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These are the Dragons. | 0:00:27 | 0:00:30 | |
Wealthy, well-connected... | 0:00:30 | 0:00:32 | |
..innovative... | 0:00:33 | 0:00:34 | |
and influential. | 0:00:34 | 0:00:35 | |
Each week, they make or break the dreams | 0:00:35 | 0:00:39 | |
of dozens of budding entrepreneurs. | 0:00:39 | 0:00:42 | |
I think it's probably one of the saddest sights I've ever seen. | 0:00:43 | 0:00:46 | |
We're selling three dolls a week. | 0:00:46 | 0:00:49 | |
-Three dolls a week? -Yes. -Three dolls a WEEK?! | 0:00:49 | 0:00:51 | |
Do you really, really want to take this money off anybody in this room? | 0:00:52 | 0:00:56 | |
It's completely and absolutely bonkers. | 0:00:56 | 0:00:58 | |
I don't know why we've spent so much time on it. | 0:00:58 | 0:01:01 | |
I think I'd rather do community service than invest in this. | 0:01:02 | 0:01:05 | |
Leisure and marketing expert Deborah Meaden... | 0:01:09 | 0:01:11 | |
..telecoms giant Peter Jones... | 0:01:13 | 0:01:16 | |
..and hotel and health club owner Duncan Bannatyne | 0:01:17 | 0:01:20 | |
have between them struck deals | 0:01:20 | 0:01:22 | |
worth more than £7 million in the Den. | 0:01:22 | 0:01:25 | |
But ready to fight for the next shrewd investment | 0:01:27 | 0:01:30 | |
is the creator of her own world-renowned | 0:01:30 | 0:01:32 | |
interior design brand, Kelly Hoppen, | 0:01:32 | 0:01:35 | |
and cloud computing pioneer Piers Linney. | 0:01:35 | 0:01:38 | |
The multi-millionaires will give each entrepreneur | 0:01:41 | 0:01:44 | |
just three minutes to pitch their idea | 0:01:44 | 0:01:46 | |
and then interrogate them on every aspect of their business. | 0:01:46 | 0:01:50 | |
To face them takes nerve and vision. | 0:01:51 | 0:01:53 | |
So who will leave with the Dragons' money? | 0:01:53 | 0:01:56 | |
Welcome to Dragons' Den, | 0:02:03 | 0:02:05 | |
where every week budding entrepreneurs | 0:02:05 | 0:02:08 | |
pitch their business ideas | 0:02:08 | 0:02:10 | |
to five self-made tycoons, | 0:02:10 | 0:02:12 | |
who have to decide where to invest their money. | 0:02:12 | 0:02:15 | |
First to face the Dragons are two soft-drink entrepreneurs, | 0:02:16 | 0:02:19 | |
John McFarlane and Georgie Rodwell. | 0:02:19 | 0:02:22 | |
They are trying to jostle their way | 0:02:22 | 0:02:24 | |
into what is a very crowded market. | 0:02:24 | 0:02:27 | |
THEY WHISPER | 0:02:35 | 0:02:37 | |
Hello, Dragons. My name is John McFarlane. | 0:02:52 | 0:02:56 | |
With me today is my business partner, Georgie Rodwell. | 0:02:56 | 0:02:59 | |
We are here today to introduce you to Norfolk Cordial. | 0:03:01 | 0:03:04 | |
We are seeking a £50,000 investment | 0:03:04 | 0:03:07 | |
in return for a 25% stake in the business. | 0:03:07 | 0:03:11 | |
Norfolk Cordial began in the summer of 2010, | 0:03:12 | 0:03:16 | |
when we identified a need | 0:03:16 | 0:03:18 | |
for a more adult-orientated soft drink within the on-trade sector. | 0:03:18 | 0:03:23 | |
Last year, we won the best drink producer award | 0:03:24 | 0:03:27 | |
at Norfolk's largest agricultural show. | 0:03:27 | 0:03:29 | |
And we are proud to supply establishments | 0:03:29 | 0:03:31 | |
such as Raymond Blanc's two-Michelin-starred Le Manoir. | 0:03:31 | 0:03:35 | |
And we are the only UK cordial company | 0:03:35 | 0:03:37 | |
to supply the food hall of Fortnum & Mason. | 0:03:37 | 0:03:40 | |
Last year, the UK soft drink industry was worth £9.7 billion | 0:03:41 | 0:03:45 | |
and a massive 22% of this market came from dilutables. | 0:03:45 | 0:03:49 | |
With the increase in public awareness | 0:03:49 | 0:03:52 | |
of the negative effects of excessive alcohol consumption, | 0:03:52 | 0:03:55 | |
combined with the stringent enforcement of the drink-driving laws, | 0:03:55 | 0:03:59 | |
we can only see an increase in demand for products such as Norfolk Cordial. | 0:03:59 | 0:04:03 | |
We thank you for your time. | 0:04:03 | 0:04:05 | |
We'd like to take this opportunity to invite you up to our bar for a drink, | 0:04:05 | 0:04:09 | |
and then we're happy to answer any questions you may have. | 0:04:09 | 0:04:12 | |
-DUNCAN: -Could I have a vodka in mine? | 0:04:14 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:17 | |
They do go very well with vodka, all of them. | 0:04:17 | 0:04:19 | |
A smooth and assured pitch from the Norfolk couple. | 0:04:19 | 0:04:23 | |
They're looking for £50,000 for 25% equity | 0:04:23 | 0:04:26 | |
in their high-end cordial business. | 0:04:26 | 0:04:29 | |
Flavour-wise, we do raspberry. | 0:04:29 | 0:04:32 | |
This is a redcurrant and grapefruit. Strawberry and lime, | 0:04:32 | 0:04:36 | |
rhubarb, orange and ginger and wild elderflower. | 0:04:36 | 0:04:39 | |
-I've got raspberry. -Yes. | 0:04:39 | 0:04:41 | |
The first to question the East Anglian entrepreneurs | 0:04:42 | 0:04:45 | |
is Piers Linney. | 0:04:45 | 0:04:47 | |
-Very nice. -Thank you. | 0:04:48 | 0:04:50 | |
Why did you get into this business | 0:04:51 | 0:04:53 | |
and how have you got to where you are? | 0:04:53 | 0:04:55 | |
How we got into it was Georgie made elderflower cordial like people do at home. | 0:04:55 | 0:04:59 | |
She was selling it to the pub she worked at when I met her. | 0:04:59 | 0:05:02 | |
It was doing very well, | 0:05:02 | 0:05:03 | |
and when I looked at the turnover that one little pub in the middle of Norfolk could do with a syrup, | 0:05:03 | 0:05:09 | |
I saw there was a gap in the market for something that was geared towards that sort of market sector. | 0:05:09 | 0:05:15 | |
So did cordial bring you together? | 0:05:15 | 0:05:18 | |
In some ways, yes! | 0:05:18 | 0:05:20 | |
-Not often you can say that. -Exactly. | 0:05:20 | 0:05:23 | |
At the time, I was pretty much homeless, living in a static caravan. | 0:05:23 | 0:05:27 | |
I borrowed £5,000. | 0:05:27 | 0:05:30 | |
With that money I bought the equipment and the raw materials required to get the business started. | 0:05:30 | 0:05:35 | |
I probably made in the region of around 3,000 bottles of elderflower that summer | 0:05:35 | 0:05:41 | |
and set off trying to sell them once I'd made them to all the pubs in Norfolk. | 0:05:41 | 0:05:45 | |
Or as many as I could convince to purchase them. | 0:05:45 | 0:05:48 | |
So, who would you say your competitors are? | 0:05:48 | 0:05:51 | |
What we've done is chosen to go into the on-trade sector. | 0:05:51 | 0:05:54 | |
You keep using this term "on-trade". What do you mean, "on-trade"? | 0:05:54 | 0:05:57 | |
Within the hospitality sector more than a retail product. | 0:05:57 | 0:06:00 | |
Things like Coca-Cola and Fanta, the syrup that comes out of a post-mix. | 0:06:00 | 0:06:04 | |
But we actually do come in cheaper than a serving of Coke. | 0:06:04 | 0:06:08 | |
The point of difference is the fact | 0:06:08 | 0:06:10 | |
that we are catering for a more sophisticated adult palate. | 0:06:10 | 0:06:13 | |
When you have a person who's not drinking, | 0:06:13 | 0:06:15 | |
whether they don't drink alcohol or they're driving, | 0:06:15 | 0:06:17 | |
their choices are Coke from the gun or what's in the fridge. | 0:06:17 | 0:06:21 | |
Generally, they're quite high-sugar, children-orientated drinks. | 0:06:21 | 0:06:24 | |
So we also see growth very much into a spa environment, | 0:06:24 | 0:06:29 | |
where ladies are concerned about the amount of sugar they take, | 0:06:29 | 0:06:32 | |
so it appeals to them. | 0:06:32 | 0:06:33 | |
You'd sell that in spas, then? | 0:06:33 | 0:06:35 | |
We've just taken on Ragdale Hall spa | 0:06:35 | 0:06:37 | |
and then we have a small spa in... | 0:06:37 | 0:06:39 | |
I know somebody that's got spas. | 0:06:39 | 0:06:41 | |
I operate 34 spas, | 0:06:42 | 0:06:43 | |
and the ladies come in and drink red wine. | 0:06:43 | 0:06:45 | |
You know, they're not really looking for a non-alcoholic, non-sugar drink. | 0:06:45 | 0:06:49 | |
Is that because you don't offer a good enough one? | 0:06:50 | 0:06:53 | |
LAUGHTER | 0:06:55 | 0:06:57 | |
-PETER: -Good. Do I like you! | 0:06:57 | 0:06:59 | |
Sorry. | 0:07:01 | 0:07:02 | |
Duncan Bannatyne's scepticism is coolly deflected | 0:07:04 | 0:07:08 | |
by a confident Georgie. | 0:07:08 | 0:07:09 | |
But does Deborah Meaden share her vision for the future of the product? | 0:07:09 | 0:07:14 | |
When you say you're competing against Coke, I completely get that, | 0:07:14 | 0:07:17 | |
because I actually don't drink. Very, very rarely now. | 0:07:17 | 0:07:21 | |
Did. Don't any more. | 0:07:21 | 0:07:24 | |
Um...and actually, | 0:07:24 | 0:07:26 | |
it's dull as ditchwater when you go out, | 0:07:26 | 0:07:28 | |
because you just get the same old same old. | 0:07:28 | 0:07:31 | |
I end up drinking Diet Coke and I don't like Diet Coke! | 0:07:31 | 0:07:35 | |
Now, here's the bad news. | 0:07:36 | 0:07:38 | |
It's OK. | 0:07:42 | 0:07:44 | |
