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'You're deluded in your approach.' | 0:00:03 | 0:00:04 | |
'It doesn't matter what the business is, it's my return that matters.' | 0:00:04 | 0:00:07 | |
-'I would want 40%.' -'Would you invest in it?' | 0:00:07 | 0:00:10 | |
-'I'm irritated.' -'I'm out.' | 0:00:10 | 0:00:12 | |
These are the Dragons. | 0:00:27 | 0:00:30 | |
Wealthy, well connected, innovative and influential. | 0:00:30 | 0:00:37 | |
Each week, they make or break the | 0:00:37 | 0:00:39 | |
dreams of dozens of budding entrepreneurs. | 0:00:39 | 0:00:42 | |
In the den, leisure and marketing expert Deborah Meaden... | 0:00:45 | 0:00:49 | |
..telecoms giant Peter Jones... | 0:00:51 | 0:00:53 | |
..hotel and health club owner Duncan Bannatyne... | 0:00:54 | 0:00:57 | |
..founder of her own global interior design brand Kelly Hoppen, | 0:00:58 | 0:01:03 | |
and cloud computing expert and former city financier Piers Linney. | 0:01:03 | 0:01:07 | |
With thousands to lose but millions to gain, | 0:01:09 | 0:01:11 | |
the Dragons are prepared to fight for that next shrewd investment. | 0:01:11 | 0:01:15 | |
In the last decade, | 0:01:18 | 0:01:19 | |
over 900 entrepreneurs have faced the Dragons | 0:01:19 | 0:01:22 | |
and investment offers of £14.5m have been made in this room. | 0:01:22 | 0:01:26 | |
To face them takes nerve and vision. | 0:01:27 | 0:01:30 | |
So, who will leave with the Dragon's money? | 0:01:30 | 0:01:32 | |
Welcome to the Dragons' Den. | 0:01:40 | 0:01:42 | |
More entrepreneurs are here with | 0:01:42 | 0:01:44 | |
their dreams of business success, | 0:01:44 | 0:01:46 | |
and the stakes couldn't be higher. | 0:01:46 | 0:01:48 | |
Succeed and they leave with the backing of a Dragon investor, | 0:01:48 | 0:01:51 | |
fail and they leave with nothing. | 0:01:51 | 0:01:53 | |
Coming up on tonight's show... | 0:01:53 | 0:01:55 | |
Dave, you just look worn out. | 0:01:57 | 0:01:59 | |
I went on a heavy stag do at the weekend. | 0:01:59 | 0:02:01 | |
I'm over 65 and I don't use a walking stick. | 0:02:03 | 0:02:05 | |
No. | 0:02:05 | 0:02:07 | |
You're basically a sales agent. | 0:02:07 | 0:02:08 | |
Yes. | 0:02:08 | 0:02:10 | |
For an investor, that is massive, massive risk. | 0:02:10 | 0:02:13 | |
The thing is, I'm crazy about marshmallows, | 0:02:13 | 0:02:15 | |
but these taste a bit stale. | 0:02:15 | 0:02:18 | |
I'm going to make you a higher offer. | 0:02:19 | 0:02:21 | |
First into the den are Yorkshire couple Richard and Lynn Bye. | 0:02:32 | 0:02:37 | |
They believe that the growing number of middle-aged men swapping | 0:02:37 | 0:02:40 | |
four wheels for two presents a lucrative commercial opportunity. | 0:02:40 | 0:02:44 | |
What do I let you talk me into? | 0:02:47 | 0:02:49 | |
It'll be fine. | 0:02:52 | 0:02:53 | |
Will the Dragons buy into their plans to peddle a range | 0:02:55 | 0:02:58 | |
of cycle wear designed to flatter the fuller figure? | 0:02:58 | 0:03:02 | |
- Hello, Dragons, my name's Lynn. | 0:03:04 | 0:03:06 | |
- And I'm Richard. | 0:03:06 | 0:03:08 | |
- And we're from Fat Lad At The Back. | 0:03:08 | 0:03:10 | |
- And we're here to ask for £80,000 investment for 10% of our company. | 0:03:10 | 0:03:13 | |
Fat Lad At The Back is a new sportswear brand | 0:03:13 | 0:03:15 | |
aimed at providing the larger framed sportsman with kit that actually | 0:03:15 | 0:03:22 | |
fits them as opposed to making them look like a shrink-wrapped chicken. | 0:03:22 | 0:03:25 | |
I've always struggled to find sports clothing to fit me, | 0:03:26 | 0:03:30 | |
being a MAMIL, otherwise known as a "middle-aged man in Lycra", | 0:03:30 | 0:03:34 | |
and I've never really been able to find anything that didn't | 0:03:34 | 0:03:37 | |
make me look terrible. | 0:03:37 | 0:03:38 | |
What is it called? | 0:03:38 | 0:03:40 | |
BOTH: Fat Lad At The Back. | 0:03:40 | 0:03:41 | |
Nice. | 0:03:43 | 0:03:44 | |
Erm... Er, where did we get to? So, erm... | 0:03:44 | 0:03:48 | |
We launched on the fourth of October last year | 0:03:48 | 0:03:51 | |
and since then we've really had a fantastic ride. | 0:03:51 | 0:03:55 | |
We've massed just short of 3,000 followers on Facebook. | 0:03:55 | 0:03:57 | |
We've turned over £48,000 in that time. | 0:03:57 | 0:04:01 | |
We've had a gross profit of about £24,000. | 0:04:01 | 0:04:04 | |
- We knew that the brand was strong, | 0:04:04 | 0:04:06 | |
but even we've been overwhelmed at how passionately people have | 0:04:06 | 0:04:09 | |
adopted it and how inspirational it's been to people. | 0:04:09 | 0:04:14 | |
We think we're in a great position at the moment | 0:04:14 | 0:04:16 | |
because we've clearly found a gap in the market. | 0:04:16 | 0:04:20 | |
We just need some help from, maybe some Dragons, | 0:04:20 | 0:04:23 | |
to help us fill the gap in the market with FLAB. | 0:04:23 | 0:04:26 | |
- FLAB being the acronym of Fat Lad At the Back. | 0:04:26 | 0:04:28 | |
A pitch with a healthy dose of irony from Richard and Lynn Bye, | 0:04:33 | 0:04:38 | |
who are seeking £80,000 in return for a 10% stake | 0:04:38 | 0:04:42 | |
in their sportswear range for the plus-sized cyclist. | 0:04:42 | 0:04:46 | |
But before the Dragons can interrogate the business, | 0:04:48 | 0:04:50 | |
Duncan Bannatyne has a few thoughts | 0:04:50 | 0:04:52 | |
about their brand to get off his chest. | 0:04:52 | 0:04:55 | |
When you name your product Fat Lad At The Back, | 0:04:58 | 0:05:01 | |
that's the only customer you're going to get. | 0:05:01 | 0:05:03 | |
You're not going to get... | 0:05:03 | 0:05:04 | |
It's not... That's not necessarily true. | 0:05:04 | 0:05:06 | |
You don't have to be fat to be a fat lad at the back, | 0:05:06 | 0:05:09 | |
do you know what I mean? It's more of a... | 0:05:09 | 0:05:10 | |
No, I don't know what you mean. | 0:05:10 | 0:05:12 | |
If it says, "Fat Lad At The Back", I don't know... | 0:05:12 | 0:05:14 | |
If you're out cycling, there's always somebody that is at the back. | 0:05:14 | 0:05:17 | |
Yeah, but why do you call him a fat lad? | 0:05:17 | 0:05:18 | |
No, they're not always fat. | 0:05:18 | 0:05:20 | |
ALL TALK OVER EACH OTHER | 0:05:20 | 0:05:22 | |
What if it's me at the back, and I'm not a fat lad, I just happen | 0:05:22 | 0:05:26 | |
to be the oldest person there, and I can't get up the hill any faster? | 0:05:26 | 0:05:30 | |
So you're the old fat lad at the back. | 0:05:30 | 0:05:31 | |
-Exactly. Thank you, Peter. -I'm not a fat lad. | 0:05:31 | 0:05:34 | |
No, but you are, metaphorically speaking. | 0:05:34 | 0:05:36 | |
Now, I completely understand, it's a turn of phrase, isn't it? | 0:05:38 | 0:05:43 | |
It doesn't matter, it could be the skinniest person in that group. | 0:05:43 | 0:05:46 | |
-You could say, "Oh, he's the fat lad at the back." -Yeah. | 0:05:46 | 0:05:48 | |
But I do have a problem with the brand because, | 0:05:48 | 0:05:52 | |
unfortunately, it is a little bit too closely | 0:05:52 | 0:05:55 | |
descriptive of the person that you want to attract. | 0:05:55 | 0:05:59 | |
You want to bring out, then, a female range. | 0:05:59 | 0:06:01 | |
-Would you wear Fat Girl At The Back? -Lass. -That's my point. | 0:06:01 | 0:06:04 | |
Fat Lass At The Back. | 0:06:04 | 0:06:06 | |
-What did you say? -Fat Lass At The Back. | 0:06:06 | 0:06:07 | |
Fat Lass At The Back? Are you serious? Is that really...? | 0:06:07 | 0:06:10 | |
-And a children's range, Fat Kid At The Back? -No. | 0:06:10 | 0:06:13 | |
I don't think you could do the kids, could you? | 0:06:13 | 0:06:15 | |
Guys, I'm going to be really quick | 0:06:15 | 0:06:17 | |
and they can interrupt as much as they like. | 0:06:17 | 0:06:20 | |
My point is, I get all of the bits you're talking about, | 0:06:20 | 0:06:23 | |
so don't think I misunderstand it, | 0:06:23 | 0:06:25 | |
but unfortunately that isn't going to help you. | 0:06:25 | 0:06:28 | |
I get it, but I still worry about it, so... | 0:06:28 | 0:06:32 | |
Just before you declare yourself out, just to say one thing, | 0:06:32 | 0:06:37 | |
and that's that at the moment the initial range to get the brand | 0:06:37 | 0:06:39 | |
out there is emblazoned with Fat Lad At The Back, | 0:06:39 | 0:06:44 | |
but we do have a plan to bring out a more subtle range for those | 0:06:44 | 0:06:47 | |
people who don't want the Fat Lad At The Back. | 0:06:47 | 0:06:49 | |
But, guys, I've also been in the fashion industry and it's hard, | 0:06:49 | 0:06:53 | |
it's tough, and you need to get as much market as you can, | 0:06:53 | 0:06:56 | |
not box yourself into a quite tight group of people | 0:06:56 | 0:06:59 | |
who are going to get it, who think it's funny. | 0:06:59 | 0:07:02 | |
I'm afraid I won't be investing, so I've got to say I'm out. | 0:07:02 | 0:07:05 | |
Thank you. | 0:07:05 | 0:07:06 | |
Fat chance then, of a fashion industry savvy Deborah Meaden | 0:07:09 | 0:07:13 | |
