Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm going to take you on a journey into my world... | 0:00:02 | 0:00:04 | |
-We meet again. -..from the UK to the USA. | 0:00:04 | 0:00:06 | |
How you just going to be hanging out of my head like that, man? | 0:00:06 | 0:00:09 | |
I'm going to bring some magic into people's lives | 0:00:09 | 0:00:11 | |
so come with me as I attempt the impossible. | 0:00:11 | 0:00:13 | |
Oh, my God! Oh, my God! | 0:00:13 | 0:00:16 | |
In this episode, I leave Matt Horne lost for words | 0:00:18 | 0:00:21 | |
and take a trip to one of my favourite places, Miami. | 0:00:21 | 0:00:24 | |
-I don't understand how he did it. -Oh, man! | 0:00:26 | 0:00:28 | |
My name's Steven Frayne, but most people call me Dynamo. | 0:00:31 | 0:00:34 | |
Magic is all about the element of surprise. | 0:00:40 | 0:00:42 | |
I love to create something extraordinary | 0:00:42 | 0:00:45 | |
in the most ordinary of places. | 0:00:45 | 0:00:47 | |
Sometimes it's the things we don't expect that are the most powerful. | 0:00:47 | 0:00:50 | |
MUSIC: "Teardrop" by Massive Attack | 0:00:50 | 0:00:53 | |
'I have headed down to London | 0:02:44 | 0:02:45 | |
'to meet up with comedian and Gavin And Stacey star | 0:02:45 | 0:02:48 | |
'Matt Horne for a game of pool.' What is this? | 0:02:48 | 0:02:51 | |
-'With a few surprises.' -MATT CHUCKLES | 0:02:51 | 0:02:54 | |
Yeah, that'll do. | 0:02:54 | 0:02:55 | |
Here we go. You're going to clean up now. | 0:02:58 | 0:03:00 | |
-Seen this? -Wa-ay! | 0:03:00 | 0:03:04 | |
My own show. | 0:03:04 | 0:03:07 | |
There are variations on it. | 0:03:07 | 0:03:09 | |
Yes! | 0:03:16 | 0:03:17 | |
-I got a pack of cards here. -Yeah. -Just think of a card. | 0:03:19 | 0:03:23 | |
-Yeah. -Got one? -Yeah. | 0:03:24 | 0:03:25 | |
When I was first starting doing magic, | 0:03:28 | 0:03:30 | |
every time I'd leave the house, off to do gigs, | 0:03:30 | 0:03:33 | |
-my brothers and sisters, kind of, liked to play a trick on me. -Right. | 0:03:33 | 0:03:37 | |
You know, they'd take my cards | 0:03:37 | 0:03:39 | |
and literally mix 'em face up into face down. | 0:03:39 | 0:03:42 | |
-That's a mean trick. -It's pretty annoying, right? | 0:03:42 | 0:03:44 | |
-I'm going to actually mix the cards, like this. -Right. | 0:03:47 | 0:03:50 | |
-Do you want to push them together for me? -Yep. | 0:03:53 | 0:03:56 | |
-Like that? -Yeah, perfect. | 0:04:00 | 0:04:02 | |
So, as you can see, | 0:04:04 | 0:04:06 | |
the cards are mixed face up into face down. | 0:04:06 | 0:04:08 | |
-That's fair, right? -Yup. | 0:04:08 | 0:04:11 | |
There's cards back to back, you know... | 0:04:15 | 0:04:17 | |
..all over the place. | 0:04:19 | 0:04:21 | |
-You're thinking of a card. -Yeah. | 0:04:21 | 0:04:23 | |
For the first time, name it out loud. | 0:04:23 | 0:04:25 | |
-Eight of spades. -Watch. | 0:04:25 | 0:04:28 | |
-Ha-ha! -Every card rights itself apart from your card. -Amazing. | 0:04:33 | 0:04:39 | |
He's amazing. | 0:04:39 | 0:04:41 | |
It's incredible. How did you do that? | 0:04:41 | 0:04:44 | |
Take a card out. | 0:04:51 | 0:04:53 | |
-Remember it? -Yep. -Show it the them guys. | 0:04:54 | 0:04:57 | |
Stick it anywhere. | 0:05:02 | 0:05:04 | |
And then just take the deck, just spread it all over the table, yeah? | 0:05:04 | 0:05:07 | |
-I'll help you. -What, willy-nilly? -Willy-nilly, yeah. | 0:05:07 | 0:05:11 | |
Try and make sure that none of the cards are touching each other. | 0:05:13 | 0:05:16 | |
-Oh, I see, OK. -That's perfect. -That's a right mess. | 0:05:16 | 0:05:19 | |
Perfect. | 0:05:21 | 0:05:22 | |
-Pool ball. -Yeah. | 0:05:24 | 0:05:26 | |
Put it anywhere you want. | 0:05:26 | 0:05:28 | |
Take the cue. Hit the ball around the table. | 0:05:30 | 0:05:33 | |
-As long as it hits two cushions, I'm happy, yeah? -OK. | 0:05:33 | 0:05:36 | |
So I want it to go anywhere. | 0:05:36 | 0:05:38 | |
I'm going to let you decide - do you think the ball is closest | 0:05:47 | 0:05:51 | |
to either this card, this card this card, that card? | 0:05:51 | 0:05:54 | |
-It's up to you. -It's closest to this card, here. | 0:05:54 | 0:05:56 | |
-So this one, right here, yeah? -Yeah. | 0:05:56 | 0:05:59 | |
-You sure? -Yeah. | 0:05:59 | 0:06:01 | |
