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There's a man walking on water. | 0:00:06 | 0:00:09 | |
I saw the guy walking in the water, I saw it. | 0:00:15 | 0:00:18 | |
I saw him do it for a pretty long distance too. | 0:00:20 | 0:00:23 | |
Like a modern-day Houdini or something like that. | 0:00:25 | 0:00:29 | |
'Over this series, I'm going to take you on a journey into my world.' | 0:00:38 | 0:00:41 | |
It makes me feel giddy, I feel like a little girl. | 0:00:41 | 0:00:44 | |
Oh, that is nuts! | 0:00:44 | 0:00:45 | |
'From the streets of the UK...' | 0:00:45 | 0:00:47 | |
That is crazy! | 0:00:47 | 0:00:49 | |
'..to the beaches of Miami.' | 0:00:49 | 0:00:52 | |
-It's so insane. -How'd he do that? | 0:00:52 | 0:00:54 | |
-'Watch as I shock...' -Wow! -Oh, my God! | 0:00:54 | 0:00:56 | |
He's scaring me today. | 0:00:56 | 0:00:58 | |
'..thrill... | 0:00:58 | 0:00:59 | |
'and amaze everyone I meet along the way.' | 0:00:59 | 0:01:02 | |
You ain't getting better than that. | 0:01:02 | 0:01:03 | |
'And in this episode, I head down to London | 0:01:03 | 0:01:05 | |
'and attempt the most dangerous walk of my life.' | 0:01:05 | 0:01:08 | |
'My name is Steven Frayne, but most people call me Dynamo.' | 0:01:10 | 0:01:14 | |
For as long as I can remember, all I wanted to do was amaze people - | 0:01:17 | 0:01:21 | |
to take away the stress of everyday life, if only just for a minute, | 0:01:21 | 0:01:25 | |
and show them something truly astonishing. | 0:01:25 | 0:01:28 | |
I've been looking up to travel all over the world. | 0:01:28 | 0:01:31 | |
But there's one place that really stands out for me. | 0:01:31 | 0:01:34 | |
-Welcome to Miami! I'm Tiffany Fantasia. -Nice to meet you, Tiffany. | 0:01:39 | 0:01:43 | |
-So is this your town? -This is my town forever. | 0:01:44 | 0:01:48 | |
-Can I try something with this bottle? -Sure. | 0:01:48 | 0:01:52 | |
In fact, do me a favour. | 0:01:52 | 0:01:54 | |
I want you to blow as hard as you can into the top. | 0:01:54 | 0:01:57 | |
What happened. | 0:02:00 | 0:02:02 | |
-Nothing. -Nothing. | 0:02:02 | 0:02:04 | |
Let me try. | 0:02:04 | 0:02:06 | |
Watch. | 0:02:06 | 0:02:07 | |
Wow! | 0:02:16 | 0:02:19 | |
Man! | 0:02:19 | 0:02:20 | |
Unbelievable! | 0:02:20 | 0:02:22 | |
How did you do that? | 0:02:22 | 0:02:23 | |
HE COUGHS | 0:02:23 | 0:02:25 | |
Are you OK? | 0:02:25 | 0:02:26 | |
I'm all right. | 0:02:26 | 0:02:28 | |
I'm going to call my girlfriend to give you mouth-to-mouth. | 0:02:28 | 0:02:32 | |
Is she good-looking? | 0:02:32 | 0:02:34 | |
Yeah, very beautiful. | 0:02:34 | 0:02:35 | |
-Call her up, man. -OK. | 0:02:35 | 0:02:37 | |
The guy was blowing like, you know... Ggrrr! Very strong. | 0:02:37 | 0:02:42 | |
And then, blow up! | 0:02:42 | 0:02:44 | |
Look at it! | 0:02:44 | 0:02:45 | |
This is amazing for a skinny guy, | 0:02:46 | 0:02:49 | |
so very skinny guy. | 0:02:49 | 0:02:52 | |
I can't even blow up a balloon, you know. | 0:02:54 | 0:02:57 | |
Who's wearing a watch? A lady's... | 0:03:01 | 0:03:04 | |
This one. Can you take that off? | 0:03:06 | 0:03:08 | |
-I better get that back. -Yeah, yeah. | 0:03:10 | 0:03:12 | |
Can I have a look? | 0:03:12 | 0:03:14 | |
Actually, you've got...you can see a tan line there, yeah? | 0:03:14 | 0:03:17 | |
Can you see a tan line? | 0:03:17 | 0:03:19 | |
Let me try this. I'll give you this back this in a second. Watch. | 0:03:19 | 0:03:22 | |
Wait, wait, you took my watch, though! | 0:03:22 | 0:03:24 | |
-I'll give it back in one second. Watch this. -I want it back! | 0:03:24 | 0:03:26 | |
See the tan line, yes? Watch. | 0:03:26 | 0:03:29 | |
What is he doing? | 0:03:32 | 0:03:35 | |
THEY ALL SCREAM | 0:03:35 | 0:03:37 | |
From there to there. | 0:03:37 | 0:03:38 | |
He took it away from there. Oh, yeah! | 0:03:48 | 0:03:51 | |
-He moved her tan line. -How did he do that? | 0:03:55 | 0:03:57 | |
He moved her tan line. | 0:04:07 | 0:04:10 | |
She had that right there. | 0:04:10 | 0:04:12 | |
I usually wear a watch when I come to the beach | 0:04:12 | 0:04:14 | |
and I had a tan line here which disappeared. | 0:04:14 | 0:04:17 | |
