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These are the Dragons. | 0:00:27 | 0:00:29 | |
Wealthy... | 0:00:29 | 0:00:31 | |
well-connected... | 0:00:31 | 0:00:33 | |
innovative... | 0:00:33 | 0:00:34 | |
and influential. | 0:00:34 | 0:00:35 | |
Each week, they make or break | 0:00:36 | 0:00:39 | |
the dreams of dozens of budding entrepreneurs. | 0:00:39 | 0:00:42 | |
Tell me what the numbers are and I'll tell you if they're modest. | 0:00:43 | 0:00:46 | |
-Uh, about 395. -Sorry, you're looking at your hand! | 0:00:46 | 0:00:49 | |
No! No, that's a tattoo, that is! | 0:00:49 | 0:00:51 | |
I'm the type of guy that would go for something like this... | 0:00:51 | 0:00:54 | |
..cos I think you're onto something. | 0:00:54 | 0:00:57 | |
There's two things that have been discussed that wind me up. | 0:00:57 | 0:00:59 | |
"You know, this is the way it's done and that's the way the market is..." | 0:00:59 | 0:01:02 | |
It's just nonsense. | 0:01:02 | 0:01:04 | |
With all the PR that you've had, | 0:01:04 | 0:01:05 | |
I would have thought that you would have had a much more | 0:01:05 | 0:01:08 | |
successful business by now. | 0:01:08 | 0:01:10 | |
Calm down. Settle. | 0:01:10 | 0:01:12 | |
Leisure and marketing expert Deborah Meaden... | 0:01:16 | 0:01:19 | |
telecoms giant Peter Jones... | 0:01:20 | 0:01:22 | |
and hotel and health club owner Duncan Bannatyne, | 0:01:24 | 0:01:28 | |
have, between them, struck deals | 0:01:28 | 0:01:30 | |
worth more than £7 million in the Den. | 0:01:30 | 0:01:32 | |
But, ready to fight for the next shrewd investment is the creator of | 0:01:34 | 0:01:38 | |
her own world-renowned interior design brand, Kelly Hoppen. | 0:01:38 | 0:01:42 | |
And cloud computing pioneer Piers Linney. | 0:01:43 | 0:01:46 | |
The multi-millionaires will give each entrepreneur just three minutes | 0:01:49 | 0:01:52 | |
to pitch their idea and then interrogate them | 0:01:52 | 0:01:55 | |
on every aspect of their business. | 0:01:55 | 0:01:57 | |
To face them takes nerve and vision. | 0:01:58 | 0:02:01 | |
So, who will leave with the Dragons' money? | 0:02:01 | 0:02:03 | |
Welcome to Dragons' Den, where five self-made millionaires decide | 0:02:11 | 0:02:16 | |
whether to invest in the business dreams | 0:02:16 | 0:02:18 | |
of promising entrepreneurs. | 0:02:18 | 0:02:20 | |
Now, Banksy might be the only graffiti artist that you or I | 0:02:21 | 0:02:24 | |
have heard of, but, our first entrepreneur David Brown | 0:02:24 | 0:02:28 | |
is convinced there's real money to be made by bringing | 0:02:28 | 0:02:31 | |
urban street art right into our homes. | 0:02:31 | 0:02:34 | |
Right. My name's David Brown. | 0:02:57 | 0:03:00 | |
Uh...I'm here to ask for £70,000 investment for my brand | 0:03:00 | 0:03:07 | |
and business idea, Graffiti Artist. | 0:03:07 | 0:03:09 | |
So, I know it's a little bit weird, | 0:03:09 | 0:03:11 | |
but if you wouldn't mind closing your eyes and watch that money as well. | 0:03:11 | 0:03:15 | |
Yeah, I'd stash it, mate. Two minutes, yeah. You ready? | 0:03:15 | 0:03:18 | |
HE SIGHS | 0:03:27 | 0:03:28 | |
HE SHAKES CAN There you go, mate. | 0:03:30 | 0:03:32 | |
So, what this is, is my product, stick 'em ups. | 0:03:32 | 0:03:36 | |
So, it's a piece of graffiti art which has been | 0:03:36 | 0:03:39 | |
generated from a computer. | 0:03:39 | 0:03:40 | |
Some of the investment that I'm asking for is towards an app | 0:03:40 | 0:03:45 | |
and a computer programme | 0:03:45 | 0:03:48 | |
so that you could put your name or your kids' name | 0:03:48 | 0:03:50 | |
or your kids can put their name into a programme | 0:03:50 | 0:03:54 | |
and then they can manipulate it and colour it however they want | 0:03:54 | 0:03:57 | |
and then they can order it and get it printed out. | 0:03:57 | 0:04:00 | |
And what it is, like, it's using my alphabets at the moment, | 0:04:00 | 0:04:05 | |
but what I hope to do is maybe use alphabets | 0:04:05 | 0:04:08 | |
and artwork from other graffiti artists who haven't been as lucky as me, | 0:04:08 | 0:04:12 | |
haven't had the chance to, you know, be able to sell it to | 0:04:12 | 0:04:15 | |
the masses - hopefully. | 0:04:15 | 0:04:16 | |
That's the feel-good factor about graffiti artists as well, | 0:04:16 | 0:04:19 | |
so it's my idea of giving something back. | 0:04:19 | 0:04:22 | |
So, hopefully, you can help that happen by giving me some money. | 0:04:22 | 0:04:26 | |
Cheers! Thank you. | 0:04:26 | 0:04:27 | |
A charismatic pitch from the Birmingham-based entrepreneur. | 0:04:30 | 0:04:34 | |
David's looking for a £70,000 investment for his | 0:04:34 | 0:04:38 | |
online design-at-home graffiti art business. | 0:04:38 | 0:04:41 | |
But, despite his charm, he's missed something out. | 0:04:41 | 0:04:45 | |
Um, you asked for £70,000. What was the percentage you...? | 0:04:47 | 0:04:50 | |
Um, to get it back over the three years, with 20%... | 0:04:50 | 0:04:53 | |
I can't remember what the word is. Mark up, or whatever. | 0:04:53 | 0:05:00 | |
Um, I mean, I think it's a great idea. | 0:05:00 | 0:05:02 | |
I mean, wallpaper is a huge industry today. | 0:05:02 | 0:05:04 | |
I have wallpaper, it's risen over the last 15 years uncontrollably, | 0:05:05 | 0:05:10 | |
but, the idea of graffiti... | 0:05:10 | 0:05:13 | |
I just don't... I don't know how marketable it is. | 0:05:13 | 0:05:15 | |
Well, the sort of target, I think, | 0:05:15 | 0:05:17 | |
for this is like from about seven up until about 13 or 14. | 0:05:17 | 0:05:22 | |
Kids seeing their beds, you know, like, "Oh, I want a Spider-Man room. | 0:05:22 | 0:05:26 | |
"I want a Hulk bedroom. I want a Hello Kitty bedroom," or something. | 0:05:26 | 0:05:29 | |
Now, there's a chance that they could have a graffiti art bedroom. | 0:05:29 | 0:05:32 | |
I totally get it and I've actually employed graffiti artists to | 0:05:32 | 0:05:35 | |
do graffiti in kids' bedrooms. | 0:05:35 | 0:05:37 | |
I mean, I know that kids love it. | 0:05:37 | 0:05:39 | |
70 grand and we can do it, man, I'm telling you. | 0:05:39 | 0:05:42 | |
There may be untapped demand for graffiti wallpaper. | 0:05:45 | 0:05:48 | |
But Piers Linney's unconvinced this entrepreneur can scale up | 0:05:49 | 0:05:52 | |
his skills to the mass market. | 0:05:52 | 0:05:54 | |
David, to me, what you've put on the wall there is still quite artistic. | 0:05:56 | 0:06:00 | |
You've done this, you can see your creative juices flowing there, | 0:06:00 | 0:06:03 | |
but to replicate that to an app as you know is very difficult, | 0:06:03 | 0:06:07 | |
so, if I was to try and create something for my daughter's | 0:06:07 | 0:06:10 | |
wall, what would it look like? | 0:06:10 | 0:06:12 | |
-And I'm pretty sure it wouldn't look anything like that. -No, it's... | 0:06:12 | 0:06:16 | |
It'd probably look like my daughter did it. | 0:06:16 | 0:06:18 | |
Yeah, I can see your point, definitely. | 0:06:18 | 0:06:20 | |
Like, uh, it's not as hard as you think. | 0:06:20 | 0:06:22 | |
I mean, you'd be surprised at how... | 0:06:22 | 0:06:24 | |
people...if you sit down and do it, especially on a tablet, | 0:06:24 | 0:06:27 | |
that you can sit down and take your time and mess about with it. | 0:06:27 | 0:06:30 | |
So, there's no-one at your end designing it, no-one employed, | 0:06:30 | 0:06:34 | |
-no-one involved, and they do it themselves? -Yeah. -That's really what | 0:06:34 | 0:06:37 | |
-you're trying to do? -Exactly what I'm after, yeah. | 0:06:37 | 0:06:39 | |
David's style might be unorthodox, | 0:06:41 | 0:06:44 | |
but so far his idea is standing up to scrutiny. | 0:06:44 | 0:06:47 | |
But Duncan Bannatyne still wants to know how urban art can be | 0:06:47 | 0:06:52 | |
turned into pounds, shillings and pence. | 0:06:52 | 0:06:54 | |
-Once they've designed it, say something that size... -Yeah. | 0:06:55 | 0:06:58 | |
-What does it cost me? -Yeah, £99. -Just for something that size? | 0:06:58 | 0:07:02 | |
So, this is a lot of money, £70,000. How do you intend to pay that back | 0:07:03 | 0:07:06 | |
or give the investor a return? | 0:07:06 | 0:07:08 | |
Uh, yeah, by selling loads of these and doing the brand as well, | 0:07:08 | 0:07:14 | |
cos my sort of figures that I've got, um, are quite modest as well. | 0:07:14 | 0:07:19 | |
Whether...I don't know. Modest-ish, anyway. Um, but, like, they're not... | 0:07:19 | 0:07:23 | |
Tell me what the numbers are and I'll tell you if they're modest. | 0:07:23 | 0:07:26 | |
Uh...uh... | 0:07:26 | 0:07:27 | |
I mean, gross profit, first year, I mean, | 0:07:27 | 0:07:29 | |
it makes a loss of ten grand in the first year. | 0:07:29 | 0:07:32 | |
But, on the second one, looking at gross profit of about 237 | 0:07:32 | 0:07:36 | |
