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-You are deluded. -It doesn't matter what the business is, | 0:00:02 | 0:00:04 | |
it's my return that matters. | 0:00:04 | 0:00:06 | |
I would want 40%. | 0:00:06 | 0:00:07 | |
-Would you invest in it? -I'm irritated. -I'm out. | 0:00:07 | 0:00:11 | |
These are the Dragons. | 0:00:27 | 0:00:29 | |
Wealthy, well-connected, | 0:00:29 | 0:00:32 | |
innovative | 0:00:32 | 0:00:34 | |
and influential. | 0:00:34 | 0:00:36 | |
Each week, they make or break the dreams | 0:00:36 | 0:00:39 | |
of dozens of budding entrepreneurs. | 0:00:39 | 0:00:42 | |
In the Den, leisure and marketing expert Deborah Meaden. | 0:00:44 | 0:00:49 | |
Telecoms giant Peter Jones. | 0:00:51 | 0:00:53 | |
Hotel and health club owner Duncan Bannatyne. | 0:00:54 | 0:00:58 | |
Founder of her own global interior design brand, Kelly Hoppen. | 0:00:58 | 0:01:02 | |
And Cloud computing expert and former city financier, Piers Linney. | 0:01:02 | 0:01:07 | |
With thousands to lose, but millions to gain, | 0:01:08 | 0:01:11 | |
the Dragons are prepared to fight for that next shrewd investment. | 0:01:11 | 0:01:15 | |
In the last decade, | 0:01:17 | 0:01:19 | |
over 900 entrepreneurs have faced the Dragons, | 0:01:19 | 0:01:21 | |
and investment offers of £14.5 million | 0:01:21 | 0:01:25 | |
have been made in this room. | 0:01:25 | 0:01:27 | |
To face them takes nerve and vision, | 0:01:27 | 0:01:30 | |
so who will leave with the Dragons' money? | 0:01:30 | 0:01:32 | |
Welcome back to Dragons' Den, | 0:01:40 | 0:01:43 | |
where a fresh batch of cash-hungry entrepreneurs | 0:01:43 | 0:01:46 | |
are readying themselves for the elevator pitch of a lifetime. | 0:01:46 | 0:01:49 | |
Coming up on tonight's show... | 0:01:49 | 0:01:52 | |
-It's taken you to the edge, hasn't it? -Yes. | 0:01:52 | 0:01:56 | |
If I start becoming a regular, | 0:01:56 | 0:01:58 | |
I'll learn how to throw a girl in the air? | 0:01:58 | 0:02:01 | |
What just happened? | 0:02:02 | 0:02:04 | |
I'm sorry to burst your bubble, but that is hideous. | 0:02:04 | 0:02:09 | |
Buh-buh-buh-buh! | 0:02:09 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:12 | |
Do you want a job? | 0:02:12 | 0:02:14 | |
First into the den is Scott Cupid. | 0:02:18 | 0:02:21 | |
He was a banker, | 0:02:21 | 0:02:23 | |
but decided to swap his job for something with a little more swing. | 0:02:23 | 0:02:27 | |
Ready to have fun? Yeah? | 0:02:27 | 0:02:30 | |
Can you believe this? | 0:02:30 | 0:02:32 | |
SWING MUSIC PLAYS | 0:02:33 | 0:02:36 | |
Hi, Dragons. Thanks for your time. | 0:03:07 | 0:03:09 | |
My name is Scott, I'm here to tell you about Swing Patrol. | 0:03:09 | 0:03:12 | |
We'd like to offer 10% equity and we'd like to ask for £65,000. | 0:03:12 | 0:03:18 | |
So, what is Swing Patrol? | 0:03:18 | 0:03:20 | |
It's the biggest swing dance school in the world. | 0:03:20 | 0:03:22 | |
We have 1,200 students a week, we operate in 27 venues | 0:03:22 | 0:03:26 | |
across London, we have a very talented award-winning teaching team. | 0:03:26 | 0:03:30 | |
And we have momentum and growth. | 0:03:30 | 0:03:32 | |
We run a festival, the annual London Swing Festival, we run competitions, | 0:03:32 | 0:03:37 | |
we run a lot of big social dances, we do corporate entertainment. | 0:03:37 | 0:03:41 | |
We provide a lot of dancers, we have two great troupes, | 0:03:41 | 0:03:44 | |
it's a very immersive experience, vintage DJs, | 0:03:44 | 0:03:46 | |
the whole thing you might require under a swing umbrella. | 0:03:46 | 0:03:50 | |
We would love you to do a two-minute lesson with me. | 0:03:50 | 0:03:54 | |
It'll be fun, it'll be easy. You may even learn a step. | 0:03:54 | 0:03:57 | |
What do you say? | 0:03:57 | 0:03:59 | |
-I'm up for it. -I'm going to come and dance. -All right. Hit it, Mr Music. | 0:03:59 | 0:04:03 | |
Five, six, five, six... | 0:04:03 | 0:04:06 | |
A pitch with a spring in its step from Scott Cupid, who is seeking | 0:04:06 | 0:04:10 | |
£65,000 in return for a 10% share in his swing dance business. | 0:04:10 | 0:04:16 | |
Thanks, Mr Music Man. Thank you, Dragons, for jumping in. | 0:04:16 | 0:04:19 | |
We appreciate it. | 0:04:19 | 0:04:20 | |
Deborah Meaden, who recently swapped the boardroom for the ballroom, | 0:04:22 | 0:04:26 | |
gets straight down to business. | 0:04:26 | 0:04:28 | |
That was fun. Let's look at the business. | 0:04:30 | 0:04:33 | |
I think you called yourself | 0:04:33 | 0:04:35 | |
the biggest swing dance school in the world. | 0:04:35 | 0:04:38 | |
-Yes. -Um...how does that turn into cash? | 0:04:38 | 0:04:42 | |
Well, the revenue has had a steady growth over the last five years. | 0:04:42 | 0:04:47 | |
It started at perhaps 36,000, then it's gone up to 84,000, | 0:04:47 | 0:04:51 | |
120,000, 180,000, 210,000, and the last financial period was £280,000. | 0:04:51 | 0:04:58 | |
-The gross profit has reached £190,000. -And net profit? | 0:04:58 | 0:05:01 | |
This year it was 67,000. | 0:05:03 | 0:05:05 | |
It's had a solid growth | 0:05:05 | 0:05:07 | |
and all the projections are it should continue to grow. | 0:05:07 | 0:05:10 | |
So how does it work? | 0:05:10 | 0:05:12 | |
It's like a Zumba, really, in terms of the model. | 0:05:12 | 0:05:14 | |
I mean, that's not really dance. | 0:05:14 | 0:05:16 | |
We wouldn't pretend to be as big as a Zumba | 0:05:16 | 0:05:18 | |
-because they are so massive. -But that's where you'd like to go. | 0:05:18 | 0:05:21 | |
It's the same joy, they've really done something clever. | 0:05:21 | 0:05:23 | |
When people come to a Swing Patrol class, | 0:05:23 | 0:05:25 | |
they're interacting with people, they've been online all day, | 0:05:25 | 0:05:28 | |
here's your chance in one class, you'll interact with 30 or 40 people. | 0:05:28 | 0:05:31 | |
I know, it's an art form, so it's not going to go anywhere. | 0:05:31 | 0:05:34 | |
But the interest levels in it might. | 0:05:34 | 0:05:36 | |
I've been involved for 15 years | 0:05:36 | 0:05:38 | |
and I've been told for 15 years that it's about to die out. | 0:05:38 | 0:05:41 | |
And all I've seen is it continue to grow. | 0:05:41 | 0:05:44 | |
I think, as long as we keep pushing it, | 0:05:44 | 0:05:46 | |
we're keeping it in people's mind. | 0:05:46 | 0:05:48 | |
I can't express how much I really enjoyed that. | 0:05:48 | 0:05:51 | |
-I didn't want it to end. It was fantastic. -Thanks. | 0:05:51 | 0:05:54 | |
Have you tried this in health clubs? | 0:05:54 | 0:05:56 | |
Zumba's been great, no doubt about it. | 0:05:56 | 0:05:58 | |
But we do think there's room for something new. | 0:05:58 | 0:06:00 | |
We have this fitness programme called the Charleston Challenge. | 0:06:00 | 0:06:04 | |
It's high-energy, it's good exercise, it's great music, but it's a secret. | 0:06:04 | 0:06:07 | |
Again, we haven't done it very well, | 0:06:07 | 0:06:09 | |
we certainly haven't put it through a chain or anything. | 0:06:09 | 0:06:11 | |
If I start becoming a regular, I'll learn how to throw a girl in the air? | 0:06:11 | 0:06:16 | |
-In time, yes. Absolutely. -How long will that take? -A couple of months. | 0:06:16 | 0:06:20 | |
Are you up for that, Deborah? You and me, in there. | 0:06:20 | 0:06:23 | |
I'd like to see you practise with someone else | 0:06:23 | 0:06:25 | |
before you throw me in the air. | 0:06:25 | 0:06:27 | |
Deborah Meaden is keeping her feet firmly on the ground. | 0:06:31 | 0:06:34 | |
And a pragmatic approach is also being adopted | 0:06:36 | 0:06:39 | |
by telecoms tycoon Peter Jones. | 0:06:39 | 0:06:41 | |
The issue that really hits me straightaway is | 0:06:45 | 0:06:48 | |
how do you build this into a business | 0:06:48 | 0:06:50 | |
that can make a lot of money? | 0:06:50 | 0:06:52 | |
These sell-out events, it's just been incredible, | 0:06:52 | 0:06:55 | |
the last 8 to 12 months, that we are sadly turning people away. | 0:06:55 | 0:06:59 | |
Part of that is, if we just had a swing club with a bit more room, | 0:06:59 | 0:07:02 | |
that we could have the same events on Friday and Saturday nights, | 0:07:02 | 0:07:06 | |
we could almost prove to the Dragons that we can do it elsewhere as well. | 0:07:06 | 0:07:10 | |
And is there such a location | 0:07:10 | 0:07:11 | |
that you could get that isn't ridiculously expensive? | 0:07:11 | 0:07:14 | |
The one we have in mind is about 35,000 square feet. | 0:07:14 | 0:07:18 | |