And he just moved it up to my arm. | 0:04:17 | 0:04:19 | |
And it doesn't come off, | 0:04:19 | 0:04:21 | |
so how do I take this off? | 0:04:21 | 0:04:22 | |
Sometimes I feel like the luckiest guy in the world. | 0:04:22 | 0:04:26 | |
Amazing people on the beaches of Miami isn't bad for a kid from Bradford. | 0:04:26 | 0:04:30 | |
But it wasn't always like this. Let's go back to where it all began. | 0:04:30 | 0:04:34 | |
I grew up on Delph Hill Estate in Bradford, the eldest of four kids. | 0:04:34 | 0:04:39 | |
When I was 15, I went to live with my grandparents. | 0:04:39 | 0:04:43 | |
My grandpa was an ex-soldier | 0:04:43 | 0:04:45 | |
and he performed magic in bars across Bradford after the war ended. | 0:04:45 | 0:04:48 | |
I used to get bullied by these two guys from my estate. | 0:04:48 | 0:04:50 | |
Every day, they would throw me into a wheelie bin | 0:04:50 | 0:04:53 | |
and push me down that hill. | 0:04:53 | 0:04:55 | |
I eventually asked my grandpa what to do and he taught me | 0:04:55 | 0:04:57 | |
an amazing technique to take away their strength. | 0:04:57 | 0:04:59 | |
'I still use the technique to this day.' | 0:04:59 | 0:05:02 | |
And just lift me up. I don't weigh that much, yeah. | 0:05:02 | 0:05:04 | |
-I weigh like eight stone. Yeah, so he can lift me, right? -Yeah. | 0:05:04 | 0:05:07 | |
-He can lift me, yeah? -Yeah. -Yeah. | 0:05:07 | 0:05:09 | |
Just get ready to lift me, but don't lift me yet, all right. | 0:05:09 | 0:05:12 | |
Just look at me. | 0:05:12 | 0:05:14 | |
You can get that, you can get that. | 0:05:16 | 0:05:18 | |
Just lift me again. | 0:05:18 | 0:05:19 | |
Wait, wait, wait, wait. | 0:05:24 | 0:05:26 | |
Just lift me again. | 0:05:30 | 0:05:31 | |
That's not human, bruv. | 0:05:35 | 0:05:37 | |
It's such a powerful technique, I even used it on heavyweight boxer David Haye. | 0:05:37 | 0:05:41 | |
So you didn't struggle that much there. Look at me. | 0:05:43 | 0:05:46 | |
Just lift me again. | 0:05:47 | 0:05:48 | |
By rights, I should be able to toss him over a...over a wall. | 0:05:53 | 0:05:57 | |
Not like that. | 0:05:57 | 0:05:59 | |
Strange. | 0:05:59 | 0:06:01 | |
The more my grandpa showed me, the more I wanted to learn. | 0:06:01 | 0:06:04 | |
I read every book I could get my hands on | 0:06:04 | 0:06:07 | |
and practised and practised day after day, and night after night. | 0:06:07 | 0:06:11 | |
It literally became my world. | 0:06:11 | 0:06:12 | |
In 2004, I received a loan from the Prince's Trust. | 0:06:33 | 0:06:37 | |
I bought myself a camera | 0:06:37 | 0:06:39 | |
and started to film my adventures. | 0:06:39 | 0:06:40 | |
There you go. | 0:06:40 | 0:06:42 | |
See that. Right through the window. | 0:06:44 | 0:06:46 | |
Oh! | 0:06:46 | 0:06:47 | |
Oh, my God! | 0:06:51 | 0:06:53 | |
When I first started performing, | 0:06:53 | 0:06:54 | |
it was right at the beginning of the YouTube craze. | 0:06:54 | 0:06:57 | |
No-one could have predicted how big it was going to get. | 0:06:57 | 0:06:59 | |
But it just seemed like a great way to get myself out there. | 0:06:59 | 0:07:02 | |
Then came social networking sites like Facebook and Twitter, | 0:07:02 | 0:07:05 | |
and it all seemed to fit together. | 0:07:05 | 0:07:07 | |
Before I knew it, I was getting hundreds of views, | 0:07:07 | 0:07:10 | |
then thousands, then hundreds of thousands. | 0:07:10 | 0:07:12 | |
Suddenly, I had millions of people from all around the world watching my videos, | 0:07:12 | 0:07:16 | |
from magic on the streets to meeting artists backstage. | 0:07:16 | 0:07:19 | |
-Hello! -All right? -Mister D, how are you doing? | 0:07:19 | 0:07:21 | |
Yes, sir, you made it down. What's going on? Come in, come in. | 0:07:21 | 0:07:24 | |
This is the best, listen, | 0:07:24 | 0:07:26 | |
the best magician. | 0:07:26 | 0:07:27 | |
Forget the UK, forget London, Bradford. | 0:07:27 | 0:07:30 | |
This is the best magician in the world. Yeah, I'm saying it. | 0:07:30 | 0:07:33 | |
I am a...I believe. | 0:07:33 | 0:07:35 | |
Whenever I see you, I never get my CD cover signed. | 0:07:35 | 0:07:38 | |
