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Line | From | To | |
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CHEERING | 0:00:14 | 0:00:17 | |
CAMERA CLICKS | 0:00:21 | 0:00:23 | |
Quick, quick, quick. | 0:00:27 | 0:00:29 | |
CHEERING | 0:00:31 | 0:00:32 | |
BANG | 0:00:34 | 0:00:35 | |
THEY SCREAM | 0:00:35 | 0:00:37 | |
What?! | 0:00:37 | 0:00:38 | |
What happened, tell me what I did?! | 0:00:38 | 0:00:40 | |
What?! | 0:00:40 | 0:00:41 | |
CROWD CLAMOUR | 0:00:41 | 0:00:42 | |
MUSIC: Breathe by Delilah | 0:00:47 | 0:00:49 | |
Over this series, I'm going to take you on a journey into my world. | 0:01:27 | 0:01:31 | |
THEY LAUGH | 0:01:31 | 0:01:32 | |
No! | 0:01:32 | 0:01:34 | |
I can't even speak about it! | 0:01:35 | 0:01:37 | |
How does that happen?! | 0:01:37 | 0:01:38 | |
TYRES SCREECH | 0:01:39 | 0:01:41 | |
You got to be kidding me, man! | 0:01:41 | 0:01:44 | |
From deep inside the favelas of Rio De Janeiro... | 0:01:44 | 0:01:47 | |
THEY SPEAK IN OWN LANGUAGE | 0:01:50 | 0:01:52 | |
..to the bright lights of the Vegas Strip... | 0:01:54 | 0:01:57 | |
It was crazy. I have never seen that before in my life. | 0:01:57 | 0:02:00 | |
..follow me as I bring a little magic into people's lives... | 0:02:02 | 0:02:05 | |
How on earth can he do that? | 0:02:08 | 0:02:11 | |
..and share with you the art of astonishment. | 0:02:11 | 0:02:14 | |
Whoa! | 0:02:16 | 0:02:18 | |
My name's Steven Frayne but most people call me Dynamo. | 0:02:21 | 0:02:25 | |
It always amazes me how things can change in an instant. | 0:02:28 | 0:02:32 | |
As my feet touched the cold water of the Thames last summer, | 0:02:32 | 0:02:35 | |
I never could have dreamt what would happen next. | 0:02:35 | 0:02:38 | |
# What a difference a day makes | 0:02:38 | 0:02:43 | |
# 24 little hours... # | 0:02:46 | 0:02:51 | |
CROWD CLAMOUR | 0:02:51 | 0:02:52 | |
'With fans including Jay Z, Robbie Williams' | 0:02:52 | 0:02:55 | |
and Will Smith, he's fast becoming the most talked about | 0:02:55 | 0:02:58 | |
magician in the world. | 0:02:58 | 0:03:00 | |
Shout out to my home boy, Dynamo, the magician. | 0:03:00 | 0:03:03 | |
# That thrilling kiss It's heaven... # | 0:03:03 | 0:03:08 | |
"This guy must be a alien or sutin." | 0:03:08 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:13 | |
# ..find romance on your menu. # | 0:03:13 | 0:03:18 | |
Oh, look at the skills on this guy! | 0:03:19 | 0:03:22 | |
# ..a day makes | 0:03:24 | 0:03:27 | |
# And the difference is you. # | 0:03:28 | 0:03:33 | |
I was in London's West End. | 0:03:42 | 0:03:45 | |
I wanted to try something with some of the people I met. | 0:03:45 | 0:03:48 | |
All they had to do was shake my hand. | 0:03:48 | 0:03:50 | |
-I want you to hold your hand out like this. -Yeah. OK, then. | 0:03:50 | 0:03:53 | |
Just tell me if you feel anything, any, like, sensation. | 0:03:55 | 0:03:57 | |
Feel this thing? | 0:03:57 | 0:03:58 | |
Yeah, there is some sort of heat coming out. | 0:03:58 | 0:04:01 | |
I can feel the heat, yes. | 0:04:01 | 0:04:02 | |
All right. Well, let me try something. Just hold on to my hand. | 0:04:02 | 0:04:06 | |
Look at me. | 0:04:06 | 0:04:07 | |
-That's hot. -Hot? | 0:04:08 | 0:04:10 | |
-Yeah. -Obviously, there's nothing on my hand. Nothing there, right? | 0:04:10 | 0:04:14 | |
Are you sure? It feels quite hot. | 0:04:14 | 0:04:16 | |
I felt some heat coming out. | 0:04:16 | 0:04:18 | |
So, hold my hand again. | 0:04:18 | 0:04:20 | |
-This is... -Did it feel hotter? | 0:04:22 | 0:04:24 | |
