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Three total strangers are about to take on this glorious Golden Wall. | 0:00:03 | 0:00:07 | |
It's worth a heart-stirring ?20,000. | 0:00:10 | 0:00:13 | |
Can they work together as a team and bring home the money, | 0:00:13 | 0:00:15 | |
or will the Wall come crumbling down? | 0:00:15 | 0:00:17 | |
DECIMATE. | 0:00:17 | 0:00:19 | |
This is Decimate. | 0:00:19 | 0:00:21 | |
APPLAUSE | 0:00:37 | 0:00:38 | |
Oh, thank you very much. Welcome to Decimate. | 0:00:38 | 0:00:41 | |
Let's meet this wonderful team hoping to win big money today. | 0:00:41 | 0:00:45 | |
I'm Jamie, a history student from Essex. | 0:00:45 | 0:00:48 | |
I'm Baz, a drama teacher from Liverpool. | 0:00:48 | 0:00:51 | |
I'm Olwyn, a medical secretary from Stockton-on-Tees. | 0:00:51 | 0:00:54 | |
Olwyn. What a beautiful name. Where does the name Olwyn originate from? | 0:00:54 | 0:00:59 | |
It's Welsh. It's Welsh? Yeah. OK. You've got family? | 0:00:59 | 0:01:02 | |
Yes, I've got two boys, one aged 28, one aged 30. | 0:01:02 | 0:01:04 | |
And how long have you been married? 31 years. | 0:01:04 | 0:01:07 | |
31 years! Come on, tell me, what's the secret of a good marriage? | 0:01:07 | 0:01:11 | |
Well, he works away a lot, so... That's what it is! | 0:01:11 | 0:01:13 | |
We don't see each other a lot. | 0:01:13 | 0:01:15 | |
Same with me, I'm in the Decimate studio all day, | 0:01:15 | 0:01:17 | |
wife's happy about it. | 0:01:17 | 0:01:19 | |
OK, well, listen, good luck and welcome to the show, my love. Baz. | 0:01:19 | 0:01:22 | |
Hello. How are you, my friend? Very well, thank you. | 0:01:22 | 0:01:24 | |
And you are a drama teacher. That's right. | 0:01:24 | 0:01:27 | |
I stand before you as a fellow thespian. | 0:01:27 | 0:01:30 | |
And you've got a wonderful book collection, I understand. Yeah. | 0:01:30 | 0:01:34 | |
When I was at university, for a birthday present, | 0:01:34 | 0:01:39 | |
I don't know why she bought it for me, but my nan... | 0:01:39 | 0:01:41 | |
Your nan. ..bought me a very good book called From Rags To Riches. | 0:01:41 | 0:01:45 | |
I wonder who that was by. I never read it, I don't know. | 0:01:45 | 0:01:48 | |
You never read it? No, it sat on my shelf. It's a happy ending. | 0:01:48 | 0:01:52 | |
I end up doing an afternoon game show. Oh, really? | 0:01:52 | 0:01:54 | |
LAUGHTER | 0:01:54 | 0:01:56 | |
Well, welcome to the show, Baz. | 0:01:56 | 0:01:58 | |
Ah, Jamie, you look like you should be in a boyband. | 0:01:58 | 0:02:01 | |
That's the first time I've heard that, Shane. | 0:02:01 | 0:02:03 | |
And a history student? Yeah. Up at St Andrews. | 0:02:03 | 0:02:06 | |
Yeah, it is a long way to go from Essex, but it's good fun. | 0:02:06 | 0:02:09 | |
What about family? | 0:02:09 | 0:02:10 | |
I live at home with my dad, my sister and my two cats - | 0:02:10 | 0:02:12 | |
Fat Tony and Maisie. | 0:02:12 | 0:02:13 | |
Are you single? Unfortunately, yes. | 0:02:13 | 0:02:16 | |
Sadly, I'm not surprised. No, I'm kidding. I'm kidding, Jamie. | 0:02:16 | 0:02:19 | |
Cheers, Shane. | 0:02:19 | 0:02:20 | |
Well, listen, guys, welcome to the show. Here's how the show works. | 0:02:20 | 0:02:25 | |
The Golden Wall right there is worth ?20,000. | 0:02:25 | 0:02:27 | |
It's divided into ten columns worth ?2,000 each. | 0:02:27 | 0:02:31 | |
One at a time, you're going to step forward to face ten questions, | 0:02:31 | 0:02:35 | |
that is one per column. | 0:02:35 | 0:02:37 | |
You get a question right, that column is protected and it | 0:02:37 | 0:02:40 | |
will light up wonderfully, beautifully like this. | 0:02:40 | 0:02:43 | |
And the money will stay in the game. But you get a question wrong... | 0:02:44 | 0:02:48 | |
HE SIGHS | 0:02:48 | 0:02:50 | |
You've seen the show. This is what happens. | 0:02:50 | 0:02:53 | |
DECIMATE. | 0:02:53 | 0:02:54 | |
That column is wiped out and we lose that cash for good. | 0:02:55 | 0:02:59 | |
So, Jamie, Baz, Olwyn, | 0:02:59 | 0:03:01 | |
the idea is to protect as much money as you can, because once all three | 0:03:01 | 0:03:05 | |
of you have played, that is going to be what is at stake in our endgame. | 0:03:05 | 0:03:09 | |
So, team, are we ready to play? Yes. Yeah, I'm excited for it! | 0:03:09 | 0:03:12 | |
I've got a feeling it's going to be a good game. | 0:03:12 | 0:03:14 | |
Now, you've got to choose who is going to play round one. | 0:03:14 | 0:03:17 | |
To help you decide, I'm going to reveal some keywords. | 0:03:17 | 0:03:20 | |
Now, those are going to appear in the first round of ten questions. | 0:03:20 | 0:03:23 | |
So, here they are. We have... | 0:03:23 | 0:03:25 | |
(LAUGHS) So... | 0:03:39 | 0:03:41 | |
Having seen those keywords, | 0:03:41 | 0:03:42 | |
who's going to step forward for the first time and face our Golden Wall? | 0:03:42 | 0:03:47 | |
It's up to you guys to decide who's going to play first. | 0:03:47 | 0:03:50 | |
I think I'd like to take this step back here, guys. | 0:03:50 | 0:03:52 | |
I know quite a few things on there. | 0:03:52 | 0:03:54 | |
There's quite a few I don't know on there, | 0:03:54 | 0:03:56 | |
so I'd be happy for you to take it. | 0:03:56 | 0:03:57 | |
Do you want me to take it? Yeah. All right. I'll go first. | 0:03:57 | 0:03:59 | |
Ah, Olwyn. Oh, lads, you're putting | 0:03:59 | 0:04:01 | |
the pressure on the lady so early in the game. I know. | 0:04:01 | 0:04:04 | |
Right, before you step forward to face the Golden Wall, | 0:04:04 | 0:04:06 | |
it's up to Jamie and Baz to give you as much information about | 0:04:06 | 0:04:09 | |
these keywords as possible. | 0:04:09 | 0:04:10 | |
I'm going to give you 20 seconds to do it. Guys, don't let Olwyn down. | 0:04:10 | 0:04:13 | |
Time starts now. | 0:04:13 | 0:04:15 | |
What don't you know? Walsingham, I don't know Walsingham. | 0:04:15 | 0:04:17 | |
Walsingham, never heard of it. No idea. No idea either. | 0:04:17 | 0:04:20 | |
Right, that's good. | 0:04:20 | 0:04:21 | |
That's always a big help. And champion hurdle, do we think? | 0:04:21 | 0:04:25 | |
Would that be... I don't know, maybe Grand National? | 0:04:25 | 0:04:27 | |
I'm not really too sure. | 0:04:27 | 0:04:28 | |
No, champion hurdle would be Frankie Dettori, | 0:04:28 | 0:04:32 | |
a jockey. I think it is a flat... | 0:04:32 | 0:04:33 | |