Can I just ask everyone else, what do you think of your cordials? | 0:07:44 | 0:07:47 | |
-DUNCAN: -I think it's not terrific, the taste, actually. | 0:07:49 | 0:07:52 | |
-DEBORAH: -What do you think, Piers? | 0:07:52 | 0:07:54 | |
To me, it seems to be quite safe. | 0:07:54 | 0:07:56 | |
There's nothing there in terms of... I know what raspberry tastes like, thank you very much. | 0:07:56 | 0:08:00 | |
I've tasted elderflower. But there's a place for being braver in terms of your flavours in your range. | 0:08:00 | 0:08:06 | |
To begin with, we needed to play it safe in order to get our product out there. | 0:08:06 | 0:08:10 | |
And we know we can push the boundary. We've pushed it to a certain extent, | 0:08:10 | 0:08:14 | |
because you don't get a strawberry and lime. | 0:08:14 | 0:08:16 | |
Generally, what we find is, with the majority order being on elderflower to begin with, | 0:08:16 | 0:08:21 | |
elderflower starts to fall away and our other flavours start to take over on the orders. | 0:08:21 | 0:08:25 | |
A persuasive response to criticism of their range. | 0:08:29 | 0:08:32 | |
But will Duncan Bannatyne find their grasp of the company's figures just as convincing? | 0:08:32 | 0:08:38 | |
So what's your projections going forward? Just turnover and net profit. | 0:08:41 | 0:08:44 | |
This year to March 2014, | 0:08:44 | 0:08:48 | |
our projected turnover is £150,000, | 0:08:48 | 0:08:51 | |
with a net profit of £30,000. | 0:08:51 | 0:08:54 | |
The following year, the turnover is £500,000, | 0:08:54 | 0:08:58 | |
with a net profit of £90,000. | 0:08:58 | 0:09:00 | |
And the following year, a turnover of £2 million, | 0:09:00 | 0:09:02 | |
with a net profit of £500,000. | 0:09:02 | 0:09:05 | |
And we also see growth very much into the Middle Eastern market as well, | 0:09:05 | 0:09:10 | |
where obviously they're looking for a quality soft drink product. | 0:09:10 | 0:09:13 | |
We've just had an order now from Dean & DeLuca for Kuwait and Qatar. | 0:09:13 | 0:09:18 | |
First order was 24 cases. | 0:09:18 | 0:09:20 | |
-Have you filled the order? -It's going out next week. -Wow. | 0:09:21 | 0:09:26 | |
-KELLY: -That's a good order. It's a good brand. | 0:09:26 | 0:09:28 | |
But you're in Fortnum's. Who do you sit next to in Fortnum's on the shelf? | 0:09:28 | 0:09:32 | |
We sit next to ready-to-drink juices. | 0:09:32 | 0:09:34 | |
We are the only cordial company in the food hall. | 0:09:34 | 0:09:37 | |
These projections would be phenomenal... | 0:09:39 | 0:09:43 | |
if you could convince me | 0:09:43 | 0:09:45 | |
that they're true. | 0:09:45 | 0:09:48 | |
But how are you going to achieve those figures? | 0:09:48 | 0:09:50 | |
Basically by becoming the market leader | 0:09:50 | 0:09:54 | |
in on-trade soft drink provision. | 0:09:54 | 0:09:57 | |
I've gone into the drinks business and it is incredibly competitive. | 0:09:57 | 0:10:01 | |
We come up against serious competition. | 0:10:01 | 0:10:04 | |
For example, we wanted to introduce a syrup product | 0:10:04 | 0:10:07 | |
and the competitors just really said, | 0:10:07 | 0:10:09 | |
"The minute they go into that marketplace, | 0:10:09 | 0:10:11 | |
"we'll drop our costs by half. | 0:10:11 | 0:10:14 | |
"We'll take our margin away from our distributor." | 0:10:14 | 0:10:16 | |
And all of a sudden, you can't get in. | 0:10:16 | 0:10:18 | |
I think you're really up against it, | 0:10:18 | 0:10:21 | |
because for this business to succeed, | 0:10:21 | 0:10:23 | |
I think you need several hundred thousand pounds. | 0:10:23 | 0:10:26 | |
So I'm going to have to say I'm out. | 0:10:26 | 0:10:28 | |
A sceptical Peter Jones walks away from a deal. | 0:10:30 | 0:10:34 | |
And now Deborah Meaden is ready to have her say. | 0:10:34 | 0:10:38 | |
Competition doesn't often worry me, | 0:10:41 | 0:10:43 | |
but this is a market that can and does respond very quickly, | 0:10:43 | 0:10:47 | |
and the way they respond is exactly as Peter says, | 0:10:47 | 0:10:50 | |
which is, "If you stock that product, I'm going to do a buy-one-get-one-free on my product." | 0:10:50 | 0:10:55 | |
And there are some big players out there who completely dominate that marketplace. | 0:10:55 | 0:10:59 | |
So I'm sorry, guys, but I won't be investing and I'm out. | 0:10:59 | 0:11:03 | |
The cordial couple are dealt a blow | 0:11:06 | 0:11:09 | |
as two Dragons make an abrupt exit. | 0:11:09 | 0:11:11 | |
Piers Linney is the next to show his hand. | 0:11:11 | 0:11:14 | |
But he has some unanswered questions about the small print of their company structure. | 0:11:14 | 0:11:19 | |
Any other shareholders, or just you two? | 0:11:20 | 0:11:22 | |
-There are six other shareholders in the business. -And who are they? | 0:11:22 | 0:11:26 | |
One of them is Galton Blackiston, the Michelin-starred chef in Norfolk. | 0:11:26 | 0:11:30 | |
The other two couples are friends of his. | 0:11:30 | 0:11:32 | |
OK, and how much have they invested? | 0:11:32 | 0:11:34 | |
They have invested £45,000. | 0:11:34 | 0:11:37 | |
And what percentage did they get for that? | 0:11:37 | 0:11:40 | |
They currently have 48%. | 0:11:40 | 0:11:42 | |
-For £45,000? -Correct. | 0:11:42 | 0:11:45 | |
And they're willing to dilute their percentage shareholding | 0:11:45 | 0:11:48 | |
in accordance to any agreement that's made in the Den today. | 0:11:48 | 0:11:52 | |
A late and surprising development in the Den, | 0:11:56 | 0:11:58 | |
as the entrepreneurs reveal they've already given away | 0:11:58 | 0:12:02 | |
nearly half of their company to other investors. | 0:12:02 | 0:12:05 | |
Will this whet or kill the Dragons' appetite to jump on board? | 0:12:06 | 0:12:11 | |
Now, you said the investors would dilute. | 0:12:13 | 0:12:16 | |
Did you mean you'd all dilute, you included? Or just them? | 0:12:16 | 0:12:19 | |
-No, we are all happy to dilute our shareholding as necessary. -OK. | 0:12:19 | 0:12:23 | |
Right. You would dilute to the same amount? | 0:12:23 | 0:12:25 | |
-Yes. -Yes. -And the same percentage-wise? | 0:12:25 | 0:12:28 | |
That's the problem. I mean, if I offered you £50,000 for 30%... | 0:12:28 | 0:12:32 | |
your shareholding would come down to about 36%. | 0:12:32 | 0:12:37 | |
You're not going to work for nothing. | 0:12:37 | 0:12:39 | |
And work 80 hours a week in a company where you own 36%, | 0:12:39 | 0:12:43 | |
the way you would when it's your baby and you're building it up and you own 100%. | 0:12:43 | 0:12:47 | |
We do already. | 0:12:47 | 0:12:48 | |
Yeah, but you have 52%. | 0:12:48 | 0:12:50 | |
I disagree, in the sense that I feel that 36% of something large | 0:12:51 | 0:12:56 | |
is worth potentially more than something we have 52% or 100%... | 0:12:56 | 0:12:59 | |
Yeah, but when you've done an 80-hour week | 0:12:59 | 0:13:02 | |
and you've had a bad week and things haven't gone so well, | 0:13:02 | 0:13:04 | |
you're going to think, "Why did I bring that Dragon in? He hasn't actually achieved anything yet. | 0:13:04 | 0:13:08 | |
"We've got these other investors, and we're doing all the work. | 0:13:08 | 0:13:11 | |
"And they haven't actually contributed anything." | 0:13:11 | 0:13:13 | |
Because sometimes it doesn't work and sometimes it takes a bit of time. | 0:13:13 | 0:13:17 | |
If it was me, I wouldn't take any money off anybody right now. | 0:13:17 | 0:13:20 | |
Do you really, really want to take this money off anybody in this room? | 0:13:20 | 0:13:25 | |
An unprecedented turn of events, | 0:13:29 | 0:13:31 | |
as Piers Linney advises the entrepreneurs | 0:13:31 | 0:13:34 | |
to think twice about taking any further investment. | 0:13:34 | 0:13:37 | |
Will Kelly Hoppen agree? | 0:13:37 | 0:13:40 | |
I think you sell a good story. | 0:13:42 | 0:13:44 | |
It tastes great. | 0:13:44 | 0:13:47 | |
Um...but my advice to you would be to grow it yourselves. | 0:13:47 | 0:13:53 | |
You know? Because to give away all these different percentages, | 0:13:53 | 0:13:57 | |
it's all a mess. | 0:13:57 | 0:13:59 | |
I really think that it's not for me, so I'm sorry, I'm out. | 0:14:01 | 0:14:05 | |
-Thank you. -Thank you. | 0:14:05 | 0:14:07 | |
I think you've done a fantastic, professional presentation. | 0:14:14 | 0:14:17 | |
You've come in here, you know the numbers, you know your brand. | 0:14:17 | 0:14:20 | |
I don't think you've slipped up once. It's quite amazing. | 0:14:20 | 0:14:23 | |
It's fantastic. But I still can't get over that structural issue. | 0:14:23 | 0:14:26 | |
So... | 0:14:28 | 0:14:29 | |
for that reason, I'm out. | 0:14:29 | 0:14:32 | |
Thank you. | 0:14:32 | 0:14:33 | |
I take back my suggestion you wouldn't be fully enthused. I think you would be, both of you. | 0:14:36 | 0:14:40 | |
I hope you do turn over £2 million in three years' time | 0:14:40 | 0:14:43 | |
and have a £500,000 profit, because if you do, I think one of the big boys will just buy you up. | 0:14:43 | 0:14:47 | |
