Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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SIRENS WAIL | 0:00:08 | 0:00:11 | |
HELICOPTER WHIRS | 0:00:13 | 0:00:15 | |
HELICOPTER WHIRS | 0:00:26 | 0:00:29 | |
MUSIC: Breathe (Emalkay Remix) by Delilah | 0:00:33 | 0:00:37 | |
# I am strong when I'm quiet | 0:00:38 | 0:00:43 | |
# I never let you see me stall | 0:00:43 | 0:00:49 | |
# Only play on an open court... # | 0:00:50 | 0:00:54 | |
CAR ALARMS SHRIEK | 0:00:57 | 0:01:01 | |
# I cannot breathe. # | 0:01:02 | 0:01:10 | |
Right now, I'm going to take you on a journey into my world. | 0:01:16 | 0:01:19 | |
-CROWD: -Whoa! | 0:01:28 | 0:01:30 | |
In this episode, I go on an all-American adventure... | 0:01:32 | 0:01:35 | |
..from the shores of Venice Beach... | 0:01:38 | 0:01:40 | |
No! No! | 0:01:40 | 0:01:42 | |
..to the bright lights of the Vegas Strip. | 0:01:42 | 0:01:44 | |
Watch as I go on a road trip into magic's heartland... | 0:01:46 | 0:01:49 | |
I have never seen that before in my life. | 0:01:50 | 0:01:53 | |
..and bring some amazement to the US of A. | 0:01:53 | 0:01:55 | |
Awesome. | 0:01:55 | 0:01:57 | |
My name's Steven Frayne, but most people call me Dynamo. | 0:01:58 | 0:02:02 | |
MUSIC: For The Love Of Money by The O'Jays | 0:02:04 | 0:02:07 | |
# Money, money, money, money | 0:02:14 | 0:02:17 | |
# Money... # | 0:02:17 | 0:02:19 | |
I hear you're the best, man. | 0:02:19 | 0:02:20 | |
I'm the best. | 0:02:20 | 0:02:22 | |
# Money... # | 0:02:22 | 0:02:24 | |
I'm a master of pantomime mixed with robot. | 0:02:24 | 0:02:27 | |
# Money, money, money, money Money... # | 0:02:27 | 0:02:31 | |
Sick. | 0:02:31 | 0:02:33 | |
That's sick. | 0:02:33 | 0:02:35 | |
# Money... # | 0:02:35 | 0:02:37 | |
-Sick. -Pleased to meet you. | 0:02:40 | 0:02:42 | |
-All right. -All right. CHEERING | 0:02:42 | 0:02:45 | |
You showed me your thing - | 0:02:45 | 0:02:46 | |
-I've got to show you one thing, real quick. -All right. | 0:02:46 | 0:02:49 | |
-So, you made this yourself, right? -Yes. | 0:02:49 | 0:02:51 | |
-Sick. -It's got a little style. | 0:02:51 | 0:02:53 | |
-That's a lot of money, right there. -That's a lot of money. | 0:02:53 | 0:02:56 | |
I'll tell you what, just grab hold of my wrist. | 0:02:56 | 0:03:00 | |
With this hand? | 0:03:00 | 0:03:01 | |
Yeah. Just watch. | 0:03:01 | 0:03:03 | |
# Do things, bad things with it | 0:03:03 | 0:03:06 | |
# Well, you wanna | 0:03:07 | 0:03:10 | |
# Do things Do things | 0:03:10 | 0:03:12 | |
# Do things Do things with it | 0:03:12 | 0:03:15 | |
# Yeah, yeah | 0:03:17 | 0:03:19 | |
# Girl, yeah | 0:03:19 | 0:03:22 | |
# For the love of money... # | 0:03:25 | 0:03:26 | |
You've got to be kidding me, man. | 0:03:26 | 0:03:28 | |
-I'm telling you, this man is ridiculous. -Uh-oh. | 0:03:30 | 0:03:34 | |
Wow! | 0:03:35 | 0:03:37 | |
Well, he, you know, he could have just asked me for 50 bucks. | 0:03:37 | 0:03:40 | |
MUSIC: Black (ft Norah Jones) by Danger Mouse & Daniele Luppi | 0:03:40 | 0:03:44 | |
Venice Beach, California - | 0:03:44 | 0:03:46 | |
despite its glamorous reputation, this seaside town, | 0:03:46 | 0:03:49 | |
which sits along the North Pacific coastline, | 0:03:49 | 0:03:51 | |
feels more like a meeting point for lost souls. | 0:03:51 | 0:03:54 | |