We're looking at hurdle jumpers? All right, team. | 0:04:33 | 0:04:36 | |
Team, whoa, whoa, whoa, whoa, whoa! | 0:04:36 | 0:04:38 | |
The time is up. There was a lot of information being thrown around | 0:04:38 | 0:04:41 | |
there, Olwyn. Did you manage to remember any of it? | 0:04:41 | 0:04:43 | |
Trying. Well, we're going to find out, as you step forward for | 0:04:43 | 0:04:46 | |
the very first time and face the Golden Wall. | 0:04:46 | 0:04:49 | |
Now, Olwyn, you're not completely on your own, my love, | 0:04:54 | 0:04:57 | |
cos if there's an answer you're not sure about, | 0:04:57 | 0:04:59 | |
you can pass back the question | 0:04:59 | 0:05:00 | |
to your team-mates. | 0:05:00 | 0:05:02 | |
If they think you've given a wrong answer, | 0:05:02 | 0:05:03 | |
they can buzz in to overrule you and change your answer. | 0:05:03 | 0:05:06 | |
But as a team, you only have five overrules and five pass-backs | 0:05:06 | 0:05:11 | |
between all three of you over the whole show. | 0:05:11 | 0:05:13 | |
We'll use them wisely, OK? I'm here to hold your hand. | 0:05:13 | 0:05:15 | |
You need anything, you come to me, all right? All right. OK. | 0:05:15 | 0:05:18 | |
So, are you ready to play? | 0:05:18 | 0:05:19 | |
Yeah. Here comes your first question, | 0:05:19 | 0:05:21 | |
to protect ?2,000 in column number one. OK. | 0:05:21 | 0:05:24 | |
I know this answer. Do you? | 0:05:38 | 0:05:40 | |
I've seen this film quite a few times, | 0:05:40 | 0:05:42 | |
so I do know this without any shadow of a doubt. | 0:05:42 | 0:05:45 | |
OK. And it is Alan Rickman. Yeah? I'm hoping. | 0:05:45 | 0:05:49 | |
OK. We're going to lock in Alan Rickman. | 0:05:49 | 0:05:51 | |
If this is right, we're going to protect ?2,000 | 0:05:51 | 0:05:53 | |
in column number one. | 0:05:53 | 0:05:54 | |
Did Alan Rickman play Hans Gruber in Die Hard back in 1988? | 0:05:54 | 0:05:58 | |
Yes, he did. | 0:06:00 | 0:06:01 | |
Sadly, no longer with us. No. What a wonderful actor. | 0:06:01 | 0:06:04 | |
So, column number two, to protect another ?2,000. | 0:06:04 | 0:06:07 | |
Um... | 0:06:18 | 0:06:19 | |
It probably could be zinc, but it might be aluminium. | 0:06:19 | 0:06:21 | |
I think I'm going to have to pass back this one, Shane. | 0:06:21 | 0:06:24 | |
That's what they're there for, my love. | 0:06:24 | 0:06:25 | |
I don't know anything about this. | 0:06:25 | 0:06:27 | |
OK. Right, we're passing back to Jamie and Baz. Sorry. | 0:06:27 | 0:06:31 | |
Fellas, which metal is not used to make a one-pound coin? | 0:06:31 | 0:06:34 | |
She is relying on you, guys. | 0:06:34 | 0:06:36 | |
I think zinc is in most coins that they use to mint. | 0:06:36 | 0:06:39 | |
I think copper would be so much money, | 0:06:39 | 0:06:41 | |
it would cost a lot, wouldn't it? | 0:06:41 | 0:06:43 | |
Aluminium is fairly cheap. Aluminium is very cheap. | 0:06:43 | 0:06:45 | |
I'd say copper. (Fingers crossed.) | 0:06:45 | 0:06:47 | |
Yeah? Should we go for copper? | 0:06:47 | 0:06:48 | |
Copper. OK, we're going to lock in copper | 0:06:48 | 0:06:51 | |
to protect column number two. Are they right? | 0:06:51 | 0:06:53 | |
DECIMATE. Oh! | 0:06:56 | 0:06:59 | |
What did you say, Olwyn? | 0:06:59 | 0:07:00 | |
It might be a aluminium, but I don't really know. Aluminium? | 0:07:00 | 0:07:02 | |
If that's your gut instinct, maybe you should have gone with that. | 0:07:02 | 0:07:05 | |
Hm... The correct answer is in fact... | 0:07:05 | 0:07:07 | |
I didn't know. Right. We've lost column number two, | 0:07:09 | 0:07:12 | |
but don't be disheartened, | 0:07:12 | 0:07:13 | |
there's still a lot of money on the Wall, ?18,000. | 0:07:13 | 0:07:16 | |
We've got four pass-backs and five overrules still in play. | 0:07:16 | 0:07:18 | |
Here comes question number three. | 0:07:18 | 0:07:20 | |
Right. What is your geography like, Olwyn? | 0:07:32 | 0:07:34 | |
I do know quite a bit about geography, | 0:07:34 | 0:07:36 | |
but it's this landlocked... | 0:07:36 | 0:07:38 | |
Hungary, I think, is landlocked. | 0:07:38 | 0:07:40 | |
It's just between Slovakia and Slovenia. | 0:07:40 | 0:07:43 | |
I think I'm going to go for... | 0:07:43 | 0:07:45 | |
..Slovakia, and if I'm wrong, somebody will overrule me. | 0:07:46 | 0:07:49 | |
OK. We're going to lock in Slovakia. | 0:07:49 | 0:07:51 | |
If this is right, though, we're going to light up | 0:07:51 | 0:07:54 | |
column number three. Slovakia. | 0:07:54 | 0:07:55 | |
Is it a right answer? | 0:07:55 | 0:07:56 | |
DECIMATE. Oh! | 0:07:59 | 0:08:00 | |
It's Slovenia. | 0:08:00 | 0:08:02 | |
I don't know. | 0:08:02 | 0:08:03 | |
You thought it was one of two, | 0:08:03 | 0:08:04 | |
you ruled out Hungary and thought Slovakia or Slovenia. I know. | 0:08:04 | 0:08:07 | |
The answer is... | 0:08:07 | 0:08:08 | |
Right. Sorry, guys. | 0:08:10 | 0:08:12 | |
We've lost column number three. The Wall is now worth ?16,000. | 0:08:12 | 0:08:16 | |
Come on, let's get question number four right. Here it is. | 0:08:16 | 0:08:19 | |
Right. | 0:08:34 | 0:08:35 | |
It sounds like it could be a Hugh Grant middle name to me. | 0:08:35 | 0:08:40 | |
Because he seems very posh and that sounds like a posh name to me, | 0:08:40 | 0:08:43 | |
so I think I'm going to go for Hugh Grant. | 0:08:43 | 0:08:46 | |
Yeah? Mm-hm. | 0:08:46 | 0:08:47 | |
OK, we're going to lock in Hugh Grant. | 0:08:47 | 0:08:50 | |
To get us back on track, to light up column number four, | 0:08:50 | 0:08:52 | |
to protect ?2,000, Hugh Mungo Grant. | 0:08:52 | 0:08:57 | |
Yes! | 0:08:58 | 0:09:00 | |
Well played, Olwyn. Yes! | 0:09:00 | 0:09:02 | |
Right, we're back on track. Coming to the halfway mark, | 0:09:02 | 0:09:04 | |
we have four pass backs, five overrules in play. | 0:09:04 | 0:09:07 | |
Column number five. | 0:09:07 | 0:09:08 | |
Right. HE IMITATES OPERATIC SINGING | 0:09:20 | 0:09:23 | |
I have seen one opera my life. Have you seen that one? | 0:09:23 | 0:09:26 | |
And it's that one. | 0:09:26 | 0:09:27 | |
Mind, I was nine at the time, but I'm positive it's Figaro. | 0:09:27 | 0:09:30 | |
Yeah? Yeah. OK, we are going to lock in Figaro. | 0:09:30 | 0:09:32 | |
We're not messing around here. | 0:09:32 | 0:09:34 | |
If this is right, you'll protect column number five. Figaro. | 0:09:34 | 0:09:38 | |
