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I've got to say, what Peter's just said is actually genius. | 0:00:08 | 0:00:11 | |
No, no, I'm not hearing that, | 0:00:13 | 0:00:15 | |
and I'm not going to let you get away with that. | 0:00:15 | 0:00:17 | |
Sorry, hang on, you've spent £400,000 on dolls? | 0:00:17 | 0:00:21 | |
Mm. | 0:00:21 | 0:00:22 | |
I'm glad it's your strategy, but I'm out. | 0:00:23 | 0:00:25 | |
You're valuing a business that so far has made £1,000 profit | 0:00:26 | 0:00:30 | |
-at a million? -Yeah. If I'm able to answer... | 0:00:30 | 0:00:32 | |
I'd love to find out what you're going to say. | 0:00:32 | 0:00:34 | |
I think you've got a cracking business. | 0:00:35 | 0:00:37 | |
I'm going to make you an offer. | 0:00:37 | 0:00:38 | |
Let's go back to the evidence. Give me the evidence. | 0:00:39 | 0:00:42 | |
Welcome to Dragons' Den, | 0:01:15 | 0:01:18 | |
where a fresh batch of nervous entrepreneurs | 0:01:18 | 0:01:20 | |
are putting the finishing touches to what they hope | 0:01:20 | 0:01:23 | |
will be the elevator pitch of a lifetime. | 0:01:23 | 0:01:26 | |
For our first entrepreneurs, | 0:01:29 | 0:01:31 | |
deciding what to wear for the toughest pitch of their life | 0:01:31 | 0:01:33 | |
was easy. | 0:01:33 | 0:01:35 | |
They took inspiration from their product. | 0:01:35 | 0:01:37 | |
With the costumes that we're wearing, | 0:01:38 | 0:01:40 | |
hopefully we'll get a very positive and quite a standout reaction | 0:01:40 | 0:01:45 | |
from the Dragons. We're looking for them to smile. | 0:01:45 | 0:01:47 | |
Hi, Dragons. | 0:02:10 | 0:02:12 | |
-I'm Joe. -And I'm Andy. | 0:02:12 | 0:02:14 | |
And we're the co-founders of Just Bee drinks. | 0:02:14 | 0:02:18 | |
Today, we're looking for an investment of £65,000 | 0:02:18 | 0:02:22 | |
in return for 10% equity. | 0:02:22 | 0:02:24 | |
Just Bee is a light and refreshing flavoured spring water drink, | 0:02:24 | 0:02:29 | |
but the difference is instead of adding refined sugar | 0:02:29 | 0:02:32 | |
or artificial sweeteners, | 0:02:32 | 0:02:34 | |
we use a single drop of honey. | 0:02:34 | 0:02:36 | |
Each drink is completely natural, | 0:02:37 | 0:02:39 | |
very low in sugar, and less than 50 calories. | 0:02:39 | 0:02:42 | |
But why honey? Well, my dad's a beekeeper. | 0:02:43 | 0:02:47 | |
And my grandad was, too. | 0:02:47 | 0:02:49 | |
I grew up having my dad's honey in cups of tea, | 0:02:49 | 0:02:52 | |
instead of sugar. | 0:02:52 | 0:02:54 | |
A few years ago, I mentioned this to my friend, Andy, and we wondered, | 0:02:54 | 0:02:58 | |
why do you never see soft drinks with honey? | 0:02:58 | 0:03:00 | |
This was the start of our big idea for a healthy drink using honey. | 0:03:01 | 0:03:06 | |
Well, we had a fantastic first three months, | 0:03:06 | 0:03:08 | |
gaining listings in premium retailers Selfridges | 0:03:08 | 0:03:12 | |
and Fortnum and Mason. | 0:03:12 | 0:03:13 | |
We're now stocked in over 100 outlets across the UK and Ireland, | 0:03:13 | 0:03:17 | |
from delis and coffee shops to hospitals and office canteens. | 0:03:17 | 0:03:21 | |
We've recently started discussions with the national retailers. | 0:03:22 | 0:03:26 | |
We feel this is the next exciting step for Just Bee. | 0:03:26 | 0:03:28 | |
Thank you. Now, we have some drinks for you to try. | 0:03:30 | 0:03:32 | |
Andy Sugden and Joe Harper are on a mission | 0:03:36 | 0:03:39 | |
to refresh the soft drinks market. | 0:03:39 | 0:03:41 | |
Thank you. | 0:03:41 | 0:03:42 | |
They think £65,000 should do it, | 0:03:42 | 0:03:45 | |
and a 10% sweetener is on offer in return. | 0:03:45 | 0:03:48 | |
Peter Jones wants to share his thoughts | 0:03:49 | 0:03:52 | |
on the entrepreneurs' attire. | 0:03:52 | 0:03:53 | |
I won't go through the sort of days you have in the Den. | 0:03:55 | 0:03:58 | |
And when those doors opened, | 0:04:00 | 0:04:02 | |
and I saw you two coming out dressed like that, | 0:04:02 | 0:04:04 | |
I really thought we'd got a couple of Charlies coming in, | 0:04:04 | 0:04:07 | |
and I was terrified. | 0:04:07 | 0:04:09 | |
LAUGHTER | 0:04:09 | 0:04:10 | |
My first reaction is why hasn't this happened before? | 0:04:11 | 0:04:15 | |
We were asking the same question. Why? | 0:04:15 | 0:04:17 | |
You haven't found the answer? | 0:04:18 | 0:04:20 | |
-No. -The success you've had so far, | 0:04:20 | 0:04:23 | |
-could you quantify that now in terms of sales? -Yeah. | 0:04:23 | 0:04:25 | |
So, sales for the first 12 months was £50,000, | 0:04:25 | 0:04:29 | |
and an operating loss of £38,000. | 0:04:29 | 0:04:32 | |
What capital did you put into the business each at the start? | 0:04:33 | 0:04:36 | |
So, in total so far, we've put £33,000 each in. | 0:04:36 | 0:04:41 | |
-OK. -And we have also received some additional investment | 0:04:41 | 0:04:45 | |
from a high-net-worth individual already. | 0:04:45 | 0:04:47 | |
And what's his name? | 0:04:47 | 0:04:48 | |
He's called Simon Leonard. | 0:04:48 | 0:04:50 | |
And how much did he invest? | 0:04:50 | 0:04:52 | |
So, he put in £150,000. | 0:04:52 | 0:04:54 | |
-OK. -He got 23% for that. | 0:04:54 | 0:04:56 | |
OK, so, right in thinking that your net assets | 0:04:56 | 0:04:59 | |
are currently sitting around 170K? | 0:04:59 | 0:05:01 | |
No. | 0:05:02 | 0:05:03 | |
-So, the current balance sheet is about 45,000 of stock. -OK. | 0:05:03 | 0:05:07 | |
About 19,000 of debtors. | 0:05:07 | 0:05:09 | |
About £94,000 of cash. | 0:05:09 | 0:05:12 | |
And £36,000 of creditors. | 0:05:12 | 0:05:15 | |
What does that make your net position, then? | 0:05:15 | 0:05:17 | |
121,000. | 0:05:17 | 0:05:18 | |
I can't tell you how many people can't do that. | 0:05:20 | 0:05:22 | |
We've spent 20 minutes trying to get that out of some people. | 0:05:22 | 0:05:25 | |
Very impressive. | 0:05:25 | 0:05:26 | |
Peter Jones doesn't hand out plaudits very often, | 0:05:29 | 0:05:32 | |
but the entrepreneurs' firm grasp of their business' books | 0:05:32 | 0:05:35 | |
has clearly made a good impression. | 0:05:35 | 0:05:38 | |
Now, Deborah Meaden wants to find out whether these golden boys | 0:05:39 | 0:05:43 | |
also have green credentials. | 0:05:43 | 0:05:45 | |
-What I want to talk about is sustainability. -Mm-hm. | 0:05:46 | 0:05:48 | |
Cos the story's lovely. | 0:05:48 | 0:05:49 | |
The fact that your father, your grandfather, were beekeepers. | 0:05:49 | 0:05:52 | |
But actually, one of the problems that have caused colony collapse | 0:05:52 | 0:05:56 | |
is intense farming of bees. | 0:05:56 | 0:05:58 | |
-OK. -So, to just drive a load of products fuelled by honey | 0:05:58 | 0:06:02 | |
is a little bit counterintuitive. | 0:06:02 | 0:06:04 | |
Yeah, some beekeepers take all of the honey away from the hive | 0:06:04 | 0:06:06 | |
-and then fill it full of sugar syrup. -Yeah. -Yeah. | 0:06:06 | 0:06:09 | |
We've made sure that all of our beekeepers in all of our supply, | 0:06:09 | 0:06:12 | |
they're completely ethical and they leave enough honey | 0:06:12 | 0:06:14 | |
for the bees to survive winter. | 0:06:14 | 0:06:16 | |
-OK. That was my question. -That was really important for us, yeah. | 0:06:16 | 0:06:19 | |
Yeah. Because if you're telling a lovely story about bees, | 0:06:19 | 0:06:21 | |
that needs to go all the way back to the hive. | 0:06:21 | 0:06:23 | |
-You know, we're looking after these as well. -Absolutely. | 0:06:23 | 0:06:26 | |
But you're not going to like what I'm going to say. | 0:06:27 | 0:06:29 | |
But this is only me, personally. | 0:06:29 | 0:06:31 | |
I don't actually like the taste. | 0:06:33 | 0:06:34 | |
Honey has a very slightly antiseptic taste, doesn't it? | 0:06:36 | 0:06:38 | |
I personally don't know, but... | 0:06:40 | 0:06:42 | |
It's probably just me. You liked it? You liked it? Can I just ask? | 0:06:42 | 0:06:44 | |
-I loved it. -Did you like it? | 0:06:44 | 0:06:45 | |
-NICK AND PETER: -I do know what you mean about the taste. | 0:06:45 | 0:06:48 | |
-NICK: -That's why I don't put honey in tea. | 0:06:48 | 0:06:50 | |
-Yeah. -Because it adds a flavour, sugar doesn't. -Yeah. | 0:06:50 | 0:06:53 | |
-ANDY: -It's the first time I think we've heard that feedback. | 0:06:53 | 0:06:56 | |
Although you've heard it from three people here. | 0:06:56 | 0:06:59 | |
Now I mention it, yeah. | 0:06:59 | 0:07:00 | |
A slight sting in the tail from Deborah Meaden, | 0:07:03 | 0:07:06 | |
who declares the taste of honey not to her liking. | 0:07:06 | 0:07:09 | |
But the Dragon with a portfolio swarming with drinks investments | 0:07:10 | 0:07:14 | |
couldn't agree less. | 0:07:14 | 0:07:15 | |
I just want to start with saying I love the product. | 0:07:16 | 0:07:18 | |
-I really do. -Thank you. -I think it's got a great flavour. | 0:07:18 | 0:07:21 | |
But...I don't think it's a very mass-market flavour. | 0:07:22 | 0:07:26 | |
And the squash market is not going to be substituted with that. | 0:07:27 | 0:07:31 | |
The water market will go, "Oh, this is a nice treat"... | 0:07:31 | 0:07:34 | |
but will still want to hydrate themselves with water. | 0:07:34 | 0:07:38 | |
But just because it's niche, | 0:07:38 | 0:07:39 | |
it doesn't mean that this is not possible. | 0:07:39 | 0:07:42 | |
It just takes a lot of power, and a lot of marketing. | 0:07:42 | 0:07:45 | |
What is your price point? | 0:07:45 | 0:07:47 | |
What would I buy that for? | 0:07:47 | 0:07:49 | |
Our RRP is £1.69. | 0:07:49 | 0:07:51 | |