-What is the rental of that building? What would it cost you? -£50,000. | 0:07:18 | 0:07:22 | |
But you'd have to fit it out, this is an old warehouse. | 0:07:22 | 0:07:25 | |
And what is the cost of that? | 0:07:25 | 0:07:27 | |
According to the people we've met, the contractors, about £15,000. | 0:07:27 | 0:07:31 | |
It needs to be a sprung dance floor. | 0:07:31 | 0:07:33 | |
Of course, we'd require security, we'd require a bar... | 0:07:33 | 0:07:37 | |
You mentioned a bar, you're not thinking of putting alcohol in it? | 0:07:37 | 0:07:40 | |
-Yes. -That changes the landscape quite considerably. | 0:07:40 | 0:07:44 | |
We'd like to think of this ballroom being a multipurpose room. | 0:07:44 | 0:07:47 | |
It would be a place where you could do fitness things | 0:07:47 | 0:07:50 | |
and so forth, and we want it to be almost 24/7. | 0:07:50 | 0:07:52 | |
The details of Scott's planned warehouse conversion | 0:07:54 | 0:07:58 | |
have set alarm bells ringing amongst the Dragons. | 0:07:58 | 0:08:01 | |
Kelly Hoppen is quick to voice concern | 0:08:01 | 0:08:04 | |
over his optimistic estimate of the potential cost. | 0:08:04 | 0:08:08 | |
I can tell you, being in the building business, | 0:08:09 | 0:08:12 | |
and design business, there is no way you could do that for £15,000. | 0:08:12 | 0:08:16 | |
And I'm not sure that your model's right. | 0:08:16 | 0:08:19 | |
I'm just trying to get my head around it. | 0:08:19 | 0:08:21 | |
But having said that, if you have the whole thing done, | 0:08:21 | 0:08:25 | |
that becomes your franchise model. | 0:08:25 | 0:08:27 | |
Which will be easier to then sell. | 0:08:27 | 0:08:30 | |
My hope is that we could talk a Dragon into being involved in | 0:08:30 | 0:08:33 | |
one of them and then showing you how successful it was | 0:08:33 | 0:08:35 | |
and then that could be done somewhere else quite easily, | 0:08:35 | 0:08:38 | |
because we've done it once. | 0:08:38 | 0:08:39 | |
Scott, I'll tell you where I am. | 0:08:42 | 0:08:44 | |
I think, if you had come in and pitched yourself trying to create | 0:08:44 | 0:08:47 | |
you know, the Zumba of swing, that's potentially interesting. | 0:08:47 | 0:08:50 | |
Retrenching into a venue and opening a nightclub, | 0:08:50 | 0:08:53 | |
no matter what happens there, it doesn't work for me. | 0:08:53 | 0:08:56 | |
-Best of luck, I may come down one night. -You'd be very welcome. | 0:08:56 | 0:08:59 | |
I'm out. | 0:08:59 | 0:09:01 | |
Despite a promising start, | 0:09:02 | 0:09:04 | |
Scott's prospects of securing an investment have taken a serious hit. | 0:09:04 | 0:09:09 | |
Will Deborah Meaden also be turned off by the direction | 0:09:10 | 0:09:13 | |
he wants to take the business? | 0:09:13 | 0:09:16 | |
The whole venue thing worries me, honestly. | 0:09:16 | 0:09:19 | |
And if you are wedded to that, it worries me enough to say... | 0:09:19 | 0:09:23 | |
-I'm not, Deborah. -I was going to say, we need to stop the conversation. | 0:09:23 | 0:09:26 | |
If there was a chance a Dragon thought Swing Patrol was something viable, | 0:09:26 | 0:09:30 | |
I'd give you a commitment that I'd walk away from this idea. | 0:09:30 | 0:09:33 | |
An ability to think on his feet, rather than dance with them, | 0:09:35 | 0:09:39 | |
appears to have saved Scott from disaster. | 0:09:39 | 0:09:42 | |
But will his swift change of direction have swung | 0:09:42 | 0:09:45 | |
the remaining Dragons in his favour? | 0:09:45 | 0:09:48 | |
You're obviously quite flexible in how you would carry it forward. | 0:09:50 | 0:09:54 | |
I love it, so I'm going to make you an offer. | 0:09:54 | 0:09:56 | |
I'm going to offer you half the money. I'd want 10%. | 0:09:59 | 0:10:03 | |
Thank you for your offer. | 0:10:06 | 0:10:07 | |
I'm an exercise freak, I run or train everyday, | 0:10:12 | 0:10:16 | |
I love to dance, and I think that there is definitely | 0:10:16 | 0:10:20 | |
a business model here that could be rolled out. | 0:10:20 | 0:10:24 | |
I'd like to offer you half the money for 10%. | 0:10:24 | 0:10:27 | |
Because I think there are lots of good brains in this room | 0:10:27 | 0:10:30 | |
and I think that we can all offer something different. | 0:10:30 | 0:10:33 | |
-And will you let me throw you up in the air? -Yes. -Hey! | 0:10:33 | 0:10:37 | |
Two enthusiastic offers from Kelly Hoppen and Duncan Bannatyne. | 0:10:41 | 0:10:46 | |
Will Peter Jones also be prepared to supply the cash needed | 0:10:46 | 0:10:51 | |
to elevate Scott's business? | 0:10:51 | 0:10:53 | |
Scott, I think it's clearly... | 0:10:53 | 0:10:56 | |
It's wonderful, everything about it is great. | 0:10:56 | 0:10:59 | |
You'd even like that we all wear stripy socks in the Lindy Hop world, | 0:10:59 | 0:11:02 | |
-did you know that? -Do you? -Every one of us, yes. | 0:11:02 | 0:11:05 | |
-So I'm in fashion? -You are, yes. -Finally! | 0:11:05 | 0:11:09 | |
You know, I think I'm a bit young to go on Strictly just yet. | 0:11:10 | 0:11:13 | |
So I'll hold that opportunity. And I hope it might come in years to come. | 0:11:13 | 0:11:19 | |
But I think that... | 0:11:19 | 0:11:22 | |
You've got some incredible offers. | 0:11:23 | 0:11:26 | |
So I'm going to say I'm out, | 0:11:26 | 0:11:28 | |
but I wish you the very best of luck, Scott. | 0:11:28 | 0:11:30 | |
Four Dragons have now declared their positions. | 0:11:32 | 0:11:35 | |
And with two offers already on the table, | 0:11:37 | 0:11:39 | |
it's time for Strictly Come Dancing contestant, Deborah Meaden, to have her say. | 0:11:39 | 0:11:45 | |
I've often said to people, you know, | 0:11:46 | 0:11:48 | |
-loving something doesn't make it a good investment. -Sure. | 0:11:48 | 0:11:52 | |
And that sometimes you have to take a back step and say, | 0:11:52 | 0:11:54 | |
because I love it, I can't see a clear picture. | 0:11:54 | 0:11:57 | |
But what I like about you is your credibility and your history. | 0:11:57 | 0:12:00 | |
-Fair enough. -So I'm going to make you an offer. | 0:12:00 | 0:12:03 | |
-Thank you. -And I'm going to offer you all of the money. | 0:12:03 | 0:12:07 | |
But I want 20% of the business. | 0:12:10 | 0:12:12 | |
I need a couple of minutes, if that's OK. Just one or two. | 0:12:14 | 0:12:17 | |
I've built this on a real passion for dance. | 0:12:44 | 0:12:46 | |
-So I think I'm going to accept Deborah's offer. -Thank you. | 0:12:46 | 0:12:50 | |
Well, now I'm allowed to be excited. | 0:12:50 | 0:12:53 | |
Brilliant. There we are. You know, and that was my head over my heart. | 0:12:53 | 0:12:58 | |
But now I'm allowing my heart to get excited. Brilliant. | 0:12:58 | 0:13:02 | |
So, Scott waltzes out of the Den | 0:13:04 | 0:13:06 | |
having secured both the £65,000 investment he was seeking | 0:13:06 | 0:13:11 | |
and the backing of self-confessed dance nut, Deborah Meaden. | 0:13:11 | 0:13:15 | |
Oh, goodness! I can't believe it, it's so amazing. | 0:13:15 | 0:13:19 | |
It's a perfect fit, isn't it? It's all about timing. | 0:13:22 | 0:13:24 | |
What, cos she's been in Strictly? | 0:13:24 | 0:13:26 | |
Yes, honestly, Duncan, and I understand it for that reason. | 0:13:26 | 0:13:32 | |
Just for that reason. | 0:13:32 | 0:13:33 | |
Next into the Den, a Lincolnshire couple, John and Claire Brumby. | 0:13:47 | 0:13:52 | |
Crisps are one of the nation's favourite snacks. | 0:13:52 | 0:13:55 | |
We munch our way through | 0:13:55 | 0:13:57 | |
an astonishing 6 billion packets every year. | 0:13:57 | 0:13:59 | |
John and Claire believe their low-fat vegetable crisps | 0:14:01 | 0:14:04 | |
are a perfect fit for these health-conscious times. | 0:14:04 | 0:14:07 | |
But will the Dragons bite? | 0:14:07 | 0:14:09 | |
Hello, Dragons. I'm Claire. And this is my husband John. | 0:14:16 | 0:14:20 | |
We are here today to ask for £75,000 in return for 15% equity | 0:14:20 | 0:14:25 | |
in our business, Scrubbys Vegetable Crisps. | 0:14:25 | 0:14:29 | |
Our crisps are at least 30% less fat | 0:14:29 | 0:14:32 | |
and 18% less calories than standard fried vegetable crisps. | 0:14:32 | 0:14:35 | |
They are also gluten-free. | 0:14:35 | 0:14:37 | |
We launched Scrubbys in May 2012 with the intention of bringing | 0:14:37 | 0:14:42 | |
a healthier snacking option to the market. | 0:14:42 | 0:14:44 | |
And we are on a mission to bring healthier snacking to the masses. | 0:14:44 | 0:14:47 | |
