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Line | From | To | |
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Wealthy... | 0:00:07 | 0:00:09 | |
..astute, | 0:00:12 | 0:00:13 | |
innovative... | 0:00:13 | 0:00:15 | |
..fearless | 0:00:17 | 0:00:19 | |
and shrewd. | 0:00:19 | 0:00:21 | |
These are the Dragons. | 0:00:22 | 0:00:25 | |
The heat is on in the Den. | 0:00:30 | 0:00:33 | |
Together with formidable business giants Peter Jones and Deborah Meaden | 0:00:33 | 0:00:37 | |
are global fashion tycoon, | 0:00:37 | 0:00:39 | |
with over 40 years' retail experience, Touker Suleyman... | 0:00:39 | 0:00:44 | |
..the woman who turned her passion for food and drink | 0:00:45 | 0:00:48 | |
into a multimillion-pound business empire, Sarah Willingham | 0:00:48 | 0:00:52 | |
and the man who sold his online greetings card business | 0:00:52 | 0:00:56 | |
for £120 million, Nick Jenkins. | 0:00:56 | 0:00:59 | |
For entrepreneurs, it's the toughest business pitch of their lives. | 0:01:01 | 0:01:05 | |
Do they have what it takes to face the Dragons? | 0:01:07 | 0:01:10 | |
Welcome to Dragons' Den. | 0:01:16 | 0:01:18 | |
Entrepreneurs continue to queue at the door to the Den, | 0:01:18 | 0:01:21 | |
desperate to secure some Dragon capital. | 0:01:21 | 0:01:25 | |
For the Dragons, it's the chance to pounce on a good deal | 0:01:25 | 0:01:28 | |
and sometimes, if it's very good, each Dragon will have to fight | 0:01:28 | 0:01:32 | |
for the right to take a slice of the business. | 0:01:32 | 0:01:35 | |
Coming up on tonight's show... | 0:01:37 | 0:01:39 | |
THE DRAGONS LAUGH | 0:01:40 | 0:01:43 | |
-All that would cost you more than £1,000,000... -No, it won't. | 0:01:43 | 0:01:46 | |
..to advertise, publicise it, whatever. | 0:01:46 | 0:01:48 | |
We need to disagree on your statement. | 0:01:48 | 0:01:51 | |
We can agree to disagree all day long. | 0:01:51 | 0:01:53 | |
-That market, they post it online themselves. -No, they don't. -They DO! | 0:01:53 | 0:01:58 | |
-No, they don't. -Yes, they do. -No, they don't. | 0:01:58 | 0:02:00 | |
-They don't need this. -Of course they do. | 0:02:00 | 0:02:02 | |
My heart always sinks when someone says, | 0:02:02 | 0:02:05 | |
"I want your money to go global," | 0:02:05 | 0:02:06 | |
and you think, "You haven't even done Warrington yet." | 0:02:06 | 0:02:09 | |
For you to come here today with this valuation for 5%, it's a joke! | 0:02:10 | 0:02:15 | |
First into the Den, an entrepreneur hoping to convince the Dragons | 0:02:20 | 0:02:24 | |
to snap up a share in his photography business. | 0:02:24 | 0:02:27 | |
And if things start to go wrong, | 0:02:27 | 0:02:29 | |
well, in that case, he has a cunning plan. | 0:02:29 | 0:02:32 | |
I was, for a period of time, a professional singer. | 0:02:39 | 0:02:43 | |
I could, if things are going badly, burst into song. | 0:02:43 | 0:02:47 | |
It might shock them into doing something. | 0:02:47 | 0:02:49 | |
# Summertime | 0:02:53 | 0:02:58 | |
# And the living is easy... # | 0:02:58 | 0:03:03 | |
Hi, my name is Dan Luxon and welcome to uShoot Studios. | 0:03:18 | 0:03:25 | |
I am here today, looking for £50,000 for a 20% share in my business. | 0:03:25 | 0:03:31 | |
We are unique, | 0:03:31 | 0:03:34 | |
a product photography studio that doesn't need a photographer. | 0:03:34 | 0:03:39 | |
About a year ago, I came across a company called StyleShoots | 0:03:39 | 0:03:43 | |
and they make these extraordinary machines that you see beside me. | 0:03:43 | 0:03:48 | |
These machines take high-resolution, | 0:03:48 | 0:03:51 | |
high-quality product photography images | 0:03:51 | 0:03:53 | |
and they deliver that in a matter of seconds, ready to upload online. | 0:03:53 | 0:03:59 | |
StyleShoots, themselves, sell only to high-volume users | 0:03:59 | 0:04:02 | |
and until I set up uShoot Studios, last year, | 0:04:02 | 0:04:06 | |
there was no way that small or medium size companies | 0:04:06 | 0:04:09 | |
could avail themselves of this extraordinary technology. | 0:04:09 | 0:04:12 | |
uShoot Studios is based in Islington. | 0:04:12 | 0:04:15 | |
We have 87 - 88, as of today - existing clients, | 0:04:15 | 0:04:19 | |
40% of whom have already been back for seconds. | 0:04:19 | 0:04:23 | |
We have a preferential relationship with StyleShoots, | 0:04:23 | 0:04:25 | |
which puts us in the perfect position | 0:04:25 | 0:04:27 | |
to corner the UK marketplace in the next 12 to 18 months. | 0:04:27 | 0:04:31 | |
I'm here, today, to look for a Dragon or Dragons | 0:04:31 | 0:04:35 | |
who have the influence and the contact base | 0:04:35 | 0:04:38 | |
to catapult this business forwards | 0:04:38 | 0:04:41 | |
and roll out through the UK and beyond, thereafter. | 0:04:41 | 0:04:45 | |
I would very much like to ask Touker to come up | 0:04:46 | 0:04:49 | |
and we'll see what the machines can do - if he's willing. | 0:04:49 | 0:04:53 | |
So, if we head round the back. Watch your head. | 0:04:54 | 0:04:57 | |
-So, this is operated from an iPad... -Mmm. | 0:04:57 | 0:05:01 | |
..which acts through an app, basically just as a remote control. | 0:05:01 | 0:05:07 | |
Then we've got a live screen there. If we do it... You've got... | 0:05:07 | 0:05:11 | |
-Like that. -We tend to do most of these this way round. -Oh, right. | 0:05:11 | 0:05:15 | |
Only just because you've got the length. | 0:05:15 | 0:05:17 | |
Once you've got this in whatever way you're happy to shoot it, | 0:05:17 | 0:05:21 | |
once it's turned blue, press the button. | 0:05:21 | 0:05:24 | |
We've now got an indicative image, completely cut out, | 0:05:25 | 0:05:28 | |
with no background at all. | 0:05:28 | 0:05:30 | |
We're ready to take another one, if we want, | 0:05:30 | 0:05:33 | |
but we'll have a look at what we've taken. | 0:05:33 | 0:05:35 | |
-Shall I sit down now? -Absolutely. | 0:05:35 | 0:05:37 | |
So, that is the pitch and I'll take any questions. | 0:05:37 | 0:05:41 | |
An exuberant pitch from Dan Luxon, who is seeking £50,000 | 0:05:44 | 0:05:49 | |
in return for a 20% share of his product photography business. | 0:05:49 | 0:05:53 | |
Dan may have resisted the temptation to burst into song, | 0:05:55 | 0:05:59 | |
but even his speaking voice | 0:05:59 | 0:06:00 | |
appears to have made an impression on Peter Jones. | 0:06:00 | 0:06:04 | |
Dan. | 0:06:07 | 0:06:09 | |
Um...you're pretty loud. | 0:06:09 | 0:06:11 | |
-Thank you. -You're very excitable. -Mmm-hmm. -What is the business? | 0:06:11 | 0:06:17 | |
The business is a string of photographic studios | 0:06:17 | 0:06:23 | |
which is aimed at small and medium size businesses, | 0:06:23 | 0:06:26 | |
where they come in and use the machinery on a frequent basis | 0:06:26 | 0:06:32 | |
and what I'm looking to do is scale that across the UK, | 0:06:32 | 0:06:37 | |
while I've got a first-mover advantage to do so. | 0:06:37 | 0:06:39 | |
-But this product is already available. -Yes. | 0:06:39 | 0:06:43 | |
-And you don't own it. -No. | 0:06:43 | 0:06:45 | |
But I do have a relationship with the manufacturer | 0:06:47 | 0:06:51 | |
and a meeting next week for anybody who wants to be involved | 0:06:51 | 0:06:55 | |
to organise exactly what our preferential relationship will be. | 0:06:55 | 0:06:58 | |
Anybody can do this. I could do this tomorrow. | 0:06:58 | 0:07:02 | |
What's your turnover in the last 12 months? | 0:07:03 | 0:07:05 | |
-We've only turned over £47,000 so far. -Ah, so, OK. | 0:07:05 | 0:07:08 | |
What does that tell you about this business? | 0:07:08 | 0:07:11 | |
What it tells me about this business, | 0:07:11 | 0:07:13 | |
because the business will bring in £13,000 this month, | 0:07:13 | 0:07:15 | |
is that the business is now turning itself. | 0:07:15 | 0:07:18 | |
It is now breaking even and just moving into profit | 0:07:18 | 0:07:20 | |
and that is on the basis of the clients that I've got IN this month | 0:07:20 | 0:07:23 | |
and the pipeline of clients I've got coming back to me next month. | 0:07:23 | 0:07:26 | |
With bookings increasing, | 0:07:28 | 0:07:30 | |
it seems Dan's business is beginning to gain momentum. | 0:07:30 | 0:07:34 | |
Having built HIS online company into a multimillion-pound concern, | 0:07:34 | 0:07:39 | |
Nick Jenkins is keen to understand the potential size of Dan's market. | 0:07:39 | 0:07:44 | |
How many companies have you identified | 0:07:47 | 0:07:49 | |