Well played! Oh, look at us, we're back on track now. | 0:09:40 | 0:09:44 | |
We're on the second half of the Wall, to protect another ?2,000, | 0:09:44 | 0:09:47 | |
question number six. | 0:09:47 | 0:09:48 | |
Well, there is Wolsingham in Northumberland, | 0:10:02 | 0:10:04 | |
whether that's... | 0:10:04 | 0:10:06 | |
an old sort of name for it... | 0:10:06 | 0:10:09 | |
Somerset, it could be, but I might have a feeling for Norfolk, | 0:10:09 | 0:10:13 | |
somewhere along the lines. | 0:10:13 | 0:10:16 | |
I think I might pass back. | 0:10:16 | 0:10:17 | |
Are you going to use another pass back? Yeah. | 0:10:17 | 0:10:19 | |
OK. I don't think they know either. | 0:10:19 | 0:10:21 | |
Olwyn has passed it back to Jamie and Baz. | 0:10:21 | 0:10:25 | |
Oh, I've just seen their shoulders drop. Oh! Lads, come on. | 0:10:25 | 0:10:28 | |
The only thing I'm thinking that Stonehenge is, I think, | 0:10:28 | 0:10:33 | |
in Somerset and I don't know whether or not Walsingham is the place | 0:10:33 | 0:10:36 | |
of where it is or whether that's a separate site altogether. | 0:10:36 | 0:10:40 | |
Stonehenge could be in Walsingham. | 0:10:40 | 0:10:41 | |
That is the only historic pilgrimage site, and Somerset... | 0:10:41 | 0:10:44 | |
What are we going to do? Somerset? | 0:10:44 | 0:10:46 | |
We have to go with Somerset. I've got no idea. Yeah? | 0:10:46 | 0:10:48 | |
With deep regret, Shane. OK, we are locking in Somerset. | 0:10:48 | 0:10:52 | |
If this is right, we'll protect column number six | 0:10:52 | 0:10:55 | |
and another ?2,000. | 0:10:55 | 0:10:56 | |
DECIMATE. Oh, no! | 0:10:59 | 0:11:01 | |
No, no, no, no, no, no! | 0:11:01 | 0:11:04 | |
We're not doing very well. | 0:11:04 | 0:11:05 | |
The answer we were looking for was in fact... | 0:11:05 | 0:11:07 | |
Right. | 0:11:08 | 0:11:10 | |
You thought it might be Norfolk. I know. | 0:11:10 | 0:11:11 | |
You should trust your instincts. Maybe, yes. | 0:11:11 | 0:11:14 | |
OK. The Wall is now worth ?14,000. Still a lot of money, guys. | 0:11:14 | 0:11:16 | |
Question number seven. | 0:11:16 | 0:11:18 | |
I'm a terrible cook. | 0:11:32 | 0:11:34 | |
I would probably put celeriac with it, but I have a feeling... | 0:11:34 | 0:11:38 | |
that it's capers. | 0:11:38 | 0:11:40 | |
Just from the taste of it, I think it might be capers. Yeah? | 0:11:41 | 0:11:44 | |
Are we going to trust your instinct? Yes. Shall we lock in capers? Yeah. | 0:11:44 | 0:11:47 | |
We are locking in capers. | 0:11:47 | 0:11:49 | |
To light up column number seven, | 0:11:49 | 0:11:52 | |
is it correct? | 0:11:52 | 0:11:53 | |
Get in there! | 0:11:55 | 0:11:58 | |
Well done. | 0:11:58 | 0:11:59 | |
You got it. Good stuff. Right. | 0:11:59 | 0:12:02 | |
To protect another ?2,000, here comes question number eight. | 0:12:02 | 0:12:06 | |
I don't think it is lace because you get, like, | 0:12:20 | 0:12:22 | |
Nottingham lace, and glass is like crystal - Waterford and things | 0:12:22 | 0:12:27 | |
like that, but I think it is pottery. I think it's pottery. | 0:12:27 | 0:12:29 | |
I'll go for porcelain. | 0:12:29 | 0:12:30 | |
Yeah? Yeah. | 0:12:30 | 0:12:33 | |
We're going to lock in porcelain. Lock it in, yeah. | 0:12:33 | 0:12:35 | |
Right. To light up column number eight, Olwyn says porcelain. | 0:12:35 | 0:12:40 | |
Yes! | 0:12:43 | 0:12:44 | |
Well done, my love. | 0:12:45 | 0:12:47 | |
Now, we are two questions away from bringing ?14,000 into round two. | 0:12:47 | 0:12:54 | |
Here comes your penultimate question. | 0:12:54 | 0:12:56 | |
Right. | 0:13:10 | 0:13:11 | |
I'm going to pass back to the younger folks | 0:13:11 | 0:13:13 | |
who might know this one. OK. Sorry. | 0:13:13 | 0:13:16 | |
Jamie, Baz, | 0:13:16 | 0:13:19 | |
was it Rihanna, Lady Gaga or Beyonce? | 0:13:19 | 0:13:21 | |
Do you have any idea, Baz? I've got no idea. | 0:13:21 | 0:13:23 | |
Yeah, it's... There was loads of controversy over it. | 0:13:23 | 0:13:26 | |
It was definitely Beyonce. Yeah? Yeah. Let's go for it. | 0:13:26 | 0:13:29 | |
We're going to lock in Beyonce. | 0:13:29 | 0:13:31 | |
If this is right, | 0:13:31 | 0:13:32 | |
we're going to light up column number nine | 0:13:32 | 0:13:34 | |
to protect another ?2,000. | 0:13:34 | 0:13:36 | |
Baz thinks it's Beyonce | 0:13:36 | 0:13:37 | |
Yes! | 0:13:39 | 0:13:41 | |
Wow. | 0:13:42 | 0:13:44 | |
Now, our last and final question to light up column number 10, | 0:13:44 | 0:13:48 | |
to protect another ?2,000, here it comes. | 0:13:48 | 0:13:51 | |
Like the gee-gees, Olwyn? | 0:14:04 | 0:14:05 | |
Well, the Grand National. Right. | 0:14:05 | 0:14:08 | |
Cheltenham does the Gold Cup. Royal Ascot, champion, it might be. | 0:14:08 | 0:14:13 | |
I think I will try Ascot and lock that in. OK. | 0:14:13 | 0:14:17 | |
We're going to lock in Ascot. | 0:14:17 | 0:14:19 | |
No-one is overruling. | 0:14:21 | 0:14:23 | |
To protect our last and final column... | 0:14:23 | 0:14:26 | |
Ascot. | 0:14:27 | 0:14:28 | |
DECIMATE. Oh! | 0:14:30 | 0:14:32 | |
Sorry, I don't know that one. | 0:14:32 | 0:14:34 | |
The answer we were looking for is in fact... | 0:14:36 | 0:14:38 | |
Give a big round of applause. | 0:14:38 | 0:14:40 | |
You played well there, my love. | 0:14:40 | 0:14:42 | |
Oh, you did. No, you played brilliant. | 0:14:42 | 0:14:44 | |
Go and join your team. Sorry. | 0:14:44 | 0:14:46 | |
THEY TALK OVER EACH OTHER | 0:14:46 | 0:14:48 | |
Don't you be apologising. That is a good round. | 0:14:48 | 0:14:51 | |
We only lost four columns, so we've got ?12,000 in the game. | 0:14:51 | 0:14:55 | |
A lot of money. We're going to take that and spread it evenly | 0:14:55 | 0:14:57 | |
across ten new columns, | 0:14:57 | 0:14:59 | |
and it is now going to look like this. | 0:14:59 | 0:15:02 | |
Rrrrup! | 0:15:02 | 0:15:03 | |
There it is, 12 grand. Each column is now worth ?1,200. | 0:15:03 | 0:15:07 | |
Jamie, Baz, who is going to play next? | 0:15:07 | 0:15:10 | |
Before you decide, | 0:15:10 | 0:15:11 | |
here are the keywords to help you make up your mind. | 0:15:11 | 0:15:13 | |
And they are... | 0:15:13 | 0:15:15 | |
Whoa! | 0:15:29 | 0:15:30 | |
You might have been lucky and got the first round there, Olwyn. | 0:15:31 | 0:15:35 | |
So, who is going to play round two? | 0:15:35 | 0:15:36 | |