The UK snacking market is ever growing and is currently worth | 0:14:47 | 0:14:51 | |
£3.3 billion, with the crisp sector worth £930 million. | 0:14:51 | 0:14:56 | |
We've got some great high-profile listings to date, | 0:14:56 | 0:14:59 | |
namely Harrods, Fortnum and Mason and Partridges. | 0:14:59 | 0:15:02 | |
Our crisps have been awarded a gold star at the Great Taste Awards | 0:15:03 | 0:15:07 | |
and Scrubbys has been named a cool brand. | 0:15:07 | 0:15:10 | |
We have secured a listing with the online supermarket Ocado. | 0:15:10 | 0:15:13 | |
And we are also launching into circa 200 Waitrose stores | 0:15:13 | 0:15:17 | |
in the "free-from" section. | 0:15:17 | 0:15:19 | |
A low-key pitch from John and Claire Brumby, | 0:15:21 | 0:15:25 | |
who are looking for £75,000 | 0:15:25 | 0:15:27 | |
in exchange for 15% of their business. | 0:15:27 | 0:15:31 | |
In a saturated market, | 0:15:31 | 0:15:33 | |
Deborah Meaden wants to find out more about their competition. | 0:15:33 | 0:15:37 | |
So, Claire, John, | 0:15:40 | 0:15:42 | |
what other products are there in this marketplace? | 0:15:42 | 0:15:46 | |
Because there's quite a lot of | 0:15:46 | 0:15:48 | |
-vegetable-type crisp products around, aren't there? -There are. | 0:15:48 | 0:15:52 | |
Apart from ours, all the other vegetable crisps on the market | 0:15:52 | 0:15:56 | |
are standard fried, whereas we use a unique technique. | 0:15:56 | 0:16:00 | |
They're fried at a much lower temperature, below 130 degrees, | 0:16:00 | 0:16:03 | |
whereas standard frying is approximately 180 degrees. | 0:16:03 | 0:16:07 | |
-How big is that bit of the market? -The regular, standard fry? | 0:16:07 | 0:16:13 | |
That's massive. The biggest company, I think they sold for 100 million. | 0:16:13 | 0:16:18 | |
So, has this ship already sailed? | 0:16:18 | 0:16:21 | |
In terms of the mass market? | 0:16:21 | 0:16:23 | |
Not at all. | 0:16:24 | 0:16:25 | |
We don't believe so, because of the more health-conscious consumer, | 0:16:25 | 0:16:30 | |
we believe that we'll be giving a product that has | 0:16:30 | 0:16:33 | |
all the fantastic flavours. | 0:16:33 | 0:16:34 | |
But you don't get the greasy aftertaste on your fingers | 0:16:34 | 0:16:37 | |
or on the roof of your mouth when you've eaten the product. | 0:16:37 | 0:16:39 | |
You're right, they are very nice, actually. | 0:16:39 | 0:16:42 | |
Often, when you do get a lower fat in a healthier snack, | 0:16:42 | 0:16:45 | |
sometimes you compromise on the taste. | 0:16:45 | 0:16:47 | |
So we wanted to still retain the taste, | 0:16:47 | 0:16:49 | |
but we also wanted to get a healthier fat, | 0:16:49 | 0:16:51 | |
which is why we settled on this cooking method - vacuum frying. | 0:16:51 | 0:16:54 | |
I know you're saying it's different because of the way it's made, | 0:16:54 | 0:16:58 | |
but how difficult is it going to be, | 0:16:58 | 0:17:00 | |
without a huge amount of money into marketing, | 0:17:00 | 0:17:02 | |
to be able to get the message across? | 0:17:02 | 0:17:05 | |
We've done lots of markets, we've done lots of festivals, | 0:17:05 | 0:17:08 | |
and people come to us and tell us | 0:17:08 | 0:17:10 | |
we love your crisps, they're not as greasy. | 0:17:10 | 0:17:13 | |
And it's beautiful because you stand there | 0:17:13 | 0:17:15 | |
and they tell you all your USPs. You don't even have to say anything. | 0:17:15 | 0:17:19 | |
These passionate entrepreneurs believe | 0:17:20 | 0:17:22 | |
they have a product that sells itself. | 0:17:22 | 0:17:25 | |
But Duncan Bannatyne is eager to establish | 0:17:25 | 0:17:28 | |
whether current sales support the hype. | 0:17:28 | 0:17:31 | |
What's your turnover been like, financially? | 0:17:33 | 0:17:36 | |
Year one, obviously it was just a part year, | 0:17:36 | 0:17:38 | |
-we only had one product, and we sold £20,000 worth. -£20,000 worth? -Yes. | 0:17:38 | 0:17:44 | |
Year two was 75. And this year we're projecting 320,000 sales. | 0:17:44 | 0:17:49 | |
How are you jumping from 75,000 to 320? | 0:17:49 | 0:17:53 | |
Because we are launching two other products this year and we've also got | 0:17:53 | 0:17:56 | |
the Ocado listing coming on board and the Waitrose listing. | 0:17:56 | 0:18:00 | |
You've done very well. | 0:18:00 | 0:18:02 | |
-Thank you. -How much money have you put into this? | 0:18:02 | 0:18:05 | |
Physically about £20,000. | 0:18:05 | 0:18:07 | |
We took £15,000 out of our house | 0:18:07 | 0:18:09 | |
and we got a loan from a family member for £5,000. | 0:18:09 | 0:18:12 | |
You own 100% of shares between you? | 0:18:12 | 0:18:14 | |
-No, we've got 75%. -Who's got the other 25? | 0:18:14 | 0:18:17 | |
One gentleman's got 10% and another gentleman's got 15%. | 0:18:17 | 0:18:20 | |
-What did they put into the business? -Combined, they've put in £50,000. | 0:18:20 | 0:18:26 | |
They've put in 50, you've put in 20, | 0:18:26 | 0:18:28 | |
so there's £70,000 been spent on it. | 0:18:28 | 0:18:31 | |
We've also had a loan from the Hull and Humber Business Development Fund for £50,000. | 0:18:31 | 0:18:35 | |
The £50,000, do you have to pay that back? | 0:18:35 | 0:18:38 | |
Yes. The Acorn Fund. | 0:18:38 | 0:18:40 | |
We had the 50,000 from the Acorn, we had another 10,000 from Acorn | 0:18:40 | 0:18:44 | |
and we had 15,000 from Finance Yorkshire. | 0:18:44 | 0:18:47 | |
And how are you surviving now? | 0:18:47 | 0:18:48 | |
Have you got other jobs or are you just doing this...? | 0:18:48 | 0:18:51 | |
To be honest, three or four weeks ago, we just... | 0:18:51 | 0:18:54 | |
We...we hit the wall. | 0:18:54 | 0:18:56 | |
So I had to take a job. | 0:18:56 | 0:18:59 | |
But we haven't given up, hence being stood here today. | 0:18:59 | 0:19:02 | |
It's written all over Claire's face. | 0:19:04 | 0:19:06 | |
-It's taken you to the edge, hasn't it? -Yes. | 0:19:08 | 0:19:12 | |
-You've gone back to work. -Yes. -To support your family. -Yes. | 0:19:12 | 0:19:17 | |
Three children, you've got to, haven't you? | 0:19:18 | 0:19:21 | |
The reason we didn't have any money was because we did get | 0:19:21 | 0:19:24 | |
some personal debt, so we've been climbing ourselves out of that. | 0:19:24 | 0:19:27 | |
That's why we couldn't get a bank to help us or anything. | 0:19:27 | 0:19:31 | |
You've got a dream. You've got a business. | 0:19:31 | 0:19:35 | |
-But you're broke. -Yes. | 0:19:36 | 0:19:40 | |
We're not going to give in, you know, we're going to build the brand | 0:19:42 | 0:19:46 | |
and it's going to be a fantastic brand. | 0:19:46 | 0:19:48 | |
Could John and Claire's complex financial situation spell disaster | 0:19:52 | 0:19:57 | |
for their initially strong pitch? | 0:19:57 | 0:19:59 | |
Deborah Meaden and Piers Linney have reached their conclusions. | 0:20:01 | 0:20:06 | |
It's quite hard, this one, we're trying to work out | 0:20:06 | 0:20:09 | |
whether it's a business you want to invest in, | 0:20:09 | 0:20:11 | |
as opposed to help someone with their personal finances. | 0:20:11 | 0:20:14 | |
I know probably everyone says this to you | 0:20:14 | 0:20:16 | |
and you hear this every single day 100 times over. | 0:20:16 | 0:20:20 | |
But there's no way we're going to stop. | 0:20:20 | 0:20:22 | |
I still think that the ship has sailed slightly on this one. | 0:20:27 | 0:20:31 | |
I just don't think it's going to scale the way you think it might. | 0:20:31 | 0:20:36 | |
-I'm out. -Thank you. | 0:20:39 | 0:20:40 | |
I see the pressure on this business from every single side. | 0:20:42 | 0:20:47 | |
So, as a business decision, I won't be making you an offer. | 0:20:47 | 0:20:52 | |
So I'm out. | 0:20:52 | 0:20:54 | |
Thank you. | 0:20:54 | 0:20:55 | |
Two Dragons have walked away from a deal. | 0:20:58 | 0:21:02 | |
Will Duncan Bannatyne be any more willing | 0:21:02 | 0:21:05 | |
to take a chance on John and Claire? | 0:21:05 | 0:21:08 | |
There's a huge risk here for an investor, I think. | 0:21:10 | 0:21:13 | |
So I'm not going to risk £75,000. | 0:21:13 | 0:21:15 | |
But I am going to make you an offer. | 0:21:18 | 0:21:20 | |
I'm going to offer you have the money, £37,500 for 12.5%. | 0:21:21 | 0:21:26 | |
OK, thank you. | 0:21:28 | 0:21:29 | |
Remember, the rules of the Den state that entrepreneurs must get | 0:21:33 | 0:21:37 | |
all the money they've asked for or they get nothing at all. | 0:21:37 | 0:21:41 | |
Time for Kelly Hoppen to have her say. | 0:21:41 | 0:21:44 | |