-It's getting hotter, yeah. -Hotter? | 0:04:24 | 0:04:26 | |
Yeah. It's quite hot, yeah. | 0:04:26 | 0:04:27 | |
One last time, just hold my hand. | 0:04:27 | 0:04:29 | |
It's... There's heat coming out. | 0:04:31 | 0:04:33 | |
There's no way I'm going to shake hands with you, my friend. | 0:04:33 | 0:04:36 | |
-It's too hot. -Right, well, thank you very much. -Yeah. | 0:04:36 | 0:04:39 | |
Feel anything? | 0:04:41 | 0:04:43 | |
Yeah, my hand, man, it's getting hot. | 0:04:43 | 0:04:45 | |
If I take it a step further, yeah? | 0:04:45 | 0:04:47 | |
-Can you feel anything, any energy, coming from my hand? -Really hot! | 0:04:47 | 0:04:50 | |
Is it hot, yeah? | 0:04:50 | 0:04:51 | |
Oh, wow. No way. No way. | 0:04:52 | 0:04:55 | |
Look at me. | 0:04:55 | 0:04:56 | |
-One last time. Just hold my hand. -No, no, no. I'm not... | 0:05:01 | 0:05:03 | |
When I tried to shake his hands, | 0:05:03 | 0:05:05 | |
it was like an incredible heat coming out, you know. | 0:05:05 | 0:05:08 | |
It was really...something strange, really strange, you know, | 0:05:08 | 0:05:11 | |
like a ball of fire. | 0:05:11 | 0:05:13 | |
It was like a scalding-hot kettle touching my hand. | 0:05:13 | 0:05:16 | |
It was crazy. | 0:05:22 | 0:05:24 | |
Me and my mate, Gilera, were heading down to Adidas HQ in central London. | 0:05:32 | 0:05:36 | |
MUSIC: Unorthodox by Wretch 32 | 0:05:36 | 0:05:40 | |
Hi, you all right? | 0:05:40 | 0:05:41 | |
# We don't follow no sound | 0:05:41 | 0:05:44 | |
# It follows us... # | 0:05:44 | 0:05:45 | |
I need a ladder. I need these ones up here. | 0:05:47 | 0:05:49 | |
-Dynamosity. -What? | 0:05:49 | 0:05:51 | |
Why doesn't he levitate? | 0:05:51 | 0:05:53 | |
Why don't you use it when we need it, man? | 0:05:53 | 0:05:55 | |
Whilst I was there, I bumped into award-winning British MC Wretch 32. | 0:05:56 | 0:06:01 | |
-All right. -I was hoping to see you guys today as well. | 0:06:01 | 0:06:04 | |
-Do any of you have any coins, any change? -I've got some. | 0:06:04 | 0:06:07 | |
You got some, yeah? I just need, like, one coin. | 0:06:07 | 0:06:09 | |
Yeah, just one coin will do. | 0:06:14 | 0:06:16 | |
Um, just 10p. | 0:06:16 | 0:06:18 | |
Yeah? I'm going to use this glass. | 0:06:18 | 0:06:20 | |
I'll take the coin. | 0:06:22 | 0:06:23 | |
Watch. | 0:06:24 | 0:06:25 | |
-ALL: -Whoa! | 0:06:29 | 0:06:31 | |
What the...?! | 0:06:36 | 0:06:38 | |
GASPING | 0:06:38 | 0:06:40 | |
Oh, my God. | 0:06:40 | 0:06:41 | |
-Do you know how hot that would have to be? -Is it hot? | 0:06:41 | 0:06:44 | |
Yeah. | 0:06:44 | 0:06:46 | |
It's like it's not scientifically possible, man. How can you do that? | 0:06:46 | 0:06:49 | |
-How can you do that? -I don't know, man. | 0:06:49 | 0:06:51 | |
Can you undo your shoelace? | 0:06:56 | 0:06:58 | |
I'll do mine as well. | 0:07:00 | 0:07:02 | |
And is that Sellotape behind you? Can you pass me that? | 0:07:07 | 0:07:10 | |
Scaring me... | 0:07:16 | 0:07:18 | |
-THEY LAUGH -Now what's he going to do?! | 0:07:18 | 0:07:20 | |
A bit of tape. | 0:07:22 | 0:07:23 | |
-If you want to grab hold of your lace there, yeah? -This one here? | 0:07:23 | 0:07:26 | |
Yeah. I've got mine here, yeah. Just make the ends touch. | 0:07:26 | 0:07:29 | |
Just hold it right there. | 0:07:29 | 0:07:30 | |
I'm just going to tape the ends together, yeah? | 0:07:30 | 0:07:33 | |
Can you see that? Can everyone see that? | 0:07:36 | 0:07:39 | |
-Yeah. -Yeah. -So now our laces are attached, right? | 0:07:39 | 0:07:41 | |