I had arrived in the States three days earlier, | 0:03:55 | 0:03:58 | |
after spending the past month on the beaches and favelas of Rio, | 0:03:58 | 0:04:01 | |
which had been one of the most exhilarating experiences of my life. | 0:04:01 | 0:04:06 | |
After my South American trip, I jumped on a flight to the US, | 0:04:06 | 0:04:09 | |
where I wanted to catch a glimpse of this vast country. | 0:04:09 | 0:04:12 | |
# And all that's left is black... # | 0:04:12 | 0:04:15 | |
Route 93, Arizona. | 0:04:21 | 0:04:23 | |
I was heading towards Nevada, and then on to LA, | 0:04:27 | 0:04:30 | |
and was travelling through the Mojave Desert. | 0:04:30 | 0:04:33 | |
This was biker country, so I knew the locals would be hard to impress. | 0:04:33 | 0:04:38 | |
DOGS SNIFF | 0:04:38 | 0:04:40 | |
How are you doing? Are you all right? | 0:04:42 | 0:04:44 | |
-How are you doing? -Hey, man, cool? | 0:04:44 | 0:04:46 | |
Cool. | 0:04:46 | 0:04:47 | |
-How's it going? -It's not too bad, man. Not too bad. | 0:04:47 | 0:04:51 | |
Yeah, I don't need these out here. | 0:04:51 | 0:04:52 | |
I'm going to try something a bit fun, yeah? | 0:04:52 | 0:04:55 | |
This could hurt me. | 0:04:55 | 0:04:57 | |
It won't hurt you. | 0:04:57 | 0:04:58 | |
Everyone, just, all of you, just stand up. | 0:04:58 | 0:05:02 | |
Erm, you look quite strong. | 0:05:02 | 0:05:04 | |
You look extremely strapping and... | 0:05:04 | 0:05:07 | |
-I won't mess with you. -All right. | 0:05:07 | 0:05:10 | |
All of you, get in a line, so, if you stand there... | 0:05:10 | 0:05:12 | |
If you stand behind him and put your hands on his shoulders. | 0:05:12 | 0:05:15 | |
Yeah, stand like that. Yeah, stand like that, | 0:05:15 | 0:05:17 | |
and then you stand behind him and do the same thing - | 0:05:17 | 0:05:19 | |
put your hands on his shoulders. | 0:05:19 | 0:05:21 | |
Yeah. Perfect. | 0:05:22 | 0:05:24 | |
And if you put your hands on my shoulders. | 0:05:24 | 0:05:26 | |
Now, if you alone was just to push me now... | 0:05:26 | 0:05:29 | |
Just give me... Just push me. I'm going to go flying, right? | 0:05:29 | 0:05:31 | |
-You didn't put any effort in, there. -No. | 0:05:31 | 0:05:33 | |
-I would have fallen over, yeah? -Right. | 0:05:33 | 0:05:35 | |
I'm going to try and resist all three of you strong guys | 0:05:35 | 0:05:38 | |
-trying to push me over. -OK. -Yeah? | 0:05:38 | 0:05:41 | |
-One of two things could happen - I could get crushed... -Mm-hmm. | 0:05:41 | 0:05:44 | |
..I could die or I could survive | 0:05:44 | 0:05:46 | |
and we could tell this to people in years to come. | 0:05:46 | 0:05:48 | |
OK. | 0:05:48 | 0:05:49 | |
Now, just put your hands on my shoulders. | 0:05:49 | 0:05:52 | |
On the count of three I want you all to push, yeah? | 0:05:52 | 0:05:54 | |
One... | 0:06:02 | 0:06:04 | |
two... | 0:06:04 | 0:06:06 | |
three. | 0:06:06 | 0:06:07 | |
THEY GRUNT AND GROAN | 0:06:09 | 0:06:11 | |
THEY GRUNT | 0:06:13 | 0:06:15 | |
Phew. | 0:06:15 | 0:06:17 | |
CAMERA SHUTTER CLICKS | 0:06:22 | 0:06:24 | |
I've never seen anything like that | 0:06:24 | 0:06:26 | |
and, to be this close and see it, I don't have a clue. | 0:06:26 | 0:06:28 | |
I figured we'd all be laying down in a pile on top of the little guy. | 0:06:28 | 0:06:32 | |