seeing fit to offer Richard and Lynn a deal. | 0:07:13 | 0:07:15 | |
Will keen cyclist Piers Linney show any more enthusiasm? | 0:07:17 | 0:07:21 | |
Where do we start on this one? | 0:07:26 | 0:07:28 | |
-I'm a MAMIL and I have been the FLAB. -Yes. | 0:07:28 | 0:07:31 | |
-Fundamentally, it's a very competitive market. -Mm-hmm. | 0:07:32 | 0:07:36 | |
Why are you different, apart from the sizing? | 0:07:36 | 0:07:39 | |
- Yeah, well, the brand. - Can I answer? | 0:07:39 | 0:07:41 | |
- Yeah. - So basically, I'm not a cyclist, | 0:07:41 | 0:07:43 | |
so I've come at this from a different angle. | 0:07:43 | 0:07:45 | |
I dress Richard in a normal day-to-day fashion because I'm | 0:07:45 | 0:07:48 | |
really interested in fashion and styling and things like that, | 0:07:48 | 0:07:51 | |
so we've changed the shape of the garment itself. | 0:07:51 | 0:07:53 | |
We started with a 44-inch chest and we've made the garment look good | 0:07:53 | 0:07:58 | |
on that size of person, then we've tailored that up, | 0:07:58 | 0:08:01 | |
and we've tailored that down. | 0:08:01 | 0:08:02 | |
So we've come at it from a completely different place | 0:08:02 | 0:08:05 | |
to most cycle wear companies. | 0:08:05 | 0:08:06 | |
You're presentation, for me, is so flawed. | 0:08:06 | 0:08:09 | |
Most people don't want to think they're becoming middle-aged | 0:08:09 | 0:08:12 | |
or that they're overweight, they don't want that pointed out to them. | 0:08:12 | 0:08:17 | |
-OK. -I don't get the positive out of it. | 0:08:17 | 0:08:21 | |
I think when all people go back to the gym or go cycling or do | 0:08:21 | 0:08:25 | |
all of those things, they want to feel like they fit in. | 0:08:25 | 0:08:28 | |
But how are they going to feel like that | 0:08:28 | 0:08:30 | |
if you've got Fat Lad At The Back, do you know what I mean? | 0:08:30 | 0:08:32 | |
I understand what you're saying. | 0:08:32 | 0:08:34 | |
Sometimes it's easier for somebody to take the mickey out of themselves | 0:08:34 | 0:08:37 | |
and go, "I know I'm going to be the fat lad at the back..." | 0:08:37 | 0:08:40 | |
Possibly some, but not everybody. | 0:08:40 | 0:08:42 | |
I'm looking at your models, they've got a pot belly, | 0:08:42 | 0:08:45 | |
so therefore it just means that it's got to be bigger. | 0:08:45 | 0:08:48 | |
I mean, if you're fatter, you buy bigger clothes. | 0:08:48 | 0:08:51 | |
You do, but up to date, | 0:08:51 | 0:08:52 | |
there's not been anything available for people that are... | 0:08:52 | 0:08:55 | |
I don't believe that for one minute. | 0:08:55 | 0:08:58 | |
I know lots of people that are overweight that do sport, | 0:08:58 | 0:09:01 | |
their shirts are not up here, they're just bigger shirts. | 0:09:01 | 0:09:04 | |
Top quality cycle wear tends to be based on the old-fashioned | 0:09:04 | 0:09:10 | |
typical cyclist, which is a 36 to 38-inch chest, | 0:09:10 | 0:09:15 | |
but the middle-aged man in Lycra has changed that. | 0:09:15 | 0:09:19 | |
Kelly, may be, rightly, getting hung up on the brand. | 0:09:19 | 0:09:23 | |
If you put the brand to one side for a moment, | 0:09:23 | 0:09:26 | |
there are more and more middle aged men and women, actually, | 0:09:26 | 0:09:31 | |
riding bikes that don't look good in very technical Lycra. | 0:09:31 | 0:09:35 | |
So what happens when everybody else says, | 0:09:35 | 0:09:37 | |
"Oh, look, they're selling lots of those tops for bigger guys? | 0:09:37 | 0:09:40 | |
"We'll make ours slightly bigger and we'll change the shape slightly." | 0:09:40 | 0:09:43 | |
Yeah, and they will. | 0:09:43 | 0:09:45 | |
But then you're done. | 0:09:45 | 0:09:46 | |
We were with the third largest cycle wear | 0:09:46 | 0:09:49 | |
and online cycle company last week, and their comment was, | 0:09:49 | 0:09:54 | |
"We're definitely going to stock you | 0:09:54 | 0:09:56 | |
"because you're the best people to solve the problem." | 0:09:56 | 0:09:58 | |
I think you could do better on the design. | 0:09:58 | 0:10:00 | |
If you're going to do something | 0:10:00 | 0:10:02 | |
which is really going to make a mark... | 0:10:02 | 0:10:05 | |
We're doing the best we can and have up until now, | 0:10:05 | 0:10:08 | |
in terms of design, but we are only six months old. | 0:10:08 | 0:10:12 | |
Despite intense scrutiny, | 0:10:15 | 0:10:17 | |
Richard and Lynn's belief in their brand is unwavering... | 0:10:17 | 0:10:21 | |
..but will that be enough to convince a sceptical Peter Jones? | 0:10:23 | 0:10:27 | |
I would be, definitely... Look at me, the fat lad at the back... | 0:10:30 | 0:10:35 | |
but I'm not so sure I'd want to be | 0:10:35 | 0:10:36 | |
the fat lad at the back when I walk in to the pub. | 0:10:36 | 0:10:38 | |
I don't see it as a mainstream opportunity, a mainstream brand. | 0:10:39 | 0:10:43 | |
That being said, I do think you'll sell some | 0:10:43 | 0:10:45 | |
because I do think it is quirky | 0:10:45 | 0:10:48 | |
and people like quirkiness, but I don't see it as an investment, | 0:10:48 | 0:10:51 | |
and I'm going to say I'm out. | 0:10:51 | 0:10:53 | |
The initial concept to this is great, | 0:10:58 | 0:11:00 | |
that you're doing something like this. | 0:11:00 | 0:11:03 | |
I just think the actual Fat Lad At The Back | 0:11:03 | 0:11:06 | |
descriptive title or brand is wrong. | 0:11:06 | 0:11:09 | |
So for that reason, I'm out. | 0:11:12 | 0:11:14 | |
I can imagine you sat round a table one night and everyone's like, | 0:11:17 | 0:11:20 | |
"Oh, I'm overweight, | 0:11:20 | 0:11:22 | |
"I'd like to go off and cycle, but I can never get the clothes." | 0:11:22 | 0:11:27 | |
You created this brand and it was funny at the time, but morally | 0:11:27 | 0:11:30 | |
I don't like it because I know people struggle with their weight. | 0:11:30 | 0:11:34 | |
I would say that what the brand has done for a lot of people | 0:11:34 | 0:11:36 | |
and a lot of the feedback that we've got is that people wear it | 0:11:36 | 0:11:40 | |
and they feel empowered by it, and it gives them almost permission... | 0:11:40 | 0:11:43 | |
I wish you well with it and I hope it works for you, | 0:11:43 | 0:11:46 | |
but I'm not going to invest in you, | 0:11:46 | 0:11:48 | |
so I'm afraid that I'm out. But good luck with it. | 0:11:48 | 0:11:50 | |
Four Dragons have now turned down a deal. | 0:11:54 | 0:11:58 | |
As the only Dragon who's grasped their fat lad logic, | 0:11:58 | 0:12:02 | |
all hopes of investment now lie with Piers Linney. | 0:12:02 | 0:12:05 | |
There is a market, but the question is - | 0:12:08 | 0:12:10 | |
how big is it and is your brand right for it? Because... | 0:12:10 | 0:12:14 | |
I don't know. | 0:12:14 | 0:12:15 | |
What you try to do by exercising is not be the fat lad at the back. | 0:12:17 | 0:12:20 | |
You've got to be try and be the skinny mate at the front. | 0:12:20 | 0:12:23 | |
I don't think you're going to create enough traction, | 0:12:26 | 0:12:29 | |
enough people out there are going to buy this stuff, so I'm out. | 0:12:29 | 0:12:32 | |
So Richard and Lynn leave the den empty handed, | 0:12:36 | 0:12:40 | |
convincing the Dragons to give them | 0:12:40 | 0:12:42 | |
a financial push having ultimately proved an uphill struggle. | 0:12:42 | 0:12:46 | |
- They just didn't get it. - Well, you know... | 0:12:50 | 0:12:52 | |
It's... Yeah. | 0:12:55 | 0:12:57 | |
The brand is too word heavy. | 0:12:58 | 0:13:01 | |
It'd be like a hat company, calling it Bald Headed Old Men. | 0:13:01 | 0:13:04 | |
I am the original fat lad at the back. | 0:13:06 | 0:13:08 | |
I've always been called the fat lad at the back. | 0:13:08 | 0:13:10 | |
We've got now 1,100 fat lads out there riding in our stuff | 0:13:12 | 0:13:15 | |
within six months and that is... I think that's pretty good. | 0:13:15 | 0:13:19 | |
Next in the den is former sales and marketing consultant Tracy Baker. | 0:13:34 | 0:13:38 | |
She's looking for investment in her business, | 0:13:41 | 0:13:44 | |
distributing a revolutionary new peel-and-stick product, | 0:13:44 | 0:13:47 | |
which is designed for the home and office. | 0:13:47 | 0:13:50 | |
Hello, Dragons, my name's Tracy Baker. | 0:14:00 | 0:14:02 | |
I'm here as the director of Nanotech Laboratories Ltd. | 0:14:02 | 0:14:06 | |
I'm here to ask you for an investment of £60,000 | 0:14:06 | 0:14:09 | |
for an equity share of my business of 25%. | 0:14:09 | 0:14:12 | |
About 12 months ago, I was in America and I came across what I thought | 0:14:14 | 0:14:17 | |
was a really innovative and exciting new product range. | 0:14:17 | 0:14:21 | |
That was called Um Brands, and it's these products | 0:14:21 | 0:14:23 | |
that I can display here on this fridge. | 0:14:23 | 0:14:25 | |
There are hooks, clips, notepads, photo frames, mirrors. | 0:14:26 | 0:14:32 | |
With these products, they use a new technology called nano-suction - | 0:14:32 | 0:14:36 | |
it's a type of nanotechnology. | 0:14:36 | 0:14:38 | |