Jamie or Baz, up to you guys to decide. Who's it going to be? | 0:15:36 | 0:15:39 | |
It doesn't get any easier, does it? I'd be happy to take this one. | 0:15:39 | 0:15:42 | |
It's going to be a big team effort, I think, isn't it? | 0:15:42 | 0:15:44 | |
That's you, Baz? | 0:15:44 | 0:15:45 | |
Right, before you step forward, my friend, | 0:15:45 | 0:15:47 | |
it is down to Jamie and Olwyn to try and give you as much | 0:15:47 | 0:15:51 | |
information regarding these keywords. | 0:15:51 | 0:15:54 | |
As we did before, 20 seconds starts now. | 0:15:54 | 0:15:57 | |
What is a pung? Any ideas? No. | 0:15:57 | 0:16:01 | |
Mathias Rust? | 0:16:01 | 0:16:02 | |
I think he is a footballer. Football, maybe? Is he? | 0:16:02 | 0:16:05 | |
I haven't heard of him before. | 0:16:05 | 0:16:07 | |
Francis Morris? | 0:16:07 | 0:16:09 | |
Did he do the Morris cars? | 0:16:09 | 0:16:11 | |
No, it was William. | 0:16:11 | 0:16:13 | |
I think you're right for that. | 0:16:13 | 0:16:15 | |
William Morris was the... | 0:16:15 | 0:16:16 | |
All right, time is up. | 0:16:16 | 0:16:18 | |
THEY LAUGH | 0:16:18 | 0:16:20 | |
Any help, Baz? Can Jamie go? Cos that would be all right. | 0:16:20 | 0:16:23 | |
Yeah, we'll see. | 0:16:23 | 0:16:25 | |
We'll find out as I ask you to step forward for round two and | 0:16:25 | 0:16:28 | |
face the Golden Wall. | 0:16:28 | 0:16:30 | |
Right, we have | 0:16:34 | 0:16:36 | |
two pass backs, | 0:16:36 | 0:16:37 | |
five overrules still in play. | 0:16:37 | 0:16:40 | |
OK? | 0:16:40 | 0:16:41 | |
To protect ?1,200 in column number one, Baz, | 0:16:41 | 0:16:44 | |
here comes your first question. | 0:16:44 | 0:16:46 | |
Holly, I would have said more of a British hedgerow. | 0:16:59 | 0:17:03 | |
Willow, I know it's more of a tree, isn't it? | 0:17:03 | 0:17:06 | |
My guess would be mulberry, with the view that hopefully my team | 0:17:06 | 0:17:11 | |
will know with certainty and will overrule one way or the other. | 0:17:11 | 0:17:13 | |
OK, we're going to lock in mulberry. | 0:17:13 | 0:17:16 | |
There's no overrule from your team-mates. | 0:17:16 | 0:17:19 | |
Sounds familiar, doesn't it, Baz? Yeah, it does. Yeah, yeah. | 0:17:19 | 0:17:22 | |
OK, right. If this is right, we're going to protect ?1,200. | 0:17:22 | 0:17:26 | |
Yes! Right, it is a great start to round two. | 0:17:29 | 0:17:32 | |
We have five overrules, two pass-backs in play. | 0:17:32 | 0:17:35 | |
To protect another ?1,200, here comes your next question. | 0:17:35 | 0:17:38 | |
I'm sorry, Baz, I didn't mean... Why did you bring this up? | 0:17:43 | 0:17:46 | |
This wasn't aimed at you, my friend. | 0:17:46 | 0:17:48 | |
All right? You've got a wide centre parting. | 0:17:48 | 0:17:51 | |
It's just a big forehead. | 0:17:51 | 0:17:53 | |
OK. Is it...? | 0:17:53 | 0:17:54 | |
Right, I think Mr Happy | 0:18:00 | 0:18:04 | |
is a round, yellow, circular one, I don't think he has any hair. | 0:18:04 | 0:18:08 | |
I think Mr Sneeze is a sort of blue spiky triangle thing. | 0:18:08 | 0:18:14 | |
I've never seen Mr Fussy, | 0:18:14 | 0:18:16 | |
but I think Mr Fussy would have very neat hair. | 0:18:16 | 0:18:19 | |
But my guess, with that rationale, I'd say Mr Fussy. | 0:18:19 | 0:18:23 | |
OK. We're going to lock in Mr Fussy. | 0:18:23 | 0:18:26 | |
No overrule. | 0:18:27 | 0:18:29 | |
To light up column number two... | 0:18:29 | 0:18:30 | |
Yes, he is! | 0:18:33 | 0:18:34 | |
Good one, Baz. Good stuff, mate. | 0:18:34 | 0:18:37 | |
Right, question number three, | 0:18:37 | 0:18:40 | |
to protect another ?1,200. | 0:18:40 | 0:18:42 | |
I would rule out On A Grecian Urn. | 0:18:58 | 0:19:01 | |
I think, actually, unravish'd bride, it would more likely be | 0:19:01 | 0:19:04 | |
referring to the seasons than to a nightingale, who's a bird. | 0:19:04 | 0:19:07 | |
A bride, it seems just too grand to be for a bird, so as a guess, | 0:19:07 | 0:19:11 | |
I would say To Autumn. | 0:19:11 | 0:19:14 | |
Right, so we're going to lock in To Autumn. | 0:19:14 | 0:19:17 | |
Yeah. To light up column number three, To Autumn. | 0:19:17 | 0:19:21 | |
DECIMATE. Oh! | 0:19:23 | 0:19:26 | |
The answer we are looking for is... | 0:19:30 | 0:19:32 | |
Oh, mate. OK, on the Wall now, | 0:19:32 | 0:19:35 | |
we've got ?10,800. | 0:19:35 | 0:19:37 | |
Let's see if we can protect another ?1,200 in column number four. | 0:19:37 | 0:19:41 | |
Geography is not something I'm very strong at. | 0:19:55 | 0:19:59 | |
The only rationale I would go along there is | 0:19:59 | 0:20:02 | |
a viaduct is obviously transporting water, you would think that boats | 0:20:02 | 0:20:06 | |
would travel along the viaduct, so I'm going Glenfinnan Viaduct. | 0:20:06 | 0:20:09 | |
OK, we're going to lock in the Glenfinnan Viaduct. | 0:20:09 | 0:20:13 | |
To light up column number four, get us back on track, | 0:20:13 | 0:20:18 | |
is that the correct answer? | 0:20:18 | 0:20:19 | |
DECIMATE. Oh! | 0:20:21 | 0:20:24 | |
The answer we're looking for is... | 0:20:24 | 0:20:26 | |
Wow. Right, | 0:20:29 | 0:20:30 | |
we've lost column number four. We are up to the halfway mark now. | 0:20:30 | 0:20:33 | |
The Wall is still worth a lot of money, ?9,600. | 0:20:33 | 0:20:37 | |
Here comes your next question. | 0:20:37 | 0:20:38 | |
Ha! Wow. | 0:20:54 | 0:20:56 | |
Uh... | 0:20:56 | 0:20:58 | |
Never heard of it. | 0:20:58 | 0:20:59 | |
Mathias, potentially German name, so could be Brandenburg Gate. | 0:21:00 | 0:21:05 | |
I'd rule out... I'd probably rule out the White House | 0:21:05 | 0:21:08 | |
because of the Red Square and the Brandenburg Gate being, | 0:21:08 | 0:21:11 | |
you know, Russia and Germany, respectively. | 0:21:11 | 0:21:15 | |
I have absolutely no idea. So what do you want to go with? Red Square. | 0:21:15 | 0:21:21 | |
I'm going to go with Red Square and hope Jamie's knowledge of | 0:21:21 | 0:21:23 | |
modern history and Russia, and maybe he'll overrule if we have to. | 0:21:23 | 0:21:28 | |
Sorry, team. It's a shot in the dark. | 0:21:28 | 0:21:30 | |
All right, we're going to lock in Red Square. | 0:21:30 | 0:21:32 | |
There is no overrule from your team-mates. | 0:21:32 | 0:21:35 | |
SHANE LAUGHS | 0:21:35 | 0:21:38 | |
Come on, let's light up column number five. | 0:21:38 | 0:21:40 | |
Let's get back on track. | 0:21:40 | 0:21:41 | |