-Yeah. -Yeah? | 0:07:41 | 0:07:43 | |
What's weird is, look, | 0:07:44 | 0:07:46 | |
-there it is, it's almost like they're linked, yeah? -Yeah. | 0:07:46 | 0:07:49 | |
I'll pull this. If I kind of... | 0:07:49 | 0:07:51 | |
THEY LAUGH | 0:07:55 | 0:07:57 | |
Oh, my God! | 0:07:57 | 0:07:59 | |
Watch this. Watch this. | 0:08:03 | 0:08:05 | |
Look. If I take the ends, yeah? | 0:08:05 | 0:08:08 | |
If I take the ends... | 0:08:08 | 0:08:10 | |
THEY LAUGH | 0:08:12 | 0:08:13 | |
-Take them laces out, man! -No! | 0:08:19 | 0:08:20 | |
THEY LAUGH | 0:08:20 | 0:08:22 | |
Now you've got six toes! | 0:08:22 | 0:08:24 | |
I want to try one last thing. | 0:08:29 | 0:08:30 | |
There's hundreds, if not thousands, of pairs of sneakers in here. | 0:08:30 | 0:08:35 | |
Wretch, I want you to have a look around the display cabinets | 0:08:35 | 0:08:39 | |
and just pick a pair. | 0:08:39 | 0:08:40 | |
Yeah? | 0:08:40 | 0:08:41 | |
Just stand up and have a little walk around. | 0:08:41 | 0:08:44 | |
When you've got a pair, just point them out to me. | 0:08:44 | 0:08:47 | |
This pair. | 0:08:53 | 0:08:54 | |
OK. | 0:08:56 | 0:08:57 | |
Right. Do me a favour. Hold your hands out like this. | 0:08:57 | 0:08:59 | |
Then just tell me if you feel the heat. | 0:09:01 | 0:09:05 | |
Yeah. | 0:09:07 | 0:09:08 | |
Yeah, you feel that, yeah? | 0:09:08 | 0:09:09 | |
Right. | 0:09:11 | 0:09:12 | |
Do me a favour. Just back up a little bit. | 0:09:12 | 0:09:14 | |
Everyone back up a little bit over there. Back up like this. | 0:09:14 | 0:09:17 | |
Right... | 0:09:20 | 0:09:21 | |
-Whoa! -Shut up! | 0:09:30 | 0:09:32 | |
Whoa! | 0:09:32 | 0:09:34 | |
THEY LAUGH | 0:09:38 | 0:09:40 | |
Is that hot? | 0:09:44 | 0:09:45 | |
Whoa, yes. | 0:09:45 | 0:09:47 | |
-Like, your hand would never be able to get that hot. -Nah. | 0:09:51 | 0:09:54 | |
I'm not shaking his hand! | 0:09:57 | 0:09:59 | |
-He came in, that same glass was there. -It's engraved. | 0:10:08 | 0:10:12 | |
When you see it in the flesh, it's unreal. | 0:10:12 | 0:10:14 | |
-Yeah. It's unreal. -It's like how, how? -Crazy, man. | 0:10:14 | 0:10:17 | |
-It's unreal. -Can't explain it. | 0:10:17 | 0:10:18 | |
I was scared, man. I didn't know what was going to happen. | 0:10:18 | 0:10:22 | |
It's like, "Whoa, what's he going to do?!" | 0:10:22 | 0:10:24 | |
It's crazy, man. | 0:10:24 | 0:10:25 | |
They say a magician should never reveal his secrets | 0:10:31 | 0:10:35 | |
but sometimes the secret is where the real magic lies. | 0:10:35 | 0:10:38 | |
Have you seen where I put the phone in the bottle? | 0:10:40 | 0:10:42 | |
-ALL: -Yeah. | 0:10:42 | 0:10:44 | |
I want to show you how I do it. | 0:10:48 | 0:10:50 | |
Can I try something with yours? | 0:10:50 | 0:10:52 | |
-You're not going to break it? -I'm not going to break it. I promise. | 0:10:53 | 0:10:56 | |
-Yeah? -I trust you. | 0:10:56 | 0:10:58 | |
Do any of you have a bottle? | 0:10:58 | 0:10:59 | |
-No. -I do. | 0:10:59 | 0:11:00 | |
-You got one? Is there anything in there? -Yeah. | 0:11:00 | 0:11:02 | |
Can you finish it off or just pour it out? | 0:11:02 | 0:11:06 | |
So we've got a bottle and we've got a phone. | 0:11:06 | 0:11:09 | |
So this is how I do it, yeah? | 0:11:09 | 0:11:10 | |
I take the phone and first... | 0:11:10 | 0:11:13 | |
I shrink it. | 0:11:13 | 0:11:14 | |
-What?! -Oh! | 0:11:14 | 0:11:16 | |
-Whoa! -Then it's a small phone, yeah? | 0:11:17 | 0:11:20 | |
Then take your bottle... | 0:11:20 | 0:11:23 | |
How's he done that?! | 0:11:25 | 0:11:27 | |