-So, you know, I know you've signed thousands of them. -Yeah. | 0:07:38 | 0:07:41 | |
-But I want to get mine done, so... -Cool, let's do it. | 0:07:41 | 0:07:43 | |
-Only, mine a bit special. -Yeah. | 0:07:43 | 0:07:45 | |
-You're wearing your glasses there, yeah? -Yeah. | 0:07:45 | 0:07:48 | |
I want to see your eyes. | 0:07:48 | 0:07:50 | |
Put your glasses on your head. | 0:07:50 | 0:07:52 | |
Yeah. | 0:07:52 | 0:07:53 | |
Do you see his eyes? | 0:07:53 | 0:07:55 | |
Watch, watch. | 0:07:57 | 0:07:59 | |
THEY ALL SCREAM | 0:08:04 | 0:08:06 | |
Oh, my God! | 0:08:10 | 0:08:13 | |
How did he do...? That photo doesn't even exist! | 0:08:13 | 0:08:15 | |
He changed my album cover. | 0:08:15 | 0:08:17 | |
He took the glasses off of my eyes in the album cover. | 0:08:17 | 0:08:20 | |
He moved them up, and you can see my eyes. That photo doesn't even exist. | 0:08:20 | 0:08:24 | |
-I don't want to see that. -Look, look! | 0:08:24 | 0:08:28 | |
You are the best magician in the world. Crazy. | 0:08:28 | 0:08:33 | |
After receiving my loan from the Prince's Trust, I moved down to London. | 0:08:35 | 0:08:38 | |
My grandpa always told me, "If you have a gift, you should share it." | 0:08:38 | 0:08:42 | |
And London was the perfect place to reach a wider audience. | 0:08:42 | 0:08:45 | |
In 2011, the Prince's Trust invited me to present at the Celebrate Success Awards. | 0:08:48 | 0:08:52 | |
It's like my life had come full circle. | 0:08:52 | 0:08:55 | |
So here we are on the red carpet | 0:08:55 | 0:08:56 | |
of the Prince's Trust's Celebrate Success Awards 2011 | 0:08:56 | 0:08:59 | |
with magician to the stars Mr Dynamo. How is it going? | 0:08:59 | 0:09:02 | |
-I'm now joined by street magician extraordinaire. Hello, Dynamo. -Hello. | 0:09:02 | 0:09:05 | |
I want to hear some stories, you know, of the kids inside here, see what they've been doing. | 0:09:05 | 0:09:09 | |
Better, right? | 0:09:19 | 0:09:20 | |
Tonight, it's quite an honour to be here giving an award out. | 0:09:29 | 0:09:32 | |
So... Here, let's do it this way. Watch. | 0:09:32 | 0:09:34 | |
And the winner is Naomi Berridge. | 0:09:49 | 0:09:52 | |
As all the guests headed to the after party, | 0:09:56 | 0:09:59 | |
these two guys stopped me and asked me to show them something. | 0:09:59 | 0:10:02 | |
-Do me a favour by just thinking of any playing card, yeah? -Yeah. | 0:10:02 | 0:10:06 | |
-Got a card in mind? -Yeah. -Put your hands like this. | 0:10:06 | 0:10:10 | |
Just look at me. | 0:10:10 | 0:10:12 | |
Watch. | 0:10:14 | 0:10:16 | |
-Can you do that again? -Wow! -Can you do that again? | 0:10:27 | 0:10:31 | |
Wow! | 0:10:31 | 0:10:32 | |
Oh, wow! Wow! | 0:10:34 | 0:10:36 | |
Wow! | 0:10:36 | 0:10:38 | |
-Is that your card? -That was my card first and foremost. | 0:10:38 | 0:10:41 | |
-Wow! -I want to see that trick again. | 0:10:41 | 0:10:43 | |
I want to see it again. Where did he go? He disappeared. | 0:10:43 | 0:10:46 | |
He's just disappeared as well! | 0:10:46 | 0:10:48 | |
I've performed at lots of different events over the years | 0:10:51 | 0:10:54 | |
and met loads of interesting people. | 0:10:54 | 0:10:56 | |
That's the thing I love about magic. | 0:10:56 | 0:10:57 | |
It doesn't matter if you are a kid in Bradford or a big shot celebrity, | 0:10:57 | 0:11:01 | |
it puts everyone on the same level. | 0:11:01 | 0:11:03 | |
Two pound coin, right? Watch. | 0:11:09 | 0:11:11 | |
Oh, no way! | 0:11:15 | 0:11:17 | |
-That's ridiculous! -Do it again! | 0:11:17 | 0:11:20 | |
That is amazing. | 0:11:23 | 0:11:26 | |
Check this out. Take one out, take one. | 0:11:27 | 0:11:30 | |
Show your friends, | 0:11:32 | 0:11:34 | |
show these guys, show everyone. | 0:11:34 | 0:11:36 | |
Don't let me see it. Keep your eye on it, yeah? | 0:11:40 | 0:11:42 | |
I'll put it about halfway down. | 0:11:42 | 0:11:44 | |
Will you just do me a favour? Will you put your hands like this? | 0:11:44 | 0:11:48 | |
Perfect. Just look at me. | 0:11:48 | 0:11:50 | |
That was good. Check out Dynamo! | 0:12:10 | 0:12:13 | |
