T James Jones ‹ Cyfres 2

Line	From	To
-888	0:00:00	0:00:00
-888 - -888	0:00:00	0:00:02
-888	0:00:07	0:00:09
-# Remember	0:00:10	0:00:13
-# Remember #	0:00:20	0:00:23
-Good evening, -and welcome once more to Cofio.	0:00:26	0:00:30
-My guest is a poet, -author and playwright.	0:00:30	0:00:33
-I'm joined by a wizard with words.	0:00:33	0:00:36
-He's one of the Parc Nest boys.	0:00:36	0:00:38
-Welcome to our Archdruid, -T James Jones.	0:00:39	0:00:42
-There's only one way -for us to start tonight.	0:00:42	0:00:46
-Let's look back at some -of your Eisteddfod successes.	0:00:46	0:00:50
-TRUMPET FANFARE	0:00:51	0:00:53
-There's silence in the pavilion.	0:00:59	0:01:02
-There's now a ripple of applause.	0:01:02	0:01:05
-He's not an unfamiliar face.	0:01:07	0:01:09
-He's not an unfamiliar voice.	0:01:10	0:01:12
-Neither is his family unfamiliar.	0:01:15	0:01:19
-In case he's unknown to some...	0:01:20	0:01:23
-..the crowned bard -is Chief Poet T James Jones.	0:01:28	0:01:31
-APPLAUSE	0:01:31	0:01:33
-He was the Chief Poet at Fishguard -two years ago.	0:01:33	0:01:37
-He's one of the sons of Parc Nest...	0:01:42	0:01:45
-..Newcastle Emlyn, Carmarthenshire.	0:01:45	0:01:48
-APPLAUSE	0:01:48	0:01:50
-The scoreline with his nephew...	0:01:51	0:01:53
-..is an interesting one.	0:01:54	0:01:56
-Dylan has two chairs and a crown.	0:01:56	0:01:59
-Jim has two crowns and a chair.	0:02:00	0:02:04
-LAUGHTER	0:02:04	0:02:07
-Which of these two, I wonder...	0:02:07	0:02:09
-..will be the first -to achieve the double-double?	0:02:10	0:02:13
-APPLAUSE	0:02:13	0:02:15
-Dylan was mentioned there - -Tudur Dylan, of course.	0:02:20	0:02:24
-He's the son -of John Gwilym Jones, your brother.	0:02:24	0:02:27
-Looking back, is it pleasing -to be given that recognition?	0:02:27	0:02:32
-You've hit the right notes.	0:02:32	0:02:35
-It's a fine experience, -a real confidence booster.	0:02:35	0:02:39
-With the Eisteddfod, -you can submit your entry...	0:02:39	0:02:43
-..use a nom de plume...	0:02:43	0:02:45
-..and then the adjudicators -can be frank and honest.	0:02:46	0:02:50
-I've lost many times...	0:02:50	0:02:53
-..before winning anything.	0:02:53	0:02:55
-Where did your love of words start?	0:02:56	0:02:58
-Oh...	0:02:59	0:03:01
-..I was taught to recite.	0:03:01	0:03:04
-That was years ago, -and I went to eisteddfodau.	0:03:04	0:03:07
-I learnt poetry by heart.	0:03:08	0:03:10
-After that...	0:03:10	0:03:12
-..I began to appreciate -the poets and their skills.	0:03:12	0:03:16
-I thought I'd try my hand at it.	0:03:16	0:03:19
-You were responsible for the Welsh -translation of Under Milk Wood.	0:03:19	0:03:24
-I'd had the opportunity -of playing the First Voice.	0:03:24	0:03:28
-The production was in Laugharne.	0:03:28	0:03:31
-Gwynne D Evans was the director.	0:03:31	0:03:33
-He asked if I'd be interested -in translating the play.	0:03:33	0:03:39
-Of course, I jumped at the chance.	0:03:39	0:03:41
-It was a work with which -I was very familiar.	0:03:42	0:03:45
-I'd been the First Voice, as I said.	0:03:45	0:03:47
-That was it really.	0:03:48	0:03:50
-I decided to write it -in my own dialect.	0:03:50	0:03:53
-Laugharne is in Carmarthenshire.	0:03:56	0:03:58
-I could bring the characters -to life.	0:04:02	0:04:05
-I was able to place them, to give -them roots within the county.	0:04:08	0:04:13
-The county was Carmarthenshire.	0:04:13	0:04:16
-Here is Jim rehearsing -Dan Y Wenallt with Gwynne.	0:04:16	0:04:21