..so we can fit it inside the bottle. | 0:11:27 | 0:11:30 | |
Yeah? | 0:11:30 | 0:11:32 | |
-So that's how you get it into the bottle. -Yeah. | 0:11:34 | 0:11:36 | |
But then you need to take it and you need to make it bigger again. | 0:11:36 | 0:11:40 | |
CROWD CLAMOUR | 0:11:40 | 0:11:41 | |
Now he's got to smash the phone and the bottle to get it out. | 0:11:41 | 0:11:44 | |
That's how I get it inside the bottle. | 0:11:44 | 0:11:46 | |
Will you get it out now? | 0:11:46 | 0:11:48 | |
Guys, that's it's up to you on how you get it out. | 0:11:48 | 0:11:50 | |
But actually, just to verify, can you call... Have you got her number? | 0:11:50 | 0:11:53 | |
-Can you call her phone? -Yeah. | 0:11:53 | 0:11:54 | |
How are you going to get that out?! | 0:11:54 | 0:11:56 | |
-Can I have my phone back?! -How are you going to answer...? | 0:11:56 | 0:11:58 | |
Oh, my God! | 0:11:58 | 0:12:00 | |
The phone's real! | 0:12:00 | 0:12:01 | |
-Nat! Nat, you're calling me! -Yeah. | 0:12:01 | 0:12:03 | |
Where is he? | 0:12:03 | 0:12:05 | |
Hello! | 0:12:05 | 0:12:07 | |
Oh, my God. Can I take a picture?! | 0:12:07 | 0:12:09 | |
How do I answer my phone?! | 0:12:09 | 0:12:11 | |
Thank you. | 0:12:16 | 0:12:18 | |
Where's Dynamo? | 0:12:18 | 0:12:19 | |
Dynamo! | 0:12:19 | 0:12:20 | |
How do I get my phone back?! | 0:12:20 | 0:12:22 | |
I love coming home. My heart will always be in Bradford. | 0:12:31 | 0:12:35 | |
It was here that I started filming my adventures with my mate, Marcus. | 0:12:35 | 0:12:38 | |
Got it, oops... Action! | 0:12:38 | 0:12:40 | |
All right. Yeah, hi, everyone. My name's Dynamo. | 0:12:40 | 0:12:42 | |
I'm a magician from Bradford, which is where we are now. | 0:12:42 | 0:12:46 | |
Um... The camera guy here, that's Marcus. | 0:12:46 | 0:12:49 | |
Hello. | 0:12:49 | 0:12:50 | |
-THEY LAUGH -Oh, my God! | 0:12:53 | 0:12:55 | |
What?! | 0:12:58 | 0:13:00 | |
Oh, look! | 0:13:00 | 0:13:01 | |
For many people, Bradford can seem like a bleak, rundown place. | 0:13:06 | 0:13:10 | |
But it's the people who live here that make the city's heart beat. | 0:13:10 | 0:13:14 | |
When I'm in town, I always drop in on my nanna and gramps | 0:13:14 | 0:13:17 | |
to see how they're doing. | 0:13:17 | 0:13:18 | |
-Have you missed me? -Yeah. Missed you very much. | 0:13:20 | 0:13:23 | |
He misses you a lot, love. | 0:13:23 | 0:13:24 | |
How's your love life? | 0:13:24 | 0:13:26 | |
-My love life? Um... -Non-existent. | 0:13:26 | 0:13:28 | |
Eh?! | 0:13:28 | 0:13:30 | |
The Greenwood pub is my family's local. | 0:13:32 | 0:13:34 | |
It's always nice to make a surprise visit when I'm in town, | 0:13:34 | 0:13:37 | |
and it's my nan's second home, | 0:13:37 | 0:13:39 | |
I've been trying to impress my nan for the last 20 years. | 0:13:44 | 0:13:48 | |
-Do you still do crosswords? -Mm. -You do, yeah? -Yeah. | 0:13:48 | 0:13:51 | |
So if you're doing that crossword, Nan, | 0:13:51 | 0:13:53 | |
how long do you think it'd take you to do it? | 0:13:53 | 0:13:55 | |
Oh, if I've got my good glasses... | 0:13:55 | 0:13:57 | |
-..ten minutes. -Ten minutes? That's pretty quick. | 0:13:58 | 0:14:01 | |
-If I've got my good glasses at home and my good pen. -Your good pen. | 0:14:01 | 0:14:04 | |
Do you think that's the fastest you could do it, yeah? | 0:14:04 | 0:14:07 | |
Right. Let me have a look at it. | 0:14:07 | 0:14:09 | |
-Ten minutes? You're optimistic, aren't you? -Very! | 0:14:14 | 0:14:16 | |
Watch this. | 0:14:16 | 0:14:17 | |
That's it, yeah. Yeah. | 0:14:22 | 0:14:23 | |