who need to display these items online? | 0:07:49 | 0:07:52 | |
Let's talk about fashion cos it could be anybody, really. | 0:07:52 | 0:07:54 | |
In fashion, there's, I suppose, | 0:07:54 | 0:07:56 | |
about 46,000 mainly independent retailers. | 0:07:56 | 0:08:01 | |
OK, what do you think each of these, on average, | 0:08:01 | 0:08:03 | |
-each of these companies has the potential to spend? -Um, £1,500. | 0:08:03 | 0:08:07 | |
£1,500, OK. | 0:08:07 | 0:08:09 | |
So, you're looking at, potentially, a £60 or 70 million spend... | 0:08:09 | 0:08:12 | |
You'd never get them all but, yeah. | 0:08:12 | 0:08:14 | |
..on photography by these types of companies. | 0:08:14 | 0:08:17 | |
That's the size of the opportunity that we've identified. | 0:08:17 | 0:08:20 | |
Then, of course, there's the problem of geographic spread, | 0:08:20 | 0:08:22 | |
so you could probably cover quite a lot from London, | 0:08:22 | 0:08:25 | |
but you'd need a network of these studios around. | 0:08:25 | 0:08:28 | |
We do have people coming down from... | 0:08:28 | 0:08:31 | |
We have people in Exeter, in York, in Northumberland. | 0:08:31 | 0:08:33 | |
Once they get it and they see the benefits of doing it, | 0:08:33 | 0:08:37 | |
they'll tend to send product along the way and then come on the train. | 0:08:37 | 0:08:40 | |
So, your better bet would be two or three of these - | 0:08:40 | 0:08:42 | |
Manchester, Birmingham, London, within regional centres. | 0:08:42 | 0:08:46 | |
-People would drive in with their stuff. -Exactly. -OK. | 0:08:46 | 0:08:49 | |
Food for thought, | 0:08:52 | 0:08:53 | |
as Dan highlights the existence of a rich seam of potential custom. | 0:08:53 | 0:08:57 | |
But is it a picture | 0:08:59 | 0:09:00 | |
which fashion tycoon Touker Suleyman will recognise? | 0:09:00 | 0:09:03 | |
I agree with you there's a big demand for this. I could give you... | 0:09:06 | 0:09:09 | |
-We have about 200 to 300 new shirts a week. -Yes. -Every week. -Yes. | 0:09:09 | 0:09:16 | |
So, if you charge me £10 each, what does that come to? | 0:09:16 | 0:09:21 | |
-£2,000. -Absolutely. -Per week. -Mmm-hmm. | 0:09:21 | 0:09:24 | |
-I'll take it. -I'm sure you'll take it. | 0:09:25 | 0:09:27 | |
At the end of the day, if I came to you and saw that machine | 0:09:27 | 0:09:30 | |
and I liked it, I'd say, "Well, I'll buy my own cos I'm big enough." | 0:09:30 | 0:09:34 | |
I'm not aiming, in any way, at yourself. | 0:09:36 | 0:09:38 | |
I'm aiming at the other 98% who are out there | 0:09:38 | 0:09:41 | |
who are trading and HAVE to trade online now. | 0:09:41 | 0:09:44 | |
They have no choice and they can't just take snaps | 0:09:44 | 0:09:46 | |
because they don't look good, they can't compete, | 0:09:46 | 0:09:50 | |
and so, what I'm doing, is giving those people | 0:09:50 | 0:09:52 | |
the opportunity to use the technology that YOU will buy. | 0:09:52 | 0:09:57 | |
-I think your model confuses me. -OK. -It's just not clear. | 0:09:57 | 0:10:01 | |
I think you'll become a big PR for the machine | 0:10:01 | 0:10:04 | |
-but you haven't got a business yet. -Mmm-hmm. | 0:10:04 | 0:10:06 | |
On that basis, I can't invest in you, so I'm out. | 0:10:06 | 0:10:09 | |
A major blow, as the Dragon who's a big player in fashion, | 0:10:12 | 0:10:16 | |
the very industry Dan's appealing to, turns his back on a deal. | 0:10:16 | 0:10:20 | |
Will Peter Jones, who has his own chain of high street camera stores, | 0:10:21 | 0:10:26 | |
share the opinion that Dan's business lacks focus? | 0:10:26 | 0:10:29 | |
I'm very confused here, | 0:10:33 | 0:10:35 | |
because the larger companies and the organisations, | 0:10:35 | 0:10:37 | |
they outsource this type of work and it is readily available, | 0:10:37 | 0:10:40 | |
so your market is the mass-market, small, online, e-based reseller. | 0:10:40 | 0:10:48 | |
And that market, they just, literally, take a snap photograph | 0:10:48 | 0:10:51 | |
-and they post it online themselves. -No, they don't. | 0:10:51 | 0:10:54 | |
-They DO! -No, they don't. -Yes, they do. -No, they don't. | 0:10:54 | 0:10:57 | |
-They don't need this. -Of course they do. | 0:10:57 | 0:10:59 | |
Peter, I'm sorry, let me try again. | 0:11:01 | 0:11:03 | |
The majority of my clients have been doing exactly what you're saying. | 0:11:04 | 0:11:09 | |
That's why they come to me. | 0:11:09 | 0:11:10 | |
They come there because it's a pain in the arse | 0:11:10 | 0:11:13 | |
to do that sort of photography. It takes time, it takes a lot of time. | 0:11:13 | 0:11:17 | |
You don't get consistency. | 0:11:17 | 0:11:19 | |
I don't believe that there is even a business here. | 0:11:19 | 0:11:22 | |
For people that want to do this type of thing, | 0:11:23 | 0:11:26 | |
they set it on white paper on the floor. | 0:11:26 | 0:11:29 | |
It costs them £1 for the paper and they take a high-res picture | 0:11:29 | 0:11:34 | |
which is uploaded to their camera | 0:11:34 | 0:11:37 | |
and that's the reason I'm not going to invest and say that I'm out. | 0:11:37 | 0:11:41 | |
A snappy exchange which ends | 0:11:44 | 0:11:46 | |
with the photography entrepreneur losing his second Dragon. | 0:11:46 | 0:11:50 | |
Will Deborah Meaden or Sarah Willingham see | 0:11:52 | 0:11:55 | |
any more merit in the service he's offering? | 0:11:55 | 0:11:57 | |
I actually think there IS a massive need for this in small businesses. | 0:12:00 | 0:12:03 | |
But I don't think you've solved that need, I really don't, at all. | 0:12:05 | 0:12:09 | |
You're just based in Islington and me in Stoke, | 0:12:11 | 0:12:14 | |
I'm not going to get in the back of my lorry | 0:12:14 | 0:12:17 | |
and drive all my kit down to take the photos. | 0:12:17 | 0:12:21 | |
I'm either going to do it myself | 0:12:21 | 0:12:23 | |
or I'm going to get a local photographer, | 0:12:23 | 0:12:26 | |
who actually, is really, really good value. | 0:12:26 | 0:12:30 | |
He'll come and take it. | 0:12:30 | 0:12:31 | |
So, yeah, for that reason, I can't invest in it. I'm afraid I'm out. | 0:12:31 | 0:12:37 | |
The big issue for me rolls right back to the beginning. | 0:12:38 | 0:12:43 | |
You don't own the machinery, | 0:12:43 | 0:12:47 | |
you haven't got an exclusive deal with the guys who are supplying it, | 0:12:47 | 0:12:50 | |
so you, yourself, are entering a brand-new market | 0:12:50 | 0:12:54 | |
and sometimes, the entrepreneur can say to me, | 0:12:54 | 0:12:58 | |
"You've got to come with me because I am the only way of doing this." | 0:12:58 | 0:13:02 | |
Sadly, you're not able to say that. | 0:13:02 | 0:13:05 | |
So, I'm really sorry, but I won't be investing. I'm out. | 0:13:05 | 0:13:09 | |
Four Dragons have walked away from the deal, | 0:13:12 | 0:13:15 | |
each citing a different reason for their failure to invest. | 0:13:15 | 0:13:19 | |
E-commerce pioneer Nick Jenkins is now Dan's best | 0:13:21 | 0:13:25 | |
and, indeed, only hope of securing the £50,000 | 0:13:25 | 0:13:29 | |
his expansion plans demand. | 0:13:29 | 0:13:31 | |
I do appreciate the value of good photography and good lighting, | 0:13:32 | 0:13:36 | |
when it comes to selling something online. | 0:13:36 | 0:13:38 | |
You spend a lot of money on a website, | 0:13:38 | 0:13:40 | |
you spend a lot of money on creating a business | 0:13:40 | 0:13:43 | |
and photography can sometimes really let that down, | 0:13:43 | 0:13:46 | |
so I totally get the product. | 0:13:46 | 0:13:48 | |
But there's nothing that you're offering that's exceptional, | 0:13:48 | 0:13:54 | |
so I'm afraid, for that reason, I can't invest. I'm out. | 0:13:54 | 0:13:58 | |
-Thank you. -Good luck, Dan. -Thank you, everybody. -Thank you. | 0:13:58 | 0:14:01 | |
So, professional singer turned product photographer Dan | 0:14:03 | 0:14:07 | |
-must leave the Den empty-handed... -God, that was frightening. | 0:14:07 | 0:14:11 | |
..his close-up encounter with the Dragons | 0:14:11 | 0:14:13 | |
having left him a little flat. | 0:14:13 | 0:14:16 | |
It's a bit of a pounding you can take out there. | 0:14:16 | 0:14:18 | |
But we will persevere and move on. | 0:14:20 | 0:14:22 | |
Entrepreneurs bring all manner of new food and drink products | 0:14:33 | 0:14:37 | |
into the Den, though many share the same retail dream. | 0:14:37 | 0:14:41 | |
The next part of the strategy | 0:14:41 | 0:14:43 | |