That's quite a luxury, isn't it? | 0:07:54 | 0:07:55 | |
That... That... I'm trying to see where it would go. | 0:07:55 | 0:07:58 | |
Can you walk out of here, make a phone call to Tesco, | 0:07:58 | 0:08:01 | |
where would they put it? | 0:08:01 | 0:08:03 | |
So, in the first year, | 0:08:03 | 0:08:04 | |
we've placed ourselves in a sort of a premium category | 0:08:04 | 0:08:08 | |
of the flavoured water. | 0:08:08 | 0:08:10 | |
But once we get to volume and we're in the likes of Waitrose, | 0:08:10 | 0:08:13 | |
or Sainsbury's, or Tesco, | 0:08:13 | 0:08:15 | |
we'd looking at the price point reducing to £1.49. | 0:08:15 | 0:08:18 | |
Cos I can see it in the Pret, the Costas. | 0:08:18 | 0:08:21 | |
I'm struggling with it as a supermarket product because it is... | 0:08:21 | 0:08:24 | |
It's very premium. | 0:08:24 | 0:08:25 | |
To put ten of those into your supermarket trolley, | 0:08:25 | 0:08:29 | |
I think that's quite... It is quite a big ask. | 0:08:29 | 0:08:32 | |
When the queen bee of the beverage market | 0:08:34 | 0:08:37 | |
doubts your drink's ability to reach a mass market, it's not good. | 0:08:37 | 0:08:41 | |
But Peter Jones thinks he may have hit upon a solution. | 0:08:42 | 0:08:46 | |
I can see this getting you into the smaller players, | 0:08:48 | 0:08:52 | |
like the delicatessens, the specialists. | 0:08:52 | 0:08:54 | |
Exactly where you are, but then your mass-market product... | 0:08:54 | 0:08:57 | |
If you see what Robinsons have brought out | 0:08:57 | 0:08:59 | |
with their small little squeezy concentrate. | 0:08:59 | 0:09:01 | |
I don't understand why you didn't think about bringing out | 0:09:01 | 0:09:04 | |
the very ingredient that actually goes into water in the first place | 0:09:04 | 0:09:08 | |
in a bee-like squeezy. | 0:09:08 | 0:09:11 | |
So that actually that's the product | 0:09:11 | 0:09:13 | |
that goes mass-market and supermarkets. | 0:09:13 | 0:09:15 | |
Radiates your brand. | 0:09:15 | 0:09:17 | |
It's a lot more cost-effective to the consumer to buy that, | 0:09:17 | 0:09:20 | |
and it comes in a bee little pack, | 0:09:20 | 0:09:21 | |
you squeeze it into your glass of water, kids have it at home. | 0:09:21 | 0:09:23 | |
-Yeah, yeah. -It's brilliant. | 0:09:23 | 0:09:25 | |
I've got to say, what Peter's just said is... | 0:09:27 | 0:09:30 | |
And I hate to say this because he's going to | 0:09:30 | 0:09:32 | |
go on about it for ever now, | 0:09:32 | 0:09:33 | |
but I am going to say it. ..is actually genius. | 0:09:33 | 0:09:35 | |
Because that's your squash market. | 0:09:38 | 0:09:40 | |
-Mm. -If you can produce the concentrate, effectively, | 0:09:40 | 0:09:44 | |
as a squash, that's your mass-market product. | 0:09:44 | 0:09:47 | |
Can I just ask about the stability of honey? | 0:09:47 | 0:09:49 | |
Because of course there's a crystallising issue with honey. | 0:09:49 | 0:09:52 | |
-That is a fantastic idea... -It might work. | 0:09:53 | 0:09:55 | |
I think there might be a technical issue | 0:09:55 | 0:09:57 | |
why you can't make cordial with honey. | 0:09:57 | 0:10:00 | |
Ah, but no, it doesn't. Sorry. | 0:10:00 | 0:10:01 | |
Once it's dissolved, | 0:10:01 | 0:10:04 | |
it doesn't. | 0:10:04 | 0:10:05 | |
Are we still debating Peter's idea? | 0:10:05 | 0:10:07 | |
-I know, sorry. -Because if we are, Peter needs to stand up there. -I just think it's such a genius idea. | 0:10:07 | 0:10:11 | |
-Anyway, guys, while they talk about my idea... -Come out with something to replace squash. | 0:10:11 | 0:10:14 | |
..and discuss amongst themselves, | 0:10:14 | 0:10:16 | |
I'm going to make you an offer for all of the money | 0:10:16 | 0:10:18 | |
for 25% of the company. | 0:10:18 | 0:10:19 | |
-NICK: -Wow. | 0:10:30 | 0:10:31 | |
OK. Would you like to respond to that now? | 0:10:33 | 0:10:35 | |
Well, look, I would prefer that you didn't try and negotiate. | 0:10:36 | 0:10:39 | |
And then at the end of all of this we can...share the honey. | 0:10:40 | 0:10:43 | |
Bee-hive yourself. | 0:10:46 | 0:10:47 | |
Like it. | 0:10:49 | 0:10:50 | |
An offer from Peter Jones, | 0:10:52 | 0:10:54 | |
whose ability to catapult a brand to the big-time is no secret. | 0:10:54 | 0:10:58 | |
Will the cordial atmosphere continue with a bid from Deborah Meaden? | 0:10:59 | 0:11:03 | |
First thing I will say, I think you've done a great job. | 0:11:03 | 0:11:06 | |
I love the branding, I love the authenticity. | 0:11:06 | 0:11:09 | |
You could have won me over on any day of the week, | 0:11:09 | 0:11:12 | |
but unfortunately, I don't like the taste. | 0:11:12 | 0:11:15 | |
And for me to be really engaged with something, | 0:11:17 | 0:11:20 | |
I've got to be able to sit here and say, "But it's lovely!" | 0:11:20 | 0:11:24 | |
And I would be very clear about that. That's personal. | 0:11:24 | 0:11:26 | |
I know people will like this taste. | 0:11:26 | 0:11:29 | |
So, that's the only reason. | 0:11:29 | 0:11:30 | |
But I won't be investing, I'm out. | 0:11:31 | 0:11:33 | |
-Thank you. -Thank you. | 0:11:33 | 0:11:34 | |
I love the story, and a big fan of bees. | 0:11:38 | 0:11:42 | |
Slightly concerned that the honey flavour | 0:11:42 | 0:11:45 | |
might make it fairly niche... | 0:11:45 | 0:11:46 | |
In that there are people who'll love it, | 0:11:47 | 0:11:49 | |
but there'll be a lot of people who won't. | 0:11:49 | 0:11:51 | |
So, for that reason, I can't get over the line. | 0:11:52 | 0:11:54 | |
So, I'm out. | 0:11:54 | 0:11:55 | |
Thanks. | 0:11:55 | 0:11:57 | |
Guys, I like what you've done. | 0:11:57 | 0:11:59 | |
Great. I like you guys, too. | 0:11:59 | 0:12:01 | |
However, I think in this sector, | 0:12:03 | 0:12:06 | |
which is not really my sector, | 0:12:06 | 0:12:08 | |
you've got a perfect offer from the perfect Dragon. | 0:12:08 | 0:12:11 | |
So, I'm not even going to play numbers with anybody on this. | 0:12:11 | 0:12:15 | |
I'm not the right Dragon for you guys. | 0:12:17 | 0:12:19 | |
So, for that reason, I'm out. | 0:12:21 | 0:12:22 | |
Touker Suleyman steps aside graciously, | 0:12:26 | 0:12:29 | |
joining Nick Jenkins and Deborah Meaden in going out. | 0:12:29 | 0:12:33 | |
But Peter Jones doesn't yet have the deal in the bag. | 0:12:34 | 0:12:37 | |
Could drinks tycoon Sarah Willingham just be in the mood | 0:12:38 | 0:12:42 | |
to mix things up a bit? | 0:12:42 | 0:12:43 | |
I really like the product. | 0:12:50 | 0:12:52 | |
I've said that. I love the flavour. | 0:12:52 | 0:12:54 | |
I do think, in its current form, | 0:12:56 | 0:12:57 | |
it's going to be a real struggle in mass-market. | 0:12:57 | 0:12:59 | |
And I've spoken to the buyers of the major retailers, | 0:13:01 | 0:13:05 | |
the big supermarkets, | 0:13:05 | 0:13:06 | |
and this is an area that they see is very saturated. | 0:13:06 | 0:13:11 | |
There's a lot of people in there already, | 0:13:13 | 0:13:16 | |
fighting for the space. | 0:13:16 | 0:13:17 | |
And I do think it's going to be a hard sell. | 0:13:19 | 0:13:22 | |
So, I'm sorry, I'm out. | 0:13:24 | 0:13:25 | |
So, that's Sarah Willingham out of the picture, | 0:13:29 | 0:13:32 | |
leaving just that one offer from Peter Jones. | 0:13:32 | 0:13:35 | |
Now, it's all down to the negotiation. | 0:13:36 | 0:13:39 | |
We hoped someone was going to make this competitive. | 0:13:41 | 0:13:43 | |
HE CHUCKLES | 0:13:43 | 0:13:44 | |
25% is... | 0:13:48 | 0:13:49 | |
..a long way away from where we were at ten. | 0:13:51 | 0:13:54 | |
We really do believe that this could be huge. | 0:13:55 | 0:14:00 | |
Is there anything we can do? | 0:14:01 | 0:14:03 | |
I don't think so, | 0:14:05 | 0:14:06 | |
because I do think it's one of these situations where... | 0:14:06 | 0:14:08 | |
..it might not go anywhere. | 0:14:10 | 0:14:12 | |
You know, I'm not going to say you don't have a brand yet | 0:14:12 | 0:14:14 | |
because you do, you've done really well. | 0:14:14 | 0:14:16 | |
But I think that I add enough to justify why I would want 25%. | 0:14:16 | 0:14:20 | |
Tangibly, what would you bring? | 0:14:20 | 0:14:22 | |
I think that the relationships that I've got with the supermarkets, | 0:14:25 | 0:14:28 | |
people like Mike Coupe, who runs Sainsbury's, | 0:14:28 | 0:14:31 | |
or Andy Clarke, who looks after Asda, or... | 0:14:31 | 0:14:33 | |
And I can go on. | 0:14:33 | 0:14:34 | |
And these are direct relationships. | 0:14:34 | 0:14:36 | |
And 25% makes it interesting for me. | 0:14:37 | 0:14:39 | |
-Shall we have a chat? -Yeah, think so. | 0:14:43 | 0:14:45 | |
-WHISPERING: -25% is a long way from ten. -Yeah. | 0:14:51 | 0:14:55 | |
We'd be down, moving down to...28. | 0:14:55 | 0:14:59 | |
And a counter offer. | 0:14:59 | 0:15:01 | |
Or just straight in with a counter offer. | 0:15:01 | 0:15:03 | |
-You do it. -OK. | 0:15:04 | 0:15:05 | |
Before we make you a counteroffer, | 0:15:11 | 0:15:13 | |
we'd like to tell you a few more things. | 0:15:13 | 0:15:16 | |
So, there's a huge export opportunity, | 0:15:16 | 0:15:18 | |
and we're getting e-mails left, | 0:15:18 | 0:15:20 | |
right and centre. We're actually in the listing process with Waitrose | 0:15:20 | 0:15:24 | |
at the moment, and Boots and Whole Foods. | 0:15:24 | 0:15:27 | |
We believe there's a real value in this company. | 0:15:28 | 0:15:32 | |
Based on what we've just said, we'll counter offer - 15%. | 0:15:32 | 0:15:36 | |
Guys, I'm... The answer's no. | 0:15:40 | 0:15:43 | |
I wouldn't go down to 15%. | 0:15:43 | 0:15:45 | |