And if I can just show you, on the back... | 0:14:39 | 0:14:41 | |
..of each of these products, there are millions | 0:14:44 | 0:14:46 | |
and millions of tiny rubber suction cups | 0:14:46 | 0:14:49 | |
that create a very powerful suction. | 0:14:49 | 0:14:51 | |
The suction is so strong... | 0:14:51 | 0:14:53 | |
..that the hooks, for example,.. | 0:14:54 | 0:14:56 | |
can carry 5kg of weight. | 0:14:56 | 0:15:01 | |
-Watch your toes. -No, I trust it quite well. It's OK. | 0:15:01 | 0:15:05 | |
I was so impressed with the technology when I saw them | 0:15:05 | 0:15:08 | |
that I did some research into the company | 0:15:08 | 0:15:10 | |
and I was quite amazed to find out that they were stocked across | 0:15:10 | 0:15:14 | |
North America, but there was no sale | 0:15:14 | 0:15:15 | |
or distribution to the rest of the world. | 0:15:15 | 0:15:17 | |
So I contacted the company and I asked them | 0:15:17 | 0:15:20 | |
for the exclusive distribution rights for the UK and Europe - | 0:15:20 | 0:15:24 | |
I obtained that back in last summer. | 0:15:24 | 0:15:27 | |
Since then I have had one large UK retailer, Wilkinson's, | 0:15:27 | 0:15:32 | |
and they are already stocking five of the products in 370 stores. | 0:15:32 | 0:15:36 | |
I'm here today because I want some, I guess, | 0:15:38 | 0:15:41 | |
help in terms of reaching more retailers in the UK | 0:15:41 | 0:15:44 | |
and Europe and also getting investment of £60,000 for immediate | 0:15:44 | 0:15:48 | |
need of stock, point of sale display and an e-commerce website. | 0:15:48 | 0:15:53 | |
Thank you, and I invite any questions. | 0:15:53 | 0:15:55 | |
A pitch perfect presentation from | 0:15:58 | 0:16:00 | |
this Buckinghamshire-based entrepreneur. | 0:16:00 | 0:16:02 | |
Tracy is looking for £60,000 for 25% of her distribution company. | 0:16:04 | 0:16:09 | |
Piers Linney is first to scrutinise the miracle material. | 0:16:11 | 0:16:15 | |
I suppose the natural reaction with these things | 0:16:18 | 0:16:21 | |
is to see if you can see them, so I guess you can't. | 0:16:21 | 0:16:24 | |
Nanotechnology, you probably know all about nanotechnology, but it's | 0:16:24 | 0:16:27 | |
so small... I think it's a hundred 1,000th the width of a human hair, | 0:16:27 | 0:16:32 | |
or a billionth of a metre, it's just so small. | 0:16:32 | 0:16:35 | |
When I've been in trade fairs, I've had people say to me, | 0:16:36 | 0:16:39 | |
"This would be amazing in boats and caravans, | 0:16:39 | 0:16:42 | |
"this would be perfect for students | 0:16:42 | 0:16:45 | |
"who cant use hooks or drill holes into their walls." | 0:16:45 | 0:16:47 | |
They're just blown away because there's no real competition | 0:16:47 | 0:16:51 | |
out there for anything like this. | 0:16:51 | 0:16:53 | |
Tell me about the Wilkinson order, then. | 0:16:54 | 0:16:57 | |
Well, we've had three orders up to date. | 0:16:57 | 0:17:00 | |
The first order was for about 10,000 units, just over. | 0:17:00 | 0:17:03 | |
What's that in monetary terms? | 0:17:03 | 0:17:05 | |
In terms of sales, for us as a company, | 0:17:05 | 0:17:09 | |
just over £18,000. | 0:17:09 | 0:17:12 | |
And the second order? | 0:17:14 | 0:17:15 | |
The second order was a smaller order for a two-week buffer stock, | 0:17:15 | 0:17:19 | |
and that was only for just under 4,000 units. | 0:17:19 | 0:17:22 | |
And we've just had a third order, last week, | 0:17:22 | 0:17:25 | |
for a following 20,000 units. | 0:17:25 | 0:17:27 | |
We're looking at a gross profit this year of £70,000. | 0:17:27 | 0:17:31 | |
Hmm. | 0:17:34 | 0:17:35 | |
Applying her sales skills to the maximum, | 0:17:37 | 0:17:40 | |
Tracy's proving unflappable. | 0:17:40 | 0:17:42 | |
But are things about to get sticky over the issue of her | 0:17:42 | 0:17:45 | |
contractual deal with the American supplier? | 0:17:45 | 0:17:48 | |
How would you properly and legally describe | 0:17:52 | 0:17:54 | |
your relationship with this company? | 0:17:54 | 0:17:56 | |
A licence agreement, a distribution agreement, | 0:17:56 | 0:17:59 | |
what is the piece of paper that says, | 0:17:59 | 0:18:01 | |
"This is how we're going to trade together"? | 0:18:01 | 0:18:03 | |
-A distribution agreement. -It's a distribution agreement? -Yes. | 0:18:03 | 0:18:06 | |
-Did you pay for the exclusive distribution rights? -No. | 0:18:06 | 0:18:10 | |
So you just got a contract signed. | 0:18:10 | 0:18:12 | |
Is there a minimum spend per year or anything for you to keep that? | 0:18:12 | 0:18:16 | |
No, not at all. The initial contract was for a six-month period, | 0:18:16 | 0:18:20 | |
which was to be continued with a termination period of three months. | 0:18:20 | 0:18:24 | |
We discussed a renewal of that contract very recently | 0:18:24 | 0:18:26 | |
and it was agreed that the exclusivity element | 0:18:26 | 0:18:28 | |
of the contract would be continued as long as I'm able | 0:18:28 | 0:18:31 | |
to secure more retailers and larger retailers across the UK and Europe. | 0:18:31 | 0:18:35 | |
-Have you got the contract with you? -I do have it today, yes. | 0:18:35 | 0:18:39 | |
-Can you show it to me? -Of course, yeah. | 0:18:39 | 0:18:41 | |
Thank you. | 0:18:48 | 0:18:49 | |
-You're basically a sales agent. -I basically am a distributor, yes. | 0:18:52 | 0:18:57 | |
HE SIGHS | 0:18:57 | 0:18:59 | |
So what makes you think that the business | 0:18:59 | 0:19:03 | |
is worth a couple of £100,000? | 0:19:03 | 0:19:06 | |
Because, first of all, it's already been successful in the US. | 0:19:06 | 0:19:09 | |
I've got the exclusive distribution rights, | 0:19:09 | 0:19:12 | |
so there's nobody else distributing. | 0:19:12 | 0:19:13 | |
I'm sorry, I thought you said you did have, | 0:19:13 | 0:19:15 | |
but you kind of haven't now because your contract is out. | 0:19:15 | 0:19:18 | |
It's got a termination period of three months. | 0:19:18 | 0:19:21 | |
So I could invest £60,000, we could try and get it in the retailers, | 0:19:21 | 0:19:25 | |
it doesn't take off... | 0:19:25 | 0:19:26 | |
I've just wasted my money. | 0:19:27 | 0:19:29 | |
Well, I do have written confirmation form the company | 0:19:29 | 0:19:31 | |
that so long as I do maintain even just one large retailer, | 0:19:31 | 0:19:35 | |
then they will keep renewing the exclusivity. | 0:19:35 | 0:19:37 | |
But you don't need me to get that, you're already in Wilkinson's. | 0:19:37 | 0:19:40 | |
You're in 370 outlets - that's a lot. | 0:19:40 | 0:19:43 | |
From last week, though. | 0:19:43 | 0:19:44 | |
It's just been, erm, started stocking from last week. | 0:19:44 | 0:19:47 | |
And obviously, from my perspective, | 0:19:47 | 0:19:49 | |
I see this growing exponentially once it's out there in the market. | 0:19:49 | 0:19:53 | |
Lots of people will know all about it and they might even start calling me. | 0:19:53 | 0:19:57 | |
But it's an opportunity, I thought, | 0:19:57 | 0:19:59 | |
to come on here and see if you'd like to be involved. | 0:19:59 | 0:20:02 | |
The best thing, for you to have been able to walk in here | 0:20:02 | 0:20:05 | |
and get investment, would be to say, | 0:20:05 | 0:20:06 | |
"I've got a contract, I've got it for this period of time." | 0:20:06 | 0:20:09 | |
Which you have kind of said, but it's three months' notice, | 0:20:09 | 0:20:12 | |
it's not very secure, makes you almost impossible to | 0:20:12 | 0:20:15 | |
invest in today because you haven't brought somebody from that | 0:20:15 | 0:20:19 | |
company here to represent you that can commit. | 0:20:19 | 0:20:22 | |
So if I commit £60,000, | 0:20:22 | 0:20:24 | |
I've no idea whether I'm going to not just see the money, | 0:20:24 | 0:20:27 | |
but whether we're even going to have a contract in three months. | 0:20:27 | 0:20:30 | |
So for an investor, that is massive, massive risk. | 0:20:30 | 0:20:33 | |
I can't invest in something like that, | 0:20:33 | 0:20:35 | |
so I'm going to tell you, Tracy, I'm out. | 0:20:35 | 0:20:37 | |
A disastrous turn of events, as Peter Jones pulls no punches over | 0:20:41 | 0:20:46 | |
the agreement that Tracy's brokered. | 0:20:46 | 0:20:47 | |
And Deborah Meaden's discovered even more devil in the detail. | 0:20:48 | 0:20:52 | |
There's not good news in the contract | 0:20:54 | 0:20:57 | |
and it goes back to what Peter says. | 0:20:57 | 0:20:59 | |
Unfortunately... | 0:21:00 | 0:21:02 | |
..this is really not nice. | 0:21:03 | 0:21:06 | |
"I, the party, may terminate this agreement following the | 0:21:06 | 0:21:09 | |
"six-month trial period", which you've already done. | 0:21:09 | 0:21:12 | |
"Or without cause." | 0:21:14 | 0:21:17 | |
Without cause, for any reason whatsoever, | 0:21:17 | 0:21:19 | |
"Don't want to do this any more, | 0:21:19 | 0:21:21 | |
"found somebody else who can sell it more, upon 90 days written notice." | 0:21:21 | 0:21:24 | |
Which means that, at any point... | 0:21:25 | 0:21:28 | |
