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BBC Radio One and this is Scot Mills. | 0:00:01 | 0:00:04 | |
Dynamo is here, hello. | 0:00:04 | 0:00:05 | |
Good afternoon. | 0:00:05 | 0:00:07 | |
How did that happen? There was just a pile of papers there. | 0:00:08 | 0:00:11 | |
How can you do that? | 0:00:11 | 0:00:14 | |
But we've had that box...we've had the box since Monday. | 0:00:14 | 0:00:16 | |
I don't know how...how could you, how would that be possible? | 0:00:16 | 0:00:21 | |
I'm just pulling that face, like off a fish. | 0:00:21 | 0:00:23 | |
-You know, with your mouth wide open? -I don't actually know what to say. I can't get my head round it at all. | 0:00:23 | 0:00:28 | |
Right now, I'm going to take you on a journey into my world, | 0:00:33 | 0:00:37 | |
from the City of Angels... | 0:00:37 | 0:00:38 | |
THEY SQUEAL WITH LAUGHTER | 0:00:38 | 0:00:41 | |
Hey. | 0:00:41 | 0:00:42 | |
..to the streets where it all began. | 0:00:42 | 0:00:43 | |
In this episode, I leave Travis Barker stunned. | 0:00:48 | 0:00:52 | |
Oh, my God! | 0:00:54 | 0:00:56 | |
Natalie Imbruglia gets in a flap. | 0:00:56 | 0:00:58 | |
SHE LAUGHS | 0:00:58 | 0:00:59 | |
I don't know what just happened. I'm in shock. | 0:00:59 | 0:01:01 | |
And I make headlines with Scott Mills live on air to millions of listeners. | 0:01:01 | 0:01:05 | |
How...did that happen? | 0:01:05 | 0:01:07 | |
My name's Steven Frayne but most people call me Dynamo. | 0:01:07 | 0:01:11 | |
MUSIC: "Almost Grown" By Chuck Berry | 0:01:13 | 0:01:18 | |
There's something magical about Hollywood. | 0:01:18 | 0:01:21 | |
It's where the stars of the future are born. | 0:01:21 | 0:01:23 | |
I arrived in LA late at night and headed to Mel's famous diner | 0:01:24 | 0:01:28 | |
to meet up with Miss California, Mariella Hewitt, | 0:01:28 | 0:01:31 | |
and some of her friends. | 0:01:31 | 0:01:32 | |
Name the first playing card that comes into your mind. | 0:01:35 | 0:01:37 | |
-Queen of Hearts. -Queen of Hearts? | 0:01:38 | 0:01:40 | |
You could've had any card, right? Yeah? | 0:01:40 | 0:01:43 | |
Look at this, I'll do this really slowly. | 0:01:43 | 0:01:46 | |
In my top pocket, yeah? | 0:01:46 | 0:01:48 | |
Do you want to reach in there and pull out what's inside? | 0:01:48 | 0:01:51 | |
-One card. -You're lying to me! | 0:01:52 | 0:01:55 | |
-No! -THEY SQUEAL IN DISBELIEF | 0:01:56 | 0:01:58 | |
-No way! -That's so crazy. | 0:01:58 | 0:02:01 | |
That's so wild. | 0:02:01 | 0:02:03 | |
We're going to play a game. | 0:02:03 | 0:02:04 | |
Do you guys know the fork and spoon game? | 0:02:04 | 0:02:07 | |
No? All right, I'll educate you on the fork and spoon game. | 0:02:09 | 0:02:13 | |
It's really simple. Let's try it a few times. | 0:02:13 | 0:02:17 | |
So we got fork and spoon, hence the fork and spoon game! | 0:02:17 | 0:02:20 | |
And I'm going to go round... Who shall I start with? | 0:02:22 | 0:02:25 | |
We'll go with you, yeah? | 0:02:25 | 0:02:27 | |
I'll put these behind my back and I want you to think of one. | 0:02:28 | 0:02:33 | |
-Me? -Yeah, spoon or a fork. | 0:02:33 | 0:02:35 | |
Look at me. | 0:02:38 | 0:02:39 | |
I'm going to go for this one. | 0:02:41 | 0:02:43 | |
-Name out loud the one you're thinking of. -Fork. | 0:02:45 | 0:02:48 | |
-Oh, no. -Oh! | 0:02:48 | 0:02:51 | |
I'll tell you what, watch this. You wanted a fork, right? | 0:02:51 | 0:02:55 | |
Take my coffee. | 0:02:55 | 0:02:56 | |
Do me a favour, just stir it in the coffee. | 0:02:59 | 0:03:03 | |
-Done. -Oh, my God! | 0:03:20 | 0:03:21 | |
THEY GASP | 0:03:21 | 0:03:24 | |
-Did it change?! -Oh, my gosh. | 0:03:24 | 0:03:28 | |
-That's weird. -Your face! | 0:03:30 | 0:03:34 | |
I was like, "I proved him wrong!" | 0:03:34 | 0:03:35 | |
THEY LAUGH | 0:03:35 | 0:03:37 | |
-The spoon changed into a fork. -In the coffee. | 0:03:40 | 0:03:42 | |
When I was stirring it. | 0:03:42 | 0:03:44 | |
Are any of you ladies single at the moment? | 0:03:47 | 0:03:49 | |
THEY LAUGH | 0:03:51 | 0:03:53 | |
-Are you single? -Yeah. | 0:03:53 | 0:03:56 | |
Can you tell me the sort of qualities you look for in a guy? | 0:03:57 | 0:04:00 | |
Erm...funny, confident, successful, funny...magician. | 0:04:00 | 0:04:06 | |
THEY LAUGH | 0:04:06 | 0:04:08 | |
-Awesome. -Makes things disappear. | 0:04:08 | 0:04:10 | |