-and then, like, with a... -What do you mean, 237? | 0:07:36 | 0:07:39 | |
-Sorry, you're looking at your hand! -No, no, that's a tattoo! | 0:07:39 | 0:07:41 | |
You have definitely got it tattooed on your hand! | 0:07:41 | 0:07:44 | |
-What's the chance of that! -Is it £2.37? £23.70? | 0:07:44 | 0:07:48 | |
-237,000. -237,000?! | 0:07:48 | 0:07:50 | |
-Yeah, yeah. -In the second year from a £10,000 loss? | 0:07:50 | 0:07:54 | |
-That's turnover sort of thing. -Turnover?! | 0:07:54 | 0:07:56 | |
-Yeah. -So, remind us - 10, is that a turnover or profit? | 0:07:56 | 0:08:00 | |
No, no, no...the turnover...the gross profit is about £71,000 | 0:08:00 | 0:08:03 | |
-and then a minus 10... -OK, so, in the first year, 71K and you lose 10,000. | 0:08:03 | 0:08:08 | |
-Yeah. -In the second year, your turnover's £237,000. -Yeah. | 0:08:08 | 0:08:13 | |
-How much do you make? -Uh, 37. -37,000. -Yeah. -And in the third year? | 0:08:13 | 0:08:18 | |
About 395. | 0:08:18 | 0:08:20 | |
Turnover. | 0:08:21 | 0:08:22 | |
-Uh... -Do you want to just come over here with your arm | 0:08:22 | 0:08:24 | |
and show Duncan what you've got tattooed on it?! | 0:08:24 | 0:08:27 | |
Then 219,000. | 0:08:27 | 0:08:29 | |
Huh! So, you're going to increase your turnover on the third year by | 0:08:30 | 0:08:33 | |
100,000 and increase your profit by 180,000 or 190,000. | 0:08:33 | 0:08:38 | |
Yeah, cos it's not just the stick 'em ups that I'm doing, I'm going to... | 0:08:38 | 0:08:41 | |
I think what I need to do is give you a job as my finance director. | 0:08:41 | 0:08:44 | |
You're going to make a lot of money! | 0:08:44 | 0:08:46 | |
THEY LAUGH | 0:08:46 | 0:08:48 | |
-David. -Yeah. | 0:08:48 | 0:08:50 | |
-Do you know who I am? -Yeah. | 0:08:50 | 0:08:51 | |
Peter someone... | 0:08:52 | 0:08:54 | |
DUNCAN ROARS WITH LAUGHTER | 0:08:54 | 0:08:56 | |
-That's good. -Hold on, I've got it written down. | 0:08:56 | 0:09:00 | |
Yeah, Peter Jones, yeah, how are you, mate? | 0:09:00 | 0:09:02 | |
I'm very good, David, thank you. Um... | 0:09:02 | 0:09:05 | |
..just going into the detail, you said earlier that | 0:09:05 | 0:09:07 | |
what's really important to you is about giving back. | 0:09:07 | 0:09:11 | |
-What do you think's really important to me? -Getting back. | 0:09:12 | 0:09:16 | |
-So, if I gave you £70,000... -Yeah. | 0:09:16 | 0:09:20 | |
..if your most fundamental thing in your life is to prove | 0:09:20 | 0:09:24 | |
that you can help others and give it back... | 0:09:24 | 0:09:27 | |
What use is that to me to finance this philanthropic little vision | 0:09:27 | 0:09:32 | |
that you've got of your life to make yourself feel better? | 0:09:32 | 0:09:35 | |
Well, you're invested...I don't want it as a gift or anything like that, | 0:09:35 | 0:09:38 | |
but honestly, I mean, we can make a difference and do it in a good way | 0:09:38 | 0:09:41 | |
and still make money out of it, but I didn't want to come in here, first of | 0:09:41 | 0:09:45 | |
all and say, "I'm going to make you a load of money." | 0:09:45 | 0:09:47 | |
-That'd be a bit rude, so... -It doesn't sound rude to me. | 0:09:47 | 0:09:50 | |
Trust me, it's not rude. It's not rude, that's exactly what we want. | 0:09:50 | 0:09:54 | |
No, it is. I get your point though. | 0:09:54 | 0:09:56 | |
Peter Jones is showing patience with the entrepreneur | 0:09:58 | 0:10:02 | |
and his social conscience. | 0:10:02 | 0:10:04 | |
But Deborah Meaden wants to refocus the pitch back onto business. | 0:10:04 | 0:10:08 | |
I want to get serious, because you're very charming, | 0:10:08 | 0:10:13 | |
I have to tell you, and, when you deliver, you're very likeable. | 0:10:13 | 0:10:17 | |
What I'm not getting is a business proposition at all and I'm about | 0:10:17 | 0:10:20 | |
to lose my interest unless you can deliver that to me really quickly. | 0:10:20 | 0:10:25 | |
Yeah. | 0:10:25 | 0:10:27 | |
I mean, um, it's...the exciting bit is being able to, um... | 0:10:27 | 0:10:32 | |
..uh, empower other artists who can't...you know, who struggle, | 0:10:33 | 0:10:37 | |
and don't want to waste that talent that they've got. | 0:10:37 | 0:10:40 | |
Trying to put them on the right track | 0:10:40 | 0:10:41 | |
so they keep away from illegal stuff... | 0:10:41 | 0:10:43 | |
David, that's lovely, but that's not the business proposition. | 0:10:43 | 0:10:48 | |
Yeah, I understand, yeah, definitely. | 0:10:48 | 0:10:51 | |
I mean, I'm confident that there's enough people out there, | 0:10:51 | 0:10:55 | |
young people or old people... | 0:10:55 | 0:10:57 | |
You can be confident, but you've got to make me confident. | 0:10:57 | 0:11:00 | |
In the Den, it's your job, David, | 0:11:00 | 0:11:02 | |
and I'm saying this cos it's important that you get this right, | 0:11:02 | 0:11:05 | |
otherwise you'll walk out of here certainly without | 0:11:05 | 0:11:08 | |
an investment from me. | 0:11:08 | 0:11:09 | |
Now, right now I see a lovely guy with a lot of talent | 0:11:09 | 0:11:12 | |
and a great idea, but I don't see a business proposition. | 0:11:12 | 0:11:17 | |
That includes numbers, that tells me... | 0:11:17 | 0:11:19 | |
You tell me that I've been to see the guy, | 0:11:19 | 0:11:21 | |
it's going to cost me that much to develop the app, | 0:11:21 | 0:11:23 | |
the next phase on is to do that, then I'm going to need to | 0:11:23 | 0:11:26 | |
employ people...is there anything like that? | 0:11:26 | 0:11:28 | |
Uh, I haven't approached and sat down with an app producer | 0:11:29 | 0:11:34 | |
and said, "This is what I'm after, how much is this going to cost?" I... | 0:11:34 | 0:11:37 | |
Stop. | 0:11:37 | 0:11:38 | |
I've done it... | 0:11:39 | 0:11:41 | |
Do you know, you haven't done the most fundamental, | 0:11:41 | 0:11:44 | |
basic thing, which is to sit down with somebody and say, | 0:11:44 | 0:11:48 | |
"Can this be done?" This is not my failure to understand, this is | 0:11:48 | 0:11:51 | |
-your failure to present me with a business proposition. -Yeah. | 0:11:51 | 0:11:54 | |
I'm just left with no reason to invest, | 0:11:55 | 0:11:58 | |
so, I'm really sorry, David, but I'm out. | 0:11:58 | 0:12:00 | |
The joking's over and the entrepreneur is | 0:12:04 | 0:12:07 | |
reminded of the potential brutality of the Den in the starkest terms. | 0:12:07 | 0:12:11 | |
Have the other Dragons also lost their patience? | 0:12:13 | 0:12:16 | |
David, thank you very much. It was a very entertaining pitch. | 0:12:18 | 0:12:21 | |
But I'm not going to invest in this. I can't, so I'm out. | 0:12:21 | 0:12:24 | |
-OK, no worries. -Thank you very much. | 0:12:24 | 0:12:26 | |
Well, I think there's something in it that's quite interesting, | 0:12:27 | 0:12:30 | |
but a lot of your target market probably can't afford this, so, | 0:12:30 | 0:12:34 | |
I think, for that reason, I can't invest in your company, so I'm out. | 0:12:34 | 0:12:38 | |
David, I mean, I have to say, the longer I sit here, there is | 0:12:39 | 0:12:44 | |
a side of me that would love to invest | 0:12:44 | 0:12:45 | |
because I can see the potential, but it's too risky. | 0:12:45 | 0:12:49 | |
What you should do is go and take some of these graffiti artists | 0:12:49 | 0:12:53 | |
and become almost like an agent and produce these, sell them on a | 0:12:53 | 0:12:57 | |
website and see what volume you're going to get, | 0:12:57 | 0:12:59 | |
because that will give you an indication of | 0:12:59 | 0:13:02 | |
whether it's actually what people want to put in their homes. | 0:13:02 | 0:13:05 | |
I just don't feel that I want to invest £70,000 on something, | 0:13:05 | 0:13:09 | |
which just...you haven't come in with enough information. | 0:13:09 | 0:13:13 | |
Um...and so, for that reason, I'm sorry, but I'm out. | 0:13:13 | 0:13:16 | |
Only one dragon remains... | 0:13:22 | 0:13:24 | |
..the tycoon whose name David struggled to remember. | 0:13:26 | 0:13:30 | |
But Peter Jones has, in the past, | 0:13:30 | 0:13:32 | |
taken a gamble with entrepreneurs brave enough to show personality. | 0:13:32 | 0:13:36 | |
You are David Brown, aren't you? | 0:13:41 | 0:13:42 | |
-Yeah, a graffiti artist, that's the brand. -You're not Banksy. | 0:13:42 | 0:13:46 | |
I knew this was going to come up! | 0:13:46 | 0:13:48 | |
If you were, seriously, if Banksy had come in the Den ten years ago... | 0:13:48 | 0:13:51 | |
-Yeah. -And pitched the way you've pitched today, I would literally... | 0:13:51 | 0:13:56 | |
put a flea in his ear and tell him to get out | 0:13:56 | 0:13:58 | |
and think he's being an absolute idiot. | 0:13:58 | 0:14:00 | |
And... | 0:14:01 | 0:14:03 | |
I would have made... | 0:14:03 | 0:14:04 | |
the biggest mistake of my life. | 0:14:04 | 0:14:06 | |
I'm the type of guy that would go for something like this... | 0:14:08 | 0:14:11 | |