there's nothing in the way this agreement is drawn up | 0:21:28 | 0:21:31 | |
that gives you any safety to say, | 0:21:31 | 0:21:34 | |
"Well, yeah, but hold on a minute. | 0:21:34 | 0:21:36 | |
"I bring on £500,000 worth of business, I get it. " | 0:21:36 | 0:21:40 | |
So the structure of the agreement is very, very unhelpful. | 0:21:40 | 0:21:44 | |
It's almost worse than not having an agreement. | 0:21:44 | 0:21:46 | |
With the den rattled by the contract's fine print, | 0:21:50 | 0:21:54 | |
will more Dragons follow in Peter Jones' footsteps, | 0:21:54 | 0:21:58 | |
or will Tracy's encouraging sales keep them on side? | 0:21:58 | 0:22:02 | |
Don't you wish you'd invented this? | 0:22:05 | 0:22:07 | |
Of course, and do you know what, Kelly? | 0:22:07 | 0:22:09 | |
I intend to look for other products that we can also distribute. | 0:22:09 | 0:22:11 | |
But, for me, it's not just about distribution - | 0:22:11 | 0:22:13 | |
it's about bringing new products as well. | 0:22:13 | 0:22:15 | |
For me, as a Dragon, coming in, | 0:22:15 | 0:22:17 | |
obviously I look for a good investment. | 0:22:17 | 0:22:19 | |
But coming from a design background, | 0:22:19 | 0:22:21 | |
I was thinking of different products cos it's an incredible substance. | 0:22:21 | 0:22:25 | |
But to invest in something that doesn't, for me, have a future, | 0:22:25 | 0:22:28 | |
I can't see how we could take it anywhere else, | 0:22:28 | 0:22:31 | |
other than investing in you as a distributor. | 0:22:31 | 0:22:35 | |
It's not very exciting. | 0:22:35 | 0:22:36 | |
Essentially, what I would be doing is just helping you find people | 0:22:37 | 0:22:41 | |
who are going to buy the product, | 0:22:41 | 0:22:43 | |
and that's not really why I'm in the den. | 0:22:43 | 0:22:45 | |
I want something that's got some creativity in it | 0:22:45 | 0:22:48 | |
as well as the business side. | 0:22:48 | 0:22:50 | |
So, for that reason, I'm not investing, | 0:22:50 | 0:22:52 | |
but I wish you well with it. So I'm out. | 0:22:52 | 0:22:54 | |
Tracy, if I could give you one piece of advice, it is, "Sort this out." | 0:22:55 | 0:23:00 | |
But, because of that, really, | 0:23:03 | 0:23:05 | |
-it's not something I can invest in, so I'm afraid I'm out. -OK. | 0:23:05 | 0:23:09 | |
Three Dragons have now declared themselves out. | 0:23:12 | 0:23:16 | |
Tracy's hopes of investment rest with Deborah Meaden | 0:23:16 | 0:23:21 | |
or Duncan Bannatyne. | 0:23:21 | 0:23:22 | |
-Tracy... -Yes, Duncan. | 0:23:24 | 0:23:26 | |
How confident are that, with a Dragon on board, | 0:23:27 | 0:23:30 | |
you could get a new contract? | 0:23:30 | 0:23:31 | |
Categorically, 100% confident. | 0:23:33 | 0:23:36 | |
I deal only with the marketing director. | 0:23:36 | 0:23:39 | |
She recognises the fact that I've had a huge amount of passion | 0:23:39 | 0:23:42 | |
to do this in the first place. | 0:23:42 | 0:23:44 | |
I've invested about £65,000 of my own money into | 0:23:44 | 0:23:48 | |
doing this in the last six months. | 0:23:48 | 0:23:50 | |
65,000? | 0:23:50 | 0:23:51 | |
I have, yep. And I think she recognises that. | 0:23:51 | 0:23:54 | |
And I really, truly believe we can do that. | 0:23:55 | 0:23:57 | |
-OK. Well, I'm going to make you an offer then. -OK. | 0:24:01 | 0:24:05 | |
I'm going to offer you the full amount, £60,000, for... | 0:24:08 | 0:24:13 | |
For 35% of the company. | 0:24:16 | 0:24:19 | |
OK, thank you. | 0:24:19 | 0:24:21 | |
I like the products and have had a great deal of success with | 0:24:29 | 0:24:35 | |
a stick-on, office-style product. | 0:24:35 | 0:24:37 | |
And, actually, I see some synergies between the two businesses | 0:24:37 | 0:24:41 | |
and, quite obviously, some of the customers are going to be the same | 0:24:41 | 0:24:45 | |
and we're in the big shed. | 0:24:45 | 0:24:47 | |
So, what I can see there is some expertise within | 0:24:47 | 0:24:50 | |
that organisation, which has now grown exponentially. | 0:24:50 | 0:24:55 | |
I can see them being a customer of this. | 0:24:55 | 0:24:57 | |
I can see them being able to make introductions. | 0:24:57 | 0:25:01 | |
The biggest conundrum is that agreement. | 0:25:01 | 0:25:03 | |
However, the other organisation I'm talking about also operates | 0:25:07 | 0:25:10 | |
under a licence agreement, | 0:25:10 | 0:25:12 | |
so we have an absolute model of something, | 0:25:12 | 0:25:14 | |
and we have to sort that out too. | 0:25:14 | 0:25:15 | |
I am going to make you an offer, but it is going to have that caveat. | 0:25:15 | 0:25:18 | |
The very first thing you do before I hand any money over | 0:25:18 | 0:25:21 | |
-is to get that. -Yeah. | 0:25:21 | 0:25:24 | |
So I'm going to make you an offer | 0:25:24 | 0:25:26 | |
and I'm going to offer you all of the money, | 0:25:26 | 0:25:28 | |
but I want 40% of the business. | 0:25:28 | 0:25:30 | |
OK, thank you. | 0:25:31 | 0:25:32 | |
Duncan, is there something you can tell me, | 0:25:38 | 0:25:40 | |
a little bit more, so I can compare the two of you? | 0:25:40 | 0:25:43 | |
Tracy, I've been in business a long time. I know how these things work. | 0:25:45 | 0:25:48 | |
Obviously, the first thing I'm going to do | 0:25:48 | 0:25:50 | |
is get the contract renegotiated, | 0:25:50 | 0:25:52 | |
and we're going to market the product, it's a simple as that. | 0:25:52 | 0:25:55 | |
There's nothing else to it. | 0:25:55 | 0:25:57 | |
So, a remarkable U-turn in the den. | 0:26:00 | 0:26:03 | |
The entrepreneur now has two offers on the table, | 0:26:03 | 0:26:07 | |
but can Deborah Meaden turn from arch prosecutor to a deal poacher? | 0:26:07 | 0:26:12 | |
It's very difficult to decide. | 0:26:18 | 0:26:20 | |
Is it? | 0:26:20 | 0:26:21 | |
I think in my heart of hearts, my initial reaction is that, | 0:26:24 | 0:26:28 | |
Duncan, you were behind me just from a gut feeling. | 0:26:28 | 0:26:31 | |
And I guess, on that side of things, | 0:26:31 | 0:26:32 | |
despite Deborah, you'd be, I guess, amazing to work with, | 0:26:32 | 0:26:35 | |
and I understand you've got a lot of connections, | 0:26:35 | 0:26:38 | |
-I think I'll go with Duncan. -Thank you very much. | 0:26:38 | 0:26:41 | |
DRAGONS APPLAUD | 0:26:41 | 0:26:43 | |
Thank you very much indeed. | 0:26:43 | 0:26:44 | |
After an early mauling by Peter Jones, | 0:26:44 | 0:26:47 | |
Tracy leaves the den bruised but smiling | 0:26:47 | 0:26:51 | |
at the £60,000 that eventually came her way. | 0:26:51 | 0:26:54 | |
Deborah, you will just not stop trying to pinch deals, eh? | 0:26:54 | 0:26:58 | |
-Well, it would've been a very good synergy. -Every deal that comes up... | 0:26:58 | 0:27:01 | |
To be fair, I offered 5% more than you. I'm hardly stealing a deal. | 0:27:01 | 0:27:04 | |
I was really 50-50. I think Deborah was really convincing. | 0:27:04 | 0:27:08 | |
She obviously had a lot of contacts in the right areas, | 0:27:08 | 0:27:11 | |
and she seemed very honest and clear about what she could and couldn't do. | 0:27:11 | 0:27:15 | |
Duncan offered me first, and he took the leap of faith, | 0:27:15 | 0:27:20 | |
and I felt that he deserved to have the deal. | 0:27:20 | 0:27:23 | |
-It doesn't work. -It's your problem. | 0:27:29 | 0:27:31 | |
You're not selling them. | 0:27:31 | 0:27:32 | |
-Why are you doing this?' -I'm out.' | 0:27:32 | 0:27:34 | |
Also hoping for investment were inventors Jordan Schlipf | 0:27:34 | 0:27:38 | |
and Andrew Tan, who came into the den looking for £50,000 | 0:27:38 | 0:27:42 | |
for a 10% stake in their business. | 0:27:42 | 0:27:45 | |
Meet the Morella, a novel remedy for a 21st century problem. | 0:27:48 | 0:27:52 | |
Yes, it's a drinks holder for an umbrella. | 0:27:53 | 0:27:56 | |
So, why? Well, it's because of this - | 0:27:56 | 0:27:59 | |
the proliferation of the smartphone. | 0:27:59 | 0:28:01 | |
Today, we are addicted to our phones. | 0:28:01 | 0:28:03 | |
We're constantly taking photos, videos, | 0:28:03 | 0:28:06 | |
updating our social media, messaging, e-mailing and taking phone calls. | 0:28:06 | 0:28:11 | |
The really interesting and unique feature | 0:28:11 | 0:28:13 | |
of Morella's patented design is that, | 0:28:13 | 0:28:15 | |
when it does stop raining, you can be left attached to the umbrella, | 0:28:15 | 0:28:20 | |
turning it into a drinks holder and stand. | 0:28:20 | 0:28:22 | |
From Glastonbury to Glyndebourne, | 0:28:24 | 0:28:26 | |
the men behind Morella saw no end of potential sales opportunities, | 0:28:26 | 0:28:32 | |
but Peter Jones was unconvinced. | 0:28:32 | 0:28:35 | |
Do you honestly think it's a viable product? | 0:28:35 | 0:28:37 | |
The idea, I know it can be a bit of a Marmite thing, | 0:28:37 | 0:28:40 | |
but we've had a number of experiences now, | 0:28:40 | 0:28:42 | |
when we go out, we've taken it down to Kempton races, | 0:28:42 | 0:28:44 | |
and generally, it sparks people's imagination if nothing else. | 0:28:44 | 0:28:49 | |