is that we really want to take the products to the supermarkets. | 0:14:43 | 0:14:46 | |
Now is the time to invest because it's about to explode. | 0:14:48 | 0:14:52 | |
Supermarkets need additional brands coming in | 0:14:52 | 0:14:54 | |
cos they need leverage against the big brands. | 0:14:54 | 0:14:57 | |
But it's a path to riches that's fraught with danger. | 0:14:57 | 0:15:01 | |
You turning up to Tesco or Sainsbury's, | 0:15:01 | 0:15:03 | |
you're never going to make it with this product. | 0:15:03 | 0:15:06 | |
Everybody shoots for the supermarkets. | 0:15:06 | 0:15:08 | |
I'm not sure that you're ready or suited. | 0:15:08 | 0:15:11 | |
That is a hard, hard world you're going into. | 0:15:12 | 0:15:15 | |
One of the big boys will come in and bulldoze you overnight. | 0:15:15 | 0:15:19 | |
And just when you thought things couldn't get any tougher, | 0:15:22 | 0:15:26 | |
our next entrepreneur is intent | 0:15:26 | 0:15:28 | |
on taking on one of Britain's best-loved food brands | 0:15:28 | 0:15:32 | |
and beating them at their own game on the supermarket shelves. | 0:15:32 | 0:15:36 | |
Dragons, hi. | 0:15:42 | 0:15:44 | |
My name's Ben Mason and I'm the founder of Masons Beans, | 0:15:45 | 0:15:48 | |
which is the country's first ever fresh baked bean brand. | 0:15:48 | 0:15:53 | |
I'm here, today, to ask you for £50,000 | 0:15:53 | 0:15:56 | |
in return for 10% equity in my business. | 0:15:56 | 0:15:59 | |
But I want to tell you a little story first. | 0:15:59 | 0:16:02 | |
It starts 129 years ago, in 1886, when a young man called Henry Heinz | 0:16:02 | 0:16:08 | |
walked into Fortnum & Mason in London | 0:16:08 | 0:16:10 | |
with a case of his baked bean products. | 0:16:10 | 0:16:13 | |
Fortnum's bought the lot, becoming his first British customer. | 0:16:13 | 0:16:16 | |
Seven months ago, | 0:16:16 | 0:16:18 | |
I walked into Fortnum & Mason with a case of MY baked bean products. | 0:16:18 | 0:16:22 | |
They're hand-cooked, one-pot meals, made fresh for your fridge. | 0:16:22 | 0:16:26 | |
They're a really filling, hearty meal. | 0:16:27 | 0:16:30 | |
Fortnum's bought the lot, becoming my first customer. | 0:16:30 | 0:16:33 | |
So, why will this work? | 0:16:33 | 0:16:35 | |
Well, every day, three million Brits eat baked beans. | 0:16:35 | 0:16:38 | |
You see, we love baked beans, but our tastes are changing. | 0:16:38 | 0:16:41 | |
Tinned baked beans are in decline, | 0:16:41 | 0:16:43 | |
but premium chilled ready meals are absolutely booming. | 0:16:43 | 0:16:46 | |
So, we're seven months in, we're also now in Selfridges | 0:16:46 | 0:16:50 | |
and we're doing most of our volume through Ocado. | 0:16:50 | 0:16:52 | |
Essentially, we're now ready and primed for growth in the multiples. | 0:16:52 | 0:16:57 | |
All I need now is a Dragon on board to help me fund that growth, | 0:16:57 | 0:17:02 | |
but also open some doors for me. | 0:17:02 | 0:17:05 | |
-Who would like to try some beans? -THE DRAGONS: -Yes, please. -Excellent. | 0:17:05 | 0:17:08 | |
An assured pitch from Ben Mason, who's seeking £50,000 | 0:17:11 | 0:17:16 | |
in return for a 10% equity stake in his own-brand baked beans. | 0:17:16 | 0:17:21 | |
These are four different versions, are they? | 0:17:21 | 0:17:23 | |
There's four different recipes, yes. | 0:17:23 | 0:17:26 | |
Nick Jenkins wants to find out | 0:17:26 | 0:17:28 | |
exactly how Ben's beans came into being. | 0:17:28 | 0:17:31 | |
-Ben. -Yes. -Hi, I'm Nick. -Hi, Nick. -Great product. | 0:17:33 | 0:17:37 | |
What made you make the leap into starting your own thing? | 0:17:37 | 0:17:39 | |
Was there a eureka moment or...? | 0:17:39 | 0:17:41 | |
I started cooking baked beans myself and getting into it | 0:17:41 | 0:17:44 | |
and it made me realise how old-fashioned they are. | 0:17:44 | 0:17:46 | |
I can't think of a single other thing in the supermarket | 0:17:46 | 0:17:49 | |
that hasn't changed since the war, so that got me really excited, | 0:17:49 | 0:17:52 | |
as an ideas' person, that there was an opportunity here. | 0:17:52 | 0:17:55 | |
OK, and how big do you think that opportunity is? | 0:17:55 | 0:17:58 | |
So, in three years' time, I believe we can get sales to ten million. | 0:17:58 | 0:18:01 | |
That's based on looking at my current rate of sale with Ocado | 0:18:01 | 0:18:05 | |
and looking at...extrapolating that out to the other retailers | 0:18:05 | 0:18:09 | |
that I would like to pick off and get into. | 0:18:09 | 0:18:11 | |
-What is your revenue so far? -So far, £25,000. | 0:18:13 | 0:18:16 | |
We've sold 10,000 pots, revenue is £25,000 and a 20% gross profit. | 0:18:16 | 0:18:23 | |
-Over what period? -Since September last year, so seven months. | 0:18:23 | 0:18:26 | |
It's just a long way off, isn't it, | 0:18:26 | 0:18:28 | |
-from a vision of ten million in sales... -Mmm-hmm. | 0:18:28 | 0:18:31 | |
-..when, in seven months, you've turned over £20,000-odd? -Mmm-hmm. | 0:18:32 | 0:18:37 | |
A setback for Ben, as Peter Jones challenges his ambitious figures. | 0:18:39 | 0:18:44 | |
To stand any chance of meeting his targets, | 0:18:44 | 0:18:48 | |
Ben needs to get his beans into more shoppers' trolleys. | 0:18:48 | 0:18:51 | |
But the question for Sarah Willingham is how. | 0:18:52 | 0:18:55 | |
Where I'm really struggling is, in my head, | 0:18:59 | 0:19:02 | |
I can't see it in the retailers. | 0:19:02 | 0:19:04 | |
I tell you why is because, if I'm a retailer, | 0:19:04 | 0:19:07 | |
-where am I going to put it? -I want to be next to upmarket ready meals | 0:19:07 | 0:19:10 | |
because that's exactly what they are. | 0:19:10 | 0:19:13 | |
When it comes to eating at home, it becomes a side dish, often. | 0:19:13 | 0:19:17 | |
You buy a piece of chicken, you buy some spinach | 0:19:17 | 0:19:20 | |
and you take a pot of Masons Beans. | 0:19:20 | 0:19:22 | |
I'm walking into my local Waitrose now | 0:19:22 | 0:19:24 | |
and I know exactly where this is going to be. | 0:19:24 | 0:19:26 | |
This is going to be, not on the main bit, on the left, | 0:19:26 | 0:19:29 | |
it's going to be on the right-hand side with the sandwiches, | 0:19:29 | 0:19:32 | |
the little pot of couscous. That's where, in my head, this is sat. | 0:19:32 | 0:19:36 | |
-What are you selling them for? -£3.95. | 0:19:37 | 0:19:40 | |
-So, I put you in front of Sainsbury's... -Mmm-hmm. | 0:19:40 | 0:19:44 | |
..and they look at this and they say they want to retail it for £2.99... | 0:19:44 | 0:19:48 | |
-Mmm-hmm. -..to be in line with all the products they've got. | 0:19:48 | 0:19:52 | |
We are making everything by hand now. | 0:19:54 | 0:19:56 | |
We're soaking dried beans, we're making our own stock and everything, | 0:19:56 | 0:19:59 | |
so there are huge cost savings to be made at scale, | 0:19:59 | 0:20:03 | |
where we could actually bring production costs down as well. | 0:20:03 | 0:20:06 | |
Ben deflects Touker Suleyman's concerns | 0:20:08 | 0:20:10 | |
that the beans are too pricey. | 0:20:10 | 0:20:13 | |
But Sarah Willingham still has an issue | 0:20:13 | 0:20:15 | |
with the product positioning in the supermarket. | 0:20:15 | 0:20:18 | |
Ben, in terms of an investment, | 0:20:20 | 0:20:22 | |
I cannot get past that... | 0:20:22 | 0:20:25 | |
..big, big, big step for me, | 0:20:26 | 0:20:29 | |
which is where is it going to sit, | 0:20:29 | 0:20:31 | |
for a normal person shopping, to put it into their trolley, | 0:20:31 | 0:20:36 | |
to do with it what you want them to do? | 0:20:36 | 0:20:39 | |
I wish you all the very best, | 0:20:39 | 0:20:41 | |
-but I'm afraid I won't be investing, so I'm out. -Thank you very much. | 0:20:41 | 0:20:44 | |
Ben's plans for supermarket supremacy are scuppered | 0:20:47 | 0:20:51 | |
by an outgoing Sarah Willingham. | 0:20:51 | 0:20:53 | |
And Peter Jones is worried | 0:20:53 | 0:20:55 | |
that the young entrepreneur has bitten off more than he can chew. | 0:20:55 | 0:20:59 | |
My concern is that, if you look at things | 0:21:02 | 0:21:04 | |
and people that have ever tried this, | 0:21:04 | 0:21:06 | |
like, for example, tomato ketchup, the famous HP Sauce, | 0:21:06 | 0:21:10 | |
Worcester sauce - the things that are embedded and ingrained - | 0:21:10 | 0:21:14 | |
when people try to compete in the specific target category, | 0:21:14 | 0:21:19 | |
they don't succeed. | 0:21:19 | 0:21:21 | |
I've got a completely opposite view to Peter. | 0:21:23 | 0:21:25 | |