Makes magic happen! | 0:04:10 | 0:04:12 | |
Right. | 0:04:13 | 0:04:14 | |
I think you're the perfect person, I want to try this. | 0:04:14 | 0:04:18 | |
-Is this your phone? -M-hmm. | 0:04:18 | 0:04:19 | |
Can you open up the calculator? | 0:04:19 | 0:04:21 | |
-Take the calculator, you now how to work this? -Uh-huh. | 0:04:27 | 0:04:30 | |
I want you to... We're going to create a random number. | 0:04:30 | 0:04:33 | |
It's not going to mean anything right now | 0:04:33 | 0:04:36 | |
but in a few minutes, it might do. | 0:04:36 | 0:04:37 | |
So I want you to start with... This number's got to be unique to you, | 0:04:37 | 0:04:41 | |
so put in your date of birth. | 0:04:41 | 0:04:43 | |
And then hit multiply. | 0:04:47 | 0:04:48 | |
Yep. And now put in any random three-digit number. | 0:04:48 | 0:04:53 | |
-Three digit? -Yep. | 0:04:53 | 0:04:56 | |
Hit multiply. | 0:04:56 | 0:04:57 | |
And to finish with, put in the exact time right now, | 0:05:00 | 0:05:03 | |
which should be on the top of the phone right there. | 0:05:03 | 0:05:05 | |
923. Yeah. | 0:05:05 | 0:05:08 | |
And hit equals. | 0:05:08 | 0:05:09 | |
So right now we've generated a pretty random big number, right? | 0:05:09 | 0:05:13 | |
-Yeah. -Have you got your phone? | 0:05:13 | 0:05:15 | |
-Yeah. -Can you just pull it out? | 0:05:15 | 0:05:17 | |
You're single at the moment. I'm trying to help you out here. | 0:05:19 | 0:05:22 | |
-THEY LAUGH -So we've created this number. | 0:05:22 | 0:05:25 | |
I want you to call this number and I'm hoping it's someone | 0:05:25 | 0:05:27 | |
on the end of the line that's got the qualities you're looking for. | 0:05:27 | 0:05:31 | |
Should I put it on speaker? | 0:05:31 | 0:05:33 | |
No, it's fine, you can... | 0:05:33 | 0:05:34 | |
-Is it ringing? -Finding you a boyfriend! | 0:05:39 | 0:05:41 | |
PHONE RINGS | 0:05:41 | 0:05:44 | |
Is that your number? | 0:05:44 | 0:05:46 | |
That's my number! | 0:05:46 | 0:05:48 | |
Hey! | 0:05:49 | 0:05:50 | |
MUSIC: "Why Do Fools Fall In Love" by Frankie Lymon & The Teenagers | 0:05:50 | 0:05:55 | |
I'll call you later, all right? | 0:05:56 | 0:05:58 | |
He had me put a random number into a calculator | 0:06:05 | 0:06:08 | |
and multiply other random numbers and it happened to be his phone number. | 0:06:08 | 0:06:12 | |
It's the craziest thing. | 0:06:12 | 0:06:13 | |
He has my number... Well, actually, yeah, I guess I have his, too! | 0:06:13 | 0:06:18 | |
The next day, I headed down to Bar Marmont on Sunset Boulevard to | 0:06:34 | 0:06:37 | |
meet up with an old friend of mine - the beautiful Natalie Imbruglia. | 0:06:37 | 0:06:41 | |
Hello! How are you? Nice to see you. | 0:06:42 | 0:06:46 | |
It's been a while. | 0:06:46 | 0:06:47 | |
It has, yeah. | 0:06:47 | 0:06:48 | |
When's the last time I saw you? | 0:06:48 | 0:06:50 | |
I think at a party at your friend's house. | 0:06:50 | 0:06:53 | |
-My leaving party to go to Australia. -Yeah, your leaving party. | 0:06:53 | 0:06:56 | |
But you've been, like, everywhere since then. | 0:06:56 | 0:06:59 | |
Yeah, I went to Aus | 0:06:59 | 0:07:00 | |
and did X Factor, I was a judge on the panel, which was good fun. | 0:07:00 | 0:07:03 | |
I want you to think of a place. | 0:07:03 | 0:07:06 | |
It could be anywhere in the world | 0:07:06 | 0:07:08 | |
-but make it somewhere that's special to you. -OK...erm... | 0:07:08 | 0:07:13 | |
OK. | 0:07:15 | 0:07:16 | |
-Got a place in mind? -Yep. | 0:07:16 | 0:07:18 | |
Can you just give me your hand? | 0:07:20 | 0:07:22 | |
I'm getting somewhere warm, so it's somewhere warm. | 0:07:27 | 0:07:30 | |
Try and picture this place. | 0:07:31 | 0:07:33 | |
This is easy cos you're from there, | 0:07:36 | 0:07:38 | |
but I'm thinking it's somewhere in Australia? | 0:07:38 | 0:07:41 | |
-Is that right? -Yeah. | 0:07:41 | 0:07:43 | |
I'm not wanting to give anything away! | 0:07:43 | 0:07:46 | |
I'm kinda... At this moment, I think I'm seeing sort of mountains | 0:07:48 | 0:07:52 | |
or water, maybe water coming down a mountain or... | 0:07:52 | 0:07:57 | |
Like a river, in Australia - creeks, some sort of creek. | 0:08:00 | 0:08:05 | |
Just think of the name of the place. | 0:08:05 | 0:08:07 | |
Cu... | 0:08:13 | 0:08:15 | |
-Currumbin...is it Currumbin...? -Ah! | 0:08:15 | 0:08:17 | |