-Name the card out loud. -King of hearts. | 0:06:16 | 0:06:19 | |
I'll let you turn it over. | 0:06:19 | 0:06:21 | |
-It can't be. -Take a look. | 0:06:21 | 0:06:24 | |
God, it is. | 0:06:27 | 0:06:29 | |
Unbelievable. | 0:06:29 | 0:06:30 | |
Look at that. Amazing. | 0:06:30 | 0:06:33 | |
Amazing. | 0:06:33 | 0:06:36 | |
-I want to try one last thing with the cards. -Yeah. | 0:06:40 | 0:06:43 | |
I'm going to go through like this, just say stop. | 0:06:45 | 0:06:47 | |
-Stop. -Right there? Remember the card? | 0:06:47 | 0:06:50 | |
See that? | 0:06:50 | 0:06:51 | |
-Just mix them up. -Oh, you know I can't shuffle. | 0:06:56 | 0:07:00 | |
-That's good though. -Is it? | 0:07:00 | 0:07:02 | |
-That's better, right? -That's marginally better. | 0:07:06 | 0:07:10 | |
I'm going to place the deck inside the pocket. | 0:07:10 | 0:07:12 | |
-Right, in the pocket. -And watch. | 0:07:12 | 0:07:14 | |
Amazing. | 0:07:23 | 0:07:24 | |
Amazing stuff. | 0:07:27 | 0:07:29 | |
I had no idea when I was waking up today that I would see that. | 0:07:29 | 0:07:33 | |
Unbelievable. | 0:07:36 | 0:07:37 | |
Whenever I need to vanish from the UK, | 0:07:44 | 0:07:46 | |
I always seem to end up in America. | 0:07:46 | 0:07:49 | |
Back in 2002, I flew out to a magic convention at the New York Hilton. | 0:07:49 | 0:07:54 | |
I'd been to visit some of my family in the US when I was younger, | 0:07:54 | 0:07:56 | |
but this time I was on my own, with only a couple of hundred dollars | 0:07:56 | 0:08:00 | |
and a deck of cards in my pocket. | 0:08:00 | 0:08:02 | |
One evening, I was performing to a large group of magicians | 0:08:02 | 0:08:04 | |
in the foyer of the Hilton when someone shouted out, | 0:08:04 | 0:08:07 | |
"This kid's a dynamo!" | 0:08:07 | 0:08:08 | |
From then on, the name just stuck. | 0:08:08 | 0:08:11 | |
I love coming back to the States whenever I get a chance. | 0:08:20 | 0:08:24 | |
It's like a movie set - there's a surprise around every corner | 0:08:24 | 0:08:28 | |
and I always bump into some amazing characters. | 0:08:28 | 0:08:30 | |
One of my favourite places to visit in the States is the city of Miami. | 0:08:30 | 0:08:34 | |
See the Chihuahua? | 0:08:34 | 0:08:36 | |
APPLAUSE | 0:08:42 | 0:08:44 | |
-That was amazing! -One more time. -Watch. | 0:08:46 | 0:08:49 | |
Gone. What time is it? | 0:08:52 | 0:08:55 | |
THEY GASP | 0:08:55 | 0:08:57 | |
I love the way that true astonishment can even make | 0:08:59 | 0:09:02 | |
a grown man feel like a kid again. | 0:09:02 | 0:09:05 | |
-Watch. -No, no, no. -What time is it? | 0:09:05 | 0:09:07 | |
Oh, my God! No! | 0:09:08 | 0:09:10 | |
I headed down to a tattoo parlour in Miami beach to surprise | 0:09:32 | 0:09:36 | |
legendary tattoo artist Dow Hokoana and members of Young Money, | 0:09:36 | 0:09:39 | |
one of the world's biggest hip-hop collectives. | 0:09:39 | 0:09:42 | |
I wanted to see if I could leave a permanent impression on them, | 0:09:42 | 0:09:44 | |
like the ink from Dow's needle. | 0:09:44 | 0:09:46 | |
-How are you doing? -Hi, I'm Dow. | 0:09:53 | 0:09:55 | |
You don't even know how much I love illusions. | 0:09:58 | 0:10:01 | |
Let me try something with your money. You got any money? | 0:10:09 | 0:10:12 | |
Have you got a bill, though, rather than a coin? | 0:10:12 | 0:10:16 | |
What've you got here? Let's have a look. | 0:10:16 | 0:10:18 | |
A 20, a 20. | 0:10:19 | 0:10:20 | |
We're going to try it with a dollar, yeah? Can you see this? | 0:10:22 | 0:10:26 | |
-What's your name, sorry? -Cheech. -Cheech. Dynamo. | 0:10:26 | 0:10:30 | |
So I've got Cheech's dollar bill, yeah? Um... | 0:10:30 | 0:10:34 | |
-Can you see on the bill it says, like, "Washington DC," yeah? -Yeah. | 0:10:34 | 0:10:40 | |
-It says it on all one dollar bills, right? -Yeah. | 0:10:40 | 0:10:43 | |
I just want you to name a different city. | 0:10:43 | 0:10:47 | |
Not Washington DC, yeah? | 0:10:47 | 0:10:49 | |
-Brooklyn, New York. -Brooklyn, New York. | 0:10:49 | 0:10:52 | |
-Hold on to the bill, right here. -OK. | 0:10:52 | 0:10:55 | |
Watch. | 0:10:55 | 0:10:57 | |
You see that, right? | 0:11:00 | 0:11:01 | |
Yeah. I can read that. | 0:11:03 | 0:11:06 | |
-Oh, get the -BLEEP -out of here! -THEY YELL IN ASTONISHMENT | 0:11:10 | 0:11:15 | |