-And at the doorway -of Bethesda House...	0:04:23	0:04:26
-..the Reverend Jenkins recites -to Llareggub Hill his sunset poem.	0:04:26	0:04:31
-"Every morning when I wake	0:04:31	0:04:33
-"Dear Lord, a little prayer I make	0:04:33	0:04:36
-"O please to keep Thy lovely eye	0:04:36	0:04:38
-"On all poor creatures born to die.	0:04:38	0:04:41
-"And every evening at sun-down	0:04:41	0:04:44
-"I ask a blessing on the town	0:04:44	0:04:46
-"For whether we last the night or no	0:04:46	0:04:50
-"I'm sure is always touch and go."	0:04:50	0:04:53
-As you've probably gathered, -it's a rehearsal for Dan Y Wenallt.	0:04:55	0:05:00
-It's a translation by Mr James Jones -of Dylan Thomas's Under Milk Wood.	0:05:00	0:05:06
-Are there any features or problems -associated with this Welsh version?	0:05:08	0:05:13
-No, I was surprised -by the ease of the translation.	0:05:13	0:05:17
-I think there's a reason for that.	0:05:17	0:05:19
-Although Milk Wood was written -in English, it's rhythmically Welsh.	0:05:19	0:05:24
-Both the melody -and rhythm are very Welsh.	0:05:25	0:05:27
-Now the town is dusk.	0:05:28	0:05:31
-Each cobble, donkey, -goose and gooseberry street...	0:05:31	0:05:35
-..is a thoroughfare of dusk.	0:05:35	0:05:38
-And dusk and ceremonial dusk, -and night's first darkening snow...	0:05:38	0:05:43
-..and the sleep of birds, drift -under and through the live dusk...	0:05:43	0:05:47
-..of this place of love.	0:05:48	0:05:50
-Llareggub is the capital of dusk.	0:05:50	0:05:53
-Thanks. You've got it. -You've set the right atmosphere.	0:05:54	0:05:58
-I prefer it personally.	0:05:58	0:06:00
-Dan Y Wenallt in Welsh is better.	0:06:02	0:06:04
-I find its special, atmospheric -quality most pleasing.	0:06:04	0:06:08
-Well, I hadn't realized -that clip even existed.	0:06:12	0:06:16
-I hope somebody can give me a copy!	0:06:17	0:06:19
-That was excellent, -and it brought back sweet memories.	0:06:19	0:06:23
-What is it about the play -that makes it so popular?	0:06:24	0:06:28
-How did it capture -people's imagination?	0:06:28	0:06:31
-I think he'd based it -on characters he'd met.	0:06:31	0:06:38
-They were from New Quay, -where he'd been a wartime evacuee.	0:06:40	0:06:44
-That's when he first -started writing Under Milk Wood.	0:06:44	0:06:48
-The shadow of the war -loomed large over Under Milk Wood.	0:06:48	0:06:54
-It's not just a romp, -or a lightweight comedy.	0:06:54	0:06:58
-Under the surface, -there's sadness and great tragedy.	0:06:59	0:07:03
-There's that mixture in it.	0:07:05	0:07:08
-It's both comic and tragic.	0:07:08	0:07:10
-It makes it a wonderful play, -in my view.	0:07:12	0:07:15
-Another great love -of yours is sport.	0:07:15	0:07:19
-We know you're fond of cricket.	0:07:19	0:07:21
-But you're a big football fan too.	0:07:22	0:07:24
-It started in your home area -in your younger days.	0:07:24	0:07:28
-Yes, I played a bit.	0:07:28	0:07:31
-I started with the school team, -and then Newcastle Emlyn.	0:07:31	0:07:35
-Dic Jones played too.	0:07:36	0:07:38
-Dic played alongside us.	0:07:38	0:07:41
-Centre half was Dic's position.	0:07:41	0:07:43
-My brothers John Gwilym -and Aled played too.	0:07:43	0:07:47
-All three of us played -together at one time.	0:07:47	0:07:50
-We'd travel around the county.	0:07:53	0:07:55
-The Cardiganshire League -was the competition.	0:07:56	0:07:59
-I also remember playing a cup tie.	0:08:00	0:08:02
-Roderick Bowen handed a cup to us.	0:08:03	0:08:05