-Is it Currumbin Creek? -How could you possibly know that? | 0:08:17 | 0:08:21 | |
I could just pic... I could see it, like... | 0:08:22 | 0:08:24 | |
Nobody knows that place! | 0:08:24 | 0:08:27 | |
Tell me about it. What is it? | 0:08:27 | 0:08:28 | |
It's this creek that goes into the ocean, | 0:08:28 | 0:08:30 | |
it's called Currumbin Creek and it's absolutely divine and I can't | 0:08:30 | 0:08:35 | |
believe you just did that, cos nobody knows that I've been there. | 0:08:35 | 0:08:39 | |
Speaking of beautiful places, | 0:08:39 | 0:08:41 | |
this place we're in right now, I kinda like it. It's quite eccentric. | 0:08:41 | 0:08:45 | |
Do you think they'd notice if I took one of these? | 0:08:45 | 0:08:49 | |
-You want to take a butterfly? -Yeah. | 0:08:49 | 0:08:52 | |
-I don't know! -I'll put it back. | 0:08:54 | 0:08:56 | |
-You'll put it back? -Yeah. -All right. | 0:08:56 | 0:08:59 | |
-They're only stuck on there. -Oh, OK. | 0:08:59 | 0:09:02 | |
Just put your hands together, like this. | 0:09:04 | 0:09:07 | |
Put them really flat, like that. Awesome, that's awesome. | 0:09:11 | 0:09:15 | |
See, look... | 0:09:16 | 0:09:17 | |
See, look, if you blow, | 0:09:19 | 0:09:20 | |
it almost looks like it's fluttering, like it's alive. | 0:09:20 | 0:09:23 | |
Blow it. | 0:09:23 | 0:09:25 | |
Oh! Oh-ho-ho-ho! | 0:09:27 | 0:09:29 | |
Watch. | 0:09:30 | 0:09:33 | |
OH! | 0:09:37 | 0:09:40 | |
Ah-ha-ha! | 0:09:40 | 0:09:42 | |
Hello! | 0:09:42 | 0:09:44 | |
Oh, my God! | 0:09:46 | 0:09:48 | |
Oh! | 0:09:48 | 0:09:52 | |
Oh, my God, that was amazing! | 0:09:52 | 0:09:54 | |
Hello! | 0:09:54 | 0:09:55 | |
Oh, wow! | 0:09:55 | 0:09:57 | |
Oh, my God. | 0:10:05 | 0:10:06 | |
I don't know what just happened, I'm in shock. | 0:10:06 | 0:10:09 | |
Wow. | 0:10:09 | 0:10:11 | |
Wow. | 0:10:12 | 0:10:14 | |
'I was so focusing on the one butterfly | 0:10:14 | 0:10:16 | |
'and next thing I know, I was just surrounded. | 0:10:16 | 0:10:18 | |
'That was beautiful. That was AMAZING!' | 0:10:18 | 0:10:20 | |
All the ones from the wall. So they all...? | 0:10:20 | 0:10:23 | |
I can't wrap my head around it. | 0:10:26 | 0:10:28 | |
The LA nightlife is crazy. | 0:10:40 | 0:10:43 | |
I've been invited down to a launch party | 0:10:43 | 0:10:46 | |
by world-famous drummer, Travis Barker, | 0:10:46 | 0:10:48 | |
who's performing live on stage with Beastie Boys DJ, Mix Master Mike. | 0:10:48 | 0:10:51 | |
I met Travis when he was over in the UK, | 0:11:20 | 0:11:22 | |
so it was good to catch up with him and meet some of his friends. | 0:11:22 | 0:11:25 | |
-Mix Master Mike. -How are you? | 0:11:32 | 0:11:35 | |
Legend. | 0:11:35 | 0:11:36 | |
Has anybody got a quarter? | 0:11:36 | 0:11:38 | |
Nice one. Do you see that? | 0:11:40 | 0:11:41 | |
Take the quarter and then write your initials on both sides. | 0:11:43 | 0:11:46 | |
And then, if you want to hold that up for the camera. | 0:11:52 | 0:11:54 | |
Everyone see that? | 0:11:59 | 0:12:00 | |
Watch. | 0:12:05 | 0:12:06 | |
Gone. Yeah? | 0:12:12 | 0:12:14 | |
Sorry, sorry. | 0:12:15 | 0:12:17 | |
Cup your hands together. | 0:12:23 | 0:12:25 | |
HE CLAPS | 0:12:25 | 0:12:26 | |
Put them together, like this. Open them up, yeah? | 0:12:26 | 0:12:29 | |
I'll stand back here so as not to spray everyone. | 0:12:43 | 0:12:45 | |
RATTLE | 0:13:11 | 0:13:12 | |
Can you verify? Is that your coin? | 0:13:16 | 0:13:18 | |
That's it. | 0:13:23 | 0:13:25 | |
Can you see that underneath? Get underneath this. See that? | 0:13:25 | 0:13:27 | |
See his initials? | 0:13:27 | 0:13:29 | |
-So, we just literally met for the first time tonight, right? -Yeah. | 0:13:31 | 0:13:37 | |
Do me a favour, think of a number between one and 1,000. | 0:13:39 | 0:13:42 | |
-Got it. -Got it? -Mm-hm. | 0:13:43 | 0:13:46 | |
Just look at me. | 0:13:54 | 0:13:55 | |
-574. -Get out of here! | 0:13:58 | 0:14:01 | |
LAUGHTER | 0:14:01 | 0:14:04 | |
That's too much. That's exactly what I had. | 0:14:07 | 0:14:10 | |
I'm a little freaked out. For sure. | 0:14:10 | 0:14:14 | |
-You know when you go on stage? Right? -Yeah. | 0:14:19 | 0:14:22 | |
Do you have, like, a ritual that kind of calms you down? | 0:14:22 | 0:14:25 | |
-Just like, warm up. -Warm up, yeah? -Yeah. | 0:14:25 | 0:14:28 | |