What?! | 0:11:17 | 0:11:19 | |
Wow. | 0:11:21 | 0:11:22 | |
That's sick as well. See that? | 0:11:26 | 0:11:29 | |
You've got to get that on shot. Young Money. | 0:11:29 | 0:11:31 | |
-Young Money. -I just got the one. See, it says grandpa. | 0:11:31 | 0:11:35 | |
Cos my grandpa got me into magic, yeah? | 0:11:35 | 0:11:37 | |
-He's always watching over my shoulder. -Really? That's dope. | 0:11:37 | 0:11:39 | |
I want to get more, but I don't want to, like, | 0:11:39 | 0:11:41 | |
get one and it go wrong or just not be the right thing. | 0:11:41 | 0:11:45 | |
-Have you guys got any that went wrong, or you don't really like? -Uh. | 0:11:45 | 0:11:49 | |
-Yeah. -Yes. -The one on the back of my neck. | 0:11:49 | 0:11:51 | |
-Not from me, right? -No! -THEY LAUGH | 0:11:51 | 0:11:54 | |
-Early years, early years. -Early years, yeah? | 0:11:56 | 0:12:00 | |
-Me. -Which one? -My eye. -Show me. | 0:12:00 | 0:12:02 | |
She's winking. One of her eyes is winking, | 0:12:02 | 0:12:06 | |
but I really want her eyes to look open. | 0:12:06 | 0:12:08 | |
But since he did it on my collarbone, | 0:12:08 | 0:12:10 | |
it ain't come right, the way I want it. | 0:12:10 | 0:12:12 | |
-Can I take a closer look? -Yes. | 0:12:12 | 0:12:14 | |
Tell you what - | 0:12:16 | 0:12:18 | |
hold really still, yeah? | 0:12:18 | 0:12:20 | |
-This won't hurt. -OK. | 0:12:20 | 0:12:23 | |
Watch. | 0:12:23 | 0:12:25 | |
THEY GASP | 0:12:32 | 0:12:36 | |
-No way. -Let me see that. -No. | 0:12:38 | 0:12:41 | |
Get out of here. | 0:12:42 | 0:12:44 | |
Oh, my God. | 0:12:46 | 0:12:47 | |
Oh, my God. | 0:12:51 | 0:12:52 | |
What am I supposed to do when someone can go, "Boom," | 0:12:52 | 0:12:55 | |
-and there's you're tattoo? -Dog, what the...? | 0:12:55 | 0:12:58 | |
THEY LAUGH | 0:12:58 | 0:13:00 | |
Get him to just do this like that and her eye just pop out. | 0:13:00 | 0:13:06 | |
And I can't even, like, take it off, it's there. | 0:13:06 | 0:13:09 | |
Just here. | 0:13:09 | 0:13:11 | |
-It sure looks much better now, huh? -THEY LAUGH | 0:13:11 | 0:13:14 | |
There was no eye existing. It had scarred and fallen off, | 0:13:15 | 0:13:21 | |
typical of a tattoo that's not done perfectly. | 0:13:21 | 0:13:24 | |
He literally went like that and there's the eye that literally | 0:13:24 | 0:13:29 | |
I would have tattooed had I redrawn it. | 0:13:29 | 0:13:33 | |
But I didn't tattoo her. I did not touch her with a needle. | 0:13:33 | 0:13:37 | |
I love the craziness of South Beach, but sometimes it's good | 0:13:37 | 0:13:40 | |
to get out of the tourist areas and experience the real city. | 0:13:40 | 0:13:45 | |
I headed down to Little Havana, | 0:13:45 | 0:13:46 | |
which is the epicentre of Miami's Cuban community, | 0:13:46 | 0:13:49 | |
to see what I could find. | 0:13:49 | 0:13:50 | |
I've never smoked in my life, but I ventured into an old cigar shop | 0:13:55 | 0:14:00 | |
to show some magic to the customers. | 0:14:00 | 0:14:02 | |
Can you just blow me a big blast of smoke towards my hands, yeah? | 0:14:04 | 0:14:08 | |
HE SPEAKS INDISTINCTLY | 0:14:08 | 0:14:10 | |
Yeah. Watch. | 0:14:20 | 0:14:22 | |
No way. | 0:14:28 | 0:14:30 | |
Blow me some more, blow me some more. | 0:14:31 | 0:14:34 | |
How did he...? | 0:14:40 | 0:14:42 | |
-No way. -How is he doing that? | 0:14:43 | 0:14:46 | |
Can you smell it? | 0:14:59 | 0:15:01 | |
Anyway, I'm Dynamo. Nice to meet you all. | 0:15:03 | 0:15:05 | |
Nice to meet you. | 0:15:09 | 0:15:10 | |
I mean, that was real smoke. | 0:15:17 | 0:15:18 | |
He had more smoke coming out from thin air, | 0:15:18 | 0:15:23 | |
just coming out, | 0:15:23 | 0:15:25 | |
you know, out of his hand and into the cup. | 0:15:25 | 0:15:27 | |
It went through the coaster into the glass. | 0:15:32 | 0:15:36 | |
I don't understand how he did it. I... | 0:15:36 | 0:15:39 | |
I don't know how he did that. | 0:15:39 | 0:15:42 | |
'As I continue my tour of Little Havana, | 0:15:45 | 0:15:47 | |
'I came across some locals hanging out outside an old retro cinema.' | 0:15:47 | 0:15:50 | |
Do you guys watch a lot of films? | 0:15:50 | 0:15:53 | |
-Yeah. -Yeah. -What's your name, bro? | 0:15:53 | 0:15:56 | |
-Josh. -Josh? Do me a favour - just name a film. | 0:15:56 | 0:16:00 | |