And you walk away into the sunset with loads and loads of money. | 0:14:47 | 0:14:50 | |
And we'll all go off crying because we never got any of it. | 0:14:50 | 0:14:53 | |
But I can't invest in it, | 0:14:53 | 0:14:54 | |
because I don't think the amount is big enough. | 0:14:54 | 0:14:56 | |
For that reason, I've got to say, very, very reluctantly, because I'd love to work with you... | 0:14:56 | 0:15:01 | |
I'm out. | 0:15:01 | 0:15:02 | |
-Thank you. -Thank you very much. | 0:15:02 | 0:15:03 | |
The Dragons may have had a taste for Norfolk Cordial, | 0:15:05 | 0:15:08 | |
but the complicated share structure of the business | 0:15:08 | 0:15:11 | |
ultimately undermined any deal. | 0:15:11 | 0:15:14 | |
John and Georgie head home without an investment. | 0:15:14 | 0:15:18 | |
I thought that maybe we would get somewhere, | 0:15:20 | 0:15:23 | |
but they haven't invested | 0:15:23 | 0:15:25 | |
and we really hope to prove them wrong. | 0:15:25 | 0:15:28 | |
In the UK, over 40 million of us now use a tablet or smartphone, | 0:15:30 | 0:15:34 | |
helping fuel a global boom in apps, | 0:15:34 | 0:15:37 | |
a market worth billions of pounds a year. | 0:15:37 | 0:15:40 | |
Hi, Dragons. We're the founders of Swarmly. | 0:15:42 | 0:15:44 | |
Today we're looking for £120,000 for 30% of our company. | 0:15:44 | 0:15:47 | |
This Glaswegian pair, David McNabb and Marco De Nichilo, | 0:15:49 | 0:15:52 | |
have created a mobile phone app | 0:15:52 | 0:15:54 | |
which allows you to find the most popular places to be | 0:15:54 | 0:15:57 | |
at any time of the day or night. | 0:15:57 | 0:15:59 | |
So, this is the application. | 0:16:01 | 0:16:02 | |
Essentially what you see is a map and all these little dots on the map | 0:16:02 | 0:16:06 | |
are where people are congregating right now, this instant. | 0:16:06 | 0:16:08 | |
These dots are people as they move about from venue to venue | 0:16:08 | 0:16:11 | |
and show it all in real time all across the globe. | 0:16:11 | 0:16:14 | |
You can actually tell before you even leave the house - is the gym busy? | 0:16:14 | 0:16:17 | |
Is the cinema busy? Real-time sat-nav for people. | 0:16:17 | 0:16:21 | |
It was a concept the Dragons struggled to get their heads around. | 0:16:21 | 0:16:24 | |
So if I go out one evening and I think, | 0:16:24 | 0:16:26 | |
"I'll go to that bar - it's full of Swarmly people" | 0:16:26 | 0:16:29 | |
and I don't like them, then there's no point, is there? | 0:16:29 | 0:16:32 | |
No-one wants a swarm if I'm going down to B&Q to buy a bolt-cutter. | 0:16:32 | 0:16:36 | |
And was this app less of a social network, | 0:16:36 | 0:16:38 | |
more of an antisocial network? | 0:16:38 | 0:16:40 | |
I have to say, I am so against what you're actually doing. | 0:16:40 | 0:16:45 | |
Call me old-fashioned, but if I want to go and meet some friends, | 0:16:45 | 0:16:48 | |
I'm going to pick up the phone and we're going to have a conversation | 0:16:48 | 0:16:51 | |
about where we're going to go and eat dinner or whatever. | 0:16:51 | 0:16:54 | |
It's an app for people who don't talk to anybody, have no friends... | 0:16:54 | 0:16:57 | |
-DUNCAN: -I want one! | 0:16:57 | 0:16:59 | |
For Peter Jones, the app's flaw was far more fundamental. | 0:17:00 | 0:17:04 | |
You've invented a pen but you've forgotten the ink. | 0:17:04 | 0:17:07 | |
-How's that? -It's irrelevant. | 0:17:07 | 0:17:09 | |
-I don't necessarily think that's the case. -Think about what you've done. | 0:17:09 | 0:17:13 | |
You need the whole of the population to be even slightly accurate | 0:17:13 | 0:17:17 | |
with your concept. And you're never going to get that. It's impossible. | 0:17:17 | 0:17:20 | |
Well, yeah. | 0:17:22 | 0:17:24 | |
And there wasn't much confidence in the projected sales figures either. | 0:17:24 | 0:17:28 | |
-So, net profit? -In Year 1, we think negative 111,000. | 0:17:28 | 0:17:33 | |
In Year 2, negative 78, and Year 3, 118. | 0:17:33 | 0:17:38 | |
So, by the end of Year 3, | 0:17:38 | 0:17:40 | |
we've still got a cumulative loss. | 0:17:40 | 0:17:42 | |
-At that point, yes. -At that point. | 0:17:42 | 0:17:44 | |
At what point does an investor | 0:17:44 | 0:17:46 | |
start to be in the slightest bit interested? | 0:17:46 | 0:17:49 | |
Unfortunately for the IT pair, | 0:17:51 | 0:17:53 | |
the Dragons saw it as an unappetising idea, | 0:17:53 | 0:17:56 | |
with a cash-hungry, profit-poor business plan | 0:17:56 | 0:17:59 | |
and it meant rejection from the Den. | 0:17:59 | 0:18:01 | |
It's completely and absolutely bonkers. | 0:18:02 | 0:18:04 | |
I don't know why we've spent so much time on it. | 0:18:04 | 0:18:06 | |
For me, I don't like the concept at all. | 0:18:06 | 0:18:08 | |
Anybody that puts money into this is going to lose every penny. It's a fact. | 0:18:08 | 0:18:12 | |
I'm not interested. I'm out. | 0:18:12 | 0:18:14 | |
So the Dragons didn't exactly swarm around Swarmly. | 0:18:20 | 0:18:24 | |
But if it's tricky to come up with a bright idea | 0:18:24 | 0:18:27 | |
in the young, fast-growing app sector, | 0:18:27 | 0:18:30 | |
think how hard it can be to come up with something new | 0:18:30 | 0:18:33 | |
in an industry that's been around for ever. | 0:18:33 | 0:18:35 | |
That's what our next entrepreneurs are trying to do. | 0:18:35 | 0:18:37 | |
Mother and son Tracey and Kieran Cannon. | 0:18:37 | 0:18:40 | |
My name's Kieran Cannon. | 0:19:07 | 0:19:09 | |
I'm here with my business partner and my mum, Tracey. | 0:19:09 | 0:19:11 | |
Together we have brought along our company, My Lookalike Doll. | 0:19:11 | 0:19:15 | |
First of all, the very realistic aim and ambition for My Lookalike Doll | 0:19:17 | 0:19:20 | |
is to one day become the market-leading doll product worldwide. | 0:19:20 | 0:19:23 | |
My Lookalike Doll is every little girl's dream. | 0:19:23 | 0:19:26 | |
Our customers can create the doll to look exactly how they want. | 0:19:26 | 0:19:29 | |
May that be to resemble the little girl, | 0:19:29 | 0:19:32 | |
her favourite celebrity | 0:19:32 | 0:19:33 | |
or even an imaginary friend. | 0:19:33 | 0:19:35 | |
We also offer a range of fantastic matching clothing and accessories | 0:19:37 | 0:19:41 | |
for the young girl to dress the same as her lookalike best friend. | 0:19:41 | 0:19:44 | |
At the moment, our customers can enjoy creating their Lookalike Doll | 0:19:44 | 0:19:47 | |
on our recently-launched website. | 0:19:47 | 0:19:49 | |
However, we do aim to stock our products in major high street retailers in the near future. | 0:19:49 | 0:19:55 | |
At the moment, in the UK, Europe and Asia, | 0:19:55 | 0:19:58 | |
there is no other company that offers such a personalised service like we do. | 0:19:58 | 0:20:02 | |
However, there is a company based in America. | 0:20:02 | 0:20:06 | |
It's called American Girl, and fortunately, they do not ship to outside North America. | 0:20:06 | 0:20:12 | |
-Last year, American Girl made an amazing 770 million. -Wow! | 0:20:12 | 0:20:17 | |
And this is where we see an opportunity for an investor. | 0:20:17 | 0:20:21 | |
Today we are here to pitch for £75,000 | 0:20:21 | 0:20:24 | |
in return for 30% of our very prosperous company. | 0:20:24 | 0:20:28 | |
Could the girls come over so I can have a look at their dolls? | 0:20:29 | 0:20:32 | |
An ambitious pitch from Kieran and Tracey Cannon, | 0:20:34 | 0:20:37 | |
who are looking for £75,000 | 0:20:37 | 0:20:40 | |
for a 30% stake in their lookalike doll business. | 0:20:40 | 0:20:44 | |
Kelly, we've actually brought one for yourself. | 0:20:44 | 0:20:47 | |
Are you having a laugh? | 0:20:49 | 0:20:51 | |
The same for you, Deborah, but we took this one on your previous haircut! | 0:20:51 | 0:20:55 | |
Could have styled it differently! | 0:20:55 | 0:20:57 | |
Thank you very much. | 0:20:57 | 0:20:58 | |
Kelly Hoppen is the first to question the two entrepreneurs. | 0:21:00 | 0:21:03 | |
I don't know about that! | 0:21:03 | 0:21:05 | |
Presumably you can't sell these in a store, | 0:21:08 | 0:21:10 | |
because they're done to look like somebody that you know. | 0:21:10 | 0:21:14 | |
No, the dolls are already... If you look at the face on the dolls, they're all identical. | 0:21:14 | 0:21:19 | |
So what we have done is we have took across the board | 0:21:19 | 0:21:22 | |
how many eye colours, skin colours, and the dolls are already pre-made and boxed and coded, | 0:21:22 | 0:21:28 | |
so that you know whether it's blonde bob, | 0:21:28 | 0:21:30 | |
red curls, long dark hair, brown eyes. | 0:21:30 | 0:21:34 | |
And they would just be on the shelves. | 0:21:34 | 0:21:37 | |
-Kieran. -Yes? | 0:21:37 | 0:21:39 | |
If you've got, I'm assuming, about 12 different types of dolls, | 0:21:39 | 0:21:43 | |
-maybe between eight and 12? -We've actually got 133 different combinations. | 0:21:43 | 0:21:48 | |
-133 different combinations? -Yes. | 0:21:48 | 0:21:50 | |