He's my accountant. | 0:12:13 | 0:12:14 | |
Performing on the streets of London has allowed me to take things to the next level. | 0:12:18 | 0:12:23 | |
And with an unsuspecting audience, nobody is safe. | 0:12:23 | 0:12:25 | |
Do you think it's possible to steal other people's identities? | 0:12:25 | 0:12:29 | |
Well, depends on what way, but I'll say no. | 0:12:29 | 0:12:32 | |
-So I want to try something with you. -OK. | 0:12:32 | 0:12:36 | |
I'm going to use my bank card as well. | 0:12:36 | 0:12:37 | |
You're going to use your bank card. All right. | 0:12:37 | 0:12:41 | |
My bank card. | 0:12:41 | 0:12:43 | |
That's my name on there, Mr S Frayne. | 0:12:43 | 0:12:45 | |
-Steven Frayne, yeah? -OK. | 0:12:45 | 0:12:48 | |
You can see that, right? | 0:12:48 | 0:12:51 | |
Yeah? And then, my signature on the back. | 0:12:51 | 0:12:55 | |
-See that, right? -Yeah. | 0:12:58 | 0:13:00 | |
-We've literally just met. -Yeah. | 0:13:00 | 0:13:03 | |
So what is your full name? | 0:13:03 | 0:13:05 | |
Olawale Ogunye. | 0:13:05 | 0:13:06 | |
OK. So Olawale Ogunye. | 0:13:06 | 0:13:09 | |
-So on your bank card, it would say Mr O Ogunye, yeah? -That's right. | 0:13:09 | 0:13:15 | |
So if I could take my bank card, | 0:13:15 | 0:13:18 | |
rub over the name... | 0:13:18 | 0:13:21 | |
LAUGHTER | 0:13:21 | 0:13:24 | |
Whoa, wait, whoa, whoa, whoa. Hold on a second. | 0:13:26 | 0:13:29 | |
Is that your name right there? | 0:13:29 | 0:13:31 | |
What the...?! | 0:13:35 | 0:13:37 | |
That is my name, yes. | 0:13:37 | 0:13:40 | |
The next thing I'll need to really take your identity... | 0:13:40 | 0:13:42 | |
Is my signature. | 0:13:42 | 0:13:43 | |
..your signature, so if I take my signature and just shake it. | 0:13:43 | 0:13:48 | |
Is that your signature right there? | 0:13:51 | 0:13:54 | |
HE LAUGHS | 0:13:54 | 0:13:55 | |
Yes, that is my signature, but how the hell did you...? | 0:13:56 | 0:13:59 | |
So I've got your name on my card, I've got your signature. | 0:13:59 | 0:14:03 | |
The only thing missing is the PIN number, right? | 0:14:03 | 0:14:06 | |
-Tell you what, think of your PIN number. -I know my PIN number. | 0:14:06 | 0:14:09 | |
Look at me. | 0:14:09 | 0:14:11 | |
4. | 0:14:15 | 0:14:16 | |
-4... -(BLEEP) (BLEEP) | 0:14:18 | 0:14:22 | |
-4... -(BLEEP) (BLEEP) -..0. | 0:14:24 | 0:14:25 | |
How did you know that? | 0:14:30 | 0:14:32 | |
I just... I don't know, I just did it. | 0:14:32 | 0:14:35 | |
All I'm saying is, I've got his card, I've got his PIN number | 0:14:35 | 0:14:38 | |
and I've got his signature. I'm out. | 0:14:38 | 0:14:41 | |
Whoa, whoa, whoa - come back here! | 0:14:41 | 0:14:44 | |
Listen! Come here! You've got my card! | 0:14:44 | 0:14:47 | |
Finally he caught up with me. | 0:14:50 | 0:14:51 | |
That is identity fraud. | 0:14:51 | 0:14:53 | |
Don't worry, man. I'm not going to spend your money. | 0:14:53 | 0:14:55 | |
After giving him back his identity, I decided to mess with him a little more. | 0:14:55 | 0:14:58 | |
Can you do me a favour, yeah? Can you finish off the drink? | 0:14:58 | 0:15:02 | |
-It's empty. -All done. | 0:15:02 | 0:15:05 | |
-There you go. -I've got the bottle there. | 0:15:07 | 0:15:11 | |
And I want to try something with your mobile phone. | 0:15:11 | 0:15:14 | |
So I've got his phone and the bottle. Watch. | 0:15:19 | 0:15:22 | |
-Oh -(BLEEP)! | 0:15:25 | 0:15:27 | |
Sorry, man. | 0:15:27 | 0:15:30 | |
Amazing. | 0:15:30 | 0:15:31 | |
-Hold on a second. -Where has that guy gone? | 0:15:34 | 0:15:37 | |
How the...? | 0:15:37 | 0:15:39 | |
Yo, dude, call my number. | 0:15:39 | 0:15:41 | |
PHONE RINGS | 0:15:41 | 0:15:42 | |
Oh...! | 0:15:42 | 0:15:44 | |
Look at this, look at this. It's ringing. | 0:15:44 | 0:15:47 | |
-Oh, -(BLEEP)! | 0:15:47 | 0:15:48 | |
Oh, pardon my French. | 0:15:48 | 0:15:50 | |
Can you put my phone in as well? | 0:15:51 | 0:15:53 | |
If you break it, it's going to break the phone. | 0:15:53 | 0:15:56 | |
I'm not breaking it. | 0:15:56 | 0:15:59 | |
Sorry, mate. You asked for it. | 0:15:59 | 0:16:02 | |
You just got jacked. | 0:16:02 | 0:16:04 | |