Even to this day, she's still not impressed. | 0:14:23 | 0:14:26 | |
I did it quickly, then, didn't I? | 0:14:26 | 0:14:28 | |
I did that in two seconds. | 0:14:30 | 0:14:34 | |
SHE LAUGHS | 0:14:34 | 0:14:36 | |
Right, have you done with me now? | 0:14:38 | 0:14:40 | |
# Baby, it's you It's you, just you. # | 0:14:40 | 0:14:45 | |
My life has changed so much over the past few years, | 0:14:48 | 0:14:51 | |
but it's good to know that my friends are along for the ride. | 0:14:51 | 0:14:55 | |
Despite crashing my car in Austria... | 0:14:56 | 0:14:58 | |
We had to change lanes. | 0:14:58 | 0:15:00 | |
..Gilera had somehow managed to blag his way into becoming my driver. | 0:15:00 | 0:15:04 | |
Let's go! | 0:15:04 | 0:15:06 | |
And whenever I come home, I always catch up with my two oldest mates, | 0:15:06 | 0:15:09 | |
Marcus and Johnny. | 0:15:09 | 0:15:11 | |
It's that long ago I don't remember when I first, first met him. | 0:15:11 | 0:15:14 | |
In fact, you know what? I do. | 0:15:14 | 0:15:15 | |
We were hanging out, just skateboarding, | 0:15:15 | 0:15:17 | |
just having fun, you know what I mean, | 0:15:17 | 0:15:19 | |
and obviously he turned up, lived on t'estate over t'road. | 0:15:19 | 0:15:22 | |
# Something tells me I'm almost there | 0:15:22 | 0:15:26 | |
# On my trip to outer space... # | 0:15:26 | 0:15:28 | |
On this particular evening, we were on our way to a nightclub | 0:15:28 | 0:15:31 | |
on the outskirts of Bradford. | 0:15:31 | 0:15:33 | |
What is this party? | 0:15:33 | 0:15:34 | |
My friend from London, Mr Simons, he's come up and he's DJing. | 0:15:34 | 0:15:38 | |
I don't really know what it is but, you know... | 0:15:38 | 0:15:41 | |
Have you got us some VIP tickets? | 0:15:41 | 0:15:42 | |
Yeah, we'll go up on the stage and DJ with him, innit? | 0:15:42 | 0:15:46 | |
-On stage?! -Yeah. | 0:15:46 | 0:15:47 | |
I'm a bit shy, you know(!) | 0:15:47 | 0:15:48 | |
-This is it, man. -Let's party! | 0:15:50 | 0:15:52 | |
Let's go, Dynamosity. | 0:15:55 | 0:15:57 | |
-MC: -Make some noise! | 0:15:57 | 0:15:58 | |
GRIME MUSIC | 0:15:58 | 0:16:01 | |
When we were younger, it was always tough getting into places. | 0:16:08 | 0:16:12 | |
The bouncers would always hassle us, | 0:16:12 | 0:16:13 | |
and I used to perform just to get us through the door. | 0:16:13 | 0:16:16 | |
Now things are different. | 0:16:19 | 0:16:21 | |
-MC: -Yo. Give it up for Dynamo, yeah? | 0:16:33 | 0:16:35 | |
CHEERING | 0:16:35 | 0:16:36 | |
The problem nowadays isn't getting into places, | 0:16:45 | 0:16:48 | |
it's the getting out. | 0:16:48 | 0:16:49 | |
But, no matter what's in front of me, | 0:16:49 | 0:16:52 | |
I always find a way to leave by the front door. | 0:16:52 | 0:16:54 | |
I travel so much nowadays, | 0:17:22 | 0:17:24 | |
it seems like my feet hardly touch the ground. | 0:17:24 | 0:17:27 | |
Whoa. | 0:17:27 | 0:17:29 | |
From city to city... | 0:17:31 | 0:17:33 | |
APPLAUSE | 0:17:35 | 0:17:36 | |
..country to country, | 0:17:38 | 0:17:40 | |
I watch as the world flashes before my eyes. | 0:17:40 | 0:17:42 | |
SIREN BLARES | 0:17:42 | 0:17:43 | |
Sometimes, it all feels like a dream. | 0:17:51 | 0:17:54 | |
I often fall asleep and, when I wake up, | 0:17:54 | 0:17:56 | |
the whole world around me has changed. | 0:17:56 | 0:17:58 | |
MUSIC: Are You Not Entertained by Dot Rotten | 0:17:59 | 0:18:01 | |