Cos when I perform, I like to warm down. | 0:14:28 | 0:14:31 | |
Sounds a bit weird, but I'll demonstrate, it's easier. | 0:14:32 | 0:14:36 | |
-You ever taken a pulse before? -Pulse? -Yeah. | 0:14:36 | 0:14:38 | |
-Yeah. -So we're going to take it on my radial artery, yeah? Like this. | 0:14:38 | 0:14:42 | |
Can you feel it? | 0:14:42 | 0:14:43 | |
And then, if you take a drumstick and just beat out the rhythm. | 0:14:43 | 0:14:47 | |
I mean, his pulse completely stopped | 0:15:26 | 0:15:28 | |
for probably about ten seconds. | 0:15:28 | 0:15:30 | |
That was crazy. | 0:15:30 | 0:15:32 | |
-So scary. -Wow! | 0:15:32 | 0:15:35 | |
-I'm not sure. I was... -Could you really feel his pulse? | 0:15:35 | 0:15:37 | |
Yeah, yeah. His pulse completely stopped. | 0:15:37 | 0:15:39 | |
That is just crazy. | 0:15:39 | 0:15:41 | |
So, he basically died for ten seconds. | 0:15:41 | 0:15:43 | |
That was crazy. | 0:15:45 | 0:15:47 | |
It was time to head back to the UK, | 0:15:49 | 0:15:51 | |
where I had a big interview coming up with Scott Mills on Radio 1. | 0:15:51 | 0:15:55 | |
When I was younger, I was diagnosed with Crohn's disease, | 0:17:08 | 0:17:12 | |
an aggressive condition that attacks the intestines. | 0:17:12 | 0:17:15 | |
It can make you feel weak, and I ended up being hospitalised | 0:17:15 | 0:17:18 | |
several times when the illness was at its worst. | 0:17:18 | 0:17:20 | |
But in a funny way, it actually made me stronger, | 0:17:20 | 0:17:23 | |
and more determined. | 0:17:23 | 0:17:24 | |
There was no way it was going to get the better of me. | 0:17:24 | 0:17:27 | |
Despite my illness, I'm a strong believer in mind over matter. | 0:17:29 | 0:17:33 | |
I recently headed down to meet one of the UK's top personal trainers | 0:17:33 | 0:17:36 | |
and ex Gladiator star, Wayne Gordon, | 0:17:36 | 0:17:39 | |
at a police training facility in North London. | 0:17:39 | 0:17:41 | |
You can bench press me, right? Do you reckon? | 0:17:41 | 0:17:44 | |
-Ready? -Yeah. -Got it. Got it. Got it. | 0:17:44 | 0:17:48 | |
-Easy. -Too easy. | 0:17:48 | 0:17:50 | |
ALL: Five, six, seven, eight. | 0:17:52 | 0:17:56 | |
Can you just wipe my brow? | 0:17:56 | 0:17:57 | |
LAUGHTER | 0:17:57 | 0:17:59 | |
You can bench press me. Can you bench press that? | 0:18:02 | 0:18:05 | |
The weight Wayne is about to lift | 0:18:08 | 0:18:10 | |
is almost three times my own bodyweight. | 0:18:10 | 0:18:12 | |
-Right. -Just relax, Wayne. Relax. | 0:18:18 | 0:18:22 | |
You good? | 0:18:22 | 0:18:23 | |
-On three, yeah? -Yeah. | 0:18:25 | 0:18:26 | |
One, two, three. Lift it. | 0:18:28 | 0:18:32 | |
Stop. | 0:18:49 | 0:18:50 | |
Can you go any higher? | 0:18:56 | 0:18:57 | |
Don't think that's... | 0:18:57 | 0:18:59 | |
-Put the fives on. -We'll put the, yeah, fives, yeah. | 0:19:01 | 0:19:04 | |
And we'll put just 7.5 on each side, yeah? | 0:19:09 | 0:19:11 | |
It's not a 20, is it? | 0:19:13 | 0:19:15 | |
Are you going to do this? | 0:19:19 | 0:19:20 | |
I can barely lift my feet. | 0:19:20 | 0:19:23 | |
-You're going to spot me, yeah? -Yeah. | 0:19:29 | 0:19:31 | |
Just don't drop it, cos I'm probably not going to be much help. | 0:19:31 | 0:19:35 | |
You don't need help. | 0:19:35 | 0:19:36 | |
Go on, Wayne. | 0:19:40 | 0:19:42 | |
-You ready? -Yeah. | 0:19:54 | 0:19:55 | |
OK. Two, three. Go. | 0:19:55 | 0:19:57 | |
-Press. Come on. -Come on. Press. -Breathe. | 0:20:10 | 0:20:14 | |
Go on, Wayne. Push, push. | 0:20:14 | 0:20:16 | |
Little bit more. Little bit more. | 0:20:16 | 0:20:18 | |
-Done. No more. -No more. -No more. | 0:20:29 | 0:20:32 | |
Yeah, you struggled to lift that. | 0:20:32 | 0:20:34 | |
So, someone of my stature, pretty impossible for me | 0:20:36 | 0:20:39 | |
-to lift this sort of weight. -No way. | 0:20:39 | 0:20:41 | |
Call the ambulance in advance. | 0:20:41 | 0:20:43 | |
-Sounds like a challenge, there. -No chance. | 0:20:45 | 0:20:48 | |
All right. I'm going to try it. | 0:20:48 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:53 | |
No special effects. | 0:21:04 | 0:21:06 | |
Are you ready? | 0:21:27 | 0:21:28 | |
OK, bring your hands here. That's it. | 0:21:33 | 0:21:35 | |
Go on. | 0:22:05 | 0:22:06 | |
All yours. All yours. All yours. All yours. | 0:22:06 | 0:22:09 | |
I don't think it's possible. | 0:22:29 | 0:22:31 | |
