25 | 0:31:28 | |
I'm trying to remember now whether it's Africa or South America. | 0:31:30 | 0:31:34 | |
I think you find them in South America but I may be wrong there. | 0:31:34 | 0:31:37 | |
It's a rather strange-looking thing. Quite a rare one. | 0:31:37 | 0:31:40 | |
Mammal is right. Very good. | 0:31:40 | 0:31:43 | |
OK, back to you, Keith. | 0:31:43 | 0:31:44 | |
Caspian and Javan are two now extinct types of which animal? | 0:31:46 | 0:31:51 | |
Caspian and Javan. | 0:31:53 | 0:31:55 | |
Well, I'm pretty sure it's not a penguin. | 0:31:57 | 0:31:59 | |
I would go for... | 0:32:01 | 0:32:03 | |
..llama. | 0:32:04 | 0:32:05 | |
Llama is your answer. Let's check with the Challengers here. | 0:32:05 | 0:32:08 | |
-Do you know? -I think it might be Tiger. -We think it's a tiger. | 0:32:08 | 0:32:10 | |
There is a Javan tiger that has been written about. | 0:32:10 | 0:32:14 | |
-Tiger is the answer, not llama. -OK. -So sorry, Keith. | 0:32:14 | 0:32:18 | |
Kevin, your question. Which particle is often referred to | 0:32:18 | 0:32:21 | |
as the God particle by the media? | 0:32:21 | 0:32:23 | |
Well, there was a lot of publicity around this because it was something | 0:32:29 | 0:32:33 | |
that had been searched for for about 50 years before it was finally, | 0:32:33 | 0:32:37 | |
they think, detected, just a few years ago. | 0:32:37 | 0:32:40 | |
There is an entity that's supposed to give mass to other particles. | 0:32:42 | 0:32:46 | |
It's the Higgs Boson. | 0:32:46 | 0:32:47 | |
Higgs Boson is quite right. | 0:32:47 | 0:32:49 | |
So, Kevin take the lead. You've got to get this one right, Keith. | 0:32:49 | 0:32:52 | |
I'm kind of liking the fact that he gives more than the answer. | 0:32:52 | 0:32:55 | |
-I know. -It's kind of worrying. | 0:32:55 | 0:32:57 | |
We could go, sometimes... We just had the second paragraph. | 0:32:57 | 0:33:00 | |
We can go paragraphs three, four, five and six if you... | 0:33:00 | 0:33:03 | |
-Who was Higgs, Kevin? -Peter Higgs. | 0:33:03 | 0:33:05 | |
He was a British scientist. | 0:33:05 | 0:33:07 | |
He was one of the first couple of people to put forward the theory | 0:33:07 | 0:33:11 | |
-that this thing existed. -Born when? | 0:33:11 | 0:33:13 | |
I'm not sure about his birthday, | 0:33:13 | 0:33:15 | |
but it was about 1964 when he put forward the theory, | 0:33:15 | 0:33:18 | |
and of course it took another 50 years after that | 0:33:18 | 0:33:20 | |
before it was found, and then he got the Nobel Prize. | 0:33:20 | 0:33:23 | |
-And who was Boson? -No, boson | 0:33:23 | 0:33:25 | |
-is a category of particle. -Oh, OK. | 0:33:25 | 0:33:27 | |
-There we are, Keith, there's no end to it. -That's fantastic. | 0:33:27 | 0:33:30 | |
And it could go even further but we won't. | 0:33:30 | 0:33:32 | |
Here's your question to stay in. | 0:33:33 | 0:33:35 | |
Which famous astronomer, born in Hanover, | 0:33:35 | 0:33:38 | |
was also an accomplished musician who wrote 24 symphonies? | 0:33:38 | 0:33:42 | |
Well, I'm pretty sure it's not Patrick Moore. | 0:33:47 | 0:33:51 | |
There's the Halley's Comet. | 0:33:51 | 0:33:53 | |
I'm going to go William Herschel. | 0:33:55 | 0:33:56 | |
-I'm glad you'd did. William Herschel is correct. -Yes! | 0:33:56 | 0:33:59 | |