I gave it everything I had - everything I had. | 0:06:32 | 0:06:35 | |
Pushed him as hard as I could. | 0:06:35 | 0:06:36 | |
He wasn't budging an inch. | 0:06:36 | 0:06:38 | |
Well, you know the old saying - "Dynamite comes in small packages." | 0:06:38 | 0:06:41 | |
Yeah, we're not far from Vegas - | 0:06:44 | 0:06:45 | |
he should go to Vegas and maybe try that stuff. | 0:06:45 | 0:06:48 | |
I'll back him up. | 0:06:48 | 0:06:49 | |
TYRES SCREECH | 0:06:55 | 0:06:57 | |
As I headed north, | 0:06:58 | 0:07:00 | |
I came across a drifting school in the middle of the desert. | 0:07:00 | 0:07:02 | |
TYRES SCREECH | 0:07:02 | 0:07:05 | |
I love driving, and nothing seemed like more fun than tearing it | 0:07:05 | 0:07:08 | |
around on an abandoned highway. | 0:07:08 | 0:07:10 | |
TYRES SCREECH | 0:07:13 | 0:07:15 | |
I wanted to try something with the drivers, so, during a break, | 0:07:15 | 0:07:18 | |
I managed to grab some time with them. | 0:07:18 | 0:07:20 | |
Take out any card. | 0:07:21 | 0:07:23 | |
MUSIC: I Can't Hear You by The Dead Weather | 0:07:23 | 0:07:26 | |
I want you to put your signature on there. | 0:07:26 | 0:07:29 | |
Yeah, on this side, yeah? | 0:07:29 | 0:07:30 | |
All right. | 0:07:30 | 0:07:32 | |
And maybe do a smiley face or something, so it's totally unique. | 0:07:34 | 0:07:37 | |
TYRES SCREECH | 0:07:37 | 0:07:39 | |
Show it to everybody and show it to the camera. | 0:07:42 | 0:07:44 | |
I'll put it about halfway down, all right? | 0:07:49 | 0:07:51 | |
Mix the cards up. | 0:07:51 | 0:07:53 | |
-Which one's your car? -The blue car. | 0:08:00 | 0:08:02 | |
-Oh, right in front of us. Perfect. -Yeah. | 0:08:02 | 0:08:04 | |
I want you to, basically, drive towards us relatively quickly. | 0:08:04 | 0:08:07 | |
Yeah, you're going to drive past me, I'm going to stand over there, | 0:08:07 | 0:08:10 | |
and stop, you know, give it a little skid before you kill everybody. | 0:08:10 | 0:08:14 | |
All right. | 0:08:14 | 0:08:15 | |
-Jump in your car. -All right. | 0:08:15 | 0:08:17 | |
Don't worry, guys, he's a professional. | 0:08:17 | 0:08:19 | |
Good luck, everyone. | 0:08:19 | 0:08:20 | |
-CHEERING AND APPLAUSE -Yeah! | 0:08:20 | 0:08:22 | |
And don't knock me over. | 0:08:24 | 0:08:26 | |
I'll try not to. | 0:08:26 | 0:08:28 | |
# You're stashing money | 0:08:28 | 0:08:30 | |
# There's rubies up your sleeve | 0:08:32 | 0:08:34 | |
# I'm gonna teach you... # | 0:08:34 | 0:08:37 | |
ENGINE ROARS | 0:08:37 | 0:08:40 | |
Are you ready? | 0:08:40 | 0:08:41 | |
Just roll forward a bit. | 0:08:52 | 0:08:54 | |
Stop. | 0:08:56 | 0:08:57 | |
Whoa! | 0:08:59 | 0:09:01 | |
WHISTLING | 0:09:04 | 0:09:06 | |
# Don't work on no-one else | 0:09:08 | 0:09:11 | |
# I'm gonna hear you... # | 0:09:11 | 0:09:14 | |
How does that happen? | 0:09:14 | 0:09:16 | |
CAMERA SHUTTER CLICKS | 0:09:16 | 0:09:18 | |
He told me to drive his... | 0:09:18 | 0:09:20 | |
drive my car at everyone and do a little skid. | 0:09:20 | 0:09:23 | |
He said he was going to do something with my card, but... | 0:09:23 | 0:09:26 | |
somehow he managed to place it on my front tyre. | 0:09:26 | 0:09:30 | |
I don't... I don't even know how that happened. | 0:09:30 | 0:09:32 | |
ENGINE ROARS | 0:09:32 | 0:09:36 | |