..cos I think you're onto something. | 0:14:13 | 0:14:15 | |
But... | 0:14:20 | 0:14:22 | |
I hate to say, because you are an incredibly nice bloke, | 0:14:22 | 0:14:25 | |
I wish you'd come in here with just one or two little bits of research. | 0:14:25 | 0:14:29 | |
So I'm going to say good luck to you, but I'm not going to invest. | 0:14:29 | 0:14:33 | |
-I'm out. -Thank you very much for... -No, I wish you every bit of luck, | 0:14:33 | 0:14:36 | |
but don't spray anything in our lift on your way out, will you? | 0:14:36 | 0:14:39 | |
No, no, I won't! No, officer, there's no cameras out there anyway. | 0:14:39 | 0:14:42 | |
We'll be watching. | 0:14:42 | 0:14:43 | |
So near, yet so far for David. | 0:14:46 | 0:14:49 | |
He leaves the Den without the investment he wanted to create | 0:14:49 | 0:14:52 | |
a business that takes his graffiti art into bedrooms across the country. | 0:14:52 | 0:14:57 | |
People like that, though, that I'd love to find ways to invest in. | 0:14:59 | 0:15:02 | |
I liked him. I liked him a lot. | 0:15:02 | 0:15:04 | |
I really don't think... | 0:15:05 | 0:15:07 | |
they were that interested and I can't wait for them to go home | 0:15:07 | 0:15:12 | |
and their kids to say to them, | 0:15:12 | 0:15:14 | |
"I can't believe you didn't invest in the graffiti geezer!" | 0:15:14 | 0:15:17 | |
So, oh, well. That's their fault. | 0:15:17 | 0:15:19 | |
While some entrepreneurs haven't the foggiest who the Dragons are... | 0:15:22 | 0:15:26 | |
-Do you know who I am? -Peter someone. | 0:15:26 | 0:15:28 | |
..there are others who come into the Den with one Dragon on their mind... | 0:15:28 | 0:15:33 | |
You're the Dragon that I wished, because of your expertise in the law. | 0:15:33 | 0:15:37 | |
Don't tell me somebody's suing you! | 0:15:37 | 0:15:38 | |
..like this Australian-based duo who want to want to launch | 0:15:38 | 0:15:42 | |
a new fitness gadget. | 0:15:42 | 0:15:44 | |
The product itself is designed with a special waxy plastic that | 0:15:44 | 0:15:47 | |
enables smooth movement in almost all surfaces. | 0:15:47 | 0:15:50 | |
And they had in their sights Duncan Bannatyne | 0:15:51 | 0:15:53 | |
with his chain of health clubs. | 0:15:53 | 0:15:55 | |
I suppose, really, I'll have to do this at a trial, won't I? | 0:15:55 | 0:15:58 | |
-But I don't really know if I want to. -Go on, Duncan. | 0:15:58 | 0:16:01 | |
Also, it would demonstrate whether old people can use it as well. | 0:16:01 | 0:16:04 | |
Go for it, man! | 0:16:04 | 0:16:05 | |
Come on, Duncy! | 0:16:05 | 0:16:06 | |
-Go for it? -Yeah, go for it. Back together. -Oh. Oh! -Ten more, Duncan. | 0:16:06 | 0:16:12 | |
Or this Cornish entrepreneur who's devised a new take | 0:16:14 | 0:16:17 | |
on the horse blanket. | 0:16:17 | 0:16:19 | |
Our rugs are specifically designed to stop horses going through | 0:16:19 | 0:16:22 | |
electrified fencing. | 0:16:22 | 0:16:23 | |
There was only one Dragon she wanted to saddle up with. | 0:16:23 | 0:16:27 | |
I don't have horses and every time I ask you a question, | 0:16:27 | 0:16:30 | |
-you look to Deborah when you're giving the answer. -I'm sorry. | 0:16:30 | 0:16:33 | |
So, I'll wait till Deborah's asked you some questions before I see | 0:16:33 | 0:16:36 | |
-if I want to ask you any more. -Or, alternatively, | 0:16:36 | 0:16:38 | |
she knows I've got horses and knows that I actually get | 0:16:38 | 0:16:40 | |
-when you say 1,200 deniers. -Yeah, that's it. | 0:16:40 | 0:16:43 | |
Put on your goggles, please, for the next part of the presentation. | 0:16:43 | 0:16:46 | |
For this mature student, who's invented a twist on a popular toy, | 0:16:46 | 0:16:50 | |
there is no doubting which Dragon could make his invention take off. | 0:16:50 | 0:16:54 | |
-Do you know Bladez Toyz? -Yes. | 0:16:56 | 0:16:58 | |
That's my company. | 0:16:58 | 0:16:59 | |
Targeting one Dragon does run the risk of alienating others. | 0:17:01 | 0:17:05 | |
This is very boys' toys, I can't sort of get excited about it. | 0:17:05 | 0:17:09 | |
When you do a side lunge you start activating the adductors... | 0:17:09 | 0:17:13 | |
Sorry, are you speaking English? I'm just double-checking. | 0:17:13 | 0:17:15 | |
I thought you'd dropped into Klingon then. | 0:17:15 | 0:17:17 | |
I'm as excited about this as I would be to invest in | 0:17:17 | 0:17:20 | |
an ejector seat in a helicopter. | 0:17:20 | 0:17:22 | |
The Dragons who are not the focus of the entrepreneur's attention | 0:17:22 | 0:17:26 | |
can get helpful hints from the Dragons that are. | 0:17:26 | 0:17:29 | |
Sometimes you have to sit back and listen to some of the other Dragons. | 0:17:29 | 0:17:34 | |
I personally would really like to hear from Duncan. | 0:17:34 | 0:17:37 | |
It is clear that you want Deborah as your chosen investor. | 0:17:37 | 0:17:40 | |
Hmm. I'm going to wait and see what Peter Jones says. | 0:17:40 | 0:17:43 | |
-He's waiting for me? -I'm waiting for Duncan, I'm being absolutely clear. | 0:17:43 | 0:17:46 | |
If you think it's good, I think it's good. | 0:17:46 | 0:17:48 | |
Sadly, seeking out a particular Dragon doesn't always pay off. | 0:17:48 | 0:17:52 | |
-I really think you won't regret it. -Um... | 0:17:52 | 0:17:55 | |
no. | 0:17:55 | 0:17:56 | |
I'm finding it difficult to see the market, so, I'm out. | 0:17:56 | 0:18:00 | |
But at least, in one case, there was a result of sorts. | 0:18:00 | 0:18:04 | |
I'm going to do something very un-Dragon-like. | 0:18:04 | 0:18:06 | |
I'm not going to take advantage of you today, however, | 0:18:06 | 0:18:09 | |
I will give you all the advice and mentoring you need for nothing. | 0:18:09 | 0:18:12 | |
OK. Thank you. | 0:18:12 | 0:18:14 | |
I'm not going to compete with that, so, I'm out. | 0:18:14 | 0:18:17 | |
Our national taste for coffee has gone upmarket in recent years, but | 0:18:22 | 0:18:26 | |
we still spend over a billion pounds a year on the instant variety. | 0:18:26 | 0:18:30 | |
The convenience is, obviously, highly valued and | 0:18:30 | 0:18:33 | |
our next entrepreneur, Carrie Bates, thinks she can cash in on that. | 0:18:33 | 0:18:36 | |
Forget the tea bag - she wants to infuse new life into the coffee bag. | 0:18:36 | 0:18:40 | |
DING | 0:18:48 | 0:18:49 | |
My name is Carrie and I'm the founder of has The Little Coffee Bag Company. | 0:19:01 | 0:19:05 | |
I'm here today to ask for £100,000 in exchange for 25% of my business. | 0:19:05 | 0:19:10 | |
I first had my business idea in the summer of 2011 | 0:19:11 | 0:19:15 | |
when my husband was taking our son out camping. | 0:19:15 | 0:19:18 | |
I was trying to think of a way that he could enjoy coffee | 0:19:18 | 0:19:21 | |
in the middle of a field without the need of a cafetiere | 0:19:21 | 0:19:24 | |
or a filter machine, and decided that he needed something like | 0:19:24 | 0:19:27 | |
a tea bag, but with ground coffee in. | 0:19:27 | 0:19:30 | |
I did find coffee bags available, but was so disappointed with them | 0:19:30 | 0:19:34 | |
I decided that I could do a better job myself. | 0:19:34 | 0:19:36 | |
For the following 12 months, I designed my packaging | 0:19:38 | 0:19:41 | |
and invested in the machinery to be able to manufacture the coffee bags | 0:19:41 | 0:19:44 | |
from our small holding in Shropshire | 0:19:44 | 0:19:46 | |
and we launched our product two weeks later in Harvey Nichols. | 0:19:46 | 0:19:51 | |
I also supply a small number of high-end hotels | 0:19:51 | 0:19:55 | |
and I've also been approached by an investment company in Dubai that | 0:19:55 | 0:19:59 | |
would like exclusive distribution rights to the United Arab Emirates. | 0:19:59 | 0:20:03 | |
Thank you. | 0:20:03 | 0:20:05 | |
How would you like your coffee? | 0:20:05 | 0:20:07 | |
-Milk, no sugar, please. -Same. -Same. | 0:20:07 | 0:20:10 | |
A polite, if not slightly nervous, | 0:20:14 | 0:20:16 | |
pitch from this Shropshire-based entrepreneur. | 0:20:16 | 0:20:20 | |
She's looking for £100,000 for a 25% stake in her business. | 0:20:21 | 0:20:25 | |
Peter Jones is first to question the entrepreneur. | 0:20:29 | 0:20:32 | |
-Is it Carrie? -Yes. -Carrie, hi. -Hello. | 0:20:34 | 0:20:37 | |
I was just very intrigued cos I kept on looking at the table | 0:20:37 | 0:20:40 | |
while you're pouring the coffee... And I can see my book on the table. | 0:20:40 | 0:20:43 | |
Yeah. There's a quote in this book... | 0:20:43 | 0:20:46 | |
I've picked this book up and there was a quote...I opened the book | 0:20:47 | 0:20:51 | |
and it fell to this page and I read it. | 0:20:51 | 0:20:53 | |
"The secret is to take an existing product, service or concept and | 0:20:55 | 0:21:00 | |
"then take it up a level by applying your own vision and creativity." | 0:21:00 | 0:21:05 | |