You mentioned about at the races. | 0:28:49 | 0:28:50 | |
I mean, to be fair, you'd look a bit of a plonker, wouldn't you? | 0:28:50 | 0:28:53 | |
I agree, there is something about it that's a little bit | 0:28:53 | 0:28:57 | |
outside of the norm, but the genuine reaction that we've always | 0:28:57 | 0:29:00 | |
had from people has been one of affection towards it. | 0:29:00 | 0:29:03 | |
The look of their product may divide opinion, | 0:29:03 | 0:29:06 | |
but Deborah Meaden was concerned less with design | 0:29:06 | 0:29:09 | |
and more by simple mathematics. | 0:29:09 | 0:29:12 | |
The problem is you have got to sell a lot to make any | 0:29:12 | 0:29:14 | |
kind of return on an investment. | 0:29:14 | 0:29:16 | |
We had a conversation with one of the more prominent | 0:29:16 | 0:29:18 | |
coffee chains in the world. | 0:29:18 | 0:29:21 | |
So, they have 20,000 stores worldwide. | 0:29:21 | 0:29:24 | |
You can't just say there's that many coffee shops in the world. | 0:29:24 | 0:29:27 | |
Have they said to you, "We would buy half a million of them"? | 0:29:27 | 0:29:30 | |
You get there and it's that sort of, | 0:29:30 | 0:29:33 | |
"OK, so we're going to be the first out of the gates, | 0:29:33 | 0:29:35 | |
"so let's try 100, 300, 400 units, | 0:29:35 | 0:29:37 | |
"see how it goes, we'll build from there." | 0:29:37 | 0:29:39 | |
Morella's inventors were predicting steady but unspectacular growth. | 0:29:41 | 0:29:46 | |
No surprise then, that Piers Linney felt | 0:29:46 | 0:29:48 | |
they'd overvalued their business. | 0:29:48 | 0:29:51 | |
You've got an idea, prototype, | 0:29:51 | 0:29:55 | |
that's it, that's as far as you've got, and you want £50,000 for 10%. | 0:29:55 | 0:29:57 | |
If you'd come in here and asked for less money, | 0:29:59 | 0:30:01 | |
I might have just done it as a whim, | 0:30:01 | 0:30:03 | |
but it's not something that excites me particularly | 0:30:03 | 0:30:05 | |
and therefore it's not something that I want to invest in. | 0:30:05 | 0:30:08 | |
Sadly, for Jordan and Andrew, all of the Dragons agreed - | 0:30:10 | 0:30:14 | |
better to save for a rainy day than splash out on a business | 0:30:14 | 0:30:18 | |
that simply didn't hold water. | 0:30:18 | 0:30:19 | |
All I can say is, it's completely an utterly ridiculous | 0:30:21 | 0:30:24 | |
-and ludicrous, and I'm out. -OK. | 0:30:24 | 0:30:27 | |
Thank you. Good luck with it. | 0:30:29 | 0:30:31 | |
It is raining. | 0:30:31 | 0:30:33 | |
It is. We thought it was a sign. LAUGHTER | 0:30:33 | 0:30:37 | |
Don't worry about it. | 0:30:38 | 0:30:40 | |
-I want one, though. -I know you do. | 0:30:41 | 0:30:44 | |
-So far tonight... -What do I let you talk me into? | 0:30:47 | 0:30:49 | |
..two entrepreneurs were berated for their brand name. | 0:30:50 | 0:30:55 | |
- We thought they'd love it. | 0:30:55 | 0:30:56 | |
- We expected them to be fighting amongst themselves. | 0:30:56 | 0:30:58 | |
And, in fact, they were fighting | 0:30:58 | 0:31:00 | |
amongst themselves, for different reasons. | 0:31:00 | 0:31:02 | |
-Would you wear Fat Girl At The Back? -That's my point. | 0:31:02 | 0:31:05 | |
And one business got the Dragons' seal of approval. | 0:31:05 | 0:31:09 | |
Thank you very much indeed. Thank you. | 0:31:09 | 0:31:11 | |
Will any of these cash hungry hopefuls also have the | 0:31:13 | 0:31:16 | |
winning formula for investment? | 0:31:16 | 0:31:18 | |
You're going to be knocking over vases, hitting grandma on the head. | 0:31:18 | 0:31:22 | |
The thing is, I'm crazy about marshmallows, | 0:31:22 | 0:31:24 | |
but...these taste a bit stale. | 0:31:24 | 0:31:27 | |
Now, the toy business is a bit like a lottery. | 0:31:38 | 0:31:42 | |
If you can create a craze, | 0:31:42 | 0:31:43 | |
well, then you've got yourself a winning ticket. | 0:31:43 | 0:31:46 | |
But most, of course, never get very far. | 0:31:46 | 0:31:48 | |
Our next entrepreneurs are hoping their toy can hit the jackpot. | 0:31:48 | 0:31:52 | |
Hi, Dragons. My name's David, and this is Phil... | 0:32:29 | 0:32:31 | |
- Hi. | 0:32:31 | 0:32:33 | |
- ..and we're here to pitch for a £60,000 investment | 0:32:33 | 0:32:37 | |
in return for a 25% stake in our business, Ukick Ltd. | 0:32:37 | 0:32:41 | |
Ukick's a fun new social and healthy sporting craze. | 0:32:42 | 0:32:46 | |
It fuses elements of badminton, and street football, | 0:32:46 | 0:32:49 | |
and the aim of the game is to kick the Ukick in the air, using your feet | 0:32:49 | 0:32:53 | |
or any other part of your body, and prevent it from touching the ground. | 0:32:53 | 0:32:57 | |
- Ukick consists of four brightly coloured feathers | 0:32:57 | 0:32:59 | |
inserted into a brightly coloured rubber base. | 0:32:59 | 0:33:02 | |
As David is demonstrating, you can take the feathers out of the base, | 0:33:04 | 0:33:07 | |
so kids can trade feathers with each other | 0:33:07 | 0:33:09 | |
to create their own unique designs. | 0:33:09 | 0:33:11 | |
You can add or remove the weights to change the way that the Ukick | 0:33:13 | 0:33:16 | |
flies through the air, giving you more reaction time. | 0:33:16 | 0:33:20 | |
- From the onset, our mission has been to focus on three major things. | 0:33:20 | 0:33:25 | |
Number one is getting kids, and big kids, active. | 0:33:25 | 0:33:30 | |
The second thing is getting people and bringing them | 0:33:30 | 0:33:33 | |
together in a social environment. | 0:33:33 | 0:33:35 | |
And the third main thing is, basically, | 0:33:35 | 0:33:37 | |
adding a bit more fun into the world. | 0:33:37 | 0:33:39 | |
- To date, we've sold around 45,000 Ukicks. | 0:33:40 | 0:33:44 | |
We have a distributor who's ready to go, | 0:33:44 | 0:33:46 | |
not just nationally, but also internationally. | 0:33:46 | 0:33:48 | |
All that's missing from the equation is a Dragon to join us on board, | 0:33:48 | 0:33:51 | |
and come and turn this into the craze that we've always wanted it to be. | 0:33:51 | 0:33:54 | |
- We welcome you to come up and play with us, | 0:33:54 | 0:33:57 | |
if you fancy, and then we can take any questions that you like. | 0:33:57 | 0:34:00 | |
-Can I have a go? -Of course you can. -I've got heels on. | 0:34:00 | 0:34:03 | |
-Anyone else? Duncan, you look tempted. -I'll have a go, yeah. | 0:34:03 | 0:34:06 | |
It's all about timing, really, more than power. | 0:34:06 | 0:34:10 | |
That's it. That's it. | 0:34:10 | 0:34:12 | |
Two hits. | 0:34:12 | 0:34:13 | |
An upbeat pitch from David Robinson and Phil Law, who are seeking | 0:34:15 | 0:34:19 | |
£60,000 in return for a 25% stake in their toy business. | 0:34:19 | 0:34:24 | |
Having honed his keepy-uppy skills, | 0:34:26 | 0:34:29 | |
Duncan Bannatyne kicks off the interrogation. | 0:34:29 | 0:34:32 | |
That was fun. | 0:34:35 | 0:34:37 | |
What's the retail price on it? | 0:34:39 | 0:34:41 | |
Recommended retail price is £7.99. | 0:34:41 | 0:34:44 | |
-Are those the displays of what you actually sell? -Yeah. | 0:34:44 | 0:34:47 | |
-Can you pass them round? -Yeah, of course. | 0:34:47 | 0:34:49 | |
David will pass around those, they are a little bit scratched. | 0:34:49 | 0:34:53 | |
Have you got one there? I'll pass it to Kelly in a second. | 0:34:53 | 0:34:56 | |
So what does it cost you to produce them? | 0:34:57 | 0:34:59 | |
So, to manufacture the whole thing, it's 70p. | 0:34:59 | 0:35:03 | |
-You can get these delivered for 70 pence? -Yeah. | 0:35:05 | 0:35:07 | |
There's a container on the way over now, | 0:35:07 | 0:35:10 | |
which has got around about 18,000 Ukicks on it. | 0:35:10 | 0:35:13 | |
Who's paying for this? | 0:35:13 | 0:35:15 | |
The order's been paid for, 50% deposit, | 0:35:15 | 0:35:17 | |
by the distributor, he has committed. | 0:35:17 | 0:35:19 | |
If you've got someone else paying for your product... | 0:35:19 | 0:35:22 | |
selling it on your behalf, distributing it, | 0:35:22 | 0:35:25 | |
why do you need any money? | 0:35:25 | 0:35:27 | |
To launch this product successfully, we need to turn this into a craze, | 0:35:27 | 0:35:30 | |
not just trickle forwards and grow steadily. | 0:35:30 | 0:35:33 | |
It really needs to hit the market and explode. | 0:35:33 | 0:35:35 | |
Why is it going to be a craze? | 0:35:37 | 0:35:39 | |
We've taken it to a lot of schools. | 0:35:39 | 0:35:40 | |
We really have put in a lot of groundwork here. | 0:35:40 | 0:35:43 | |
The kids go bananas over it. | 0:35:43 | 0:35:45 | |
For whatever reason, they just seem to love it. | 0:35:45 | 0:35:47 | |
We were doing a session and they literally attacked me | 0:35:47 | 0:35:50 | |
because I had a Ukick. They were running after me. | 0:35:50 | 0:35:52 | |
They wanted a different coloured feather, for example. | 0:35:52 | 0:35:55 | |
How did you get to this point? How do you know each other? | 0:35:55 | 0:35:57 | |
Well, I was made redundant twice in the last recession. | 0:35:57 | 0:36:00 | |