I wanted to learn from a professional, | 0:09:38 | 0:09:40 | |
so Eric agreed to take me out for a ride. | 0:09:40 | 0:09:43 | |
TYRES SCREECH | 0:09:43 | 0:09:45 | |
ENGINE ROARS | 0:09:49 | 0:09:52 | |
'After getting some pointers from Eric, | 0:10:01 | 0:10:03 | |
'I wanted to show them what I could do.' | 0:10:03 | 0:10:06 | |
So, first off, I need to borrow a car. | 0:10:06 | 0:10:08 | |
MUSIC: 60 Feet Tall by The Dead Weather | 0:10:08 | 0:10:11 | |
Don't all come at once, you know - don't all throw your keys at me. | 0:10:11 | 0:10:14 | |
You can borrow mine. | 0:10:14 | 0:10:16 | |
Thank you. Which one's yours? | 0:10:16 | 0:10:18 | |
-The red one. -Nice. | 0:10:18 | 0:10:20 | |
So, the rest of you guys, I want you to jump in your cars | 0:10:20 | 0:10:23 | |
and form a steel ring of cars around me and the car, yeah? | 0:10:23 | 0:10:28 | |
ENGINES PURR | 0:10:29 | 0:10:34 | |
Yeah, if you back up over this way. | 0:10:34 | 0:10:36 | |
ENGINES PURR | 0:10:36 | 0:10:40 | |
If you come further forward... | 0:10:40 | 0:10:42 | |
ENGINES PURR | 0:10:42 | 0:10:45 | |
Then we're getting these in. | 0:10:45 | 0:10:48 | |
Around here, yeah? | 0:10:48 | 0:10:49 | |
Can you... Can we get a bit tighter here? | 0:10:52 | 0:10:55 | |
Stop right there. Quite a big gap there. | 0:10:55 | 0:10:58 | |
Will you bring the truck in, yeah? | 0:10:58 | 0:11:01 | |
# I need constantly... # | 0:11:01 | 0:11:06 | |
All right, cool. | 0:11:06 | 0:11:07 | |
All the cars are ready. | 0:11:09 | 0:11:10 | |
# Hooked up to my motor all day long... # | 0:11:10 | 0:11:13 | |
You guys are cool. Check this out. | 0:11:13 | 0:11:15 | |
ENGINE ROARS | 0:11:31 | 0:11:35 | |
ENGINE ROARS | 0:11:42 | 0:11:46 | |
# I can take the trouble | 0:11:57 | 0:11:59 | |
# Cos I'm 60 feet tall | 0:11:59 | 0:12:03 | |
# I know it ain't easy | 0:12:31 | 0:12:34 | |
# I must tap your evil well | 0:12:34 | 0:12:37 | |
# Cos, boy, do you come roaring | 0:12:37 | 0:12:40 | |
# Like a bat out of hell | 0:12:40 | 0:12:43 | |
# You drive me so reckless | 0:12:43 | 0:12:46 | |
# You'll kill us all | 0:12:48 | 0:12:53 | |
# Hooked up to my motor | 0:12:53 | 0:12:57 | |
# All day long | 0:12:57 | 0:12:59 | |
# We go down to Texas | 0:12:59 | 0:13:02 | |
# Up to Montreal. # | 0:13:02 | 0:13:04 | |
I managed to hitch a lift with some bikers on their way to Vegas. | 0:13:09 | 0:13:13 | |
We headed down Route 93 - | 0:13:13 | 0:13:14 | |
a never-ending highway that cuts through the Arizona Desert | 0:13:14 | 0:13:17 | |
and is known as the loneliest road in America. | 0:13:17 | 0:13:20 | |
I could see why. | 0:13:20 | 0:13:23 | |
Riding through this open wilderness, | 0:13:23 | 0:13:25 | |
it made me realise how much of the celebrity life is just an illusion, | 0:13:25 | 0:13:29 | |
whereas the real world is a far harsher place. | 0:13:29 | 0:13:32 | |
We always hear about America's success stories | 0:13:32 | 0:13:35 | |
but, for everyone who makes it, thousands are left behind. | 0:13:35 | 0:13:39 | |
ENGINE PURRS | 0:13:39 | 0:13:41 | |
As dusk falls, the desert becomes pitch-black, | 0:13:43 | 0:13:47 | |
but, suddenly, a city of fire rises out of the darkness - | 0:13:47 | 0:13:50 | |
Las Vegas. | 0:13:50 | 0:13:52 | |
ENGINE RUMBLES | 0:14:01 | 0:14:04 | |