Mathias Rust, did he land his plane back in 1987 in Red Square? | 0:21:41 | 0:21:46 | |
To protect ?1,200... | 0:21:46 | 0:21:48 | |
Yes, he did! | 0:21:50 | 0:21:52 | |
Right. | 0:21:52 | 0:21:54 | |
Second half of the Wall, two pass-backs, five overrules in play. | 0:21:54 | 0:21:57 | |
?9,600 up there on the Wall. Here comes question number six. | 0:21:57 | 0:22:00 | |
Again, geography, it's not a strong point for me. | 0:22:12 | 0:22:16 | |
Um... | 0:22:16 | 0:22:18 | |
Sapporo rings a bell, but I think that's a sport-related thing, | 0:22:18 | 0:22:21 | |
I don't know why exactly. | 0:22:21 | 0:22:23 | |
Out of those three, Kyoto would be my guess. Yeah? | 0:22:23 | 0:22:27 | |
Shall we lock in Kyoto? Kyoto. | 0:22:27 | 0:22:29 | |
OK, we're going to lock in Kyoto. | 0:22:29 | 0:22:31 | |
To detect ?1,200, is Kyoto the right answer? | 0:22:31 | 0:22:35 | |
Yes! Well done, Baz. APPLAUSE | 0:22:38 | 0:22:40 | |
OK. | 0:22:40 | 0:22:42 | |
Question number seven. | 0:22:42 | 0:22:44 | |
Is it...? | 0:22:50 | 0:22:51 | |
Er, OK, how could we work this out? | 0:22:57 | 0:23:00 | |
I know that in sort of Godfather movies, you've got the capo, | 0:23:00 | 0:23:03 | |
who's like the boss, the top, the head of the organisation. | 0:23:03 | 0:23:07 | |
My only rationale would be "from the beginning." | 0:23:07 | 0:23:09 | |
Da Capo, the top. | 0:23:09 | 0:23:11 | |
Right, we're locking in "from the beginning". | 0:23:11 | 0:23:13 | |
Does Da Capo mean "from the beginning"? To protect ?1,200. | 0:23:13 | 0:23:17 | |
Yes, it does! Look at this! APPLAUSE | 0:23:20 | 0:23:23 | |
Well done. Still ?9,600. Column number eight. | 0:23:23 | 0:23:27 | |
Was it...? | 0:23:36 | 0:23:37 | |
My first thing that I thought of was the National Gallery, | 0:23:42 | 0:23:48 | |
was what came into my mind. I don't know why. | 0:23:48 | 0:23:51 | |
I'm going to say the National Gallery, | 0:23:51 | 0:23:53 | |
but it's a total guess, a shot in the dark. | 0:23:53 | 0:23:55 | |
OK, we're going to lock in National Gallery. | 0:23:55 | 0:23:57 | |
There's no overrule from your team-mates. | 0:23:57 | 0:23:59 | |
That button is nice and clean, it's not been pressed yet. | 0:23:59 | 0:24:03 | |
To light up column number eight, to protect another ?1,200. | 0:24:03 | 0:24:06 | |
Was Frances Morris appointed as the first female director | 0:24:06 | 0:24:10 | |
of the National Gallery? | 0:24:10 | 0:24:12 | |
DECIMATE! Oh... | 0:24:14 | 0:24:15 | |
The answer we're looking for is... | 0:24:17 | 0:24:19 | |
Don't despair, my friend, cos we've only lost three columns. | 0:24:21 | 0:24:24 | |
We want to try and keep safe the last two. | 0:24:24 | 0:24:26 | |
The Wall is now worth ?8,400. | 0:24:26 | 0:24:28 | |
We've still got five overrules in play, and two pass-backs. | 0:24:28 | 0:24:32 | |
Here comes question number nine to protect ?1,200 in column nine. | 0:24:32 | 0:24:35 | |
Is it...? | 0:24:42 | 0:24:43 | |
First of all, I can definitely rule out Discworld. | 0:24:49 | 0:24:52 | |
That's Terry Pratchett, so I know it's not there. | 0:24:52 | 0:24:55 | |
Between the other two, it's a 50-50 shot in the dark. Right. | 0:24:55 | 0:24:59 | |
Ruling out Discworld, I'd go with Eternia. Yeah. | 0:24:59 | 0:25:01 | |
Right, so we're going to lock in Eternia. | 0:25:01 | 0:25:03 | |
There's no overrule from your team-mates. | 0:25:03 | 0:25:07 | |
To light up column number nine, to protect ?8,400, | 0:25:07 | 0:25:10 | |
did the Thundercats battle against Mumm-Ra, the Everliving | 0:25:10 | 0:25:14 | |
on the planet of Eternia? | 0:25:14 | 0:25:16 | |
DECIMATE! No! | 0:25:18 | 0:25:20 | |
I had no idea. I was never a big fan of Thundercats. | 0:25:23 | 0:25:26 | |
More of a Womble man. BAZ CHUCKLES | 0:25:26 | 0:25:28 | |
The answer we're looking for is... | 0:25:28 | 0:25:30 | |
Right. | 0:25:32 | 0:25:33 | |
The last and final question. | 0:25:33 | 0:25:35 | |
The Wall is now worth still a healthy ?7,200. | 0:25:35 | 0:25:39 | |
Here it is. Column number 10. | 0:25:39 | 0:25:41 | |
Is it...? | 0:25:48 | 0:25:49 | |
Familiar with these games? | 0:25:55 | 0:25:56 | |
I've played Go before, | 0:25:56 | 0:25:58 | |
and I don't think pungs and kongs are achievements there. | 0:25:58 | 0:26:02 | |
Mikado, the only reason I'd ever heard of the word | 0:26:02 | 0:26:04 | |
would be the Hot Mikado. I've no idea if that is even a game. | 0:26:04 | 0:26:07 | |
I'm really sorry, team, I feel like we've come unstuck here. | 0:26:08 | 0:26:12 | |
But I would go with mahjong. | 0:26:12 | 0:26:14 | |
OK, we're going to lock in mahjong. | 0:26:14 | 0:26:16 | |
To light up column number ten, to bring ?7,200 into round three, | 0:26:16 | 0:26:22 | |
is mahjong on the right answer? | 0:26:22 | 0:26:24 | |
Yes! APPLAUSE | 0:26:28 | 0:26:29 | |
Baz, well done, mate. Go and join your team-mates. Good stuff. | 0:26:29 | 0:26:33 | |
APPLAUSE DROWNS SPEECH | 0:26:33 | 0:26:35 | |
THEY LAUGH | 0:26:35 | 0:26:38 | |
Oh, nightmare. Right, that was a toughie, wasn't it, Baz? | 0:26:38 | 0:26:41 | |
But, listen, mate, don't be disheartened. | 0:26:41 | 0:26:43 | |
We lost four out of the ten columns. You was on a roll there, OK? | 0:26:43 | 0:26:45 | |
You've managed to keep ?7,200 on our Wall and, as before, | 0:26:45 | 0:26:50 | |
we're going to take that and divvy it up into ten new columns. | 0:26:50 | 0:26:53 | |
This is for you, Jamie. And it now looks like this. | 0:26:53 | 0:26:57 | |
There we go. | 0:26:58 | 0:26:59 | |
Each column is now worth ?720. Jamie, you're last up. | 0:26:59 | 0:27:03 | |
So remember, the more columns you can keep in play, | 0:27:03 | 0:27:06 | |
the more spondoolies we're going to take through to the endgame. | 0:27:06 | 0:27:09 | |
Now, as usual, your team-mates are going to have 20 seconds | 0:27:09 | 0:27:11 | |
to brief you on these keywords. | 0:27:11 | 0:27:14 | |
And they are... | 0:27:14 | 0:27:16 | |
Your 20-second briefing starts now. | 0:27:30 | 0:27:33 | |
OK, so whereabouts is Tahrir Square? | 0:27:33 | 0:27:35 | |
Tahrir Square, no idea. | 0:27:35 | 0:27:36 | |
Is it in Estonia or Albania? | 0:27:36 | 0:27:38 | |
Oh, OK. One of those? | 0:27:38 | 0:27:39 | |
Maybe drawing the pans? What do you know about that? | 0:27:39 | 0:27:42 | |
What's drawing the pans? | 0:27:42 | 0:27:43 | |