-The cup final -was always held on Easter Monday.	0:08:05	0:08:09
-We derived a lot of pleasure -from playing the game.	0:08:12	0:08:16
-Which team do you support?	0:08:16	0:08:18
-Which team do you support? - -The Swans.	0:08:18	0:08:20
-I supported them, of course...	0:08:21	0:08:23
-..though, at that time, I didn't go -to watch the Swans that often.	0:08:23	0:08:26
-But I became a minister -in Mynydd-bach, Swansea.	0:08:27	0:08:30
-I was then, of course, -very near to the Vetch.	0:08:30	0:08:34
-I became a very fanatical supporter.	0:08:35	0:08:40
-It had been an exciting time, -of course, in the mid 1960s.	0:08:40	0:08:44
-It was a golden era -for Swansea's football team.	0:08:44	0:08:48
-They reached the semi-final -of the FA Cup.	0:08:48	0:08:51
-Let's see them now.	0:08:51	0:08:53
-Trevor Ford, the greatest -centre forward Wales ever knew.	0:09:04	0:09:08
-What are your reactions -to Swansea's fantastic Cup run?	0:09:08	0:09:12
-Wonderful, it's done Wales -a lot of good.	0:09:12	0:09:15
-I think they'll win next Saturday.	0:09:15	0:09:18
-Oh, I think it's -absolutely fantastic, as you say.	0:09:20	0:09:23
-I think we'll beat Preston on -Saturday, and go to the Cup Final.	0:09:23	0:09:27
-We've just heard from your brother, -Ivor, on his reactions.	0:09:34	0:09:38
-Len, what do you think -about Swansea's Cup run?	0:09:38	0:09:42
-They've done magnificently so far.	0:09:42	0:09:44
-I think they'll carry on -the good work on Saturday.	0:09:45	0:09:48
-I really think -they're in with a great chance.	0:09:48	0:09:52
-I still have a soft spot for them.	0:09:55	0:09:57
-That's despite the fact -that I now live in Cardiff.	0:09:58	0:10:01
-I can't forsake my allegiance -to the Swans.	0:10:03	0:10:07
-I happened to be a minister -in Swansea, in Mynydd-bach.	0:10:09	0:10:13
-That was in the period -when they went up from the Fourth.	0:10:15	0:10:19
-They made it to the First Division.	0:10:19	0:10:22
-I was there too when they faltered.	0:10:22	0:10:25
-I think I moved from Swansea -because of the downward trend.	0:10:25	0:10:30
-What an exciting time -it was in Swansea's history.	0:10:31	0:10:35
-Thanks very much for now, Jim.	0:10:35	0:10:38
-Join us again for Part Two.	0:10:38	0:10:40
-# Remember #	0:10:43	0:10:47
-.	0:10:47	0:10:47
-888	0:10:48	0:10:48
-888 - -888	0:10:48	0:10:50
-# Remember #	0:10:50	0:10:53
-Welcome back again to Cofio...	0:10:53	0:10:56
-..and to my guest, T James Jones.	0:10:56	0:10:59
-You've mentioned your time -as a minister. What came next?	0:10:59	0:11:05
-I went to Trinity College -to become a drama lecturer.	0:11:05	0:11:10
-After that...	0:11:10	0:11:12
-..I went to the BBC -as a drama script editor.	0:11:12	0:11:15
-I worked mainly on Pobol Y Cwm.	0:11:15	0:11:17
-But in that same period...	0:11:18	0:11:20
-..the opportunity came along -to write Y Palmant Aur.	0:11:20	0:11:24
-I co-wrote it with Manon, my wife.	0:11:24	0:11:27
-That was a very special experience.	0:11:27	0:11:30
-Let's watch a clip from it.	0:11:30	0:11:32
-Y Palmant Aur was a major success.	0:11:33	0:11:35
-Hello.	0:11:39	0:11:41
-Marged Ann.	0:11:43	0:11:45
-You have pretty flowers there.	0:11:47	0:11:49
-May I come with you?	0:11:51	0:11:53
-You may.	0:11:55	0:11:56
-Morgan and I share a birthday.	0:12:17	0:12:20
-It's next Saturday.	0:12:23	0:12:25
-The same day as the eisteddfod.	0:12:25	0:12:27
-Yes.	0:12:28	0:12:29
-I was born on a Sunday.	0:12:32	0:12:34