I don't believe it's possible. | 0:22:31 | 0:22:33 | |
I was watching very carefully | 0:22:33 | 0:22:35 | |
as that weight was pressing down on his arms, just to see | 0:22:35 | 0:22:38 | |
if I could see what he's doing, but...I was amazed. | 0:22:38 | 0:22:42 | |
He was straining, there. He was actually pushing that weight. | 0:22:42 | 0:22:46 | |
Amazing. Amazing. | 0:22:46 | 0:22:47 | |
Absolutely incredible. | 0:22:47 | 0:22:50 | |
Wayne was struggling. | 0:22:50 | 0:22:52 | |
And he did it. It's incredible. | 0:22:52 | 0:22:54 | |
When you see it first-hand, when you see it on TV, | 0:22:54 | 0:22:56 | |
you think it's edited or something. | 0:22:56 | 0:22:58 | |
-No, never seen anything like it. -Doesn't seem real. | 0:22:58 | 0:23:00 | |
This is Scott Mills. | 0:23:00 | 0:23:01 | |
It's 5.20, now, on Radio 1. | 0:23:01 | 0:23:03 | |
Becky, have you seen this? | 0:23:03 | 0:23:04 | |
No, what is it, please? | 0:23:04 | 0:23:06 | |
We've got this box and it's been | 0:23:06 | 0:23:07 | |
delivered by a man called Dynamo. | 0:23:07 | 0:23:09 | |
You might know him. He's a magician. | 0:23:09 | 0:23:10 | |
It's your job to look after that box until Wednesday | 0:23:10 | 0:23:13 | |
when Dynamo comes in to do the trick, whatever it's going to be. | 0:23:13 | 0:23:16 | |
-I've got a pack of cards, here. Are they all different? -Yeah. | 0:23:21 | 0:23:24 | |
-Yeah? Happy with that? -Yeah, yeah, yeah. -Cool. | 0:23:24 | 0:23:27 | |
What I am going to do is, | 0:23:27 | 0:23:29 | |
I'll give a third of the pack to you. | 0:23:29 | 0:23:33 | |
So, yeah, we'll...I'd say... That's about a third, right? | 0:23:33 | 0:23:37 | |
I'll give those to you. | 0:23:37 | 0:23:38 | |
Something like that. | 0:23:39 | 0:23:40 | |
Then I'll give a third of the deck to you. | 0:23:40 | 0:23:45 | |
I just want you, literally, to... | 0:23:46 | 0:23:48 | |
I'll turn away, so I can't see it, yeah? | 0:23:48 | 0:23:50 | |
-..Just to break one card and remember it. -Right, OK. | 0:23:50 | 0:23:54 | |
I'll turn away, don't let anyone see your card. | 0:23:54 | 0:23:56 | |
Just break at one and remember it. | 0:23:56 | 0:23:58 | |
Have you done that? | 0:23:58 | 0:23:59 | |
-Yeah. -Yeah, yeah. -Yeah? | 0:23:59 | 0:24:00 | |
-Both got a card in mind? -Yeah, yeah. -Yeah? | 0:24:00 | 0:24:03 | |
Put the cards like that in your hand, | 0:24:03 | 0:24:05 | |
so there's no way that I can get to them, yeah? | 0:24:05 | 0:24:07 | |
Perfect. | 0:24:07 | 0:24:09 | |
Keep thinking of your cards. Look at me. | 0:24:09 | 0:24:11 | |
Done. | 0:24:14 | 0:24:17 | |
Done. | 0:24:17 | 0:24:19 | |
The cards are now gone. | 0:24:19 | 0:24:20 | |
Just turn your back over like this and spread through. | 0:24:20 | 0:24:23 | |
Has your card gone? | 0:24:23 | 0:24:24 | |
Huh?! | 0:24:24 | 0:24:25 | |
-No way. -No way! | 0:24:25 | 0:24:27 | |
-No way! -No way! | 0:24:28 | 0:24:30 | |
-Just name your card out loud. -Ten of hearts. | 0:24:30 | 0:24:32 | |
-And your card. -Two of clubs. -Two of clubs. | 0:24:32 | 0:24:33 | |
And they've definitely gone from here, right? | 0:24:33 | 0:24:36 | |
-Yeah. -They've gone. Have I touched you guys? -No. | 0:24:36 | 0:24:38 | |
-How the hell did you do that? -Reach into your pockets. | 0:24:38 | 0:24:41 | |
Huh?! | 0:24:44 | 0:24:45 | |
No way did he do that! | 0:24:49 | 0:24:53 | |
How did he do that? | 0:24:53 | 0:24:54 | |
Amazing. | 0:24:55 | 0:24:57 | |
That's impossible, bro. | 0:25:01 | 0:25:03 | |
That's impossible. | 0:25:03 | 0:25:05 | |
That is the craziest thing I've ever seen. That's shocking. | 0:25:05 | 0:25:08 | |
How did he even do that? | 0:25:08 | 0:25:09 | |
I don't know. | 0:25:09 | 0:25:10 | |
How did he even do that? | 0:25:10 | 0:25:11 | |
Where is that guy? Where is that guy? | 0:25:11 | 0:25:13 | |
I don't even know where he's gone! | 0:25:13 | 0:25:16 | |
-What's your name? -Si. -Si. Dynamo. -Nice to meet you. | 0:25:18 | 0:25:20 | |
And you are... | 0:25:20 | 0:25:22 | |
-Neha. -Neha. Nice to meet you. -Nice to meet you. | 0:25:22 | 0:25:24 | |
I get to travel. I'm quite fortunate. | 0:25:24 | 0:25:26 | |
I travel a lot doing my magic. I've travelled all over the world. | 0:25:26 | 0:25:29 | |
-Yeah? Do you travel a lot, you guys? -Yeah. -All the time. | 0:25:29 | 0:25:32 | |