So there lies your issue. | 0:21:50 | 0:21:52 | |
Because what you've had to do now is you've had to go very far and wide | 0:21:53 | 0:21:57 | |
to cater for a marketplace to have something available for every child. | 0:21:57 | 0:22:00 | |
The reality is it's impossible to do that | 0:22:00 | 0:22:03 | |
in a retail environment. | 0:22:03 | 0:22:05 | |
I don't really see the issue. | 0:22:05 | 0:22:08 | |
Kieran, Tracey, retail space is very valuable, so every square inch | 0:22:08 | 0:22:12 | |
has got to give them cash back. | 0:22:12 | 0:22:14 | |
They're not going to devote the amount of space | 0:22:14 | 0:22:17 | |
to your doll that's going to be able to offer 133 different options. | 0:22:17 | 0:22:22 | |
A reality check from Deborah Meaden | 0:22:25 | 0:22:27 | |
of the viability of any business in store. | 0:22:27 | 0:22:30 | |
Now Duncan Bannatyne wants to see if their sales figures | 0:22:30 | 0:22:34 | |
have any more promise. | 0:22:34 | 0:22:36 | |
-You said you wanted an investment in your very prosperous company. -Yes. | 0:22:37 | 0:22:41 | |
So perhaps we're missing something. | 0:22:41 | 0:22:44 | |
And if you explain to me | 0:22:44 | 0:22:46 | |
how prosperous your company is, I might invest in you. | 0:22:46 | 0:22:49 | |
What's the cost value of your stock, the dolls and clothing you have in stock? | 0:22:49 | 0:22:53 | |
All the stock that we have at the warehouse... We've paid £60,000 for the doll orders. | 0:22:53 | 0:22:57 | |
-So you've got the dolls? -We have all the dolls, yes. | 0:22:57 | 0:23:00 | |
And £20,000 for the clothing. | 0:23:00 | 0:23:02 | |
So you've got £80,000-worth of stock in a warehouse? | 0:23:02 | 0:23:06 | |
Yes. | 0:23:06 | 0:23:07 | |
Why aren't you selling it? | 0:23:07 | 0:23:09 | |
Fast? | 0:23:09 | 0:23:10 | |
I think it's the projections that I see at the moment. | 0:23:10 | 0:23:13 | |
At the moment, we haven't done really any marketing for it at all. | 0:23:13 | 0:23:16 | |
-So you haven't been selling any of these dolls? -Yes, we're selling three dolls a week. | 0:23:16 | 0:23:21 | |
-Three dolls a week? -Yes. -Three dolls a WEEK?! | 0:23:21 | 0:23:24 | |
Well, I'm hoping it will expand from that. | 0:23:24 | 0:23:26 | |
I've got my projections from that. | 0:23:26 | 0:23:28 | |
-DUNCAN: -Are you running at a loss or are you making money? | 0:23:28 | 0:23:31 | |
We're running at a loss because we've invested so much money into it. We've invested £100,000. | 0:23:31 | 0:23:36 | |
-You've...invested...£100,000?! -£100,000. | 0:23:37 | 0:23:42 | |
It's not going to be a great business. | 0:23:45 | 0:23:47 | |
It's got so many problems with it. | 0:23:47 | 0:23:50 | |
-Right. -I can't invest in this, so I've got to say I'm sorry but I'm out. | 0:23:50 | 0:23:54 | |
Duncan Bannatyne walks away from a deal | 0:23:57 | 0:24:00 | |
because of disappointing sales. | 0:24:00 | 0:24:02 | |
And Deborah Meaden wants to understand | 0:24:02 | 0:24:05 | |
how the Glaswegian duo are bankrolling the business. | 0:24:05 | 0:24:09 | |
Where did you get £100,000 from? | 0:24:11 | 0:24:13 | |
Where we got the money was we remortgaged | 0:24:13 | 0:24:15 | |
for £40,000. | 0:24:15 | 0:24:17 | |
I took a redundancy package from my work, | 0:24:17 | 0:24:20 | |
savings and a £20,000 business loan. | 0:24:20 | 0:24:24 | |
And how much are you having to put in to support this activity? | 0:24:24 | 0:24:27 | |
At the moment, I pay £700 a month in. | 0:24:27 | 0:24:29 | |
So that pays the warehouse and the business loan at the moment. | 0:24:29 | 0:24:32 | |
We are cutting back obviously on things in how we live | 0:24:32 | 0:24:35 | |
to support that. | 0:24:35 | 0:24:37 | |
So it's affecting your lives at the moment? | 0:24:37 | 0:24:39 | |
Yes. | 0:24:39 | 0:24:41 | |
A dramatic revelation, | 0:24:46 | 0:24:48 | |
as Tracey and her son Kieran | 0:24:48 | 0:24:50 | |
reveal they're drowning in stock | 0:24:50 | 0:24:53 | |
and have to economise to keep a roof over their heads. | 0:24:53 | 0:24:57 | |
It's very hard sitting in this chair sometimes, because I see almost like a pain | 0:24:59 | 0:25:04 | |
when I've got two seemingly fantastic people | 0:25:04 | 0:25:07 | |
that clearly want to make a business. | 0:25:07 | 0:25:10 | |
Um... | 0:25:10 | 0:25:12 | |
But your concept is flawed. | 0:25:13 | 0:25:15 | |
And all I see now is | 0:25:15 | 0:25:17 | |
a remortgage on a house, I see pain in the future. | 0:25:17 | 0:25:21 | |
I think I need to say stop. | 0:25:21 | 0:25:24 | |
Do not do anything or spend another pound | 0:25:24 | 0:25:29 | |
taking this forward. | 0:25:29 | 0:25:31 | |
Sadly, Tracey and Kieran, I'm out. | 0:25:33 | 0:25:35 | |
Harsh advice from Peter Jones, | 0:25:45 | 0:25:47 | |
as he walks away from an investment. | 0:25:47 | 0:25:49 | |
Will Piers Linney be any more receptive | 0:25:51 | 0:25:53 | |
to the idea of a lookalike doll? | 0:25:53 | 0:25:56 | |
If you keep selling these dolls at the rate you're selling them, | 0:25:57 | 0:26:01 | |
you've got 25 years' worth of stock. | 0:26:01 | 0:26:03 | |
And that would keep me awake at night. | 0:26:05 | 0:26:07 | |
I would liquidate as many as you can, pay off the loan, seriously, | 0:26:07 | 0:26:11 | |
and then think about what you do next. | 0:26:11 | 0:26:13 | |
But it's not something I would invest in, | 0:26:13 | 0:26:15 | |
so I'm afraid I'm out too. | 0:26:15 | 0:26:17 | |
Yeah. | 0:26:17 | 0:26:19 | |
Kieran, Tracey, I have to be brutally honest - | 0:26:20 | 0:26:24 | |
it's just not a viable business | 0:26:24 | 0:26:26 | |
and I can see your excitement, but you're not selling enough. | 0:26:26 | 0:26:29 | |
There's nothing here that's showing me | 0:26:29 | 0:26:31 | |
that this is a business that I would want to put my money into. | 0:26:31 | 0:26:35 | |
I'm afraid it's not for me, so I'm out. | 0:26:35 | 0:26:38 | |
Four Dragons gone. Only one remains. | 0:26:41 | 0:26:44 | |
Will Deborah Meaden be persuaded to give the couple the money they so desperately need? | 0:26:44 | 0:26:50 | |
The plan you walked in here today was take over the world with your dolls. | 0:26:52 | 0:26:55 | |
The plan you should be considering now is, before you do anything else, | 0:26:57 | 0:27:00 | |
turn some of that stock back into cash, | 0:27:00 | 0:27:03 | |
because having remortgaged my house, | 0:27:03 | 0:27:06 | |
having taken out a loan | 0:27:06 | 0:27:08 | |
and sitting with £100,000-worth of cash tied up in stock | 0:27:08 | 0:27:12 | |
would be making me feel very uncomfortable. | 0:27:12 | 0:27:15 | |
Because at three dolls a week, | 0:27:15 | 0:27:17 | |
you're getting no signs at all that you're ever going to get that cash back. | 0:27:17 | 0:27:22 | |
So I'm sorry to be saying I won't be investing, and I'm out. | 0:27:22 | 0:27:26 | |
-Thank you very much. -Thank you. | 0:27:26 | 0:27:28 | |
Kieran and Tracey Cannon came into the Den | 0:27:35 | 0:27:38 | |
seeking £75,000. | 0:27:38 | 0:27:40 | |
But they leave with nothing. | 0:27:40 | 0:27:43 | |
Hopefully from now, in the next few months from here, the stock will fly out the door | 0:27:45 | 0:27:50 | |
and the Dragons will eat their words! | 0:27:50 | 0:27:52 | |
So far, no investment in the Den. | 0:28:03 | 0:28:05 | |
At what point does an investor | 0:28:05 | 0:28:07 | |
start to be in the slightest bit interested? | 0:28:07 | 0:28:09 | |
But coming up... | 0:28:09 | 0:28:11 | |
It's getting sadder by the minute. | 0:28:11 | 0:28:13 | |
Piers Linney is in knots over a new brand of campus clothing. | 0:28:13 | 0:28:18 | |
I've spotted a design problem. | 0:28:18 | 0:28:20 | |
And an innovative shower pump gets the Peter Jones treatment. | 0:28:20 | 0:28:24 | |
I think I'd rather do community service than invest in this. | 0:28:24 | 0:28:27 | |
It's getting harder and harder to come up with new ideas | 0:28:36 | 0:28:39 | |
for online retail businesses. | 0:28:39 | 0:28:42 | |
So has entrepreneur Manu Bhardwaj come up with one? | 0:28:43 | 0:28:46 | |
He's next to make a proposal to the Dragons. | 0:28:49 | 0:28:52 | |
Hi. My name's Manu Bhardwaj, | 0:29:00 | 0:29:01 | |
and we're here today to ask for a £100,000 investment | 0:29:01 | 0:29:04 | |
for a 35% equity stake in our company. | 0:29:04 | 0:29:06 | |
A few years ago, when I proposed to my girlfriend, | 0:29:06 | 0:29:09 | |
I found the experience of buying an engagement ring very frustrating. | 0:29:09 | 0:29:12 | |
I had a very clear vision of what my perfect engagement ring looked like, | 0:29:12 | 0:29:16 | |
but I was unable to find a ring I could buy off the shelf which was similar enough. | 0:29:16 | 0:29:19 | |
But more frustratingly, I was unable to find a jeweller | 0:29:19 | 0:29:22 | |
that could make the exact ring I wanted within my budget. | 0:29:22 | 0:29:25 | |
Out of this frustration, Hot Pink was born. | 0:29:25 | 0:29:28 | |
