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These are the Dragons - | 0:00:27 | 0:00:30 | |
wealthy, well-connected, innovative and influential. | 0:00:30 | 0:00:37 | |
Each week, they make or break the dreams of dozens of budding entrepreneurs. | 0:00:37 | 0:00:43 | |
I think it's completely unviable, unworkable, uninvestable. | 0:00:43 | 0:00:50 | |
£2 million valuation is bordering on the delusional. | 0:00:50 | 0:00:55 | |
The core of this business is YOU and I am struggling with it. | 0:00:55 | 0:00:58 | |
I'm trying to understand whether you've come for an investment, | 0:01:00 | 0:01:04 | |
or whether you've come to sell your business. | 0:01:04 | 0:01:06 | |
You know what, when I ask you what your turnover is going to be, | 0:01:06 | 0:01:10 | |
it's a lot better if you tell me what your turnover is going to be. | 0:01:10 | 0:01:15 | |
Leisure and marketing expert Deborah Meaden, | 0:01:18 | 0:01:23 | |
telecoms giant Peter Jones | 0:01:23 | 0:01:26 | |
and hotel and health club owner Duncan Bannatyne | 0:01:26 | 0:01:30 | |
have between them struck deals worth more than £7 million in the Den. | 0:01:30 | 0:01:34 | |
But ready to fight for the next shrewd investment is the | 0:01:37 | 0:01:40 | |
creator of her own world-renowned interior design brand, Kelly Hoppen | 0:01:40 | 0:01:45 | |
and Cloud computing pioneer Piers Linney. | 0:01:45 | 0:01:48 | |
The multimillionaires will give each entrepreneur just three | 0:01:51 | 0:01:54 | |
minutes to pitch their idea and then interrogate them | 0:01:54 | 0:01:57 | |
on every aspect of their business. To face them takes nerve and vision. | 0:01:57 | 0:02:03 | |
So who will leave with the Dragons' money? | 0:02:03 | 0:02:05 | |
Welcome to Dragons' Den. | 0:02:12 | 0:02:14 | |
Once again, the doors are open to nervous entrepreneurs waiting | 0:02:14 | 0:02:17 | |
to pitch their ideas to five formidable business brains. | 0:02:17 | 0:02:22 | |
Each entrepreneur's convinced they're worthy of investment but | 0:02:22 | 0:02:25 | |
it's the Dragons' own money on offer so they only select the very best. | 0:02:25 | 0:02:30 | |
The rest leave with nothing. | 0:02:30 | 0:02:32 | |
First into the Den is Yorkshireman Alastair Hanson with his take | 0:02:32 | 0:02:36 | |
on a product that's been making music for hundreds of years. | 0:02:36 | 0:02:40 | |
So we'll see if he is pitch perfect | 0:02:40 | 0:02:42 | |
under the scrutiny of the Dragons. | 0:02:42 | 0:02:44 | |
SAXOPHONE PLAYS "I GOT YOU" BY JAMES BROWN | 0:03:05 | 0:03:11 | |
Thank you, Kenji. | 0:03:27 | 0:03:29 | |
My name is Alastair Hanson. | 0:03:31 | 0:03:33 | |
I'm a musical instrument maker and designer. | 0:03:33 | 0:03:35 | |
I'm here to ask for £50,000 investment for 20% share | 0:03:35 | 0:03:39 | |
in a new company, a new product called Easy-reed. | 0:03:39 | 0:03:42 | |
Kenji just made the saxophone sound fantastic, | 0:03:43 | 0:03:47 | |
and that's great, but it would have been nothing without one of these. | 0:03:47 | 0:03:50 | |
This is what made the noise, this is what made the notes. This is a reed. | 0:03:50 | 0:03:54 | |
It's quite tricky to fit the reed to the mouthpiece | 0:03:54 | 0:03:56 | |
and correctly align it up and down, side to side. | 0:03:56 | 0:04:00 | |
Especially for a youngster or an older player who are just beginning, | 0:04:00 | 0:04:04 | |
this is a real problem. | 0:04:04 | 0:04:06 | |
Let's imagine you are teaching a class of children to play | 0:04:06 | 0:04:09 | |
the clarinet. 30 children in a class. | 0:04:09 | 0:04:12 | |
The children are seven years old and you have to get them to fit the reeds, first of all. | 0:04:12 | 0:04:16 | |
It's easy to waste at least a third of every lesson just fitting | 0:04:16 | 0:04:19 | |
the reeds. With our product, we solve the problem. | 0:04:19 | 0:04:23 | |
So to fit Easy-reed, there's the mouthpiece, there's the reed, | 0:04:23 | 0:04:27 | |
and it just fits. Anybody can fit an Easy-reed. It's fitted in seconds. | 0:04:27 | 0:04:31 | |
You can fit it in the dark. A small child can fit it. | 0:04:31 | 0:04:34 | |
It saves lots of time and the reed isn't damaged. | 0:04:34 | 0:04:37 | |
And I wonder if anybody would like to try playing or try fitting a reed. | 0:04:37 | 0:04:42 | |
Would you like to try? Yes. | 0:04:42 | 0:04:44 | |
Would you like to try fitting a reed, or try playing? Super. Wow! | 0:04:44 | 0:04:47 | |
Go for it, Deborah. | 0:04:47 | 0:04:50 | |
Here's the mouthpiece. Yeah. And there's a reed. Yeah. | 0:04:52 | 0:04:54 | |
Oh, just literally, that's it? Hold on, no, there's two holes. | 0:04:56 | 0:05:00 | |
I get it, I get it, I get it. Yeah. OK. | 0:05:00 | 0:05:01 | |
I haven't got my glasses on, so that's not helping. There we are. | 0:05:01 | 0:05:05 | |
So literally it's those little holes which are guiding me into the... That's exactly it. | 0:05:05 | 0:05:09 | |
That's the key, isn't it? Because normally, reeds are just flat reeds. That's exactly right. OK, got it. | 0:05:09 | 0:05:14 | |
So how often do I have to fit a reed? | 0:05:14 | 0:05:16 | |
Every time you're going to play, you'll be fitting a reed. | 0:05:16 | 0:05:19 | |
You all don't know if I'm a secret saxophone player and I'm going to come out with, really, | 0:05:19 | 0:05:23 | |
a bit of Grover Washington Junior, which is going to ooze out of the end of that sax, | 0:05:23 | 0:05:27 | |
or whether I'm rubbish. I know you can do it, Deborah. Do you? Which one do you think? | 0:05:27 | 0:05:31 | |
I think you're good. I think you're useless. | 0:05:31 | 0:05:33 | |
So if I just stand around this side, so that we can all see Deborah play | 0:05:33 | 0:05:37 | |
and if you just hold this about there. | 0:05:37 | 0:05:40 | |
Just put that bottom lid over your teeth. | 0:05:40 | 0:05:45 | |
SHE PLAYS TUNEFULLY | 0:05:45 | 0:05:47 | |
Yay! Well done. Thank you. | 0:05:51 | 0:05:54 | |
A finely tuned pitch from Huddersfield music man Alastair Hanson. | 0:05:59 | 0:06:03 | |
He's come up with a way to save time in music lessons by inventing | 0:06:04 | 0:06:08 | |
an easy-fitting reed for instruments. | 0:06:08 | 0:06:10 | |
On offer is 20% of his company in exchange for £50,000. | 0:06:12 | 0:06:17 | |
Peter Jones wants to hear more. | 0:06:18 | 0:06:20 | |
Can you play that, what that sounds like? Yeah. | 0:06:24 | 0:06:28 | |
HE PLAYS TUNEFULLY | 0:06:28 | 0:06:31 | |
What does that sound like? | 0:06:39 | 0:06:41 | |
HE PLAYS 'PINK PANTHER' THEME | 0:06:43 | 0:06:46 | |
Beautiful. Not as good as mine. Wow! | 0:06:49 | 0:06:53 | |
You need to click us out of this, Alastair, because we're not doing those instruments, are we? | 0:06:53 | 0:06:57 | |
We're just talking about instruments now, we're not talking about the reeds. | 0:06:57 | 0:07:01 | |
So, Alastair, how many of these instrument manufacturers are there? Four or five. | 0:07:01 | 0:07:06 | |
OK, so your plan relies on convincing manufacturers to | 0:07:06 | 0:07:11 | |
change their mouthpiece. | 0:07:11 | 0:07:13 | |
That's one route to market which I'd like to explore. | 0:07:13 | 0:07:16 | |
So it's a Gillette model. So this is your razor, this is your blade. | 0:07:16 | 0:07:21 | |
Yes. So you have to sell a huge amount of these. | 0:07:21 | 0:07:25 | |
Once you've done that, you've got a recurring revenue model. Yes. | 0:07:25 | 0:07:29 | |
So the question really is, what about these, to be quite frank. | 0:07:29 | 0:07:32 | |
How do you get these onto all those instruments, | 0:07:32 | 0:07:35 | |
and your idea was give them away. Yes. | 0:07:35 | 0:07:38 | |
One box of reeds is more than paid for. | 0:07:38 | 0:07:40 | |
The cost price on that is £2. | 0:07:40 | 0:07:43 | |
And if you did that, you'd have a company turning over...? | 0:07:43 | 0:07:46 | |
In the first year, we projected a modest turnover of £120,000, | 0:07:46 | 0:07:49 | |
a profit of £2,000. | 0:07:49 | 0:07:53 | |
By year five we were projecting £700,000. We're still keeping | 0:07:53 | 0:07:57 | |
that quite modest, in my opinion, and a profit of £285,000. | 0:07:57 | 0:08:01 | |
Alastair's business model rests on him persuading the musical | 0:08:04 | 0:08:08 | |
instrument manufacturers to adopt his Easy-reed system. | 0:08:08 | 0:08:11 | |
Peter Jones is keen to discover | 0:08:14 | 0:08:16 | |
if Alastair has the credentials in the industry to pull this off. | 0:08:16 | 0:08:19 | |
What do you do today? I manufacture clarinets and saxophones. | 0:08:21 | 0:08:26 | |
And how big is that company? It's a very small company. | 0:08:26 | 0:08:29 | |