What I think you're doing is you're leveraging. | 0:21:25 | 0:21:28 | |
I think, actually, having Heinz there | 0:21:28 | 0:21:30 | |
and such a well-known brand, everybody gets baked beans. | 0:21:30 | 0:21:33 | |
And there's a bit of quirkiness about it that says, | 0:21:33 | 0:21:36 | |
"We're not really baked beans, we're a lot better than baked beans." | 0:21:36 | 0:21:39 | |
Realistically, category for category, | 0:21:39 | 0:21:42 | |
I'm not really competing with Heinz baked beans. | 0:21:42 | 0:21:44 | |
The price point is so different, | 0:21:44 | 0:21:46 | |
I sit on a different part of the supermarket, | 0:21:46 | 0:21:48 | |
retailers don't see me as direct competition. | 0:21:48 | 0:21:50 | |
But from a sort of story point of view, it really gives me something | 0:21:50 | 0:21:53 | |
to push against, something to talk about and people love that idea. | 0:21:53 | 0:21:56 | |
Ben is fighting hard to silence the doubters | 0:21:58 | 0:22:02 | |
and he appears to have found an ally in Deborah Meaden. | 0:22:02 | 0:22:05 | |
He's had a challenging time so far, | 0:22:07 | 0:22:09 | |
but could the mood in the Den have begun to change? | 0:22:09 | 0:22:12 | |
If you want to enter the big arena... | 0:22:15 | 0:22:18 | |
-..you've got to look at your real costs. -Mmm-hmm. | 0:22:20 | 0:22:24 | |
So, I would definitely like to go all the way back through the process | 0:22:24 | 0:22:29 | |
and get my team in Turkey to see what they can source | 0:22:29 | 0:22:33 | |
in the quality that you approve, so I'm going to make you an offer. | 0:22:33 | 0:22:37 | |
I will... | 0:22:41 | 0:22:42 | |
..offer you all the money... | 0:22:44 | 0:22:46 | |
..but I want 40% of the business. | 0:22:48 | 0:22:50 | |
You're good. You're what's holding me here. | 0:22:56 | 0:23:00 | |
No, actually, you're NOT all that's holding me here. | 0:23:00 | 0:23:03 | |
The branding, the positioning... I like the... I do this. | 0:23:06 | 0:23:11 | |
-I like the feel, I like the sense of this, you know? -Yeah. | 0:23:11 | 0:23:14 | |
It's really hard to explain to people who don't get that, | 0:23:14 | 0:23:17 | |
but I just like the sense of it. So I'm going to make you an offer. | 0:23:17 | 0:23:20 | |
And I'm going to offer you all of the money, um... | 0:23:20 | 0:23:24 | |
I want 40% of the business. | 0:23:26 | 0:23:28 | |
A second offer for Ben, | 0:23:31 | 0:23:33 | |
as Deborah Meaden joins Touker Suleyman | 0:23:33 | 0:23:36 | |
in stumping up all the cash, but in return for 40% of the business, | 0:23:36 | 0:23:42 | |
substantially more than the 10% Ben wanted to sell. | 0:23:42 | 0:23:46 | |
Does Nick Jenkins have a similar appetite for the deal? | 0:23:46 | 0:23:49 | |
-Ben, I'm going to make you an offer. -OK. -Um... | 0:23:52 | 0:23:56 | |
There's a certain level at which the entrepreneur doesn't have | 0:23:57 | 0:24:01 | |
enough left in it to be...to be as motivational as it needs to be. | 0:24:01 | 0:24:06 | |
And this business is going to require further dilution, I think, | 0:24:06 | 0:24:10 | |
at some point, because it's going to require further fundraising. | 0:24:10 | 0:24:14 | |
So, I'm going to offer you all of the money... | 0:24:14 | 0:24:16 | |
..but for 25%. | 0:24:18 | 0:24:20 | |
So, Nick Jenkins has undercut | 0:24:23 | 0:24:25 | |
Touker Suleyman and Deborah Meaden's 40% bids. | 0:24:25 | 0:24:29 | |
But he's still asking for much more of the business | 0:24:29 | 0:24:32 | |
than the 10% Ben is offering. | 0:24:32 | 0:24:35 | |
Time for supermarket supremo Peter Jones to show his hand. | 0:24:36 | 0:24:41 | |
Oh, boy! I'm normally incredibly decisive. | 0:24:44 | 0:24:48 | |
Cos I'd decided, when you came in and pitched, | 0:24:48 | 0:24:51 | |
I decided to make you an offer. | 0:24:51 | 0:24:53 | |
I think that you're going to be successful... | 0:24:54 | 0:24:58 | |
..but not with this business. | 0:24:59 | 0:25:01 | |
I don't see that this is going to achieve the dream that you have. | 0:25:03 | 0:25:08 | |
But you're an entrepreneur of the future, so I'm investing in YOU. | 0:25:13 | 0:25:17 | |
I'm going to offer you all of the money... | 0:25:17 | 0:25:19 | |
..for 35%. | 0:25:20 | 0:25:22 | |
An unusually indecisive Peter Jones has set aside his doubts | 0:25:23 | 0:25:28 | |
to make Ben an offer. | 0:25:28 | 0:25:31 | |
Four Dragons are now in... | 0:25:31 | 0:25:33 | |
Touker Suleyman and Deborah Meaden at 40%, | 0:25:35 | 0:25:38 | |
Nick Jenkins at 25% and Peter Jones at 35%. | 0:25:38 | 0:25:43 | |
Ben has some serious thinking to do. | 0:25:43 | 0:25:47 | |
-Maybe I'll take some time. -Yeah, go and talk to the wall. | 0:25:47 | 0:25:50 | |
-It's the Wise Wall. -I've seen. I've seen many a decision made. | 0:25:50 | 0:25:53 | |
DEBORAH MEADEN LAUGHS | 0:25:53 | 0:25:54 | |
So... | 0:26:09 | 0:26:10 | |
I don't feel comfortable giving away | 0:26:12 | 0:26:14 | |
more than 20% of my business at this stage. | 0:26:14 | 0:26:18 | |
I see huge value from all four of you, | 0:26:19 | 0:26:23 | |
so would any of you be willing to make me an offer at 20%? | 0:26:23 | 0:26:26 | |
Tell you what I'm going to do. | 0:26:30 | 0:26:32 | |
I'm going to make you an offer for the 40% that I talked about. | 0:26:34 | 0:26:37 | |
If you hit your targets over the next two years... | 0:26:37 | 0:26:40 | |
..I will give you 5% back | 0:26:42 | 0:26:45 | |
and I will give you the opportunity to buy a further 10% back | 0:26:45 | 0:26:50 | |
at the price that I paid, leaving me as a 25% shareholder. | 0:26:50 | 0:26:56 | |
I would be willing to give you a year, 18 months, | 0:27:00 | 0:27:05 | |
to buy back the 15%. | 0:27:05 | 0:27:08 | |
As far as further funding, | 0:27:09 | 0:27:11 | |
if you've got the business, it's not an issue, | 0:27:11 | 0:27:14 | |
cos it's all to do with financing the work in progress. | 0:27:14 | 0:27:19 | |
Deborah Meaden and Touker Suleyman continue to lock horns, | 0:27:22 | 0:27:26 | |
as they offer ratchet agreements that would see them both | 0:27:26 | 0:27:30 | |
potentially dropping to a 25% equity stake in Ben's company. | 0:27:30 | 0:27:35 | |
So, how low is Peter Jones prepared to go? | 0:27:36 | 0:27:40 | |
Cor! Wow. | 0:27:42 | 0:27:44 | |
I'm willing to... | 0:27:46 | 0:27:48 | |
I'm offering you all of the money for 35%, as you know. | 0:27:49 | 0:27:52 | |
I will drop down to 25%... | 0:27:52 | 0:27:54 | |
..the moment that my investment is repaid, whether it's now or... | 0:27:56 | 0:27:59 | |
It doesn't matter. I'll give you that open offer in perpetuity. | 0:27:59 | 0:28:03 | |
But you'll end up with 75% of the business and I'll have 25%. | 0:28:05 | 0:28:08 | |
Can I just actually simplify my offer? | 0:28:10 | 0:28:12 | |
I'm going to give you all the money for 20%. | 0:28:12 | 0:28:15 | |
Because, frankly, we'll spend that much. | 0:28:17 | 0:28:19 | |
We'll spend the few thousand pounds on the paperwork, | 0:28:19 | 0:28:22 | |
drawing up the buy-back agreement. | 0:28:22 | 0:28:23 | |
You might as well just call a spade a spade. Um... | 0:28:23 | 0:28:26 | |
Give me a few minutes. | 0:28:28 | 0:28:30 | |
A rare occurrence in the Den, | 0:28:32 | 0:28:34 | |
as Ben successfully negotiates all four Dragons down. | 0:28:34 | 0:28:38 | |
Three of the Dragons are now offering the full £50,000 | 0:28:38 | 0:28:43 | |
but with buy-back agreements | 0:28:43 | 0:28:45 | |
that would mean their equity could drop to 25%. | 0:28:45 | 0:28:49 | |
But a deal-hungry Nick Jenkins has cut through the complex deals | 0:28:49 | 0:28:53 | |
and gone straight in at 20%, | 0:28:53 | 0:28:57 | |
the maximum Ben has said he'll accept. | 0:28:57 | 0:29:00 | |
OK, I have a decision. | 0:29:00 | 0:29:02 | |
I think I'd like to go with... | 0:29:06 | 0:29:08 | |
-..Nick's offer, please. -Brilliant. -Well done. -Well done. | 0:29:10 | 0:29:14 | |
-Thank you very much. -Brilliant pitch. -Thank you. -Well done. | 0:29:14 | 0:29:18 | |
-Well done. -Very good. -Yay! -Bye. | 0:29:18 | 0:29:21 | |
So, finally, a deal and Ben leaves the Den | 0:29:22 | 0:29:26 | |
£50,000 and a new Dragon investor to the good. | 0:29:26 | 0:29:31 | |
That was a very odd decision and I'm pleased, now, I didn't get it. | 0:29:31 | 0:29:35 | |
And the last 5%. Bloody hell. | 0:29:35 | 0:29:38 | |
-Weird. -Actually, it's not that odd a decision. -Why? | 0:29:38 | 0:29:42 | |