-Name a film? -Yeah. | 0:16:00 | 0:16:01 | |
-Uh, There Will Be Blood. -There Will Be Blood? -Yeah. | 0:16:01 | 0:16:04 | |
That film's not playing at the cinema over the road, is it? | 0:16:04 | 0:16:07 | |
-No, it's not. -No, there's Rambo: First Blood, which is kind of close. | 0:16:07 | 0:16:11 | |
-I guess. -And you could have had any film, right? -Yeah. -Watch this. | 0:16:11 | 0:16:15 | |
HE INHALES DEEPLY | 0:16:15 | 0:16:17 | |
-Oh, my God! -What?! -Yo, that is nuts. | 0:16:26 | 0:16:30 | |
-How'd you do it? -What?! | 0:16:30 | 0:16:32 | |
There Will Be Blood. | 0:16:32 | 0:16:35 | |
Oh, Jesus Christ, lord and saviour! | 0:16:35 | 0:16:38 | |
Yo, let's go watch a movie right now. | 0:16:38 | 0:16:40 | |
LAUGHTER | 0:16:40 | 0:16:42 | |
It doesn't make sense. | 0:16:42 | 0:16:44 | |
-Wow. -That is so weird. | 0:16:44 | 0:16:47 | |
-Come on, that was dope or what? -Yeah, it was. | 0:16:47 | 0:16:49 | |
He asked me to think of a random movie, I thought of one | 0:16:49 | 0:16:52 | |
and he just pretty much blew the letters off and he got it. | 0:16:52 | 0:16:57 | |
-He thought of a movie... -He didn't even say a word about the movie. | 0:16:58 | 0:17:03 | |
He didn't even, like, say the movie out loud, he just thought about it. | 0:17:03 | 0:17:06 | |
That's creepy! That made me believe in magic. That's creepy! | 0:17:06 | 0:17:09 | |
Maximo Gomez Park sits on the corner of 15th Avenue | 0:17:16 | 0:17:20 | |
and it's where everyone comes to play dominoes. | 0:17:20 | 0:17:23 | |
I thought I'd try my hand at a couple of games - Dynamo style. | 0:17:24 | 0:17:28 | |
-What's your name? -Juan Carlos. | 0:17:36 | 0:17:39 | |
Juan Carlos, Dynamo. Nice to meet you, my man. | 0:17:39 | 0:17:41 | |
I want to try something using dominoes, so we'll take... | 0:17:41 | 0:17:45 | |
This is, what? Is it three-zero or three-white? | 0:17:45 | 0:17:48 | |
Hold your hand out. | 0:17:48 | 0:17:51 | |
See that? | 0:17:51 | 0:17:52 | |
Look at that, and then if you take this hand | 0:17:55 | 0:17:58 | |
and just put your hand on top. | 0:17:58 | 0:18:00 | |
And if I take the... Let's see. | 0:18:00 | 0:18:05 | |
What have we got? | 0:18:05 | 0:18:06 | |
I'll take a three/one. | 0:18:10 | 0:18:13 | |
So, three/one, three/zero. Watch. | 0:18:13 | 0:18:15 | |
Take a look. | 0:18:22 | 0:18:24 | |
Oh. | 0:18:24 | 0:18:26 | |
Thank you. | 0:18:33 | 0:18:35 | |
HE SPEAKS SPANISH | 0:18:37 | 0:18:43 | |
He's a monster, he's a monster. | 0:18:43 | 0:18:45 | |
Just mix these up. | 0:18:49 | 0:18:50 | |
And then, each take one. | 0:18:56 | 0:18:58 | |
I'll take one as well. | 0:19:03 | 0:19:05 | |
-You've all got a domino, yeah? -Yeah. | 0:19:05 | 0:19:07 | |
Take your domino and just mix them up, between you five, yeah. | 0:19:07 | 0:19:11 | |
I'll turn around, yeah. | 0:19:11 | 0:19:13 | |
Done that? | 0:19:14 | 0:19:17 | |
All make sure you look at the domino you've got, so you know what it is. | 0:19:17 | 0:19:20 | |
So, all look at the domino. | 0:19:20 | 0:19:22 | |
Cual es? | 0:19:22 | 0:19:24 | |
And then put it face down so I can't see it. Don't let me see it. | 0:19:24 | 0:19:27 | |
All right. | 0:19:27 | 0:19:29 | |
Take your domino, like this. | 0:19:29 | 0:19:31 | |
And just hold it between your hands and put it like this. | 0:19:31 | 0:19:35 | |
Put it like this. | 0:19:35 | 0:19:36 | |
All right, perfect. | 0:19:36 | 0:19:38 | |
So, you all know which domino you've got. | 0:19:38 | 0:19:40 | |
I've not seen them, you mixed them up. Right? | 0:19:40 | 0:19:43 | |
I'm going to start with you, yeah? | 0:19:43 | 0:19:45 | |
Just told your arms out like this. | 0:19:48 | 0:19:50 | |
Yours has got a big number, | 0:19:53 | 0:19:55 | |
a number eight and a three. | 0:19:55 | 0:20:01 | |
Put it on the table. | 0:20:01 | 0:20:03 | |
So I can see it. | 0:20:03 | 0:20:04 | |
Eight and three, yeah? | 0:20:04 | 0:20:06 | |
I'm going to try with you now. | 0:20:06 | 0:20:09 | |
Hold your arms out. Look at me. | 0:20:09 | 0:20:12 | |
Yours is a... | 0:20:16 | 0:20:18 | |
number seven and a four. | 0:20:18 | 0:20:22 | |
CHEERING AND LAUGHTER | 0:20:24 | 0:20:26 | |
I'm going to try with you. You're going to be difficult | 0:20:28 | 0:20:31 | |