If we dropped down to 15, we're at a third each. | 0:15:47 | 0:15:50 | |
But that would mean I'd have 25, you'd both have 28 each. | 0:15:52 | 0:15:55 | |
And our other investor would have the rest. | 0:15:57 | 0:15:59 | |
So, you'd be the majority shareholders, | 0:15:59 | 0:16:02 | |
you'd still have complete control. | 0:16:02 | 0:16:04 | |
You'd own over 50% of the company. | 0:16:04 | 0:16:06 | |
Just saying. | 0:16:06 | 0:16:08 | |
Have one more chat. | 0:16:15 | 0:16:17 | |
-WHISPERS: -I think one of them... | 0:16:20 | 0:16:22 | |
One of them wants to do it, the other one doesn't. | 0:16:22 | 0:16:24 | |
Anything clever we can do? | 0:16:26 | 0:16:27 | |
We'd love to work with you, but we can't go above 15%. | 0:16:42 | 0:16:46 | |
-Guys, look, you've made your decision. -It's the wrong decision. | 0:16:49 | 0:16:51 | |
But on the basis of the fact that I'm not willing | 0:16:51 | 0:16:53 | |
to change my offer, I'm going to have to say that I'm out. | 0:16:53 | 0:16:59 | |
Thank you. | 0:16:59 | 0:17:00 | |
A pitch buzzing with excitement, | 0:17:04 | 0:17:06 | |
but resulting in a frustrating finale for the entrepreneurs. | 0:17:06 | 0:17:10 | |
Peter Jones may have thought the product was the bees' knees, | 0:17:10 | 0:17:13 | |
but not enough to drop his equity demand. | 0:17:13 | 0:17:16 | |
-It's the right thing to do. -Yeah. | 0:17:16 | 0:17:18 | |
Do you know what? I still genuinely wish them the best of luck. | 0:17:18 | 0:17:21 | |
-Oh, yeah. -I hope they make it. | 0:17:21 | 0:17:23 | |
Although I hope they don't pinch my idea. | 0:17:23 | 0:17:25 | |
It feels slightly crazy to have turned down Peter Jones. | 0:17:25 | 0:17:29 | |
It was tempting at the time, but I think we probably would have | 0:17:29 | 0:17:31 | |
woken up tomorrow and could have regretted it. | 0:17:31 | 0:17:34 | |
Next into the den is Francis Kane. | 0:17:42 | 0:17:45 | |
An entrepreneur on a mission | 0:17:46 | 0:17:48 | |
to change the face of the doll business. | 0:17:48 | 0:17:51 | |
The fact that the product clearly looks as good as it does. | 0:17:55 | 0:17:59 | |
And I think the ethos behind it, which is different to a lot of | 0:18:01 | 0:18:04 | |
the other brands on the market at the moment. | 0:18:04 | 0:18:07 | |
I'm hoping that that will come across. | 0:18:09 | 0:18:11 | |
But it may be a bit of a rocky road, | 0:18:11 | 0:18:12 | |
but we'll have to see when I get in there. | 0:18:12 | 0:18:15 | |
She's already taken her idea from the playroom to the boardroom, | 0:18:15 | 0:18:18 | |
but will the Dragons toy with investing in her range of products? | 0:18:18 | 0:18:22 | |
Hello. My name is Francis Kane, and I am a owner of A Girl For All Time, | 0:18:24 | 0:18:30 | |
which is a range of toys designed to celebrate and empower girls through | 0:18:30 | 0:18:34 | |
creative, imaginative play. | 0:18:34 | 0:18:37 | |
I'm in the Den today looking for £70,000 | 0:18:37 | 0:18:40 | |
for a 10% investment | 0:18:40 | 0:18:41 | |
of my four-year-old growing business. | 0:18:41 | 0:18:45 | |
I founded A Girl For All Time really because of my own frustration at | 0:18:45 | 0:18:49 | |
trying to find anything that was well-designed and intelligently done | 0:18:49 | 0:18:52 | |
for my own daughter when she was much younger. | 0:18:52 | 0:18:55 | |
Her choices seemed to be limited to | 0:18:55 | 0:18:57 | |
plastic lipstick and pretend ironing boards. | 0:18:57 | 0:19:00 | |
So, I created a range of dolls that followed the adventures | 0:19:00 | 0:19:05 | |
of the first-born girls of the fictional Marchmont family | 0:19:05 | 0:19:08 | |
through 500 years of time. | 0:19:08 | 0:19:10 | |
Stories that come with the range show the girls as heroes | 0:19:10 | 0:19:15 | |
of their own stories. | 0:19:15 | 0:19:17 | |
Currently, we have five dolls here that you see, | 0:19:17 | 0:19:20 | |
and they have won a cachet of industry awards | 0:19:20 | 0:19:24 | |
for top quality and design, | 0:19:24 | 0:19:27 | |
including Play Doll Of The Year two years in a row. | 0:19:27 | 0:19:30 | |
2015 for us saw sales of just under £90,000. | 0:19:30 | 0:19:35 | |
2016 looks to be a strong year with 125% growth | 0:19:35 | 0:19:41 | |
in the first four months of 2016. | 0:19:41 | 0:19:45 | |
I do believe that our girls are so much more than pink and plastic | 0:19:45 | 0:19:49 | |
lipstick and pretend ironing boards, | 0:19:49 | 0:19:51 | |
and I think their toys should be as well. | 0:19:51 | 0:19:53 | |
And I would like to show you some product, if I may. | 0:19:53 | 0:19:56 | |
Frances Cain, | 0:19:59 | 0:20:01 | |
originally from the American Midwest and now living in London, | 0:20:01 | 0:20:04 | |
is looking for a boardroom buddy. | 0:20:04 | 0:20:06 | |
You have the start of the family tree, Matilda. | 0:20:06 | 0:20:08 | |
In exchange for 10% of her company, | 0:20:09 | 0:20:12 | |
she'd like a Dragon to invest £70,000 on it. | 0:20:12 | 0:20:15 | |
Peter Jones has a confession to make. | 0:20:17 | 0:20:19 | |
I'm quite an expert in dolls. | 0:20:21 | 0:20:23 | |
Oh, right. | 0:20:23 | 0:20:25 | |
Because over the last sort of 20 years, | 0:20:25 | 0:20:27 | |
I've grown up playing with dolls a lot because my youngest daughter, | 0:20:27 | 0:20:31 | |
-who's now nine, and my oldest daughter, who's 23. -Hm. | 0:20:31 | 0:20:34 | |
So, I have to say, there's something a bit eerie about the dolls. | 0:20:36 | 0:20:40 | |
OK. | 0:20:41 | 0:20:42 | |
I don't know. It looks a little bit sort of... | 0:20:42 | 0:20:44 | |
Not as friendly as I would have expected. | 0:20:44 | 0:20:47 | |
-Well, erm... -And I'm struggling. | 0:20:47 | 0:20:49 | |
Immediately struggling with the sort of...the look. | 0:20:49 | 0:20:52 | |
Because I look into this doll's eyes, | 0:20:52 | 0:20:54 | |
and there's sort of like a darkness there. | 0:20:54 | 0:20:56 | |
-Well, maybe slightly pensive. Maybe at times. -Pensive's a good... | 0:20:56 | 0:20:59 | |
-Right word. -Or maybe thoughtful. | 0:20:59 | 0:21:01 | |
Or... | 0:21:01 | 0:21:02 | |
Yeah. | 0:21:02 | 0:21:04 | |
And is that very much about you, Frances? | 0:21:04 | 0:21:07 | |
Are you coming out in this doll? | 0:21:07 | 0:21:10 | |
Well, I think what frustrated me when I was looking for something | 0:21:10 | 0:21:14 | |
for my own daughter when she was growing up | 0:21:14 | 0:21:16 | |
is I just felt things were either | 0:21:16 | 0:21:18 | |
divided into kind of the very pink, bubbly, plastic thing | 0:21:18 | 0:21:23 | |
or being shoved too far, I felt, into the adult world. | 0:21:23 | 0:21:27 | |
These dolls are supposed to represent nine, ten, 11-year-olds. | 0:21:27 | 0:21:32 | |
And we're not always constantly smiling, I feel, are we? | 0:21:32 | 0:21:35 | |
I think having a companion who looks as we usually look | 0:21:35 | 0:21:40 | |
is a positive thing. | 0:21:40 | 0:21:42 | |
A product which makes Peter Jones feel uneasy. | 0:21:44 | 0:21:48 | |
It's not a great start to Frances' pitch. | 0:21:48 | 0:21:51 | |
But onto the business itself, and Touker Suleyman wants to know | 0:21:51 | 0:21:54 | |
if there's anything that makes | 0:21:54 | 0:21:56 | |
this product stand out in a crowded market. | 0:21:56 | 0:21:59 | |
What is your USP that could make this doll | 0:21:59 | 0:22:03 | |
-into a multi-million dollar business? -Excellent point. | 0:22:03 | 0:22:08 | |
What we've created is a whole brand behind the characters of the dolls. | 0:22:08 | 0:22:12 | |
So, as far as I know, | 0:22:12 | 0:22:13 | |
we're the only brand on the market that does an entire family series | 0:22:13 | 0:22:18 | |
that does these kind of stories with the dolls and creates a depth of | 0:22:18 | 0:22:23 | |
experience with each range. | 0:22:23 | 0:22:27 | |
Is it a nice story, or do any bad things happen in that family? | 0:22:27 | 0:22:29 | |
Well, you know, | 0:22:29 | 0:22:31 | |
family narrative is really about knowing the good things and the bad | 0:22:31 | 0:22:34 | |
-things. -So, who's killed who in the family? | 0:22:34 | 0:22:37 | |
Nobody... Nobody's killed, but don't forget, | 0:22:37 | 0:22:39 | |
Matilda is a Tudor girl, | 0:22:39 | 0:22:41 | |
-and Tudor was not always happy times. -Tell me about her. | 0:22:41 | 0:22:43 | |
What's the unhappy times? | 0:22:43 | 0:22:44 | |
Matilda is 13 years old, | 0:22:44 | 0:22:47 | |
and she is sent as a spy to the court of Henry VIII | 0:22:47 | 0:22:50 | |
and to help advance her cousin Catherine Howard's | 0:22:50 | 0:22:53 | |
chances to be Queen. | 0:22:53 | 0:22:55 | |
And Matilda keeps a secret diary. | 0:22:55 | 0:22:57 | |
Hence the title of her book, Matilda's Secret. | 0:22:57 | 0:23:00 | |
And it's about her time at court, | 0:23:00 | 0:23:02 | |
which did not go very well for Catherine Howard, | 0:23:02 | 0:23:04 | |
if you know your history. | 0:23:04 | 0:23:06 | |
Frances proves there's more to her dolls than your average kid's | 0:23:07 | 0:23:11 | |
playthings, with talk of their unique back stories. | 0:23:11 | 0:23:15 | |
But is millionaire mum of four Sarah Willingham | 0:23:15 | 0:23:18 | |
buying the product or the business? | 0:23:18 | 0:23:20 | |
I wouldn't buy one, and I am absolutely your target market, | 0:23:22 | 0:23:27 | |
if you want to sell the story of trying to empower your little girls | 0:23:27 | 0:23:31 | |
to believe that they can do anything and be anything. | 0:23:31 | 0:23:33 | |
I don't think that's what you're achieving through these dolls, | 0:23:33 | 0:23:37 | |
I really don't. | 0:23:37 | 0:23:38 | |