-Thanks very much, Mark. -You're welcome. | 0:14:04 | 0:14:06 | |
'The Venetian Hotel features a lifelike replica of Venice, | 0:14:23 | 0:14:27 | |
'complete with canals and gondolas. | 0:14:27 | 0:14:29 | |
'To get a feel for the place, | 0:14:29 | 0:14:31 | |
'I took a ride with two of the hotel guests.' | 0:14:31 | 0:14:33 | |
Can I have a look at your watch? | 0:14:38 | 0:14:40 | |
-Can I take it off? -Yes. | 0:14:41 | 0:14:42 | |
All right. Let's have a look, yeah. | 0:14:42 | 0:14:44 | |
It's pretty cool. Do you see that? | 0:14:50 | 0:14:52 | |
Do you know if it's waterproof? | 0:14:53 | 0:14:54 | |
-I don't know. -I have no clue. | 0:14:54 | 0:14:56 | |
Erm... | 0:15:01 | 0:15:03 | |
I guess it's not waterproof. | 0:15:04 | 0:15:05 | |
What? | 0:15:05 | 0:15:07 | |
Right. Is it gone? | 0:15:09 | 0:15:11 | |
Was it expensive? | 0:15:11 | 0:15:12 | |
Kind of. | 0:15:12 | 0:15:13 | |
-Just a touch. -A little bit. -A little bit. | 0:15:15 | 0:15:18 | |
Erm... | 0:15:18 | 0:15:19 | |
I'll tell you what - watch this. | 0:15:19 | 0:15:21 | |
Oh, God. | 0:15:21 | 0:15:22 | |
WATER SPLASHES | 0:15:25 | 0:15:27 | |
-Is that your watch? -That's a good one. -It is. | 0:15:35 | 0:15:38 | |
CAMERA SHUTTER CLICKS | 0:15:38 | 0:15:41 | |
Pretty much, he took my watch off and he threw it in the water. | 0:15:41 | 0:15:44 | |
Erm... | 0:15:44 | 0:15:45 | |
We went about, I don't know, ten seconds, | 0:15:45 | 0:15:48 | |
and he just reached his hand in the water and pulled it out and... | 0:15:48 | 0:15:50 | |
Trying to grab a fish, it seemed like. | 0:15:50 | 0:15:52 | |
-..and the watch was on his hand... -Yeah. | 0:15:52 | 0:15:54 | |
and I don't... | 0:15:54 | 0:15:56 | |
I can't explain it. It's crazy. | 0:15:56 | 0:15:58 | |
-You are really amazing, dude. -Pretty awesome. | 0:15:58 | 0:16:00 | |
-Yeah. -Thank you. -Like, this is... It was crazy. -That's crazy. | 0:16:00 | 0:16:02 | |
I have never seen that before in my life. | 0:16:02 | 0:16:05 | |
MUSIC: Watching The Detectives by Elvis Costello | 0:16:11 | 0:16:14 | |
The next afternoon, | 0:16:14 | 0:16:15 | |
I headed out on the 300-mile journey to LA - | 0:16:15 | 0:16:18 | |
this time by car. | 0:16:18 | 0:16:20 | |
After a few hours of driving in the intense heat, | 0:16:26 | 0:16:28 | |
I took a break at a local diner just off the highway. | 0:16:28 | 0:16:31 | |
# Nice girls not one with a defect | 0:16:35 | 0:16:38 | |
# Cellophane shrink-wrapped... # BELL RINGS | 0:16:38 | 0:16:40 | |
-Hey. -Here you go, our world-famous... | 0:16:40 | 0:16:42 | |
-Thank you. -..fabulous, amazing burger. | 0:16:42 | 0:16:45 | |
-Thank you very much. -OK? Outstanding. | 0:16:45 | 0:16:47 | |
# She looks so good that he gets down and begs | 0:16:49 | 0:16:55 | |
HE SLURPS # She is watching the detectives | 0:16:55 | 0:16:59 | |
# Ooh, he's so cute... # | 0:16:59 | 0:17:01 | |
Hey! How was everything? | 0:17:01 | 0:17:02 | |
You said it would be the best burger ever. | 0:17:02 | 0:17:04 | |
Did I did not tell you? World-famous burger. | 0:17:04 | 0:17:06 | |
-The best burger I've ever had. -I hear it all the time. | 0:17:06 | 0:17:09 | |
Thank you. Well, I'm glad you liked it. | 0:17:09 | 0:17:10 | |
-Do you want to sit down for a second? -Sure. | 0:17:10 | 0:17:12 | |