cos you've got glasses on, but I'm going to try. Look at me. | 0:20:31 | 0:20:35 | |
Yours is a bit difficult cos you've only got one number and it's... | 0:20:39 | 0:20:43 | |
So it's a number eight and zero, nothing, nothing, yeah. | 0:20:43 | 0:20:49 | |
-Eight and nothing. Have a look. -Ah! | 0:20:49 | 0:20:51 | |
See, eight and nothing. | 0:20:51 | 0:20:54 | |
LAUGHTER | 0:20:54 | 0:20:56 | |
Two more, yeah? | 0:20:56 | 0:20:58 | |
You've got... | 0:21:00 | 0:21:03 | |
You're a bit like him. You've got a blank, yeah, | 0:21:05 | 0:21:08 | |
and you've got five. | 0:21:08 | 0:21:10 | |
Show everyone. | 0:21:10 | 0:21:12 | |
-Cinco, blanco. -Eh? | 0:21:12 | 0:21:14 | |
-Wah-hey! -Oh! | 0:21:14 | 0:21:16 | |
Put it on the table. | 0:21:16 | 0:21:18 | |
One more, yeah? | 0:21:18 | 0:21:21 | |
Seven, three. | 0:21:23 | 0:21:24 | |
-Yes. -Yes. -Oh! -Seven, three. | 0:21:24 | 0:21:26 | |
In fact, look. If you take these, yeah. | 0:21:30 | 0:21:33 | |
Together. | 0:21:34 | 0:21:35 | |
Like this. | 0:21:39 | 0:21:40 | |
Like this. | 0:21:40 | 0:21:43 | |
-Like this. -Seven, seven. -And the one that I had... Oh, seven, yeah. | 0:21:45 | 0:21:47 | |
The one that I had. | 0:21:47 | 0:21:49 | |
Oh! | 0:21:49 | 0:21:51 | |
Yes! | 0:22:02 | 0:22:03 | |
I'd arranged to meet DJ Irie, | 0:22:17 | 0:22:19 | |
the official DJ of Miami Heat basketball team at a diner | 0:22:19 | 0:22:23 | |
in Little Havana, where I had a few surprises in store for him. | 0:22:23 | 0:22:26 | |
-You're enjoying Miami though, right? -It's awesome. | 0:22:26 | 0:22:30 | |
-Like, you know, in England, like, now, it's raining. -Yeah. | 0:22:30 | 0:22:34 | |
-There's no girls walking round in bikinis. -No bikinis. Ha-ha. | 0:22:34 | 0:22:36 | |
One of the things though, right, that I'm not getting used in Miami. | 0:22:36 | 0:22:40 | |
-What's that? -I'm from England, right. -All right. | 0:22:40 | 0:22:42 | |
In England, we have a cup of tea. | 0:22:42 | 0:22:44 | |
-Right. -None of this iced tea mumbo-jumbo. | 0:22:44 | 0:22:47 | |
It's a hot day, you got to, you know, get refreshed. | 0:22:47 | 0:22:51 | |
To make iced tea, what? You get tea bag, ice and water. | 0:22:51 | 0:22:55 | |
Pretty much. | 0:22:55 | 0:22:57 | |
So, you have like... | 0:22:57 | 0:22:59 | |
-Yeah. -It's still iced tea. -Yeah. | 0:23:02 | 0:23:05 | |
-Still iced tea. -What I'm going to try to do... | 0:23:05 | 0:23:09 | |
If I... | 0:23:09 | 0:23:10 | |
-just separate the ice from the tea. -Ha-ha-ha-ha. | 0:23:10 | 0:23:15 | |
-Separate the ice from the tea. -Oh, you are bugging right now! | 0:23:17 | 0:23:22 | |
We'll take it a step further, yeah? Cos we got ice from the tea. So... | 0:23:22 | 0:23:26 | |
-Take the tea from the water. -Come on, man. | 0:23:35 | 0:23:40 | |
-Come on, man. -Leaving just water and tea. So, that's iced tea. | 0:23:40 | 0:23:46 | |
-You're not going to share the tea with me? -I'll call you. -You better. | 0:23:46 | 0:23:50 | |
HE LAUGHS | 0:23:52 | 0:23:55 | |
Yeah-ha-ha. This is so crazy. | 0:23:56 | 0:23:59 | |
Are you for real right now, man? Are you for real? | 0:24:02 | 0:24:05 | |
So, Irie, how long you been DJing for? | 0:24:08 | 0:24:11 | |
-So, I've been in the game now, like 15 years, man. -15 years. | 0:24:11 | 0:24:14 | |
15 years, deep in the game. | 0:24:14 | 0:24:16 | |
You've mixed a lot of records, right? | 0:24:16 | 0:24:18 | |
I probably play, like, 200 records in one night. | 0:24:18 | 0:24:21 | |
You've got to keep it fresh, play new songs. | 0:24:21 | 0:24:23 | |
You've also got to kick in some of the classics, you know. | 0:24:23 | 0:24:26 | |
Give people a little flashback, you know, some nostalgia. | 0:24:26 | 0:24:28 | |
-So, it's a balance, you know. -Yeah, yeah. | 0:24:28 | 0:24:31 | |
What I want you to do is I want you to imagine, like, a mix right now. | 0:24:31 | 0:24:38 | |
Yeah? I want you to think of two songs, | 0:24:38 | 0:24:41 | |
it don't even have to be a mix that you've actually done before. | 0:24:41 | 0:24:43 | |
-OK. -It could be something totally obscure. | 0:24:43 | 0:24:47 | |
All right? | 0:24:47 | 0:24:48 | |
-Have you got two songs in mind? -I've got two in mind. | 0:24:48 | 0:24:51 | |