I think your objective, you're saying, | 0:23:39 | 0:23:42 | |
is to make it very real through history. | 0:23:42 | 0:23:45 | |
I'm not convinced that that's the way to empower | 0:23:45 | 0:23:49 | |
young girls of today. | 0:23:49 | 0:23:50 | |
Of course they need to learn history, | 0:23:50 | 0:23:52 | |
but I think the dolls look like they've sacrificed a lot. | 0:23:52 | 0:23:56 | |
They... They... They are girls who have suffered a lot. | 0:23:56 | 0:23:59 | |
So, because I am your target market and I wouldn't buy one, | 0:23:59 | 0:24:03 | |
I wish you all the best, but I'm afraid I'm not going to invest. | 0:24:03 | 0:24:06 | |
So, I'm out. | 0:24:06 | 0:24:07 | |
Sarah Willingham just can't gel with Frances' dolls | 0:24:09 | 0:24:12 | |
and decides to pass on the business opportunity. | 0:24:12 | 0:24:16 | |
Can Peter Jones redeem things with talk of cold, hard cash? | 0:24:16 | 0:24:22 | |
How much money have you spent so far developing the business? | 0:24:22 | 0:24:25 | |
So, over the last five years, having launched in 2012, | 0:24:25 | 0:24:30 | |
a grand total of about... | 0:24:30 | 0:24:31 | |
And it's rounding here, £400,000. | 0:24:31 | 0:24:34 | |
-Oh, wow. -Cor! -Wow. | 0:24:34 | 0:24:37 | |
If I could preface that, with the larger companies... | 0:24:37 | 0:24:40 | |
-Sorry, hang on, Frances. -Yep. -You've spent £400,000 on dolls? | 0:24:40 | 0:24:44 | |
It's been a... It's been an investment a little bit every year. | 0:24:46 | 0:24:49 | |
Where did you get that money from? | 0:24:49 | 0:24:51 | |
Part of it has been from my own funds, | 0:24:51 | 0:24:54 | |
part of it was from friends and family. | 0:24:54 | 0:24:56 | |
Francis has gone to great lengths to bankroll a brand she believes is on | 0:24:59 | 0:25:03 | |
the brink of success. | 0:25:03 | 0:25:06 | |
But does Deborah Meaden share her conviction? | 0:25:06 | 0:25:09 | |
To me, they're not joyous. | 0:25:10 | 0:25:12 | |
-Did you ever play with dolls, Deborah? -Never played with dolls. | 0:25:12 | 0:25:15 | |
-I'm not surprised. -I was a... -SHE LAUGHS | 0:25:15 | 0:25:18 | |
Spiders, snakes, all of those things. | 0:25:18 | 0:25:21 | |
Never dolls. This is personal. | 0:25:21 | 0:25:24 | |
So, please brace yourself. | 0:25:24 | 0:25:27 | |
I just don't like it. | 0:25:27 | 0:25:29 | |
You know, they don't make me feel good. | 0:25:29 | 0:25:31 | |
They don't tell a great story to me. | 0:25:31 | 0:25:33 | |
So, I'm really sorry, Frances, I'm out. | 0:25:33 | 0:25:36 | |
I appreciate the comments, thank you. | 0:25:36 | 0:25:38 | |
-What's this one called? -Lydia. -Lydia, right. | 0:25:43 | 0:25:46 | |
Lydia, I bought you a doll. | 0:25:46 | 0:25:48 | |
One of those over there. Are you excited about that? | 0:25:48 | 0:25:51 | |
No, not really. Quite indifferent, really. | 0:25:51 | 0:25:53 | |
Looks a bit sort of Botoxy. | 0:25:53 | 0:25:55 | |
I'm sure you've done loads and loads of research. | 0:25:55 | 0:25:58 | |
It's not a market I know anything about. | 0:25:58 | 0:25:59 | |
I'm sure you've done absolutely stacks of it and you've gone to | 0:25:59 | 0:26:02 | |
something which is quite different. But I just can't get it at all. | 0:26:02 | 0:26:09 | |
-I'm afraid I'm out. -Right, OK. Thank you very much. | 0:26:09 | 0:26:12 | |
The Dragon who made a fortune in personalised gifts | 0:26:13 | 0:26:16 | |
shows no interest in these bespoke dolls. | 0:26:16 | 0:26:20 | |
And Touker Suleyman has also come to a decision. | 0:26:20 | 0:26:24 | |
You've gone a long way to build a business | 0:26:25 | 0:26:30 | |
that has no appeal, in my view. | 0:26:30 | 0:26:33 | |
I mean, in my own personal view. | 0:26:33 | 0:26:34 | |
And I think you're probably a very professional person. | 0:26:34 | 0:26:37 | |
You've built this whole business around the idea of this doll. | 0:26:37 | 0:26:41 | |
You spent £400,000, but I don't see it going where you want to see it. | 0:26:41 | 0:26:46 | |
I'll be happy one day if you get your money back. | 0:26:46 | 0:26:49 | |
But it's not going to be with my money, I'm afraid. | 0:26:49 | 0:26:53 | |
And for that reason, I'm out. | 0:26:53 | 0:26:55 | |
I genuinely like the fact that you've come up | 0:26:59 | 0:27:02 | |
with a storyline behind what you're trying to achieve. | 0:27:02 | 0:27:05 | |
But I personally think you've made some real fatal errors. | 0:27:05 | 0:27:09 | |
-There's a few things that scare me about this doll. -Mm-hm. | 0:27:10 | 0:27:13 | |
When you go to bed at night and you put your doll down | 0:27:13 | 0:27:16 | |
and you say goodnight and you sleep, | 0:27:16 | 0:27:18 | |
if you open your eyes halfway through the night and your doll's | 0:27:18 | 0:27:20 | |
still looking at you, there's something really eerie about that. | 0:27:20 | 0:27:24 | |
I think you need to change that, and a very simple way of changing | 0:27:24 | 0:27:27 | |
-that is make sure the eyes close when it lies flat. -Sleep eyes. | 0:27:27 | 0:27:30 | |
There're called, yes, sleep eyes. | 0:27:30 | 0:27:31 | |
Sleep eyes. I think that's important, | 0:27:31 | 0:27:33 | |
and I think you do have to go back to the drawing board. | 0:27:33 | 0:27:36 | |
I'm not going to invest because I don't know whether that £70,000 is | 0:27:36 | 0:27:41 | |
enough to keep the business alive and make the changes necessary. | 0:27:41 | 0:27:46 | |
So, I'm going to say that I'm out. | 0:27:46 | 0:27:49 | |
-OK. Thank you very much. Thank you. -Good luck. | 0:27:49 | 0:27:51 | |
Game over for Francis, | 0:27:55 | 0:27:56 | |
who couldn't convince the Dragons her dolls had mass appeal. | 0:27:56 | 0:28:00 | |
She leaves the Den with no more cash than when she arrived. | 0:28:00 | 0:28:05 | |
-PETER: -I think she's really investable. -Oh, yes. -She was good. | 0:28:05 | 0:28:08 | |
I think the concept's right. | 0:28:08 | 0:28:09 | |
It's sad it's looking like that. | 0:28:09 | 0:28:11 | |
Will I go out next week and start making new face moulds | 0:28:12 | 0:28:15 | |
for all of the dolls? Probably not. | 0:28:15 | 0:28:18 | |
So, maybe the Dragons might have missed out on this one. | 0:28:18 | 0:28:21 | |
Still to come... | 0:28:27 | 0:28:29 | |
Touker, can you see me? | 0:28:29 | 0:28:30 | |
I can see you. I can definitely see you. | 0:28:30 | 0:28:33 | |
Are there hazardous conditions ahead? | 0:28:33 | 0:28:36 | |
You should not sell a franchise to an unsuspecting person | 0:28:36 | 0:28:39 | |
without having proven the model. | 0:28:39 | 0:28:41 | |
Thanks for answering the question, | 0:28:41 | 0:28:43 | |
but can I direct my questions to them? | 0:28:43 | 0:28:44 | |
I thought they'd answered it. | 0:28:44 | 0:28:46 | |
They haven't even paused for breath. | 0:28:46 | 0:28:48 | |
-They haven't answered. -OK. Sorry, sorry! | 0:28:48 | 0:28:50 | |
And can any of these entrepreneurs | 0:28:52 | 0:28:54 | |
navigate the Dragons to an investment? | 0:28:54 | 0:28:57 | |
I think the product is exceptional. | 0:28:57 | 0:28:58 | |
This has got Italian design written all over it. | 0:28:58 | 0:29:01 | |
You turned over £136,000. | 0:29:01 | 0:29:02 | |
Gross margin £96,000 and you've broken even. | 0:29:02 | 0:29:05 | |
That is quite rare. | 0:29:05 | 0:29:07 | |
Our next entrepreneur is hoping to make the world a prettier place. | 0:29:16 | 0:29:20 | |
He's here to pitch a salon business, which he plans to take global. | 0:29:20 | 0:29:25 | |
The Dragons really inspire me. | 0:29:25 | 0:29:27 | |
And I can see a lot of synergy in terms what I do, what they've done. | 0:29:27 | 0:29:32 | |
I think that there is a fine line | 0:29:34 | 0:29:36 | |
between coming across as a salesman and coming across as someone | 0:29:36 | 0:29:41 | |
that is very believable. | 0:29:41 | 0:29:42 | |
I hope I'm the latter. | 0:29:42 | 0:29:44 | |
I'm sure that they have an eye for talent, | 0:29:47 | 0:29:50 | |
and I would hope that they'll see some talent in me today. | 0:29:50 | 0:29:53 | |
Good afternoon, Dragons. | 0:30:00 | 0:30:01 | |
My name is Damien Zannetou, | 0:30:01 | 0:30:02 | |
and I'm the proud founder of an exciting new company | 0:30:02 | 0:30:05 | |
and concept called Aenea, the science of beauty. | 0:30:05 | 0:30:08 | |
I'm here today to pitch for £100,000 | 0:30:08 | 0:30:11 | |
for 10% equity in my business. | 0:30:11 | 0:30:13 | |
So, what is Aenea? | 0:30:13 | 0:30:15 | |
Simply put, a wellness concept. | 0:30:15 | 0:30:17 | |
I've combined the hair and beauty, | 0:30:17 | 0:30:19 | |
salon, spa and clinic experience all under one roof, | 0:30:19 | 0:30:22 | |
but facilitated with its own private label product line at both the | 0:30:22 | 0:30:26 | |
professional and retail level, | 0:30:26 | 0:30:28 | |
consisting of an advanced anti-ageing cosmeceutical | 0:30:28 | 0:30:31 | |
ingredients and formulations. | 0:30:31 | 0:30:33 | |
I'm targeting the premium end of the market, but it's positioned on the | 0:30:33 | 0:30:37 | |
high street, designed for those customers | 0:30:37 | 0:30:39 | |
that want more treatments, less time, | 0:30:39 | 0:30:41 | |
with a high fashion and a celebrity focus. | 0:30:41 | 0:30:44 | |
My root to market is franchising, for a number of reasons. | 0:30:44 | 0:30:48 | |
Rapid roll-out within the territory, | 0:30:48 | 0:30:50 | |
less requirement for working capital, | 0:30:50 | 0:30:52 | |
less risk, but more importantly to create a distribution network for my | 0:30:52 | 0:30:56 | |
entire cosmetics range. | 0:30:56 | 0:30:58 | |