# I don't know if you know why I'm here | 0:18:01 | 0:18:03 | |
# But you need to know that I stand here with a purpose | 0:18:03 | 0:18:06 | |
# I came to rock the crowd And make everybody scream out loud | 0:18:06 | 0:18:09 | |
# My aim is to work it Are you not entertained? # | 0:18:09 | 0:18:13 | |
Oh, wait! No, no! | 0:18:23 | 0:18:26 | |
Don't do it! | 0:18:28 | 0:18:29 | |
Dude, you're doing it! | 0:18:29 | 0:18:31 | |
Oh, my God. Oh, my God. | 0:18:31 | 0:18:34 | |
Oh, my God. | 0:18:38 | 0:18:41 | |
Huh? | 0:18:45 | 0:18:47 | |
-No. -Are you going to pull it out? | 0:18:47 | 0:18:49 | |
-Are you wearing it? -Oh, my God. | 0:18:49 | 0:18:51 | |
Can you hold that up there? | 0:18:51 | 0:18:53 | |
No way. No way. | 0:18:54 | 0:18:57 | |
Shut up. Oh, my God. | 0:18:58 | 0:19:01 | |
Oh, my God. | 0:19:01 | 0:19:03 | |
SHE SCREAMS | 0:19:03 | 0:19:04 | |
Oh, my God. | 0:19:06 | 0:19:08 | |
Oh, my God! | 0:19:08 | 0:19:11 | |
Is this happening right now?! This is not happening right now. | 0:19:11 | 0:19:14 | |
This is not happening. This is not happening right now. | 0:19:14 | 0:19:17 | |
Oh, my God. | 0:19:19 | 0:19:21 | |
Is there, like, guts? | 0:19:24 | 0:19:25 | |
Sometimes, I wonder how I ended up here, | 0:19:41 | 0:19:43 | |
at a pool party in the middle of a desert with all these people. | 0:19:43 | 0:19:48 | |
It all seems like a blur. | 0:19:48 | 0:19:49 | |
But, before I know it, I'm back on a flight to the next destination. | 0:19:49 | 0:19:53 | |
-Is that your can of Coke there? -It is. | 0:20:12 | 0:20:15 | |
I want to try something. Just keep hold of it tight, yeah. | 0:20:15 | 0:20:17 | |
-Don't take it out of your sight. Is this your daughter? -Yeah. | 0:20:17 | 0:20:20 | |
Can I take your drink as well? Is that all right? | 0:20:20 | 0:20:22 | |
So, I've got... What's your name, sorry? | 0:20:22 | 0:20:25 | |
-Evie. -Evie. So I've got Evie's Tango. | 0:20:25 | 0:20:28 | |
Right. Let's try this. | 0:20:28 | 0:20:30 | |
Coke, Tango. Watch. | 0:20:30 | 0:20:32 | |
Oh, my God. | 0:20:41 | 0:20:42 | |
We've got some of the Coke, yeah? | 0:20:44 | 0:20:47 | |
Oh! No way! | 0:20:54 | 0:20:57 | |
Oh! | 0:20:57 | 0:20:58 | |
INAUDIBLE | 0:20:58 | 0:20:59 | |
No way! | 0:20:59 | 0:21:01 | |
-If this is the Coke, you must have the Tango. -No way! -Open it up. | 0:21:03 | 0:21:06 | |
No, no, no, no, no. | 0:21:06 | 0:21:09 | |
I'm freaking out here! | 0:21:09 | 0:21:10 | |
Oh, my God! No way! | 0:21:12 | 0:21:16 | |
Is this orange, yeah? | 0:21:16 | 0:21:17 | |
Taste it. | 0:21:17 | 0:21:19 | |
Taste it. Is that Tango? | 0:21:19 | 0:21:20 | |
-Yeah. -Oh, my God! | 0:21:22 | 0:21:23 | |
Check. Is that Coke? Open that up and taste it. | 0:21:23 | 0:21:26 | |
Is that Coke? | 0:21:26 | 0:21:27 | |
It's tight as well. | 0:21:27 | 0:21:28 | |
-Yeah. -Oh wow. | 0:21:32 | 0:21:34 | |
-That's superb! -Mad! | 0:21:34 | 0:21:36 | |
That is making me sick! | 0:21:36 | 0:21:38 | |
Walking past, my wife says, "That's Dynamo." | 0:21:41 | 0:21:43 | |
We walk over and, the next thing we know, he's turned Coke into Tango... | 0:21:43 | 0:21:46 | |
I've got Coke in my Tango bottle. | 0:21:46 | 0:21:48 | |
..and Tango into Coke. That's unbelievable. | 0:21:48 | 0:21:51 | |
That was freaky. I mean, really freaky. | 0:21:51 | 0:21:54 | |
I was visiting a studio in North London | 0:22:00 | 0:22:02 | |
to meet one of my favourite recording artists, Labrinth. | 0:22:02 | 0:22:05 | |
Candy man, Candy man, candy man, candy man. | 0:22:05 | 0:22:08 | |
MUSIC: Earthquake by Labrinth | 0:22:08 | 0:22:10 | |
CROWD CLAMOUR | 0:22:10 | 0:22:12 | |
That's a rap! | 0:22:12 | 0:22:14 | |