It's only worth £20, man. It's not worth it! | 0:16:06 | 0:16:09 | |
I...I'm confused. | 0:16:09 | 0:16:12 | |
It's amazing, but I'm just confused. How did he do that? | 0:16:12 | 0:16:16 | |
The last 10 years have been a real adventure, | 0:16:16 | 0:16:19 | |
and I've made a lot of friends along the way, | 0:16:19 | 0:16:21 | |
like legendary recording artist Ian Brown, lead singer of the Stone Roses. | 0:16:21 | 0:16:26 | |
He's like an uncle to me and a real inspiration. | 0:16:26 | 0:16:30 | |
I recently hooked up with him and his mates at his studio in Manchester. | 0:16:30 | 0:16:33 | |
-Are you in a studio a lot now? -No, I'm just writing at the moment. | 0:16:33 | 0:16:37 | |
-Bits and bobs. -A new album, yeah? -Yeah, yeah. | 0:16:37 | 0:16:40 | |
-And it's all new, no-one's seen it? -All brand-new, only I know it so far, yeah. | 0:16:40 | 0:16:44 | |
Have you got, in your head, like, have you got a lot of the lyrics? | 0:16:44 | 0:16:46 | |
I've got all the lyrics. | 0:16:46 | 0:16:48 | |
I've got about 30 different lyrics, tunes, songs. | 0:16:48 | 0:16:51 | |
What I want you to do is I want you to think of, let's say, | 0:16:51 | 0:16:55 | |
like, a lyric to one of the new songs, that nobody else knows. | 0:16:55 | 0:16:59 | |
Your fans don't know about it, | 0:16:59 | 0:17:01 | |
I don't think any of you guys have heard the new stuff yet. | 0:17:01 | 0:17:05 | |
-Literally something that only you know, yeah? -Mm-hm. | 0:17:05 | 0:17:08 | |
-Almost, like, say it over and over in your mind. -OK. | 0:17:08 | 0:17:10 | |
I need everyone to be really quiet for this. | 0:17:10 | 0:17:13 | |
Getting something to do with love. I know you kind of... | 0:17:18 | 0:17:24 | |
you love your fans or... | 0:17:24 | 0:17:26 | |
your love of people. | 0:17:26 | 0:17:29 | |
-Does that ring any bells? -Yeah, you're saying it. | 0:17:29 | 0:17:32 | |
Now I'm getting I think you think I'm a fool or summat. Um... | 0:17:41 | 0:17:45 | |
This might be wrong, but... | 0:17:50 | 0:17:52 | |
"Just because I'm in love with the...people | 0:17:55 | 0:18:02 | |
"doesn't make me a fool." | 0:18:02 | 0:18:05 | |
How are you doing that? | 0:18:05 | 0:18:07 | |
LAUGHTER | 0:18:07 | 0:18:11 | |
-Is that what you're thinking of, yeah? -Oh, mate. | 0:18:11 | 0:18:13 | |
Just because I'm in love with the people don't make me a fool. | 0:18:13 | 0:18:17 | |
He's just gone...clean read my mind. | 0:18:17 | 0:18:20 | |
Wow. | 0:18:20 | 0:18:21 | |
Is that a Dynamo exclusive? | 0:18:21 | 0:18:23 | |
Flipping not half. | 0:18:23 | 0:18:25 | |
That's far out, that, mate. | 0:18:25 | 0:18:27 | |
You could write my next one for me without me knowing. | 0:18:27 | 0:18:30 | |
Can you pass me the guitar? That guitar, yeah? | 0:18:30 | 0:18:34 | |
I don't really play, so don't expect owt good to come from me. | 0:18:41 | 0:18:45 | |
Tell you what, just grab hold of the plectrum. | 0:18:45 | 0:18:48 | |
Yeah. Let me... This is a bit weird, but I want to try something. | 0:18:50 | 0:18:54 | |
Can you stand up and just put your chair opposite mine? | 0:19:00 | 0:19:05 | |
Back-to-back? | 0:19:05 | 0:19:06 | |
Not too closely, just back up a little bit. | 0:19:06 | 0:19:09 | |
That should be great if you just stand back here a little bit. | 0:19:12 | 0:19:15 | |
And then... | 0:19:26 | 0:19:27 | |
Can I borrow that plectrum as well? | 0:19:34 | 0:19:37 | |
Nobody move. | 0:19:52 | 0:19:54 | |
-I can go a step further. -You're going to stand on that? | 0:20:03 | 0:20:08 | |
Seriously, nobody move right now, yeah? | 0:20:11 | 0:20:14 | |
APPLAUSE | 0:20:55 | 0:20:59 | |
What's he doing? How's he doing...? | 0:20:59 | 0:21:03 | |
I'm seeing inanimate objects, guitars, | 0:21:03 | 0:21:06 | |
balancing on its own volition. | 0:21:06 | 0:21:08 | |
It's not humanly possible. It's not possible! | 0:21:09 | 0:21:12 | |
I saw a guitar balancing on its own with a drumstick stuck vertically | 0:21:12 | 0:21:16 | |
in the air and nothing to support it. | 0:21:16 | 0:21:19 | |
-Apart from his mind, I don't know. -I'm scared of the guy. | 0:21:20 | 0:21:23 | |