Over the past 12 to 18 months, | 0:30:58 | 0:31:00 | |
I've been working alongside team franchise consultants and experts to | 0:31:00 | 0:31:04 | |
create what I think is a modest development schedule, | 0:31:04 | 0:31:06 | |
to open 20 stores in the UK within the next three years, | 0:31:06 | 0:31:10 | |
and in parallel, 20 stores in the Middle East. | 0:31:10 | 0:31:13 | |
Each franchisee will pay a licence fee of £25,000 for a five-year | 0:31:13 | 0:31:18 | |
renewable term, with a 10% monthly management service fee and a monthly | 0:31:18 | 0:31:22 | |
marketing levy of 2%. | 0:31:22 | 0:31:25 | |
So far, I've signed a franchise in London. | 0:31:25 | 0:31:28 | |
I have pending applications for Bristol, for Liverpool | 0:31:28 | 0:31:31 | |
and for Brighton. | 0:31:31 | 0:31:32 | |
I also have a letter of intent from a lady in Riyadh, in Saudi Arabia, | 0:31:32 | 0:31:36 | |
with pending applications for Dubai and also Bahrain, | 0:31:36 | 0:31:39 | |
and I have a letter of intent for Nigeria. | 0:31:39 | 0:31:42 | |
And recently, I've just been asked to team up with a distributor | 0:31:42 | 0:31:45 | |
that would like to target the retail market in the UK and Ireland. | 0:31:45 | 0:31:49 | |
I've brought some products with me today. | 0:31:49 | 0:31:50 | |
I'd love to give you a sample, | 0:31:50 | 0:31:52 | |
and I'm sure you have plenty of questions. | 0:31:52 | 0:31:54 | |
Thank you! | 0:31:54 | 0:31:55 | |
With his salon, spa and product range combo... | 0:31:59 | 0:32:03 | |
-There's an exfoliator for you. -Thank you. | 0:32:03 | 0:32:05 | |
Damien Zannetou thinks his business is a thing of beauty. | 0:32:05 | 0:32:09 | |
Have I just broken mine? | 0:32:09 | 0:32:11 | |
-Yes! Did you just break yours too? -How do you get this out? | 0:32:11 | 0:32:15 | |
No, there's none in this. | 0:32:16 | 0:32:18 | |
This isn't coming out, either. | 0:32:18 | 0:32:20 | |
The entrepreneur is willing to hand over 10% of his equity in return | 0:32:20 | 0:32:25 | |
for a cool £100,000. | 0:32:25 | 0:32:27 | |
It's dying to come out, out of the top. | 0:32:27 | 0:32:29 | |
Oh, it's not supposed to do that. | 0:32:29 | 0:32:31 | |
The samples have hit some snagging issues with the Dragons. | 0:32:31 | 0:32:35 | |
Cor, Damien, it's pretty badly made. | 0:32:35 | 0:32:37 | |
-Why do you say that? -Cos mine's broken and yours... | 0:32:37 | 0:32:39 | |
When I'm pulling this out now, look, it's like, it goes everywhere. | 0:32:39 | 0:32:43 | |
I wouldn't say it's badly made. | 0:32:43 | 0:32:44 | |
It won an award in 2014, and we won that as a highly commended range. | 0:32:44 | 0:32:50 | |
Now, Peter Jones wants to nail whether the business package | 0:32:50 | 0:32:54 | |
is robust enough for his liking. | 0:32:54 | 0:32:55 | |
I have to say, not a good first impression with the products | 0:32:57 | 0:33:02 | |
that you've handed out, but that being said, | 0:33:02 | 0:33:04 | |
I'm more keen to understand, | 0:33:04 | 0:33:07 | |
what on earth is this business? | 0:33:07 | 0:33:10 | |
-OK. -Because I'm looking at that and seeing champagne and nail bar, | 0:33:10 | 0:33:15 | |
and them you pitch something completely different. | 0:33:15 | 0:33:17 | |
As I said earlier, | 0:33:17 | 0:33:18 | |
it's a combination of a saloon, spa, clinic experience. | 0:33:18 | 0:33:21 | |
What's a salon/clinic experience? | 0:33:21 | 0:33:23 | |
A beauty salon. | 0:33:23 | 0:33:24 | |
A hair and beauty salon, spa, and for each service we offer, | 0:33:24 | 0:33:28 | |
we have all our own product line. | 0:33:28 | 0:33:31 | |
So, why wouldn't somebody just set this up and do it themselves? | 0:33:31 | 0:33:33 | |
Why do they need you? Um. | 0:33:33 | 0:33:37 | |
That's a good question. They can do it themselves, but the fundamental | 0:33:37 | 0:33:41 | |
difference is that we've combined the three models together. | 0:33:41 | 0:33:44 | |
That's not difficult to do, is it? | 0:33:44 | 0:33:46 | |
If you've got a place big enough, you say, "I cut hair over there, | 0:33:46 | 0:33:48 | |
"and by the way, that's a nail bar, | 0:33:48 | 0:33:49 | |
"and actually, we sell a range of cosmetics over here." | 0:33:49 | 0:33:52 | |
-I don't get... -I think what you're missing is the USP, | 0:33:52 | 0:33:55 | |
which is the product line. | 0:33:55 | 0:33:57 | |
It would take them years of research. | 0:33:57 | 0:33:59 | |
They haven't got their own product line. | 0:33:59 | 0:34:01 | |
If you'll just allow me to finish. | 0:34:01 | 0:34:03 | |
Your own product line is really badly put together. | 0:34:03 | 0:34:05 | |
You're asking me a question, | 0:34:05 | 0:34:06 | |
but you're not allowing me to finish the answer. | 0:34:06 | 0:34:09 | |
-No, because I've heard what I wanted to hear. -OK. | 0:34:09 | 0:34:11 | |
-And I'm going to talk over you. -They don't have their own product line. | 0:34:11 | 0:34:14 | |
They don't, because you're giving them a product line. | 0:34:14 | 0:34:18 | |
-Correct. -Why would I sell your product line that actually, frankly, | 0:34:18 | 0:34:22 | |
breaks when you use it and it's a brand that nobody knows | 0:34:22 | 0:34:25 | |
over putting in my salon | 0:34:25 | 0:34:27 | |
brands everybody understands and knows and wants to buy? | 0:34:27 | 0:34:32 | |
I think that's the key, | 0:34:32 | 0:34:33 | |
is to expand the business through franchising and to make it a brand | 0:34:33 | 0:34:37 | |
that everyone is aware of. | 0:34:37 | 0:34:38 | |
In the skin care market, we are actually known | 0:34:38 | 0:34:41 | |
because we won an award in 2014 for a very prestigious event. | 0:34:41 | 0:34:45 | |
No champagne corks popping just yet, | 0:34:49 | 0:34:52 | |
as Peter Jones fails to get his head around the potential attractiveness | 0:34:52 | 0:34:55 | |
of Damien's business concept. | 0:34:55 | 0:34:58 | |
Now Nick Jenkins wants to comb through | 0:34:58 | 0:35:01 | |
the hair and beauty entrepreneur's | 0:35:01 | 0:35:04 | |
franchisee recruitment strategy. | 0:35:04 | 0:35:06 | |
People who buy franchises are people who would like to have their own | 0:35:07 | 0:35:10 | |
-business, haven't done it before. -Sure. | 0:35:10 | 0:35:11 | |
They need the confidence of someone else's proven success, and they're | 0:35:11 | 0:35:14 | |
-prepared to give 10% of their income, in order... -Absolutely. | 0:35:14 | 0:35:17 | |
..for the hand-holding process. | 0:35:17 | 0:35:19 | |
What are you telling these people about how successful your original | 0:35:19 | 0:35:22 | |
concept has been? Tell me about the numbers there? | 0:35:22 | 0:35:24 | |
Sure. So, I've told prospective franchisees that a normal standard | 0:35:24 | 0:35:28 | |
salon, spa, clinic concept could turn over about £750,000 a year. | 0:35:28 | 0:35:32 | |
Has yours turned over £750,000? | 0:35:32 | 0:35:35 | |
It has, yes. In year two, it did. | 0:35:35 | 0:35:36 | |
Tell me about the numbers on that one. | 0:35:36 | 0:35:38 | |
I want to know how successful that was. | 0:35:38 | 0:35:39 | |
Yeah, it's a really tricky one, and this is where I'd like to be | 0:35:39 | 0:35:43 | |
totally frank about the situation. | 0:35:43 | 0:35:45 | |
Basically, I ran into a trademark dispute for my product line. | 0:35:45 | 0:35:49 | |
So I had to force the company into liquidation. | 0:35:49 | 0:35:51 | |
Why would you make the company bankrupt with a trademark dispute? | 0:35:51 | 0:35:56 | |
-Exactly! -It was advice I was given. | 0:35:56 | 0:35:57 | |
-By who? -By a lawyer, an insolvency practitioner. | 0:35:57 | 0:36:00 | |
Who did you owe money to? | 0:36:00 | 0:36:02 | |
At the time, I owed some money to HMRC. | 0:36:02 | 0:36:05 | |
There was £75,000. | 0:36:05 | 0:36:08 | |
So, you've left that behind? | 0:36:08 | 0:36:09 | |
-Correct. -So the taxpayer didn't get their money back from you? | 0:36:09 | 0:36:12 | |
I'll be totally frank, in 2014, | 0:36:12 | 0:36:15 | |
my father was my accountant, and sadly, | 0:36:15 | 0:36:17 | |
he passed away, but I was very much under the guidance of my father | 0:36:17 | 0:36:22 | |
up until that point. | 0:36:22 | 0:36:24 | |
When you started talking about this business | 0:36:24 | 0:36:27 | |
-that was £750,000 turnover... -Yes. | 0:36:27 | 0:36:29 | |
-You started it in 2010. -Yes. -You closed the company down. | 0:36:29 | 0:36:33 | |
-You left debt behind? -Yes. | 0:36:33 | 0:36:35 | |
-And you started New Co. -Yes. | 0:36:35 | 0:36:37 | |
New Co ended up with these products under a different brand name. | 0:36:37 | 0:36:40 | |
-Yes. -Tell me about that. | 0:36:40 | 0:36:42 | |
So today, I mean, | 0:36:42 | 0:36:44 | |
that business has been trading under the new franchise agreement | 0:36:44 | 0:36:47 | |
for about a month, | 0:36:47 | 0:36:48 | |
and it's turned over just under £55,000 for the month of May. | 0:36:48 | 0:36:52 | |
-And profit? -That's running at about 20% profit. | 0:36:52 | 0:36:56 | |
So you made £10,000 net profit? | 0:36:56 | 0:36:58 | |
-Correct. -That £10,000, then, | 0:36:58 | 0:37:00 | |
what would that have generated for you last month as a franchise? | 0:37:00 | 0:37:03 | |
10%. Which is £1,000. | 0:37:03 | 0:37:05 | |
You are valuing a business that has so far made £1,000 at £1 million? | 0:37:06 | 0:37:10 | |
If I'm able to answer. | 0:37:12 | 0:37:13 | |
I'd love to find out what you're going to say. | 0:37:13 | 0:37:15 | |
I knew the question was going to come up, | 0:37:15 | 0:37:17 | |
and I expected it to come from you as well. | 0:37:17 | 0:37:20 | |