-No complaints, right? -No. -OK. -No complaints. -OK, that's good. | 0:17:12 | 0:17:15 | |
Oh, no. You've been working hard | 0:17:15 | 0:17:17 | |
-so you have to, you know... -Oh, thank you. Yes. | 0:17:17 | 0:17:19 | |
..sit down for a second. | 0:17:19 | 0:17:20 | |
I want to try something. | 0:17:20 | 0:17:21 | |
Do you have any, erm, like, any dollar bills on you? | 0:17:21 | 0:17:24 | |
Oh, let's see. | 0:17:24 | 0:17:25 | |
-I have a five. -A five will be perfect. | 0:17:27 | 0:17:29 | |
-Is that all right? -Yeah. -OK. | 0:17:29 | 0:17:32 | |
So, all I need is just to take it and, | 0:17:32 | 0:17:35 | |
yeah, if you could fold it in half? | 0:17:35 | 0:17:37 | |
OK. I think I can do that. | 0:17:37 | 0:17:39 | |
-And then just fold it half again. -This way? | 0:17:39 | 0:17:41 | |
-Yeah. Yeah, that's perfect. -OK. -And then fold in half one more time. | 0:17:41 | 0:17:44 | |
-Yeah, it's fine. -OK, this side, OK. -Yeah. -Sure. -Perfect. | 0:17:44 | 0:17:47 | |
Then, also, this glass, check this glass out. | 0:17:47 | 0:17:50 | |
So we've got your five, right? Right there. | 0:17:50 | 0:17:52 | |
Do you want to cover it with the glass? | 0:17:52 | 0:17:55 | |
-Like, just, cover it? -Yeah. -OK. | 0:17:55 | 0:17:57 | |
-So you can see your five right there, yeah? -True. Yeah. | 0:17:57 | 0:18:00 | |
-You can't do anything with it? -Nope. | 0:18:00 | 0:18:03 | |
# Oh, he's so cute... # | 0:18:03 | 0:18:06 | |
Watch. | 0:18:06 | 0:18:08 | |
-Just keep your eye on the five. -OK. | 0:18:08 | 0:18:10 | |
Oh, my God! | 0:18:11 | 0:18:13 | |
-Check it out, that's for you. -That's my tip? -Yeah. | 0:18:15 | 0:18:17 | |
Oh, perfect. | 0:18:17 | 0:18:18 | |
Oh, my God. That is hilarious. | 0:18:19 | 0:18:22 | |
-How...? Amazing. -Put it in your pocket before it changes back. | 0:18:22 | 0:18:24 | |
Oh, yeah, yeah, right. | 0:18:24 | 0:18:25 | |
Don't change it back. I like it. Thank you. I'll take it. | 0:18:25 | 0:18:28 | |
MUSIC: Cali Sunshine by The Game ft Bilal | 0:18:38 | 0:18:40 | |
-# California sunshine -Good morning, Los Angeles | 0:18:40 | 0:18:42 | |
# It's a scorching day in our Southland | 0:18:42 | 0:18:44 | |
-# California sunshine -Hey, yo, Bilal, what's up? # | 0:18:44 | 0:18:47 | |
I'd arrived in Los Angeles. | 0:18:47 | 0:18:49 | |
Every year, thousands of people come to Hollywood with the promise | 0:18:49 | 0:18:52 | |
of a better life. | 0:18:52 | 0:18:53 | |
It's a place where dreams are made and broken, | 0:18:53 | 0:18:57 | |
waitresses become movie stars, and vice versa. | 0:18:57 | 0:19:01 | |
Hollywood seems to bring out that childlike wonder in people - | 0:19:01 | 0:19:04 | |
a touch of magic where anything is possible. | 0:19:04 | 0:19:07 | |
-Hello. What's your name? -Ladeinne. | 0:19:08 | 0:19:10 | |
-Ladeinne. -Yeah. That's good. -And you are? | 0:19:10 | 0:19:12 | |
-Kemeia. -Kemeia. Nice to meet you. | 0:19:12 | 0:19:14 | |
I'm Dynamo. | 0:19:14 | 0:19:15 | |
Hi, Dynamo. | 0:19:15 | 0:19:17 | |
Erm... | 0:19:17 | 0:19:18 | |
You've got some sweets there. | 0:19:18 | 0:19:20 | |
-Yeah. -Can I have one? | 0:19:20 | 0:19:21 | |
-OK. -All right? | 0:19:21 | 0:19:23 | |
For the man... | 0:19:23 | 0:19:25 | |
-Oh, you've only got two left, though, are you sure? -Mm-hmm. | 0:19:25 | 0:19:28 | |