-That's you. -Yep. | 0:22:16 | 0:22:18 | |
I want you to think of a song from the first album. | 0:22:21 | 0:22:25 | |
Yeah. Got it in mind. | 0:22:25 | 0:22:26 | |
It begins with S. All right? | 0:22:33 | 0:22:34 | |
There's a couple of songs on the album that begin with S. | 0:22:36 | 0:22:38 | |
Yeah. | 0:22:38 | 0:22:40 | |
You know what? Actually, it's not one word, it's two. | 0:22:43 | 0:22:46 | |
You're right. | 0:22:46 | 0:22:47 | |
THEY LAUGH | 0:22:47 | 0:22:49 | |
Sweet Riot. | 0:22:49 | 0:22:50 | |
No, it was right, bro. Got it insanely right. | 0:22:53 | 0:22:56 | |
I thought I could get you to sign this for me | 0:23:00 | 0:23:03 | |
cos you've got my album so I've got yours. | 0:23:03 | 0:23:05 | |
-Or your DVD, anyway. -No worries. Yeah. | 0:23:05 | 0:23:08 | |
If I'm going to do it, I might as well do it, you know, | 0:23:08 | 0:23:10 | |
in my typical style. | 0:23:10 | 0:23:12 | |
Yeah? Right, watch. | 0:23:12 | 0:23:14 | |
This guy's insane! | 0:23:22 | 0:23:24 | |
Oh, my life! | 0:23:24 | 0:23:26 | |
It's still in the wrapper! | 0:23:26 | 0:23:27 | |
I don't know what to say, bruv. I really don't. | 0:23:32 | 0:23:34 | |
This guy's the next level. | 0:23:34 | 0:23:35 | |
He just signed my DVD with the wrapper on and it is pen, | 0:23:35 | 0:23:38 | |
cos I can see. | 0:23:38 | 0:23:40 | |
But he's done it with his mind. It's so weird! | 0:23:40 | 0:23:44 | |
What's wrong with this guy?! I'm still scratching my head. | 0:23:44 | 0:23:47 | |
Like, yeah, I'm trying to work it out. I'm a sceptic. | 0:23:47 | 0:23:50 | |
I've got to tell you, I'm definitely a sceptic, | 0:23:50 | 0:23:52 | |
but today he's made me a believer, man. | 0:23:52 | 0:23:55 | |
No strings attached. | 0:23:55 | 0:23:58 | |
It is literally magic! | 0:23:58 | 0:24:00 | |
I had the world at my feet. | 0:24:03 | 0:24:05 | |
I was living the dream, and it seemed like nothing could stop me. | 0:24:05 | 0:24:08 | |
But suddenly, everything changed and my life was turned upside down. | 0:24:08 | 0:24:13 | |
My grandpa, who had raised me | 0:24:13 | 0:24:14 | |
and given me the belief to follow my dreams, | 0:24:14 | 0:24:16 | |
became extremely sick overnight | 0:24:16 | 0:24:19 | |
and was given days to live by the doctors. | 0:24:19 | 0:24:21 | |
As soon as he found out, he was up North, at his side, | 0:24:21 | 0:24:24 | |
didn't hesitate to get back up. | 0:24:24 | 0:24:26 | |
Just came home and just spent time with him, | 0:24:26 | 0:24:29 | |
to be honest, just to say goodbye. | 0:24:29 | 0:24:30 | |
Ken brought him up from quite a young age, | 0:24:33 | 0:24:35 | |
taught him everything he knew. | 0:24:35 | 0:24:37 | |
He got him into magic. | 0:24:37 | 0:24:38 | |
He even taught him how to swim, ride a bike, everything, | 0:24:38 | 0:24:41 | |
you know what I mean? | 0:24:41 | 0:24:42 | |
Life and soul of the party, always smiling, always laughing, | 0:24:42 | 0:24:45 | |
joking, giggling. | 0:24:45 | 0:24:47 | |
On Wednesday, 29th February 2012, my grandpa, Kenneth Walsh, passed away. | 0:24:50 | 0:24:56 | |
You can tell when you speak to him, | 0:25:00 | 0:25:01 | |
he's a bit more subdued and a bit more thoughtful. | 0:25:01 | 0:25:04 | |
# I feel lost so I'm looking out... # | 0:25:06 | 0:25:10 | |
It's a brave face, I think. | 0:25:10 | 0:25:11 | |
I think it's affecting him more than he likes to admit. | 0:25:11 | 0:25:14 | |
It's been hard to know that someone that he's cared about so much | 0:25:14 | 0:25:18 | |
has gone and he's got to fill that void, | 0:25:18 | 0:25:21 | |