Well done. The astronomer who was also a musician. | 0:33:59 | 0:34:02 | |
All right, level, but Kevin has this question in hand. | 0:34:02 | 0:34:06 | |
Kevin, here we go. | 0:34:06 | 0:34:07 | |
Which English scientist, born in 1578, published his theory | 0:34:07 | 0:34:11 | |
of how the heart propels blood in a circular course through the body | 0:34:11 | 0:34:16 | |
in a work called Anatomical Study Of The Motion of the Heart | 0:34:16 | 0:34:20 | |
And Of The Blood in Animals? | 0:34:20 | 0:34:22 | |
Yeah, well, he's the one who is credited with this, well, | 0:34:28 | 0:34:32 | |
actually working out the system. | 0:34:32 | 0:34:34 | |
Although people had previously had ideas about some of it. | 0:34:34 | 0:34:38 | |
It's William Harvey. | 0:34:38 | 0:34:39 | |
And that's how they quiz. That's how they roll, Keith. | 0:34:39 | 0:34:42 | |
-I'm so sorry. -Great. -William Harvey is the right answer. | 0:34:42 | 0:34:45 | |
-Great. -One of the all-time great quizzers there. -Fantastic. | 0:34:45 | 0:34:48 | |
Kevin, you're in the final. Keith, sorry, you've been knocked out. | 0:34:48 | 0:34:51 | |
The Challengers have got a good shout in this final round. | 0:34:51 | 0:34:54 | |
Return to us, gentlemen, and we'll play it. | 0:34:54 | 0:34:56 | |
All right. Exciting contest, this. | 0:34:58 | 0:35:00 | |
And this is what we've been playing towards. | 0:35:00 | 0:35:02 | |
It is time for our final round. | 0:35:02 | 0:35:04 | |
As always, it is General Knowledge. | 0:35:04 | 0:35:05 | |
But, I'm afraid those of you who lost your head-to-heads | 0:35:05 | 0:35:08 | |
won't be in the final round, | 0:35:08 | 0:35:10 | |
so that's Danny and Keith from Seamingly Clueless but also | 0:35:10 | 0:35:14 | |
Dave and Judith from the Eggheads. | 0:35:14 | 0:35:16 | |
Would you please now leave our studio? | 0:35:16 | 0:35:18 | |
Tom, Piers, Esme, | 0:35:20 | 0:35:22 | |
you're playing to win Seamingly Clueless £9,000. | 0:35:22 | 0:35:26 | |
Lisa, Stephen, Kevin, you're playing for something money can't buy, | 0:35:26 | 0:35:29 | |
which is the Eggheads' reputation and to keep defeating | 0:35:29 | 0:35:31 | |
these celebrity teams, which you're doing at the moment. | 0:35:31 | 0:35:34 | |
As usual, I will ask each team three questions in turn. | 0:35:34 | 0:35:37 | |
This time the questions are all General Knowledge. | 0:35:37 | 0:35:40 | |
You are allowed to confer. | 0:35:40 | 0:35:41 | |
So Seamingly Clueless, the question is, | 0:35:41 | 0:35:43 | |
can your three brains defeat these three over here? | 0:35:43 | 0:35:46 | |
-Esme, how are you feeling? -Oh, I feel really confident. | 0:35:46 | 0:35:50 | |
THEY LAUGH | 0:35:50 | 0:35:52 | |
Do you feel now like the contestants feel on the Great British Sewing Bee? | 0:35:52 | 0:35:56 | |
Probably, yes. | 0:35:56 | 0:35:57 | |
-I'm wondering, the tables have turned slightly. -Absolutely, yes. | 0:35:57 | 0:36:00 | |
-Indeed. -Good luck. | 0:36:00 | 0:36:02 | |
Tom, Piers, Esme, would you like to go first or second? | 0:36:02 | 0:36:04 | |
First. | 0:36:04 | 0:36:05 | |
Here we go. At the start of a game of chess, | 0:36:10 | 0:36:13 | |
the queen sits with the king on one side of her | 0:36:13 | 0:36:16 | |