OK. | 0:25:32 | 0:25:34 | |
Just think of a place, right now. | 0:25:34 | 0:25:35 | |
It might be somewhere you've been. | 0:25:35 | 0:25:37 | |
It might be somewhere you want to go to. | 0:25:37 | 0:25:39 | |
-You got a place in mind? -Yes. | 0:25:39 | 0:25:41 | |
You just changed your, you changed your mind. It begins with C, right? | 0:25:45 | 0:25:49 | |
-Yeah. -It's, erm... | 0:25:49 | 0:25:52 | |
For a second, I thought you thought of Cancun. | 0:25:52 | 0:25:56 | |
Yes. | 0:25:56 | 0:25:57 | |
But you, you changed your mind, didn't you? | 0:25:57 | 0:25:59 | |
Cincinnati? | 0:26:02 | 0:26:03 | |
That is crazy. That is actually crazy. | 0:26:04 | 0:26:06 | |
Bloody hell. | 0:26:07 | 0:26:10 | |
How did you do that? | 0:26:10 | 0:26:12 | |
How did you do that? | 0:26:12 | 0:26:14 | |
-Just read my mind. -That's mad. | 0:26:14 | 0:26:16 | |
It's his eyes, that's what it is, it's his eyes. That's ridiculous. | 0:26:16 | 0:26:19 | |
-He was looking in. -Amazing. | 0:26:19 | 0:26:22 | |
Former Pussycat Doll Kimberly Wyatt was in town with her new band, | 0:26:23 | 0:26:26 | |
Her Majesty And The Wolves, | 0:26:26 | 0:26:28 | |
so I decided to catch up with her | 0:26:28 | 0:26:30 | |
at a jewellery store on London's Bond Street. | 0:26:30 | 0:26:32 | |
Out of all the pieces here, there's about, what, 200? | 0:26:46 | 0:26:49 | |
-Yeah. -If not more. -If not more. | 0:26:49 | 0:26:52 | |
I just want you to have a look around the store | 0:26:52 | 0:26:54 | |
-and just choose one piece. -OK. All right. | 0:26:54 | 0:26:59 | |
-How about this one? -Which one is that? -This bracelet. | 0:27:07 | 0:27:12 | |
-Wow, it looks... -Beautiful! | 0:27:12 | 0:27:16 | |
It looks expensive as well. | 0:27:16 | 0:27:18 | |
-So... £81,000. -Yes, please. | 0:27:21 | 0:27:26 | |
Nice! That's the one, yeah? | 0:27:26 | 0:27:30 | |
-Mmmhmm. -Watch. | 0:27:30 | 0:27:34 | |
What? | 0:27:44 | 0:27:46 | |
LAUGHTER AND APPLAUSE | 0:27:48 | 0:27:50 | |
What?! | 0:27:52 | 0:27:54 | |
Did you guys see this? | 0:27:56 | 0:27:58 | |
It was crazy! | 0:27:58 | 0:28:00 | |
-Let's put it on. -OK. | 0:28:00 | 0:28:02 | |
That's perfect. | 0:28:03 | 0:28:05 | |
Right, let's go. | 0:28:05 | 0:28:07 | |
-It's definitely real glass. -Yeah! | 0:28:09 | 0:28:13 | |
Being able to reach through the glass | 0:28:15 | 0:28:17 | |
and grab my favourite piece in the store. | 0:28:17 | 0:28:19 | |
I don't know how he did it, but it was ridiculous. | 0:28:19 | 0:28:23 | |
-I saw just a hand go through the glass and... -pull out a bracelet. | 0:28:23 | 0:28:30 | |
It makes me feel giddy, I feel like a little girl. | 0:28:30 | 0:28:33 | |
We just saw pure amazement. He came out here and shocked us all. | 0:28:33 | 0:28:38 | |
It was absolutely unbelievable. | 0:28:38 | 0:28:40 | |
Dynamo can do some serious sleight of hand | 0:28:40 | 0:28:43 | |
and steal jewels at the same time. | 0:28:43 | 0:28:45 | |
It was absolutely phenomenal. | 0:28:54 | 0:28:57 | |
303 and Katy Perry on BBC Radio 1. | 0:29:09 | 0:29:12 | |
Before that, Bruno Mars and Grenade. | 0:29:12 | 0:29:14 | |
Afternoon, this is Scott Mills. You can watch us now on the live cams | 0:29:14 | 0:29:19 | |
if you go to the Radio 1 website. | 0:29:19 | 0:29:21 | |
If you can get to a computer, then do it, | 0:29:21 | 0:29:24 | |
because you'll want to see this next bit. | 0:29:24 | 0:29:26 | |
-Dynamo is here. Hello. -Good afternoon. | 0:29:26 | 0:29:29 | |
So many of our listeners have been on, | 0:29:29 | 0:29:31 | |
very excited that you are gracing us with your presence today, Dynamo. | 0:29:31 | 0:29:36 | |
Liz is from West Sussex and her husband | 0:29:36 | 0:29:39 | |
just rewinds your tricks all the time, | 0:29:39 | 0:29:42 | |
so he'll watch it and go, | 0:29:42 | 0:29:45 | |
"Again, again!" | 0:29:45 | 0:29:46 | |
"Dynamo's amazing and I love him because he makes me shout at the TV." | 0:29:46 | 0:29:52 | |
-You've got loads of Twitter followers. -Quite a few. | 0:29:52 | 0:29:54 | |
-If you want to follow me at Dynamo Magician... -There we are. | 0:29:54 | 0:29:57 | |
-And a TV show, now. -Yeah, Magician Impossible. It's quite nuts. | 0:29:57 | 0:30:01 | |
I've actually... The cameras are in here today. | 0:30:01 | 0:30:04 | |
You know, this will probably be on the show. | 0:30:04 | 0:30:05 | |