Because you're assuming that you can...that Peter can just... | 0:29:42 | 0:29:46 | |
You know, anoint him with the Reggae Reggae sword and all will be well. | 0:29:46 | 0:29:50 | |
Now, yes, but at the same time, | 0:29:50 | 0:29:52 | |
don't underestimate quite what I'm going to throw at this. | 0:29:52 | 0:29:55 | |
Still to come on tonight's show... | 0:30:00 | 0:30:03 | |
Hit... | 0:30:04 | 0:30:06 | |
DRUM BEATS | 0:30:06 | 0:30:07 | |
..miss... | 0:30:07 | 0:30:08 | |
OK. | 0:30:10 | 0:30:11 | |
Sorry. | 0:30:12 | 0:30:14 | |
..and maybe. | 0:30:14 | 0:30:15 | |
Seriously, Yann, are you for real? | 0:30:15 | 0:30:17 | |
Next to face the Dragons is Lisa Young from Kent. | 0:30:21 | 0:30:25 | |
Lisa's spent the best part of two decades | 0:30:25 | 0:30:27 | |
working in the spray tan industry | 0:30:27 | 0:30:29 | |
and she's always on the lookout for new custom. | 0:30:29 | 0:30:32 | |
I think Peter Jones would love one of my spray tans. | 0:30:37 | 0:30:40 | |
We can create a nice sculpted body for him. | 0:30:40 | 0:30:42 | |
I think he'd really enjoy it. Do you want a drink or anything? | 0:30:42 | 0:30:45 | |
-It's too late now. -Only if it's vodka. I'd drink the jug! | 0:30:45 | 0:30:50 | |
We've learned the pitch, learned the numbers. | 0:30:52 | 0:30:54 | |
It's been a massive build-up. I can feel my palpitations. | 0:30:54 | 0:30:57 | |
But today, I got up, I feel confident and excited. | 0:30:57 | 0:31:00 | |
Hello, Dragons. | 0:31:19 | 0:31:20 | |
My name is Lisa and I'm here to pitch for £60,000 | 0:31:20 | 0:31:24 | |
for a 20% share in my company, Sunless Solutions. | 0:31:24 | 0:31:27 | |
My love of the tanning industry began over 17 years ago. | 0:31:29 | 0:31:32 | |
As a heavy sunbed user, I could see the damage | 0:31:32 | 0:31:35 | |
that was being caused to my skin | 0:31:35 | 0:31:37 | |
and I looked at alternative ways to tan. | 0:31:37 | 0:31:39 | |
I discovered spray tan, I was instantly hooked. | 0:31:39 | 0:31:42 | |
I worked with a chemist | 0:31:42 | 0:31:43 | |
and I established a professional spray tan solution. | 0:31:43 | 0:31:46 | |
OK... A professional spray tan solution.... | 0:31:50 | 0:31:53 | |
Sorry. Um... I went on in 2008, to establish Sunless Solutions. | 0:31:57 | 0:32:02 | |
-I'd like to show you a demonstration of my product. -Sorry, thank you. | 0:32:02 | 0:32:06 | |
The Tan in Tent is designed | 0:32:10 | 0:32:11 | |
to maintain the overspray within the tent. | 0:32:11 | 0:32:14 | |
SPRAY TAN MACHINE HUMS LOUDLY | 0:32:14 | 0:32:16 | |
It comes with a mesh ceiling | 0:32:18 | 0:32:19 | |
so that you can see the light coming through the tent. | 0:32:19 | 0:32:22 | |
It also comes with an extractor flap at the back | 0:32:22 | 0:32:25 | |
and extending floor flap. | 0:32:25 | 0:32:26 | |
-I think we kind of get it, don't we? -We get that, yeah. | 0:32:26 | 0:32:28 | |
OK, that's fine, thank you. Sorry. OK. | 0:32:28 | 0:32:32 | |
Once you've finished, your client will step outside. | 0:32:32 | 0:32:34 | |
Your Tan in Tent instantly deflates. | 0:32:36 | 0:32:38 | |
Um... | 0:32:44 | 0:32:46 | |
OK... My company and my strapline, "Spray it, fake it, love it", | 0:32:46 | 0:32:50 | |
come with a registered trademark, along with my Tan in Tent, | 0:32:50 | 0:32:54 | |
designed to change the way we spray tan in the future. | 0:32:54 | 0:32:57 | |
The Tan in Tent has been designed to be machine washable | 0:32:57 | 0:33:01 | |
and tumble dryer safe. It's the first spray tan cubicle of its kind. | 0:33:01 | 0:33:06 | |
It currently has a patent in the UK, USA and Europe. | 0:33:06 | 0:33:10 | |
Oh, gosh... | 0:33:13 | 0:33:15 | |
Designed to change the way we... | 0:33:15 | 0:33:17 | |
The self-tan market itself is worth over £100 million. | 0:33:17 | 0:33:20 | |
With your investment, we'd like to take our brand global | 0:33:22 | 0:33:25 | |
and also the spray tan tent. Thank you for your time today. | 0:33:25 | 0:33:28 | |
We've got some spray tan survival kits to give out to you. | 0:33:28 | 0:33:31 | |
A range of spray tanning lotions | 0:33:33 | 0:33:35 | |
and an inflatable tent in which to apply them | 0:33:35 | 0:33:38 | |
are the dual offering from Lisa Young, | 0:33:38 | 0:33:40 | |
who's seeking £60,000 for a 20% share in her company. | 0:33:40 | 0:33:45 | |
I'd just like to say thank you to my girls now. Thank you. | 0:33:45 | 0:33:48 | |
But her flustered delivery has left Touker Suleyman unclear | 0:33:48 | 0:33:53 | |
about precisely what's on the table. | 0:33:53 | 0:33:55 | |
I'm a bit confused cos you were quite nervous. | 0:33:59 | 0:34:03 | |
What are we investing in? You've got the lotions and you've got the tent? | 0:34:03 | 0:34:08 | |
-Yes, we have. -Right. As far as the lotions are concerned... -Yes? | 0:34:08 | 0:34:12 | |
-You've had it since 2008? -Yes. | 0:34:12 | 0:34:14 | |
Give us some figures for the last three years. | 0:34:14 | 0:34:16 | |
OK, the last three years. In 2012, we turned over £437,000. | 0:34:16 | 0:34:23 | |
-In the following year, we did £310,000. -And last year? | 0:34:23 | 0:34:28 | |
-Er, £235,000. -Yeah. | 0:34:28 | 0:34:31 | |
-With a...net of £69,500. -Yep. | 0:34:31 | 0:34:36 | |
-And a profit of £4,800. -That's mainly on the lotions? | 0:34:36 | 0:34:39 | |
That's mainly on the lotions. | 0:34:39 | 0:34:41 | |
We actually bought the first batch of Tan in Tents in in 2013. | 0:34:41 | 0:34:45 | |
-So, how many of those have you sold up to date? -2,500. | 0:34:45 | 0:34:48 | |
-You've valued the business at £300,000. -I have, yes. | 0:34:49 | 0:34:53 | |
And how did you...? Were you advised on that or you picked a figure? | 0:34:53 | 0:34:56 | |
No, I didn't pick a figure. | 0:34:56 | 0:34:58 | |
I spoke to the accountants and I think the reason we valued | 0:34:58 | 0:35:02 | |
our company at £300,000 is mainly because of the niche of the tent. | 0:35:02 | 0:35:06 | |
What's happening is that there is other tanning products out there, | 0:35:06 | 0:35:10 | |
other tanning companies out there, | 0:35:10 | 0:35:12 | |
but they all are looking to purchase this tent | 0:35:12 | 0:35:14 | |
because they all can see the way forward, | 0:35:14 | 0:35:16 | |
they can see it's the future. | 0:35:16 | 0:35:18 | |
With your other business, | 0:35:18 | 0:35:20 | |
you had sales of £437,000, £310,000, £235,000. | 0:35:20 | 0:35:24 | |
Is that because you were taking your eye off the ball | 0:35:24 | 0:35:27 | |
with your main business? | 0:35:27 | 0:35:29 | |
I would say that I was trying to develop this | 0:35:30 | 0:35:32 | |
-and I was using any capital I had to bring this product in. -Yeah. | 0:35:32 | 0:35:35 | |
-OK. -Cos I believed in it. | 0:35:35 | 0:35:37 | |
My heart always sinks when someone says, | 0:35:37 | 0:35:40 | |
"I want your money to go global," | 0:35:40 | 0:35:41 | |
and you think, "You haven't even done Warrington yet." | 0:35:41 | 0:35:44 | |
You have to conquer your own market before you think about going global. | 0:35:45 | 0:35:49 | |
Then get your other business up to scratch, | 0:35:49 | 0:35:51 | |
-cos that's not a bad business. -No, and I worked really hard. | 0:35:51 | 0:35:53 | |
It was blood, sweat and tears all the way. | 0:35:53 | 0:35:55 | |
So, you're clearly very capable. | 0:35:55 | 0:35:58 | |
But it IS small, it is niche, so I'm out. | 0:35:59 | 0:36:04 | |
Quicker than it takes one of her spray tans to dry, | 0:36:06 | 0:36:09 | |
Lisa has lost her first Dragon. | 0:36:09 | 0:36:12 | |
And Peter Jones has concerns over the size of the business opportunity too. | 0:36:12 | 0:36:17 | |
In terms of the Tan in Tent, I kind of get it, | 0:36:19 | 0:36:23 | |
but it's such a tiny, tiny market, | 0:36:23 | 0:36:26 | |
because this is only going to be purchased | 0:36:26 | 0:36:29 | |
by somebody that is in the trade. | 0:36:29 | 0:36:31 | |
This isn't something for somebody at home. | 0:36:31 | 0:36:33 | |
I've seen this happen so many times... Well, I say so many times. | 0:36:33 | 0:36:37 | |
God, Tara's going to kill me. | 0:36:37 | 0:36:39 | |
-When I watch this, it's almost like rapid. -OK. | 0:36:39 | 0:36:42 | |
It's really quick, goes into the shower, does stuff, | 0:36:42 | 0:36:45 | |
the legs are done and it's like a glove thing and then comes out | 0:36:45 | 0:36:48 | |
-and looks like she's had ten days in Barbados. -No problem. | 0:36:48 | 0:36:52 | |