What did it turn over last year? | 0:08:29 | 0:08:31 | |
Last year, we turned over just short of £500,000. | 0:08:31 | 0:08:34 | |
And what sort of profit did you make? | 0:08:36 | 0:08:38 | |
We made a finished profit of only £40,000. | 0:08:38 | 0:08:41 | |
Why would you not pitch your existing business to | 0:08:41 | 0:08:44 | |
incorporate this, rather than set up a new business? | 0:08:44 | 0:08:47 | |
Our business has diminished a lot. | 0:08:47 | 0:08:50 | |
I don't think that this business is a good investment. | 0:08:50 | 0:08:55 | |
If I was in a position to be putting risk capital in, | 0:08:55 | 0:08:58 | |
I wouldn't want to be putting it into this business. | 0:08:58 | 0:09:01 | |
It's a very small and contracting market and this is a new | 0:09:01 | 0:09:05 | |
concept that I think you could get into, make some money | 0:09:05 | 0:09:08 | |
and then sell and get out of. | 0:09:08 | 0:09:10 | |
High-risk tactics in the Den as Alastair tries to steer | 0:09:13 | 0:09:16 | |
the Dragons away from investing in his musical instrument business. | 0:09:16 | 0:09:20 | |
Now, Duncan Bannatyne wants to know | 0:09:21 | 0:09:23 | |
whether there could be a better alternative to Easy-reed. | 0:09:23 | 0:09:26 | |
Alastair, if people really wanted to have a reed that didn't | 0:09:29 | 0:09:33 | |
slip about, there's probably other ways they could do it. | 0:09:33 | 0:09:36 | |
Isn't there? | 0:09:36 | 0:09:39 | |
Such as? A lip at the end, so it can't go past the lip? | 0:09:41 | 0:09:47 | |
You could put a lip at the end of the instrument, of the mouthpiece | 0:09:47 | 0:09:50 | |
and reed, but then it wouldn't fit onto the instrument. | 0:09:50 | 0:09:52 | |
What if you put two rails and an end piece so it just | 0:09:52 | 0:09:56 | |
slotted in in a rectangular shape and just had to fit in? | 0:09:56 | 0:09:59 | |
You'd have to make a specific mouthpiece that was very different and no ligature, no clip, | 0:09:59 | 0:10:03 | |
to fit over the top of it. | 0:10:03 | 0:10:05 | |
You could easily have a little plastic pocket. | 0:10:05 | 0:10:08 | |
If I could show you another manufacturer's mouthpiece... | 0:10:08 | 0:10:12 | |
Please don't. This is madness. | 0:10:12 | 0:10:13 | |
Who is going to spend their life reinventing the blinking reed? | 0:10:13 | 0:10:17 | |
Well, I might. It's been the same reed for how many, how many, how many years? | 0:10:17 | 0:10:21 | |
It's been the same reed for certainly 130, 140 years. | 0:10:21 | 0:10:24 | |
It's the reed. It's the point of... Yes, but it's doesn't matter. | 0:10:24 | 0:10:28 | |
It's the point of the reed... But if you use a shoe, you don't need to... | 0:10:28 | 0:10:31 | |
No, Deborah, as it happens, Alastair has reinvented the reed. | 0:10:31 | 0:10:34 | |
In how many years? Wait a minute. | 0:10:34 | 0:10:36 | |
Alastair has reinvented the reed and I've showed him a way to do this WITHOUT reinventing the reed. | 0:10:36 | 0:10:40 | |
Ten minutes ago we didn't care whether reeds could be fitted | 0:10:40 | 0:10:42 | |
or changed or anything and suddenly we're all redesigning them. | 0:10:42 | 0:10:46 | |
Sidetracked again, | 0:10:48 | 0:10:50 | |
this time by an attempt to reinvent Alastair's Easy-reed system. | 0:10:50 | 0:10:54 | |
Alastair, if you change this to get these out in the market | 0:10:55 | 0:10:59 | |
so that people have to buy your reed, what's to stop any reed | 0:10:59 | 0:11:04 | |
manufacturer making two small holes in his reed? | 0:11:04 | 0:11:07 | |
We have a patent pending on the application of two small | 0:11:07 | 0:11:12 | |
holes on the reed. I'd like to see that. Yeah. | 0:11:12 | 0:11:15 | |
There's the drawings and description. Thank you. | 0:11:15 | 0:11:19 | |
Shall I tell you what I really like about you? | 0:11:23 | 0:11:25 | |
You know exactly where you are and I think you are bang on with your | 0:11:25 | 0:11:29 | |
existing business and you've come up with something very inventive. Um... | 0:11:29 | 0:11:34 | |
I fitted reeds on my saxophone and I've only played it, you know... | 0:11:34 | 0:11:38 | |
it's sitting there staring at me every day and reminding me, "You haven't played me for ten years." | 0:11:38 | 0:11:43 | |
But it's not that hard. | 0:11:43 | 0:11:46 | |
It didn't stop me playing the saxophone. It's just, you know... | 0:11:46 | 0:11:49 | |
And actually, the longer you play, the easier it gets. | 0:11:49 | 0:11:53 | |
So I think you've invented a solution to a problem that | 0:11:53 | 0:11:55 | |
I'm afraid I don't think is big enough. So I won't be investing you, Alastair, so I'm afraid I'm out. | 0:11:55 | 0:12:01 | |
It's a blow for Alastair as his first Dragon bows out of the deal. | 0:12:05 | 0:12:10 | |
Has the patent application convinced Duncan Bannatyne, where the | 0:12:10 | 0:12:14 | |
entrepreneur himself could not? | 0:12:14 | 0:12:16 | |
Honestly, I've never seen a patent like it. | 0:12:17 | 0:12:19 | |
I mean, it's so much gobbledygook. I don't think you'll get the patent. | 0:12:19 | 0:12:23 | |
And even if it does, there's ways around a patent because you could | 0:12:23 | 0:12:26 | |
have different methods of stopping the reed from moving. | 0:12:26 | 0:12:29 | |
I do believe this product is protected. | 0:12:29 | 0:12:31 | |
And I do believe that the product is a good design | 0:12:31 | 0:12:34 | |
and if it was to be rejigged, it would be more extensive. | 0:12:34 | 0:12:38 | |
I hope one of my fellow Dragons agrees with you and they can look at the patent if they want. | 0:12:38 | 0:12:42 | |
I hope that they invest in you because you're a nice guy, | 0:12:42 | 0:12:45 | |
but I think it's completely unviable, unworkable, | 0:12:45 | 0:12:51 | |
uninvestable, and I'm out. Thank you very much for your time anyway. | 0:12:51 | 0:12:54 | |
Alastair, although I love this business, it's a shame | 0:12:54 | 0:12:57 | |
this business isn't going to make it, as you say. | 0:12:57 | 0:12:59 | |
It's virtually extinct. | 0:12:59 | 0:13:01 | |
That's a shame, but I'm not investing in that one, | 0:13:01 | 0:13:04 | |
so the one we are supposed to be investing in, I'm afraid I'm out. | 0:13:04 | 0:13:07 | |
OK. | 0:13:07 | 0:13:08 | |
Alastair, I think it's very clever what you've done, because you've | 0:13:08 | 0:13:13 | |
created something that is used, but a much easier way to do it. | 0:13:13 | 0:13:18 | |
It's not something that I'd want to invest in | 0:13:18 | 0:13:22 | |
but I want to wish you well, but I'm out. Thank you very much indeed. | 0:13:22 | 0:13:26 | |
Four Dragons have turned down the deal and only Peter Jones remains. | 0:13:28 | 0:13:33 | |
Can he see a potential to make a profit from Alastair's product? | 0:13:35 | 0:13:39 | |
I think you could have something. | 0:13:41 | 0:13:43 | |
And I'm really... I've got two balls in the air. It's really strange. | 0:13:56 | 0:14:01 | |
One is saying out, one's saying in. | 0:14:01 | 0:14:04 | |
I think your quality, your products and what you've created is fantastic. | 0:14:19 | 0:14:22 | |
It's a shame that that business... That's why I was asking questions about it. | 0:14:22 | 0:14:26 | |
It's a shame it's a diminishing business, | 0:14:26 | 0:14:27 | |
but thank you for your honesty, but I'm not going to | 0:14:27 | 0:14:30 | |
invest on the basis of the fact that I do think that it's something that | 0:14:30 | 0:14:34 | |
I know not a lot about and it's a very small return on an investment. All right. | 0:14:34 | 0:14:40 | |
So I'm going to pass on the opportunity and say I'm out, but good luck to you. | 0:14:40 | 0:14:44 | |
Thank you very much indeed. Thank you for your time. | 0:14:44 | 0:14:47 | |
Honesty pays in the Den, | 0:14:52 | 0:14:54 | |
but it doesn't always guarantee an investment. | 0:14:54 | 0:14:57 | |
Alastair may have entertained the Dragons, but he leaves with nothing. | 0:14:57 | 0:15:02 | |
I loved his integrity as a pitcher. So did I. | 0:15:02 | 0:15:05 | |
When Deborah got up to play the saxophone, that was great. | 0:15:10 | 0:15:14 | |
There are not many people who have been in the Den who have put | 0:15:14 | 0:15:17 | |
an instrument in Deborah's mouth and then played the Pink Panther. | 0:15:17 | 0:15:23 | |
Hah! | 0:15:23 | 0:15:24 | |
SHE IMITATES A PHONE RINGING | 0:15:32 | 0:15:34 | |
Hello. Busy Bits. Can I help you? | 0:15:34 | 0:15:36 | |
Alastair wasn't the first entrepreneur to enter | 0:15:36 | 0:15:38 | |
the Den feeling the best way to sell a product is to perform with it. | 0:15:38 | 0:15:42 | |
You reminded me, finally sat down there, of Mr Tumble. | 0:15:42 | 0:15:46 | |