I've never, ever heard of that. No idea. | 0:27:43 | 0:27:45 | |
OK. Tarquin the Proud, maybe? | 0:27:45 | 0:27:47 | |
Or Ada Lovelace, Kelvingrove? No... | 0:27:47 | 0:27:49 | |
Sorry, mate, you're on your own. | 0:27:49 | 0:27:50 | |
It could be in Glasgow, somewhere like that. | 0:27:50 | 0:27:52 | |
Oh, the Kelvingrove Museum's in Glasgow. | 0:27:52 | 0:27:54 | |
Right, time's up, team. Good, good, good. Time's up. | 0:27:54 | 0:27:57 | |
That help, Jamie? A little bit. OK. Not much. | 0:27:57 | 0:27:59 | |
We're going to find out, | 0:27:59 | 0:28:01 | |
as I ask you to step forward and face the Golden Wall. | 0:28:01 | 0:28:04 | |
APPLAUSE | 0:28:04 | 0:28:06 | |
The Wall is now worth ?7,200. | 0:28:07 | 0:28:11 | |
We're in a good position here, | 0:28:11 | 0:28:12 | |
cos we've got two pass backs and five overrules. | 0:28:12 | 0:28:15 | |
Which is very healthy! | 0:28:15 | 0:28:17 | |
OK, your first question is worth ?720, Jamie, and here it is. | 0:28:17 | 0:28:21 | |
Column number one. | 0:28:21 | 0:28:22 | |
Is it...? | 0:28:30 | 0:28:31 | |
Now, seeing that question, | 0:28:36 | 0:28:38 | |
it's reminded me of the news from five years ago. | 0:28:38 | 0:28:42 | |
I think I'm going to go for Cairo. Yeah? For this one, yeah. | 0:28:42 | 0:28:45 | |
OK, we're going to look in Cairo. You sounded fairly confident. | 0:28:45 | 0:28:49 | |
If this is right, we're going to light up column number one | 0:28:49 | 0:28:51 | |
to protect ?720. | 0:28:51 | 0:28:53 | |
Cairo. | 0:28:53 | 0:28:55 | |
Yes! Well played, mate. APPLAUSE | 0:28:56 | 0:28:58 | |
Good stuff. | 0:28:58 | 0:29:00 | |
Column number two. | 0:29:00 | 0:29:02 | |
Was it...? | 0:29:10 | 0:29:12 | |
I think, seeing those choices, | 0:29:16 | 0:29:19 | |
Coldplay have been doing like a global tour recently. | 0:29:19 | 0:29:22 | |
I believe that they played Glastonbury as well. | 0:29:22 | 0:29:25 | |
But I believe it's Coldplay. | 0:29:25 | 0:29:26 | |
Wow. OK, we're locking in Coldplay. | 0:29:26 | 0:29:29 | |
No overrule from you team-mates. | 0:29:29 | 0:29:31 | |
To light up column number two, to protect ?720, | 0:29:31 | 0:29:34 | |
are Coldplay the band that played for the fourth time in Glastonbury? | 0:29:34 | 0:29:38 | |
Yes, they are. Look at this. | 0:29:41 | 0:29:43 | |
Great start to the game here, Jamie. | 0:29:43 | 0:29:45 | |
Column number three, to protect another ?720. | 0:29:45 | 0:29:48 | |
Is it...? | 0:29:54 | 0:29:55 | |
Hmm. | 0:30:01 | 0:30:02 | |
To be honest, Shane, I haven't got a clue. | 0:30:02 | 0:30:06 | |
I'm not sure about wheat or rice, but I might take a punt on salt, | 0:30:06 | 0:30:09 | |
because you would have to evaporate the salt from the water. | 0:30:09 | 0:30:13 | |
That's the only way I'm thinking. I'll go for my instinct. | 0:30:13 | 0:30:16 | |
I'll go with salt, but please overrule. Be brave. | 0:30:16 | 0:30:19 | |
We've got good trust, hopefully, Shane. | 0:30:19 | 0:30:21 | |
We're going to lock in salt. I haven't got a clue. | 0:30:23 | 0:30:26 | |
I don't think they have either. If this is right, it's a great guess. | 0:30:26 | 0:30:31 | |
If it's wrong, we're going to lose column number three. | 0:30:31 | 0:30:35 | |
Jamie says salt. | 0:30:35 | 0:30:36 | |
Yes, Jamie! | 0:30:39 | 0:30:41 | |
Right, did you two know that? | 0:30:41 | 0:30:43 | |
No, you didn't. Stop lying. Taking Jamie's credit off him. | 0:30:43 | 0:30:48 | |
Right, this is a great round so far, mate, we've got three in a row. | 0:30:48 | 0:30:51 | |
Question number four. | 0:30:51 | 0:30:52 | |
Was it...? | 0:31:00 | 0:31:02 | |
Hmm. Maybe not comic books. Oh, I don't know, Beano and the Dandy. | 0:31:07 | 0:31:13 | |
Shane, can I pass this one back? | 0:31:13 | 0:31:15 | |
You can do what you want, it's your game. | 0:31:15 | 0:31:16 | |
There we go. I'll pass it back, then, please. | 0:31:16 | 0:31:18 | |
We're passing it back, we're passing it back. | 0:31:18 | 0:31:20 | |
Over to Baz and Olwyn. | 0:31:20 | 0:31:22 | |
We don't... | 0:31:22 | 0:31:23 | |
We didn't get the feeling comic books, both of us, | 0:31:23 | 0:31:26 | |
and immediately went with garden gnomes, was our feeling. | 0:31:26 | 0:31:29 | |
I'm sure there used to be pictures. | 0:31:29 | 0:31:30 | |
There was always a gnome in the picture and I don't know why. | 0:31:30 | 0:31:33 | |
Well, OK. | 0:31:35 | 0:31:36 | |
Yeah, we don't know any more than you, Jamie, mate, | 0:31:36 | 0:31:38 | |
but that's what we'd have gone with. We've gone with garden gnomes. | 0:31:38 | 0:31:41 | |
Do you want to lock in garden gnomes? | 0:31:41 | 0:31:43 | |
Right, Jamie's used the pass-back, he's relying on his team. | 0:31:43 | 0:31:46 | |
If he's right, we're going to light up column number four. | 0:31:46 | 0:31:49 | |
Was he right to pass back? | 0:31:49 | 0:31:51 | |
Yes! | 0:31:53 | 0:31:55 | |
Good teamwork. Very, very good teamwork. This wall is looking good. | 0:31:56 | 0:32:01 | |
We're coming up to the halfway mark. | 0:32:01 | 0:32:02 | |
We have one pass back and five overrules in play to protect | 0:32:02 | 0:32:06 | |
column number five. | 0:32:06 | 0:32:07 | |
Was it...? | 0:32:15 | 0:32:16 | |
You are a history student. You better get this one, mate. | 0:32:20 | 0:32:24 | |
not that it means much, Shane. | 0:32:24 | 0:32:25 | |
There's lots of history, I haven't studied all of it. | 0:32:25 | 0:32:29 | |
Well, you've let yourself down a bit, haven't you? | 0:32:29 | 0:32:32 | |
I haven't got a clue, guys. | 0:32:32 | 0:32:34 | |
We've got a pass back or overrule for each of the remaining | 0:32:34 | 0:32:36 | |
questions, so please buzz in if you know better, | 0:32:36 | 0:32:39 | |
but I'm going to go with Troy, | 0:32:39 | 0:32:41 | |
just because Athens and Rome you'd expect to be, like, emperors. | 0:32:41 | 0:32:45 | |
I'll go with Troy. Yeah? Please, yeah. | 0:32:45 | 0:32:47 | |
OK, I'm going to lock in Tory. Once again, no overrule. | 0:32:47 | 0:32:51 | |
Was Tarquin the Proud the last king of Troy | 0:32:53 | 0:32:57 | |
to light up our halfway mark and protect another ?720? | 0:32:57 | 0:33:01 | |
DECIMATE! | 0:33:03 | 0:33:05 | |
Oh! | 0:33:05 | 0:33:06 | |
I'll tell you what, mate, you convinced me. | 0:33:07 | 0:33:10 | |
Really? Yeah. | 0:33:10 | 0:33:11 | |
The answer we were looking for was in fact... | 0:33:11 | 0:33:14 | |