I don't want to be close to him, I don't know what he's going to do to me! | 0:21:23 | 0:21:26 | |
It's amazing, amazing. Ridiculous. | 0:21:26 | 0:21:29 | |
God knows where you come from. | 0:21:32 | 0:21:36 | |
We've been pals a good few years, but he's scaring me today. | 0:21:37 | 0:21:41 | |
You're not supposed to be scared of your mates, are you? | 0:21:41 | 0:21:43 | |
Growing up in Bradford left me feeling isolated. | 0:21:46 | 0:21:49 | |
I wanted to find a way to bring my magic to the world | 0:21:49 | 0:21:51 | |
in the same way that music artists connect with a huge audience. | 0:21:51 | 0:21:55 | |
I went to hook up with R&B star Trey Songz | 0:21:58 | 0:22:01 | |
at his concert in Hammersmith. | 0:22:01 | 0:22:03 | |
But before I went backstage, I wanted to try something with his fans. | 0:22:03 | 0:22:07 | |
-Who's the biggest Trey Songz fan here? -We all are. -She is? | 0:22:08 | 0:22:12 | |
She's saying you. | 0:22:12 | 0:22:13 | |
-I have dreams about him. -Yeah? Wow. | 0:22:13 | 0:22:17 | |
-What did you just say? -Tell you what. | 0:22:17 | 0:22:20 | |
Do me a favour? I just want you to think of one of his songs right now. | 0:22:20 | 0:22:25 | |
-Yeah, I've got one. -OK. | 0:22:25 | 0:22:28 | |
Look at me, look at me. | 0:22:28 | 0:22:30 | |
This is scary. | 0:22:32 | 0:22:34 | |
Bottoms Up? | 0:22:38 | 0:22:40 | |
# Bottoms up, bottoms up Every single cup | 0:22:40 | 0:22:43 | |
# Got a couple bottles but a couple ain't enough | 0:22:43 | 0:22:46 | |
# Bottoms up, bottoms up Throw your hands up. # | 0:22:46 | 0:22:50 | |
-You've worked with loads of artists, right? -Mm-hm. | 0:22:50 | 0:22:52 | |
I want you just to think of an artist right now. Got one? | 0:22:52 | 0:22:56 | |
-Yeah. -Cool. | 0:22:56 | 0:22:58 | |
Look at me. | 0:22:58 | 0:22:59 | |
Watch this. I'm going to stand back here. Can you see me over there? | 0:23:03 | 0:23:07 | |
Watch. | 0:23:10 | 0:23:11 | |
LAUGHTER | 0:23:24 | 0:23:26 | |
APPLAUSE | 0:23:30 | 0:23:32 | |
Do you know what these are? British coins. | 0:23:39 | 0:23:42 | |
I've got, like, two pence and £2. | 0:23:42 | 0:23:45 | |
I'm going to try and grab them on the count of three | 0:23:45 | 0:23:48 | |
and you've got to close it before I get there, yeah? | 0:23:48 | 0:23:51 | |
On three - one, two, three. | 0:23:51 | 0:23:53 | |
Don't think I got anything, but choose one again - £2 or two pence. | 0:23:56 | 0:24:00 | |
Two pence. | 0:24:00 | 0:24:01 | |
Two pence. Open your hand. | 0:24:01 | 0:24:04 | |
LAUGHTER | 0:24:04 | 0:24:06 | |
It's gone, right? | 0:24:06 | 0:24:09 | |
See that? Gone. Close your hand in a fist. Turn your hand over. | 0:24:09 | 0:24:14 | |
Watch. | 0:24:14 | 0:24:15 | |
-Look underneath your watch. -Don't do that. | 0:24:16 | 0:24:19 | |
APPLAUSE | 0:24:23 | 0:24:26 | |
Over the years, I've met thousands of people form all walks of life. | 0:24:41 | 0:24:45 | |
Magic is a great way of bringing people together. It creates an immediate connection. | 0:24:46 | 0:24:51 | |
-How are you doing? -Good. Nice to meet you. | 0:24:51 | 0:24:53 | |
-Your name is? -Sean. -Sean, and you are? -I'm Jo. -Jo. | 0:24:53 | 0:24:57 | |
-How long have you two known each other? -Two years. | 0:24:57 | 0:25:01 | |
You've probably got quite a good connection, right? | 0:25:01 | 0:25:03 | |
-I'd say reasonable, yeah. -Pretty good. | 0:25:03 | 0:25:05 | |
I want to try something and test that. | 0:25:05 | 0:25:08 | |
I'm just going to stand in the middle. | 0:25:08 | 0:25:10 | |
I want you both to close your eyes | 0:25:12 | 0:25:15 | |
and I want you to both think of a country. | 0:25:15 | 0:25:19 | |
On the count of three, I'd like you both to name that country out loud. | 0:25:19 | 0:25:23 | |
One, two, three. | 0:25:23 | 0:25:26 | |
-France. -France. | 0:25:26 | 0:25:28 | |
-Oh, my God. -That is crazy! | 0:25:28 | 0:25:31 | |
Hold on. | 0:25:36 | 0:25:37 | |
That is mad. | 0:25:39 | 0:25:41 | |
One, two, three. | 0:25:42 | 0:25:44 | |
-Spain. -Spain. | 0:25:44 | 0:25:46 | |
One, two, three. | 0:25:49 | 0:25:50 | |