It was definitely a Mr Tumble sketch, that. | 0:15:46 | 0:15:49 | |
Putting on a show doesn't guarantee investment. | 0:15:49 | 0:15:53 | |
But it has been known to pave the way to some big cash rewards. | 0:15:53 | 0:15:58 | |
Yeee-haaa! | 0:15:58 | 0:16:00 | |
Our next wannabe to tread the boards of the Den was passionate Scot | 0:16:02 | 0:16:06 | |
Alistair Taylor. | 0:16:06 | 0:16:09 | |
Sugar. | 0:16:09 | 0:16:12 | |
What you've just witnessed was an accident that happened to me | 0:16:12 | 0:16:14 | |
two years ago. | 0:16:14 | 0:16:17 | |
Alistair had stars in his eyes for £110,000 of the Dragons' cash | 0:16:17 | 0:16:21 | |
for his useful invention which attaches tools to ladders. | 0:16:21 | 0:16:25 | |
Ladderlimb is a simple device that will fit any ladder with a hole. | 0:16:27 | 0:16:33 | |
You sit the clicker in the bucket. Push in. Secure. | 0:16:33 | 0:16:38 | |
Now, entrepreneurs take note. | 0:16:39 | 0:16:41 | |
Performing to five Dragons can be a nerve-racking business | 0:16:41 | 0:16:44 | |
and interior design expert Kelly Hoppen was the first with | 0:16:44 | 0:16:49 | |
a poor review of Alastair's theatrics. | 0:16:49 | 0:16:51 | |
If I'm painting, I'll probably do it out of a paint pot, | 0:16:51 | 0:16:55 | |
but most professional decorators and painters actually mix | 0:16:55 | 0:16:58 | |
and pour the paint into a flat tray. | 0:16:58 | 0:17:01 | |
One painter, a retired painter, said to me he wouldn't buy one. | 0:17:01 | 0:17:06 | |
That was the first, I thought, negative reaction. | 0:17:06 | 0:17:09 | |
And he said, "No, I would buy two." The ladder provided | 0:17:09 | 0:17:13 | |
the perfect prop for some audience participation, but when the scene | 0:17:13 | 0:17:17 | |
changed to focus on the numbers, Alastair began to fluff his lines. | 0:17:17 | 0:17:22 | |
Just go through exactly what you've sold in terms of revenue. | 0:17:22 | 0:17:25 | |
Right, we've sold in the region of 5,000 in the last six months. | 0:17:25 | 0:17:29 | |
What's that in revenue, numbers? Revenue? | 0:17:29 | 0:17:32 | |
Origin...we're selling online... Revenue. | 0:17:32 | 0:17:35 | |
Well, my figure one could not be here for different reasons, | 0:17:37 | 0:17:40 | |
and I will apologise for it. | 0:17:40 | 0:17:42 | |
Nothing irritates the Dragons more than | 0:17:42 | 0:17:45 | |
a lack of clarity on those classic Den figures. | 0:17:45 | 0:17:48 | |
Do you know what, when I ask you what your turnover is going to be, | 0:17:48 | 0:17:52 | |
it's a lot better if you tell me what your turnover is going to be. | 0:17:52 | 0:17:57 | |
Sorry, I should've said, but the figures we've come up with... | 0:17:57 | 0:17:59 | |
This is only half of the turnover? This is only half the turnover. | 0:17:59 | 0:18:02 | |
Tell you what, let me ask you a question. What's your turnover going to be? | 0:18:02 | 0:18:06 | |
Peter Jones was baffled by the news that Alastair had already turned | 0:18:06 | 0:18:10 | |
down a more lucrative offer than the one he was asking for in the Den. | 0:18:10 | 0:18:14 | |
I could walk out of here and get £150,000 for 10% of the company but I want Dragon power. | 0:18:14 | 0:18:20 | |
I think you need more than just Dragon power. Right. | 0:18:20 | 0:18:23 | |
I think you need Lady Luck on your side as well. | 0:18:23 | 0:18:27 | |
In the end, it was girl power that brought | 0:18:27 | 0:18:29 | |
the curtain down on Alastair's pitch at the hands of Kelly Hoppen. | 0:18:29 | 0:18:34 | |
Your figures are all over the place and it's not something that | 0:18:34 | 0:18:37 | |
I would invest in, so I'm afraid that I'm out. Right. Thank you. | 0:18:37 | 0:18:40 | |
Some great businesses in Britain have | 0:18:49 | 0:18:50 | |
had their gestation in one of our universities. | 0:18:50 | 0:18:53 | |
Where better to develop and refine an idea? | 0:18:53 | 0:18:56 | |
Well, next out of the lift is Cheshire-based Tim Morgan, | 0:18:56 | 0:19:00 | |
whose invention started out as a final year project at uni. | 0:19:00 | 0:19:04 | |
Hello, Dragons. My name is Tim Morgan | 0:19:40 | 0:19:42 | |
and I'm managing director of the Mountain Trike Company. | 0:19:42 | 0:19:46 | |
I'm here today to pitch for £100,000 in return for a 5% share in the business. | 0:19:46 | 0:19:51 | |
Our product is the revolutionary Mountain Trike, | 0:19:52 | 0:19:55 | |
all-terrain wheelchair. | 0:19:55 | 0:19:57 | |
It uniquely gives wheelchair users the freedom | 0:19:57 | 0:20:00 | |
and independence to access and enjoy the countryside. | 0:20:00 | 0:20:04 | |
The patented lever drive, | 0:20:04 | 0:20:05 | |
steering and suspension systems enable the user to ride over | 0:20:05 | 0:20:10 | |
a wide variety of terrain, such as deep mud, snow, sandy beaches, | 0:20:10 | 0:20:16 | |
in comfort and safety and the whole time with clean hands. | 0:20:16 | 0:20:20 | |
It's this versatility that has really appealed to our target market, | 0:20:20 | 0:20:25 | |
as in the same chair, they can go for a country ride | 0:20:25 | 0:20:27 | |
and pop into a pub for lunch, or go for a family cycle ride, or if they're | 0:20:27 | 0:20:32 | |
feeling even more adventurous, go and summit Mount Snowdon or Ben Nevis. | 0:20:32 | 0:20:37 | |
No other manual wheelchair on the market offers this level | 0:20:37 | 0:20:41 | |
of off-road performance, combined with practicality and comfort. | 0:20:41 | 0:20:45 | |
The Mountain Trike has been very well received by our target market | 0:20:47 | 0:20:50 | |
since we started trading in August 2011 | 0:20:50 | 0:20:53 | |
and we've generated a turnover of £360,000 and are now at break even. | 0:20:53 | 0:20:58 | |
In addition to a wide variety of individual customers worldwide, | 0:21:00 | 0:21:05 | |
we have also sold direct to the British Army, who have a | 0:21:05 | 0:21:07 | |
fleet of five trikes at their main rehab unit, Headley Court, | 0:21:07 | 0:21:11 | |
where the injured soldiers use them to aid in their recovery. | 0:21:11 | 0:21:16 | |
I feel this is an attractive proposition for an investor as there | 0:21:16 | 0:21:19 | |
is the opportunity to double your money in the next two to three years. | 0:21:19 | 0:21:23 | |
I also feel there are considerable social and ethical benefits to being | 0:21:23 | 0:21:27 | |
involved with this UK-made product that is having a fantastic | 0:21:27 | 0:21:31 | |
difference to the lives of wheelchair users worldwide. | 0:21:31 | 0:21:35 | |
And if you'd like to speak to one of our very first customers, | 0:21:35 | 0:21:38 | |
we have someone here today who can give you his first-hand | 0:21:38 | 0:21:40 | |
experience of how the trike has benefited his life. | 0:21:40 | 0:21:44 | |
A robust pitch from Crewe-based Tim Morgan. | 0:21:46 | 0:21:49 | |
His mountain-bike-wheelchair hybrid needs a sizeable £100,000 | 0:21:51 | 0:21:56 | |
cash injection in return for just a 5% stake. | 0:21:56 | 0:22:00 | |
Peter Jones wants to put the wheels of interrogation into motion. | 0:22:01 | 0:22:05 | |
I will come back to something in a minute, | 0:22:08 | 0:22:10 | |
and it's the £2 million valuation. | 0:22:10 | 0:22:12 | |
But before I do, can we see your advocate in action? OK, sure. | 0:22:12 | 0:22:16 | |
Good afternoon, Dragons. Hi, there. What's your name? | 0:22:26 | 0:22:29 | |
My name is Richard. Richard, hi. | 0:22:29 | 0:22:31 | |
Could you give us a quick demonstration? Yes. | 0:22:31 | 0:22:34 | |
Have you got any rough terrain I could go over? | 0:22:42 | 0:22:44 | |
How fast can it go, Richard? Is this about the speed? | 0:22:46 | 0:22:52 | |
About four to five miles an hour. | 0:22:52 | 0:22:56 | |
Wow. | 0:22:56 | 0:22:57 | |
Do you feel safer in it than a normal wheelchair? Is that one of the... | 0:23:00 | 0:23:04 | |
Yes. I haven't fallen out of this one yet. | 0:23:04 | 0:23:08 | |
I've fallen out of my regular wheelchair several times. | 0:23:08 | 0:23:12 | |
There isn't anything that I don't like about it. | 0:23:12 | 0:23:15 | |
I mean, it helps me to live my life in the way that I want to live it. | 0:23:15 | 0:23:20 | |
Richard, thank you very much. You're welcome. Thank you, Richard. | 0:23:20 | 0:23:24 | |
Richard's seal of approval has made a good first | 0:23:26 | 0:23:29 | |
impression on the Dragons but Peter Jones wants to get | 0:23:29 | 0:23:33 | |
back to the thorny issue of how much Tim thinks his company is worth. | 0:23:33 | 0:23:37 | |
What is in your mind about valuing this at this stage, | 0:23:39 | 0:23:44 | |
your business at £2 million? | 0:23:44 | 0:23:46 | |