Yeah, I worked with a third party company. | 0:37:20 | 0:37:23 | |
Because everything is based on projection, | 0:37:23 | 0:37:26 | |
they said that the only way that the whole business could be valued would | 0:37:26 | 0:37:29 | |
be on discounted cash flow. | 0:37:29 | 0:37:31 | |
So they actually came back with a valuation of £5 million. | 0:37:31 | 0:37:34 | |
I turned around and said that... | 0:37:36 | 0:37:38 | |
Can I ask you, Damien, what is discounted cash flow? | 0:37:38 | 0:37:40 | |
It's my cash flow at the end of year three, obviously. | 0:37:40 | 0:37:44 | |
You know, it's three years of cash flow forecasted. | 0:37:44 | 0:37:47 | |
Do you know what discounted cash flow is? | 0:37:47 | 0:37:49 | |
Yeah. It's taking my cash in the bank at the end of year three, | 0:37:49 | 0:37:52 | |
applying a discounted rate, | 0:37:52 | 0:37:53 | |
-which in our case was 50%. -No, it's not. | 0:37:53 | 0:37:56 | |
Again, it's not something that I can really answer, | 0:37:56 | 0:37:59 | |
I've handed that over to a third party. | 0:37:59 | 0:38:01 | |
The tension in the Den shows no signs of letting up, | 0:38:04 | 0:38:07 | |
as Peter Jones uncovers gaps in Damien's business knowledge, | 0:38:07 | 0:38:12 | |
and his justification for that | 0:38:12 | 0:38:14 | |
has provided Nick Jenkins with some cause for alarm. | 0:38:14 | 0:38:18 | |
I'm a bit concerned about your reliance on external consultants, | 0:38:18 | 0:38:20 | |
to be perfectly honest. What you've demonstrated to Peter is | 0:38:20 | 0:38:23 | |
you've no understanding of what they're talking about. | 0:38:23 | 0:38:25 | |
You don't understand discounted cash flow. | 0:38:25 | 0:38:27 | |
You say "other people", it was always other people. | 0:38:27 | 0:38:29 | |
"Other people told me to shut my business down. | 0:38:29 | 0:38:31 | |
"What did I know?" | 0:38:31 | 0:38:33 | |
I want to know what YOU think. | 0:38:33 | 0:38:35 | |
But you don't know that. | 0:38:35 | 0:38:37 | |
-No, I'm not deflecting. I actually... -But you are. | 0:38:37 | 0:38:39 | |
-No, I'm not. -You've been constantly deflecting. | 0:38:39 | 0:38:42 | |
Because you know what I want to know, | 0:38:42 | 0:38:43 | |
if I'm a potential franchisee? | 0:38:43 | 0:38:45 | |
I've just got my redundancy payment of £30,000 or £40,000, right? | 0:38:45 | 0:38:48 | |
I think, "OK, well, I'll go to this guy. | 0:38:48 | 0:38:49 | |
"This guy will show me how to run my business so I can have success. | 0:38:49 | 0:38:52 | |
Right. Well, so, | 0:38:52 | 0:38:54 | |
just exactly how successful have you been so far? | 0:38:54 | 0:38:56 | |
-Oh, well you didn't. It went bust. -I've... Again, | 0:38:56 | 0:38:59 | |
I don't want to keep going back to consultants, but I am working | 0:38:59 | 0:39:03 | |
with a top franchise consultant, | 0:39:03 | 0:39:04 | |
and her advice has been that the first two to three franchisees | 0:39:04 | 0:39:08 | |
in my year one of trading | 0:39:08 | 0:39:09 | |
-will be development franchisees. -You're avoiding the question. | 0:39:09 | 0:39:12 | |
-You, Damien... -Yeah. -..are supposed to be telling me | 0:39:12 | 0:39:14 | |
-how to run a business. -Yes. -How am I supposed to have faith in that? | 0:39:14 | 0:39:18 | |
Well, I know exactly how to make money | 0:39:18 | 0:39:20 | |
in terms of running that business. | 0:39:20 | 0:39:21 | |
-First and foremost. -Have you ever done it? | 0:39:21 | 0:39:23 | |
If you'll allow me to answer, I can give you an answer to your question. | 0:39:23 | 0:39:26 | |
I'm very big on online marketing strategies and digital strategies. | 0:39:26 | 0:39:30 | |
-OK, have you ever done it? -Yeah. | 0:39:30 | 0:39:31 | |
So my website currently receives 11,500 unique visitors per month. | 0:39:31 | 0:39:35 | |
11,500 visitors, 43% bounce rate, | 0:39:37 | 0:39:41 | |
plus to turnover £50,000 and make a profit of £10,000, | 0:39:41 | 0:39:44 | |
which is still my first month of trading, | 0:39:44 | 0:39:47 | |
I know exactly how I can go into one of these operations and make money, | 0:39:47 | 0:39:51 | |
and the reason is because | 0:39:51 | 0:39:52 | |
I understand the digital marketing aspect. | 0:39:52 | 0:39:54 | |
So in answer to your original question, | 0:39:54 | 0:39:56 | |
when I'm speaking to my franchisees, | 0:39:56 | 0:39:58 | |
the first thing I say to them is we are a stand-alone store in Clapham, | 0:39:58 | 0:40:02 | |
and if you enter into this agreement, | 0:40:02 | 0:40:04 | |
-you are a development franchisee. -You've only been going a month. | 0:40:04 | 0:40:07 | |
So it's not proven, and they understand that. | 0:40:07 | 0:40:10 | |
Damien gets the last word in a verbal sparring match | 0:40:10 | 0:40:14 | |
over his ability to roll out franchises. | 0:40:14 | 0:40:17 | |
But his insistence he can make a string of salons a success | 0:40:17 | 0:40:21 | |
won't wash with Deborah Meaden. | 0:40:21 | 0:40:24 | |
My concern is that your original business, | 0:40:24 | 0:40:28 | |
which was turning over £750,000 a year, | 0:40:28 | 0:40:31 | |
you've now turned into a franchise. | 0:40:31 | 0:40:33 | |
-Yes. -And it now turns over £600,000 a year. | 0:40:33 | 0:40:37 | |
-Yes. -So that's the evidence. Now, forget the words. | 0:40:37 | 0:40:40 | |
-Yeah. -You can stand and talk to me till you're blue in the face. | 0:40:40 | 0:40:43 | |
No, I'm not here to paint a pretty picture. | 0:40:43 | 0:40:44 | |
-I'm only interested in fact. -Yeah. | 0:40:44 | 0:40:46 | |
Now, you give me the evidence I'm going to make more money through | 0:40:46 | 0:40:49 | |
your franchise than actually doing it on my own. | 0:40:49 | 0:40:52 | |
OK. First and foremost, in direct answer to your question, | 0:40:52 | 0:40:56 | |
you are correct that there is no evidence, | 0:40:56 | 0:40:58 | |
-because it's a new company and a start-up. -So... Stop there. | 0:40:58 | 0:41:01 | |
-There is absolutely no evidence. -There is no evidence. | 0:41:01 | 0:41:03 | |
So, now what you've done is you... | 0:41:03 | 0:41:05 | |
How much money have you spent with your franchise consultants? | 0:41:05 | 0:41:07 | |
Around 7,000 or 8,000. | 0:41:07 | 0:41:09 | |
So what you've actually done | 0:41:09 | 0:41:11 | |
is spent your time not building evidence, | 0:41:11 | 0:41:13 | |
you've spent your time building paperwork. | 0:41:13 | 0:41:15 | |
I've done both. I have done both. | 0:41:15 | 0:41:17 | |
All right, lovely. So let's go back to the evidence. | 0:41:17 | 0:41:20 | |
-Give me the evidence. -Well, as I said, the first month of trading, | 0:41:20 | 0:41:23 | |
we've produced 55,000, but I can't... | 0:41:23 | 0:41:25 | |
No, but that's evidence that the income goes down | 0:41:25 | 0:41:28 | |
when I go into your franchise. | 0:41:28 | 0:41:30 | |
As I've said, my franchisees for the first year | 0:41:30 | 0:41:33 | |
are development franchisees. They are aware that there is no evidence. | 0:41:33 | 0:41:36 | |
No. No, Damien, I'm not hearing that | 0:41:36 | 0:41:37 | |
and I'm not going to let you get away with that. | 0:41:37 | 0:41:39 | |
So I'm just going to say those two words. | 0:41:39 | 0:41:41 | |
I won't be investing. I'm out. | 0:41:41 | 0:41:43 | |
That unproven business model loses Damien his first investor. | 0:41:46 | 0:41:51 | |
But will the Dragon who franchised her way to the top of the global | 0:41:51 | 0:41:54 | |
restaurant business have a different perspective on things? | 0:41:54 | 0:41:57 | |
I've spent many, many years of my life franchising, | 0:42:00 | 0:42:04 | |
and I've spent a long time, I've done it very successfully, | 0:42:04 | 0:42:06 | |
and I spent a long time going around a lot of franchise fares as well, | 0:42:06 | 0:42:09 | |
so I know what's out there. | 0:42:09 | 0:42:11 | |
-Yes. -Now, good franchisors, they prove the model, they go out there, | 0:42:11 | 0:42:15 | |
they make it work, and they go, "You know what? | 0:42:15 | 0:42:17 | |
"I've got a quick route to market here." | 0:42:17 | 0:42:19 | |
Look at Domino's. Did a fantastic job. | 0:42:19 | 0:42:21 | |
You should not sell a franchise without having proven the model, | 0:42:21 | 0:42:24 | |
and that is why I'm out. | 0:42:24 | 0:42:27 | |
-OK. Thank you. -I'm going to make it very short, Damien, | 0:42:29 | 0:42:31 | |
you seem like a very nice guy. | 0:42:31 | 0:42:33 | |
You need to learn a lot. Stick to what you're doing. | 0:42:33 | 0:42:36 | |
-OK. -Prove the concept. | 0:42:36 | 0:42:37 | |
-Thank you. -Don't try and sell anything to anybody at the moment. | 0:42:37 | 0:42:40 | |
-No. -Prove it for a whole year, then decide what you want to do with it. | 0:42:40 | 0:42:44 | |
I'm afraid I'm not going to invest, I'm out. | 0:42:44 | 0:42:47 | |
OK, thank you. | 0:42:47 | 0:42:48 | |
Damien, it's not gone well. | 0:42:50 | 0:42:52 | |
But I have to say, you've been dealt the right hand because you have come | 0:42:52 | 0:42:55 | |
in here without anything of substance. | 0:42:55 | 0:42:58 | |
I think you need to clearly go away | 0:42:58 | 0:43:01 | |
and rethink how you're going to do this. | 0:43:01 | 0:43:04 | |
So I'm obviously going to say that I'm out. | 0:43:04 | 0:43:06 | |
Peter Jones isn't sharing Damien's vision either | 0:43:09 | 0:43:13 | |
and becomes the fourth Dragon to walk away. | 0:43:13 | 0:43:17 | |
It's left to e-commerce millionaire Nick Jenkins to have the final say. | 0:43:17 | 0:43:23 | |
I think... Hopefully... You say that you've... | 0:43:23 | 0:43:25 | |