Rome. Tarquin the Proud was the last king of Rome. | 0:33:14 | 0:33:17 | |
Right, we've lost column number five. | 0:33:17 | 0:33:20 | |
We're still in a good position. The wall is now worth ?6,480. | 0:33:20 | 0:33:23 | |
We have one pass back, five overrules left. | 0:33:23 | 0:33:25 | |
That button is nice and clean, isn't it? | 0:33:25 | 0:33:28 | |
OK, here comes your next question to protect ?720. | 0:33:28 | 0:33:30 | |
Was it...? | 0:33:40 | 0:33:41 | |
I don't watch much snooker, Shane. OK. | 0:33:48 | 0:33:51 | |
But I have heard of Marco Fu and Ding Junhui to do with snooker. | 0:33:51 | 0:33:57 | |
Maybe James Wattana is a new guy that has just come on the block. | 0:33:57 | 0:34:00 | |
I think I'd take a punt on James Wattana. Yeah? Why not? | 0:34:00 | 0:34:04 | |
Just because I've never heard of him. | 0:34:04 | 0:34:06 | |
Let's lock in James Wattana. We're going to lock in James Wattana. | 0:34:06 | 0:34:09 | |
BUZZER Oh! | 0:34:09 | 0:34:11 | |
It does work! Hurrah! | 0:34:11 | 0:34:12 | |
The whole of the country rejoices in an overrule. | 0:34:13 | 0:34:16 | |
Right. Baz, you like your snooker? | 0:34:18 | 0:34:20 | |
Just sport in general, I'm a fan. | 0:34:21 | 0:34:23 | |
James Wattana has been around for a while, but Ding Junhui is the... | 0:34:23 | 0:34:27 | |
He got to the final of the 2016... | 0:34:27 | 0:34:30 | |
OK. Changed it from James Wattana to Ding Junhui. | 0:34:30 | 0:34:33 | |
Right. So we've used the overrule. | 0:34:35 | 0:34:37 | |
If this is correct, we're getting back on track. | 0:34:37 | 0:34:40 | |
To light column number six, is it a correct answer? | 0:34:40 | 0:34:43 | |
Yes, it is. Well played, team. Well done, Baz. | 0:34:46 | 0:34:49 | |
Well done! | 0:34:49 | 0:34:51 | |
We've used an overrule! | 0:34:51 | 0:34:52 | |
Right, the wall is still worth ?6,480. | 0:34:52 | 0:34:55 | |
We have four overrules and one pass-back in play. | 0:34:56 | 0:34:59 | |
Question number seven. | 0:34:59 | 0:35:00 | |
Is it...? | 0:35:06 | 0:35:07 | |
I know this one, Shane. I know this one. I think it's Kazakhstan. | 0:35:12 | 0:35:16 | |
Yeah, yeah, I love the film. Yeah, lock in Kazakhstan, please, Shane. | 0:35:16 | 0:35:22 | |
We're going to lock in Kazakhstan. | 0:35:22 | 0:35:24 | |
To protect another ?720, is it the correct answer? | 0:35:24 | 0:35:27 | |
Yes, it is. | 0:35:30 | 0:35:32 | |
Well done, Jamie. | 0:35:32 | 0:35:34 | |
Let's see if we can get three in a row. | 0:35:34 | 0:35:37 | |
Column number eight, to protect another ?720. | 0:35:37 | 0:35:39 | |
Was it...? | 0:35:45 | 0:35:46 | |
I've got a feeling it might be Byron, | 0:35:51 | 0:35:53 | |
but I'm nowhere near 100% certain. | 0:35:53 | 0:35:55 | |
I might use the last pass back here and see if the guys have | 0:35:55 | 0:35:59 | |
a better idea. We're losing our last and final pass back. | 0:35:59 | 0:36:02 | |
Baz, Olwyn, all yours. | 0:36:02 | 0:36:04 | |
I think Tennyson and Byron are obviously much, | 0:36:05 | 0:36:09 | |
much older than the computer age. | 0:36:09 | 0:36:12 | |
Ada Lovelace, that sounds like it's quite old... | 0:36:12 | 0:36:15 | |
Computers did come around a lot earlier than we were thinking. | 0:36:15 | 0:36:19 | |
I'd go with Tennyson, but... | 0:36:19 | 0:36:21 | |
We're going to go for Tennyson. | 0:36:21 | 0:36:23 | |
We're locking in Tennyson. | 0:36:23 | 0:36:25 | |
I don't know. | 0:36:25 | 0:36:27 | |
If this is right, we're going to light up column number eight. | 0:36:27 | 0:36:29 | |
Was he right to pass back? | 0:36:29 | 0:36:31 | |
DECIMATE! | 0:36:33 | 0:36:35 | |
It better not be Byron. | 0:36:37 | 0:36:38 | |
Correct answer is... | 0:36:39 | 0:36:41 | |
Oh, no. | 0:36:44 | 0:36:45 | |
Oh, team, that was the last pass back as well. | 0:36:45 | 0:36:48 | |
OK, the wall is now worth ?5,760. | 0:36:48 | 0:36:51 | |
We have no more pass backs and four overrules left. | 0:36:52 | 0:36:57 | |
The penultimate question, Jamie. Here it is. | 0:36:57 | 0:37:01 | |
Is it...? | 0:37:07 | 0:37:08 | |
I think it's Glasgow, Shane. I've been to this museum. | 0:37:12 | 0:37:15 | |
Yeah, it's Glasgow. | 0:37:15 | 0:37:16 | |
Glasgow. We're going to lock in Glasgow. | 0:37:16 | 0:37:18 | |
To light up column number nine to protect ?5,760, | 0:37:18 | 0:37:22 | |
the Kelvingrove Art Gallery and Museum is in Glasgow, or is it? | 0:37:22 | 0:37:26 | |
Yes, it is. Well played, buddy. | 0:37:28 | 0:37:30 | |
Right. Here comes your last and final question | 0:37:30 | 0:37:33 | |
to bring ?5,760 into our endgame. | 0:37:35 | 0:37:38 | |
Is it...? | 0:37:45 | 0:37:46 | |
I think it's an -ography, but which -ography it is, I'm not too sure. | 0:37:55 | 0:38:00 | |
Comparative? That makes sense. Maybe the guys will overrule. | 0:38:00 | 0:38:05 | |
I'm going to lock in computed tomography. | 0:38:05 | 0:38:08 | |
OK. Right, we're going to lock in computed tomography. | 0:38:08 | 0:38:11 | |
To light up column number ten to take ?5,760 into our endgame, | 0:38:12 | 0:38:18 | |
is it the correct answer? | 0:38:18 | 0:38:19 | |
Yes! Well played, Jamie. Good stuff. | 0:38:22 | 0:38:25 | |
Go and join your team-mates. | 0:38:25 | 0:38:27 | |
Right, guys, between all three of you, | 0:38:30 | 0:38:31 | |
you've managed to keep ?5,760 on our golden wall. | 0:38:31 | 0:38:37 | |
Now it's the big moment. | 0:38:37 | 0:38:39 | |
The chance to win that money. Here's how it works. | 0:38:40 | 0:38:43 | |
We divide the cash once more into ten equal columns. | 0:38:43 | 0:38:47 | |
We do a little reshuffle. It's now going to look like this. | 0:38:47 | 0:38:50 | |
There it is. ?5,760 right there on the wall. | 0:38:54 | 0:38:56 | |
To leave with that cash, | 0:38:56 | 0:38:57 | |
you must work your way across the wall one last time, lighting | 0:38:57 | 0:39:00 | |
up all ten columns, but now you've only you got two minutes to do it. | 0:39:00 | 0:39:04 | |
You'll get three chances to light up each column. | 0:39:04 | 0:39:07 | |
But, of course, the more questions you need, | 0:39:07 | 0:39:09 | |
the more time we're going to use up. | 0:39:09 | 0:39:10 | |
Should you get all three questions wrong, | 0:39:10 | 0:39:12 | |
the column and its cash will be lost. | 0:39:12 | 0:39:14 | |
We'll have to rebuild the wall and a team-mate will take over from | 0:39:14 | 0:39:17 | |