If you're watching on your computer, | 0:30:05 | 0:30:08 | |
this is the safety deposit box that Dynamo handed to me on Monday | 0:30:08 | 0:30:13 | |
at Radio 1, | 0:30:13 | 0:30:15 | |
and we were told not to tamper with it, not to open it. | 0:30:15 | 0:30:19 | |
What I asked you to do, though, today was, as well as the box, | 0:30:19 | 0:30:22 | |
I asked you to bring in a selection of today's newspapers. | 0:30:22 | 0:30:25 | |
-Which I can see there's a big stack there. -Yeah, there is. | 0:30:25 | 0:30:28 | |
So, can you just put the box down to the side, | 0:30:28 | 0:30:30 | |
but obviously, don't let it out of your sight. | 0:30:30 | 0:30:32 | |
-And just pick one of the newspapers. -Any one? -Yeah, just grab one. | 0:30:32 | 0:30:39 | |
All right. | 0:30:41 | 0:30:42 | |
-So, which one have you got? -I've got the Metro. | 0:30:42 | 0:30:45 | |
Metro, so, that's one of today's papers, right? | 0:30:45 | 0:30:47 | |
All the papers are from today. | 0:30:47 | 0:30:49 | |
-Wednesday, July 20, 2011, yes. -Awesome. | 0:30:49 | 0:30:52 | |
I want you to have a look through and find a positive story. | 0:30:52 | 0:30:54 | |
Something that's good that you can read out on the radio. | 0:30:54 | 0:30:57 | |
OK, well, I'll have a look through, we'll play Benny Benassi. | 0:30:57 | 0:31:00 | |
I have absolutely no idea what this has got to do with the box, | 0:31:00 | 0:31:03 | |
or anything, but I'm sure it will all become clear, won't it, Dynamo? | 0:31:03 | 0:31:06 | |
-It will. -All right, then. This is Radio 1. | 0:31:06 | 0:31:11 | |
What are you going to go for? | 0:31:11 | 0:31:13 | |
I don't know. Hang on. | 0:31:13 | 0:31:14 | |
-So, a good news story. -Yeah. | 0:31:25 | 0:31:28 | |
This one's all right. It's about the Olympics. | 0:31:29 | 0:31:32 | |
Benny Benassi and Cinema on BBC Radio 1. | 0:31:34 | 0:31:37 | |
-This is Scott Mills and Dynamo's here. Hi. -Hi. | 0:31:37 | 0:31:41 | |
So, Scott, you picked the story. | 0:31:41 | 0:31:42 | |
-Do you want to read it out? -OK. | 0:31:42 | 0:31:45 | |
It's about a record-breaking mountaineer called Kenton Cool, | 0:31:45 | 0:31:50 | |
and it's just a nice story about him and the Olympics, really. | 0:31:50 | 0:31:55 | |
What is the headline of the story? | 0:31:55 | 0:31:57 | |
The headline is, "We've a lot to be proud of." | 0:31:57 | 0:32:01 | |
Now, would you agree that it would be impossible for somebody | 0:32:01 | 0:32:05 | |
to know before today that you would read that story out on-air? | 0:32:05 | 0:32:09 | |
Yeah. Absolutely. Yeah. | 0:32:11 | 0:32:14 | |
Cos, I've actually got to head back up to Bradford very soon, | 0:32:14 | 0:32:17 | |
so I won't be able to stick around for the whole interview, | 0:32:17 | 0:32:19 | |
but I did say I would leave you a gift before I go, | 0:32:19 | 0:32:22 | |
which is right here. I'm going to leave that with you | 0:32:22 | 0:32:26 | |
and it's been awesome coming on the show. | 0:32:26 | 0:32:29 | |
-Thanks. -Thanks for having me. | 0:32:29 | 0:32:30 | |
-Thanks, Dynamo. -I hope you enjoy the gift. | 0:32:30 | 0:32:32 | |
And he's off. | 0:32:32 | 0:32:34 | |
Wow! | 0:32:34 | 0:32:36 | |
Open it! | 0:32:36 | 0:32:38 | |
Do we have to wait for him to leave? I'm just going to open it. | 0:32:38 | 0:32:40 | |
-Open it now. -We allowed to open it now? | 0:32:40 | 0:32:43 | |
Yeah, do it. | 0:32:43 | 0:32:45 | |
Hang on, this is going to take a while. | 0:32:45 | 0:32:48 | |
There's quite a lot of | 0:32:48 | 0:32:50 | |
tape to get off. Hang on. | 0:32:50 | 0:32:54 | |
I need to get the tape off before I open it. Hang on. | 0:32:54 | 0:32:57 | |
-Ha-ha-ha! -Bear with me, everybody. | 0:32:57 | 0:32:59 | |
This is Radio 1. OK, let's open the box. | 0:33:01 | 0:33:04 | |
I'm scared of opening it. Hang on. | 0:33:04 | 0:33:06 | |
Is this the right key? | 0:33:06 | 0:33:08 | |
Yeah! I'm in. OK. | 0:33:08 | 0:33:12 | |
Envelope inside. | 0:33:15 | 0:33:17 | |
What's this? | 0:33:20 | 0:33:22 | |
Er, OK. | 0:33:26 | 0:33:27 | |
So, it is a drawing of exactly the same page | 0:33:27 | 0:33:35 | |
of the Metro | 0:33:35 | 0:33:38 | |
-that I just picked out. -Let's have a look. | 0:33:38 | 0:33:40 | |
Let me show this to the camera now. | 0:33:40 | 0:33:44 | |
-Oh, my God. He's drawn the man and everything. -Actually drawn the man. | 0:33:44 | 0:33:47 | |