Just take off your glasses a second. I need to see those eyes. | 0:24:51 | 0:24:55 | |
Ha-ha-ha. | 0:24:55 | 0:24:57 | |
My big blues? Ha-ha-ha. | 0:24:57 | 0:24:59 | |
I'm getting... | 0:25:05 | 0:25:07 | |
something like... | 0:25:07 | 0:25:08 | |
..like # Dooo-ooo. Ooo. # | 0:25:10 | 0:25:15 | |
Is that something that resembles one of the songs you're thinking of? | 0:25:15 | 0:25:18 | |
-Yo, man. Get out of my head, man. -Hold it. | 0:25:18 | 0:25:21 | |
Get out of my head, man. | 0:25:21 | 0:25:24 | |
# Drop it like it's hot Drop it like it's hot. # | 0:25:24 | 0:25:26 | |
-Snoop Dogg, Drop It Like It's Hot, and Pharrell, yeah? -Yes! | 0:25:26 | 0:25:30 | |
Gosh. | 0:25:34 | 0:25:36 | |
Keep thinking of the other song though, yeah? | 0:25:36 | 0:25:38 | |
So you'd mix Snoop Dogg feat Pharrell, | 0:25:39 | 0:25:42 | |
Drop It Like It's Hot, with... | 0:25:42 | 0:25:45 | |
Oh, this is a good one. I like this one. | 0:25:45 | 0:25:48 | |
-Come on, man. Get out of my party, man. -This is kind of older. | 0:25:48 | 0:25:51 | |
It's classic though. You walking around in there, man. | 0:25:51 | 0:25:55 | |
It's DMX. Party Up. | 0:25:55 | 0:25:59 | |
-Party Up, yeah? -HE LAUGHS: Yes! | 0:25:59 | 0:26:01 | |
This is so crazy, man. Yo, man. | 0:26:01 | 0:26:06 | |
That sounds like a good mix. | 0:26:06 | 0:26:07 | |
How you just going to be hanging out in my head like that, man? | 0:26:07 | 0:26:10 | |
Could you take anything with this? | 0:26:10 | 0:26:11 | |
You can keep your pin numbers and your bank details. | 0:26:11 | 0:26:14 | |
Dude, come on, man. | 0:26:21 | 0:26:22 | |
Those were the first two songs that came to mind. | 0:26:22 | 0:26:25 | |
I'm... I'm speechless, man. I'm speechless. | 0:26:26 | 0:26:30 | |
You were just all up in here. | 0:26:30 | 0:26:32 | |
You were all up in there, man. | 0:26:32 | 0:26:34 | |
Maybe there was like a sign running past my eyes or something like that. | 0:26:39 | 0:26:42 | |
I don't know what it was but he literally looked into my eyes | 0:26:42 | 0:26:45 | |
and he told me exactly the two songs that I thought of. | 0:26:45 | 0:26:48 | |
Like, that is beyond... That shut it down for me. I was done. | 0:26:48 | 0:26:53 | |
DJ Irie had recommended a great Nicaraguan restaurant called Yambo, | 0:26:57 | 0:27:01 | |
so I thought I'd check it out. Mmm-mm. Good choice, Mr Irie. | 0:27:01 | 0:27:06 | |
-Kiwi. -Kiwi, that's a beautiful name. | 0:27:06 | 0:27:08 | |
Does anyone here have, like, a dollar bill I could borrow? | 0:27:12 | 0:27:15 | |
-If it's 100, you might never see it again. -Yeah, right. | 0:27:15 | 0:27:18 | |
-I want double back. -We've got a 20, yeah. | 0:27:18 | 0:27:22 | |
So, just write your name on there, I've got a pen. | 0:27:24 | 0:27:28 | |
Just sign it, yeah, or just write your name. | 0:27:28 | 0:27:31 | |
Will I still be able to use it? | 0:27:31 | 0:27:34 | |
LAUGHTER | 0:27:34 | 0:27:36 | |
So, we've got Kiwi, is it visible? | 0:27:38 | 0:27:40 | |
Hmm-mm. | 0:27:40 | 0:27:43 | |
Everyone can see it, yeah? | 0:27:43 | 0:27:46 | |
Watch. | 0:27:46 | 0:27:47 | |
Look out! | 0:27:55 | 0:27:57 | |
-Forget about your money. -That's OK, I'm all done with that. | 0:27:57 | 0:28:01 | |
-Oh. -Don't do that. | 0:28:02 | 0:28:04 | |
Bye, 20. | 0:28:07 | 0:28:09 | |
-That's half down on a pair of shoes. -Ha-ha-ha. | 0:28:12 | 0:28:15 | |
You must put it out. | 0:28:16 | 0:28:18 | |
Uh-oh. | 0:28:23 | 0:28:24 | |
-Smells bad. -Watch. -It smells like burning money. | 0:28:28 | 0:28:33 | |
Watch. | 0:28:33 | 0:28:34 | |
-Oh, my God. -What the hell? | 0:29:01 | 0:29:02 | |
No, you didn't. | 0:29:04 | 0:29:05 | |
Wow. That was good. Perfect. | 0:29:06 | 0:29:11 | |
It has your name on it. | 0:29:18 | 0:29:20 | |
-What's that? -Wow, look. Wow. | 0:29:20 | 0:29:23 | |
-Oh, my God. -The same bill. Same bill. | 0:29:23 | 0:29:27 | |
No, man. | 0:29:31 | 0:29:33 | |
-Great. -Oh. | 0:29:33 | 0:29:36 | |
Very good. | 0:29:36 | 0:29:38 | |
It was incredible and it was the same bill that he burnt. | 0:29:41 | 0:29:45 | |
-So, it was great. -It was amazing, though. He burnt it. | 0:29:45 | 0:29:50 | |
I mean, actually, we sat here and watched him burn it. | 0:29:50 | 0:29:52 | |
How he put it in here, I don't know. | 0:29:52 | 0:29:54 | |