Part of me is sitting here with my heart | 0:21:44 | 0:21:47 | |
and then there's the business side of me. | 0:21:47 | 0:21:50 | |
But I can't sit in this chair and make a commitment to you | 0:21:50 | 0:21:57 | |
that I can make this work | 0:21:57 | 0:21:59 | |
if I don't honestly think that I can. | 0:21:59 | 0:22:01 | |
So... | 0:22:05 | 0:22:06 | |
..it's with sadness, but I'm afraid I'm out. | 0:22:08 | 0:22:11 | |
OK, thank you. | 0:22:11 | 0:22:13 | |
Four Dragons have now declared their positions. | 0:22:15 | 0:22:19 | |
John and Claire's chances of securing the cash injection | 0:22:19 | 0:22:22 | |
their business so desperately needs | 0:22:22 | 0:22:24 | |
now rest with Peter Jones. | 0:22:24 | 0:22:27 | |
Duncan, can I ask you how hard you're going to work on this investment? | 0:22:34 | 0:22:37 | |
I'll put in whatever effort I need to put in, Peter. | 0:22:39 | 0:22:44 | |
And I'm sure you will as well. | 0:22:46 | 0:22:47 | |
That's me doing it, then. | 0:22:50 | 0:22:51 | |
LAUGHTER | 0:22:51 | 0:22:54 | |
-Um... -We'll do all the work. | 0:22:54 | 0:22:55 | |
What's the £60,000 you owe to Acorn? When was it taken out? | 0:23:09 | 0:23:13 | |
February 2012. | 0:23:13 | 0:23:16 | |
-And the other one, the £15,000? -15, yes, from Finance Yorkshire. | 0:23:19 | 0:23:23 | |
-And Finance Yorkshire gave you that over what term? -Five years. | 0:23:26 | 0:23:30 | |
-And when did they give it to you? -August 2012. | 0:23:30 | 0:23:34 | |
OK, so that was your lifeline then. | 0:23:37 | 0:23:39 | |
John, Claire, I'm sorry, I can't do it. | 0:23:56 | 0:23:58 | |
It would be really wrong of me. | 0:24:01 | 0:24:02 | |
It's going against everything that is right in my own business head, | 0:24:02 | 0:24:07 | |
to do the deal, so I'm going to tell you unfortunately I'm out. | 0:24:07 | 0:24:10 | |
OK, thank you. | 0:24:10 | 0:24:12 | |
So, having just listened to Peter analysing the loans a bit more, | 0:24:14 | 0:24:19 | |
I think Peter is right, I think the other Dragons are right, | 0:24:19 | 0:24:22 | |
I think my heart led me rather than my head. And... | 0:24:22 | 0:24:25 | |
-I wish you the best of luck, but I'm out. -OK, thank you. -Good luck. | 0:24:27 | 0:24:33 | |
So, heartbreak for John and Claire, who leave the Den with nothing. | 0:24:35 | 0:24:40 | |
They came close, but in the end none of the Dragons were prepared | 0:24:40 | 0:24:44 | |
to stake their money on the couple's low-fat vegetable crisps. | 0:24:44 | 0:24:48 | |
I thought initially that our passion and drive did come across, | 0:24:48 | 0:24:51 | |
so it's disappointing not to have crossed the line. | 0:24:51 | 0:24:54 | |
We're going to launch into the listings that we've got, | 0:24:54 | 0:24:57 | |
it's just a shame we haven't got a Dragon to do that with us. | 0:24:57 | 0:25:00 | |
However, we'll get through. | 0:25:00 | 0:25:02 | |
-'It doesn't work.' -It's your problem. -'You're not selling them. | 0:25:06 | 0:25:09 | |
-'Why are you doing this? -I'm out.' | 0:25:09 | 0:25:11 | |
Other entrepreneurs who tried and failed in the Den | 0:25:13 | 0:25:17 | |
include former military man Phil Parsons | 0:25:17 | 0:25:19 | |
was seeking £98,000 | 0:25:19 | 0:25:22 | |
in exchange for a 15% stake in his business... | 0:25:22 | 0:25:26 | |
Oh, my God! | 0:25:26 | 0:25:27 | |
..building and selling the ultimate boys' toy. | 0:25:27 | 0:25:31 | |
Deborah Meaden was keen to put Phil's replicable war machine | 0:25:42 | 0:25:46 | |
through its paces. | 0:25:46 | 0:25:48 | |
Can I do it in my heels? | 0:25:48 | 0:25:49 | |
-Yes, you can do it with your heels. -Come on, then. | 0:25:49 | 0:25:51 | |
-Just so you know, I've never quite got the hang of... -Left and right. | 0:25:51 | 0:25:55 | |
Oh, I feel quite powerful in here. | 0:25:58 | 0:26:00 | |
ENGINE FIRES UP | 0:26:02 | 0:26:04 | |
Buh-buh-buh-buh! | 0:26:16 | 0:26:18 | |
Oh! | 0:26:21 | 0:26:22 | |
-That was great. -Very good. -Anyone else want a go? | 0:26:25 | 0:26:28 | |
The dragons all enjoyed the ride, | 0:26:28 | 0:26:31 | |
but Peter Jones was concerned by the product's lack of green credentials. | 0:26:31 | 0:26:37 | |
I have a problem with it. | 0:26:37 | 0:26:39 | |
-As it came in, all I got was a complete stench of pollution. -Yes. | 0:26:40 | 0:26:44 | |
You should have come in here | 0:26:44 | 0:26:46 | |
with an electric version of what you've just done. | 0:26:46 | 0:26:49 | |
That's anathema to me. | 0:26:49 | 0:26:51 | |
No, a tank has tracks and a big noisy engine. | 0:26:51 | 0:26:55 | |
If you look at it, it looks like a tank, it works like a tank | 0:26:55 | 0:26:58 | |
and to all intents and purposes, | 0:26:58 | 0:27:00 | |
apart from the fact it's small, it is a tank. | 0:27:00 | 0:27:02 | |
Phil viewed the authenticity of his product as a major selling point. | 0:27:04 | 0:27:08 | |
But Kelly Hoppen disagreed. | 0:27:08 | 0:27:11 | |
Do you know, the problem I've got is the fact that it has a gun on it. | 0:27:11 | 0:27:15 | |
-Yes, it's a tank. -I have a bit of a problem with that | 0:27:15 | 0:27:18 | |
in terms of kids using it. | 0:27:18 | 0:27:20 | |
But it doesn't have to be a tank. | 0:27:20 | 0:27:22 | |
We've had an inquiry from Tokyo, the Robot Restaurant, | 0:27:22 | 0:27:26 | |
they want silver tops with a glass bubble on the top | 0:27:26 | 0:27:29 | |
so they look like space buggies. | 0:27:29 | 0:27:31 | |
I've sold them in Sweden, Germany, France, Spain, Cyprus has got seven, | 0:27:31 | 0:27:37 | |
the King of Jordan has got two. | 0:27:37 | 0:27:39 | |
His tanks may have a royal seal of approval, | 0:27:41 | 0:27:44 | |
but with just 80 sold in the last seven years, | 0:27:44 | 0:27:48 | |
Piers Linney was unconvinced that Phil had the traction | 0:27:48 | 0:27:52 | |
to drive his product to a less regal audience. | 0:27:52 | 0:27:55 | |
Are you the archetypal engineer that can't market? | 0:27:55 | 0:28:00 | |
I know what marketing is. | 0:28:00 | 0:28:01 | |
-Because I'm on a pension, I haven't got the money to do it. -No. | 0:28:01 | 0:28:04 | |
Well, Duncan can tell you what it's like to be on a pension. | 0:28:04 | 0:28:07 | |
Exactly the same, yes, I've probably got less than you | 0:28:07 | 0:28:10 | |
because I missed some contributions to my National Insurance stamps. | 0:28:10 | 0:28:14 | |
Phil believed that the Den's big guns could help him | 0:28:14 | 0:28:18 | |
target a mass-market. | 0:28:18 | 0:28:20 | |
But while the Dragons may have found his miniature tanks a lot of fun, | 0:28:20 | 0:28:24 | |
none of them felt they were on track to becoming a big seller. | 0:28:24 | 0:28:28 | |
Well done for serving your country for 22 years. | 0:28:30 | 0:28:33 | |
That's something to be amazingly proud of | 0:28:33 | 0:28:35 | |
and well done for creating something out of your passion. | 0:28:35 | 0:28:39 | |
-Why am I being so nice? -Because you're staring down a barrel. -Yes. | 0:28:39 | 0:28:43 | |
-Is that loaded? -I wish! | 0:28:43 | 0:28:45 | |
Your biggest issue, as you said, is finance. | 0:28:47 | 0:28:49 | |
Well, I'm not a financier and I'm not a bank. | 0:28:49 | 0:28:54 | |
I'm here to make an investment. This isn't it. I'm out. | 0:28:54 | 0:28:58 | |
Thank you. | 0:28:58 | 0:28:59 | |
So far tonight, one entrepreneur has triumphed in the Den. | 0:29:04 | 0:29:10 | |
It was just so crazy, I can barely believe it happened. | 0:29:10 | 0:29:14 | |
I'm excited, so excited. | 0:29:14 | 0:29:15 | |
Will any of these budding tycoons succeed in joining him? | 0:29:15 | 0:29:19 | |
It's actually not a bad idea, I just can't bear the design. | 0:29:19 | 0:29:23 | |
I'm not entirely sure what just happened. | 0:29:24 | 0:29:27 | |
You want to sell to modern consumers? | 0:29:34 | 0:29:36 | |
To people who may already be spoiled for choice | 0:29:36 | 0:29:39 | |
in ways to spend their money? | 0:29:39 | 0:29:41 | |
Well, one route is to offer something extra, | 0:29:41 | 0:29:43 | |
a way for customers to customise their product. | 0:29:43 | 0:29:47 | |
And that's what our next entrepreneur is doing. | 0:29:47 | 0:29:49 | |
(Let's go.) | 0:29:58 | 0:29:59 | |
OK. Come on, Matheson. | 0:29:59 | 0:30:01 | |
Good girl. | 0:30:01 | 0:30:03 | |
Ready? | 0:30:03 | 0:30:04 | |
Are you excited? | 0:30:05 | 0:30:07 | |
My tummy's hurting because I'm starving. | 0:30:07 | 0:30:09 | |
Oh, I'm starving too. | 0:30:09 | 0:30:10 | |