Hot Pink is a new breed of jeweller. | 0:29:28 | 0:29:30 | |
We use the latest in 3D technology to design and make our jewellery. | 0:29:30 | 0:29:34 | |
Now, the Hot Pink process starts with an online design consultation. | 0:29:34 | 0:29:37 | |
Just before your consultation, you'll get an email from your personal ring designer. | 0:29:37 | 0:29:42 | |
Your ring designer will work with you | 0:29:42 | 0:29:44 | |
to make your perfect ring into a 3D computer model. | 0:29:44 | 0:29:47 | |
You can change the big things and finesse the little things. | 0:29:47 | 0:29:50 | |
Your ring designer will show you how your ring will look from every angle, | 0:29:52 | 0:29:55 | |
and even how it looks on a hand. | 0:29:55 | 0:29:57 | |
And next to a wedding band. | 0:29:57 | 0:29:59 | |
Hot Pink will then build your ring just for you | 0:29:59 | 0:30:02 | |
as a bespoke, one-off piece of artwork. | 0:30:02 | 0:30:04 | |
Hot Wink...er, Hot Pink | 0:30:05 | 0:30:07 | |
has been trading for 18 months. | 0:30:07 | 0:30:09 | |
So far, we've recorded a turnover of £120,000. | 0:30:09 | 0:30:12 | |
However, £60,000 of that turnover has been accrued in the last four months. | 0:30:12 | 0:30:16 | |
Our average ring sale is £3,000 | 0:30:17 | 0:30:19 | |
and our gross margin is 40%. | 0:30:19 | 0:30:21 | |
Thank you for listening, and I'll happily take any questions. | 0:30:21 | 0:30:24 | |
A crystal-clear pitch by the London-based entrepreneur, | 0:30:28 | 0:30:31 | |
who's looking for £100,000 | 0:30:31 | 0:30:33 | |
for a 35% stake in his bespoke jewellery design business. | 0:30:33 | 0:30:38 | |
But Manu Bhardwaj's proposition | 0:30:38 | 0:30:41 | |
has stirred up some strong emotions in Kelly Hoppen. | 0:30:41 | 0:30:44 | |
I think it's probably one of the saddest sights I've ever seen. | 0:30:47 | 0:30:50 | |
Because going out and choosing an engagement ring | 0:30:50 | 0:30:53 | |
has got to be something that you want to do together, | 0:30:53 | 0:30:56 | |
and trying on a ring and seeing what it's like on your finger... | 0:30:56 | 0:31:00 | |
It's something that's going to sit on your hand for ever. | 0:31:00 | 0:31:02 | |
There's got to be a better way of doing it. | 0:31:02 | 0:31:05 | |
There is another way we get round this issue. | 0:31:05 | 0:31:08 | |
Some people do want that tangible feeling of having the ring, | 0:31:08 | 0:31:11 | |
so we offer this thing called a proposal service, | 0:31:11 | 0:31:14 | |
which is essentially for guys, | 0:31:14 | 0:31:16 | |
because proposing, for guys, can be quite intimidating. | 0:31:16 | 0:31:18 | |
So the service we offer is, come and see us | 0:31:18 | 0:31:21 | |
and we'll help them design their perfect ring. | 0:31:21 | 0:31:24 | |
Then instead of making it for real in platinum or 18-carat white gold or whatever, | 0:31:24 | 0:31:28 | |
we actually make it in sterling silver and set it with Swarovski stones. | 0:31:28 | 0:31:32 | |
So it looks exactly like the real thing. | 0:31:32 | 0:31:35 | |
The guy will then propose with that ring and tell the partner soon afterwards it's a proposal ring | 0:31:35 | 0:31:39 | |
and they've got the chance to change it. | 0:31:39 | 0:31:41 | |
It's getting sadder by the minute to me, honestly. | 0:31:41 | 0:31:44 | |
If somebody proposed to me with a fake ring... | 0:31:44 | 0:31:46 | |
I would hate that! | 0:31:46 | 0:31:48 | |
I would like to think that if they're going to go out, | 0:31:48 | 0:31:51 | |
first of all, they'd know kind of what I would want, | 0:31:51 | 0:31:54 | |
or to propose without a ring and then say, | 0:31:54 | 0:31:57 | |
"Let's go and do it together." | 0:31:57 | 0:31:59 | |
Out of all the engagement rings we've sold, | 0:31:59 | 0:32:01 | |
40% are guys coming on their own, | 0:32:01 | 0:32:03 | |
and then 60% will come as a couple. | 0:32:03 | 0:32:05 | |
And they actually enjoy the experience of designing a ring | 0:32:05 | 0:32:08 | |
that is just for them and completely bespoke for them. | 0:32:08 | 0:32:10 | |
So are they really sitting down in front of their laptop and saying, | 0:32:10 | 0:32:14 | |
"I love you. I'm going to fire my laptop up and I'm going to design you a ring | 0:32:14 | 0:32:19 | |
"and it's going to be manufactured on some automated lathe in a factory somewhere"? | 0:32:19 | 0:32:24 | |
So... | 0:32:24 | 0:32:25 | |
The quick answer is yes! | 0:32:27 | 0:32:29 | |
If you could give me two seconds to show how it works, | 0:32:29 | 0:32:31 | |
because it's actually very interactive | 0:32:31 | 0:32:33 | |
and you get to choose every single component to the finest level of detail | 0:32:33 | 0:32:36 | |
-and you can tweak any element of it. -Right. | 0:32:36 | 0:32:38 | |
A lot of people like the romance of that, because it means you can't make the same ring twice. | 0:32:38 | 0:32:42 | |
What happens then? You post it back, it arrives, I get a card through the door because I've gone shopping | 0:32:42 | 0:32:46 | |
and we go and collect it romantically from the post office? | 0:32:46 | 0:32:49 | |
Er, so... | 0:32:49 | 0:32:51 | |
About half our clients will come and visit us to pick it up. | 0:32:52 | 0:32:54 | |
The other half will either take a day off or get it delivered on a day that's convenient. | 0:32:54 | 0:32:58 | |
I just think one of the most romantic days | 0:32:58 | 0:33:02 | |
-in your life is when a man proposes to you. -Agreed. | 0:33:02 | 0:33:05 | |
And it shouldn't be something that's rushed, sitting in front of a laptop. | 0:33:05 | 0:33:10 | |
You might as well put on your screen that you can choose a wedding dress | 0:33:10 | 0:33:14 | |
and have that sent through the post too. | 0:33:14 | 0:33:16 | |
It's something that a girl needs to try on - the same with a ring. | 0:33:16 | 0:33:20 | |
Manu's online designer jewellery service | 0:33:24 | 0:33:27 | |
is failing to set Kelly Hoppen's heart racing. | 0:33:27 | 0:33:30 | |
Will Deborah Meaden be any more positive? | 0:33:30 | 0:33:34 | |
Funnily enough, whether I think I like it or not, whether I think it's sad or not, | 0:33:35 | 0:33:40 | |
there are a lot of people out there who want bespoke, | 0:33:40 | 0:33:44 | |
but actually haven't got the time to do it. | 0:33:44 | 0:33:47 | |
And I get the market that can't just walk in to the most expensive jeweller and say, | 0:33:47 | 0:33:52 | |
"Money no object, I'll have the thing that I want", | 0:33:52 | 0:33:55 | |
so I get that this will happen online. | 0:33:55 | 0:33:57 | |
So I actually... You don't have to sell me on any of that. | 0:33:57 | 0:34:00 | |
My question is, is it you? | 0:34:00 | 0:34:02 | |
What have you got that is different and outstanding | 0:34:02 | 0:34:05 | |
and allows you to make a claim that everybody considers you to be the best? | 0:34:05 | 0:34:09 | |
OK, so we've sold five times more than our nearest competitor, | 0:34:09 | 0:34:13 | |
and we're number one in terms of selling through this software channel. | 0:34:13 | 0:34:17 | |
-How do you know that? -We're very close to the software company. | 0:34:17 | 0:34:20 | |
And you're saying there's only one software provider who actually does this? | 0:34:20 | 0:34:24 | |
So, like all software, there's alternatives out there. | 0:34:25 | 0:34:28 | |
The answer's no. | 0:34:28 | 0:34:29 | |
Do you know...? Manu, I started saying I liked this, | 0:34:29 | 0:34:33 | |
-but when it would be really easy to have yes or no answers... -I'd just rather not lie. | 0:34:33 | 0:34:39 | |
It's much easier to say, "Yes, they are this and this is why I'm better." | 0:34:39 | 0:34:44 | |
-I'm only trying to help you convince me! -I appreciate that. | 0:34:44 | 0:34:47 | |
And if you resist those questions, it just makes me feel like you're trying to hide stuff. | 0:34:47 | 0:34:52 | |
I don't want you to hide stuff. | 0:34:52 | 0:34:54 | |
-I'm actually trying to do the opposite. -Well, do that and just say yes or no. | 0:34:54 | 0:34:57 | |
So there are other software providers who can provide this type of software? | 0:34:57 | 0:35:03 | |
Yes, but they're not very good at all. | 0:35:03 | 0:35:06 | |
OK, but you keep making those claims. | 0:35:06 | 0:35:08 | |
If there are other people using other software, you don't know where you sit in that market. | 0:35:08 | 0:35:13 | |
-You don't know if you're the best. You don't know if you're selling more than anybody else. -OK. | 0:35:13 | 0:35:17 | |
-Do you? -Er, no. | 0:35:19 | 0:35:21 | |
Manu's pitch hangs in the balance, | 0:35:25 | 0:35:27 | |
but his tangled answers are irritating the Dragons. | 0:35:27 | 0:35:31 | |
And Duncan Bannatyne has something on his mind. | 0:35:32 | 0:35:36 | |
I actually invested in a jewellery business about ten years ago. | 0:35:39 | 0:35:42 | |
And I think most engagement rings, if I remember right, | 0:35:42 | 0:35:46 | |
are bought at 10 o'clock on a Friday night. | 0:35:46 | 0:35:48 | |