-Barbados. -Barbados. | 0:25:50 | 0:25:52 | |
That's nuts. | 0:25:53 | 0:25:56 | |
-You guys have got a wicked connection. I'll try one last thing with you. -OK. | 0:25:56 | 0:25:59 | |
Hold your hand out like this. | 0:25:59 | 0:26:02 | |
And then if you hold your hand out in a fist as well. | 0:26:02 | 0:26:06 | |
Just loosen your grip a little bit. Not so tight. | 0:26:06 | 0:26:09 | |
Oh! Oh...! | 0:26:11 | 0:26:14 | |
HE LAUGHS | 0:26:14 | 0:26:15 | |
Did you feel any heat? | 0:26:15 | 0:26:16 | |
-No heat. -I felt the burn... -No heat at all. | 0:26:16 | 0:26:19 | |
No heat at all. | 0:26:20 | 0:26:22 | |
-It's really weird. -I felt nothing. | 0:26:22 | 0:26:24 | |
-I thought you were just messing around. -No! It was getting hotter and hotter. | 0:26:29 | 0:26:33 | |
-That wasn't all in my head, was it? -He's a genius. | 0:26:33 | 0:26:35 | |
-I felt nothing. -Nothing? | 0:26:35 | 0:26:37 | |
-I'm confused that you... How did you know about France? -How did you know about France? | 0:26:37 | 0:26:42 | |
-How long have you two been dating? -Eight years. | 0:26:45 | 0:26:48 | |
Eight years, so in eight years, | 0:26:48 | 0:26:50 | |
you've probably got quite a good connection? | 0:26:50 | 0:26:53 | |
Yeah. | 0:26:53 | 0:26:56 | |
Just close your eyes, please. | 0:26:56 | 0:26:57 | |
If you felt me touch you, just nod your head. | 0:27:03 | 0:27:05 | |
-Can you say where I touched you? -On the back. | 0:27:07 | 0:27:09 | |
-And how many times? -Three. | 0:27:09 | 0:27:12 | |
Just open your eyes. | 0:27:12 | 0:27:14 | |
Tell her what just happened. | 0:27:17 | 0:27:19 | |
-He touched me three times on my back. -No, he didn't! -He did. | 0:27:19 | 0:27:22 | |
-He did! -No. | 0:27:24 | 0:27:25 | |
-You definitely felt it? -Yeah. | 0:27:25 | 0:27:29 | |
-That's so weird. -That's eight years of a happy relationship right there. | 0:27:31 | 0:27:34 | |
It is, yeah. | 0:27:34 | 0:27:36 | |
Welcome Dynamo: Magician Impossible. | 0:27:40 | 0:27:42 | |
I guess it's easy to take things for granted. | 0:27:50 | 0:27:53 | |
Once upon a time, the idea a man could walk on the moon | 0:27:53 | 0:27:57 | |
was just as crazy as the idea of a man walking on water. | 0:27:57 | 0:28:01 | |
That's why I love taking something physical | 0:28:01 | 0:28:03 | |
and transforming it right in front of someone's eyes. | 0:28:03 | 0:28:06 | |
I want to try something. Have any of you guys got any coins, any change? | 0:28:06 | 0:28:11 | |
Can I borrow one of these? I'll take just a 10p, yeah. | 0:28:16 | 0:28:19 | |
Just take that and then, on the tail side, | 0:28:19 | 0:28:23 | |
just write your initials on there. | 0:28:23 | 0:28:25 | |
You all see that, yeah? | 0:28:31 | 0:28:33 | |
On this side, I'm going to write "D", yeah? | 0:28:33 | 0:28:39 | |
I've got "D" for Dynamo, yeah. | 0:28:39 | 0:28:41 | |
Watch. | 0:28:43 | 0:28:44 | |
Hang on, where's the money? | 0:28:50 | 0:28:52 | |
Can you feel that? Does that feel cold? | 0:28:54 | 0:28:58 | |
-Oh, my God. -It's cold, yeah? | 0:28:58 | 0:29:01 | |
Watch. | 0:29:03 | 0:29:04 | |
Shut up. Shut up. | 0:29:12 | 0:29:15 | |
It's ice, it's ice. Oh, my God. Stephen, feel it. | 0:29:15 | 0:29:19 | |
It's proper ice, it's proper melting. | 0:29:20 | 0:29:22 | |
Yeah, that's my initials right there - KS. | 0:29:29 | 0:29:32 | |
That's bizarre. That's all I can say. That's crazy. | 0:29:42 | 0:29:45 | |
He just turned it to ice right in front of me | 0:29:45 | 0:29:49 | |
in his bare hands. Wow. | 0:29:49 | 0:29:52 | |
Besides performing on the street, I get invited to a lot | 0:29:53 | 0:29:57 | |
of events. This has helped to bring my magic to a whole new audience. | 0:29:57 | 0:30:01 | |
Very nice to meet you, Lucy. Got some change in there? | 0:30:24 | 0:30:27 | |
-Yeah, I've got a bit of change. -Can I borrow a coin? | 0:30:27 | 0:30:30 | |
I don't want lip-gloss. This will be perfect. This will be perfect. | 0:30:30 | 0:30:33 | |
Perfect. 20p, right? Just put your bag down. | 0:30:33 | 0:30:37 | |
See this, yeah? Lucy's 20p, right. Watch. | 0:30:44 | 0:30:49 | |
Watch. | 0:30:51 | 0:30:53 | |