Ready? | 0:30:10 | 0:30:11 | |
Let's do this, guys. | 0:30:13 | 0:30:14 | |
Come on in. | 0:30:16 | 0:30:18 | |
Let's go. | 0:30:18 | 0:30:19 | |
Can you all sit down, take your shoes off and walk that way? | 0:30:21 | 0:30:24 | |
Hello, Dragons. | 0:30:27 | 0:30:29 | |
My name's Jennifer and I'm the founder and director of Skribbies. | 0:30:29 | 0:30:32 | |
Today, I'm looking for a £60,000 investment | 0:30:32 | 0:30:35 | |
for a 20% stake in my company. | 0:30:35 | 0:30:37 | |
Dragons, I'd like to take you on a journey, | 0:30:38 | 0:30:41 | |
a journey back to when you were a little dragon. | 0:30:41 | 0:30:44 | |
A time when you would draw and colour in | 0:30:44 | 0:30:46 | |
anything you could get your hands on. | 0:30:46 | 0:30:48 | |
Fast forward to today and as you can see | 0:30:48 | 0:30:51 | |
nothing's really changed. | 0:30:51 | 0:30:52 | |
The freedom to be creative is a critical part of child learning and development | 0:30:52 | 0:30:56 | |
and something Skribbies wants to be a part of | 0:30:56 | 0:30:57 | |
in a fun and functional way. | 0:30:57 | 0:30:59 | |
We've done this with our first product, | 0:30:59 | 0:31:01 | |
which is a range of children's shoes | 0:31:01 | 0:31:03 | |
that children can customise every day from new. | 0:31:03 | 0:31:05 | |
As you can see, they can draw all over their shoes, | 0:31:05 | 0:31:08 | |
then simply wipe it away... | 0:31:08 | 0:31:10 | |
Draw, wipe, draw, simple as that. | 0:31:10 | 0:31:12 | |
It's like a whiteboard on a shoe. | 0:31:12 | 0:31:14 | |
Yesterday I found out that House of Fraser are giving us a concession | 0:31:15 | 0:31:18 | |
and I'm meeting Selfridges and Fenwick this coming week. | 0:31:18 | 0:31:22 | |
We've just been approached | 0:31:23 | 0:31:25 | |
by France's largest shoe retailer to design an exclusive range | 0:31:25 | 0:31:28 | |
and if the deal's successful will be worth in excess of £110,000. | 0:31:28 | 0:31:33 | |
Thank you so much for your time today, Dragons. | 0:31:33 | 0:31:35 | |
I would be happy to answer any questions that you might have. | 0:31:35 | 0:31:38 | |
(Go.) | 0:31:38 | 0:31:39 | |
Thank you very much. | 0:31:40 | 0:31:42 | |
INDISTINCT WHISPERING | 0:31:42 | 0:31:44 | |
A pitch with the cute factor from Jennifer Duthie, | 0:31:44 | 0:31:47 | |
who is seeking £60,000 in return for a 20% stake in her business. | 0:31:47 | 0:31:53 | |
Her draw and wipe children's shoes | 0:31:53 | 0:31:56 | |
appear to have struck a chord with Den creative, Kelly Hoppen. | 0:31:56 | 0:32:00 | |
-Fantastic pitch. -Thank you. -And I think, | 0:32:02 | 0:32:04 | |
knowing when my kids were growing up, they were always | 0:32:04 | 0:32:07 | |
-colouring in on everything. -Yes. -I have still got things to prove it. | 0:32:07 | 0:32:10 | |
In terms of the shoe, have you designed it, | 0:32:10 | 0:32:14 | |
or have you had a shoe manufacturer design it? | 0:32:14 | 0:32:16 | |
I haven't designed them myself, but I did hire a footwear specialist | 0:32:16 | 0:32:19 | |
who works with several other prestigious brands. | 0:32:19 | 0:32:22 | |
We also went through about 18, | 0:32:22 | 0:32:25 | |
20 months of design development wear testing, | 0:32:25 | 0:32:29 | |
the product itself has gone through testing in independent laboratories. | 0:32:29 | 0:32:33 | |
So it's been very important to us that creating | 0:32:33 | 0:32:36 | |
not only a really cool, well-designed product, but something that is very comfortable. | 0:32:36 | 0:32:40 | |
-In terms of where you think the brand can go... -Yes. | 0:32:40 | 0:32:44 | |
..will it always be shoes, or would you go into something else? | 0:32:44 | 0:32:47 | |
Um, I think certainly for the next couple of years, next two years, | 0:32:47 | 0:32:51 | |
yes, will be footwear. | 0:32:51 | 0:32:52 | |
But we would really love to use the monster characters, | 0:32:52 | 0:32:55 | |
which are part of our brand and maybe have | 0:32:55 | 0:32:57 | |
plush toys that children can customise | 0:32:57 | 0:32:59 | |
and take the idea on to luggage, yes, | 0:32:59 | 0:33:01 | |
pretty sure that, what you've drawn on your, er, | 0:33:01 | 0:33:04 | |
on your Skribbies. | 0:33:04 | 0:33:06 | |
-What does it say? -"Best Dragon." | 0:33:06 | 0:33:08 | |
Luckily, it rubs off. | 0:33:08 | 0:33:09 | |
LAUGHTER | 0:33:09 | 0:33:11 | |
Like the idea, | 0:33:14 | 0:33:15 | |
-but it's not new. Is it? -OK. | 0:33:15 | 0:33:18 | |
-You've seen it before. I have. -Er, no. | 0:33:18 | 0:33:20 | |
My kids do this on their shoes. | 0:33:20 | 0:33:22 | |
-This material is not unique to you. -No, it's not. | 0:33:23 | 0:33:26 | |
I'm just wondering, what is it that you think that you've got? | 0:33:28 | 0:33:31 | |
-Sure. -Have you got something that | 0:33:31 | 0:33:33 | |
you've registered that actually gives you the right to say, | 0:33:33 | 0:33:37 | |
if somebody else copies you, you can protect against it? | 0:33:37 | 0:33:40 | |
We have got a trademark on our logo granted | 0:33:40 | 0:33:43 | |
and we have a design mark granted on the high top form of the shoe, | 0:33:43 | 0:33:46 | |
but in terms of the material itself, there's nothing that we can, sort of, protect. | 0:33:46 | 0:33:50 | |
Um, and I think for us, the threat of imitation is there, for sure. | 0:33:50 | 0:33:54 | |
It's important for us to build our brand, it's always got to be a brand-led strategy for us | 0:33:54 | 0:33:59 | |
and I think we're doing a good job. | 0:33:59 | 0:34:00 | |
We are breaking down major UK retailer doors | 0:34:00 | 0:34:04 | |
and abroad as well. | 0:34:04 | 0:34:06 | |
Deals with department stores have helped convince Jennifer | 0:34:08 | 0:34:11 | |
that her draw on children's shoes have legs. | 0:34:11 | 0:34:14 | |
Piers Linney wants to establish exactly where Skribbies | 0:34:16 | 0:34:20 | |
will sit in an already crowded market. | 0:34:20 | 0:34:22 | |
-Shoe brands out there that lights up, ones with rollers in them. -Yes. | 0:34:26 | 0:34:29 | |
And that's been done, it can be done. | 0:34:29 | 0:34:31 | |
But where do you, sort of, compete on price compared to... | 0:34:31 | 0:34:34 | |
-Um, in the UK... -..things? -..our recommended retail price | 0:34:34 | 0:34:37 | |
is solidly mid-market for a brand of footwear, | 0:34:37 | 0:34:40 | |
which shocked me when I got into this, | 0:34:40 | 0:34:42 | |
because I thought I was going to sell shoes for £25. | 0:34:42 | 0:34:44 | |
It's a particular market, isn't it? Because not everyone's spending | 0:34:44 | 0:34:47 | |
40 quid on a pair of shoes. | 0:34:47 | 0:34:48 | |
-I think for children.... -Well, they're not. -..actually, | 0:34:48 | 0:34:51 | |
a lot of parents are spending quite a lot of money on children's fashion. | 0:34:51 | 0:34:54 | |
I think, you know, with the Suri Cruise effect | 0:34:54 | 0:34:57 | |
and the pressure that parents have to make their children look good | 0:34:57 | 0:35:00 | |
as well as themselves, it's actually quite high. | 0:35:00 | 0:35:03 | |
So, what happens in the rain? | 0:35:03 | 0:35:04 | |
The drawings don't come off. | 0:35:04 | 0:35:06 | |
As long as it's had ten minutes to dry, | 0:35:06 | 0:35:08 | |
the drawings do not come off in the rain or snow. | 0:35:08 | 0:35:10 | |
Jennifer's product might be designed to withstand | 0:35:12 | 0:35:16 | |
the worst of the temperamental British weather. | 0:35:16 | 0:35:19 | |
But for Deborah Meaden, precipitation levels aren't | 0:35:20 | 0:35:23 | |
the issue when it comes to the shoe industry. | 0:35:23 | 0:35:26 | |
How many children's shoe sizes are there? | 0:35:26 | 0:35:29 | |
At the moment, we have seven sizes so we run from a junior 11 to | 0:35:29 | 0:35:33 | |
an adult size 3. | 0:35:33 | 0:35:35 | |
Then how many colours? | 0:35:35 | 0:35:36 | |
The pink for the girls, the blue navy, | 0:35:36 | 0:35:38 | |
which is sort of a unisex one, and the neon-black which is more | 0:35:38 | 0:35:41 | |
targeted at boys so that's what we have right now. | 0:35:41 | 0:35:44 | |
-OK, so, just to sell one of each shoe, you've got 21 shoes. -Yeah. | 0:35:44 | 0:35:49 | |
OK. I think you're going to have some working capital issues, | 0:35:49 | 0:35:53 | |
you will find you've got too much tied up in stock | 0:35:53 | 0:35:55 | |
and you're not selling it fast enough. | 0:35:55 | 0:35:57 | |
One of the things that we're going to try | 0:35:57 | 0:35:58 | |