We do get peaks in traffic on our site late on Friday and Saturday nights when people are searching. | 0:35:48 | 0:35:53 | |
I don't know if it's because the guy's trying to get his leg over, or what it is. | 0:35:53 | 0:35:57 | |
But they're buying the engagement ring. | 0:35:57 | 0:35:59 | |
But what I also found was, I spent a bit of time in some of the shops | 0:35:59 | 0:36:03 | |
in Hatton Garden, and at the back of the shops, | 0:36:03 | 0:36:05 | |
there was almost always a workshop or a designer and somebody doing some work there. | 0:36:05 | 0:36:09 | |
And they've all got websites like that | 0:36:09 | 0:36:11 | |
and they can adjust rings, and they can do what you're doing. | 0:36:11 | 0:36:14 | |
Maybe your software is a bit better at doing it, | 0:36:14 | 0:36:17 | |
but they've been doing it for years and they have the facility to do it. | 0:36:17 | 0:36:21 | |
There's no extra cost to them to do it. | 0:36:21 | 0:36:23 | |
It's not anything I would want to get involved in, so I'm going to tell you that I'm out. | 0:36:23 | 0:36:27 | |
I get it. I get what you're doing and I'm not knocking what you're doing. | 0:36:36 | 0:36:39 | |
I'm just saying it's not something that I sort of approve of. | 0:36:39 | 0:36:42 | |
I think that it's a special time | 0:36:42 | 0:36:44 | |
and I think today everybody's trying to make everything shorter and quicker, | 0:36:44 | 0:36:48 | |
and some of the greatest moments in our lives | 0:36:48 | 0:36:50 | |
are just getting swept into technology | 0:36:50 | 0:36:53 | |
rather than being in the moment. | 0:36:53 | 0:36:55 | |
-So, good luck with it. -Thank you. | 0:36:55 | 0:36:58 | |
But it's not something I would invest in, so I'm afraid I'm out. | 0:36:58 | 0:37:01 | |
-I don't want to criticise it. -I appreciate that. | 0:37:05 | 0:37:07 | |
It's just the level of interest I've got to invest in it isn't there. | 0:37:07 | 0:37:10 | |
-OK. -So I'm going to say I'm out. | 0:37:10 | 0:37:13 | |
I appreciate your time. | 0:37:13 | 0:37:14 | |
Only two Dragons remain. | 0:37:19 | 0:37:21 | |
Deborah Meaden has so far been receptive to Manu's business model, | 0:37:21 | 0:37:26 | |
but will she invest in him? | 0:37:26 | 0:37:28 | |
I mean, I hear this romantic vision that's being talked about in the Den, | 0:37:29 | 0:37:33 | |
but the truth is, there's something very lovely about saying, | 0:37:33 | 0:37:36 | |
"Yes, we designed it". | 0:37:36 | 0:37:38 | |
That, I very much like. | 0:37:38 | 0:37:40 | |
But... | 0:37:40 | 0:37:41 | |
this is a very, very highly contested arena, | 0:37:41 | 0:37:45 | |
and in that busy marketplace, | 0:37:45 | 0:37:47 | |
I think you're going to find it very difficult | 0:37:47 | 0:37:50 | |
to own a substantial amount | 0:37:50 | 0:37:52 | |
before somebody else spots that you are beginning to make a dent into that marketplace | 0:37:52 | 0:37:58 | |
and then thinks, "Do you know what? I will license that software and we will offer the very same service" | 0:37:58 | 0:38:03 | |
and probably in a better way, simply because they've got the cash to do it. | 0:38:03 | 0:38:07 | |
So I'm afraid I'm out. | 0:38:07 | 0:38:10 | |
Thank you. Do you mind if I...? | 0:38:10 | 0:38:12 | |
No point answering me - he's your last chance! | 0:38:12 | 0:38:14 | |
Do you have any rings with you? | 0:38:14 | 0:38:17 | |
-It's a sample ring. Do you want to have a look at it? -Yeah, quickly. | 0:38:17 | 0:38:20 | |
Very quickly. | 0:38:20 | 0:38:21 | |
Please enjoy opening! | 0:38:21 | 0:38:23 | |
I just want to see what they look like. | 0:38:25 | 0:38:27 | |
It's nicely done. | 0:38:27 | 0:38:28 | |
This is the most exciting moment, isn't it? Undoing the ribbons. That's lovely! | 0:38:32 | 0:38:36 | |
It's nice. | 0:38:36 | 0:38:38 | |
With each ring as well, you get a little book showing how it was made. | 0:38:39 | 0:38:42 | |
There's actually one in the box. | 0:38:42 | 0:38:44 | |
Go on, then. | 0:38:45 | 0:38:47 | |
Look at that! | 0:38:50 | 0:38:51 | |
-DUNCAN: -Very sparkly. | 0:38:53 | 0:38:54 | |
You didn't show any of this. | 0:38:54 | 0:38:56 | |
-KELLY: -You should have done this before. | 0:38:56 | 0:38:58 | |
-Oh, right! -This is your product. You got carried away with the technology. | 0:38:58 | 0:39:02 | |
-People tend to do that. -Classic entrepreneurial mistake, unfortunately. -It is. | 0:39:02 | 0:39:05 | |
It's a pretty ring. | 0:39:07 | 0:39:09 | |
-PETER: -Very investable business. | 0:39:10 | 0:39:12 | |
Manu, you messed that up, didn't you? You came in... | 0:39:13 | 0:39:17 | |
-KELLY: -You're not out yet. | 0:39:17 | 0:39:18 | |
You've got it all yourself now. You could take this. | 0:39:18 | 0:39:21 | |
Ooh, see. | 0:39:21 | 0:39:22 | |
You can take it. | 0:39:23 | 0:39:25 | |
It's all yours. | 0:39:26 | 0:39:27 | |
Manu, I think you're a good guy. | 0:39:35 | 0:39:37 | |
I think you do have a business. | 0:39:37 | 0:39:38 | |
It's not for me, though. I'm not going to invest £100,000 in it. | 0:39:39 | 0:39:43 | |
I wish you all the best with it. I think you've got something. | 0:39:44 | 0:39:47 | |
Though it's not for me. Well done, though, but I'm out. | 0:39:47 | 0:39:50 | |
Despite his best efforts to persuade the Dragons | 0:39:54 | 0:39:57 | |
of the merit of his business, a stoical Manu leaves the Den | 0:39:57 | 0:40:01 | |
without the £100,000 he was looking for. | 0:40:01 | 0:40:04 | |
From youth to experience. | 0:40:08 | 0:40:10 | |
Hello, Dragons. | 0:40:10 | 0:40:11 | |
I was looking forward to that moment. | 0:40:11 | 0:40:13 | |
The Den appeals to entrepreneurs of all ages. | 0:40:13 | 0:40:16 | |
This is a unique way of making an instrument which can produce the same sound as a double bass makes. | 0:40:16 | 0:40:22 | |
As you flush the toilet, you can now wash your hands. | 0:40:22 | 0:40:27 | |
That is very hygienical. | 0:40:27 | 0:40:30 | |
One inventor, Alan Wright, a civil engineer, | 0:40:34 | 0:40:38 | |
was looking for £20,000 | 0:40:38 | 0:40:40 | |
for a 10% stake in his new shower pump. | 0:40:40 | 0:40:43 | |
It's a little pump which does the job of a pump 20 times bigger. | 0:40:43 | 0:40:47 | |
We have a situation where the pump is off. | 0:40:47 | 0:40:52 | |
Bingo! | 0:40:52 | 0:40:53 | |
We've got a shower. | 0:40:55 | 0:40:56 | |
Clarity is crucial with the Dragons, | 0:40:58 | 0:41:00 | |
especially with an invention. | 0:41:00 | 0:41:02 | |
But the Den struggled with Alan's plan to keep things simple. | 0:41:02 | 0:41:06 | |
Why is your pump one-twentieth of the size of a normal pump? | 0:41:06 | 0:41:10 | |
The pump's got a UK patent, granted last year... | 0:41:10 | 0:41:14 | |
That doesn't make it smaller. | 0:41:14 | 0:41:16 | |
-A patent doesn't make it smaller. -It does. | 0:41:16 | 0:41:19 | |
It's an intelligent pump. | 0:41:19 | 0:41:22 | |
A pump can't be intelligent unless you've made it intelligent somewhere. | 0:41:22 | 0:41:25 | |
It's all down to physics. | 0:41:25 | 0:41:27 | |
It's intelligent physics. | 0:41:27 | 0:41:29 | |
I find it difficult to invest in something I don't understand | 0:41:31 | 0:41:34 | |
and you're not really giving me a description of how it works. | 0:41:34 | 0:41:37 | |
Right. | 0:41:37 | 0:41:38 | |
It fell to Deborah Meaden to try and make the situation clear. | 0:41:38 | 0:41:42 | |
So your main selling point is you've got a cheaper way of doing the same job as a £250 pump? | 0:41:42 | 0:41:48 | |
Maybe I should have said that earlier! Sorry. | 0:41:50 | 0:41:53 | |
A cheaper version of what's already on the market | 0:41:54 | 0:41:56 | |
or a breakthrough product? | 0:41:56 | 0:41:58 | |
The Dragons were left torn. | 0:41:58 | 0:42:00 | |
I can't decide whether this is ingenious or useless. | 0:42:02 | 0:42:04 | |
This IS ingenious, because the presentation was at the Institute of Physics. | 0:42:04 | 0:42:09 | |
I mean, these guys aren't idiots. | 0:42:09 | 0:42:11 | |
They gave me the prize. | 0:42:11 | 0:42:14 | |
Everybody who fits this | 0:42:16 | 0:42:18 | |
sends me recommendations. They say, "This is unbelievable". | 0:42:18 | 0:42:22 | |
I don't believe you. I don't believe everybody... | 0:42:22 | 0:42:26 | |
Not everybody, no. | 0:42:26 | 0:42:27 | |
-You said everybody. Now you're saying not everybody? -I'm sorry. | 0:42:27 | 0:42:30 | |
Ultimately, the Dragons failed to be convinced, | 0:42:32 | 0:42:35 | |
perhaps because of Alan's pitch rather than his ingenuity. | 0:42:35 | 0:42:39 | |
This needed quite an organised presentation. | 0:42:39 | 0:42:43 | |
And it's come out in quite a disorganised way. | 0:42:43 | 0:42:47 | |
Before you say anything, can I just...? | 0:42:47 | 0:42:49 | |
Alan, I think I'd rather do community service than invest in this. | 0:42:49 | 0:42:53 | |
I'm out. | 0:42:53 | 0:42:54 | |
OK. | 0:42:54 | 0:42:56 | |
Alan left the Den with only his self-belief. | 0:42:58 | 0:43:01 | |
He thinks we're mad. | 0:43:02 | 0:43:04 | |