-Are you sure I can have them? -Yeah. | 0:19:28 | 0:19:31 | |
Are you sure you don't want...? It's your last ones. Are you sure? | 0:19:31 | 0:19:33 | |
All right. | 0:19:33 | 0:19:35 | |
Yep. | 0:19:44 | 0:19:46 | |
They really are all gone. | 0:19:46 | 0:19:48 | |
Yeah. | 0:19:48 | 0:19:49 | |
Do me a favour. Can you cup your hands together? | 0:19:49 | 0:19:53 | |
Like that. Yeah, open out like this, yeah? | 0:19:53 | 0:19:55 | |
Perfect. Watch this. | 0:19:55 | 0:19:57 | |
Oh, my goodness. | 0:20:11 | 0:20:13 | |
Awesome. | 0:20:15 | 0:20:17 | |
Can have one? | 0:20:17 | 0:20:19 | |
To see if it's real. | 0:20:19 | 0:20:21 | |
It is real. | 0:20:21 | 0:20:23 | |
-Pretty cool. -WOMAN LAUGHS | 0:20:23 | 0:20:26 | |
It was my last day in LA, so I headed down to Venice Beach, | 0:20:26 | 0:20:30 | |
a seaside town to the west of Hollywood. | 0:20:30 | 0:20:33 | |
-What's your name? -Erica. | 0:20:35 | 0:20:37 | |
-Erica. Nice to meet you, Erica. -Nice to meet you. | 0:20:37 | 0:20:39 | |
I'm Dynamo. | 0:20:39 | 0:20:41 | |
Nice to meet you, Dynamo. | 0:20:41 | 0:20:42 | |
-I want to try something, yeah, with you? -OK. | 0:20:42 | 0:20:45 | |
Erm... You've got a bag there, right? | 0:20:45 | 0:20:47 | |
Yes. | 0:20:47 | 0:20:48 | |
What's in there? Have you got, like... Have you got keys? | 0:20:48 | 0:20:50 | |
Can I see some of your belongings? | 0:20:50 | 0:20:52 | |
-Like, nothing personal, just, like... -OK. | 0:20:52 | 0:20:54 | |
What have you got in there? | 0:20:54 | 0:20:56 | |
-You've got your phone, you've got your cream... -So, my phone. | 0:20:56 | 0:20:58 | |
-Yeah, camera. -..and what's in this middle part here? | 0:20:58 | 0:21:01 | |
What's in this middle part? | 0:21:01 | 0:21:03 | |
Erm... | 0:21:03 | 0:21:04 | |
-Oh, you've got some mints. -Mm-hmm. | 0:21:04 | 0:21:05 | |
-Can I use those? -Sure. | 0:21:05 | 0:21:07 | |
Perfect. Get one out. Do you want to take one out first? | 0:21:07 | 0:21:11 | |
-OK. -You take one and I'll take one. | 0:21:11 | 0:21:14 | |
Do you still need my bag? | 0:21:15 | 0:21:16 | |
-No, no, we can pop these back in there. -OK. | 0:21:16 | 0:21:19 | |
So, I've got one and you've got one. | 0:21:19 | 0:21:24 | |
-You see that? -Mm-hmm. | 0:21:24 | 0:21:26 | |
Yeah? | 0:21:26 | 0:21:28 | |
Watch closely, all right? | 0:21:30 | 0:21:31 | |
Watch. | 0:21:36 | 0:21:37 | |
Look at that. | 0:21:51 | 0:21:53 | |
-This is Hollywood. What's up, Dynamo? -Dynamo... | 0:22:00 | 0:22:03 | |
'As I continued along the promenade, I came across a group of guys | 0:22:03 | 0:22:06 | |
'selling mix tapes to passing tourists.' | 0:22:06 | 0:22:08 | |
It's the Venice Beach Rock Choir. | 0:22:08 | 0:22:11 | |
It's sick. All of you have different styles? | 0:22:11 | 0:22:13 | |
-Yeah, everybody... -We're all independent, bro. | 0:22:13 | 0:22:15 | |
-I'll tell you what. -We want some of your creativity. | 0:22:15 | 0:22:17 | |
Let me work out the best way to do this, so... | 0:22:17 | 0:22:19 | |
Can you hold this thing, there? | 0:22:19 | 0:22:22 | |
Can you come over this side? | 0:22:22 | 0:22:23 | |
-Yeah, back up, some. -Back up, some. -Back up, some. -Yeah? | 0:22:23 | 0:22:25 | |
Yeah. | 0:22:25 | 0:22:26 | |
If you back up a little bit, yeah? | 0:22:28 | 0:22:30 | |