First of all, I'm kind of recognising that we are no longer a start-up, | 0:23:46 | 0:23:49 | |
we're an early-stage company. We've been trading for a year and a half. | 0:23:49 | 0:23:54 | |
We're also just breaking even now and starting to enter into profitability. | 0:23:54 | 0:23:58 | |
So we've just got American approval, so this is it. | 0:23:58 | 0:24:01 | |
A very large market for us. | 0:24:01 | 0:24:03 | |
We feel that the overall addressable market is around half a million, | 0:24:03 | 0:24:07 | |
so the actual unit figures we've sold so far | 0:24:07 | 0:24:11 | |
and that we've projected in our plans are | 0:24:11 | 0:24:13 | |
a very modest percentage of that. | 0:24:13 | 0:24:16 | |
For this year, we've projected 70 units and a turnover of £282,000. | 0:24:16 | 0:24:22 | |
For next year, we're forecasting a turnover of £406,000 and 100 units. | 0:24:22 | 0:24:28 | |
And how much to make on each unit? | 0:24:28 | 0:24:30 | |
At present, the manufacturer cost is £2,500, and retail is £3995. | 0:24:30 | 0:24:36 | |
Tim's impressive sales projections have revealed a potential | 0:24:38 | 0:24:41 | |
moneymaking opportunity | 0:24:41 | 0:24:43 | |
but Duncan Bannatyne suspects he's priced himself out of the market. | 0:24:43 | 0:24:48 | |
I was pushing a wheelchair last weekend. OK. | 0:24:50 | 0:24:54 | |
And it's got two wheels, a bit of cloth between them. | 0:24:54 | 0:24:58 | |
I don't believe for one minute it costs that sort of money. | 0:24:58 | 0:25:01 | |
OK, a very basic wheelchair would be a couple of hundred pounds | 0:25:01 | 0:25:04 | |
but that would last not very long. | 0:25:04 | 0:25:06 | |
You couldn't really go out and about very far in it. | 0:25:06 | 0:25:09 | |
What I'm trying to do is to see what you're comparing your pricing with. | 0:25:09 | 0:25:13 | |
So what's the next one above that? So really, then you're probably... | 0:25:13 | 0:25:17 | |
There is a more entry-level type things | 0:25:17 | 0:25:19 | |
which are sort of reasonably lightweight | 0:25:19 | 0:25:22 | |
but if someone is paralysed from the waist down, for example, | 0:25:22 | 0:25:26 | |
they will need something like that for that | 0:25:26 | 0:25:28 | |
kind of getting about the house, to going around the office. | 0:25:28 | 0:25:32 | |
It's small, it's lightweight, but it's limited to smooth ground. | 0:25:32 | 0:25:37 | |
This really is offering a whole different range of capabilities. | 0:25:37 | 0:25:42 | |
How big is this market, do you think? | 0:25:42 | 0:25:45 | |
In the UK, there are 1.4 million wheelchair users. | 0:25:45 | 0:25:48 | |
What is their buying pattern, a wheelchair user? | 0:25:48 | 0:25:51 | |
Traditionally, they may buy from a local dealer or what we're seeing | 0:25:51 | 0:25:56 | |
increasingly now is that with the increase in web sales | 0:25:56 | 0:26:00 | |
and things like that, people are wanting to source more directly. | 0:26:00 | 0:26:05 | |
It sounds... To be honest, if I was buying a bike, if I was buying, certainly, | 0:26:05 | 0:26:08 | |
if I was buying a wheelchair, I would want to sit in it. | 0:26:08 | 0:26:11 | |
Is that not an issue when you're trying to sell online? | 0:26:11 | 0:26:13 | |
Basically, we still have a lot of first-hand contact with | 0:26:13 | 0:26:16 | |
the customer, so we go out on personal home demos, | 0:26:16 | 0:26:20 | |
we have a hiring scheme where people can hire for a week or a weekend, | 0:26:20 | 0:26:24 | |
try it at home for longer period, and a lot of the time that's | 0:26:24 | 0:26:28 | |
a nice sort of try-before-you-buy method as well. | 0:26:28 | 0:26:31 | |
Right. | 0:26:31 | 0:26:33 | |
The entrepreneur seems to have thought of everything. | 0:26:36 | 0:26:40 | |
Piers Linney wants to know | 0:26:40 | 0:26:41 | |
whether that includes protecting the design of his product. | 0:26:41 | 0:26:44 | |
It seems to me that somebody else, not easily, but COULD come up | 0:26:47 | 0:26:51 | |
with a wheelchair with levers and brakes and steering that's probably | 0:26:51 | 0:26:56 | |
as effective as yours but maybe not designed in quite the same way. | 0:26:56 | 0:26:59 | |
The patents I wrote were very broad for a start, | 0:26:59 | 0:27:02 | |
so they covered lots of different options, so someone couldn't, | 0:27:02 | 0:27:05 | |
for example, just put the steering wheel at the front and get around it. | 0:27:05 | 0:27:08 | |
So nobody else can copy that in any way? No. | 0:27:08 | 0:27:11 | |
I should point out, they are UK patents. Right. | 0:27:11 | 0:27:16 | |
So I filed them when I was still a student. | 0:27:16 | 0:27:19 | |
At that stage I was only able to afford the UK patent coverage | 0:27:19 | 0:27:23 | |
and since then, it's been through the various stages | 0:27:23 | 0:27:26 | |
so we couldn't extend it to be international. It's just a shame, | 0:27:26 | 0:27:29 | |
but it's a case in point of how not to protect intellectual property. | 0:27:29 | 0:27:33 | |
Criticism of Tim's patent. | 0:27:36 | 0:27:38 | |
Could the wheels be starting to come off his otherwise perfect pitch? | 0:27:38 | 0:27:42 | |
Kelly Hoppen wants to drill down into the structure of Tim's business. | 0:27:45 | 0:27:49 | |
When you say "we" all the time, how many people is in the company? | 0:27:51 | 0:27:55 | |
Myself, I have a 47% share in the business. | 0:27:55 | 0:27:58 | |
I have two good friends from university who | 0:27:58 | 0:28:01 | |
helped in the development and commercialisation. | 0:28:01 | 0:28:04 | |
They have 10% and 3% respectively. | 0:28:04 | 0:28:08 | |
And then the two other people who kind of help me get to market | 0:28:08 | 0:28:12 | |
and get to where we are now are our manufacturing director, | 0:28:12 | 0:28:15 | |
and he has 20%, and also our chairman, who also has 20%. | 0:28:15 | 0:28:20 | |
Kelly Hoppen has unearthed some crucial | 0:28:23 | 0:28:26 | |
information about the complicated share structure of Tim's company. | 0:28:26 | 0:28:31 | |
Deborah Meaden wants to know how the revelation affects a potential deal. | 0:28:31 | 0:28:35 | |
Have you come in here today with the other directors agreeing to | 0:28:37 | 0:28:41 | |
any form of dilution? Yes. | 0:28:41 | 0:28:44 | |
We've agreed the 5% share is the most that we can offer between us | 0:28:44 | 0:28:48 | |
and we've also agreed how that would break down. | 0:28:48 | 0:28:51 | |
Myself I would lose 3%, and... | 0:28:51 | 0:28:53 | |
So there would be no point in me making you any offer above 5%? I'm afraid not, no. | 0:28:53 | 0:29:00 | |
Really, for the stage we are at and the amount we've all | 0:29:00 | 0:29:02 | |
put into it already, we can't go any higher than that. | 0:29:02 | 0:29:06 | |
Well, I'm going to. | 0:29:06 | 0:29:06 | |
OK. | 0:29:10 | 0:29:11 | |
And the reason I'm going to make you an offer, I... | 0:29:15 | 0:29:19 | |
I want to force that out and for you to think that through. | 0:29:19 | 0:29:23 | |
Or are you saying that they haven't given you the... Are you telling me that they | 0:29:23 | 0:29:27 | |
haven't given you any rights to go above 5%? | 0:29:27 | 0:29:29 | |
It's between all of us. | 0:29:29 | 0:29:31 | |
We've agreed that that's the most we can offer today. Gosh! | 0:29:31 | 0:29:36 | |
I wish I'd known that at the beginning. | 0:29:36 | 0:29:39 | |
Because I think YOU'RE great, I think IT'S great, | 0:29:39 | 0:29:43 | |
and I think the valuation is crazy. | 0:29:43 | 0:29:46 | |
And if you're honestly saying that 5% is it, | 0:29:49 | 0:29:52 | |
I just could not reach that valuation. And is that right? | 0:29:52 | 0:29:56 | |
So if I offered you now all of the money for 15% | 0:29:57 | 0:30:03 | |
of the business, take it? | 0:30:03 | 0:30:06 | |
I'm really sorry, but I'd have to say no to that. | 0:30:08 | 0:30:11 | |
I am SO sorry about that, because I would have loved to get on board | 0:30:11 | 0:30:15 | |
with this, but I've got to tell you, at 5%, I can't do it. | 0:30:15 | 0:30:21 | |
So I'm sorry, I'm out. | 0:30:21 | 0:30:22 | |
The last-minute disclosure of his company shareholder breakdown | 0:30:27 | 0:30:31 | |
has lost him his first Dragon. Which way will the others go? | 0:30:31 | 0:30:36 | |
I feel stupid not asking the question earlier. | 0:30:38 | 0:30:40 | |
£2 million valuation is bordering on the delusional. | 0:30:40 | 0:30:45 | |
So, Tim, you've made it uninvestable | 0:30:47 | 0:30:49 | |
because you're unwilling to move on the percentage, | 0:30:49 | 0:30:52 | |
unfortunately, so I'm going to have to say that I'm out. OK. Thanks, Peter. | 0:30:52 | 0:30:55 | |
Tim, there's not an awful lot I can add to that other than | 0:30:58 | 0:31:01 | |