and minimise that risk by is, for example, | 0:35:58 | 0:36:00 | |
with the French retailer, we are designing a range exclusively | 0:36:00 | 0:36:03 | |
for them so we won't hold that stock - | 0:36:03 | 0:36:06 | |
it'll go directly to them. | 0:36:06 | 0:36:07 | |
They have over 700 stores in France. | 0:36:07 | 0:36:10 | |
-OK, so that is... -It's a big step in the right direction, yeah, | 0:36:10 | 0:36:13 | |
and they approached us as well which was really flattering. | 0:36:13 | 0:36:16 | |
A sceptical Deborah Meaden is temporarily halted in her tracks. | 0:36:18 | 0:36:23 | |
Does the prospect of going toe-to-toe against some of the | 0:36:23 | 0:36:26 | |
biggest players in the global shoe industry appeal to Duncan Bannatyne? | 0:36:26 | 0:36:31 | |
-Jennifer? -Yes. -It's a notoriously tough market you're entering into. | 0:36:33 | 0:36:37 | |
Yeah. I went into finance, finance was tough. | 0:36:37 | 0:36:39 | |
I went into online advertising, online advertising was tough. | 0:36:39 | 0:36:43 | |
I thrive in those environments. It's not an issue for me. | 0:36:43 | 0:36:46 | |
Why don't you go into an environment that isn't tough? | 0:36:46 | 0:36:50 | |
Because I've invented a product that's unique, it's different | 0:36:50 | 0:36:54 | |
and we've created a really solid brand behind it. | 0:36:54 | 0:36:57 | |
We've packaged it really well, | 0:36:57 | 0:36:58 | |
we've thought about every single element and how it fits together. | 0:36:58 | 0:37:01 | |
I agree, the packaging is excellent. | 0:37:01 | 0:37:04 | |
The name's great, but it's just such a tough industry. | 0:37:04 | 0:37:08 | |
-Um... -But what's easy in this day and age? | 0:37:10 | 0:37:13 | |
That's a very, very good question. If I find out, I'll let you know. | 0:37:13 | 0:37:16 | |
Thank you. | 0:37:16 | 0:37:17 | |
THEY LAUGH | 0:37:17 | 0:37:19 | |
Jennifer, it's interesting. | 0:37:20 | 0:37:22 | |
You've pitched something that anybody could do | 0:37:22 | 0:37:24 | |
and you have no protection. | 0:37:24 | 0:37:26 | |
-What's holding me back actually is you. -OK. | 0:37:26 | 0:37:31 | |
I think you've got a good grasp of where to take the business | 0:37:31 | 0:37:35 | |
and how to go about it and I think you've got a lot of tenacity | 0:37:35 | 0:37:37 | |
-and determination to do it as well. -Yeah. | 0:37:37 | 0:37:40 | |
Peter Jones may be undecided but Piers Linney has made up his mind. | 0:37:42 | 0:37:48 | |
I think they're cool, I'm going to make you an offer. | 0:37:51 | 0:37:54 | |
Thank you. | 0:37:54 | 0:37:55 | |
-A partial offer. So, I would go for half the money... -Mm-hm. | 0:37:56 | 0:38:01 | |
..£30,000, um... | 0:38:01 | 0:38:04 | |
..for 12.5%. | 0:38:06 | 0:38:08 | |
-So, I need somebody else really. -OK. | 0:38:10 | 0:38:13 | |
Jennifer's dream of a Dragon investment is agonisingly close. | 0:38:17 | 0:38:21 | |
Will Peter Jones or Deborah Meaden be prepared to match | 0:38:23 | 0:38:27 | |
Piers Linney's offer of half the cash? | 0:38:27 | 0:38:30 | |
I think there's two things that will make this business work - | 0:38:30 | 0:38:34 | |
one is being able to demonstrate the product. | 0:38:34 | 0:38:37 | |
I think if you manage to get it in front of people, | 0:38:37 | 0:38:40 | |
-explain what it is, I think they're going to like it. -Yeah. | 0:38:40 | 0:38:43 | |
-Or you're going to have to go for massive brand exposure. -Yes. | 0:38:43 | 0:38:47 | |
Both of those are going to require a lot more money so, I'm afraid, | 0:38:47 | 0:38:52 | |
however winning you are... | 0:38:52 | 0:38:53 | |
-Thank you. -..you haven't quite got me over the line. -OK. | 0:38:53 | 0:38:57 | |
-So, I'm afraid I won't be investing. I'm out. -OK. | 0:38:57 | 0:39:00 | |
It is one of those sort of weigh-ups for me. | 0:39:02 | 0:39:06 | |
Do you go and invest in you and hope that is £60,000 enough... | 0:39:06 | 0:39:11 | |
..to actually get this properly launched? | 0:39:13 | 0:39:15 | |
-It got close for me, but I'm going to declare myself out. -OK. | 0:39:24 | 0:39:28 | |
Thank you so much. | 0:39:28 | 0:39:29 | |
So far, none of the Dragons have equalled or bettered | 0:39:31 | 0:39:35 | |
Piers Linney's earlier offer. | 0:39:35 | 0:39:37 | |
Jennifer faces the very real prospect | 0:39:37 | 0:39:40 | |
of leaving the Den empty-handed. | 0:39:40 | 0:39:43 | |
Unless Kelly Hoppen or Duncan Bannatyne throws her | 0:39:43 | 0:39:47 | |
a financial lifeline. | 0:39:47 | 0:39:48 | |
I've expressed my concerns about this industry, | 0:39:50 | 0:39:52 | |
it's a very difficult industry. | 0:39:52 | 0:39:54 | |
Also, it looks great in the box, | 0:39:54 | 0:39:56 | |
but I don't think this is a great shoe when it's worn. | 0:39:56 | 0:39:59 | |
And so, for that reason, I'm out. | 0:39:59 | 0:40:03 | |
I think this is an absolutely brilliant idea, I think that, | 0:40:12 | 0:40:16 | |
with my credibility of design, I could seriously help you with that. | 0:40:16 | 0:40:19 | |
-Yeah. -I could open up doors, get you into shops. -Yeah. | 0:40:19 | 0:40:23 | |
I would happily go with Piers. We've worked together before very well. | 0:40:23 | 0:40:28 | |
It's an easy answer for me. | 0:40:28 | 0:40:30 | |
I think you both have everything that I'm looking for and I would | 0:40:30 | 0:40:34 | |
love to accept you coming together if you're still happy to do that. | 0:40:34 | 0:40:37 | |
-I would love that. -Excellent. -Thank you. Thank you so much. | 0:40:37 | 0:40:40 | |
-I think it's fantastic. I'm really pleased. -Well done, great pitch. | 0:40:40 | 0:40:44 | |
-I like your shirt. -Thank you very much. -Thank you very much, guys. | 0:40:44 | 0:40:47 | |
Kelly. | 0:40:47 | 0:40:48 | |
-DUNCAN: -Good luck, Jennifer. -Thank you. PETER: -Well done. | 0:40:48 | 0:40:51 | |
-Well done, guys. -Chuffed with that. | 0:40:53 | 0:40:56 | |
-So, success for Jennifer who departs £60,000 to the good... -Whoo-hoo! | 0:40:57 | 0:41:04 | |
..having secured the financial backing | 0:41:04 | 0:41:06 | |
of two well-heeled Dragon investors. | 0:41:06 | 0:41:09 | |
-She's good. -PETER: -I think you'll do well. | 0:41:10 | 0:41:13 | |
Recently in the Den, | 0:41:23 | 0:41:24 | |
we've seen a surge of design-led businesses coming forward, | 0:41:24 | 0:41:28 | |
spurred on by the presence | 0:41:28 | 0:41:30 | |
of globally-renowned interior design queen Kelly Hoppen. | 0:41:30 | 0:41:33 | |
In my business, we always want new designs, but I think it's flawed. | 0:41:33 | 0:41:38 | |
Husband-and-wife team Paul and Alison Johnson were seeking £100,000 | 0:41:40 | 0:41:45 | |
in return for an 18% stake in their bespoke radiator cover venture. | 0:41:45 | 0:41:51 | |
We've been trading since 2012 from a very much standing start yet | 0:41:54 | 0:41:58 | |
we've still been able to get some fantastic endorsements | 0:41:58 | 0:42:01 | |
and testimonials from celebrity designers. | 0:42:01 | 0:42:04 | |
Paul and Alison were pleased with their progress to date. | 0:42:06 | 0:42:10 | |
But Peter Jones felt that they had neglected to canvass | 0:42:11 | 0:42:14 | |
one key industry figure. | 0:42:14 | 0:42:17 | |
The biggest mistake you made 18 months ago, | 0:42:17 | 0:42:20 | |
you didn't speak to one designer in the country that'll tell you | 0:42:20 | 0:42:23 | |
exactly whether this is good or bad. | 0:42:23 | 0:42:25 | |
Which designer? | 0:42:25 | 0:42:26 | |
Kelly Hoppen. | 0:42:26 | 0:42:28 | |
We have spent, for my 39 years in the industry, | 0:42:28 | 0:42:31 | |
-covering up radiators but you try and make them disappear. -Yes. | 0:42:31 | 0:42:35 | |
What you're doing is saying, "Whoo-hoo, here I am." | 0:42:35 | 0:42:39 | |
You know, it's exactly the opposite of what people want to do. | 0:42:39 | 0:42:44 | |
Everybody said to us, | 0:42:44 | 0:42:45 | |
"We can't believe there's nothing like this on the market." | 0:42:45 | 0:42:48 | |
I mean, I'm sorry to burst your bubble, but that is hideous. | 0:42:48 | 0:42:53 | |
Paul and Alison had encountered one celebrity designer | 0:42:53 | 0:42:56 | |
whose take on their product was anything but glowing. | 0:42:56 | 0:43:00 | |
And Deborah Meaden was about to turn up the heat even further. | 0:43:00 | 0:43:04 | |
What are your trading figures looking like at the moment? | 0:43:05 | 0:43:08 | |
Last year, that was our first trading year, we still sold three products. | 0:43:08 | 0:43:12 | |