In the red... He's got a red top on in the picture and he's drawn it | 0:33:47 | 0:33:50 | |
in a red... | 0:33:50 | 0:33:51 | |
And the headline is, "We've a lot to be proud of. London 2012." | 0:33:51 | 0:33:55 | |
-And the bottom picture's the same, as well. -"Torch relay." | 0:33:55 | 0:33:58 | |
How did that happen? | 0:33:58 | 0:34:00 | |
How did that happen? | 0:34:01 | 0:34:03 | |
And even, like... There's kind of, like, little stories underneath about... | 0:34:03 | 0:34:09 | |
And it says, "An inspiring pair," | 0:34:09 | 0:34:11 | |
and then he's put "Inspire" and various words | 0:34:11 | 0:34:15 | |
that are on the original paper. | 0:34:15 | 0:34:20 | |
Really freaked me out. | 0:34:20 | 0:34:22 | |
Just pulling that face like off a fish. | 0:34:22 | 0:34:24 | |
You know, with your mouth wide open. | 0:34:24 | 0:34:25 | |
I don't know what to say. I can't get my head round that at all. | 0:34:25 | 0:34:28 | |
But we've had the box all... We've had that box... | 0:34:30 | 0:34:34 | |
Well, the paper was only printed today. | 0:34:34 | 0:34:36 | |
We've had the box since Monday. | 0:34:36 | 0:34:38 | |
OK, good, | 0:34:38 | 0:34:39 | |
let's play a song and let me just try and get my head round this. | 0:34:39 | 0:34:42 | |
I have absolutely no idea how you would do that. I don't know. | 0:34:49 | 0:34:52 | |
It's, er... | 0:34:52 | 0:34:54 | |
It kind of just dawned on me that actually, we've had that box | 0:34:54 | 0:34:57 | |
since Monday, so, how would you do that? Because it's today's paper. | 0:34:57 | 0:35:01 | |
It clearly says the date on the top, | 0:35:01 | 0:35:03 | |
so I have absolutely no idea how he did that. | 0:35:03 | 0:35:05 | |
And I like it how he just disappeared afterwards and went, "Bye. | 0:35:05 | 0:35:08 | |
"Leave you to work that one out." | 0:35:08 | 0:35:10 | |
I don't know how that happened, and there are a lot of people saying, | 0:35:16 | 0:35:19 | |
well, it's obviously a different box, but I promise you... | 0:35:19 | 0:35:22 | |
that box hasn't been out of my sight. | 0:35:22 | 0:35:24 | |
I tell you why, also, | 0:35:24 | 0:35:25 | |
because I didn't believe that he wasn't going to swap the box, | 0:35:25 | 0:35:28 | |
so in the top left-hand, I'm such a loser, in the top left-hand corner, | 0:35:28 | 0:35:32 | |
we drew a little black dot, so that I'd know | 0:35:32 | 0:35:34 | |
if it was the same box afterwards, | 0:35:34 | 0:35:36 | |
and it exactly is, because it's there, look. | 0:35:36 | 0:35:39 | |
Yeah, it's still there. | 0:35:39 | 0:35:40 | |
As I reach the end of the road, I'll never forget the people I've met along the way. | 0:35:47 | 0:35:50 | |
There really is no such thing as an ordinary person. | 0:35:50 | 0:35:53 | |
Everybody has the power to be extraordinary, | 0:35:53 | 0:35:56 | |
no matter where they come from or what their circumstance. | 0:35:56 | 0:35:59 | |
It's just a matter of belief. | 0:35:59 | 0:36:01 | |
Some people think it's impossible to change the future. | 0:36:01 | 0:36:04 | |
But in reality, the future is only what you make it. | 0:36:04 | 0:36:08 | |
That photo doesn't even exist! | 0:36:18 | 0:36:20 | |
-He moved your tanline. -How did he do that? | 0:36:24 | 0:36:26 | |
Wow! | 0:36:26 | 0:36:27 | |
God knows | 0:36:29 | 0:36:30 | |
where you've come from. | 0:36:30 | 0:36:32 | |
Dynamo. | 0:36:34 | 0:36:36 | |
I don't know how he did it, but it was ridiculous. | 0:36:38 | 0:36:40 | |
Frightening. | 0:36:40 | 0:36:42 | |
Oh, my God! | 0:36:42 | 0:36:44 | |
Oh, my God! | 0:36:44 | 0:36:45 | |
That was the best thing I've ever seen. | 0:36:47 | 0:36:48 | |
Fully, fully baffed. | 0:36:48 | 0:36:49 | |
Man walking on water. | 0:36:49 | 0:36:51 | |
Like a modern-day Houdini, or something like that. | 0:36:53 | 0:36:55 | |
NEAR FOG HORN | 0:37:05 | 0:37:06 | |
DISTANT FOG HORN | 0:37:08 | 0:37:10 | |
Get out of here. | 0:37:16 | 0:37:19 | |
Oh, my God! | 0:37:19 | 0:37:20 | |
How did that happen? | 0:37:23 | 0:37:26 | |
How...did that happen? | 0:37:26 | 0:37:28 | |
-Hello? -It's me, Nan. | 0:38:01 | 0:38:03 | |
-Who is it? -Steven. Let me in. | 0:38:03 | 0:38:06 | |
Come on. Just open the door. | 0:38:06 | 0:38:09 | |
You going to let me in, or what? | 0:38:14 | 0:38:16 |