It was a really tough time, which is why I started Ukick up. | 0:36:00 | 0:36:05 | |
It's been such a roller coaster ride, I can't even tell you. | 0:36:05 | 0:36:09 | |
And I've been living off literally below minimum wage for so long, | 0:36:09 | 0:36:13 | |
and I don't want to slip up now because this is about to take off. | 0:36:13 | 0:36:18 | |
David, you just look worn out. | 0:36:18 | 0:36:20 | |
I don't know if you were up all night making these or not, but... | 0:36:20 | 0:36:23 | |
You just look like you've had a... | 0:36:23 | 0:36:25 | |
OK, so I... | 0:36:25 | 0:36:26 | |
So, I went on a heavy stag do at the weekend. | 0:36:26 | 0:36:29 | |
THEY LAUGH | 0:36:29 | 0:36:31 | |
I thought you were going to say, "It's the business." | 0:36:31 | 0:36:34 | |
Oh, it is. Because I was dealing with China as well, I just work 24-7. | 0:36:34 | 0:36:39 | |
Isn't this a case of, get it out there, create a craze, | 0:36:39 | 0:36:42 | |
and then get out of Dodge? | 0:36:42 | 0:36:44 | |
That's exactly why we need to hit it so hard. | 0:36:44 | 0:36:47 | |
But what are you going to move on to? | 0:36:47 | 0:36:49 | |
We're going to have a Ukick-o-meter, | 0:36:49 | 0:36:51 | |
-which we could show you a prototype of. -What was that? | 0:36:51 | 0:36:54 | |
- A Ukick-o-meter. Do you want to...? - These are only mock-ups. | 0:36:54 | 0:36:57 | |
- You have to maybe use your imagination. | 0:36:57 | 0:37:00 | |
The idea would be, and it obviously wouldn't look exactly like this, | 0:37:00 | 0:37:04 | |
but as you kick, it would count how many you've done. | 0:37:04 | 0:37:07 | |
We've also got a really nice idea, this is pulse technology. | 0:37:07 | 0:37:10 | |
So when you kick it, it will pulse a colour. | 0:37:10 | 0:37:12 | |
These are just random designs so, again, | 0:37:12 | 0:37:15 | |
we could introduce different colours there. | 0:37:15 | 0:37:17 | |
I think it's got legs, this thing. | 0:37:17 | 0:37:18 | |
Dave and Phil may have convinced Kelly Hoppen that there | 0:37:22 | 0:37:26 | |
product is no one-hit wonder, but Duncan Bannatyne is concerned | 0:37:26 | 0:37:30 | |
the men behind Ukick are trying to run before they can walk. | 0:37:30 | 0:37:33 | |
I'm not sure you want to be... | 0:37:35 | 0:37:36 | |
..creating accessories until you have proven the fact that this sells. | 0:37:38 | 0:37:42 | |
So what's your projections, going forward, then? | 0:37:44 | 0:37:47 | |
We are looking to do, globally, from the end of June when they land | 0:37:47 | 0:37:53 | |
to the next June, roughly 850,000 units. | 0:37:53 | 0:37:57 | |
One unit, what are you going to make? | 0:37:57 | 0:37:59 | |
One unit, up to 100,000, about 19p, 18p. | 0:37:59 | 0:38:04 | |
I think that you'll make a little bit of money, but I think that | 0:38:04 | 0:38:08 | |
you'll be surprised at how little that you'll ultimately sell. | 0:38:08 | 0:38:12 | |
The big issue with this is the fact that this is a game that | 0:38:12 | 0:38:14 | |
I think every parent will turn round and say, "Put that thing outside." | 0:38:14 | 0:38:18 | |
You're going to be knocking over vases, | 0:38:18 | 0:38:20 | |
you're going to be hitting grandma on the head. | 0:38:20 | 0:38:22 | |
But if you reduce the weights, | 0:38:22 | 0:38:24 | |
then obviously it's not going to cause as much damage inside. | 0:38:24 | 0:38:28 | |
It's just not something that I'm going to get behind, guys. | 0:38:28 | 0:38:31 | |
So I'm going to wish you well on your way. | 0:38:31 | 0:38:32 | |
I'm going to say that I'm out. | 0:38:32 | 0:38:34 | |
Disappointment for the young entrepreneurs, | 0:38:35 | 0:38:38 | |
as Peter Jones turns his back on the deal. | 0:38:38 | 0:38:41 | |
Will Deborah Meaden see the business potential in this playground craze? | 0:38:42 | 0:38:47 | |
Did you do this design? | 0:38:47 | 0:38:49 | |
-Yeah, this is all... -And the photography? | 0:38:49 | 0:38:51 | |
-The photographer's a friend of mine. -I think they look really good. | 0:38:51 | 0:38:54 | |
-It really is strong. -Thanks a lot. | 0:38:54 | 0:38:57 | |
Who designed this? | 0:38:57 | 0:38:59 | |
-See, that doesn't look like that. -No, we agree. | 0:39:01 | 0:39:04 | |
That is actually a very recent development on the brand. | 0:39:04 | 0:39:08 | |
At the time we did that, we didn't have any photographs at all, | 0:39:08 | 0:39:10 | |
apart ones on iPhones, which just isn't suitable for packaging. | 0:39:10 | 0:39:14 | |
You're good guys, you've certainly done a great job on producing it, | 0:39:14 | 0:39:18 | |
but when I sit here, I have to see a path. | 0:39:18 | 0:39:20 | |
I have to think, "Right, we can do that with it." | 0:39:20 | 0:39:23 | |
I've been sitting quietly, looking for it, I just have no empathy | 0:39:23 | 0:39:26 | |
-and sometimes that's my reason to not want to invest. -Sure. | 0:39:26 | 0:39:30 | |
So I'm really sorry, I won't be investing. | 0:39:30 | 0:39:32 | |
-Thanks very much. -I'm out. | 0:39:32 | 0:39:33 | |
Praise for Dave and Phil, but no passion to invest. | 0:39:37 | 0:39:41 | |
Now, Duncan Bannatyne, who initially said | 0:39:41 | 0:39:44 | |
he enjoyed playing with the product, is ready to have his say. | 0:39:44 | 0:39:48 | |
Those sort of margins, | 0:39:50 | 0:39:52 | |
you'd have to sell an awful, awful lot to recoup, | 0:39:52 | 0:39:55 | |
first of all my £60,000, | 0:39:55 | 0:39:57 | |
and then make a profit. | 0:39:57 | 0:39:59 | |
So, I wish you the best of luck with it, | 0:39:59 | 0:40:01 | |
but I'm not going to invest, so I'm out. | 0:40:01 | 0:40:04 | |
When you came in, I just thought... | 0:40:08 | 0:40:10 | |
it's a craze, it'll come and go very quickly. | 0:40:10 | 0:40:13 | |
And then you sort of talked through the vision, | 0:40:13 | 0:40:16 | |
and I kind of thought, "Maybe not." | 0:40:16 | 0:40:17 | |
But now I've gone back to, "Yes, it is". | 0:40:17 | 0:40:19 | |
It's not a sustainable business, so I can't invest in it, unfortunately. | 0:40:21 | 0:40:25 | |
I'm out. | 0:40:25 | 0:40:26 | |
Four Dragons out in rapid succession. | 0:40:29 | 0:40:32 | |
Dave and Phil's hopes of securing the £60,000 they were seeking | 0:40:33 | 0:40:38 | |
now rest solely with Kelly Hoppen. | 0:40:38 | 0:40:41 | |
Guys, you're good, | 0:40:45 | 0:40:46 | |
you're really good, and I think you've done a fantastic job here. | 0:40:46 | 0:40:50 | |
But it's very hard to get into this market, | 0:40:56 | 0:41:03 | |
and also, this is something that can be copied so easily. | 0:41:03 | 0:41:07 | |
I'm going to wish you well with it, I truly am, | 0:41:08 | 0:41:10 | |
but I'm afraid I'm not going to invest and I'm out. | 0:41:10 | 0:41:12 | |
-Thank you. -Good luck. -Thanks for your time. Cheers. | 0:41:12 | 0:41:15 | |
-Have a good day. -Good luck. | 0:41:15 | 0:41:16 | |
Kelly Hoppen declines to make an offer, | 0:41:21 | 0:41:24 | |
and the entrepreneurs who've been living on minimum wage | 0:41:24 | 0:41:26 | |
while trying to establish their business leave | 0:41:26 | 0:41:29 | |
with their dreams of investment shattered. | 0:41:29 | 0:41:32 | |
- I thought we had her. - I did as well. | 0:41:34 | 0:41:36 | |
- Oh, we needed that. | 0:41:36 | 0:41:37 | |
- I thought we were going to do it. - Oh, well. Well done, mate. | 0:41:39 | 0:41:42 | |
Many entrepreneurs come into the den with business ideas | 0:41:55 | 0:41:59 | |
inspired by their own personal experiences. | 0:41:59 | 0:42:03 | |
I was a healthcare assistant for seven years. | 0:42:03 | 0:42:05 | |
I contracted a bacterial infection into my right hand. | 0:42:05 | 0:42:08 | |
I didn't like putting the stockings on, | 0:42:08 | 0:42:10 | |
so that's why I developed Neo-Slip. | 0:42:10 | 0:42:12 | |
Put your foot on to the door, and you walk though. | 0:42:12 | 0:42:16 | |
After many months of research, we designed the Dignity Giving Suit. | 0:42:16 | 0:42:19 | |
Denise Anstey's disability had led her to create a new | 0:42:22 | 0:42:26 | |
twist on the walking stick. | 0:42:26 | 0:42:28 | |
She was seeking £45,000 in return for a 35% stake in her business. | 0:42:28 | 0:42:34 | |
In 1998, I had a car accident and I was disabled for 12 years. | 0:42:37 | 0:42:42 | |
And during that time, | 0:42:42 | 0:42:43 | |
I designed and invented the Slik Stik walking stick. | 0:42:43 | 0:42:47 | |
It has a split-angled LED light system. | 0:42:47 | 0:42:50 | |
It also has red LEDs for crossing the road in the dark. | 0:42:50 | 0:42:54 | |
ALARM SOUNDS | 0:42:54 | 0:42:56 | |
A panic alarm button. | 0:42:56 | 0:42:57 | |
It's height adjustable and foldable, | 0:42:57 | 0:42:59 | |
and it's very, very lightweight. | 0:42:59 | 0:43:02 | |
Denise's stick boasted a broad range of features, | 0:43:02 | 0:43:05 | |
but Duncan Bannatyne wanted to establish | 0:43:05 | 0:43:08 | |
the size of her potential market. | 0:43:08 | 0:43:11 | |
How many people in the UK use walking sticks? | 0:43:11 | 0:43:14 | |