-And that, I feel, is what I've done with this. -Amen. -Wow. | 0:21:05 | 0:21:08 | |
-So, thank you, Peter. -Did you write that, Peter? -I did. -He did. | 0:21:08 | 0:21:12 | |
There's quite a good few facts in there. | 0:21:12 | 0:21:14 | |
Thank you. | 0:21:16 | 0:21:17 | |
A rare moment of modesty for Peter Jones. | 0:21:20 | 0:21:23 | |
And while Carrie might have earned herself some Brownie points, | 0:21:23 | 0:21:26 | |
Piers Linney wants to understand more about the potential | 0:21:26 | 0:21:29 | |
for this business to grow. | 0:21:29 | 0:21:32 | |
If we look at your sort of...look at hotels, for example, | 0:21:33 | 0:21:36 | |
and that high-end market, as you begin to segment as you come down. | 0:21:36 | 0:21:40 | |
There are certain hotels that wouldn't care. | 0:21:40 | 0:21:43 | |
How big does your business get? That's my question, really. | 0:21:43 | 0:21:45 | |
Well, for every 1,200 rooms, there would be just over £100,000 turnover. | 0:21:45 | 0:21:50 | |
So, for 1,200 rooms, it would be just over £1 million turnover | 0:21:50 | 0:21:54 | |
and the 1,200 rooms would still be less than 1% of the rooms | 0:21:54 | 0:21:57 | |
available in this country. | 0:21:57 | 0:21:58 | |
Carrie, what's the price point for the coffee bags you're | 0:22:02 | 0:22:05 | |
selling into hotels? | 0:22:05 | 0:22:07 | |
The price point is 16 pence per sachet | 0:22:07 | 0:22:09 | |
and they cost 9.6 pence to make and that's including the labour. | 0:22:09 | 0:22:13 | |
Are you not getting any resistance from hotels at that price? | 0:22:13 | 0:22:15 | |
-Ah, well, I can see it would be prohibitive for some hotels... -Yeah. | 0:22:15 | 0:22:20 | |
Doubts from Duncan Bannatyne over Carrie's ambitious plans | 0:22:24 | 0:22:28 | |
to see her coffee bags in hotel chains across the UK. | 0:22:28 | 0:22:31 | |
Now, Kelly Hoppen wants to get to grips with | 0:22:32 | 0:22:35 | |
the retail side of the business. | 0:22:35 | 0:22:37 | |
What does it cost you to make a box like this? | 0:22:40 | 0:22:43 | |
It costs me £4.55 to put the box together like that | 0:22:43 | 0:22:47 | |
and I sell to Harvey Nichols at £7.50. | 0:22:47 | 0:22:51 | |
-And they retail for £14.95. -OK, and have Harvey Nichols reordered? | 0:22:51 | 0:22:56 | |
Not at the moment, but we're exclusive with | 0:22:57 | 0:22:59 | |
Harvey Nicols until July. | 0:22:59 | 0:23:01 | |
So, how many do you sell online at £14.95? | 0:23:01 | 0:23:04 | |
-I think I've sold around £400 worth, which isn't enormous. -Yeah. | 0:23:05 | 0:23:10 | |
I'll tell you where I am, Carrie. | 0:23:21 | 0:23:23 | |
Um...I think you're fantastic. I think what you've done is absolutely | 0:23:24 | 0:23:27 | |
fantastic and it just shows how anyone can build a business and | 0:23:27 | 0:23:31 | |
create a business if they really work hard | 0:23:31 | 0:23:32 | |
and really get excited about it. | 0:23:32 | 0:23:34 | |
But I'm not convinced that this business | 0:23:39 | 0:23:41 | |
would ever make enough money... | 0:23:41 | 0:23:42 | |
..really, to give me a return. | 0:23:44 | 0:23:45 | |
I've got to say, I'm out. | 0:23:48 | 0:23:49 | |
Carrie, um, the first thing I wrote on my pad, actually, | 0:23:51 | 0:23:54 | |
when you showed what, you know, what it was, I said, "Simple idea." | 0:23:54 | 0:23:58 | |
Simple idea, it's a great idea, but I'm not sure | 0:23:58 | 0:24:01 | |
I would make the return that I want, so I wish you well, but I'm out. | 0:24:01 | 0:24:06 | |
Two Dragons have declared themselves out in quick succession. | 0:24:09 | 0:24:14 | |
Will the other multi-millionaire investors find a taste | 0:24:14 | 0:24:18 | |
for her coffee business? | 0:24:18 | 0:24:19 | |
Carrie... | 0:24:19 | 0:24:21 | |
this isn't new. | 0:24:21 | 0:24:23 | |
It's something that you've adapted. | 0:24:23 | 0:24:26 | |
You've taken this to a new level | 0:24:26 | 0:24:27 | |
and I think you've actually gone even further. | 0:24:27 | 0:24:30 | |
Um...and I think you've got a business that... | 0:24:30 | 0:24:33 | |
..could be very, very big, actually. | 0:24:35 | 0:24:37 | |
And I don't want to say probably too much, | 0:24:37 | 0:24:39 | |
because I might be doing myself an injustice here, cos, | 0:24:39 | 0:24:42 | |
I'm sitting here and I'm thinking, | 0:24:42 | 0:24:44 | |
"You are more than just investable." I think the business, | 0:24:44 | 0:24:46 | |
the brand is fantastic, you've got some amazing ideas. | 0:24:46 | 0:24:49 | |
I think it's very exciting. So, I'm not going to waste any time. | 0:24:49 | 0:24:52 | |
I'm going to get the ball rolling. So, I'm going to make you an offer. | 0:24:52 | 0:24:56 | |
I'm going to offer you all of the money, £100,000, | 0:24:56 | 0:25:00 | |
and I'd like 33.3%. | 0:25:00 | 0:25:04 | |
OK, thank you. Thank you very much. | 0:25:04 | 0:25:08 | |
Do you want to accept now, or do you want to see | 0:25:08 | 0:25:10 | |
what the others have to say? | 0:25:10 | 0:25:11 | |
-I...I feel that it would not be correct... -Fair enough. -Quite right. | 0:25:13 | 0:25:18 | |
Carrie, this is an interesting one, Carrie, cos, um, you present... | 0:25:20 | 0:25:25 | |
really well. You come across really well. | 0:25:25 | 0:25:27 | |
You actually reflect the product really well. | 0:25:27 | 0:25:29 | |
You know, I can see how this came from you, which I love. | 0:25:29 | 0:25:33 | |
Um, so I'm also going to make you an offer. | 0:25:33 | 0:25:35 | |
At the risk of mirroring Peter, I'm going to make you the same offer, | 0:25:37 | 0:25:41 | |
which is all of the money for 33.3%, which is one third of the business. | 0:25:41 | 0:25:46 | |
Thank you very much. Thank you. | 0:25:46 | 0:25:49 | |
Please may... | 0:25:53 | 0:25:54 | |
OK, I'll make you an offer. | 0:25:56 | 0:25:57 | |
for all the money... | 0:25:59 | 0:26:01 | |
for a third of the company, so 33.3%. | 0:26:01 | 0:26:04 | |
Thank you. | 0:26:07 | 0:26:08 | |
Now, what are you going to do? | 0:26:10 | 0:26:12 | |
It's a rare occurrence in the Den. | 0:26:14 | 0:26:17 | |
Three competing offers and they're all asking for exactly | 0:26:17 | 0:26:20 | |
the same equity in exchange for investment. | 0:26:20 | 0:26:22 | |
The tables have turned and Carrie now has to make a decision. | 0:26:24 | 0:26:28 | |
I... | 0:26:31 | 0:26:32 | |
I just don't know what to do. | 0:26:33 | 0:26:35 | |
Um, where do you see me pushing my product forward, Deborah? | 0:26:35 | 0:26:42 | |
-Do you have routes to market in mind, or...? -Hotels, certainly. | 0:26:42 | 0:26:47 | |
Now, once you've owned that market, | 0:26:47 | 0:26:49 | |
-then you can start bringing out other products... -Yes. | 0:26:49 | 0:26:52 | |
-And then filter out. -Mm-hm. -And then make lots of money and sell it. | 0:26:52 | 0:26:56 | |
So, I think what you're doing is right, | 0:26:58 | 0:26:59 | |
so you've gone in at the right place in the market. | 0:26:59 | 0:27:02 | |
I think the hotels...you need to establish this brand. | 0:27:02 | 0:27:04 | |
I think you're doing that quite well and I think any of us | 0:27:04 | 0:27:07 | |
here can really get you into conversations with | 0:27:07 | 0:27:10 | |
the retailers you need and those kind of contacts. | 0:27:10 | 0:27:12 | |
I know a board director for M&S | 0:27:12 | 0:27:14 | |
and they would take this with your brand. | 0:27:14 | 0:27:16 | |
-Would you mind talking to me about your thoughts? -No, I don't. | 0:27:18 | 0:27:20 | |
I...I mean, I instantly loved it, | 0:27:20 | 0:27:23 | |
but one thing that really struck me also was the fact...I think, | 0:27:23 | 0:27:26 | |
that one area that could be huge for this business is the hamper market. | 0:27:26 | 0:27:30 | |
I have been approached by a couple of London hamper companies. | 0:27:30 | 0:27:33 | |
Well, I own Red Letter Days and, in there, as you probably know, | 0:27:33 | 0:27:37 | |
we're extremely large in hamper sales and I think that the | 0:27:37 | 0:27:41 | |
international marketplace is an area to also explore as well. | 0:27:41 | 0:27:44 | |
I am erring towards Deborah and Peter at the moment, | 0:27:47 | 0:27:51 | |
and wonder whether you would like to have a joint input together? | 0:27:51 | 0:27:56 | |
It's becoming a bit of a habit, actually, Peter. | 0:27:56 | 0:27:59 | |
HE CLEARS HIS THROAT | 0:27:59 | 0:28:00 | |
-There's me in the middle again. -Sorry. | 0:28:00 | 0:28:02 | |
I'd be more than happy to split my investment with Deborah, | 0:28:07 | 0:28:10 | |
if she's willing to split it. | 0:28:10 | 0:28:11 | |
Absolutely. Absolutely. And I think it would work very well. | 0:28:11 | 0:28:15 | |
-I'd like to accept both of your offers, please. -Excellent. -Thank you. | 0:28:15 | 0:28:20 | |
-Excellent. -Thank you. So, where do I start? Thank you. | 0:28:20 | 0:28:24 | |