The light just went off - and "poof!" | 0:29:54 | 0:29:56 | |
As the sun went down, | 0:29:59 | 0:30:01 | |
I decided to hit some of the roof parties down in South Beach. | 0:30:01 | 0:30:04 | |
MUSIC: "Day 'N' Night" by Kid Cudi | 0:30:04 | 0:30:08 | |
Can you just take a card out, grab one, quickly. | 0:30:19 | 0:30:22 | |
Show everybody. | 0:30:22 | 0:30:23 | |
Oh, that's my favourite. | 0:30:24 | 0:30:26 | |
Put that anywhere. Anywhere, yeah. Anywhere. | 0:30:26 | 0:30:29 | |
-You remember the name of the card, right? -Yeah. | 0:30:29 | 0:30:31 | |
When you think of it, look at me. | 0:30:31 | 0:30:34 | |
-I think I've got it. Yeah. -OK. | 0:30:34 | 0:30:38 | |
You could've had any one of these cards, right? Watch. | 0:30:38 | 0:30:41 | |
Make them all disappear. | 0:30:45 | 0:30:46 | |
CHEERING | 0:30:46 | 0:30:48 | |
Do me a favour. | 0:30:53 | 0:30:55 | |
Can I borrow one of your flip-flops? | 0:30:55 | 0:30:57 | |
Is that all right? | 0:30:57 | 0:30:59 | |
Actually, we call them thongs. | 0:30:59 | 0:31:01 | |
-Can I borrow one of your thongs? -Course you can. | 0:31:01 | 0:31:03 | |
How about this. | 0:31:05 | 0:31:06 | |
Sorry, so we've got Tanya and Rick, yeah? | 0:31:07 | 0:31:10 | |
Tanya and Rick's thongs, as they call them. | 0:31:10 | 0:31:12 | |
I call them flip-flops, whatever. | 0:31:12 | 0:31:15 | |
Let me try this. | 0:31:15 | 0:31:16 | |
Watch. | 0:31:26 | 0:31:28 | |
-Ah! -Get out of here. | 0:31:32 | 0:31:35 | |
-Our thongs are stuck. -That's your thong, right? That's your thong. | 0:31:36 | 0:31:39 | |
See that, right there. | 0:31:39 | 0:31:41 | |
-He really actually did that. -That's the whole point. | 0:31:41 | 0:31:44 | |
-Yeah. I guess you guys are going home together. -Ah! | 0:31:46 | 0:31:49 | |
All right, watch. | 0:31:51 | 0:31:53 | |
-That's for you. That's for you. -Oh, my God. | 0:31:56 | 0:32:01 | |
I can't believe it. | 0:32:01 | 0:32:04 | |
I feel kind of weird cos I don't know what just happened. | 0:32:04 | 0:32:07 | |
I want to try something with you, actually. Stand up a second. | 0:32:10 | 0:32:14 | |
-Just come over here. -Over here? | 0:32:14 | 0:32:16 | |
I'm going to try... | 0:32:16 | 0:32:17 | |
Can you see my shoelace is undone, yeah? | 0:32:20 | 0:32:22 | |
No. No! | 0:32:25 | 0:32:26 | |
Oh, my God. | 0:32:29 | 0:32:30 | |
Woah. Wait, wait, wait, hold on. | 0:32:32 | 0:32:33 | |
You seen this? | 0:32:33 | 0:32:35 | |
Oh. That is fire. Fascinating. | 0:32:38 | 0:32:41 | |
I want to know how you do that, I want to learn that. I'll be lazy. | 0:32:46 | 0:32:50 | |
Watch me tie it up, buddy? I can do that. | 0:32:50 | 0:32:53 | |
No, wait. How you do that? Wait, wait, wait. | 0:32:54 | 0:32:57 | |
It was the last day of my trip | 0:33:00 | 0:33:01 | |
and I'd been invited to another roof party, | 0:33:01 | 0:33:03 | |
this time on top of the Beacon Hotel, | 0:33:03 | 0:33:06 | |
where I had one last surprise in store for the people of Miami. | 0:33:06 | 0:33:09 | |
MUSIC: "Good Life" by Kanye West | 0:33:09 | 0:33:12 | |
LAUGHTER | 0:33:16 | 0:33:18 | |
-Oh, my God. -Ah! | 0:33:18 | 0:33:20 | |
-What's your name? -Rachel. -Rachel, how you doing? -Hi. -Dynamo. Step forward a second. -OK. | 0:33:24 | 0:33:29 | |
The four of spades, right? Top card. Everyone can see that? | 0:33:32 | 0:33:36 | |
-See that? -Yeah. | 0:33:36 | 0:33:38 | |
I want you to take the pen and just write your name on there. | 0:33:38 | 0:33:42 | |
-OK. -Awesome. | 0:33:46 | 0:33:47 | |
So, we've got Rachel. | 0:33:49 | 0:33:52 | |
I just want you to bite down on it. Hold it right there. | 0:33:55 | 0:33:59 | |
Perfect. | 0:33:59 | 0:34:01 | |
I'll take the next card. The jack of hearts, yeah? | 0:34:01 | 0:34:04 | |
Everyone see that? | 0:34:04 | 0:34:06 | |
I'll write my name on there - Dynamo. | 0:34:06 | 0:34:09 | |
-So, we got jack of hearts. -OK. | 0:34:16 | 0:34:18 | |
Give me your hands. | 0:34:24 | 0:34:26 | |
I'm kind of scared right now. | 0:34:28 | 0:34:29 | |
Easy, easy. | 0:34:33 | 0:34:36 | |
I don't like this. | 0:34:37 | 0:34:39 | |
Rachel. | 0:34:39 | 0:34:41 | |
Hey! Oh! | 0:34:41 | 0:34:43 | |
-Ah! -Oh! | 0:34:46 | 0:34:48 | |
-What is going on?! Get it, Dynamo. -Dynamo! | 0:34:48 | 0:34:54 | |