-How many? -Yeah. -Probably a million, two million people. | 0:43:14 | 0:43:17 | |
I don't think it's anywhere near that, actually. | 0:43:17 | 0:43:20 | |
10 million people are over 65 years. | 0:43:20 | 0:43:22 | |
Yeah, I'm over 65 and I don't use a walking stick. | 0:43:22 | 0:43:26 | |
-You don't look it, Duncan. -Thank you, darling. | 0:43:26 | 0:43:28 | |
It's like a funfair on a stick, isn't it? | 0:43:30 | 0:43:32 | |
Or it's Pimp My Stick. | 0:43:32 | 0:43:33 | |
Pimp My Stick, well... It's very functional. | 0:43:33 | 0:43:36 | |
I think when you're disabled, you look at it in a different way. | 0:43:36 | 0:43:39 | |
We showed people and said, "What do you think?" | 0:43:39 | 0:43:41 | |
And they just absolutely loved it. | 0:43:41 | 0:43:42 | |
Positive feedback for Denise from potential buyers, | 0:43:42 | 0:43:46 | |
even if a doubtful Deborah Meaden was yet to see the light. | 0:43:46 | 0:43:50 | |
Just go and stand on the shadow, back there, behind the table. | 0:43:50 | 0:43:53 | |
That light doesn't hit the floor until way ahead of your feet. | 0:43:53 | 0:43:57 | |
Yeah, but by the time I get there, I'm always looking a step ahead. | 0:43:57 | 0:43:59 | |
-It's moved. -You look ahead when you walk, you don't look down. | 0:43:59 | 0:44:02 | |
-Do you see what I mean? -I'm sorry, but actually, | 0:44:02 | 0:44:05 | |
a very close member of my family walks with sticks | 0:44:05 | 0:44:07 | |
and the most important thing to them is this area here, | 0:44:07 | 0:44:10 | |
so that they don't trip. | 0:44:10 | 0:44:12 | |
It's to see a trip hazard before you get to it, | 0:44:12 | 0:44:14 | |
so by the time you've got there, you know what's ahead of you. | 0:44:14 | 0:44:16 | |
Denise was confident that her walking stick had | 0:44:18 | 0:44:21 | |
all the right tools for the job, | 0:44:21 | 0:44:23 | |
but Piers Linney was curious to discover what other ideas | 0:44:23 | 0:44:26 | |
she had for her product. | 0:44:26 | 0:44:28 | |
You had an experience, which was difficult. | 0:44:29 | 0:44:31 | |
Yes, I'm trying to move forward. | 0:44:31 | 0:44:33 | |
All these things you wanted and you needed, | 0:44:33 | 0:44:35 | |
-and you've sort of put them all in a walking stick. -Mm-hmm. | 0:44:35 | 0:44:38 | |
You could put an umbrella in there, | 0:44:38 | 0:44:40 | |
you could put a credit card holder, | 0:44:40 | 0:44:42 | |
toaster... You could just keep going. | 0:44:42 | 0:44:44 | |
Well, no. There is obviously a limit. | 0:44:44 | 0:44:46 | |
We have obviously researched this really carefully, | 0:44:46 | 0:44:49 | |
so we know what people are after, what they like, so we've adapted it. | 0:44:49 | 0:44:52 | |
I think the only thing that you've said that I agree with is the alarm. | 0:44:52 | 0:44:56 | |
That's to alert for help. | 0:44:56 | 0:44:57 | |
Sometimes, something happens. | 0:44:57 | 0:44:59 | |
It's happened to me when I was mugged. | 0:44:59 | 0:45:01 | |
I thought I was screaming, but I actually wasn't, | 0:45:01 | 0:45:03 | |
so the alarm, I think, is brilliant. | 0:45:03 | 0:45:05 | |
Despite praise for it's in-built personal alarm... | 0:45:08 | 0:45:11 | |
..neither Kelly Hoppen nor any of her fellow Dragons | 0:45:12 | 0:45:16 | |
felt sufficiently moved by Denise's souped-up stick to invest. | 0:45:16 | 0:45:20 | |
Truly amazing woman, well done for everything that you've done, | 0:45:21 | 0:45:24 | |
but I'm afraid I'm out. | 0:45:24 | 0:45:26 | |
-Thank you. -Good luck. | 0:45:26 | 0:45:28 | |
The food and drink keep flowing in the den, | 0:45:44 | 0:45:47 | |
as many entrepreneurs seem to think it's a sector | 0:45:47 | 0:45:50 | |
ripe for profit and innovation. | 0:45:50 | 0:45:52 | |
That's certainly the case with our next entrepreneur, | 0:45:52 | 0:45:54 | |
who has a new take on the traditional marshmallow. | 0:45:54 | 0:45:57 | |
Hi, I'm Harriet, and I'm the founder of Mallow and Marsh, | 0:46:20 | 0:46:23 | |
and I'm looking for £65,000 in return for 10%. | 0:46:23 | 0:46:28 | |
Mallow and Marsh is a gourmet marshmallow company. | 0:46:28 | 0:46:31 | |
We make handmade, 100% natural marshmallows | 0:46:31 | 0:46:34 | |
with no additives and no preservatives. | 0:46:34 | 0:46:37 | |
These are designed for the marshmallow lover | 0:46:37 | 0:46:39 | |
as a grab-and-go-style impulse purchase. | 0:46:39 | 0:46:42 | |
We have five flavours now. We've got roasted coconut, raspberry, | 0:46:42 | 0:46:48 | |
vanilla, peppermint and dark chocolate and cappuccino. | 0:46:48 | 0:46:52 | |
Last week, we actually launched into 40 local stores of a | 0:46:53 | 0:46:57 | |
national supermarket as part of a 12-month contract | 0:46:57 | 0:47:00 | |
that we're looking to roll out. | 0:47:00 | 0:47:02 | |
Would you like to try some? LAUGHTER | 0:47:04 | 0:47:06 | |
Love to try some. | 0:47:06 | 0:47:07 | |
A short-but-sweet pitch from Harriet Pleydell-Bouverie... | 0:47:11 | 0:47:14 | |
Roasted coconut, cappuccino. | 0:47:14 | 0:47:16 | |
..who's seeking £65,000 in return for a 10% share of her business. | 0:47:16 | 0:47:22 | |
But will Harriet's product be to the taste of design guru Kelly Hoppen? | 0:47:23 | 0:47:30 | |
The thing is, I'm crazy about marshmallows, | 0:47:30 | 0:47:32 | |
and I have a big jar in my kitchen, | 0:47:32 | 0:47:33 | |
and I go and buy the packets of the white and the pink, | 0:47:33 | 0:47:36 | |
and I take the pink out, because I only like the white. | 0:47:36 | 0:47:38 | |
It's rather sad, I know. | 0:47:38 | 0:47:40 | |
But...these taste a bit stale. | 0:47:40 | 0:47:43 | |
But I don't know if it's because a normal marshmallow is so soft... | 0:47:47 | 0:47:52 | |
These are much closer to the nougat side of things. | 0:47:52 | 0:47:55 | |
It is a marshmallow in terms of the recipe, and the design, | 0:47:55 | 0:47:57 | |
but it is very different. | 0:47:57 | 0:47:59 | |
Well, this is funny because I, literally, not a week ago, | 0:47:59 | 0:48:04 | |
was having a conversation about marshmallow. But, you know, | 0:48:04 | 0:48:07 | |
there always becomes the latest thing that everybody gets into. | 0:48:07 | 0:48:10 | |
I love them, but I've started to see them about. | 0:48:10 | 0:48:15 | |
But why marshmallows? | 0:48:15 | 0:48:16 | |
I've lived and breathed marshmallows for a very long time. | 0:48:16 | 0:48:19 | |
-It really was kind of a right time, right place moment. -Good timing. | 0:48:19 | 0:48:23 | |
I think maybe my research was seeing that it was growing probably helped. | 0:48:23 | 0:48:27 | |
I go anywhere and I give them out. I've always got marshmallows on me, | 0:48:27 | 0:48:30 | |
and it's just so much fun seeing the reactions. | 0:48:30 | 0:48:32 | |
So what do they, for instance, that pack sell for? | 0:48:32 | 0:48:37 | |
The little ones are £2.50. | 0:48:37 | 0:48:38 | |
And what do they cost for you to make? | 0:48:38 | 0:48:41 | |
From a cost perspective, obviously, it's very sensitive | 0:48:41 | 0:48:43 | |
because I've got the contract that's there. | 0:48:43 | 0:48:46 | |
I can tell you that I sell them from between about £1.20 and £1.43, | 0:48:46 | 0:48:50 | |
and I make between 22% and 43% margin on that. | 0:48:50 | 0:48:55 | |
Well, anybody can out work out, so it would be much easier | 0:48:55 | 0:48:58 | |
-if you'd just tell me. What do they cost to make? -83p. | 0:48:58 | 0:49:02 | |
-I don't know if you want to see the packets. -I'd love to. | 0:49:02 | 0:49:04 | |
Yeah, I'd like to see one of your packets please, Harriet. | 0:49:04 | 0:49:07 | |
Harriet's gourmet marshmallows don't come cheap, | 0:49:09 | 0:49:13 | |
but Duncan Bannatyne is quick to seize on one area | 0:49:13 | 0:49:16 | |
where costs could be reduced. | 0:49:16 | 0:49:19 | |
The trouble with this is it's over-packaged | 0:49:21 | 0:49:23 | |
and that makes it so expensive. | 0:49:23 | 0:49:25 | |
I'm fully aware that it is something that needs addressing. | 0:49:25 | 0:49:30 | |
One of the reasons for that is it helps my shelf life, | 0:49:30 | 0:49:32 | |
which has got me into the supermarkets. | 0:49:32 | 0:49:34 | |
Mine have a six-month shelf life. | 0:49:34 | 0:49:35 | |
Most of them come in at four months if they're really working on it. | 0:49:37 | 0:49:41 | |
It's only a positive if the cost price comes down. | 0:49:41 | 0:49:43 | |
What does your business plan look like? | 0:49:44 | 0:49:46 | |
So, year one, I'm looking to turn over £220,000 | 0:49:46 | 0:49:51 | |
with a £17,000 loss. | 0:49:51 | 0:49:52 | |
Year two is 560... | 0:49:53 | 0:49:56 | |
with a £80,000 profit. | 0:49:56 | 0:49:59 | |
And year three is 650,000 with 100,000 profit. | 0:49:59 | 0:50:05 | |
-That's a lot of marshmallows. -That's a lot of marshmallows. | 0:50:05 | 0:50:08 | |
Have you factored in the craze factor? | 0:50:08 | 0:50:11 | |
There is a bit of a craze being talked about at the moment. | 0:50:11 | 0:50:13 | |