-That's why you became a minister.	0:12:34	0:12:36
-Yes, maybe.	0:12:36	0:12:39
-Why did you leave -the chapel, Luther?	0:12:42	0:12:45
-Well...	0:12:45	0:12:47
-Why?	0:12:48	0:12:50
-Hypocrisy.	0:12:59	0:13:01
-Yes. Yes.	0:13:01	0:13:03
-Yes, hypocrisy.	0:13:08	0:13:10
-Hypocrisy has worried many of us.	0:13:10	0:13:12
-It's something that I've seen.	0:13:14	0:13:17
-And it's something -I've seen in myself too.	0:13:17	0:13:20
-That's happened a few times.	0:13:20	0:13:22
-The battle against hypocrisy...	0:13:22	0:13:25
-..is a difficult battle.	0:13:25	0:13:27
-But you must fight it, -or else the truth gets lost.	0:13:27	0:13:31
-You talk about hypocrisy.	0:13:31	0:13:35
-You've questioned certain things.	0:13:35	0:13:38
-You've perhaps questioned -your faith as well.	0:13:38	0:13:41
-You were moved to write a poem -about the challenge to your faith.	0:13:41	0:13:46
-Yes, I've penned a few poems -recently on that subject.	0:13:46	0:13:51
-It's something personal to me.	0:13:51	0:13:55
-An opportunity came my way.	0:13:55	0:13:57
-I went to see...	0:13:57	0:13:59
-..not the Shroud itself in Torino...	0:13:59	0:14:03
-..rather, it was the cupboard -which contains the Shroud.	0:14:03	0:14:07
-I went there by myself.	0:14:08	0:14:10
-I'd arranged one morning -to go along to the church.	0:14:13	0:14:16
-I saw crowds of people -doing the same.	0:14:17	0:14:20
-They were all going to the church.	0:14:21	0:14:23
-All of a sudden, I heard -the sound of quiet applause.	0:14:23	0:14:28
-A coffin was carried past me.	0:14:29	0:14:32
-It resembled a boat on water.	0:14:32	0:14:36
-In it went, into the church.	0:14:36	0:14:38
-I realized it was a funeral, -an important funeral.	0:14:38	0:14:42
-Then another coffin arrives...	0:14:43	0:14:45
-..and another coffin...	0:14:46	0:14:48
-..and another coffin again.	0:14:48	0:14:50
-I felt a tragedy must have occurred.	0:14:50	0:14:53
-I could hear names mentioned.	0:14:53	0:14:56
-They were repeated -during the service.	0:14:57	0:14:59
-Bruno, Angelo...	0:15:00	0:15:02
-..Roberto, Antonio.	0:15:02	0:15:05
-I found out later what had happened.	0:15:06	0:15:09
-These four young boys...	0:15:10	0:15:12
-..had been killed -in a steelworks accident...	0:15:13	0:15:17
-..in Torino.	0:15:17	0:15:19
-It was a terrible tragedy.	0:15:20	0:15:23
-Of course, in the background, -beyond the altar...	0:15:23	0:15:27
-..I could see the cupboard -where the Shroud was kept.	0:15:27	0:15:31
-I thought of the story -about Christ himself...	0:15:31	0:15:35
-..and how, in his grave, -he had worn this Shroud.	0:15:35	0:15:39
-Some burning had occurred there...	0:15:40	0:15:42
-..to create his image on the Shroud.	0:15:43	0:15:46
-Many people have their doubts.	0:15:46	0:15:49
-They say the Shroud's a fraud.	0:15:49	0:15:52
-The debate has raged on for years.	0:15:52	0:15:56
-These past few years -have seen it intensify.	0:15:56	0:15:59
-I felt I was very, very close -to this relic.	0:16:01	0:16:05
-I was on the verge -of believing in a falsehood.	0:16:06	0:16:10
-That really shook me.	0:16:10	0:16:13
-I felt...	0:16:13	0:16:15
-..that whatever had happened -on the cross to Jesus Christ...	0:16:15	0:16:21
-..and in the grave afterwards...	0:16:21	0:16:24
-..I saw that it -could not save these four.	0:16:24	0:16:28
-These four had gone.	0:16:28	0:16:32
-All these thoughts and questions -whirled around in my mind.	0:16:32	0:16:36
-I felt so extremely lonely.	0:16:36	0:16:40