You've consistently said throughout this | 0:43:25 | 0:43:27 | |
that you understand and you agree. | 0:43:27 | 0:43:29 | |
I hope you understand that you haven't got anything yet. | 0:43:29 | 0:43:33 | |
So if I was you, I'd... | 0:43:33 | 0:43:34 | |
Can I show you some agreements that I do have? | 0:43:34 | 0:43:37 | |
-Or is that not an option? -No, no, | 0:43:37 | 0:43:39 | |
I'm not interested in you showing me any agreements because, honestly, | 0:43:39 | 0:43:42 | |
I think the advice you're getting from everybody is that you might | 0:43:42 | 0:43:44 | |
well be able to sell some franchises, | 0:43:44 | 0:43:46 | |
but this thing will fall flat on its face if those guys don't actually | 0:43:46 | 0:43:49 | |
sell anything through their salons and they go bust, | 0:43:49 | 0:43:51 | |
so it's not good for them and it's not go to be good for you. | 0:43:51 | 0:43:54 | |
Which is why I said I'll prove it. | 0:43:54 | 0:43:55 | |
So, if I was you, forget about the franchise business | 0:43:55 | 0:43:58 | |
and run a decent business in Clapham. | 0:43:58 | 0:43:59 | |
And then open another business and prove that you can do that. | 0:43:59 | 0:44:02 | |
When you've got a chain of four or five and you're confident | 0:44:02 | 0:44:04 | |
you can help others to do that, | 0:44:04 | 0:44:05 | |
then think about a franchise business. | 0:44:05 | 0:44:07 | |
That was kind of my strategy, but with your...help. | 0:44:07 | 0:44:09 | |
Oh, good, well, I'm glad it's your strategy, but I'm out. | 0:44:09 | 0:44:12 | |
Thank you for your time. I apologise if I've upset anyone. | 0:44:14 | 0:44:17 | |
-That wasn't my intention. -Cheers, Damien. -Thank you. -Thanks. | 0:44:17 | 0:44:20 | |
Bye-bye. | 0:44:20 | 0:44:22 | |
Damien's hopes for a Dragon partner in his hair and beauty business are | 0:44:22 | 0:44:26 | |
cut and finished by Nick Jenkins, | 0:44:26 | 0:44:29 | |
after a pitch that certainly provoked some intense debate. | 0:44:29 | 0:44:32 | |
Do it on my own. | 0:44:32 | 0:44:34 | |
It went terrible. | 0:44:34 | 0:44:35 | |
But my head is held high and I'm going to go away, | 0:44:35 | 0:44:38 | |
I'm going to prove my model, I'm going to sign up my franchisees, | 0:44:38 | 0:44:42 | |
I'm going to make them hugely successful. | 0:44:42 | 0:44:45 | |
Watch this space. | 0:44:45 | 0:44:46 | |
When our next entrepreneurs to enter the Den moved to London from Italy, | 0:44:56 | 0:45:01 | |
they found navigating their way through the city traffic | 0:45:01 | 0:45:04 | |
a pretty hairy experience, | 0:45:04 | 0:45:05 | |
which gave them an idea for a product which they've since | 0:45:05 | 0:45:09 | |
brought to market. | 0:45:09 | 0:45:11 | |
We are a good team, he has business skills, I have technical skills. | 0:45:23 | 0:45:28 | |
We have everything we need to set the product in place, | 0:45:28 | 0:45:31 | |
so let's do it. | 0:45:31 | 0:45:32 | |
You're making me go dizzy, I don't know about you. | 0:45:49 | 0:45:52 | |
TOUKER LAUGHS | 0:45:52 | 0:45:55 | |
Hello, Dragons. My name is Agostino Stilli. | 0:46:00 | 0:46:02 | |
This is my business partner, Luca Amaduzzi. | 0:46:02 | 0:46:05 | |
We are here today looking for an investment of £45,000, | 0:46:05 | 0:46:08 | |
with a return of 5% equity in our company, CYCL. | 0:46:08 | 0:46:12 | |
We are here today to present you WingLights. | 0:46:12 | 0:46:15 | |
WingLights are a direction indicator for bicycle | 0:46:15 | 0:46:17 | |
that flash amber on the side of your handlebar. | 0:46:17 | 0:46:20 | |
They are designed to make sure that you are | 0:46:20 | 0:46:22 | |
noticed when it's most needed, when turning and changing lane. | 0:46:22 | 0:46:25 | |
With a single tap, they emit a bright LED light. | 0:46:25 | 0:46:28 | |
They are extremely easy to fit. | 0:46:28 | 0:46:29 | |
Once the mounter is in position, | 0:46:29 | 0:46:31 | |
the WingLights snap on in seconds, and when you secure your bike, | 0:46:31 | 0:46:34 | |
-they snap off. -We entered the market in July 2015, | 0:46:34 | 0:46:38 | |
and nowadays we already sold more than 8,000 units. | 0:46:38 | 0:46:41 | |
In the past eight months, we distribute in 14 different | 0:46:41 | 0:46:43 | |
countries around the world. Together with the premium magnetic version, | 0:46:43 | 0:46:47 | |
we are already commercialising a fixed version, | 0:46:47 | 0:46:50 | |
and we are planning to launch a new version | 0:46:50 | 0:46:52 | |
in the upcoming months. | 0:46:52 | 0:46:53 | |
Thank you very much for your attention, | 0:46:53 | 0:46:55 | |
we welcome now any questions you may have and we are passing now some | 0:46:55 | 0:46:57 | |
samples around so you can get your hands on our product. | 0:46:57 | 0:47:01 | |
Looking to work in tandem with a Dragon are Agostino Stilli... | 0:47:04 | 0:47:08 | |
-Grazie. -Prego. | 0:47:08 | 0:47:10 | |
..and his business partner Luca Amaduzzi. | 0:47:10 | 0:47:13 | |
Here we are. Two different colours. | 0:47:13 | 0:47:15 | |
They want to kick-start expansion of their business | 0:47:15 | 0:47:18 | |
with a £45,000 investment. | 0:47:18 | 0:47:21 | |
In return, they are offering 5% of their company. | 0:47:21 | 0:47:25 | |
Peter Jones wants them to shed more light on the product in question. | 0:47:25 | 0:47:30 | |
The two versions, can you just quickly describe, | 0:47:31 | 0:47:33 | |
so what are the two different versions again? | 0:47:33 | 0:47:35 | |
Yes, so basically you have the magnetic version | 0:47:35 | 0:47:38 | |
that is in your hands now. | 0:47:38 | 0:47:39 | |
It has a mounter that stays always on the bike, | 0:47:39 | 0:47:43 | |
then you have a keyring with the two lights assembled on it. | 0:47:43 | 0:47:46 | |
You can detach the two lights from the keyring like this. OK? | 0:47:46 | 0:47:50 | |
And is this something you're doing full-time now? | 0:47:50 | 0:47:53 | |
Yes, Agostino is also finishing a PhD in robotics part-time. | 0:47:53 | 0:47:59 | |
So that's my last year. | 0:47:59 | 0:48:00 | |
And give me an idea, you've sold them, what's the revenue? | 0:48:00 | 0:48:04 | |
What's the gross margin? | 0:48:04 | 0:48:05 | |
And what money have you got left over? | 0:48:05 | 0:48:08 | |
The revenue is £136,000 | 0:48:08 | 0:48:12 | |
with a gross profit of £96,000. | 0:48:12 | 0:48:16 | |
On the net profit, at this stage, we broke even. | 0:48:16 | 0:48:20 | |
With a neatly designed product and a business that's in the black, | 0:48:22 | 0:48:26 | |
the entrepreneurs are off to a good start. | 0:48:26 | 0:48:29 | |
But Deborah Meaden wants to illuminate | 0:48:29 | 0:48:32 | |
a potential fly in the ointment. | 0:48:32 | 0:48:34 | |
Right at the beginning, you've got a lot about you, about your pitch. | 0:48:35 | 0:48:39 | |
You can see, this has got Italian design written all over it, | 0:48:39 | 0:48:42 | |
cos it's beautiful. You know, it feels nice, it looks good. | 0:48:42 | 0:48:45 | |
My objection to this would be | 0:48:45 | 0:48:50 | |
its visibility, because actually when you were riding in circles, | 0:48:50 | 0:48:53 | |
there was quite a lot of time when I couldn't see that light. | 0:48:53 | 0:48:57 | |
And at the moment, you know, good old-fashioned put your arm out - | 0:48:57 | 0:49:00 | |
actually, that's very clear. | 0:49:00 | 0:49:03 | |
If you start relying on something that has less visibility, | 0:49:03 | 0:49:06 | |
for me it feels like it might actually make it less safe | 0:49:06 | 0:49:08 | |
rather than more safe. | 0:49:08 | 0:49:10 | |
I would say - I'm a cyclist, | 0:49:12 | 0:49:14 | |
-Deborah is the person who will knock me off the bicycle. -Yes. | 0:49:14 | 0:49:16 | |
She's looking at it from the perspective of the driver | 0:49:16 | 0:49:19 | |
looking at this, and I'm looking at it | 0:49:19 | 0:49:20 | |
from the perspective of me riding a bike. | 0:49:20 | 0:49:22 | |
Actually, the question of having it on the handlebars, | 0:49:22 | 0:49:25 | |
it's the widest part of the bike, | 0:49:25 | 0:49:27 | |
and if you have it on the back, | 0:49:27 | 0:49:28 | |
you have to have a stalk coming out... | 0:49:28 | 0:49:30 | |
That's lovely, thanks for answering the question, | 0:49:30 | 0:49:32 | |
but can I direct my questions to them? | 0:49:32 | 0:49:34 | |
-I thought they'd answered it, sorry. -No, | 0:49:34 | 0:49:36 | |
they haven't even paused for breath, they haven't answered it. | 0:49:36 | 0:49:39 | |
-Sorry. -So that's my objection. | 0:49:39 | 0:49:42 | |
I'm glad Nick interjected, cos that's my worry, | 0:49:42 | 0:49:45 | |
that people will think they are covered because their light is here, | 0:49:45 | 0:49:49 | |
but actually I, as a driver, I can't see you. | 0:49:49 | 0:49:52 | |
There are other indicators in the market. | 0:49:54 | 0:49:56 | |
Mostly they are placed just here. | 0:49:57 | 0:50:01 | |
-Yes. -Ours even all-round visibility | 0:50:01 | 0:50:05 | |
and you are always sure that when you turn it on, | 0:50:05 | 0:50:08 | |
it turns on because you actually see it. | 0:50:08 | 0:50:11 | |
-PETER: -Is there another thing here, | 0:50:11 | 0:50:14 | |
I mean the WingLight, is it also for... | 0:50:14 | 0:50:16 | |
the slimmer person. | 0:50:16 | 0:50:18 | |
The slimmer person? | 0:50:18 | 0:50:19 | |
I will show you what I mean. Can you see behind me? | 0:50:19 | 0:50:22 | |
-LUCA: -This is kind of the smallest handlebar you can find. | 0:50:24 | 0:50:28 | |
But it's from behind | 0:50:28 | 0:50:29 | |