Hold your hand out. | 0:30:55 | 0:30:57 | |
You bent my 20p. | 0:31:00 | 0:31:02 | |
LAUGHTER How did you do that? | 0:31:03 | 0:31:06 | |
It's, like, really bent! | 0:31:06 | 0:31:08 | |
-That's amazing. I really can't... -I'll do the glass. | 0:31:16 | 0:31:20 | |
-There. -Oh, my God! | 0:31:27 | 0:31:29 | |
-No way! -No way. | 0:31:29 | 0:31:32 | |
Can I use this, can I empty it? If there's only a tiny bit. | 0:31:46 | 0:31:50 | |
Pour that in there. | 0:31:50 | 0:31:52 | |
Can I...can I borrow that ring? | 0:31:55 | 0:32:00 | |
Can you hold it up and show these guys your ring, yeah? | 0:32:00 | 0:32:03 | |
Can you give it back, please? | 0:32:07 | 0:32:09 | |
So we've got your glass, your ring - watch. | 0:32:09 | 0:32:13 | |
-No! -What! -Hold it up for the camera. | 0:32:17 | 0:32:22 | |
MUSIC DROWNS SPEECH | 0:32:24 | 0:32:27 | |
-Can you get it back? -I'll have to smash it later. | 0:32:38 | 0:32:42 | |
'On my way out, I bumped into American actress Jessica Lowndes and presenter Katie Larmour.' | 0:32:48 | 0:32:54 | |
-How you doing, what's your name? -Jessica. -Jessica, Dynamo. | 0:32:54 | 0:32:57 | |
-Very nice to meet you. -Nice to meet you, you have pretty eyes. -You too. | 0:32:57 | 0:33:00 | |
-And your name is? -Hi, Katie, nice to meet you. How are you? | 0:33:00 | 0:33:04 | |
Let me just... touch my hands like this. Now watch. | 0:33:04 | 0:33:08 | |
I hope you washed your hands when you were in the toilet! | 0:33:08 | 0:33:11 | |
That is so crazy. | 0:33:21 | 0:33:23 | |
That's so insane. | 0:33:30 | 0:33:33 | |
That was incredible. | 0:33:35 | 0:33:36 | |
Let's disappear. | 0:33:42 | 0:33:44 | |
So many people told me it would be impossible, | 0:33:54 | 0:33:56 | |
that a boy from Delph Hill could come this far. | 0:33:56 | 0:34:00 | |
To be honest, without my grandpa, I might have believed them. | 0:34:00 | 0:34:04 | |
I guess that was his gift to me - | 0:34:04 | 0:34:05 | |
the belief that I could do anything or be anything that I wanted. | 0:34:05 | 0:34:10 | |
As he always said, if you have a gift, you should share it. | 0:34:10 | 0:34:14 | |
I think back to all the people I've met along the way | 0:34:14 | 0:34:17 | |
and the looks of astonishment on their faces. | 0:34:17 | 0:34:19 | |
For me, magic isn't about tricking people. | 0:34:19 | 0:34:22 | |
It's about creating a moment of wonder, where for a short while, | 0:34:22 | 0:34:26 | |
anything is possible. | 0:34:26 | 0:34:28 | |
There's a man walking on water! | 0:35:18 | 0:35:20 | |
-What's going on? -A guy walking on the water. | 0:35:24 | 0:35:26 | |
Sometimes I wonder if my life has all been an illusion, | 0:36:43 | 0:36:47 | |
but if there's one thing I've learned, it's that reality is only what you make it. | 0:36:47 | 0:36:51 | |
# There's something inside me that pulls beneath the surface | 0:36:55 | 0:36:59 | |
# Consuming, confusing | 0:36:59 | 0:37:04 | |
# This lack of self-control I fear is never-ending | 0:37:04 | 0:37:09 | |
# Controlling, I can't seem | 0:37:09 | 0:37:13 | |
# To find myself again My walls are closing in | 0:37:13 | 0:37:17 | |
# Without a sense of confidence | 0:37:17 | 0:37:19 | |
# I'm convinced that there's just too much pressure to take | 0:37:19 | 0:37:22 | |
# I've felt this way before | 0:37:22 | 0:37:25 | |
# So insecure | 0:37:25 | 0:37:33 | |
# Without a sense of confidence Confidence | 0:37:33 | 0:37:38 | |
# Without a sense of confidence | 0:37:38 | 0:37:40 | |
# I'm convinced that there's just too much pressure to take | 0:37:40 | 0:37:43 | |
# To find myself again My walls are closing in | 0:37:43 | 0:37:47 | |
# Without a sense of confidence | 0:37:47 | 0:37:49 | |
# I'm convinced that there's just too much pressure to take | 0:37:49 | 0:37:52 | |
# I've felt this way before | 0:37:52 | 0:37:54 | |
# So insecure | 0:37:54 | 0:38:00 | |
# Crawling in my skin | 0:38:00 | 0:38:05 | |
# These wounds, they will not heal | 0:38:05 | 0:38:09 | |
# Fear is how I fall | 0:38:09 | 0:38:13 | |
# Confusing what is real | 0:38:13 | 0:38:18 | |
# Crawling in my skin... # | 0:38:18 | 0:38:22 |