-This is how I described -the experience in the written word.	0:16:40	0:16:45
-It was December time.	0:16:46	0:16:48
-"The Piazza San Giovanni -is the strait of grief's overflow.	0:16:49	0:16:54
-"Hands clapping like waves breaking.	0:16:55	0:16:57
-"And the coffins flow -to this cave of a church.	0:16:59	0:17:02
-"Bruno, Angelo, Roberto, Antonio -are led...	0:17:02	0:17:06
-"..to the ironic flames -of the candles...	0:17:06	0:17:10
-"..to the wafers -as white as burning...	0:17:10	0:17:14
-"..and the wine as red as embers.	0:17:14	0:17:18
-"The steel -of the white-hot furnace...	0:17:19	0:17:22
-"..owns Bruno, Angelo, -Roberto, Antonio.	0:17:22	0:17:25
-"And neither the fiery word -nor the brilliant psalm...	0:17:27	0:17:31
-"..nor the molten ritual -of handshaking...	0:17:31	0:17:33
-"..can magic them back -to their loved ones.	0:17:34	0:17:36
-"And the Shroud's supposedly -searing wizardry cannot remedy...	0:17:37	0:17:43
-"..Bruno, Angelo, -Roberto, Antonio...	0:17:43	0:17:46
-"..to flesh and skin, -to be strong boned...	0:17:46	0:17:50
-"..to be dexterous, to be the voices -of words still unspoken...	0:17:50	0:17:55
-"..to be the memory of belonging...	0:17:55	0:17:58
-"..to be the lap of comforting.	0:17:58	0:18:00
-"For the Great Undertaker -is not a conjuror...	0:18:00	0:18:04
-"..who waves his wand -above the cauldron of pity.	0:18:04	0:18:07
-"After the funeral...	0:18:09	0:18:11
-"..I touch the edge -of the Shroud's shadow...	0:18:11	0:18:16
-"..and shudder -for having almost surrendered...	0:18:18	0:18:21
-"..to the illusion of a relic...	0:18:22	0:18:24
-"..and one which, it seems, -is fake, at that.	0:18:25	0:18:28
-"Leaving the cave, -the piazza is as empty...	0:18:31	0:18:34
-"..as a beach -whose day is ebbing away.	0:18:34	0:18:37
-"And the waves are now too far...	0:18:38	0:18:41
-"..for us to hear them breaking.	0:18:41	0:18:43
-"An isolated seagull -stands on a tower...	0:18:43	0:18:48
-"..with the blushing sunset -in its feathers...	0:18:48	0:18:51
-"..as lonely as a faithless soul.	0:18:52	0:18:54
-"The chill of the steely city...	0:18:57	0:18:59
-"..is as sharp as December crags.	0:18:59	0:19:01
-"And there's nothing left -but to pull...	0:19:02	0:19:05
-"..my own shroud tighter."	0:19:05	0:19:08
-You were destined to be there.	0:19:11	0:19:13
-You were destined to be there. - -It was very strange indeed.	0:19:13	0:19:15
-On another day, -in an empty church...	0:19:15	0:19:19
-..the experience -would have been very different.	0:19:19	0:19:23
-But it was being there -at the funeral of four youngsters.	0:19:23	0:19:27
-That's what did it for me.	0:19:27	0:19:30
-I was very shaken.	0:19:30	0:19:33
-Let's talk about your wife, -Manon Rhys.	0:19:33	0:19:36
-She often works alongside you.	0:19:36	0:19:39
-Is she also your sounding board?	0:19:39	0:19:41
-Oh, yes.	0:19:42	0:19:43
-For a short while, -when I first met her...	0:19:43	0:19:47
-..I used to edit her work because -I would oversee Pobol Y Cwm scripts.	0:19:47	0:19:53
-I was her boss for a brief spell.	0:19:53	0:19:55
-We're partners now.	0:19:57	0:19:59
-She edits my work, -and asks me to edit hers sometimes.	0:20:00	0:20:04
-I'm sure you wouldn't forgive me...	0:20:04	0:20:08
-..if I failed to mention -another love of yours, cricket!	0:20:08	0:20:12
-Cricket's always been -a very important game for me.	0:20:12	0:20:17
-My father taught me -to play cricket on the farmyard.	0:20:19	0:20:23