-But I don't think you're claiming that's the market at all. -I'm not. | 0:36:52 | 0:36:56 | |
She doesn't, for one minute, think this is about domestic. | 0:36:56 | 0:36:59 | |
-This isn't for Tara. -This is for mobile and salons. | 0:36:59 | 0:37:01 | |
Anybody who's going to do this with their tan wouldn't be using that. | 0:37:01 | 0:37:05 | |
You need two people to spray tan, therefore it's not a home market. | 0:37:05 | 0:37:10 | |
But this is only a mobile sprayer then. | 0:37:10 | 0:37:12 | |
Sorry, it's mobile and it's for salons. | 0:37:12 | 0:37:14 | |
But salons are not going to have that | 0:37:14 | 0:37:16 | |
cos salons will have their own facilities. | 0:37:16 | 0:37:18 | |
I think if you walk into any salon, they've got a pop-up cubicle in it. | 0:37:18 | 0:37:21 | |
It smells. It smells of a spray tan. It's sticky, it's unhygienic. | 0:37:21 | 0:37:26 | |
Lisa has given the Dragons chapter and verse on the merits of her tent, | 0:37:27 | 0:37:32 | |
but so far, only Deborah Meaden appears to be on the same page. | 0:37:32 | 0:37:37 | |
She's grasped the market, so will she grasp the opportunity to invest? | 0:37:37 | 0:37:42 | |
I've got to be honest. I don't like tanning product an awful lot. | 0:37:46 | 0:37:50 | |
But... | 0:37:53 | 0:37:54 | |
The tent issue... I actually spent more time in a spray cubicle | 0:37:55 | 0:37:59 | |
-than I was expecting to when I did Strictly. -OK. | 0:37:59 | 0:38:02 | |
By the time I'd got to them and they'd had loads of people in, | 0:38:02 | 0:38:05 | |
they were all slightly skewwhiff and whatever, | 0:38:05 | 0:38:07 | |
so I actually think it's really neat. | 0:38:07 | 0:38:09 | |
The Tan in Tents that we've got at the moment, | 0:38:09 | 0:38:12 | |
the cubicles with a wire, have had their day. | 0:38:12 | 0:38:14 | |
They're pennies to buy on the internet | 0:38:14 | 0:38:16 | |
but they also bend and break and they're unhygienic. | 0:38:16 | 0:38:18 | |
Now, there is the bigger tanning companies out there. | 0:38:18 | 0:38:21 | |
They all want to buy that patent off of me. | 0:38:21 | 0:38:24 | |
I'm amazed you got a patent on it | 0:38:25 | 0:38:27 | |
because it's basically a blow-up bouncy castle | 0:38:27 | 0:38:29 | |
without the bouncy castle bit at the bottom of it. | 0:38:29 | 0:38:31 | |
I spent quite a bit of money. | 0:38:31 | 0:38:33 | |
I've worked with my IP lawyer to make sure | 0:38:33 | 0:38:36 | |
that when it's for the purposes of spray tan, they can't be copied. | 0:38:36 | 0:38:39 | |
They could do it square, round, circular, it can't happen. | 0:38:39 | 0:38:43 | |
So, that's the interesting bit to me. | 0:38:44 | 0:38:46 | |
Right now, I want to understand that conversation or conversations | 0:38:46 | 0:38:51 | |
about patents, cos that's where the value lies, as far as I'm concerned. | 0:38:51 | 0:38:54 | |
OK. No problem. | 0:38:54 | 0:38:55 | |
Obviously we had quite a few meetings with the companies. | 0:38:57 | 0:39:00 | |
For me, at the time, spending three years developing something, | 0:39:00 | 0:39:03 | |
-I probably overvalued that at that point. -What DID you value it at? | 0:39:03 | 0:39:07 | |
I asked for £500,000 to take my patent away from me | 0:39:07 | 0:39:10 | |
-and work with it. -And did they counteroffer? | 0:39:10 | 0:39:13 | |
OK, they came back and they were offering something like £100,000, | 0:39:14 | 0:39:19 | |
so for me, it would be better to roll the dice | 0:39:19 | 0:39:22 | |
and take a chance on it. | 0:39:22 | 0:39:23 | |
-However, to take it forward, it does need investment. -OK. | 0:39:23 | 0:39:27 | |
I'm going to tell you where I am. I'm not going to criticise that. | 0:39:27 | 0:39:30 | |
-I think that's a really good idea. -OK. | 0:39:30 | 0:39:33 | |
I think you are loopy to have stopped conversations. | 0:39:35 | 0:39:40 | |
What I would have done, if I were you, | 0:39:40 | 0:39:42 | |
is I wouldn't have sold the patent. I would said, | 0:39:42 | 0:39:45 | |
"You pay me an upfront fee for the exclusive rights to it" | 0:39:45 | 0:39:49 | |
and license it. | 0:39:49 | 0:39:51 | |
But, actually, what you have told me is, as far as I'm concerned, | 0:39:51 | 0:39:54 | |
-the only thing that is of value in this company is that patent. -It is. | 0:39:54 | 0:39:58 | |
And you've just told me what it's worth | 0:39:58 | 0:40:01 | |
and it ain't the £300,000 you're asking for. | 0:40:01 | 0:40:03 | |
There isn't enough value in it. I'm really sorry, but I'm out. | 0:40:05 | 0:40:09 | |
Lisa has significantly overvalued her patent. The result? | 0:40:10 | 0:40:15 | |
Deborah Meaden joins Nick Jenkins in declining the deal. | 0:40:15 | 0:40:19 | |
Have an initially sceptical Peter Jones or Touker Suleyman | 0:40:21 | 0:40:25 | |
heard anything to change their minds? | 0:40:25 | 0:40:28 | |
Lisa. | 0:40:30 | 0:40:31 | |
I can't get my head round the valuation. | 0:40:33 | 0:40:35 | |
You're not making any money. | 0:40:37 | 0:40:39 | |
So, on that basis, I'm out. | 0:40:40 | 0:40:43 | |
Lisa, I don't see that this is a business to really invest in | 0:40:46 | 0:40:49 | |
and make a lot of money. It's not for me, so I'm out. | 0:40:49 | 0:40:53 | |
It's not looking good for the beauty entrepreneur. | 0:40:56 | 0:40:59 | |
Four Dragons have now turned down her Tan in Tent. | 0:40:59 | 0:41:03 | |
Lisa has hardly been sprayed with offers, | 0:41:04 | 0:41:07 | |
but Sarah Willingham has been unusually quiet. | 0:41:07 | 0:41:11 | |
Is she intent on striking a deal? | 0:41:11 | 0:41:14 | |
I love that tent! | 0:41:17 | 0:41:18 | |
The issue is you've made it such a good product | 0:41:21 | 0:41:24 | |
that it's going to be machine washable and go in the tumble dryer | 0:41:24 | 0:41:28 | |
and I reckon that's going to last everybody ages. | 0:41:28 | 0:41:31 | |
And I think there's not enough people | 0:41:31 | 0:41:33 | |
that are going to be buying it | 0:41:33 | 0:41:35 | |
to actually make THAT a better route to market | 0:41:35 | 0:41:39 | |
than the one that Deborah was talking about. | 0:41:39 | 0:41:41 | |
Good luck with everything, but I'm afraid I'm not investing, | 0:41:43 | 0:41:46 | |
-so I'm out. -OK, thank you. | 0:41:46 | 0:41:48 | |
So, a deflated Lisa leaves the Den with nothing. | 0:41:50 | 0:41:53 | |
Damn! | 0:41:53 | 0:41:56 | |
Lisa, what did you do that for? Oh! | 0:41:56 | 0:41:59 | |
Her spray tanning business may guarantee a healthy bronze | 0:41:59 | 0:42:03 | |
but as far as a deal with the Dragons is concerned, | 0:42:03 | 0:42:07 | |
she sadly failed to strike gold. | 0:42:07 | 0:42:09 | |
When I walked in and realised I'd messed up my pitch so much, | 0:42:09 | 0:42:13 | |
I kind of felt a little bit gutted from that point forward, to be fair. | 0:42:13 | 0:42:17 | |
I think, if I could do it again, | 0:42:17 | 0:42:19 | |
I'd probably walk in a lot different and fight for what I wanted | 0:42:19 | 0:42:22 | |
because it's a brilliant product, absolutely brilliant product. | 0:42:22 | 0:42:25 | |
Onto our final visitors now, who have found a way | 0:42:34 | 0:42:37 | |
to combine their two passions - computer science and music. | 0:42:37 | 0:42:42 | |
Let's see if they can "drum" up any interest in the Den. | 0:42:42 | 0:42:45 | |
I grew up playing drums but problems arose with the neighbours, | 0:42:53 | 0:42:56 | |
so I eventually had to give it up, | 0:42:56 | 0:42:58 | |
so that was part of the motivation for developing our product. | 0:42:58 | 0:43:01 | |
We would be excited about a Dragon coming on board | 0:43:01 | 0:43:04 | |
but, hopefully, we won't have to give away too much ownership | 0:43:04 | 0:43:07 | |
of the company to make it happen. | 0:43:07 | 0:43:08 | |
Hello, my name is Yann and this is my colleague Richard. | 0:43:21 | 0:43:24 | |
We're here today to ask for an investment of £75,000 | 0:43:24 | 0:43:28 | |
into our company, Aerodrums, | 0:43:28 | 0:43:30 | |
in exchange for a 5% share of the business. | 0:43:30 | 0:43:34 | |
Before we tell you more about it, | 0:43:34 | 0:43:36 | |
Richard is going to demonstrate the product for you. | 0:43:36 | 0:43:39 | |
DRUM AND CYMBAL BEATS | 0:43:39 | 0:43:42 | |
DRUM ROLL | 0:43:44 | 0:43:46 | |
DRUM BEATS CONTINUE | 0:43:50 | 0:43:52 | |
As you can see, | 0:43:58 | 0:44:00 | |
using state-of-the-art motion tracking technology, | 0:44:00 | 0:44:02 | |
we have developed a musical instrument | 0:44:02 | 0:44:05 | |