and which piece on the other? | 0:36:16 | 0:36:18 | |
-It is the... -Haven't a clue. | 0:36:22 | 0:36:24 | |
I do, sorry. Do you play chess? | 0:36:24 | 0:36:26 | |
Work it out. | 0:36:26 | 0:36:28 | |
King and queen, castles are at the end, | 0:36:28 | 0:36:30 | |
and then you have the knight. | 0:36:30 | 0:36:34 | |
-Is the knight the one on the horse? -Yes. | 0:36:34 | 0:36:36 | |
-I think it's the bishop. -OK. | 0:36:38 | 0:36:40 | |
-I don't know, so... -Bishop. -The Bishop. | 0:36:40 | 0:36:43 | |
Bishop is correct. I can see how one could get suddenly confused by that. | 0:36:43 | 0:36:47 | |
-That's our Sports question. -Over-thinking it. -Yes. | 0:36:47 | 0:36:50 | |
-Let's hope so. -Eggheads, your first question. | 0:36:50 | 0:36:53 | |
The word Kahuna, used in expressions such as the Big Kahuna, | 0:36:53 | 0:36:58 | |
has its origins in the indigenous language of which US state? | 0:36:58 | 0:37:01 | |
-Hawaii? -Was that Big Kahuna? Must be Hawaii. -Yeah. | 0:37:05 | 0:37:08 | |
Yes, Hawaii. | 0:37:08 | 0:37:10 | |
I think the Ks and Hs give it away, Jeremy. It's Hawaii. | 0:37:10 | 0:37:13 | |
Hawaii. What is Kahuna, do you know? | 0:37:13 | 0:37:16 | |
-The mountain, or...? -Might be more like a chief. | 0:37:16 | 0:37:18 | |
A chief, yeah. You're pretty much right, a wise man or shaman. | 0:37:18 | 0:37:22 | |
Hawaii is the right answer. | 0:37:22 | 0:37:24 | |
Back to you, Challengers. | 0:37:24 | 0:37:26 | |
You're doing well. Which famous song begins with the lines, | 0:37:26 | 0:37:30 | |
"I am he, as you are he, as you are me and we are all together, | 0:37:30 | 0:37:36 | |
"See how they run like pigs from a gun, see how they fly."? | 0:37:36 | 0:37:40 | |
I Am The Walrus. | 0:37:46 | 0:37:47 | |
I Am The Walrus. | 0:37:47 | 0:37:48 | |
-I Am The Walrus. Yes, you're right. I Am The Walrus. -Good, good, good. | 0:37:48 | 0:37:52 | |
-Yes, yes. -Yes, yes, they say. | 0:37:52 | 0:37:54 | |
Eggheads, got a feeling about this contest. | 0:37:54 | 0:37:58 | |
I'm wondering if you might come unstuck. | 0:37:58 | 0:38:00 | |
Which European country's flag consists of a yellow sun | 0:38:00 | 0:38:04 | |
with eight broadening rays extending to the edges of a red background? | 0:38:04 | 0:38:09 | |
-ALL: -Macedonia. -Yeah? | 0:38:14 | 0:38:15 | |
Albania has got the... | 0:38:17 | 0:38:19 | |
-Big black thing... -..eagle. | 0:38:19 | 0:38:21 | |
And Serbia is a horizontal tricolour, | 0:38:21 | 0:38:23 | |
which is also got a coat of arms on it. | 0:38:23 | 0:38:25 | |
-So, yeah, Macedonia. -We're all happy that's Macedonia, Jeremy. | 0:38:25 | 0:38:29 | |
Macedonia is quite right. | 0:38:29 | 0:38:31 | |
2-2. Now, this is important. This is your third question. | 0:38:31 | 0:38:35 | |
Get this right, you may not need to do any more work. | 0:38:35 | 0:38:38 | |
Get it wrong, it's in their hands. | 0:38:38 | 0:38:40 | |
Which British fashion designer drove a tank to David Cameron's home | 0:38:41 | 0:38:47 | |
in a protest against fracking in September 2015? | 0:38:47 | 0:38:50 | |
Vivienne Westwood. | 0:38:56 | 0:38:57 | |
Oh, you know that. | 0:38:57 | 0:38:59 | |
Vivienne Westwood is correct. | 0:38:59 | 0:39:00 | |
Three out of three. | 0:39:02 | 0:39:04 | |