The entrepreneur who took a leaf out of Peter Jones' book, now walks away | 0:28:24 | 0:28:29 | |
with his money and that of another | 0:28:29 | 0:28:32 | |
highly experienced Dragon in Deborah Meaden. | 0:28:32 | 0:28:34 | |
Woo-hoo! | 0:28:37 | 0:28:39 | |
'I didn't have a brilliant education. My brother passed away when I was 15. | 0:28:40 | 0:28:45 | |
'It really affected my education terribly.' | 0:28:45 | 0:28:48 | |
And it feels that everything that I've gone through led to this moment. | 0:28:48 | 0:28:51 | |
'Deborah and Peter can see the hard work that I've put in | 0:28:51 | 0:28:54 | |
'and that means the world.' | 0:28:54 | 0:28:56 | |
There's been a lot of good will in the Den so far... | 0:29:00 | 0:29:02 | |
I'm going to do something very un-Dragon-like. | 0:29:02 | 0:29:05 | |
I'm not going to take advantage of you today. | 0:29:05 | 0:29:06 | |
..with one investment already made. | 0:29:06 | 0:29:09 | |
-Thank you very much. -Well done. | 0:29:09 | 0:29:12 | |
Coming up, will any of these entrepreneurs | 0:29:12 | 0:29:14 | |
benefit from the Dragons' good mood? | 0:29:14 | 0:29:15 | |
-No. -That's devastating. -It would be. | 0:29:15 | 0:29:18 | |
Or will they fail to get the capital they need? | 0:29:18 | 0:29:20 | |
I don't think £50,000 is nearly enough money. | 0:29:20 | 0:29:23 | |
I don't think it's a good product, I don't think it will sell. | 0:29:23 | 0:29:26 | |
Just try and keep calm. | 0:29:26 | 0:29:28 | |
There are normally about three weeks a year in this country with | 0:29:31 | 0:29:34 | |
ideal conditions for camping. | 0:29:34 | 0:29:37 | |
But what about the on-trend option of glamorous camping? Glamping. | 0:29:37 | 0:29:41 | |
Christian and Carolyn van Outersterp are already successful | 0:29:41 | 0:29:45 | |
glamping entrepreneurs and they now hope to turn their | 0:29:45 | 0:29:48 | |
Yorkshire business into a year-round operation. | 0:29:48 | 0:29:51 | |
Hello, I'm Christian van Outersterp. | 0:30:19 | 0:30:21 | |
And I'm Carolyn van Outersterp | 0:30:21 | 0:30:23 | |
and our business is Jolly Days Luxury Camping. | 0:30:23 | 0:30:27 | |
We want to take this business further, faster, | 0:30:28 | 0:30:30 | |
so we're here to ask for £200,000 in exchange for 20% of our business. | 0:30:30 | 0:30:36 | |
Jolly Days is a multi-award winning business established four | 0:30:36 | 0:30:39 | |
and a half years ago and has revolutionised UK glamping. | 0:30:39 | 0:30:43 | |
We currently have one tented camp of 22 accommodation units | 0:30:43 | 0:30:47 | |
in a beautiful 200-acre woodland close to York. | 0:30:47 | 0:30:51 | |
Our huge vintage style tents have four-poster beds, | 0:30:51 | 0:30:54 | |
roll-top baths, en suite showers, kitchens and wood burners. | 0:30:54 | 0:30:59 | |
We currently operate nine months of the year | 0:30:59 | 0:31:01 | |
and have been profitable since day one. | 0:31:01 | 0:31:04 | |
To expand the business, | 0:31:04 | 0:31:06 | |
we have obtained planning permission for 50 wooden accommodation | 0:31:06 | 0:31:09 | |
suites in a 400-acre woodland in the Yorkshire Wolds. | 0:31:09 | 0:31:11 | |
This will operate 12 months of the year | 0:31:11 | 0:31:14 | |
and will centre around a luxurious clubhouse where you'll be | 0:31:14 | 0:31:17 | |
able to eat delicious local food or curl up with | 0:31:17 | 0:31:20 | |
a hot toddy in front of the fire. | 0:31:20 | 0:31:22 | |
The 50 private woodland suites are more akin to a luxurious | 0:31:22 | 0:31:26 | |
hotel suite in the woods and will feature wood burners, | 0:31:26 | 0:31:29 | |
four-poster beds and spacious spa-style bathrooms. | 0:31:29 | 0:31:32 | |
Our short-term aim is to have 100 accommodation units over | 0:31:32 | 0:31:35 | |
two camps generating £4 million profit. | 0:31:35 | 0:31:39 | |
This is a winning proposition and one of the UK's most exciting | 0:31:39 | 0:31:42 | |
new hospitality ventures and we'd love you to be involved. | 0:31:42 | 0:31:47 | |
Thank you. | 0:31:47 | 0:31:48 | |
A practiced pitch from these glamping entrepreneurs from York. | 0:31:51 | 0:31:55 | |
They're asking for £200,000 for 20% of an established business | 0:31:55 | 0:32:00 | |
they want to expand. | 0:32:00 | 0:32:01 | |
And with Deborah Meaden having made millions running a | 0:32:02 | 0:32:05 | |
holiday business, the Den will be keen to hear her thoughts first. | 0:32:05 | 0:32:09 | |
I like this, you know, it interests me. | 0:32:11 | 0:32:14 | |
And, not surprisingly, I've been in this industry | 0:32:14 | 0:32:17 | |
and I watch it very carefully. | 0:32:17 | 0:32:19 | |
I know of you and I also know of the many other businesses that | 0:32:19 | 0:32:23 | |
have sprung up individually cos that's proliferated, hasn't it? | 0:32:23 | 0:32:27 | |
Glamping's absolutely been the latest thing for people to | 0:32:27 | 0:32:30 | |
get into, so my only question on that would be, what's | 0:32:30 | 0:32:34 | |
occupancy doing in terms of glamping? | 0:32:34 | 0:32:36 | |
-So, how long have you been running? -Four and a half years. | 0:32:36 | 0:32:39 | |
And, last year, | 0:32:39 | 0:32:40 | |
how was your occupancy compared to the year before? | 0:32:40 | 0:32:43 | |
-It was 57% and I think we grew by about 20%. -You grew? -Yes. -Yes. | 0:32:43 | 0:32:49 | |
So far, so good, for the entrepreneurs, but are their | 0:32:52 | 0:32:55 | |
revenue figures as healthy as the number of tents they're filling? | 0:32:55 | 0:32:58 | |
The turnover of the business to date? | 0:33:01 | 0:33:04 | |
Last year was 365 net. | 0:33:04 | 0:33:07 | |
And 102,000 net profit. | 0:33:07 | 0:33:09 | |
Talk me through how you get to £4 million's profit... | 0:33:10 | 0:33:14 | |
post £200,000 investment. | 0:33:14 | 0:33:16 | |
What we're looking to do is, the £200,000 investment | 0:33:19 | 0:33:23 | |
and bank loan and set up the clubhouse and 15... | 0:33:23 | 0:33:26 | |
-What's the bank loan? -The bank loan's 300,000. | 0:33:26 | 0:33:29 | |
So, the key thing is, what's the total cost | 0:33:29 | 0:33:31 | |
of doing this new venture? | 0:33:31 | 0:33:32 | |
For the stage one, we're saying half a million, for the clubhouse | 0:33:32 | 0:33:38 | |
and 15 units, and, thereafter, it's generating cash to grow. | 0:33:38 | 0:33:42 | |
-Have you bought the land? -No, we lease it off an estate. -For how long? | 0:33:42 | 0:33:47 | |
15 years with a three-year option | 0:33:47 | 0:33:50 | |
-on top of that. -15 years? -Yeah. | 0:33:50 | 0:33:53 | |
That's not very long, is it? | 0:33:55 | 0:33:56 | |
In what way have you protected the business from a landlord saying, | 0:33:56 | 0:34:00 | |
"Thank you very much, Christian, and Caroline, | 0:34:00 | 0:34:03 | |
"you've now invested £3 million, you've had a good run at it, | 0:34:03 | 0:34:06 | |
"you've made a little bit of money, but I'm now taking it back... | 0:34:06 | 0:34:10 | |
"And I'm going to run it as my own business?" | 0:34:10 | 0:34:12 | |
There wouldn't be anything there for him to run, because we don't own everything. | 0:34:12 | 0:34:16 | |
-Because you own everything? -It would revert back to just woodland if we went. | 0:34:16 | 0:34:20 | |
So, you've now got to go in and clear the site? | 0:34:20 | 0:34:23 | |
Yes, that would be... | 0:34:23 | 0:34:25 | |
That's devastating. | 0:34:25 | 0:34:27 | |
It would be. | 0:34:28 | 0:34:29 | |
A game-changing piece of information | 0:34:32 | 0:34:34 | |
in what to date had been a convincing pitch. | 0:34:34 | 0:34:37 | |
And Duncan Bannatyne is not ready to let it lie. | 0:34:38 | 0:34:42 | |
Who decided on 15 years? | 0:34:44 | 0:34:46 | |
I think the land agent of the estate. I think we pushed for more, but for some reason... | 0:34:46 | 0:34:50 | |
Yes, because I think tenants have more rights. | 0:34:50 | 0:34:53 | |
Why didn't you negotiate a 40 year lease | 0:34:53 | 0:34:55 | |
with a 15 year tenant only break? | 0:34:55 | 0:34:58 | |
Yes, I mean, I think the reality of it is | 0:34:58 | 0:35:01 | |
the two landowners that we worked with are both estate landowners. | 0:35:01 | 0:35:04 | |
-Is it a very well known estate? -No. | 0:35:04 | 0:35:07 | |
-It's a family owned... -Yes, they're both family... -Family owners. | 0:35:07 | 0:35:10 | |
-Local posh landowners. -And it's been in the family for a long time? -Yes. | 0:35:10 | 0:35:15 | |
I've rented off the Blenheim estate. | 0:35:15 | 0:35:18 | |
You know, when you rent off a family | 0:35:18 | 0:35:20 | |
and it's been in a family for a long time, | 0:35:20 | 0:35:22 | |
it's always going to be in that family. | 0:35:22 | 0:35:24 | |
And I would think it would be unlikely that they would rent, | 0:35:24 | 0:35:27 | |
rent you the land for 40 years. | 0:35:27 | 0:35:30 | |
Couldn't you just lift your model into some land you can buy? | 0:35:30 | 0:35:34 | |