that plays just like a normal drum kit. | 0:44:05 | 0:44:07 | |
So what's the point? | 0:44:07 | 0:44:09 | |
Air drumming solves a number of problems that all drummers face. | 0:44:09 | 0:44:12 | |
Number one - drum kits are extremely loud. Aerodrums is whisper quiet | 0:44:12 | 0:44:15 | |
if you wear headphones, so you won't disturb anyone. | 0:44:15 | 0:44:18 | |
Number two - drum kits are big and heavy. | 0:44:18 | 0:44:20 | |
In contrast, Aerodrums fits in a small bag, can be carried anywhere | 0:44:20 | 0:44:24 | |
and set up in minutes. Finally, drum kits are expensive. | 0:44:24 | 0:44:27 | |
At £129, Aerodrums is very affordable | 0:44:27 | 0:44:30 | |
and costs what most drummers would typically pay for a single cymbal. | 0:44:30 | 0:44:33 | |
Aerodrums was launched last year and our sales have been growing fast. | 0:44:33 | 0:44:37 | |
It is a one-of-a-kind product with very high growth potential | 0:44:37 | 0:44:39 | |
and we have no direct competition. | 0:44:39 | 0:44:41 | |
We have all patents, trademarked Aerodrums | 0:44:41 | 0:44:43 | |
and secured endorsements from high-profile drummers. | 0:44:43 | 0:44:46 | |
Before we invite your questions, would any of you like to try it? | 0:44:46 | 0:44:49 | |
A drum kit to stop the neighbours complaining, | 0:44:51 | 0:44:54 | |
the brainchild of scientists Yann Morvan and Richard Lee. | 0:44:54 | 0:44:58 | |
DRUM AND CYMBAL SOUNDS | 0:44:58 | 0:45:02 | |
They're looking for £75,000 | 0:45:02 | 0:45:05 | |
for just 5% equity in their innovative product. | 0:45:05 | 0:45:08 | |
-PETER JONES: -The concentration on his face! | 0:45:09 | 0:45:11 | |
LAUGHTER | 0:45:11 | 0:45:14 | |
But is it innovation worth £1.5 million? | 0:45:15 | 0:45:20 | |
DEBORAH MEADEN LAUGHS | 0:45:20 | 0:45:22 | |
Sarah Willingham wants to know if there's a business behind the brains. | 0:45:23 | 0:45:28 | |
I'm trying to understand the market potential of it. | 0:45:30 | 0:45:34 | |
-Can you learn to play the drums on this? -Yes, you can. | 0:45:34 | 0:45:38 | |
So this can be aimed at professional drummers | 0:45:38 | 0:45:40 | |
that are maybe travelling and want to be able to practise | 0:45:40 | 0:45:44 | |
and also this is for people who might just want to get a feel for it | 0:45:44 | 0:45:47 | |
-without spending loads of money. -Yeah. | 0:45:47 | 0:45:50 | |
So, you're in the very early stages of your business | 0:45:50 | 0:45:53 | |
but you say that you're already selling. What have you sold? | 0:45:53 | 0:45:56 | |
We launched in January last year, so currently, | 0:45:56 | 0:45:59 | |
we've sold about 1,100 so far. | 0:45:59 | 0:46:03 | |
So what does your revenue look like? | 0:46:03 | 0:46:06 | |
Revenue's good. To date, we brought in £96,000. | 0:46:06 | 0:46:12 | |
And what's the nearest thing to this that currently exists? | 0:46:12 | 0:46:16 | |
There's acoustic drum kits which is the normal thing | 0:46:16 | 0:46:19 | |
but when people think of an alternative, | 0:46:19 | 0:46:22 | |
they think of electronic drum kits. | 0:46:22 | 0:46:23 | |
These are still priced way beyond what we sell Aerodrums for. | 0:46:23 | 0:46:27 | |
But we don't view those as real direct competition | 0:46:27 | 0:46:31 | |
cos Aerodrums has the ability to let people go into drumming | 0:46:31 | 0:46:35 | |
who wouldn't have had the space or the neighbours to put up with this. | 0:46:35 | 0:46:40 | |
The musical entrepreneurs appear to be on a roll in the Den so far. | 0:46:42 | 0:46:47 | |
But with just a 5% equity stake up for grabs, | 0:46:47 | 0:46:51 | |
Touker Suleyman doesn't appear to be marching to their beat. | 0:46:51 | 0:46:55 | |
Richard and Yann, it's a gimmick. | 0:46:57 | 0:46:59 | |
-No, it's not. -What is it then? -It's a musical instrument. | 0:47:00 | 0:47:04 | |
How can you call a musical instrument a gimmick? | 0:47:04 | 0:47:07 | |
The fact really is it is very specialised. | 0:47:09 | 0:47:11 | |
I believe it's very small. | 0:47:11 | 0:47:13 | |
I'm just amazed how you got the audacity to come here today | 0:47:15 | 0:47:19 | |
and say, "This is worth £1.5 million," | 0:47:19 | 0:47:22 | |
when you've turned over 100 grand. | 0:47:22 | 0:47:25 | |
Yeah, I think it's because you don't see the bigger picture. | 0:47:25 | 0:47:28 | |
The bigger picture is that I should be made to look a fool | 0:47:29 | 0:47:33 | |
to value this business at £1.5 million. | 0:47:33 | 0:47:36 | |
Explain to me how you got the valuation. | 0:47:36 | 0:47:39 | |
The valuation is pretty simple. | 0:47:39 | 0:47:42 | |
We looked at where...how our sales were growing, | 0:47:42 | 0:47:47 | |
on the back of fairly little publicity. | 0:47:47 | 0:47:50 | |
If we start selling, I don't know, into Turkey, Japan, | 0:47:50 | 0:47:54 | |
the market is big. | 0:47:54 | 0:47:56 | |
Do you think it's going to come for nothing? | 0:47:56 | 0:47:58 | |
-All that will cost you more than £1,000,000... -No, it won't. | 0:47:58 | 0:48:01 | |
..to advertise, publicise it, whatever. | 0:48:01 | 0:48:04 | |
We need to disagree on your statement. | 0:48:04 | 0:48:07 | |
We can agree to disagree all day long. You know why? | 0:48:07 | 0:48:10 | |
Because I look at businesses all the time | 0:48:10 | 0:48:13 | |
and for you to come here today with this valuation for 5%, it's a joke! | 0:48:13 | 0:48:19 | |
-So, for that reason, I'm out. -Thank you. -Thanks. | 0:48:19 | 0:48:23 | |
A clash of personalities has left Touker Suleyman rattled | 0:48:27 | 0:48:31 | |
and Richard and Yann without a deal. | 0:48:31 | 0:48:34 | |
Will they be any more in tune | 0:48:35 | 0:48:37 | |
with the notoriously hard to please Peter Jones? | 0:48:37 | 0:48:41 | |
Guys, I think it's really quite impressive. | 0:48:41 | 0:48:45 | |
-Thanks. -And I think that the technology | 0:48:45 | 0:48:48 | |
that you've used to create it is quite advanced. | 0:48:48 | 0:48:51 | |
My issue is the widestream nature of the market, then the endgame. | 0:48:51 | 0:48:59 | |
How could we get a deal away with a mainstream player? | 0:48:59 | 0:49:03 | |
In terms of the market, | 0:49:03 | 0:49:06 | |
this is something that every drummer stands to benefit from, | 0:49:06 | 0:49:09 | |
so we think that the market potential is huge, | 0:49:09 | 0:49:12 | |
especially in light of the fact | 0:49:12 | 0:49:14 | |
that most drummers still don't know about it. | 0:49:14 | 0:49:17 | |
In terms of the mass market as well, | 0:49:18 | 0:49:20 | |
we could definitely branch into the video game side | 0:49:20 | 0:49:23 | |
and make something that has mass appeal. | 0:49:23 | 0:49:26 | |
I want to be able to go and buy, on the shelf, that Aerodrums game. | 0:49:26 | 0:49:31 | |
And next to Aerodrums DVD, I want to buy the two-stick pack. | 0:49:32 | 0:49:35 | |
-How could we get there? -We could easily go there. | 0:49:35 | 0:49:39 | |
The main problem with that | 0:49:39 | 0:49:41 | |
is needing to be a licensed games developer. | 0:49:41 | 0:49:43 | |
It probably would work better to license out our technology | 0:49:43 | 0:49:47 | |
and let them do that heavy lifting that they already do. | 0:49:47 | 0:49:51 | |
I do think that it's going to need a lot of work | 0:49:52 | 0:49:55 | |
to make this into a mass-market product | 0:49:55 | 0:49:57 | |
and I think you're going to need quite a bit of help with that. | 0:49:57 | 0:50:00 | |
I'm going to make you an offer. | 0:50:01 | 0:50:03 | |
But I think this is one area | 0:50:03 | 0:50:06 | |
where sometimes two brains is better than one. | 0:50:06 | 0:50:11 | |
So, I'm going to offer you half of the money... | 0:50:11 | 0:50:14 | |
..but I want 20%. | 0:50:16 | 0:50:18 | |
Peter Jones makes his move, | 0:50:23 | 0:50:26 | |
sold on the mass-market appeal of the Aerodrums. | 0:50:26 | 0:50:29 | |
But for just half of the money, he wants 20% equity, way more | 0:50:29 | 0:50:34 | |
than the 5% Yann and Richard were looking to sell for ALL the cash. | 0:50:34 | 0:50:39 | |
Will another Dragon want to partner with him or even cut their own deal? | 0:50:41 | 0:50:45 | |
Guys, can I just ask a bit more about the size of the market? | 0:50:48 | 0:50:51 | |
How many people in the UK play the drums, for example? | 0:50:51 | 0:50:54 | |
-Well, we don't have that figure. -Ish. | 0:50:54 | 0:50:57 | |
-In the US, it would be about a million people, I think. -In the US? | 0:50:57 | 0:51:01 | |