I do think you're incredibly inspiring | 0:31:01 | 0:31:03 | |
and I think it's an incredible product, but I want to wish you | 0:31:03 | 0:31:06 | |
luck and I'm sure you'll do really well with it, but I'm afraid I'm out. | 0:31:06 | 0:31:10 | |
OK. Thank you. | 0:31:10 | 0:31:11 | |
I think what you've done is fantastic, but I'm sorry, | 0:31:13 | 0:31:17 | |
Timothy, I'm out. | 0:31:17 | 0:31:18 | |
OK. Thanks, Duncan. | 0:31:18 | 0:31:19 | |
Four Dragons bow out of the deal. Only Piers Linney remains. | 0:31:22 | 0:31:28 | |
If I was going to make you an offer, I thought when you were talking | 0:31:30 | 0:31:33 | |
about "we've all agreed about a percentage", that was a negotiation. | 0:31:33 | 0:31:37 | |
But given Deborah's made you a reasonable offer | 0:31:37 | 0:31:40 | |
and you've rejected it, I wouldn't be able to make an offer any | 0:31:40 | 0:31:44 | |
better than that, so I think you're fantastic, love the product, | 0:31:44 | 0:31:49 | |
amazing what you've done on your own, literally, | 0:31:49 | 0:31:51 | |
but I'm afraid your valuation's killed it, so I'm out. | 0:31:51 | 0:31:55 | |
OK. Thanks. What we should've said, really, with that evaluation, | 0:31:55 | 0:31:59 | |
was "on your bike", but we didn't. On your trike! On your trike! OK. | 0:31:59 | 0:32:02 | |
A frustrating conclusion to a pitch that had such promise. | 0:32:04 | 0:32:08 | |
In the end, it was Tim's inability to negotiate that | 0:32:08 | 0:32:11 | |
dashed his investment dreams and he leaves the Den with nothing. | 0:32:11 | 0:32:15 | |
That's it. How disappointing. £2 million for that. Wow. | 0:32:15 | 0:32:19 | |
But good guy, good product. Good luck to him. | 0:32:21 | 0:32:23 | |
So far tonight, no-one has persuaded the Dragons to invest. | 0:32:34 | 0:32:39 | |
This is madness. Who is going to spend their life reinventing the blinking reed? | 0:32:39 | 0:32:44 | |
Will any of these brave business hopefuls secure the cash they | 0:32:44 | 0:32:48 | |
so desperately need? | 0:32:48 | 0:32:50 | |
So when you get a wave of offers in a minute, | 0:32:50 | 0:32:52 | |
what is it you're really looking for? I want to create a superbrand. | 0:32:52 | 0:32:56 | |
I think we've sold on average five a day. Yeah. | 0:32:56 | 0:33:01 | |
That's not what I would call hot cakes. | 0:33:01 | 0:33:03 | |
Next into the Den is Wendy Newby, a postmistress from Hull. | 0:33:13 | 0:33:17 | |
She's devised a new twist for some existing products | 0:33:19 | 0:33:22 | |
aimed at the motorist. | 0:33:22 | 0:33:23 | |
Can she convince the Dragons that she will | 0:33:25 | 0:33:28 | |
find a niche within a highly competitive market with her | 0:33:28 | 0:33:31 | |
range of car accessories? | 0:33:31 | 0:33:33 | |
Hi, everyone. | 0:33:39 | 0:33:40 | |
I'm Wendy and I'm here today to ask for £50,000 | 0:33:40 | 0:33:44 | |
in return for 20% of my business, She-icer and the supporting She range. | 0:33:44 | 0:33:50 | |
Around seven years ago, I went for a meal with some girls. | 0:33:50 | 0:33:53 | |
It was the middle of winter and when we left the restaurant, the locks on my car doors had frozen. | 0:33:53 | 0:33:57 | |
It's quite frightening when you're a woman and you're out in the dark and you can't get into your car and it | 0:33:57 | 0:34:02 | |
was also very annoying because I had bought de-icer. | 0:34:02 | 0:34:04 | |
It was just too big and too bulky to carry around with me | 0:34:04 | 0:34:07 | |
and I remember thinking, "I wish that would fit in a handbag," | 0:34:07 | 0:34:11 | |
pointing at it through the car windscreen. | 0:34:11 | 0:34:14 | |
I tried to buy a de-icer that was easier to carry around, | 0:34:14 | 0:34:17 | |
a more portable version, but I couldn't find anything | 0:34:17 | 0:34:20 | |
and in the process, I was stunned to discover the huge void in the | 0:34:20 | 0:34:24 | |
marketplace for auto-care products designed specifically for females. | 0:34:24 | 0:34:28 | |
Each winter that followed, I encountered similar | 0:34:28 | 0:34:30 | |
problems in the ice but even though I had the idea, getting my boys | 0:34:30 | 0:34:34 | |
through university and college was more important at the time. | 0:34:34 | 0:34:38 | |
However, I saved up and when they left home, | 0:34:38 | 0:34:40 | |
I approached a chemical company. | 0:34:40 | 0:34:42 | |
Over the next eight months, I studied in my lunch hours and evenings | 0:34:42 | 0:34:46 | |
and in January 2012, She-icer arrived. | 0:34:46 | 0:34:48 | |
I have masked that awful chemical de-icer smell with a pleasant cherry | 0:34:51 | 0:34:54 | |
scent and I've coloured it pink to make it appealing to the female eye. | 0:34:54 | 0:34:58 | |
I had 500 manufactured, and it's only retailed in small local outlets, yet 400 have sold already. | 0:34:58 | 0:35:05 | |
I work full-time, and my days are just too busy | 0:35:06 | 0:35:08 | |
to be battling with frozen locks on garden gates, | 0:35:08 | 0:35:11 | |
trying to get the garage undone and heavy breathing on car doors — | 0:35:11 | 0:35:15 | |
and, trust me, that is so unattractive if it gets on YouTube! | 0:35:15 | 0:35:19 | |
I've come here today, not just to ask for your investment, | 0:35:19 | 0:35:22 | |
but to seek your help and expertise to help me market She-icer | 0:35:22 | 0:35:26 | |
and the She range successfully. | 0:35:26 | 0:35:28 | |
Thank you for listening. Does anybody have any questions? | 0:35:28 | 0:35:31 | |
A confident and warm-hearted pitch from Wendy Newby. | 0:35:35 | 0:35:39 | |
She's looking for £50,000 in exchange for a 20% share | 0:35:39 | 0:35:43 | |
in her range of pink products. | 0:35:43 | 0:35:45 | |
Peter Jones is first to break the ice. | 0:35:47 | 0:35:50 | |
Wendy. Yes. Hi. | 0:35:53 | 0:35:55 | |
Erm... I think you're trying to solve an issue that, | 0:35:55 | 0:35:58 | |
frankly, doesn't exist. | 0:35:58 | 0:36:00 | |
I personally just took a thought that how I have so many times | 0:36:04 | 0:36:07 | |
left my de-icer in the car | 0:36:07 | 0:36:09 | |
and the car's locked in the garage | 0:36:09 | 0:36:12 | |
and then I walk out and I find the lock is frozen | 0:36:12 | 0:36:14 | |
and I find the garage frozen | 0:36:14 | 0:36:16 | |
and exactly that night when I went for the meal | 0:36:16 | 0:36:18 | |
and I came out and saw the de-icer in the car. | 0:36:18 | 0:36:21 | |
That happens so many times. | 0:36:21 | 0:36:22 | |
When you see people battling to get into their cars. | 0:36:22 | 0:36:25 | |
And so it is just a more portable version, really. And also... | 0:36:25 | 0:36:28 | |
But how many cars do you know today... | 0:36:28 | 0:36:31 | |
You know, my mum and dad had a car with a key lock. | 0:36:31 | 0:36:36 | |
How many cars today, in reality, do you actually | 0:36:36 | 0:36:38 | |
put your key into the lock and turn it? | 0:36:38 | 0:36:40 | |
I appreciate that, but also, even on the windscreens and things like that. | 0:36:44 | 0:36:48 | |
I never have de-icer to hand. | 0:36:48 | 0:36:50 | |
Just get in the car, turn your car up and... | 0:36:50 | 0:36:52 | |
You know, it's quite nice to sit in the car when it's freezing cold | 0:36:52 | 0:36:55 | |
waiting for it to get warm. | 0:36:55 | 0:36:57 | |
I don't have time to do that because I need to be at work, so... | 0:36:57 | 0:37:00 | |
I just kept getting held up with this. | 0:37:00 | 0:37:02 | |
Not the best of starts for Wendy as Peter Jones finds fault | 0:37:06 | 0:37:10 | |
with the whole idea behind one of her products. | 0:37:10 | 0:37:14 | |
Will the entrepreneur find a warmer reception from Piers Linney? | 0:37:14 | 0:37:17 | |
Hi, I'm Piers. Hi, Piers. | 0:37:19 | 0:37:21 | |
So, are you saying that you'd go on a night out - | 0:37:21 | 0:37:24 | |
you've got your lipstick, your car keys and a handy... | 0:37:24 | 0:37:28 | |
I do take my de-icer now and all of my friends have the de-icer, yes. | 0:37:28 | 0:37:31 | |
So are you going to branch out into a pink portable car jack, | 0:37:31 | 0:37:35 | |
foot pump... No, I won't be doing that. | 0:37:35 | 0:37:37 | |
I've just gone for products that I feel are essential products | 0:37:37 | 0:37:41 | |
for car maintenance, and also I feel it is quite a man's world out there. | 0:37:41 | 0:37:44 | |
And I just felt there was a gap there for the female | 0:37:44 | 0:37:47 | |
that nothing is marketed for the female. | 0:37:47 | 0:37:49 | |
I mean the de-icer is already on the market. | 0:37:49 | 0:37:52 | |
Why is yours different? Is it purely the size? | 0:37:52 | 0:37:54 | |
The smell of it's lovely. | 0:37:54 | 0:37:56 | |