We're not always mad when we don't invest. | 0:43:04 | 0:43:06 | |
Some of the big designer names on the high street | 0:43:14 | 0:43:16 | |
started life on a university campus. | 0:43:16 | 0:43:18 | |
And our next on-trend entrepreneurs, | 0:43:18 | 0:43:21 | |
Tom Carson and Chris Rea, | 0:43:21 | 0:43:23 | |
are hoping they can replicate that model | 0:43:23 | 0:43:25 | |
and gather a cult following for their own designer clothes label | 0:43:25 | 0:43:28 | |
amongst the UK's two million university students. | 0:43:28 | 0:43:32 | |
Hello, Dragons. We're Young Ones. | 0:43:59 | 0:44:01 | |
My name's Chris. This is my business partner Tom Carson. | 0:44:01 | 0:44:04 | |
We're here today seeking £75,000 | 0:44:04 | 0:44:06 | |
in return for 15% equity in our clothing company. | 0:44:06 | 0:44:10 | |
Young Ones is a new clothing brand | 0:44:10 | 0:44:13 | |
that's rapidly emerging across universities in the UK. | 0:44:13 | 0:44:15 | |
Our core skill is at spotting trends | 0:44:15 | 0:44:18 | |
and bringing students cool products at affordable prices. | 0:44:18 | 0:44:21 | |
We first did this reacting to the onesie trend in 2011, | 0:44:21 | 0:44:24 | |
where we were quickly able to source, manufacture and supply a high-quality onesie | 0:44:24 | 0:44:29 | |
at half the price of our major competitor. | 0:44:29 | 0:44:32 | |
Due to student demand, we then started making custom onesies for sports groups and teams. | 0:44:33 | 0:44:37 | |
With their own custom logos | 0:44:39 | 0:44:41 | |
and their own fabric choices. | 0:44:41 | 0:44:43 | |
And we are now the UK leading custom onesie supplier. | 0:44:43 | 0:44:46 | |
We've developed a network of 15 university brand managers. | 0:44:47 | 0:44:51 | |
They're paid on a commission basis to promote our products. | 0:44:53 | 0:44:56 | |
We hope to grow this over the next three years | 0:44:56 | 0:44:58 | |
in the UK and also the east coast of America in colleges. | 0:44:58 | 0:45:02 | |
We'd really like to emphasise you're not investing in a onesie company. | 0:45:02 | 0:45:06 | |
You're investing in a new, exciting and fresh clothing brand. | 0:45:06 | 0:45:09 | |
As our brand grows, we believe we can be the trendsetters | 0:45:09 | 0:45:13 | |
for all young people in the United Kingdom and globally. | 0:45:13 | 0:45:17 | |
Thank you very much for listening to our pitch. | 0:45:18 | 0:45:20 | |
We'd now like you to check out our products and we would love it | 0:45:20 | 0:45:23 | |
if any of you would be willing to try on the custom onesies we have made for you. | 0:45:23 | 0:45:26 | |
Right(!) | 0:45:26 | 0:45:28 | |
-DUNCAN: -I so want a onesie. | 0:45:29 | 0:45:31 | |
-PIERS: -Shall I put it on? | 0:45:31 | 0:45:33 | |
A self-assured pitch from this young Exeter University duo. | 0:45:33 | 0:45:37 | |
They're looking for £75,000 | 0:45:37 | 0:45:40 | |
in return for 15% of their student clothing company. | 0:45:40 | 0:45:44 | |
LAUGHTER | 0:45:44 | 0:45:46 | |
I've spotted a design problem! | 0:45:46 | 0:45:48 | |
-KELLY: -It's perfect, Piers! | 0:45:49 | 0:45:51 | |
Piers Linney seems taken with his onesie, | 0:45:53 | 0:45:55 | |
but will he be at one with their business? | 0:45:55 | 0:45:59 | |
So how much life have the onesies got? | 0:46:01 | 0:46:03 | |
I mean, to me... I've seen onesies. Christmas, they were everywhere. | 0:46:03 | 0:46:07 | |
To me, they seem a bit of a fad. | 0:46:07 | 0:46:09 | |
I think it's fair to say that people believe it could be a fad. | 0:46:09 | 0:46:13 | |
But we believe it's not something that's come into fashion before | 0:46:13 | 0:46:18 | |
and people wear it outside for six months and it goes away again, | 0:46:18 | 0:46:21 | |
because they're trying to make a fashion statement. | 0:46:21 | 0:46:23 | |
It's something that you wear at home, when you're comfy, when you're on your sofa. | 0:46:23 | 0:46:27 | |
In that respect, it's not something that's going to come in and go out of fashion. | 0:46:27 | 0:46:31 | |
I think you're right. I think the onesie will last. | 0:46:31 | 0:46:35 | |
Are you trying to be like the new Aubin & Wills, | 0:46:35 | 0:46:37 | |
that kind of sort of retro, college-type of look? | 0:46:37 | 0:46:41 | |
Yeah, I feel a few years ago, the Jack Wills style was very big on university campuses. | 0:46:41 | 0:46:46 | |
That was the trend at the time. | 0:46:46 | 0:46:48 | |
I feel that's been and gone, along with other brands such as Superdry. | 0:46:48 | 0:46:52 | |
And I feel there's a gap in the market to be that new young brand... | 0:46:52 | 0:46:56 | |
on university campuses. | 0:46:56 | 0:46:59 | |
And I really think we could be that. | 0:46:59 | 0:47:01 | |
The Jack Wills model started exactly as you did, | 0:47:01 | 0:47:05 | |
so it hit all the university campuses. | 0:47:05 | 0:47:08 | |
It didn't spend a fortune on advertising budgets. | 0:47:08 | 0:47:11 | |
It just got people who looked cool in their clothes going around giving away a load of stuff, actually. | 0:47:11 | 0:47:16 | |
Is that your plan, to do the same sort of thing? | 0:47:16 | 0:47:18 | |
Yeah, I think so. I think that we've seen their model | 0:47:18 | 0:47:22 | |
and we've seen it work, | 0:47:22 | 0:47:23 | |
and I think the universities are crying out for the next company to come in and do that. | 0:47:23 | 0:47:27 | |
I think the market's there to bring in a new one. | 0:47:27 | 0:47:29 | |
What makes you think you're designers? | 0:47:29 | 0:47:31 | |
What makes us think we're designers? Um, well, | 0:47:33 | 0:47:35 | |
we're not designers. We're... | 0:47:35 | 0:47:37 | |
I believe what we've been doing to date | 0:47:37 | 0:47:40 | |
is spotting trends that are unaffordable to students and bringing them affordable options. | 0:47:40 | 0:47:46 | |
Also, we're taking items that are around | 0:47:46 | 0:47:48 | |
and taking a slight twist to them. | 0:47:48 | 0:47:51 | |
If you want to stand out in the world of fashion and to become a brand, | 0:47:51 | 0:47:55 | |
you have to have your own brand identity. | 0:47:55 | 0:47:58 | |
And I don't see it as a big business unless you get somebody in | 0:47:58 | 0:48:02 | |
that is physically going to design the brand, | 0:48:02 | 0:48:05 | |
design the look, and have a story attached to the brand. | 0:48:05 | 0:48:09 | |
Yeah, but if you invested, you could become their designer. | 0:48:09 | 0:48:12 | |
Well, I haven't decided yet, | 0:48:12 | 0:48:13 | |
but I'm just saying what you're selling right now is not very appealing. | 0:48:13 | 0:48:17 | |
Everyone that's come into contact with Young Ones has really bought in to our ethos. | 0:48:17 | 0:48:21 | |
This has included celebrity endorsement | 0:48:21 | 0:48:24 | |
from the sports industry, music industry and TV. | 0:48:24 | 0:48:27 | |
Who are they? | 0:48:27 | 0:48:28 | |
Made In Chelsea, Oliver Proudlock. | 0:48:28 | 0:48:30 | |
He was wearing a onesie and Tweeting about that. | 0:48:30 | 0:48:33 | |
In the sports industry, Alex Dowsett, who's a cyclist for Movistar Racing, | 0:48:33 | 0:48:36 | |
who said, "Can you design me a onesie?" | 0:48:36 | 0:48:39 | |
We didn't go out and actively seek these people. They came to us. | 0:48:39 | 0:48:43 | |
A confidently delivered claim | 0:48:46 | 0:48:48 | |
from the onesie boys about their brand's celebrity following. | 0:48:48 | 0:48:52 | |
But has Duncan Bannatyne already spotted a fatal flaw? | 0:48:52 | 0:48:57 | |
I'd be very careful that you don't get challenged with that YO. | 0:48:59 | 0:49:03 | |
By the way. | 0:49:04 | 0:49:06 | |
From somebody who owns everything YO. | 0:49:06 | 0:49:08 | |
YO! Sushi man. | 0:49:08 | 0:49:10 | |
You won't get round Simon Woodroffe's trademark. | 0:49:10 | 0:49:13 | |
Well, we have trademark for the name Young Ones | 0:49:13 | 0:49:15 | |
for a clothing brand. | 0:49:15 | 0:49:17 | |
Yeah, but you're not using Young Ones, you're using YO. | 0:49:17 | 0:49:20 | |
And he has YO and YO! globally. | 0:49:20 | 0:49:22 | |
He owns it. | 0:49:22 | 0:49:24 | |
So you can't put YO | 0:49:24 | 0:49:26 | |
on any of your clothing. | 0:49:26 | 0:49:28 | |
And once you start to scale, | 0:49:28 | 0:49:30 | |
he'll close it. You haven't created a brand. | 0:49:30 | 0:49:33 | |
I think you've got a problem with YO as it is, | 0:49:33 | 0:49:36 | |
so I'm going to say I'm out. | 0:49:36 | 0:49:38 | |
An abrupt exit from Peter Jones. | 0:49:41 | 0:49:43 | |
But with the duo's sales so far ignored, | 0:49:43 | 0:49:47 | |
Kelly Hoppen wants to drill down into their financial performance. | 0:49:47 | 0:49:51 | |
How much money have you made so far? | 0:49:52 | 0:49:54 | |
So far, our first year of trading was last year | 0:49:54 | 0:49:57 | |
and we had revenue of £96,000, | 0:49:57 | 0:50:00 | |
with a net profit of £36,000. | 0:50:00 | 0:50:03 | |
Quarter 1 of this year up to now, | 0:50:03 | 0:50:05 | |