Yeah. I would imagine the proportion is very similar. | 0:51:01 | 0:51:03 | |
200,000 maybe. | 0:51:03 | 0:51:05 | |
In order to sell lots of these, they... | 0:51:07 | 0:51:10 | |
Really, I need to be buying them for my son. | 0:51:10 | 0:51:13 | |
If it was done right, you could make a game that's fun to play | 0:51:13 | 0:51:16 | |
and educational that would teach you how to play drums using Aerodrums. | 0:51:16 | 0:51:20 | |
But, to be honest, from the get-go, we knew this wasn't a toy | 0:51:20 | 0:51:24 | |
or a fad and we wanted people to take it seriously. | 0:51:24 | 0:51:27 | |
I'll tell you where I am. | 0:51:29 | 0:51:31 | |
I think you've created something that almost looks like magic. | 0:51:31 | 0:51:35 | |
But I have no experience whatsoever in this industry. | 0:51:37 | 0:51:41 | |
It's way too big a leap for me to understand it. | 0:51:41 | 0:51:46 | |
It's not an investment for me. | 0:51:46 | 0:51:49 | |
I'm not the right Dragon for you, so I'm out. | 0:51:49 | 0:51:52 | |
-Thanks. -Thanks a lot. | 0:51:53 | 0:51:54 | |
There's a problem. And that is I'm with Sarah. | 0:51:56 | 0:52:00 | |
I was really struggling with the size of the market | 0:52:00 | 0:52:04 | |
and you weren't able to answer that. | 0:52:04 | 0:52:07 | |
I can't get involved without having an inkling | 0:52:09 | 0:52:12 | |
over whether we're talking ten people or ten million people. | 0:52:12 | 0:52:16 | |
I genuinely have absolutely no idea. There's a gaping hole | 0:52:16 | 0:52:20 | |
that I'm really sorry you guys didn't fill for me. | 0:52:20 | 0:52:23 | |
-I won't be investing. I'm out. -OK. -Thank you. | 0:52:23 | 0:52:25 | |
Two more of the Dragons are gone, | 0:52:28 | 0:52:30 | |
with doubts raised over the size of the potential market for the product. | 0:52:30 | 0:52:34 | |
Richard and Yann's fate now comes down to Nick Jenkins. | 0:52:36 | 0:52:41 | |
I have a music educational software business | 0:52:43 | 0:52:46 | |
that I started quite recently. | 0:52:46 | 0:52:48 | |
It's largely designed for stringed instruments, | 0:52:48 | 0:52:51 | |
so I've done quite a bit of analysis of this market. | 0:52:51 | 0:52:53 | |
I do think this has mass appeal | 0:52:53 | 0:52:56 | |
and I think, if you combine that with the educational side, | 0:52:56 | 0:52:59 | |
then I'm very interested in addressing that part of the market. | 0:52:59 | 0:53:03 | |
But what I'm looking at is an incomplete management team | 0:53:03 | 0:53:07 | |
and an incomplete set of skills. | 0:53:07 | 0:53:09 | |
In terms of overall commercial strategy | 0:53:09 | 0:53:11 | |
and in terms of building a brand, that's probably what you're missing | 0:53:11 | 0:53:15 | |
and that's certainly what we can add. | 0:53:15 | 0:53:17 | |
So, I'm going to make you an offer. | 0:53:17 | 0:53:19 | |
I will offer you the other half - £37,500 - | 0:53:19 | 0:53:23 | |
for 20% of the business. | 0:53:23 | 0:53:25 | |
Do you want to go to the back and have a little discussion | 0:53:28 | 0:53:30 | |
-with your drumsticks? -Yeah. | 0:53:30 | 0:53:32 | |
With Nick Jenkins offering to put up | 0:53:35 | 0:53:37 | |
the other half of the money they've asked for, | 0:53:37 | 0:53:39 | |
Richard and Yann have a lot to consider. | 0:53:39 | 0:53:42 | |
INAUDIBLE DISCUSSION | 0:53:42 | 0:53:44 | |
The entrepreneurs must decide | 0:53:44 | 0:53:47 | |
if they're willing to give up an eye-watering 40% of their company, | 0:53:47 | 0:53:51 | |
35% more equity than they came to sell. | 0:53:51 | 0:53:56 | |
INAUDIBLE DISCUSSION | 0:53:56 | 0:53:58 | |
This is going to sound a bit stingy, but we are going way beyond | 0:54:05 | 0:54:10 | |
what we had agreed together before coming here. | 0:54:10 | 0:54:14 | |
What we are suggesting is that you would each invest half | 0:54:14 | 0:54:18 | |
and you would each get 10% of the business. | 0:54:18 | 0:54:21 | |
We are four times beyond what we came in asking here. | 0:54:21 | 0:54:26 | |
That's half of what our offer is. | 0:54:26 | 0:54:27 | |
The bit that I think that we're bringing to this party is, | 0:54:27 | 0:54:31 | |
you know Nick's background online | 0:54:31 | 0:54:34 | |
and in terms of MY background in looking at products | 0:54:34 | 0:54:37 | |
and pushing them into the market on a global scale, | 0:54:37 | 0:54:40 | |
I think you've got two incredibly individual, yet powerful, people | 0:54:40 | 0:54:45 | |
to be working alongside you and there needs to be an upside. | 0:54:45 | 0:54:48 | |
If I was to own 10% of this business, | 0:54:48 | 0:54:51 | |
knowing the amount of work that's going to need to be done, | 0:54:51 | 0:54:54 | |
my level of excitement wanes. | 0:54:54 | 0:54:57 | |
I would be prepared to go down to 15%. | 0:55:03 | 0:55:07 | |
I'd match that as well. | 0:55:09 | 0:55:11 | |
You're now getting... Our counter is all of the money for 30%. | 0:55:12 | 0:55:16 | |
It would be so crucial that we get along well | 0:55:22 | 0:55:26 | |
if you're going to have a huge involvement in the company | 0:55:26 | 0:55:30 | |
at that level of equity. It's not a decision we can make now. | 0:55:30 | 0:55:35 | |
We'd need to have a few drinks with you. | 0:55:35 | 0:55:37 | |
Seriously, Yann, are you for real? | 0:55:37 | 0:55:39 | |
-Have you watched Dragons' Den? -I have, yeah. | 0:55:41 | 0:55:44 | |
-So you know you come in here, you ask for investment. -Yes. | 0:55:44 | 0:55:48 | |
You get an offer for investment and then you try and say | 0:55:48 | 0:55:51 | |
that we want to go out for a drink and chat | 0:55:51 | 0:55:52 | |
before you decide whether it's a yes or no? | 0:55:52 | 0:55:55 | |
You've gone from a very intelligent man | 0:55:55 | 0:55:57 | |
and made yourself look completely stupid in 30 seconds. | 0:55:57 | 0:56:00 | |
You basically have to say yae or nay now | 0:56:02 | 0:56:05 | |
and if you say nay, there's no going back afterwards. | 0:56:05 | 0:56:08 | |
But you both are not the only experienced business people | 0:56:09 | 0:56:12 | |
on the planet. | 0:56:12 | 0:56:15 | |
Are you saying you're not going to accept an offer for 30%? | 0:56:21 | 0:56:26 | |
No. I rejected the offer. | 0:56:34 | 0:56:37 | |
I think this is one of those moments which is always disappointing, | 0:56:41 | 0:56:44 | |
for either party, to get a rejection, but I have to say, | 0:56:44 | 0:56:47 | |
I think this is something you're going to live to regret. | 0:56:47 | 0:56:50 | |
Thank you very much. Goodbye. | 0:56:53 | 0:56:56 | |
So, an opportunity disappears into thin air | 0:56:59 | 0:57:02 | |
as Aerodrums' inventors decide not to concede | 0:57:02 | 0:57:06 | |
to the Dragons' equity demands. | 0:57:06 | 0:57:08 | |
-DEBORAH: -They're mad! -SARAH: -That's so stupid. Can't believe it. | 0:57:11 | 0:57:14 | |
-They ARE mad scientists. -Ultimately, they turned it down for 10%. | 0:57:14 | 0:57:18 | |
That's the reality of what just happened. | 0:57:18 | 0:57:20 | |
-They just turned down that amazing offer. -For 5% each. -Yeah, 5% each! | 0:57:20 | 0:57:25 | |
We're always going to be wondering what would have happened | 0:57:26 | 0:57:29 | |
if we accepted, | 0:57:29 | 0:57:30 | |
but we just felt it was too much of the company to give away. | 0:57:30 | 0:57:34 | |
It takes real courage to play hardball with the Dragons | 0:57:40 | 0:57:45 | |
over equity demands and we've seen two examples of it tonight, | 0:57:45 | 0:57:48 | |
with contrasting outcomes. | 0:57:48 | 0:57:51 | |
Ben finally did shake on a deal with Nick Jenkins, | 0:57:51 | 0:57:55 | |
while Richard and Yann opted to keep hold of all their equity. | 0:57:55 | 0:57:59 | |
You'll have your own view | 0:57:59 | 0:58:00 | |
as to whether they each made the right decision, | 0:58:00 | 0:58:03 | |
but all business is about making a choice | 0:58:03 | 0:58:06 | |
and then making the best of it. | 0:58:06 | 0:58:08 | |
-Just let it settle. -Coming up next time... | 0:58:08 | 0:58:11 | |
It will settle into a perfect pint. | 0:58:11 | 0:58:13 | |
You're about to torpedo what is a lovely business. | 0:58:13 | 0:58:16 | |
It's a bit like you're the honeypot. | 0:58:18 | 0:58:20 | |
I just don't want to be the one that's stung. | 0:58:20 | 0:58:23 | |
I think you're going to make a go of this. | 0:58:23 | 0:58:25 | |
The real question for me is do I want to have that journey with you? | 0:58:25 | 0:58:30 |