-Is it something particular about these woods? -I suppose, I mean... | 0:35:34 | 0:35:39 | |
Most of the beautiful woods are on, sort of landed estates. | 0:35:39 | 0:35:44 | |
And also, I mean, our woodland is not plantation woodland. | 0:35:44 | 0:35:47 | |
It is beautiful, natural English woodland. | 0:35:47 | 0:35:50 | |
It's about that kind of aspect of something that is magical | 0:35:50 | 0:35:54 | |
and is romantic and it's incredibly well placed | 0:35:54 | 0:35:56 | |
and this site is between York and Beverley. | 0:35:56 | 0:35:59 | |
So, it's very well-placed, in terms of tourism, | 0:35:59 | 0:36:02 | |
it's a sort of tourism hotspot, really. | 0:36:02 | 0:36:04 | |
The entrepreneurs are hanging on by their fingertips. | 0:36:07 | 0:36:10 | |
So, is Duncan Bannatyne ready to give them a lifeline? | 0:36:11 | 0:36:15 | |
I've just bought a lodge in a park in the banks of Lake Windermere, | 0:36:17 | 0:36:21 | |
which I love. I spend all my time there. | 0:36:21 | 0:36:24 | |
And I think it's fantastic, the concept you have at the moment. | 0:36:24 | 0:36:28 | |
It's almost worth investing £200,000 in your business as it is. | 0:36:28 | 0:36:33 | |
You're doing very well, you're making a lot of money. | 0:36:33 | 0:36:35 | |
But that's not what you want, you want to go ahead with this. | 0:36:35 | 0:36:38 | |
There is a huge risk because you don't own the land. | 0:36:38 | 0:36:41 | |
And the fact that you get kicked off after 15 years worries me too much. | 0:36:41 | 0:36:46 | |
So, I can't make an investment. Otherwise I'd have loved to. | 0:36:46 | 0:36:49 | |
I'm sorry, but I have to say I'm out. | 0:36:49 | 0:36:51 | |
(Thank you.) | 0:36:51 | 0:36:52 | |
A blow for Christian and Caroline, as their first Dragon bows out | 0:36:55 | 0:36:59 | |
on account of what could be a fatal flaw in their expansion plan, | 0:36:59 | 0:37:05 | |
the thorny issue of the 15 year lease. | 0:37:05 | 0:37:07 | |
Has it convinced the other dragons to walk away from a deal? | 0:37:08 | 0:37:12 | |
As you approach the end of your lease, | 0:37:15 | 0:37:18 | |
and you want to sell the business, | 0:37:18 | 0:37:20 | |
the buyer will have to negotiate a new lease with the landlord | 0:37:20 | 0:37:24 | |
and your negotiating position will just evaporate | 0:37:24 | 0:37:28 | |
and so will the value of your business. | 0:37:28 | 0:37:30 | |
So, for me, because of that one issue, really, | 0:37:30 | 0:37:33 | |
it wouldn't work. So, fantastic, well done, but I'm afraid I'm out. | 0:37:33 | 0:37:37 | |
Guys, I do think you have an issue that you don't own the land. | 0:37:38 | 0:37:42 | |
I think that your business plan is flawed, | 0:37:42 | 0:37:44 | |
I think you should retreat and think about what you've got | 0:37:44 | 0:37:49 | |
and make that better. | 0:37:49 | 0:37:51 | |
And as everybody said, when it comes to the end of 15 years, | 0:37:51 | 0:37:53 | |
you actually don't own anything and you've spent millions of pounds. | 0:37:53 | 0:37:57 | |
So, I wish you luck, but I'm afraid I'm out. | 0:37:57 | 0:38:01 | |
I would urge you not even to contemplate | 0:38:01 | 0:38:03 | |
doing this project at all. It's flawed. | 0:38:03 | 0:38:05 | |
You always end up over-budget, you always end up under-resourcing | 0:38:05 | 0:38:10 | |
and you always end up with a position where | 0:38:10 | 0:38:12 | |
this occupancy rate doesn't quite happen. | 0:38:12 | 0:38:15 | |
And one or two bad seasons | 0:38:15 | 0:38:16 | |
and all of a sudden you're chasing your tail. | 0:38:16 | 0:38:18 | |
I can't invest in something that is whimsical. | 0:38:18 | 0:38:22 | |
So, clearly, you know where I'm going. | 0:38:22 | 0:38:25 | |
I wont be investing and I'm out. | 0:38:25 | 0:38:27 | |
Only one dragon left. | 0:38:32 | 0:38:34 | |
Will Deborah Meaden, with her experience in this field, | 0:38:34 | 0:38:38 | |
be any more willing to offer the entrepreneurs the cash | 0:38:38 | 0:38:41 | |
to make their expansion dreams a reality? | 0:38:41 | 0:38:44 | |
I intrinsically understand this end of the market. | 0:38:48 | 0:38:52 | |
I used to find people choose to camp, | 0:38:55 | 0:38:58 | |
or even stay in caravans, | 0:38:58 | 0:39:00 | |
not just because of money, not just because of price, | 0:39:00 | 0:39:03 | |
but because it's different and it's fun. | 0:39:03 | 0:39:06 | |
They've chosen that. | 0:39:06 | 0:39:09 | |
You've got that in the glamping model. | 0:39:09 | 0:39:11 | |
You lose something in the romance of it | 0:39:11 | 0:39:15 | |
when you turn it into a hotel with lots of rooms all over it. | 0:39:15 | 0:39:19 | |
So, I wont be investing and I'm out. | 0:39:21 | 0:39:23 | |
-OK. Thank you. -Thank you. | 0:39:25 | 0:39:27 | |
-PETER: Thank you. -Thank you, good luck. | 0:39:27 | 0:39:29 | |
A disappointed Christian and Caroline exit the den. | 0:39:31 | 0:39:35 | |
They needed an investment to transform their successful glamping business, | 0:39:35 | 0:39:39 | |
but they leave with nothing. | 0:39:39 | 0:39:42 | |
Back to mine, eh? | 0:39:42 | 0:39:43 | |
Renegotiate. | 0:39:44 | 0:39:46 | |
That's a shame. I got my Volkswagen camper van, Ruby, and I love it. | 0:39:46 | 0:39:51 | |
-I love this. -I'd go. | 0:39:51 | 0:39:53 | |
Henry Ford once said, if I'd asked what customers wanted, | 0:39:58 | 0:40:02 | |
they would have said, "a faster horse," | 0:40:02 | 0:40:05 | |
demonstrating the best entrepreneurs have a vision | 0:40:05 | 0:40:07 | |
for how a market can develop. | 0:40:07 | 0:40:10 | |
Married couple, Nuala and Christopher Lewis, | 0:40:11 | 0:40:13 | |
came to the Den, hoping they've had that kind of vision | 0:40:13 | 0:40:17 | |
with their invention. | 0:40:17 | 0:40:18 | |
It's a brand new take on the familiar old product of a mouse mat. | 0:40:18 | 0:40:23 | |
Like many people, I like to sit on my sofa | 0:40:25 | 0:40:28 | |
and surf the internet on my laptop. | 0:40:28 | 0:40:30 | |
Sometimes I get frustrated with the trackpad, | 0:40:30 | 0:40:33 | |
so I would reach for my mouse. | 0:40:33 | 0:40:35 | |
I'd start running my mouse up and down my sofa arm on my lap, | 0:40:35 | 0:40:38 | |
surfaces that are clearly not designed for the use of a mouse. | 0:40:38 | 0:40:42 | |
Then came our Eureka moment, | 0:40:42 | 0:40:44 | |
as you can see here our exciting new product, Slouch Mat. | 0:40:44 | 0:40:48 | |
Peter Jones was keen to get his hands on the product. | 0:40:48 | 0:40:51 | |
I'm a bit concerned about the bits here. | 0:40:51 | 0:40:53 | |
What are these bits that pull out? | 0:40:53 | 0:40:56 | |
Oh! You've actually ripped it open? | 0:40:56 | 0:40:59 | |
-What are they inside? -Dried peas. -Wow! | 0:40:59 | 0:41:02 | |
But Piers Linney had already spotted a competing product in the room. | 0:41:03 | 0:41:08 | |
There is a device on the market that does that already? | 0:41:08 | 0:41:12 | |
You've got two on your chair over there. | 0:41:12 | 0:41:15 | |
They're called cushions. | 0:41:15 | 0:41:17 | |
On the theme of soft furnishings, | 0:41:19 | 0:41:21 | |
Kelly Hoppen wasted no time with her opinion on Slouch Mat aesthetics. | 0:41:21 | 0:41:26 | |
I think this is an incredibly ugly item to have on a sofa. | 0:41:26 | 0:41:31 | |
Even the cover, | 0:41:31 | 0:41:32 | |
you could have used a neoprene in all different neutral colours | 0:41:32 | 0:41:35 | |
which would have looked more modern than something which people would | 0:41:35 | 0:41:38 | |
have liked to have had on the side of their sofa. | 0:41:38 | 0:41:40 | |
Where the Dragons all agreed, is with smartphones, tablets | 0:41:41 | 0:41:45 | |
and touch screen devices becoming ever more popular, | 0:41:45 | 0:41:48 | |
the Slouch Mat was 1990s technology. | 0:41:48 | 0:41:51 | |
I'm going to be constructive but brutal. | 0:41:53 | 0:41:56 | |
I don't think it's very good. | 0:41:56 | 0:41:58 | |
Have you invented something for the mouse, | 0:41:58 | 0:42:01 | |
just as the mouse disappears from our lives? | 0:42:01 | 0:42:04 | |
This is completely back in the Dark Ages. | 0:42:04 | 0:42:07 | |
In a way you've invented a faster way of writing on parchment | 0:42:07 | 0:42:10 | |
with a quill the day before the printing press was invented. | 0:42:10 | 0:42:13 | |
-I don't think it's a good product, I don't think it will sell and I'm out. -Thank you. | 0:42:13 | 0:42:17 | |
Could there be a gap on the supermarket shelves, | 0:42:23 | 0:42:27 | |
already piled so high with jars and packets, | 0:42:27 | 0:42:29 | |
tempting us with the promise of speedy convenience and tasty food? | 0:42:29 | 0:42:33 | |
Entrepreneurs Vini and Bal Aujla think they have spotted one | 0:42:33 | 0:42:37 | |
for a fresh curry sauce. | 0:42:37 | 0:42:39 | |
HE INHALES DEEPLY | 0:42:48 | 0:42:50 | |