We've got some innovation in terms of new products, | 0:50:13 | 0:50:16 | |
so I'm in the middle of developing a spreadable version at the moment. | 0:50:16 | 0:50:20 | |
It is early stage. | 0:50:20 | 0:50:21 | |
But if everything goes to plan with that, | 0:50:22 | 0:50:24 | |
that would be ready to launch by the end of the year. | 0:50:24 | 0:50:27 | |
For now, I'm a marshmallow brand and that's what I'm focusing on | 0:50:27 | 0:50:31 | |
to get everything else off the ground. | 0:50:31 | 0:50:33 | |
I think you've done a really good job. I love the product, by the way. | 0:50:33 | 0:50:36 | |
I think it tastes absolutely delicious. | 0:50:36 | 0:50:38 | |
The thing that really strikes me is, as good as the pitch is, | 0:50:38 | 0:50:42 | |
I do think that you've incredibly overvalued your business. | 0:50:42 | 0:50:45 | |
You're predicting, in three years, £100k profit, | 0:50:46 | 0:50:49 | |
which would value your business around six or seven times earnings, | 0:50:49 | 0:50:52 | |
which I think is right. But you're offering me, today, | 0:50:52 | 0:50:56 | |
a price to invest in you, but you're giving me the rate | 0:50:56 | 0:50:58 | |
that you would be of where you see it could end up. | 0:50:58 | 0:51:01 | |
So, that's with zero money. | 0:51:01 | 0:51:03 | |
So if someone was to bring in the money, | 0:51:03 | 0:51:05 | |
I can see this turning over much closer to 1.3 in about... | 0:51:05 | 0:51:09 | |
So do you want to give me the figures if you receive £65,000, | 0:51:09 | 0:51:12 | |
what you're going to deliver, years one, two and three? | 0:51:12 | 0:51:15 | |
I don't think I know them. | 0:51:22 | 0:51:24 | |
A gap in Harriet's financial projections has been exposed, | 0:51:26 | 0:51:31 | |
marring her so far faultless pitch. | 0:51:31 | 0:51:33 | |
Will it deter Deborah Meaden from making her an offer? | 0:51:36 | 0:51:39 | |
I see many opportunities in the marshmallow market | 0:51:42 | 0:51:45 | |
and in this premium end of it, | 0:51:45 | 0:51:47 | |
but you are well overvalued. | 0:51:47 | 0:51:49 | |
But you're good. | 0:51:51 | 0:51:53 | |
So, I'm going to offer you all of the money... | 0:51:54 | 0:51:57 | |
..but I want 33 and a third. I want a third of the business, | 0:51:59 | 0:52:02 | |
to make sure that I'm engaged enough to work for you. | 0:52:02 | 0:52:06 | |
(Thank you.) | 0:52:08 | 0:52:10 | |
An early offer has given the other Dragons food for thought. | 0:52:10 | 0:52:13 | |
Do Kelly Hoppen, Piers Linney or Duncan Bannatyne | 0:52:15 | 0:52:18 | |
think there's money to be made in marshmallows? | 0:52:18 | 0:52:22 | |
I think this could be... This could do very well. | 0:52:25 | 0:52:28 | |
But you have an investment from a Dragon who already knows | 0:52:31 | 0:52:34 | |
a little bit about this industry. | 0:52:34 | 0:52:36 | |
I don't think I could improve on it much, | 0:52:36 | 0:52:39 | |
so for that reason, and that reason only, I'm out. | 0:52:39 | 0:52:41 | |
I think you're very sensible, very credible. | 0:52:43 | 0:52:45 | |
I just don't get the valuation of £650,000. | 0:52:45 | 0:52:49 | |
So, best of luck with it, but I'm out. | 0:52:51 | 0:52:53 | |
I think one of the biggest issues you've got is that, | 0:52:56 | 0:53:01 | |
as much as I think the product is great, | 0:53:01 | 0:53:03 | |
I thought it tasted a bit more like nougat, | 0:53:03 | 0:53:06 | |
which is kind of strange to me that you've gone down the | 0:53:06 | 0:53:09 | |
marshmallow route when it's actually more like something else. | 0:53:09 | 0:53:12 | |
I'm not going to make you an offer, | 0:53:12 | 0:53:15 | |
so I'm afraid I'm out. | 0:53:15 | 0:53:17 | |
Only Peter Jones is yet to declare his position. | 0:53:21 | 0:53:25 | |
With an impressive track record of taking new products | 0:53:26 | 0:53:28 | |
and turning them into supermarket staples, | 0:53:28 | 0:53:32 | |
will he see merit in adding Mallow and Marsh | 0:53:32 | 0:53:35 | |
to his investment portfolio? | 0:53:35 | 0:53:37 | |
Harriet, I do think that you're going to need | 0:53:41 | 0:53:43 | |
a little bit more money. | 0:53:43 | 0:53:45 | |
So... | 0:53:50 | 0:53:52 | |
I'm going to make you a higher offer. | 0:53:52 | 0:53:54 | |
I'm going to offer you £80,000, not the £65,000 you've asked for... | 0:54:02 | 0:54:07 | |
but for that I want 40%. | 0:54:07 | 0:54:09 | |
Thank you. | 0:54:12 | 0:54:13 | |
Can I take a moment? Thank you. | 0:54:16 | 0:54:19 | |
I really do believe in the product | 0:54:53 | 0:54:55 | |
and I really do believe in the valuation. | 0:54:55 | 0:54:57 | |
40% is too high for what I believe my business to be worth. | 0:54:57 | 0:55:02 | |
Levi Roots retained 60% of his business - | 0:55:04 | 0:55:08 | |
he's now clearly a multi-millionaire. | 0:55:08 | 0:55:11 | |
Sometimes it's not always about the percentage that you have, | 0:55:11 | 0:55:14 | |
it's about the partner that you get. | 0:55:14 | 0:55:15 | |
You're not prepared to shift on the equity side of things? | 0:55:15 | 0:55:18 | |
No, because I think you're going to end up needing more money. | 0:55:18 | 0:55:21 | |
And what I won't be doing is, when you do need more money, saying, | 0:55:21 | 0:55:24 | |
"I want another 20%." | 0:55:24 | 0:55:26 | |
I would say probably 90% of the investments that I'm still invested | 0:55:26 | 0:55:30 | |
in have had substantial sums of cash from me to develop the business. | 0:55:30 | 0:55:34 | |
Is there anything that you would be able to shift on, | 0:55:34 | 0:55:37 | |
in terms of your percentage? | 0:55:37 | 0:55:39 | |
What would you propose? | 0:55:39 | 0:55:40 | |
I would be... | 0:55:40 | 0:55:42 | |
I would be open to looking at 15%. | 0:55:45 | 0:55:48 | |
I will provide the expertise | 0:55:52 | 0:55:54 | |
and that's why I need enough in it to make that worth my while. | 0:55:54 | 0:56:00 | |
I have the money available to me | 0:56:06 | 0:56:10 | |
from an investor for roughly the 10% valuation. | 0:56:10 | 0:56:15 | |
And I came here today because | 0:56:17 | 0:56:18 | |
I genuinely think that you guys could bring more, | 0:56:18 | 0:56:20 | |
a lot more to the table, because I think that is a cheque, effectively. | 0:56:20 | 0:56:24 | |
But I do also believe in myself. | 0:56:24 | 0:56:27 | |
I respect your clarity, | 0:56:27 | 0:56:29 | |
but we are so far apart that it certainly knocks | 0:56:29 | 0:56:31 | |
my deal out of the window, which is, I think, a shame but, I understand. | 0:56:31 | 0:56:36 | |
I think you've eaten too many marshmallows | 0:56:37 | 0:56:39 | |
and the sugar's gone to your brain. | 0:56:39 | 0:56:41 | |
You've got to make it worth the while to get involved | 0:56:41 | 0:56:45 | |
and 15% it's... It's high risk. | 0:56:45 | 0:56:47 | |
Yeah, I totally understand. | 0:56:47 | 0:56:51 | |
So I'm going to wish you well on your way, | 0:56:51 | 0:56:52 | |
-but I'm not going to invest and I'm going to say I'm out. -Thank you. | 0:56:52 | 0:56:56 | |
So, despite offers from two Dragons with the commercial clout | 0:56:58 | 0:57:02 | |
to supercharge her push to market, Harriet decided to go it alone. | 0:57:02 | 0:57:06 | |
A third of her business was ultimately too high a price to pay | 0:57:08 | 0:57:11 | |
to secure an investment. | 0:57:11 | 0:57:14 | |
In some ways, I'm gutted because I would've loved to have worked | 0:57:19 | 0:57:22 | |
with either of them and I think it could've been such a ride, | 0:57:22 | 0:57:24 | |
but I do believe it would've undervalued the business. | 0:57:24 | 0:57:28 | |
It's either going to be the biggest mistake I've ever made | 0:57:29 | 0:57:31 | |
or it's going to be one of the best decisions I've ever made. | 0:57:31 | 0:57:34 | |
That tends to be the way with every single decision I make. | 0:57:34 | 0:57:37 | |
It takes particular courage to turn down an offer from the Dragons. | 0:57:52 | 0:57:56 | |
You can't say no and then change your mind. | 0:57:56 | 0:57:59 | |
So it was a brave decision for Harriet to walk away with nothing, | 0:57:59 | 0:58:04 | |
but was it the right one? | 0:58:04 | 0:58:06 | |
Join the conversation about that, | 0:58:06 | 0:58:07 | |
and all of tonight's pitches, on Twitter, | 0:58:07 | 0:58:09 | |
using the hashtag "dragonsden". | 0:58:09 | 0:58:12 | |
Next time in the den... | 0:58:15 | 0:58:17 | |
Beautiful, aren't they? | 0:58:17 | 0:58:18 | |
The scale of your ambition at 18 is unbelievable. | 0:58:18 | 0:58:22 | |
It is a legally binding contract, but it is a framework agreement. | 0:58:22 | 0:58:25 | |
It's a legally binding contract that you are breaching at the moment. | 0:58:25 | 0:58:29 | |
You're now saying you want £100,000 for 33%. | 0:58:31 | 0:58:34 | |
That's what you're saying. | 0:58:34 | 0:58:36 | |
Are you making money or losing money? | 0:58:36 | 0:58:39 | |
Erm... I think... | 0:58:39 | 0:58:41 | |
-Oh, don't let go! -LAUGHTER | 0:58:43 | 0:58:45 |