That was £1,500 gross turnover. | 0:43:12 | 0:43:15 | |
This year, we've now placed 17 units in people's homes | 0:43:15 | 0:43:19 | |
with £8,100 gross turnover. | 0:43:19 | 0:43:22 | |
Does that sound like a business that's worth £500,000 to you? | 0:43:22 | 0:43:26 | |
Having dismissed the couple's hefty £500,000 valuation, | 0:43:26 | 0:43:30 | |
the Dragons wanted to interrogate their business credentials. | 0:43:30 | 0:43:34 | |
-This is bizarre to me. -Do you think? -It is. | 0:43:36 | 0:43:38 | |
What do you do, Paul? | 0:43:38 | 0:43:40 | |
My day job currently is innovation analyst. | 0:43:40 | 0:43:42 | |
I have designed over many years many products | 0:43:42 | 0:43:45 | |
for many different companies. | 0:43:45 | 0:43:46 | |
I was part of the design team that designed | 0:43:46 | 0:43:48 | |
the Eurostar Channel Tunnel train for example. | 0:43:48 | 0:43:51 | |
Paul's impressive track record as a product designer may have been clear | 0:43:51 | 0:43:56 | |
but, sadly, none of the Dragons warmed to his latest creation. | 0:43:56 | 0:44:00 | |
It fell to Piers Linney to deliver the final verdict. | 0:44:02 | 0:44:07 | |
I'm not going to tear this to pieces, | 0:44:07 | 0:44:09 | |
because I'm sure we've all got better things to do. | 0:44:09 | 0:44:11 | |
-Thank you. -I think you've got it all really wrong. | 0:44:11 | 0:44:14 | |
I think I would stop. I'm out. | 0:44:15 | 0:44:18 | |
Thank you. | 0:44:20 | 0:44:21 | |
We're going to prove them wrong. | 0:44:32 | 0:44:34 | |
SHE CHUCKLES | 0:44:34 | 0:44:36 | |
Forget old-fashioned portrait photography, | 0:44:46 | 0:44:49 | |
it's the selfie which rules these days, and our final entrepreneurs | 0:44:49 | 0:44:53 | |
believe the enormous use of smartphone cameras offers | 0:44:53 | 0:44:56 | |
a lucrative commercial opportunity but will the Dragons snap up | 0:44:56 | 0:45:00 | |
a share of their web-based photo-framing business? | 0:45:00 | 0:45:04 | |
Enjoy it, mate. | 0:45:14 | 0:45:16 | |
THEY CHUCKLE | 0:45:20 | 0:45:21 | |
-This is amazing. -Oh, I can't... I can't believe it. | 0:45:21 | 0:45:24 | |
Hi, my name's Jake Hayman and this is my business partner Joe, | 0:45:31 | 0:45:35 | |
and we're here to pitch for a £60,000 investment | 0:45:35 | 0:45:39 | |
in exchange for 20% of equity in our business Frame Again. | 0:45:39 | 0:45:42 | |
I was at a wedding in Iceland | 0:45:42 | 0:45:44 | |
and I was taking my photos on my iPhone in Instagram. | 0:45:44 | 0:45:48 | |
When I got home, I wanted to get the happy couple a framed | 0:45:48 | 0:45:51 | |
photo as a gift and I realised pretty quickly that there | 0:45:51 | 0:45:55 | |
were no cool frames out there which were targeted at people like me | 0:45:55 | 0:45:59 | |
so I decided to design one myself. | 0:45:59 | 0:46:02 | |
Frame Again is all about the product but it's also all about getting | 0:46:02 | 0:46:05 | |
your photo printed, framed and delivered the very next day. | 0:46:05 | 0:46:09 | |
Our website is really simple. | 0:46:09 | 0:46:11 | |
You go online, you see the frames that you're going to buy. | 0:46:11 | 0:46:14 | |
You then get framing. | 0:46:14 | 0:46:16 | |
If I order these right now, they're going to be on my doorstep tomorrow. | 0:46:16 | 0:46:21 | |
We did some polling when we wanted to start this business | 0:46:21 | 0:46:24 | |
and what we found was that 30% of 18-35-year-olds said that they'd buy | 0:46:24 | 0:46:29 | |
at least one of our frames a year if it were on the market with the | 0:46:29 | 0:46:32 | |
service we described and that goes up to 50% amongst Instagram users. | 0:46:32 | 0:46:36 | |
We welcome your questions. | 0:46:36 | 0:46:38 | |
-Could we look at one of your frames? -Yes. | 0:46:38 | 0:46:40 | |
-While we ask you questions? -Could I have Duncan's one, please? | 0:46:40 | 0:46:44 | |
Could I have Peter's? | 0:46:44 | 0:46:46 | |
A focused pitch from young entrepreneurs Jake Hayman | 0:46:52 | 0:46:55 | |
and Joe Kenyon, who are seeking £60,000 in return for a 20% share | 0:46:55 | 0:47:01 | |
in their online photo-framing business. | 0:47:01 | 0:47:04 | |
But there's something about their product | 0:47:06 | 0:47:08 | |
which is troubling Kelly Hoppen. | 0:47:08 | 0:47:10 | |
It's actually not a bad idea. I just can't bear the design. | 0:47:12 | 0:47:16 | |
I can see what you're trying to do | 0:47:16 | 0:47:18 | |
in creating the slightly retro frame, but it's so cumbersome. | 0:47:18 | 0:47:21 | |
We're looking to iterate the design, | 0:47:21 | 0:47:23 | |
we're looking to broaden the number of designs we have. | 0:47:23 | 0:47:26 | |
How many frames do you intend to have? | 0:47:26 | 0:47:28 | |
Clearly, you've got one design which won't work for everybody. | 0:47:28 | 0:47:31 | |
There's no reason that we can't go on to frames that fit a 6 x 4 | 0:47:31 | 0:47:35 | |
or a 7 x 5 photo, or do different designs, | 0:47:35 | 0:47:38 | |
but I think, just with this frame, we've got a good way to get started. | 0:47:38 | 0:47:42 | |
What does it cost you to actually make this? | 0:47:42 | 0:47:44 | |
It costs us about £8 a frame at the moment, but we think with, er... | 0:47:44 | 0:47:49 | |
As we scale up, we'll be able | 0:47:49 | 0:47:50 | |
to bring the cost of the frame itself down to less than £4 a frame. | 0:47:50 | 0:47:54 | |
So I decide I want to go buy a frame and choose my pictures | 0:47:54 | 0:47:58 | |
but how much is it going to cost delivered? | 0:47:58 | 0:48:00 | |
-It's £21.99 total. -Right, OK. | 0:48:00 | 0:48:02 | |
I think in our vision we can build a business around that product. | 0:48:02 | 0:48:06 | |
Are we satisfied and resting on our laurels? Absolutely not. | 0:48:06 | 0:48:09 | |
It's a confident comeback. | 0:48:12 | 0:48:14 | |
But Deborah Meaden is unconvinced that there's enough demand | 0:48:14 | 0:48:17 | |
for photo framing amongst the smartphone generation to make it | 0:48:17 | 0:48:22 | |
a lucrative business proposition. | 0:48:22 | 0:48:24 | |
My experience is that most people just keep them | 0:48:26 | 0:48:28 | |
on their phones or they put them on their screensavers. | 0:48:28 | 0:48:31 | |
You know, there's an electronic way or a digital way | 0:48:31 | 0:48:34 | |
of viewing their photos that actually they're very happy with. | 0:48:34 | 0:48:38 | |
I'd like to say personally that the inspiration for the business | 0:48:38 | 0:48:42 | |
came from wanting to print and frame. | 0:48:42 | 0:48:46 | |
More people than ever are taking more photos than have ever been | 0:48:46 | 0:48:49 | |
taken in the history of the world combined now on smartphones, | 0:48:49 | 0:48:52 | |
and people do actually want to do something with them, | 0:48:52 | 0:48:55 | |
it's just they need the triggers to be able to do that. | 0:48:55 | 0:48:58 | |
They do believe that the majority of people's photo experience is now | 0:48:58 | 0:49:02 | |
online, but they'd really cherish it | 0:49:02 | 0:49:04 | |
when they do make that commitment to buy. | 0:49:04 | 0:49:06 | |
For now at least, Jake and Joe are making light work | 0:49:07 | 0:49:11 | |
of some heavy questioning from the Dragons. | 0:49:11 | 0:49:14 | |
But something in their pitch appears to have riled Duncan Bannatyne. | 0:49:14 | 0:49:18 | |
You said in your pitch there were no cool frames out there. | 0:49:22 | 0:49:25 | |
I find that a little bit insulting, cos I've got about 100 frames | 0:49:27 | 0:49:30 | |
in my house that are all pretty cool. | 0:49:30 | 0:49:33 | |
-And coolness is a matter of taste, which is subjective. -Exactly. | 0:49:33 | 0:49:38 | |
-Very well answered. -He's a braver man than me! | 0:49:38 | 0:49:42 | |
I have to tell you, I don't think these are cool at all. | 0:49:42 | 0:49:45 | |
I really don't. I think they're quite ugly, actually. | 0:49:46 | 0:49:49 | |
-So, for that reason, I'm out. -OK, thanks, Duncan. | 0:49:51 | 0:49:54 | |
Jake and Joe have lost their first Dragon. | 0:49:56 | 0:50:00 | |
Will Kelly Hoppen be any more willing to make them an offer? | 0:50:00 | 0:50:03 | |
Guys, I think you're great. You really are, and, erm... | 0:50:07 | 0:50:13 | |
-I think your idea is great. You know what I feel about the design. -Yes. | 0:50:13 | 0:50:17 | |
It's such an easy thing what you've created, but it's £21. | 0:50:18 | 0:50:24 | |
That's quite a high number. | 0:50:24 | 0:50:27 | |
I really don't think that, for that money, | 0:50:27 | 0:50:32 | |