Let's try and keep calm. | 0:42:50 | 0:42:52 | |
Composed, take our time, take our time. | 0:42:52 | 0:42:55 | |
LIFT BELL PINGS | 0:42:55 | 0:42:57 | |
Hello. My name is Vini and this is my husband, Bal. | 0:43:12 | 0:43:15 | |
-We're here today... -I can hardly hear you. | 0:43:15 | 0:43:18 | |
Oh, gosh, OK. | 0:43:18 | 0:43:20 | |
We are here today to ask for a £50,000 investment | 0:43:20 | 0:43:23 | |
for a 15% share in our company, | 0:43:23 | 0:43:27 | |
Vini & Bal's Rustic Indian. | 0:43:27 | 0:43:29 | |
Currently we produce a range of four chilled, fresh Indian cook-in sauces. | 0:43:30 | 0:43:37 | |
We only use natural ingredients. | 0:43:37 | 0:43:39 | |
They're healthy, they're nutritious, | 0:43:39 | 0:43:43 | |
they're very easy to use. | 0:43:43 | 0:43:45 | |
The entire range is gluten-free, | 0:43:45 | 0:43:47 | |
asides from the Shahi, which is the blue sauce, | 0:43:47 | 0:43:49 | |
they are also dairy free | 0:43:49 | 0:43:52 | |
and you'll always end up with a traditional, tasty Indian meal. | 0:43:52 | 0:43:56 | |
In January this year our product was launched into 120 stores | 0:43:56 | 0:44:02 | |
of a national, independent supermarket. | 0:44:02 | 0:44:05 | |
We have a listing with the largest health food | 0:44:05 | 0:44:08 | |
distributor in the south-east of England, | 0:44:08 | 0:44:12 | |
who in turn also supplies five organic food stores in London. | 0:44:12 | 0:44:18 | |
We are imminently going live with the largest online grocer | 0:44:18 | 0:44:25 | |
and we have brought some samples for you to try | 0:44:25 | 0:44:28 | |
and after which we will be happy to answer your questions. | 0:44:28 | 0:44:31 | |
An understated pitch from this husband and wife team. | 0:44:34 | 0:44:37 | |
They're looking for £50,000 for 15% of their fresh curry business. | 0:44:37 | 0:44:44 | |
Key for Kelly Hoppen is Rustic Indian's authenticity. | 0:44:44 | 0:44:48 | |
It's hot. | 0:44:48 | 0:44:50 | |
Did you actually start making this in your own kitchen? | 0:44:51 | 0:44:54 | |
Yes, these are recipes that have been handed down many generations | 0:44:54 | 0:44:59 | |
and we actually wanted it to be more personal. | 0:44:59 | 0:45:03 | |
What sort of competition is there out there? | 0:45:03 | 0:45:06 | |
-Is there anything similar? -I mean, this is the thing. | 0:45:06 | 0:45:10 | |
The supermarket shelves are saturated with the preserved jars, | 0:45:10 | 0:45:14 | |
yet there is nothing in the fresh section and we just... | 0:45:14 | 0:45:18 | |
We just can't get to grips with that. | 0:45:18 | 0:45:21 | |
So there's no competition, whatsoever? | 0:45:21 | 0:45:23 | |
-BAL: Not in the supermarket, no. -What is the shelf life of this? | 0:45:23 | 0:45:26 | |
Currently we have 12 weeks. | 0:45:26 | 0:45:29 | |
Have you looked into why they don't do fresh? | 0:45:29 | 0:45:31 | |
They do have fresh Italian sauces | 0:45:31 | 0:45:34 | |
so why somebody has not thought about making fresh Indian | 0:45:34 | 0:45:39 | |
cook-in sauces, I think is purely down to the shelf life. | 0:45:39 | 0:45:43 | |
-BAL: And their model? -VINI: And their model. -Yeah. | 0:45:43 | 0:45:46 | |
I think it is as well. | 0:45:46 | 0:45:48 | |
I've got a little bit of experience in this... | 0:45:48 | 0:45:51 | |
It's different, admitted, it's Caribbean. | 0:45:51 | 0:45:53 | |
One of the reasons why we very much keep away from this, | 0:45:53 | 0:45:58 | |
-it's extremely expensive. -It is. | 0:45:58 | 0:46:01 | |
And its shortened lifespan, which means high level of investment | 0:46:01 | 0:46:05 | |
and wastage. So all the big players in this marketplace, | 0:46:05 | 0:46:09 | |
if this was a market opportunity, they would have launched it. | 0:46:09 | 0:46:12 | |
I'm wondering why they haven't? | 0:46:12 | 0:46:14 | |
I don't think they've actually seen it. | 0:46:14 | 0:46:17 | |
Trust me, they spend tens of millions a year | 0:46:17 | 0:46:20 | |
in this type of arena. | 0:46:20 | 0:46:22 | |
They'd know it. | 0:46:22 | 0:46:23 | |
A lesson on the workings of the prepared food | 0:46:27 | 0:46:30 | |
industry from a Dragon who knows. | 0:46:30 | 0:46:34 | |
But Piers Linney wants to bring the pitch back around to basics. | 0:46:34 | 0:46:38 | |
I want to talk about the food, I had the chicken, I love it. | 0:46:41 | 0:46:43 | |
It's as simple as that. Very straightforward from me. | 0:46:43 | 0:46:46 | |
When I grew up my uncle was Indian and very traditional, | 0:46:46 | 0:46:49 | |
I know what the real food should taste like and you're right, it is | 0:46:49 | 0:46:52 | |
quite different in terms of what we are presented with in restaurants. | 0:46:52 | 0:46:55 | |
I like your packaging. | 0:46:55 | 0:46:57 | |
-It stands out because it's different, isn't it? -Yes. | 0:46:57 | 0:46:59 | |
Like you say, you just don't see this. | 0:46:59 | 0:47:01 | |
When I first saw it I couldn't work out what is it? | 0:47:01 | 0:47:04 | |
I'm not familiar with that existing. It's quite amazing you found a niche. | 0:47:04 | 0:47:08 | |
That's pretty hard to do. | 0:47:08 | 0:47:11 | |
So I can see you've put Vini & Bal on the back. | 0:47:11 | 0:47:15 | |
Is it a bit of an ego trip? | 0:47:15 | 0:47:18 | |
No. Erm, everything that you see here has been created by us. | 0:47:20 | 0:47:26 | |
The illustration there was actually supposed to be my mum and dad | 0:47:26 | 0:47:31 | |
back in the '70s coming over from India. | 0:47:31 | 0:47:33 | |
When we are carrying out our marketing, | 0:47:33 | 0:47:37 | |
everybody seemed to assume that this was Bal and I. | 0:47:37 | 0:47:42 | |
-Right. -That's where the branding Vini & Bal's Rustic Indian came from. | 0:47:42 | 0:47:46 | |
But the reality is Vini & Bal is Vini and Bal, | 0:47:46 | 0:47:50 | |
the two people I see in front of me. | 0:47:50 | 0:47:52 | |
The big issue for me is actually you guys, in terms of the product | 0:47:52 | 0:47:57 | |
and its positioning, | 0:47:57 | 0:47:58 | |
the reason why people like Loyd Grossman have sold millions. | 0:47:58 | 0:48:01 | |
It's the reason why Levi Roots is a millionaire. | 0:48:01 | 0:48:04 | |
It's because, it's the brand that pushes the client | 0:48:04 | 0:48:07 | |
to buy the product. | 0:48:07 | 0:48:08 | |
I'm wondering what you've got to drive the brand values behind it? | 0:48:08 | 0:48:12 | |
We actually like Vini & Bal's Rustic Indian. | 0:48:14 | 0:48:17 | |
We started a PR campaign in January. | 0:48:17 | 0:48:19 | |
It's been very successful for us. | 0:48:19 | 0:48:23 | |
The main headline grabbing publications are the Observer, | 0:48:23 | 0:48:26 | |
the Guardian and Daily Mail and Sunday. | 0:48:26 | 0:48:30 | |
John Torode from MasterChef actually recommended a buy on this product. | 0:48:30 | 0:48:35 | |
That is a huge amount of PR. | 0:48:35 | 0:48:39 | |
A huge amount, which would essentially get your name out there. | 0:48:39 | 0:48:44 | |
The problem I'm having with all the PR that you've had, | 0:48:44 | 0:48:47 | |
I would have thought that you would have had a much more successful business by now. | 0:48:47 | 0:48:51 | |
We just started the PR in January of this year. | 0:48:51 | 0:48:54 | |
It doesn't matter, you've still had it. | 0:48:54 | 0:48:56 | |
Yeah, and we've had a phenomenal response. | 0:48:56 | 0:48:58 | |
The problem is, we can't actually supply everybody | 0:48:58 | 0:49:01 | |
because it's not readily available. | 0:49:01 | 0:49:03 | |
A PR company is going to have to go out and market you. | 0:49:03 | 0:49:07 | |
I don't think £50,000 is nearly enough money to actually | 0:49:07 | 0:49:12 | |
build the brand that you want. | 0:49:12 | 0:49:14 | |
It's just not something that I feel comfortable investing in. | 0:49:14 | 0:49:17 | |
-I'm afraid I'm out, but I wish you a lot of luck. -Thank you. | 0:49:17 | 0:49:21 | |
There are issues around this. | 0:49:24 | 0:49:27 | |
I love the look of it but you are going to have to spend a fortune. | 0:49:27 | 0:49:31 | |
I have a view, if you're spending less than £3,000 a month on PR | 0:49:31 | 0:49:35 | |
you might as well not spend any money at all. | 0:49:35 | 0:49:37 | |
I won't be investing so I'm afraid, I'm out. | 0:49:37 | 0:49:40 | |
A double blow for the entrepreneurs as Kelly Hoppen and Deborah Meaden | 0:49:43 | 0:49:48 | |
are spooked by the money needed to launch yet another cook-in sauce. | 0:49:48 | 0:49:53 | |
But Peter Jones wants to learn more about the couples' business credentials. | 0:49:55 | 0:50:00 | |
What do you do, Bal, now? | 0:50:01 | 0:50:03 | |
Predominantly most of my time is Rustic Indian, our children. | 0:50:03 | 0:50:07 | |
Erm... | 0:50:07 | 0:50:09 | |
We have a leasehold business... You have got a leasehold business. | 0:50:09 | 0:50:12 | |
Tell me about that quickly? | 0:50:12 | 0:50:14 | |