where you left off. | 0:39:17 | 0:39:19 | |
Now, if as a team you fail to light up all ten columns, | 0:39:19 | 0:39:22 | |
I'm afraid you're going to leave with nothing. | 0:39:22 | 0:39:25 | |
So here are your ten key words. They are... | 0:39:25 | 0:39:28 | |
So, big decision. For the last time, who's going to face the wall first? | 0:39:41 | 0:39:47 | |
You decide. | 0:39:47 | 0:39:48 | |
What do you think? I'm happy to have a go, but if you're... | 0:39:51 | 0:39:55 | |
Are you not sure? Do you want to start and then I'll go second? | 0:39:55 | 0:40:00 | |
Yeah, I'll go, yeah. | 0:40:00 | 0:40:01 | |
OK. Who's it going to be? Me, please. Baz! | 0:40:01 | 0:40:03 | |
Responsibility has fallen to you. | 0:40:03 | 0:40:05 | |
Will you please join me and face the Golden Wall? | 0:40:05 | 0:40:07 | |
APPLAUSE | 0:40:07 | 0:40:10 | |
Here it is, buddy. | 0:40:12 | 0:40:13 | |
If we light up all ten columns within the time, | 0:40:13 | 0:40:15 | |
you and your team will be leaving with ?5,760. | 0:40:15 | 0:40:19 | |
Let's put two minutes on the clock. | 0:40:22 | 0:40:24 | |
That time will start | 0:40:25 | 0:40:26 | |
when I finish reading the first question. | 0:40:26 | 0:40:29 | |
Good luck, Baz. | 0:40:29 | 0:40:30 | |
Hall. In the 1977 film Annie Hall, | 0:40:33 | 0:40:36 | |
who plays the title character's younger brother? | 0:40:36 | 0:40:42 | |
Pass. Christopher Walken. | 0:40:42 | 0:40:44 | |
The Royal Festival Hall in London | 0:40:44 | 0:40:45 | |
first opened in which decade? | 0:40:45 | 0:40:47 | |
'40s. '50s. | 0:40:47 | 0:40:49 | |
The Hall, Kitchen and Billiard Room feature | 0:40:49 | 0:40:51 | |
in the classic version of which popular board game? | 0:40:51 | 0:40:53 | |
Cluedo. Correct. | 0:40:53 | 0:40:54 | |
15. What does the G stand for in the name | 0:40:54 | 0:40:56 | |
of the original host of the quiz show Fifteen To One | 0:40:56 | 0:40:58 | |
William G Stewart? | 0:40:58 | 0:41:00 | |
George. Gladstone. | 0:41:00 | 0:41:01 | |
In rugby union, a player in which position | 0:41:01 | 0:41:04 | |
would wear the number 15 shirt? | 0:41:04 | 0:41:05 | |
Full back. Correct. | 0:41:05 | 0:41:07 | |
Carpet. Which Wiltshire town gives its name to a carpet | 0:41:07 | 0:41:09 | |
with a velvet pile and woven pattern? | 0:41:09 | 0:41:13 | |
Pass. Wilton. | 0:41:13 | 0:41:14 | |
In betting slang, a double carpet refers to what odds? | 0:41:14 | 0:41:17 | |
10-1. 33-1. | 0:41:17 | 0:41:19 | |
In which 1992 Disney film | 0:41:19 | 0:41:20 | |
is one of the characters a magic carpet? | 0:41:20 | 0:41:23 | |
Aladdin. Correct. | 0:41:23 | 0:41:24 | |
Midnight. Who wrote the novel Tom's Midnight Garden? | 0:41:24 | 0:41:26 | |
Pass. Philippa Pearce. | 0:41:26 | 0:41:28 | |
Which Oscar-winning actor stars | 0:41:28 | 0:41:30 | |
as the bounty hunter Jack Walsh | 0:41:30 | 0:41:31 | |
in the 1988 film Midnight Run? | 0:41:31 | 0:41:33 | |
Robert De Niro. Correct. | 0:41:33 | 0:41:35 | |
Roof. The first competitive match completed | 0:41:35 | 0:41:37 | |
under Wimbledon's Centre Court roof featured | 0:41:37 | 0:41:39 | |
which French player, later Andy Murray's coach? | 0:41:39 | 0:41:43 | |
Pass. Amelie Mauresmo. | 0:41:43 | 0:41:45 | |
The musical Fiddler On The Roof | 0:41:45 | 0:41:46 | |
is set in which country? | 0:41:46 | 0:41:47 | |
Russia. Correct. | 0:41:47 | 0:41:49 | |
Phoenix. As a child actor, Joaquin Phoenix was credited | 0:41:49 | 0:41:52 | |
in films with which self-given first name? | 0:41:52 | 0:41:56 | |
Pass. Leaf. | 0:41:56 | 0:41:57 | |
In the books by JK Rowling, | 0:41:57 | 0:41:58 | |
who founded the Order of the Phoenix? | 0:41:58 | 0:42:01 | |
Pass. Dumbledore. | 0:42:01 | 0:42:02 | |
The Phoenix, the Victoria Palace, the Ambassadors | 0:42:02 | 0:42:05 | |
and the Harold Pinter are all examples of what | 0:42:05 | 0:42:07 | |
in London's West End? | 0:42:07 | 0:42:08 | |
Theatre. Correct. | 0:42:08 | 0:42:09 | |
A1. The pop band A1 had their first UK number one single | 0:42:09 | 0:42:12 | |
with a cover of which 1980s hit? | 0:42:12 | 0:42:14 | |
Pass. Take On Me. | 0:42:14 | 0:42:15 | |
The A1 runs north from London and ends in which city? | 0:42:15 | 0:42:18 | |
Sheffield. Edinburgh. | 0:42:18 | 0:42:19 | |
What size of paper is half the area of a sheet of A1? | 0:42:19 | 0:42:22 | |
A2. Correct. | 0:42:22 | 0:42:24 | |
Rhodes. The Colossus of Rhodes | 0:42:24 | 0:42:25 | |
was a statue depicting which Greek God? | 0:42:25 | 0:42:27 | |
Mars. Helios. | 0:42:27 | 0:42:28 | |
Noted for her pink hair, | 0:42:28 | 0:42:30 | |
what is the first name of the fashion designer | 0:42:30 | 0:42:31 | |
born in 1940 whose surname is Rhodes? | 0:42:31 | 0:42:33 | |
Camilla. Zandra. | 0:42:33 | 0:42:35 | |
Rhodes Scholarships enable foreign students | 0:42:35 | 0:42:37 | |
to attend which English university? | 0:42:37 | 0:42:39 | |
Oxford. Correct. | 0:42:39 | 0:42:40 | |
DECIMATE! | 0:42:40 | 0:42:41 | |
Oh, mate. | 0:42:41 | 0:42:44 | |
I'm afraid you just ran out of time, | 0:42:44 | 0:42:49 | |
which means you and your team will be leaving with nothing. | 0:42:49 | 0:42:52 | |
Give them a big round of applause, everybody. | 0:42:52 | 0:42:54 | |
APPLAUSE | 0:42:54 | 0:42:56 | |
Baz. | 0:42:56 | 0:42:57 | |
Come here, team. Come over here. Don't be disheartened. | 0:42:57 | 0:43:00 | |
Come on, you played a great round there. | 0:43:00 | 0:43:02 | |
There was a few toughies, weren't there. | 0:43:02 | 0:43:04 | |
Yeah. I'm sorry, mate. Listen, thanks for being a good sport. | 0:43:04 | 0:43:07 | |
Have you enjoyed yourself, Jamie? | 0:43:07 | 0:43:08 | |
Yeah, it's been a good day. | 0:43:08 | 0:43:10 | |
Baz, give my regards to all your drama students. I will. | 0:43:10 | 0:43:12 | |
And you, darling. Lovely. Thanks for being a great team. | 0:43:12 | 0:43:15 | |
I'm gutted for you. Genuinely gutted for you. | 0:43:15 | 0:43:17 | |
So join me next time to see whether another team of complete | 0:43:17 | 0:43:20 | |
strangers can take home a huge cash prize or, like this team, | 0:43:20 | 0:43:23 | |
they'll be decimated. | 0:43:23 | 0:43:24 | |
Take care, everybody. | 0:43:24 | 0:43:26 | |
Bye-bye. | 0:43:26 | 0:43:28 | |
APPLAUSE | 0:43:28 | 0:43:30 | |
Watch this. It is amazing. | 0:43:57 | 0:43:59 |