And I dislike the smell immensely of de-icer. | 0:37:56 | 0:37:58 | |
Do you really care how your de-icer smells? | 0:37:58 | 0:38:01 | |
That was just an added feature. | 0:38:01 | 0:38:04 | |
The portability was the main thing for me. | 0:38:04 | 0:38:07 | |
Still not a whiff of praise for Wendy's cherry-scented range. | 0:38:10 | 0:38:14 | |
Will Deborah Meaden and Kelly Hoppen see a market | 0:38:14 | 0:38:17 | |
for female-friendly car products? | 0:38:17 | 0:38:19 | |
It's an odd situation. | 0:38:21 | 0:38:23 | |
You have actually presented very well, | 0:38:23 | 0:38:25 | |
so please do not go home and kick yourself | 0:38:25 | 0:38:28 | |
and think, "I could have presented better." | 0:38:28 | 0:38:30 | |
Thank you. Don't like the product. | 0:38:30 | 0:38:33 | |
I just don't think there's a big enough market for it. | 0:38:33 | 0:38:35 | |
So, I'm afraid, that's it. | 0:38:35 | 0:38:38 | |
That says it all. So I don't want to waste your time. OK. Thank you. | 0:38:38 | 0:38:41 | |
I won't be investing, so I'm afraid I'm out. OK. | 0:38:41 | 0:38:45 | |
Most cars today you click and you get in, | 0:38:45 | 0:38:47 | |
and yes, you have to put the engine on for a while to make it heat up. | 0:38:47 | 0:38:50 | |
I have my de-icer in the car if I need it for the windscreen. | 0:38:50 | 0:38:54 | |
It's not a viable proposition to invest in, so I'm afraid I'm out. | 0:38:54 | 0:38:58 | |
A blow for Wendy as Deborah Meaden | 0:39:01 | 0:39:04 | |
and Kelly Hoppen declare themselves out of the deal in quick succession. | 0:39:04 | 0:39:09 | |
Now Piers Linney is ready to have his say. | 0:39:09 | 0:39:13 | |
I don't think there's a market for your product, unfortunately. | 0:39:16 | 0:39:20 | |
I think you've just reinvented something that already exists and coloured it pink, so... | 0:39:20 | 0:39:25 | |
Great pitch, but it's not something you can invest in, so I'm out. OK. | 0:39:25 | 0:39:30 | |
Thank you. | 0:39:30 | 0:39:31 | |
Wendy, I am going to be short, sharp and to the point. | 0:39:33 | 0:39:36 | |
I think that this is not a product that we actually need. | 0:39:36 | 0:39:40 | |
And if it is a product that we don't need, | 0:39:41 | 0:39:43 | |
it would be a waste of my money to invest. | 0:39:43 | 0:39:45 | |
So, Wendy, I'm really sorry, I'm going to say I'm out. OK, thank you. | 0:39:45 | 0:39:49 | |
So far, Wendy has failed to convince four Dragons | 0:39:52 | 0:39:55 | |
that her product can find a market. | 0:39:55 | 0:39:58 | |
Her last hope of securing the £50,000 investment that she needs | 0:39:59 | 0:40:04 | |
rests with Duncan Bannatyne. | 0:40:04 | 0:40:06 | |
Wendy, you know, you said it can be quite frightening | 0:40:07 | 0:40:11 | |
to be alone in the dark when you can't get your car open. Yes. | 0:40:11 | 0:40:14 | |
For a woman. Yes. If you're frozen out. | 0:40:14 | 0:40:17 | |
Well, it can be quite frightening for a man. It can, absolutely. I totally agree. | 0:40:17 | 0:40:21 | |
So I don't understand why you've sexualised this. | 0:40:21 | 0:40:23 | |
No, I just... This is about getting into your car and de-icing it. | 0:40:23 | 0:40:26 | |
Why should that be sexualised with, "Let's make a pink one for ladies." | 0:40:26 | 0:40:30 | |
No, I didn't mean to do it like that. | 0:40:30 | 0:40:32 | |
It was just for me to carry around in a bag. | 0:40:32 | 0:40:34 | |
What you've done is sexualised it by making it pink | 0:40:34 | 0:40:37 | |
and making it smell nice. | 0:40:37 | 0:40:39 | |
Well, an awful lo... Most of them on the market are blue. | 0:40:39 | 0:40:41 | |
If you're making it for women, half the population can't buy it cos they're men. | 0:40:41 | 0:40:45 | |
And that is completely and utterly pointless. | 0:40:45 | 0:40:48 | |
I didn't mean that comment for it to come out that way. | 0:40:48 | 0:40:51 | |
When you're selling something like these - | 0:40:51 | 0:40:53 | |
something that goes in a car, all different things for a car, | 0:40:53 | 0:40:56 | |
you don't ever say, "I'll sell this product to women, this to men. | 0:40:56 | 0:40:59 | |
"Men will buy the blue ones, women will buy the pink ones." | 0:40:59 | 0:41:02 | |
It's completely and utterly terrible. | 0:41:02 | 0:41:04 | |
Erm...so, Wendy, it's not for me, I'm out. | 0:41:04 | 0:41:06 | |
OK. | 0:41:07 | 0:41:09 | |
Thank you. | 0:41:09 | 0:41:10 | |
It's all over for Wendy, | 0:41:11 | 0:41:13 | |
as the Dragons failed to warm to her products. | 0:41:13 | 0:41:16 | |
She leaves the Den with nothing. | 0:41:16 | 0:41:17 | |
I'm just shocked by Duncan's comments, because, yes, | 0:41:25 | 0:41:28 | |
I felt there was a void in the marketplace for products, | 0:41:28 | 0:41:30 | |
and so I went out there and tried to fill that gap. | 0:41:30 | 0:41:33 | |
But, to be fair, that's the same as happens with aftershave, | 0:41:33 | 0:41:37 | |
and the same happens with perfume. | 0:41:37 | 0:41:38 | |
But none of it is sexist. | 0:41:38 | 0:41:40 | |
I don't have any idea where Duncan was coming from with those comments. | 0:41:40 | 0:41:44 | |
But if they'd been constructive, and if they'd been helpful, | 0:41:44 | 0:41:47 | |
then I would've taken those comments on board | 0:41:47 | 0:41:50 | |
and learnt from them. | 0:41:50 | 0:41:51 | |
Wendy is just one in a long line of entrepreneurs | 0:41:56 | 0:42:00 | |
who've entered the Den convinced their idea is going to be | 0:42:00 | 0:42:05 | |
the next big thing. | 0:42:05 | 0:42:06 | |
I don't think it's a good product. I don't think it will sell. | 0:42:06 | 0:42:10 | |
Anglo-American couple Robin and Kate Vincent | 0:42:10 | 0:42:13 | |
were seeking a £60,000 to launch their tablet computer handle business. | 0:42:13 | 0:42:18 | |
For two months, Robin and I rented a booth in a mall | 0:42:19 | 0:42:23 | |
and we sold our iPad handles to the customers there, | 0:42:23 | 0:42:27 | |
and they bought them like hot cakes. | 0:42:27 | 0:42:30 | |
Do you say "hot cakes" here? Yep. | 0:42:30 | 0:42:34 | |
Duncan Bannatyne had his suspicions about those impressive-sounding sales. | 0:42:34 | 0:42:39 | |
You sold 375 of these in the mall? | 0:42:39 | 0:42:42 | |
Yes, sir. | 0:42:42 | 0:42:43 | |
So, on average, how many is that per day? | 0:42:43 | 0:42:45 | |
I think we sold on average five a day. Yeah. | 0:42:45 | 0:42:50 | |
That's not what I would call "hot cakes". | 0:42:50 | 0:42:52 | |
The usefulness of the product caused some disagreement in the Den. | 0:42:53 | 0:42:58 | |
It's a great design, I have to say. | 0:42:58 | 0:42:59 | |
It really is. But, erm... | 0:42:59 | 0:43:01 | |
THE OTHERS LAUGH | 0:43:01 | 0:43:02 | |
It's functional, it works. | 0:43:02 | 0:43:05 | |
A great design?! Two slits in the back of a cover. | 0:43:05 | 0:43:07 | |
That's why it's a great design! | 0:43:07 | 0:43:09 | |
It's a tennis bat for a tablet. | 0:43:09 | 0:43:11 | |
Also a tennis bat...that ensures your tablet is not going to fall. | 0:43:11 | 0:43:17 | |
On offer was the Den's largest-ever equity stake of 90%, | 0:43:17 | 0:43:22 | |
which had Piers Linney intrigued about the couple's intentions. | 0:43:22 | 0:43:25 | |
So I'm trying to understand whether you've come for an investment, | 0:43:25 | 0:43:28 | |
or whether you have come to sell your business. | 0:43:28 | 0:43:31 | |
Which is not really what the Den's about. I think you're right. | 0:43:31 | 0:43:35 | |
Robin and I are really too...old to do this. | 0:43:35 | 0:43:38 | |
The couple certainly endeared themselves to the Dragons. | 0:43:39 | 0:43:43 | |
Did you appear on Little House on the Prairie? | 0:43:43 | 0:43:47 | |
Because that voice feels like it should be telling me "Goodnight". | 0:43:47 | 0:43:50 | |
But it was "Goodnight" for the likeable entrepreneurs, | 0:43:50 | 0:43:53 | |
as the Dragons failed to get a handle | 0:43:53 | 0:43:55 | |
on the potential of their product. | 0:43:55 | 0:43:57 | |
You are so delightful - it's a breath of fresh air - | 0:43:57 | 0:44:00 | |
but it's not an investable business. | 0:44:00 | 0:44:02 | |
So I'm afraid I'm out. | 0:44:02 | 0:44:04 | |
I wonder if our multimillionaires are into multivitamins. | 0:44:10 | 0:44:13 | |
We are about to find out. | 0:44:13 | 0:44:15 | |
Our next entrepreneur, Nikki Cooper, is hoping to supplement | 0:44:15 | 0:44:18 | |
her nutritional business with a hearty investment from a Dragon. | 0:44:18 | 0:44:23 | |
Wish Nikki well, as it is the last chance for an investment today. | 0:44:23 | 0:44:27 | |
Hi, my name is Nikki Cooper and my company is called Inner Me. | 0:44:57 | 0:45:00 | |