I would want to spend on something as plastic and bulky. | 0:50:32 | 0:50:36 | |
I'm not going to invest in you. So I'm out. | 0:50:38 | 0:50:40 | |
A blow for Jake and Joe as designer Kelly Hoppen declines | 0:50:43 | 0:50:47 | |
the opportunity to invest. | 0:50:47 | 0:50:50 | |
And Piers Linney has concerns. | 0:50:50 | 0:50:53 | |
The thing that jumps out at me is there's some very big companies, | 0:50:54 | 0:50:58 | |
you know, PhotoBox and various people like that, | 0:50:58 | 0:51:00 | |
and they can easily add this service. | 0:51:00 | 0:51:02 | |
There's obviously nothing stopping PhotoBox | 0:51:02 | 0:51:06 | |
bringing out a frame like this, | 0:51:06 | 0:51:08 | |
but PhotoBox and its high street equivalent are the companies that | 0:51:08 | 0:51:12 | |
allow you to print your photos into snow globes and onto jigsaws | 0:51:12 | 0:51:18 | |
and onto mouse mats. | 0:51:18 | 0:51:20 | |
I think, if you look at the people we're targeting, | 0:51:20 | 0:51:23 | |
they don't use mouse mats, they use touchscreens. | 0:51:23 | 0:51:26 | |
I'm waiting to see what a certain entrepreneur in the photo business | 0:51:26 | 0:51:29 | |
is going to say. He's been very quiet. | 0:51:29 | 0:51:31 | |
What do you think of Jessops? | 0:51:33 | 0:51:35 | |
We like Jessops. | 0:51:37 | 0:51:39 | |
"We love Jessops" would be better. | 0:51:39 | 0:51:42 | |
It's respectful competition for now, but the aspiration for us | 0:51:44 | 0:51:47 | |
is to grow this business | 0:51:47 | 0:51:49 | |
and see a clear exit to one of those more traditional bigger businesses. | 0:51:49 | 0:51:53 | |
What sort of revenue do you think you're going to be able to | 0:51:53 | 0:51:56 | |
achieve in the next year? | 0:51:56 | 0:52:00 | |
Well, it depends if you invest or not. | 0:52:00 | 0:52:02 | |
We think, over the next year, we're going to be selling | 0:52:02 | 0:52:04 | |
about 10,000 frames, and so that's about 160 grand we'll bring in. | 0:52:04 | 0:52:09 | |
It's not exciting to say that your business is going to | 0:52:09 | 0:52:12 | |
generate 160,000 in income. | 0:52:12 | 0:52:14 | |
It might be exciting for an investor outside of it, | 0:52:14 | 0:52:17 | |
but for me sitting here owning Jessops... | 0:52:17 | 0:52:20 | |
We'll launch framing | 0:52:20 | 0:52:21 | |
and we'll deliver that sort of income in a week. | 0:52:21 | 0:52:24 | |
Within three years, we'll be looking at selling 50,000 frames, | 0:52:24 | 0:52:28 | |
so 800 grand and 600 of that gross profit. | 0:52:28 | 0:52:33 | |
If we can create a brand that means we're the go-to people for printing, | 0:52:33 | 0:52:38 | |
framing and delivery for the smartphone photographer, | 0:52:38 | 0:52:41 | |
then we think there's a huge market. | 0:52:41 | 0:52:43 | |
The pair have gone head-to-head with photography giant Peter Jones | 0:52:44 | 0:52:49 | |
and survived. | 0:52:49 | 0:52:50 | |
But will their composed performance be enough to sway Deborah Meaden? | 0:52:52 | 0:52:56 | |
My big issue is every element of this business will be under attack | 0:53:00 | 0:53:05 | |
from businesses that are better placed to enter that market | 0:53:05 | 0:53:09 | |
and dominate that market than you. | 0:53:09 | 0:53:11 | |
You haven't got anything that is, other than the two of you, | 0:53:11 | 0:53:15 | |
that is a barrier to entry. | 0:53:15 | 0:53:18 | |
So I'm afraid I won't be investing, | 0:53:18 | 0:53:21 | |
and genuinely I'm kind of disappointed in that. | 0:53:21 | 0:53:25 | |
But I'm out. | 0:53:25 | 0:53:26 | |
Tricky with you guys, cos I really like you guys, | 0:53:31 | 0:53:34 | |
I really like the product. | 0:53:34 | 0:53:35 | |
I'm not entirely convinced, with the kind of money we're talking about, | 0:53:35 | 0:53:38 | |
you're going to be able to produce enough traffic | 0:53:38 | 0:53:41 | |
to convert into picture-frame buyers to generate an investment | 0:53:41 | 0:53:46 | |
that's worth getting involved in. | 0:53:46 | 0:53:48 | |
I wish you'd come in with a different business, | 0:54:03 | 0:54:05 | |
but, as far as this one goes, I'm out. | 0:54:05 | 0:54:07 | |
Four Dragons have now walked away from the deal. | 0:54:09 | 0:54:12 | |
Only Peter Jones remains. | 0:54:14 | 0:54:17 | |
What did you say they cost you to make? | 0:54:19 | 0:54:21 | |
At the moment, it's costing us eight quid, | 0:54:23 | 0:54:26 | |
but we can bring it down to less than four quid a unit. | 0:54:26 | 0:54:28 | |
There's a few things. | 0:54:30 | 0:54:31 | |
One you mentioned about the size of the market. I agree with you. | 0:54:31 | 0:54:38 | |
The opportunity is big. | 0:54:38 | 0:54:41 | |
I'm sitting here thinking, actually, | 0:54:41 | 0:54:43 | |
you've done a better version of how we are looking to create | 0:54:43 | 0:54:48 | |
our online piece in terms of the options, | 0:54:48 | 0:54:51 | |
because you've kept it simple. | 0:54:51 | 0:54:52 | |
I'm going to make you an offer. | 0:54:59 | 0:55:01 | |
Do you want a job? | 0:55:08 | 0:55:09 | |
Er, is that plural? | 0:55:11 | 0:55:14 | |
At, at... | 0:55:14 | 0:55:15 | |
Would you both like the £60,000 | 0:55:17 | 0:55:21 | |
in the shape of 100% of your business, | 0:55:21 | 0:55:26 | |
but you get a job working to build the framing | 0:55:26 | 0:55:29 | |
and photographic marketplace within the UK's leading imaging company? | 0:55:29 | 0:55:34 | |
Er, we hadn't prepared for that one. | 0:55:39 | 0:55:41 | |
I think... I think we'd have to think carefully... | 0:55:43 | 0:55:47 | |
-We'd have to have a talk about that. -Can we take a moment? -100%, yeah. | 0:55:47 | 0:55:53 | |
-Thank you. -Thank you very much for your offer as well. | 0:55:53 | 0:55:55 | |
It's an astonishing development. | 0:55:58 | 0:56:00 | |
Less, "I'm in," and more, "You're hired." | 0:56:00 | 0:56:04 | |
Do you want to take this? This could be fun. | 0:56:05 | 0:56:08 | |
Do you want a job? | 0:56:08 | 0:56:09 | |
-I don't know, do you? -I don't know. We could take it. | 0:56:12 | 0:56:15 | |
I say we do it, man. | 0:56:24 | 0:56:26 | |
I don't know. We're talking about a job here. | 0:56:26 | 0:56:29 | |
For 100 grand a year... | 0:56:29 | 0:56:31 | |
Let's roll the dice. You ready? | 0:56:39 | 0:56:42 | |
Thanks for your patience, guys. Sorry. | 0:56:44 | 0:56:47 | |
Erm, if it's OK with you, we're going to turn down the offer | 0:56:49 | 0:56:53 | |
and in a couple of years' time we're going to be | 0:56:53 | 0:56:55 | |
knocking on your door hoping you buy our business for a much larger sum. | 0:56:55 | 0:56:58 | |
Good luck to you. | 0:56:58 | 0:57:00 | |
-Thank you, everyone. -Good luck, guys. -Thanks. | 0:57:00 | 0:57:04 | |
So, Jake and Joe depart without the £60,000 investment | 0:57:06 | 0:57:11 | |
they were seeking. | 0:57:11 | 0:57:13 | |
But despite leaving empty handed, Peter Jones' job offer has | 0:57:13 | 0:57:18 | |
turned their visit to the den into an occasion to remember. | 0:57:18 | 0:57:21 | |
What just happened?! | 0:57:27 | 0:57:29 | |
-My head's pretty light. -Yeah, I'm not entirely sure what just happened. | 0:57:31 | 0:57:37 | |
I couldn't tell you what happened. | 0:57:37 | 0:57:39 | |
And I'm... | 0:57:39 | 0:57:40 | |
We said no, right? | 0:57:40 | 0:57:42 | |
-I can tell you we made the right decision. -Yeah. | 0:57:42 | 0:57:44 | |
So a day packed with surprises draws to a close with a potentially | 0:57:56 | 0:58:01 | |
life-changing dilemma for Jake and Joe. | 0:58:01 | 0:58:04 | |
They left the den confident that, in rejecting Peter Jones' job offer, | 0:58:04 | 0:58:08 | |
they'd made the right decision. | 0:58:08 | 0:58:10 | |
Do you agree? | 0:58:10 | 0:58:11 | |
Well, the conversation about all of tonight's pitches | 0:58:11 | 0:58:14 | |
continues on Twitter using the hashtag #dragonsden. | 0:58:14 | 0:58:18 | |
Next time in the Den... | 0:58:20 | 0:58:22 | |
Deborah, it's got nothing to do with you. You're out. | 0:58:22 | 0:58:24 | |
-Yeah, but this isn't fair. -You're out. | 0:58:24 | 0:58:26 | |
Try it for me. Tell me what dog food tastes like. | 0:58:27 | 0:58:31 | |
I think you passed Peter's little test there. Well done. | 0:58:31 | 0:58:34 | |
I think it is ridiculous. | 0:58:34 | 0:58:36 | |
This comedy took a very dark turn | 0:58:37 | 0:58:41 | |
when you said you'd invested £1 million. | 0:58:41 | 0:58:46 | |
Are you going to take away the offer I made or not? | 0:58:46 | 0:58:49 |