-Aled and John played, and Mam too!	0:20:23	0:20:27
-Yes, she'd stand in front -of the window, as extra cover.	0:20:27	0:20:32
-Sometimes, -we would sneak away from school...	0:20:33	0:20:37
-..to watch Glamorgan play.	0:20:37	0:20:39
-Those were the days -they played in Llanelli.	0:20:39	0:20:43
-We savoured one or two victories.	0:20:43	0:20:46
-Here's an exciting event -in Glamorgan cricket history.	0:20:47	0:20:51
-Canterbury, 1993.	0:20:57	0:20:59
-Tony Cottey somehow -reaches the boundary.	0:20:59	0:21:02
-Glamorgan win -the Sunday League competition.	0:21:04	0:21:09
-It's the first time they've done so.	0:21:09	0:21:12
-It's unexpected, say the critics.	0:21:12	0:21:14
-But it's well deserved, -according to a leading batsman...	0:21:14	0:21:19
-..and a Glamorgan hero that day...	0:21:19	0:21:21
-..none other than Viv Richards.	0:21:21	0:21:23
-We've accomplished something -with the club, you know.	0:21:24	0:21:28
-They gave us no chance, -but we've shut a few people up.	0:21:28	0:21:32
-Viv Richards was quite emotional.	0:21:33	0:21:35
-We'll turn now -to this year's Eisteddfod.	0:21:35	0:21:39
-It'll be in Blaenau Gwent -and the Heads of the Valleys.	0:21:40	0:21:43
-As the Archdruid, -are you looking forward to it?	0:21:43	0:21:46
-Very much so, -and I hope to enjoy it.	0:21:47	0:21:49
-It's in an area which I visited...	0:21:51	0:21:56
-..when it was last there, -back in 1958.	0:21:56	0:21:59
-There's another reason -why I'm looking forward to it.	0:22:00	0:22:04
-The Eisteddfod will be near -my eldest grandson's school.	0:22:05	0:22:10
-He goes to school in Abergavenny, -which is close by.	0:22:13	0:22:18
-I'll be a very proud Archdruid.	0:22:18	0:22:23
-Here's an old clip -of that Eisteddfod.	0:22:24	0:22:26
-A little more than a year and a day -since the Proclamation Ceremony...	0:22:37	0:22:42
-..Ebbw Vale is host to -the National Eisteddfod of Wales.	0:22:42	0:22:45
-As a sequel to the Crowning, -came the Chairing of the Bard.	0:22:46	0:22:51
-This year, a poem -on the subject Caerleon-on-Usk...	0:22:51	0:22:55
-..made the winner, Mr T Llewelyn -Jones, eligible for the Chair.	0:22:55	0:23:00
-Heart to Heart, -Is there peace?	0:23:00	0:23:05
-Peace!	0:23:05	0:23:06
-Let the bard sit in peace.	0:23:06	0:23:10
-That was T Llew, -one of my heroes, of course.	0:23:13	0:23:16
-He won the chair there.	0:23:16	0:23:18
-I hope I can chair and crown...	0:23:18	0:23:23
-..and hand out medals...	0:23:23	0:23:26
-..in Ebbw Vale.	0:23:26	0:23:28
-Those hours will be their hours.	0:23:29	0:23:33
-Is that the advice your brother, -the former Archdruid, gave you?	0:23:34	0:23:38
-That's the advice -John Gwilym gave me.	0:23:38	0:23:40
-Remember, it's not your time.	0:23:41	0:23:43
-That time is given -to the author and the poet.	0:23:43	0:23:47
-I hope, I sincerely hope...	0:23:47	0:23:49
-..I can give a new lion a crown, -a chair or a literary medal...	0:23:49	0:23:56
-..in Ebbw Vale.	0:23:58	0:24:00
-Thank you, Jim, -for keeping me company tonight.	0:24:01	0:24:04
-I hope you've enjoyed -looking back over your life, too.	0:24:04	0:24:08
-Thank you.	0:24:09	0:24:10
-That's all from us for tonight. -Goodnight.	0:24:10	0:24:14
-# Remember	0:24:23	0:24:27
-# Remember #	0:24:33	0:24:36
-S4C Subtitles by Simian 04 Cyf.	0:24:39	0:24:41
-.	0:24:41	0:24:41

T James Jones Cofio

Similar Content

Entertainment

Factual

Cyfres 2

Cofio

Cefin Roberts

Transcript

Download Subtitles

SRT

ASS