I'm looking for a £100,000 investment for a 20% equity stake. | 0:45:00 | 0:45:06 | |
Inner Me is a new supplements brand | 0:45:06 | 0:45:08 | |
aiming to transform the appeal of the vitamin market, | 0:45:08 | 0:45:11 | |
to health-conscious women in the UK. | 0:45:11 | 0:45:14 | |
My first products arrived in stock last May | 0:45:14 | 0:45:16 | |
and I approached retailers over the summer. | 0:45:16 | 0:45:19 | |
By the end of October we were stocked in Boots, Selfridge's, | 0:45:19 | 0:45:22 | |
Wholefoods and a number of other retailers, | 0:45:22 | 0:45:26 | |
and have recently been approached by Superdrug and... | 0:45:26 | 0:45:31 | |
North American distributors. | 0:45:31 | 0:45:34 | |
The vitamins and minerals market | 0:45:34 | 0:45:35 | |
is one that suffers from a lack of brand differentiation. | 0:45:35 | 0:45:38 | |
I believe I've proved that there is market opportunity for Inner Me | 0:45:38 | 0:45:42 | |
with our cute on-the-go packs, | 0:45:42 | 0:45:44 | |
quantity formulas and ingredients, | 0:45:44 | 0:45:46 | |
and we even tell you the day of the week. | 0:45:46 | 0:45:49 | |
We want to launch a wider range of products | 0:45:49 | 0:45:52 | |
and to educate the masses | 0:45:52 | 0:45:53 | |
on the benefits of taking supplements for health, beauty and vitality, | 0:45:53 | 0:45:58 | |
and to build brand recognition. | 0:45:58 | 0:46:00 | |
In short, I want to create a superbrand - | 0:46:00 | 0:46:03 | |
one that would rival a fashion house or cosmetics house, | 0:46:03 | 0:46:06 | |
in terms of branding, | 0:46:06 | 0:46:08 | |
where Inner Me is a name widely associated with health and beauty. | 0:46:08 | 0:46:11 | |
I'm very proud of what I've achieved so far on my own, | 0:46:11 | 0:46:15 | |
but with the right partner, there is so much more I can do. | 0:46:15 | 0:46:18 | |
Thank you for listening and I welcome your questions. | 0:46:18 | 0:46:20 | |
A wholesome pitch from Guildford-based Nikki Cooper, | 0:46:26 | 0:46:29 | |
who wants to transform the health supplements market | 0:46:29 | 0:46:32 | |
with her bespoke range of vitamin pills. | 0:46:32 | 0:46:36 | |
Her company needs a healthy investment of £100,000, | 0:46:36 | 0:46:39 | |
in return for a 20% stake. | 0:46:39 | 0:46:41 | |
Deborah Meaden is first to question the fresh-faced entrepreneur. | 0:46:43 | 0:46:47 | |
Thank you, Nikki. | 0:46:49 | 0:46:50 | |
So have you got any background in nutrition | 0:46:50 | 0:46:53 | |
or in supplements or anything that underpins... Yes, I do. | 0:46:53 | 0:46:57 | |
So, my background is I'm a lawyer, | 0:46:57 | 0:46:59 | |
but in 2009 I was diagnosed with multiple sclerosis. | 0:46:59 | 0:47:02 | |
So, I started looking at ways to optimise my health through exercise, | 0:47:02 | 0:47:07 | |
nutrition and supplements. | 0:47:07 | 0:47:09 | |
And when I started looking at supplements, I saw the benefits. | 0:47:09 | 0:47:12 | |
Obviously, it helped with my nerve pains, | 0:47:12 | 0:47:14 | |
but my hair was better, my skin was better, my digestion, | 0:47:14 | 0:47:17 | |
my energy levels increased... | 0:47:17 | 0:47:19 | |
And, for me, I just found that the market was very flat, | 0:47:19 | 0:47:22 | |
so I started speaking to nutritionists | 0:47:22 | 0:47:25 | |
and other manufacturers. | 0:47:25 | 0:47:26 | |
So, you're suffering from MS... Yes. | 0:47:26 | 0:47:29 | |
So you're achieving all of this with all of that going on in your life? | 0:47:29 | 0:47:33 | |
OK, whatever else happens in this pitch, | 0:47:33 | 0:47:37 | |
that's blinkin' marvellous! | 0:47:37 | 0:47:39 | |
So, how did you go from being a lawyer... | 0:47:39 | 0:47:42 | |
What kind of lawyer were you? Corporate finance. | 0:47:42 | 0:47:45 | |
And, like you, I went into banking. | 0:47:45 | 0:47:48 | |
I worked for a hedge fund first and that's when I got diagnosed | 0:47:48 | 0:47:51 | |
and that's when I started looking into the market. | 0:47:51 | 0:47:54 | |
But I didn't have time - I was working 14, 16 hours a day. | 0:47:54 | 0:47:57 | |
And in 2011 I went on maternity leave. | 0:47:57 | 0:48:00 | |
So, sorry, you've got a family as well? You're bringing up... Yes. | 0:48:00 | 0:48:03 | |
So I did it in my maternity leave. | 0:48:03 | 0:48:06 | |
Nikki's inspirational back-story has impressed the Dragons. | 0:48:10 | 0:48:14 | |
Now Peter Jones wants to know | 0:48:14 | 0:48:16 | |
whether the entrepreneur's product is as investable as she is. | 0:48:16 | 0:48:21 | |
Nikki, erm... Hi. Hi. | 0:48:21 | 0:48:23 | |
Give me a feeling of what the potential is. Realistic potential. | 0:48:23 | 0:48:27 | |
Realistic - so, I did a test advert in Zest | 0:48:27 | 0:48:31 | |
and our sales went up five times. | 0:48:31 | 0:48:34 | |
When I've been speaking with Boots about forecasts, | 0:48:34 | 0:48:37 | |
we all agreed I needed to get a mid-tier gondola | 0:48:37 | 0:48:40 | |
and get the brand recognised and out there. | 0:48:40 | 0:48:42 | |
And get the awareness there. | 0:48:42 | 0:48:45 | |
And we've forecasted for next year for a £400,000 turnover. | 0:48:45 | 0:48:49 | |
With the expansion of the range, | 0:48:49 | 0:48:52 | |
we'll be looking at 1.2 million turnover in three years. | 0:48:52 | 0:48:56 | |
And what's your plan? | 0:48:56 | 0:48:57 | |
So, you mention revenues in three years of 1.2 million, | 0:48:57 | 0:49:00 | |
which is fantastic - wouldn't take that away from you - | 0:49:00 | 0:49:03 | |
but it is not a massive number, is it? | 0:49:03 | 0:49:05 | |
No, actually I've been told that it will be a lot higher than that, | 0:49:05 | 0:49:07 | |
but I believe you've got to be conservative and manage expectations - | 0:49:07 | 0:49:11 | |
my own, as well as everybody else's. | 0:49:11 | 0:49:13 | |
So when you get a wave of offers coming in, | 0:49:13 | 0:49:15 | |
what is it you're really looking for? I'm looking for a mentor. | 0:49:15 | 0:49:19 | |
Obviously, I need the money. | 0:49:19 | 0:49:21 | |
But, for me, I want somebody who can help me get to where I want to be. | 0:49:21 | 0:49:25 | |
I need that advice. | 0:49:25 | 0:49:26 | |
Very impressed. Thank you. | 0:49:26 | 0:49:28 | |
Nikki's ambitious vision is ticking all the right boxes | 0:49:32 | 0:49:35 | |
with the Dragons. | 0:49:35 | 0:49:37 | |
But design expert Kelly Hoppen has been casting her professional eye | 0:49:37 | 0:49:41 | |
over the product itself. | 0:49:41 | 0:49:44 | |
Hi, Nikki. I'm Kelly. Hi, Kelly. | 0:49:45 | 0:49:47 | |
This is great. I mean, I'm very into nutrition and health. | 0:49:47 | 0:49:51 | |
Can I just say, I do love the packaging, | 0:49:51 | 0:49:54 | |
but I think it's slightly weak on the shelf. Yes. | 0:49:54 | 0:49:58 | |
I can barely see it from here. | 0:49:58 | 0:50:02 | |
And when you're busy and you're going into a store | 0:50:02 | 0:50:05 | |
and you want to buy something, you are drawn to colour. | 0:50:05 | 0:50:08 | |
And, believe me, I'm not a colour person - I love neutrals - but... | 0:50:08 | 0:50:12 | |
I love it when it's close up | 0:50:12 | 0:50:14 | |
and I think it's really clever and sweet, | 0:50:14 | 0:50:17 | |
but I'm not sure it's what's going to pull people. | 0:50:17 | 0:50:20 | |
But, I mean, how... | 0:50:20 | 0:50:22 | |
Are you set in stone as to what you... | 0:50:22 | 0:50:24 | |
No, we'll do whatever works. | 0:50:24 | 0:50:26 | |
So I'd always welcome, you know, any tips or opinions | 0:50:26 | 0:50:30 | |
on how we can get the brand. | 0:50:30 | 0:50:32 | |
Because it is a vitamin. | 0:50:32 | 0:50:34 | |
And I think this looks to me like I'm going to buy some false eyelashes. | 0:50:35 | 0:50:40 | |
OK. | 0:50:40 | 0:50:41 | |
My biggest fear is that you're not a qualified nutritionist. | 0:50:41 | 0:50:45 | |
And I know... But I know the market out there, | 0:50:45 | 0:50:49 | |
and people follow the brands, | 0:50:49 | 0:50:51 | |
people that have written the books... | 0:50:51 | 0:50:54 | |
We'll have a qualified nutritionist on the website. | 0:50:54 | 0:50:56 | |
We're going to do monthly blogs. | 0:50:56 | 0:50:58 | |
That helps. But the core of this business is YOU. | 0:50:58 | 0:51:02 | |
But I am struggling with it. OK. | 0:51:04 | 0:51:07 | |
Kelly Hoppen's questioning of the brand's credibility | 0:51:10 | 0:51:13 | |
has raised some doubts about the product's potential. | 0:51:13 | 0:51:16 | |
But what of the market opportunity? | 0:51:16 | 0:51:19 | |
Deborah Meaden wanted to know more about those big-name stockists. | 0:51:19 | 0:51:23 | |
So, you delivered some very interesting news, | 0:51:25 | 0:51:28 | |