Will that be enough? Let's see. Eggheads, | 0:39:06 | 0:39:09 | |
who wrote Hangover Square | 0:39:09 | 0:39:12 | |
and the trilogy 20,000 Streets Under The Sky? | 0:39:12 | 0:39:16 | |
-Read them both. -Patrick Hamilton. -It is, yeah. Brilliant writer. | 0:39:22 | 0:39:25 | |
I've read them both, Jeremy. Absolutely fantastic writer. | 0:39:25 | 0:39:29 | |
It's Patrick Hamilton. | 0:39:29 | 0:39:30 | |
-That's annoying. -It is, isn't it? | 0:39:31 | 0:39:33 | |
-Very. -Patrick Hamilton is correct. | 0:39:33 | 0:39:36 | |
Eggheads, 3-3. | 0:39:36 | 0:39:38 | |
All right, we go to Sudden Death. | 0:39:39 | 0:39:41 | |
You know what this entails. | 0:39:41 | 0:39:42 | |
-Yep. -I don't give you options. | 0:39:42 | 0:39:44 | |
Keep on keeping on. Are you going to be the first celebrity team to beat | 0:39:44 | 0:39:47 | |
them after eight have fallen? | 0:39:47 | 0:39:49 | |
Can you do it? | 0:39:49 | 0:39:50 | |
In the UK, which patron saint's feast day is celebrated April 23rd? | 0:39:50 | 0:39:56 | |
St George? Yeah, St George. | 0:39:56 | 0:39:59 | |
-Is it? -Yeah. -St George. | 0:39:59 | 0:40:01 | |
George is right. Well done. St George. | 0:40:01 | 0:40:04 | |
Eggheads, to stay in. | 0:40:04 | 0:40:05 | |
What is the name of the letter that directly follows Delta | 0:40:07 | 0:40:10 | |
in the classical Greek alphabet? | 0:40:10 | 0:40:12 | |
-Alpha, Beta, Gamma, Delta, Epsilon. -Yeah. | 0:40:15 | 0:40:18 | |
-Epsilon. -That's Epsilon, Jeremy. | 0:40:18 | 0:40:21 | |
Epsilon is right. | 0:40:21 | 0:40:23 | |
Challengers... | 0:40:23 | 0:40:24 | |
Seascape, A Delicate Balance and Three Tall Women | 0:40:26 | 0:40:31 | |
are Pulitzer Prize-winning plays by which American playwright? | 0:40:31 | 0:40:36 | |
-Do you know? -No, I don't. | 0:40:36 | 0:40:37 | |
Shall we have a guess? | 0:40:37 | 0:40:39 | |
Well, let's think of American playwrights. | 0:40:40 | 0:40:43 | |
-So it's Seascape... -Three Tall Women... | 0:40:43 | 0:40:46 | |
-It's not something like... -Pulitzer Prize-winning. | 0:40:48 | 0:40:52 | |
-It's not Tennessee Williams or...? -No, I don't think so. | 0:40:52 | 0:40:56 | |
It's not Arthur Miller? | 0:40:56 | 0:40:57 | |
-No. I get a bit sketchy after Arthur Miller. -Yeah, yeah. | 0:40:57 | 0:41:00 | |
They sound like 1930s, don't they? That's the thing. | 0:41:02 | 0:41:06 | |
Can I look on my phone? | 0:41:06 | 0:41:07 | |
We could but they've confiscated them! | 0:41:07 | 0:41:09 | |
Let's think of American playwrights. | 0:41:09 | 0:41:12 | |
Apart from Arthur Miller and Tennessee Williams. | 0:41:12 | 0:41:16 | |
Maybe we need to go for one of those? | 0:41:18 | 0:41:20 | |
-Cos that's all we know. -Exactly, I think we're going to have to. | 0:41:20 | 0:41:22 | |
-Shall we try Arthur Miller? -Yeah. | 0:41:22 | 0:41:25 | |
OK, let's give him a go. | 0:41:25 | 0:41:27 | |
-OK. -It's not that, but... | 0:41:27 | 0:41:28 | |
Arthur Miller. | 0:41:28 | 0:41:30 | |
Arthur Miller | 0:41:30 | 0:41:31 | |
is the wrong answer. Let's just see. Eggheads? | 0:41:31 | 0:41:34 | |
-Edward Albee. -Edward Albee. -Oh, you all say it. | 0:41:34 | 0:41:36 | |
Edward Albee was the answer, Challengers. | 0:41:36 | 0:41:39 | |
It's in their hands now. Can they win? | 0:41:39 | 0:41:41 | |