I want to try something a bit different. Something using sound. | 0:34:57 | 0:35:01 | |
You've heard of people who can throw their voices, | 0:35:01 | 0:35:03 | |
like a ventriloquist can make it sound like his voice is coming out of a dummy. | 0:35:03 | 0:35:07 | |
-Yeah. -Yeah? -Yeah. -They throw their voices. | 0:35:07 | 0:35:09 | |
So, I'm going to try something like that, but using... | 0:35:09 | 0:35:12 | |
-this. -CLAXON | 0:35:12 | 0:35:14 | |
-Yeah? -Ah! -I'm going to use this. -I'm a bit worried about that. | 0:35:14 | 0:35:18 | |
-What's your name, bro? -Vince. -Vince. How you doing? | 0:35:19 | 0:35:23 | |
-Just step out here. -Oh. -Yeah. Everyone, back up a little bit. | 0:35:23 | 0:35:26 | |
Right here. | 0:35:26 | 0:35:28 | |
Just turn towards me. Yeah, that's awesome. | 0:35:28 | 0:35:32 | |
I'm going to blow this horn. | 0:35:32 | 0:35:33 | |
But you're going to have your eyes closed and, don't worry, | 0:35:33 | 0:35:36 | |
-I'm not going to blow it in your ear. -OK. | 0:35:36 | 0:35:38 | |
I'm just... OK. I'm going to blow it either in front of you, | 0:35:38 | 0:35:41 | |
like, right here, or behind you. | 0:35:41 | 0:35:43 | |
With your eyes closed, you've got to guess | 0:35:43 | 0:35:46 | |
whether I blew in front or behind. | 0:35:46 | 0:35:47 | |
-OK. -Yeah? -Yeah. | 0:35:47 | 0:35:49 | |
So, close your eyes. | 0:35:49 | 0:35:51 | |
I'm going to pace around you. | 0:35:51 | 0:35:53 | |
-KLAXON -That's behind. -Awesome. You guessed right. | 0:35:59 | 0:36:02 | |
-You can open your eyes, I was behind you, right? -Yeah. | 0:36:02 | 0:36:06 | |
Now, it's everyone else's turn. | 0:36:06 | 0:36:08 | |
Yeah? So, I'm going to... Let's see. | 0:36:08 | 0:36:10 | |
If I position you right there. | 0:36:10 | 0:36:13 | |
We'll get you, kind of, right here. | 0:36:13 | 0:36:18 | |
You, come over this side. | 0:36:18 | 0:36:21 | |
Then you. | 0:36:21 | 0:36:23 | |
Right there. Then, you guys, we've got to get you in there. | 0:36:23 | 0:36:27 | |
And you guys, kind of... Yeah, that's awesome. | 0:36:27 | 0:36:30 | |
So, right, I want everybody to close their eyes, yeah. | 0:36:30 | 0:36:33 | |
Everyone, close their eyes. | 0:36:35 | 0:36:37 | |
I'm going to blow the horn three times. | 0:36:37 | 0:36:39 | |
On the third time, I want you all to open your eyes and look at me. | 0:36:39 | 0:36:43 | |
Everyone understand? | 0:36:43 | 0:36:45 | |
Awesome. | 0:36:46 | 0:36:48 | |
-LAUGHTER -All got your eyes closed? -I'm trying to think of where'd he be at. | 0:36:48 | 0:36:52 | |
KLAXON | 0:36:52 | 0:36:53 | |
KLAXON | 0:36:55 | 0:36:57 | |
DISTANT KLAXON | 0:36:57 | 0:37:01 | |
No! | 0:37:01 | 0:37:02 | |
THEY ALL SHOUT | 0:37:02 | 0:37:04 | |
Dynamo! | 0:37:09 | 0:37:11 | |
What the...? | 0:37:11 | 0:37:13 | |
My God! | 0:37:13 | 0:37:14 | |
-Oh, my God. Hold on a second. -Wait a minute. | 0:37:14 | 0:37:18 | |
He's tricked us. | 0:37:22 | 0:37:23 | |
No way. He's Dynamo God, man! | 0:37:23 | 0:37:27 | |
In my time, I've found myself appearing in the most amazing places | 0:37:28 | 0:37:33 | |
and my journey's been full of surprise. | 0:37:33 | 0:37:35 | |
Sometimes, the unexpected can be one of life's greatest gifts. | 0:37:35 | 0:37:39 | |
-He ended up all the way over there. -He disappeared, man, that's Casper. | 0:37:41 | 0:37:44 | |
He was here, then he was here, and then he was there. | 0:37:44 | 0:37:50 | |
-In like a second. -He just teleported. | 0:37:50 | 0:37:53 | |
Yeah, he just did. | 0:37:53 | 0:37:54 | |
-He transported. -He ended up over there. | 0:37:54 | 0:37:56 | |
-Well, he was over here, now he's over there. -Dynamo's a -BLEEP -X-Man. | 0:37:56 | 0:38:02 | |
How'd he do that? That's all I want to know. How did he do that? | 0:38:02 | 0:38:04 | |
I want to do that. OK? | 0:38:04 | 0:38:06 | |
Coming up next time... | 0:38:10 | 0:38:12 | |
-How did he even do that? -I don't know. -How did he do that? | 0:38:12 | 0:38:16 | |
..I take my magic to LA, the city of angels. | 0:38:16 | 0:38:19 | |
That's so wild. | 0:38:21 | 0:38:23 | |
Oh, my God! | 0:38:23 | 0:38:26 | |
Oh! Ha-ha-ha-ha-ha. | 0:38:26 | 0:38:27 | |
# Finally The weight is off my shoulders | 0:38:27 | 0:38:34 | |
# Play for keeps Until the night is over... # | 0:38:34 | 0:38:41 |