which is you're in Boots, Selfridge's, erm... | 0:51:28 | 0:51:31 | |
just signed up Superdrug. | 0:51:31 | 0:51:33 | |
Erm, Boots is our biggest retailer. | 0:51:33 | 0:51:35 | |
We're currently in 130 stores. | 0:51:35 | 0:51:37 | |
And what shelf space? What's your merchandising actually in-store? | 0:51:37 | 0:51:41 | |
Yeah, in-store, we literally... We don't have our own shelves. | 0:51:41 | 0:51:44 | |
We just have the three products sat like that. | 0:51:44 | 0:51:48 | |
So we could improve on that, hugely. | 0:51:48 | 0:51:50 | |
And where are they sitting? Are they amongst supplements? | 0:51:50 | 0:51:53 | |
They're all sitting at the moment in the Beauty section. | 0:51:53 | 0:51:55 | |
So, once we build the range, we'll have a product in each section. | 0:51:55 | 0:51:59 | |
So as you walk to the vitamins area, you will see us better. | 0:51:59 | 0:52:03 | |
At the moment, if you're going to buy beauty products you will see us, | 0:52:03 | 0:52:06 | |
if you're going to buy a heart product, you're not going to see us. | 0:52:06 | 0:52:09 | |
I think you might well end up | 0:52:09 | 0:52:11 | |
sitting in the beauty end... OK. ..of the market. | 0:52:11 | 0:52:15 | |
That looks like a beauty product. | 0:52:15 | 0:52:17 | |
Kelly's absolutely right - it looks like mascara. | 0:52:17 | 0:52:19 | |
You haven't moved it to the main area. | 0:52:19 | 0:52:21 | |
And if you move it to the main area, | 0:52:21 | 0:52:23 | |
I think you kind of lose a bit of your raison d'etre. | 0:52:23 | 0:52:25 | |
As an investor, I don't think the market's the size you think it is. | 0:52:25 | 0:52:29 | |
OK. And that' the only reason I won't be investing. | 0:52:29 | 0:52:33 | |
And it's a huge shame. For me, not for you, | 0:52:33 | 0:52:36 | |
because I think you will go on and make a success. | 0:52:36 | 0:52:40 | |
But I wish you all the best of luck. Huge respect to you. | 0:52:40 | 0:52:43 | |
Thank you very much. I'm out. | 0:52:43 | 0:52:45 | |
Despite liking the charismatic entrepreneur, | 0:52:46 | 0:52:50 | |
a reluctant Deborah Meaden decides not to invest. | 0:52:50 | 0:52:54 | |
Which way will Peter Jones go? | 0:52:56 | 0:52:59 | |
I think that you'll start to hit challenges | 0:52:59 | 0:53:03 | |
as you start to build scale. | 0:53:03 | 0:53:06 | |
And I believe also, then, as a result, | 0:53:06 | 0:53:09 | |
I think your margin will drop substantially, very quickly, | 0:53:09 | 0:53:13 | |
to compensate for the marketing activity that you need. | 0:53:13 | 0:53:16 | |
So I actually think that what you'll end up with | 0:53:16 | 0:53:19 | |
is having to spend basically all of your margin in-store | 0:53:19 | 0:53:24 | |
to keep the movement going. | 0:53:24 | 0:53:27 | |
And that's the risk. | 0:53:27 | 0:53:29 | |
If you win that game, it's going to be successful, | 0:53:29 | 0:53:32 | |
and you are going to be a very wealthy young lady. | 0:53:32 | 0:53:35 | |
If you don't, you'll lose all the money that's been invested. | 0:53:35 | 0:53:39 | |
And that's the reason why, sadly, I'm not going to invest, | 0:53:39 | 0:53:41 | |
and say I'm out. OK. Thank you. | 0:53:41 | 0:53:43 | |
But I wish you all the luck in the world. Thank you very much. | 0:53:43 | 0:53:46 | |
I'm really worried, Nikki. Can I tell you why I am worried? Why? | 0:53:49 | 0:53:52 | |
Because Duncan Bannatyne hasn't spoken yet. | 0:53:52 | 0:53:55 | |
I know! | 0:53:55 | 0:53:57 | |
Is he awake? THEY CHUCKLE | 0:53:57 | 0:53:59 | |
Have you got any supplements for him? | 0:53:59 | 0:54:01 | |
Yeah, I've got some Energize Me that might make you perky. | 0:54:01 | 0:54:05 | |
Nikki, I don't know what to say, | 0:54:07 | 0:54:08 | |
except what you've done's absolutely fantastic, it's excellent. | 0:54:08 | 0:54:13 | |
But I don't like this industry. | 0:54:13 | 0:54:17 | |
I mean, I try to get into nutrition and pills... | 0:54:17 | 0:54:21 | |
I just find it so complicated. | 0:54:21 | 0:54:23 | |
Erm... Kelly now tells me what to eat and what to drink, so I'm OK. | 0:54:24 | 0:54:29 | |
Erm... | 0:54:29 | 0:54:31 | |
I just... I really don't see how I could add anything to your business. | 0:54:31 | 0:54:35 | |
OK, thank you. | 0:54:35 | 0:54:37 | |
So I'm going to say, I wish you the best of luck, but I'm out. | 0:54:37 | 0:54:39 | |
Thank you. | 0:54:39 | 0:54:41 | |
After an almost perfect pitch, | 0:54:44 | 0:54:47 | |
three Dragons have declared themselves out. | 0:54:47 | 0:54:50 | |
Will health and fitness fanatic Kelly Hoppen | 0:54:50 | 0:54:52 | |
see more potential in Nikki's product? | 0:54:52 | 0:54:55 | |
Nikki, I... I'm really, really torn. | 0:55:00 | 0:55:02 | |
I love you, and I do love the idea of the product. | 0:55:02 | 0:55:07 | |
Sadly, I'm not going to invest. | 0:55:15 | 0:55:17 | |
And I'm not going to invest, not because of you | 0:55:17 | 0:55:20 | |
and what you have achieved... I will buy your product. | 0:55:20 | 0:55:23 | |
But it's not something that I feel comfortable with investing in. | 0:55:23 | 0:55:29 | |
The main issue for me is the credibility of the brand, | 0:55:29 | 0:55:34 | |
and that's not about you personally, | 0:55:34 | 0:55:36 | |
it's just in terms of nutrition and where it's going today. | 0:55:36 | 0:55:39 | |
And that's what's holding me back. | 0:55:39 | 0:55:41 | |
But I wish you all the best. | 0:55:41 | 0:55:44 | |
I also think you're going to do phenomenally well. | 0:55:44 | 0:55:46 | |
And, as I said, I'll support you and buy some of the vitamins, | 0:55:46 | 0:55:50 | |
but I'm afraid I'm out. OK. | 0:55:50 | 0:55:53 | |
Kelly Hoppen's exit from the deal leaves only one Dragon left. | 0:55:56 | 0:56:00 | |
Has Piers Linney retained any of his initial enthusiasm? | 0:56:00 | 0:56:05 | |
You had me at that... | 0:56:12 | 0:56:14 | |
To be quite frank. | 0:56:14 | 0:56:15 | |
I'm not convinced, when you were in your office - | 0:56:20 | 0:56:22 | |
if you have an office, probably at home... No, at home. | 0:56:22 | 0:56:25 | |
..thinking about your mentor, you imagined me. | 0:56:25 | 0:56:28 | |
So that's... Yes! I did! | 0:56:28 | 0:56:31 | |
I think we would get on very well. | 0:56:31 | 0:56:33 | |
I'm not convinced. THEY ALL LAUGH | 0:56:33 | 0:56:36 | |
So, it's so hard, this one, because you've done such an amazing job. | 0:56:36 | 0:56:40 | |
And I think you will do well. | 0:56:40 | 0:56:43 | |
I just don't think I'm the person for you. | 0:56:48 | 0:56:51 | |
I'm afraid I'm also out. Right. Well, thank you very much. | 0:56:51 | 0:56:54 | |
And thank you all for your time. | 0:56:54 | 0:56:56 | |
Well done. Well done. | 0:56:56 | 0:56:58 | |
Fantastic! | 0:56:58 | 0:56:59 | |
Thank you! | 0:56:59 | 0:57:00 | |
Nikki may have won the Dragons' hearts, | 0:57:01 | 0:57:04 | |
but she couldn't quite get their cash. | 0:57:04 | 0:57:06 | |
Despite a flying start, she leaves the Den empty-handed. | 0:57:06 | 0:57:10 | |
It's a positive experience in that they think | 0:57:15 | 0:57:18 | |
I've got a very good business. | 0:57:18 | 0:57:20 | |
And I know I've got a good business. | 0:57:20 | 0:57:21 | |
They gave me some very good points and advice on what I need to do | 0:57:21 | 0:57:25 | |
to make that business go from here to here | 0:57:25 | 0:57:27 | |
and so now I'm going to go away and make it happen. | 0:57:27 | 0:57:30 | |
It's been another unpredictable day in the Den. | 0:57:41 | 0:57:44 | |
At times it seemed like the Dragons were poised to part with their cash, | 0:57:44 | 0:57:49 | |
but in the end they failed to make a single investment. | 0:57:49 | 0:57:52 | |
It's disappointing for the likeable entrepreneurs | 0:57:52 | 0:57:55 | |
who dared to pitch, | 0:57:55 | 0:57:56 | |
but heads always rule hearts in the Den. | 0:57:56 | 0:57:59 | |
You can join in the conversation about any of tonight's pitches | 0:57:59 | 0:58:02 | |
on Twitter. | 0:58:02 | 0:58:04 | |
Next week in the Den... | 0:58:07 | 0:58:10 | |
I think it's probably one of the saddest sights I've ever seen. | 0:58:10 | 0:58:13 | |
We're selling three dolls a week. | 0:58:13 | 0:58:15 | |
Three dolls a week? Three dolls a week?! | 0:58:15 | 0:58:19 | |
You are the Dragon that I wished because of your expertise in the law. | 0:58:19 | 0:58:23 | |
Don't tell me somebody is suing you. | 0:58:23 | 0:58:25 | |
It's completely and absolutely bonkers. | 0:58:25 | 0:58:27 | |
I don't know why you spend so much time on it. | 0:58:27 | 0:58:30 | |
I think I'd rather do community service than invest in this. | 0:58:30 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 |