Yeah, we bought this bakery as an ongoing concern in 2008. | 0:50:14 | 0:50:20 | |
Erm... | 0:50:20 | 0:50:22 | |
And we bought at the peak of the market, | 0:50:22 | 0:50:26 | |
so to speak and the recession has kicked in. | 0:50:26 | 0:50:29 | |
It's... | 0:50:29 | 0:50:30 | |
It's... | 0:50:30 | 0:50:32 | |
There is an economic downturn and, erm, | 0:50:32 | 0:50:35 | |
the business sort of breaks even. | 0:50:35 | 0:50:38 | |
How much money have you in that business? | 0:50:38 | 0:50:40 | |
Well, including money that we put in | 0:50:41 | 0:50:44 | |
and the money that we borrowed, | 0:50:44 | 0:50:46 | |
that's 120,000. | 0:50:46 | 0:50:48 | |
Did you know what it was making at the time you bought it? | 0:50:50 | 0:50:53 | |
- Yeah, but in 2008 when we purchased it, | 0:50:53 | 0:50:56 | |
the business had started to quieten down, | 0:50:56 | 0:50:59 | |
just because those less money around. | 0:50:59 | 0:51:03 | |
I struggle with that bit because I've developed a theory over the last 30-odd years in business | 0:51:03 | 0:51:08 | |
that entrepreneurs who blame | 0:51:08 | 0:51:12 | |
the weather, the recession, | 0:51:12 | 0:51:15 | |
the government, never make it. | 0:51:15 | 0:51:17 | |
I'd be in that bakery now, trying to make that bakery work. | 0:51:17 | 0:51:21 | |
Yes... | 0:51:22 | 0:51:24 | |
It's having an interest. | 0:51:24 | 0:51:26 | |
It's having an interest in the bakery. | 0:51:26 | 0:51:28 | |
You have an interest you've invested in it. | 0:51:28 | 0:51:31 | |
Why are you not in there, making that bakery work? | 0:51:31 | 0:51:34 | |
Why are you not in there baking the bread? | 0:51:34 | 0:51:36 | |
It's not me. | 0:51:36 | 0:51:37 | |
It's not me. | 0:51:37 | 0:51:39 | |
Vini and Bal's admission that they have given up trying to | 0:51:42 | 0:51:45 | |
make their current bakery business profitable | 0:51:45 | 0:51:47 | |
has unnerved the Dragons. | 0:51:47 | 0:51:50 | |
And Peter Jones has made his mind up. | 0:51:50 | 0:51:54 | |
This is not something, sadly, for me to invest in. | 0:52:00 | 0:52:05 | |
The brand positioning is wrong. | 0:52:05 | 0:52:07 | |
I'm not convinced on the product. | 0:52:07 | 0:52:09 | |
I do think there is a very, | 0:52:10 | 0:52:12 | |
very good reason why that marketplace has not been tapped. | 0:52:12 | 0:52:16 | |
I just think you're trying to punch way above your weight. | 0:52:17 | 0:52:20 | |
I'm going to wish you the best of luck. It's a lovely product | 0:52:20 | 0:52:24 | |
-but it's not an investment I can take forward and I'm out. -Thank you. | 0:52:24 | 0:52:28 | |
I agree it's a lovely product, it's well packed. | 0:52:30 | 0:52:33 | |
Well presented, but I just... | 0:52:33 | 0:52:35 | |
..don't think the problems with supermarkets taking it | 0:52:35 | 0:52:39 | |
can be overcome. | 0:52:39 | 0:52:40 | |
For that reason, | 0:52:40 | 0:52:43 | |
I'm out. | 0:52:43 | 0:52:44 | |
With four tycoons gone, only the newest and youngest Dragon remains. | 0:52:49 | 0:52:54 | |
But has Piers Linney's early enthusiasm for this fresh curry | 0:52:56 | 0:52:59 | |
business been dampened by the more experienced old guard? | 0:52:59 | 0:53:03 | |
Vini and Bal, two things that have been discussed wind me up. | 0:53:07 | 0:53:10 | |
One is, entrepreneurs get into businesses that make mistakes, | 0:53:10 | 0:53:14 | |
it's not what they thought it was, | 0:53:14 | 0:53:15 | |
it's not something you should be strung up for. | 0:53:15 | 0:53:18 | |
That's just life and that how you learn. | 0:53:18 | 0:53:20 | |
The other thing is, I don't pretend to be an expert in supermarkets. | 0:53:20 | 0:53:23 | |
You know, this is the way it's done and that's the way the market is and that's the price | 0:53:23 | 0:53:26 | |
and they'll squeeze you, it's been done before. | 0:53:26 | 0:53:29 | |
It's just nonsense. | 0:53:29 | 0:53:30 | |
When you go into a supermarket you are looking for something which is differentiated, | 0:53:30 | 0:53:34 | |
something that is fresh. | 0:53:34 | 0:53:35 | |
Yeah, I trust its supply chain, maybe there is a story behind it. | 0:53:35 | 0:53:39 | |
I know it's not some made up brand, that's being manufactured, | 0:53:39 | 0:53:42 | |
shoved into a jar with who knows what | 0:53:42 | 0:53:44 | |
just so it has got a shelf life. | 0:53:44 | 0:53:46 | |
I mean, the world has to change. | 0:53:46 | 0:53:48 | |
But... | 0:53:48 | 0:53:50 | |
You're going to need more than 50K. | 0:53:50 | 0:53:52 | |
That's the issue. | 0:53:56 | 0:53:59 | |
I mean, a lot more, not even 100K, I mean, hundreds of thousands. | 0:53:59 | 0:54:03 | |
You could spend 50 on just your branding. | 0:54:09 | 0:54:12 | |
You could... | 0:54:12 | 0:54:13 | |
The question is, can I? | 0:54:16 | 0:54:17 | |
I'll tell you what, I make you an offer. It's a bit of a punt. | 0:54:21 | 0:54:23 | |
I'd give you the 50,000... | 0:54:25 | 0:54:27 | |
..but I want 30%. | 0:54:31 | 0:54:33 | |
Is the 30% that you asked for, is that negotiable | 0:54:36 | 0:54:39 | |
because you did want to go to a maximum of 25? | 0:54:39 | 0:54:41 | |
-Is there any movement in that? -No. | 0:54:41 | 0:54:43 | |
Erm... | 0:54:45 | 0:54:47 | |
May we ask how you see yourself fitting in with our brand, | 0:54:47 | 0:54:52 | |
our vision and what do you think you can bring to the table to | 0:54:52 | 0:54:56 | |
help us get to where we want to get to? | 0:54:56 | 0:55:00 | |
You don't know me as well as some of the other Dragons, | 0:55:00 | 0:55:02 | |
that's the issue you've got but you have to take, I've bought businesses that are worth millions, | 0:55:02 | 0:55:07 | |
tens of millions over the last five years, during three recessions. | 0:55:07 | 0:55:10 | |
What I do have is lots of different networks, you know. | 0:55:10 | 0:55:14 | |
I'm not going to lie to you, I'm not the biggest well-connected person | 0:55:14 | 0:55:17 | |
in retail but you're not going to get this anywhere without some money. | 0:55:17 | 0:55:21 | |
You know, there is a bit of risk in this, let's face it. | 0:55:21 | 0:55:24 | |
-Do you want to have a chat in the boardroom? -In the boardroom! | 0:55:27 | 0:55:30 | |
Yeah, yeah, help yourself. | 0:55:31 | 0:55:33 | |
Say, "yes". | 0:55:40 | 0:55:42 | |
-Yeah. -Yeah? | 0:55:58 | 0:56:00 | |
Let's ask the question. | 0:56:00 | 0:56:02 | |
OK... | 0:56:02 | 0:56:03 | |
We'd be happy to accept your offer. | 0:56:06 | 0:56:08 | |
-Cool. -Well done. | 0:56:08 | 0:56:10 | |
APPLAUSE | 0:56:10 | 0:56:12 | |
After a tricky negotiation, Piers Linney seals the deal | 0:56:15 | 0:56:19 | |
and an overwhelmed Vini leaves the Den with her husband, Bal, | 0:56:19 | 0:56:23 | |
and the £50,000 investment they need. | 0:56:23 | 0:56:25 | |
She's still not too happy, is she? | 0:56:33 | 0:56:35 | |
I don't know whether she was crying out of delight, or... | 0:56:35 | 0:56:37 | |
-"Not Piers, come on..." -I think you'll do well. | 0:56:37 | 0:56:41 | |
I'm pleased they got investment. I'm just pleased it wasn't my money. | 0:56:41 | 0:56:45 | |
It's amazing with a capital A. | 0:56:45 | 0:56:48 | |
A-mazing. Yeah? | 0:56:48 | 0:56:50 | |
It's like you can't put a value, even though | 0:56:52 | 0:56:55 | |
we just have in what we've given away and what we got back. | 0:56:55 | 0:56:58 | |
That's not really the true value of a Dragon. | 0:56:58 | 0:57:00 | |
It far outweighs what he's just invested. | 0:57:00 | 0:57:03 | |
We know that, he knows that and now it's actually about building that. | 0:57:03 | 0:57:07 | |
So a double investment this week, both of them in the food and drink industry, | 0:57:16 | 0:57:21 | |
both trying to combine convenience for the consumer with a fresh taste. | 0:57:21 | 0:57:25 | |
It's a fresh step for Piers Linney who's spicing up his business | 0:57:25 | 0:57:29 | |
portfolio by entering this sector for the first time. | 0:57:29 | 0:57:32 | |
The conversations on all of tonight's pitches | 0:57:32 | 0:57:35 | |
continue on Twitter, using the hash tag Dragons' Den. | 0:57:35 | 0:57:38 | |
Let's go. | 0:57:38 | 0:57:40 | |
Next week in the Den... | 0:57:41 | 0:57:43 | |
There's a huge amount of work to get anywhere near comfortable making an investment. | 0:57:43 | 0:57:48 | |
Will you then take a percentage of those sales? | 0:57:48 | 0:57:51 | |
We would split the sales 50/50. | 0:57:51 | 0:57:54 | |
I'm not entirely convinced about this, | 0:57:54 | 0:57:57 | |
-although I sort of like it in a way. -Thank you. | 0:57:57 | 0:57:59 | |
I'm a natural investor for you. | 0:57:59 | 0:58:01 | |
So what would be the offer? | 0:58:01 | 0:58:03 | |
Or don't you want to make one? | 0:58:03 | 0:58:06 | |
Why have you felt it necessary to come in here and try | 0:58:07 | 0:58:10 | |
and pull the wool over our eyes? | 0:58:10 | 0:58:14 |