Your question. The 2016 novel Holding is the first novel | 0:41:41 | 0:41:45 | |
written by which broadcaster and talk-show host? | 0:41:45 | 0:41:48 | |
-Not a clue. -I think it might be Graham Norton. | 0:41:49 | 0:41:52 | |
I'm not sure. He did write one in 2016 which was very well received. | 0:41:53 | 0:41:58 | |
-Right. -That's the only problem I was having. | 0:41:58 | 0:42:00 | |
I couldn't remember anything about him having done it but if you're | 0:42:00 | 0:42:03 | |
-happy with that, I'm happy with that. -I think so. | 0:42:03 | 0:42:05 | |
-Yeah? -I think so. | 0:42:05 | 0:42:06 | |
-I'm not certain. -I've no idea. I'm not certain. | 0:42:06 | 0:42:08 | |
If there are any other suggestions... | 0:42:08 | 0:42:12 | |
But I know he did do one in 2016 which was very... | 0:42:12 | 0:42:15 | |
..well received by the critics, I thought. | 0:42:17 | 0:42:18 | |
Better than anything I've got. Are you happy with that, Lisa? | 0:42:18 | 0:42:21 | |
-I'm happy. -I may be wrong. -Yeah. | 0:42:21 | 0:42:22 | |
Kevin seems to think it's Graham Norton, so that is our answer. | 0:42:22 | 0:42:26 | |
This troubled you a bit, didn't it, cos two of you had nothing on... | 0:42:26 | 0:42:29 | |
-Not a clue. -Nothing. Do you know this one? | 0:42:29 | 0:42:31 | |
-I think it's Graham Norton. -I thought it was Jeremy Vine! | 0:42:31 | 0:42:35 | |
If only! They would deliberately get it wrong if it was me. | 0:42:35 | 0:42:39 | |
If you've got it right, the contest is over. | 0:42:39 | 0:42:41 | |
The correct answer is... | 0:42:41 | 0:42:43 | |
Graham Norton. We say congratulations, Eggheads. | 0:42:43 | 0:42:46 | |
You have won. | 0:42:46 | 0:42:48 | |
-We didn't disgrace ourselves. -No, not at all. -Well done. | 0:42:48 | 0:42:51 | |
-Worthy winners. -Did you enjoy that? | 0:42:54 | 0:42:55 | |
-Well, we didn't disgrace ourselves so that's OK. -No! | 0:42:55 | 0:42:58 | |
You did a 3-3 in final for heaven's sake. | 0:42:58 | 0:43:00 | |
-You were toe-to-toe. -I think however long it had gone on, | 0:43:00 | 0:43:03 | |
we knew they were going to beat us in the end, so actually, you know... | 0:43:03 | 0:43:07 | |
Honestly, there are questions where suddenly they draw a blank. | 0:43:07 | 0:43:10 | |
I've seen it so many times. Listen, thank you so much for playing. | 0:43:10 | 0:43:13 | |
-Thank you. -Thank you. -Thank you. -I hope you had a good time. | 0:43:13 | 0:43:15 | |
Our commiserations to these brilliant celebs of Seamingly Clueless, | 0:43:15 | 0:43:18 | |
who weren't clueless at all, by the way. | 0:43:18 | 0:43:20 | |
The Eggheads have done what comes naturally to them, | 0:43:20 | 0:43:23 | |
this winning streak continues. | 0:43:23 | 0:43:24 | |
It does mean that the celebs haven't won the £9,000, | 0:43:24 | 0:43:27 | |
so we'll take that money over to our next show. | 0:43:27 | 0:43:29 | |
It's going to be 10,000. | 0:43:29 | 0:43:30 | |
Eggheads, congratulations. | 0:43:30 | 0:43:32 | |
Who will beat you? | 0:43:32 | 0:43:34 | |
Join us next time to see if a new team of Celebrity Challengers | 0:43:34 | 0:43:37 | |
have the brains to defeat the Eggheads for 10,000. | 0:43:37 | 0:43:41 | |
Until then, goodbye. | 0:43:41 | 0:43:43 |