we've had revenue of £76,000, | 0:50:05 | 0:50:08 | |
with a net profit of £34,000. | 0:50:08 | 0:50:11 | |
What were you selling these at? | 0:50:11 | 0:50:14 | |
The onesies are RRP at £59.99. | 0:50:14 | 0:50:17 | |
And what do they cost you? | 0:50:17 | 0:50:19 | |
They cost us £16 per unit. | 0:50:19 | 0:50:21 | |
-£16. And you're selling them online? -Yes. | 0:50:21 | 0:50:24 | |
And do you have any overheads? | 0:50:24 | 0:50:26 | |
-You don't have a warehouse or an office or...? -No. -No. | 0:50:26 | 0:50:29 | |
-You work from home? -Yes. | 0:50:29 | 0:50:31 | |
-So there's no retail costs anywhere, no shop or anything? -No. | 0:50:31 | 0:50:35 | |
-This is a partnership? -Yes. | 0:50:36 | 0:50:38 | |
So if you got an investment, | 0:50:38 | 0:50:40 | |
you would put all the assets into the company? | 0:50:40 | 0:50:44 | |
-Yes. -What else have you got that's going into the company? Have you got stock, is there money in the bank? | 0:50:44 | 0:50:49 | |
So we've got £40,000 cash in the bank. | 0:50:49 | 0:50:52 | |
We've got £10,000-worth of debtors. | 0:50:52 | 0:50:55 | |
We've got stock of £13,000 | 0:50:55 | 0:50:59 | |
and we've got another £5,500-worth of fabric. | 0:50:59 | 0:51:04 | |
So you've got £68,000-worth of things to transfer into the company. | 0:51:04 | 0:51:07 | |
An ace or two up the sleeves of Tom and Chris, | 0:51:11 | 0:51:14 | |
with a relatively healthy balance sheet. | 0:51:14 | 0:51:17 | |
But is there something troubling Deborah Meaden? | 0:51:17 | 0:51:21 | |
I think there's a conflict with having a Dragon on board. | 0:51:23 | 0:51:27 | |
There's something about the struggling, you know, | 0:51:27 | 0:51:30 | |
"We're students and we're going to get out there" and there's something very cool about that. | 0:51:30 | 0:51:34 | |
The minute you've got somebody high-profile | 0:51:34 | 0:51:38 | |
who has got all of the cash to make it happen, | 0:51:38 | 0:51:40 | |
you stop becoming the very thing | 0:51:40 | 0:51:43 | |
that is making you successful at the moment. | 0:51:43 | 0:51:45 | |
Without your investment, it makes it very difficult | 0:51:45 | 0:51:48 | |
for us to go into these universities and actually have a presence. | 0:51:48 | 0:51:51 | |
So you're going to give that presence. | 0:51:51 | 0:51:54 | |
But with the cash comes the Dragon. | 0:51:54 | 0:51:56 | |
You are something different the day after you've taken that investment. | 0:51:56 | 0:52:00 | |
But an investment is what the two students need. | 0:52:03 | 0:52:07 | |
So will Kelly Hoppen, the Dragon with the credentials to add real value to a fashion brand, | 0:52:07 | 0:52:13 | |
buy in to the business? | 0:52:13 | 0:52:16 | |
I think that if you want to build this into a proper brand, | 0:52:17 | 0:52:21 | |
which I get the feeling you're very driven, you two, and that's what you'd want, | 0:52:21 | 0:52:24 | |
I think you need to sit down and regroup and decide how you're going to do that. | 0:52:24 | 0:52:29 | |
I think, you know, you can get inspiration from other people, | 0:52:29 | 0:52:32 | |
but I think you have to come up with your own look and feel. | 0:52:32 | 0:52:35 | |
It's not something that I would invest in, | 0:52:37 | 0:52:40 | |
but I do wish you luck. So I'm afraid I'm out. | 0:52:40 | 0:52:43 | |
I really like you guys. | 0:52:45 | 0:52:47 | |
I think we'll probably see you again, maybe here, even. | 0:52:47 | 0:52:49 | |
I think you're entrepreneurs at heart. | 0:52:49 | 0:52:51 | |
I'm not sure this is a business to invest £75,000 in, | 0:52:51 | 0:52:55 | |
if I'm really honest. | 0:52:55 | 0:52:56 | |
Especially at your valuation. | 0:52:56 | 0:52:58 | |
It's quite a big valuation for a start-up. | 0:52:58 | 0:53:00 | |
Best of luck to you, but I'm out. | 0:53:00 | 0:53:03 | |
Three Dragons out and two remain. | 0:53:07 | 0:53:11 | |
Duncan Bannatyne has been concerned over the copyright, | 0:53:11 | 0:53:15 | |
but impressed by the balance sheet. | 0:53:15 | 0:53:17 | |
But it appears he's come to a decision. | 0:53:17 | 0:53:20 | |
Well, you know, I think there are a few problems and issues to iron out, | 0:53:23 | 0:53:27 | |
but that doesn't make it totally uninvestable. | 0:53:27 | 0:53:31 | |
So I'm going to make you an offer. | 0:53:34 | 0:53:35 | |
OK, because I believe in the two of you. | 0:53:37 | 0:53:39 | |
So, I'm going to offer you all of the money, £75,000. | 0:53:40 | 0:53:43 | |
But I want 40% of the company. | 0:53:45 | 0:53:48 | |
Um... | 0:53:56 | 0:53:58 | |
How flexible is your offer? Would you consider dropping to 30? | 0:53:58 | 0:54:02 | |
No, I think I've fully valued the risk, | 0:54:05 | 0:54:08 | |
and it's about 50/50 whether or not I'll enhance or destroy the brand | 0:54:08 | 0:54:13 | |
by wearing a onesie. | 0:54:13 | 0:54:15 | |
Um... | 0:54:17 | 0:54:18 | |
Would you consider, after you get your investment back, | 0:54:20 | 0:54:23 | |
sliding the scale slightly down? | 0:54:23 | 0:54:25 | |
No. | 0:54:27 | 0:54:28 | |
I want 40%. | 0:54:28 | 0:54:30 | |
I think it's a good offer. | 0:54:30 | 0:54:31 | |
OK. Er... | 0:54:31 | 0:54:33 | |
Yeah. | 0:54:33 | 0:54:34 | |
Um... | 0:54:48 | 0:54:49 | |
Deborah? | 0:54:49 | 0:54:50 | |
You guys are good. | 0:54:52 | 0:54:53 | |
Which tells me that really the talent lies in the two of you, | 0:54:54 | 0:54:57 | |
not necessarily within... that product. | 0:54:57 | 0:55:01 | |
And I don't have the same vision on the size and the scale. | 0:55:02 | 0:55:06 | |
So I'm afraid I'm about to say those two words. | 0:55:06 | 0:55:09 | |
Regretfully... | 0:55:09 | 0:55:11 | |
I'm out. | 0:55:11 | 0:55:12 | |
-Thank you. -Thank you. | 0:55:12 | 0:55:13 | |
Um... | 0:55:19 | 0:55:20 | |
Can we have a quick time to have a little discussion between us? | 0:55:20 | 0:55:23 | |
Yeah. Go to the back of the room, have a little chat. | 0:55:23 | 0:55:25 | |
Thank you. | 0:55:25 | 0:55:26 | |
(This is exactly what your dad said not to do.) | 0:55:30 | 0:55:32 | |
THEY WHISPER | 0:55:34 | 0:55:36 | |
(But say he does say no, what do we do then?) | 0:55:43 | 0:55:45 | |
NERVOUS WHISPERING CONTINUES | 0:55:45 | 0:55:48 | |
Um, Duncan, | 0:56:00 | 0:56:02 | |
thank you very much for your offer. | 0:56:02 | 0:56:04 | |
Um... | 0:56:04 | 0:56:05 | |
(Will your dad be all right?) | 0:56:10 | 0:56:11 | |
-Yeah, we'd like to take your offer. -I thought you would. | 0:56:17 | 0:56:19 | |
-Well done. -Thank you very much. -Great decision. | 0:56:19 | 0:56:21 | |
-Cheers. -Look forward to it. | 0:56:21 | 0:56:23 | |
Fantastic. | 0:56:23 | 0:56:24 | |
Whatever Chris's dad might think of their negotiation skills, | 0:56:26 | 0:56:29 | |
a delighted Chris and Tom | 0:56:29 | 0:56:32 | |
exit the Den with all the money they asked for. | 0:56:32 | 0:56:35 | |
Oh, God! | 0:56:37 | 0:56:39 | |
That's mad! | 0:56:41 | 0:56:42 | |
-PETER: -It's going to be tough. | 0:56:43 | 0:56:44 | |
If anyone can do it, Mr Bannatyne can do it. | 0:56:44 | 0:56:47 | |
The investment of the year there. Yeah, really. | 0:56:47 | 0:56:50 | |
When we spoke to my dad the night before, he said, | 0:56:52 | 0:56:54 | |
"Whatever you do, son, don't go over 30%". | 0:56:54 | 0:56:56 | |
-It was ringing in my ears. -I remember this conversation in his living room last night. | 0:56:56 | 0:57:01 | |
Him saying, "Guys, don't take 40%". | 0:57:01 | 0:57:04 | |
Yeah, I'm pretty nervous about calling him. | 0:57:06 | 0:57:09 | |
I'm going to have to... | 0:57:09 | 0:57:11 | |
I'll just say that we got really... We did it for 15%! | 0:57:11 | 0:57:14 | |
So, Chris and Tom won an investment from Duncan Bannatyne, | 0:57:20 | 0:57:24 | |
who called it his deal of the year. | 0:57:24 | 0:57:27 | |
If they can make their business fly, | 0:57:27 | 0:57:29 | |
maybe they can set a trend amongst students. | 0:57:29 | 0:57:31 | |
A good way to pay off the fees. | 0:57:31 | 0:57:34 | |
But that brings proceedings in the Den to a close for another series. | 0:57:34 | 0:57:38 | |
Our successful entrepreneurs now get down to business | 0:57:38 | 0:57:40 | |
and the Den will get back to business before long. | 0:57:40 | 0:57:44 | |
Goodbye. | 0:57:44 | 0:57:45 | |
This is the easiest decision not to invest I think I've ever made on Dragons' Den. | 0:57:49 | 0:57:55 | |
I'm going to make you an offer. | 0:57:55 | 0:57:56 | |
Sorry. It's... | 0:57:56 | 0:57:58 | |
I can't believe this. | 0:57:58 | 0:58:00 | |
Unless you're willing to call whoever you work for and resign, it doesn't work. | 0:58:00 | 0:58:05 | |
You said you needed the money. I've offered you the money. | 0:58:05 | 0:58:07 | |
I'm afraid we won't be able to accept that offer. | 0:58:07 | 0:58:10 | |
I think I could really help build this business for you. | 0:58:11 | 0:58:14 | |
-We're going to go with Piers and Kelly. -Yes! | 0:58:14 | 0:58:16 | |
Yeeee-haaaa! | 0:58:18 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 |