and it's just trying to help him, really. | 0:25:21 | 0:25:23 | |
I think Ken would have wanted him to have a bit of a cry and get over it | 0:25:23 | 0:25:27 | |
sooner rather than later and don't drag it out, and then obviously get | 0:25:27 | 0:25:30 | |
back to what he's doing, cos it's all thanks to him why he's doing it. | 0:25:30 | 0:25:34 | |
After my grandpa passed, I locked myself away in Bradford for weeks. | 0:25:46 | 0:25:50 | |
I didn't want to see anybody or hear from anyone. | 0:25:50 | 0:25:53 | |
It was like the magic had died with him. | 0:25:53 | 0:25:55 | |
It was a long time before I performed any magic again, | 0:25:57 | 0:25:59 | |
but slowly I started to venture out | 0:25:59 | 0:26:01 | |
and let the cameras back into my life. | 0:26:01 | 0:26:04 | |
# Let the sun shine Let the sun shine, baby. # | 0:26:06 | 0:26:10 | |
A month later, I finally headed back down to London, | 0:26:10 | 0:26:13 | |
where Labrinth had invited me to his acoustic show | 0:26:13 | 0:26:16 | |
at London's biggest music store, HMV. | 0:26:16 | 0:26:19 | |
# Back then when I was man | 0:26:22 | 0:26:27 | |
# Kiss me like you used to | 0:26:27 | 0:26:31 | |
# Get your party going | 0:26:31 | 0:26:35 | |
# Let me get your party going | 0:26:36 | 0:26:40 | |
# Oh, no. # | 0:26:44 | 0:26:46 | |
CHEERING | 0:26:46 | 0:26:48 | |
For some reason, being back in London didn't feel right. | 0:26:54 | 0:26:58 | |
Something had changed. | 0:26:58 | 0:27:00 | |
Have you ever had a time in your life when things get on top of you, | 0:27:00 | 0:27:03 | |
when it feels like there's no escape | 0:27:03 | 0:27:04 | |
and all you want to do is vanish into thin air? | 0:27:04 | 0:27:07 | |
MUSIC: Let You Go by Chase & Status | 0:27:07 | 0:27:09 | |
# There's nowhere to run No place you can go | 0:27:09 | 0:27:13 | |
# Nowhere you can hide Where you won't be found. # | 0:27:13 | 0:27:16 | |
'When you speak to him, he's a bit more subdued | 0:27:16 | 0:27:18 | |
'and a bit more thoughtful.' | 0:27:18 | 0:27:20 | |
# Wherever you are I will track you down | 0:27:20 | 0:27:24 | |
# There's no way in hell I will let you leave. # | 0:27:24 | 0:27:27 | |
'I think it's affecting him more than he likes to admit.' | 0:27:27 | 0:27:30 | |
# There's no way on earth Hell would have to freeze | 0:27:30 | 0:27:34 | |
# More than twice before I will let you go. # | 0:27:34 | 0:27:39 | |
Whoa! | 0:27:41 | 0:27:43 | |
What?! | 0:27:44 | 0:27:47 | |
Oh, my God! | 0:27:47 | 0:27:49 | |
No, no, no way! | 0:27:49 | 0:27:51 | |
Oh, my God! | 0:27:51 | 0:27:52 | |
That's ridiculous! | 0:27:53 | 0:27:55 | |
Don't touch it. | 0:27:55 | 0:27:57 | |
'I don't know where he went. I don't know what happened.' | 0:28:01 | 0:28:04 | |
That was incredible. | 0:28:04 | 0:28:06 | |
-He walked round the corner... -He just disappeared. | 0:28:06 | 0:28:08 | |
We followed him to get a couple more and that's it, he's gone. | 0:28:08 | 0:28:11 | |
-He's disappeared. -In front of me. | 0:28:11 | 0:28:13 | |
-Where is he? -He's gone! -Crazy! | 0:28:13 | 0:28:15 | |
MUSIC: Crawl by Matthew Acheson | 0:28:19 | 0:28:21 | |
# Cos I am the charm that kills the storm | 0:28:21 | 0:28:23 | |
# I am the gun that keeps you warm | 0:28:23 | 0:28:26 | |
# I am the calm that fits your need | 0:28:26 | 0:28:29 | |
# And when you are lost on foreign ground | 0:28:33 | 0:28:36 | |
# Go out of my way till you are found | 0:28:36 | 0:28:40 | |
# With loving hands I'll stop the bleed. # | 0:28:40 | 0:28:45 |