that's the problem, isn't it? It's not in front. | 0:50:29 | 0:50:31 | |
-DEBORAH: -No, can't see you. | 0:50:31 | 0:50:32 | |
If your right indicator was on now, I couldn't see it. | 0:50:32 | 0:50:34 | |
-Can you not see? -I can see the right, but I can't see the left. | 0:50:34 | 0:50:38 | |
-PETER: -If you are bigger like me, it doesn't work. | 0:50:38 | 0:50:40 | |
-Touker, can you see me? -I can see you. | 0:50:40 | 0:50:42 | |
-Can you see both lights? -Yes, I can see both lights. | 0:50:42 | 0:50:45 | |
A Den divided over the visibility of the lights, | 0:50:49 | 0:50:52 | |
but for Sarah Willingham, | 0:50:52 | 0:50:54 | |
seeing them is only half of the problem. | 0:50:54 | 0:50:57 | |
I'm struggling with it a little bit. | 0:50:58 | 0:51:01 | |
Because I'm so used to things flashing on a bike, | 0:51:01 | 0:51:04 | |
I don't know that that's an indicator. | 0:51:04 | 0:51:06 | |
That could just be a light. | 0:51:06 | 0:51:08 | |
It is orange, just like all the other indicators, | 0:51:11 | 0:51:14 | |
so from that, you should already have a hint. | 0:51:14 | 0:51:18 | |
Can I say, I'm just a little bit more worried about cycling | 0:51:19 | 0:51:22 | |
anywhere near Sarah in a car. | 0:51:22 | 0:51:25 | |
Just on account of the fact that a flashing orange light to the side of | 0:51:25 | 0:51:29 | |
any scooter or motorbike generally indicates turning. | 0:51:29 | 0:51:34 | |
Bikes at night-time are covered in flashing lights. | 0:51:34 | 0:51:36 | |
Any good cyclist... | 0:51:36 | 0:51:37 | |
-Not orange ones. -And not this kind of flashing. | 0:51:37 | 0:51:40 | |
According to UK law, anyhow, it is still mandatory to make a signal. | 0:51:40 | 0:51:45 | |
So you see it more as a safety, | 0:51:45 | 0:51:47 | |
cos there's no doubt that as a driver | 0:51:47 | 0:51:49 | |
I'm not expecting a flashing light, | 0:51:49 | 0:51:51 | |
I'm not expecting an indicator on a bike, | 0:51:51 | 0:51:53 | |
but I am expecting them to signal to me that they are going to turn left, | 0:51:53 | 0:51:57 | |
and it's that signal that is going to stop me running them over. | 0:51:57 | 0:52:01 | |
That signal is not very convenient if you think how you do the signal, | 0:52:01 | 0:52:05 | |
so when you are going to turn, it is normally the hand signal, | 0:52:05 | 0:52:08 | |
look behind you, reduce the control on your handlebar | 0:52:08 | 0:52:12 | |
in a moment when you probably need to brake | 0:52:12 | 0:52:14 | |
because you have to reduce your speed for turning. | 0:52:14 | 0:52:16 | |
-At that point... -With these kind of things, | 0:52:16 | 0:52:18 | |
you can start to signal before | 0:52:18 | 0:52:20 | |
and you can announce the visibility of your signal system. | 0:52:20 | 0:52:23 | |
I think it is such a big education | 0:52:25 | 0:52:29 | |
for the drivers, actually, | 0:52:29 | 0:52:31 | |
cos we are just not there yet, | 0:52:31 | 0:52:34 | |
to know that this means a bike | 0:52:34 | 0:52:37 | |
is turning right or is turning left and is not just | 0:52:37 | 0:52:40 | |
another half of two flashing lights. | 0:52:40 | 0:52:43 | |
I can't get past that, | 0:52:43 | 0:52:45 | |
so I'm afraid it's not an investment for me, so I'm afraid I'm out, guys. | 0:52:45 | 0:52:49 | |
Sarah Willingham is out, | 0:52:52 | 0:52:55 | |
but which way is keen cyclist Nick Jenkins going to turn? | 0:52:55 | 0:52:59 | |
What I am really impressed with is that you started, you turned over | 0:53:01 | 0:53:05 | |
136,000, gross margin 96, and you have broken even, | 0:53:05 | 0:53:09 | |
and I think that is quite rare, | 0:53:09 | 0:53:12 | |
and that's a pretty good indication that you are pretty backable. | 0:53:12 | 0:53:16 | |
So I'm going to make you an offer. | 0:53:18 | 0:53:20 | |
So I'm going to make you an offer of all of the money but for 15% | 0:53:23 | 0:53:28 | |
of the business, but I think you've got a cracking business. | 0:53:28 | 0:53:32 | |
-Thank you. -Thank you. | 0:53:32 | 0:53:34 | |
Nick Jenkins thinks the duo are going places, | 0:53:35 | 0:53:38 | |
and he wants to join them. | 0:53:38 | 0:53:40 | |
Now Peter Jones is next to have his say. | 0:53:42 | 0:53:45 | |
I think the product is exceptional. | 0:53:47 | 0:53:50 | |
The quality and the way you've put this together, I think, | 0:53:50 | 0:53:53 | |
is as good as I've ever seen a product. | 0:53:53 | 0:53:56 | |
-Thank you. -You know, congratulations. | 0:53:56 | 0:53:57 | |
But I do think that you are going to struggle selling | 0:53:59 | 0:54:03 | |
and making money out of this product. | 0:54:03 | 0:54:05 | |
I think you do have to come up with some other products | 0:54:07 | 0:54:11 | |
as a wider range. | 0:54:11 | 0:54:13 | |
So I'm not going to invest in you today, | 0:54:13 | 0:54:15 | |
I'm going to say that I'm out, | 0:54:15 | 0:54:17 | |
but I think it is exceptional what you've done and I congratulate where | 0:54:17 | 0:54:20 | |
-you've got to. -Thank you. -Thank you very much. | 0:54:20 | 0:54:23 | |
I'll say a very strange thing. | 0:54:28 | 0:54:29 | |
I wish you had come in with a different product. | 0:54:29 | 0:54:32 | |
You are incredibly backable. | 0:54:32 | 0:54:34 | |
It's a market that I'm not... | 0:54:34 | 0:54:36 | |
I don't even cycle, so I can't convince myself. | 0:54:36 | 0:54:40 | |
However much I sit here and try, | 0:54:40 | 0:54:41 | |
I can't convince myself that this is one I'm going to love, so I won't be | 0:54:41 | 0:54:44 | |
investing. I'm out. | 0:54:44 | 0:54:46 | |
Deborah Meaden becomes the third Dragon to step away from a deal... | 0:54:50 | 0:54:55 | |
..which leaves only Touker Suleyman able to step things up a gear | 0:54:56 | 0:55:00 | |
and rival Nick Jenkins' 15% off. | 0:55:00 | 0:55:04 | |
Well, I am the one | 0:55:04 | 0:55:07 | |
who has a business connection to bicycles. | 0:55:07 | 0:55:11 | |
We have a website called Bike Soup. | 0:55:11 | 0:55:14 | |
-Bike Suit? -Did you do your homework? | 0:55:14 | 0:55:17 | |
Er, Bike Suit? | 0:55:17 | 0:55:19 | |
-Soup. -Soup! | 0:55:19 | 0:55:21 | |
-No, I don't know. -Did you do any homework on which Dragon | 0:55:21 | 0:55:24 | |
you might want to invest? | 0:55:24 | 0:55:26 | |
-PETER: -Well, obviously not. -Obviously not, OK, so... | 0:55:28 | 0:55:32 | |
I have a lot of experience in the retail world. | 0:55:32 | 0:55:36 | |
I know a lot of retailers in this sector. | 0:55:36 | 0:55:38 | |
And I'm going to make you an offer. | 0:55:40 | 0:55:42 | |
But I'm going to want more than what Nick wants. | 0:55:45 | 0:55:48 | |
I'll give you £60,000, | 0:55:49 | 0:55:53 | |
but I want 25%. | 0:55:53 | 0:55:54 | |
OK. | 0:55:57 | 0:55:58 | |
-I think we... -Go for a chat. -Yes. | 0:55:58 | 0:56:01 | |
You want to go and have a chat at the back wall? | 0:56:01 | 0:56:02 | |
-Yes, thank you for your offer. -Thank you for your offer. | 0:56:02 | 0:56:05 | |
Touker Suleyman's bid of more money than the £45,000 | 0:56:08 | 0:56:12 | |
the entrepreneurs were looking for has got to be tempting. | 0:56:12 | 0:56:15 | |
THEY SPEAK IN ITALIAN | 0:56:15 | 0:56:18 | |
But at 25%, 20 more than the five they were offering, | 0:56:20 | 0:56:25 | |
he's significantly devaluing the business. | 0:56:25 | 0:56:28 | |
Will they go for the extra cash or Nick Jenkins' 15%? | 0:56:28 | 0:56:33 | |
-OK. -OK? | 0:56:33 | 0:56:34 | |
We are considering... | 0:56:43 | 0:56:45 | |
And, Nick, would you go down to 12 and a half? | 0:56:46 | 0:56:50 | |
Yeah, I could do 12 and a half. | 0:56:54 | 0:56:56 | |
We've got a deal. | 0:56:59 | 0:57:01 | |
-Excellent. -Thanks very much. | 0:57:01 | 0:57:04 | |
A tour de force of a pitch resulting in a £45,000 cash injection for the | 0:57:04 | 0:57:10 | |
entrepreneurs and a deal that mixes business with pleasure | 0:57:10 | 0:57:14 | |
for Nick Jenkins. | 0:57:14 | 0:57:15 | |
HE EXCLAIMS | 0:57:15 | 0:57:18 | |
Well done. | 0:57:18 | 0:57:19 | |
We really think Nick is on our wavelength, | 0:57:19 | 0:57:21 | |
so, yeah, I think we can really do great things together | 0:57:21 | 0:57:24 | |
and we are looking forward to working with him. | 0:57:24 | 0:57:28 | |
Yes, definitely. | 0:57:28 | 0:57:29 | |
So, as the Den doors close, | 0:57:36 | 0:57:37 | |
we have seen two pairs of entrepreneurs brave enough | 0:57:37 | 0:57:40 | |
to negotiate with the Dragons. | 0:57:40 | 0:57:43 | |
Now, in business, it's important to know when to stand firm and when to | 0:57:43 | 0:57:46 | |
compromise. Joe and Andy stuck to their guns and their equity, | 0:57:46 | 0:57:50 | |
but left without investment, | 0:57:50 | 0:57:52 | |
but the guys from CYCL did manage to settle on a deal. | 0:57:52 | 0:57:56 | |
Coming up next time... | 0:57:59 | 0:58:00 | |
What about a high-five? | 0:58:00 | 0:58:02 | |
You've done absolutely the wrong thing here. | 0:58:02 | 0:58:04 | |
Do you want to offer me something | 0:58:04 | 0:58:06 | |
that my ten-year-old would probably decline? | 0:58:06 | 0:58:09 | |
I can tell you one thing, you will look back and say, "Mistake." | 0:58:09 | 0:58:14 | |
There's not a chance. | 0:58:14 | 0:58:16 | |
I am definitely out. | 0:58:16 | 0:58:19 | |
No, I'm not going to put myself in your shoes because I don't have to. | 0:58:19 | 0:58:24 | |
That is absolutely bonkers. | 0:58:24 | 0:58:26 | |
I think you've blown it. | 0:58:26 | 0:58:28 | |
Do you know, I think I'm going to make you an offer. | 0:58:28 | 0:58:30 | |
If it helps, I'm already regretting going out. | 0:58:30 | 0:58:33 |