Now, this... | 0:22:32 | 0:22:34 | |
Erm... | 0:22:34 | 0:22:36 | |
-Do me a favour. -Yeah. -Grab me those scissors. | 0:22:36 | 0:22:39 | |
Oh, crazy. | 0:22:41 | 0:22:43 | |
Oh! | 0:22:45 | 0:22:46 | |
Oh, my God... | 0:22:50 | 0:22:51 | |
Y'all have to watch! | 0:22:51 | 0:22:53 | |
Damn, he broke the wire and everything. | 0:22:56 | 0:22:59 | |
-Oh, that's real. -Real. | 0:22:59 | 0:23:02 | |
We're not working no more today. | 0:23:02 | 0:23:04 | |
He better have some paper there. | 0:23:04 | 0:23:06 | |
I don't like this. | 0:23:06 | 0:23:09 | |
Back up a little bit. | 0:23:09 | 0:23:11 | |
Pull it a little bit taut - a little bit taut. | 0:23:11 | 0:23:13 | |
Oh, God, this is crazy. | 0:23:13 | 0:23:14 | |
-No way. -No way, no way. | 0:23:15 | 0:23:18 | |
ALL: Whoa! | 0:23:18 | 0:23:20 | |
-Oh! Oh! -Man, man... | 0:23:21 | 0:23:24 | |
Aw, man... How did you do that? | 0:23:24 | 0:23:29 | |
Wow, dawg. How'd you do that, bro? | 0:23:29 | 0:23:30 | |
-Are you going to tell us? -That's how I do it, man. | 0:23:30 | 0:23:33 | |
Hey, I've seen a lot of magicians and that's crazy, bro. | 0:23:33 | 0:23:35 | |
He cut the headphone all the way in half and he put it back together. | 0:23:35 | 0:23:38 | |
The wires came out of it. | 0:23:38 | 0:23:39 | |
Check and see if it still works, man. That's crazy. | 0:23:39 | 0:23:43 | |
MUSIC: Under Your Spell by Desire | 0:23:43 | 0:23:47 | |
It was my last day in the US | 0:23:47 | 0:23:49 | |
and, although I'd only seen a small part of this vast country, | 0:23:49 | 0:23:52 | |
I felt like I'd uncovered | 0:23:52 | 0:23:54 | |
some of the magic behind the American dream - | 0:23:54 | 0:23:56 | |
the ordinary people who shape its landscape. | 0:23:56 | 0:23:59 | |
THEY GRUNT AND GROAN | 0:23:59 | 0:24:01 | |
You know the old saying - "Dynamite comes in small packages." | 0:24:01 | 0:24:05 | |
TYRES SCREECH | 0:24:05 | 0:24:08 | |
How does that happen? | 0:24:08 | 0:24:10 | |
# I don't eat I don't sleep | 0:24:10 | 0:24:12 | |
# I do nothing but think of you | 0:24:12 | 0:24:17 | |
# You keep me under your spell | 0:24:17 | 0:24:20 | |
# You keep me under your spell | 0:24:20 | 0:24:22 | |
# You keep me under your spell | 0:24:22 | 0:24:24 | |
# You keep me under your spell | 0:24:26 | 0:24:29 | |
# You keep me under your spell | 0:24:29 | 0:24:31 | |
-# You keep me under your spell... # -Awesome. | 0:24:31 | 0:24:34 | |
That's sick. | 0:24:34 | 0:24:36 | |
# Na-na-na-na-na | 0:24:36 | 0:24:38 | |
# Na-na-na-na-na | 0:24:38 | 0:24:40 | |
# Na-na-na-na-na... # | 0:24:40 | 0:24:42 | |
Later that evening, | 0:24:42 | 0:24:43 | |
I headed downtown to the Spring Street district, | 0:24:43 | 0:24:45 | |
which is home to the LA Times. | 0:24:45 | 0:24:47 | |
The area used to be the financial centre of Los Angeles, | 0:24:49 | 0:24:52 | |
but, during the 1980s, the district plummeted to become a neighbourhood | 0:24:52 | 0:24:56 | |
with a reputation for high unemployment and derelict buildings. | 0:24:56 | 0:25:00 | |
It reminded me of the streets I grew up in, | 0:25:00 | 0:25:02 | |
and how its reputation meant we were cut off from the outside world, | 0:25:02 | 0:25:08 | |
so, before I left, I wanted to give Spring Street a lasting memory - | 0:25:08 | 0:25:11 | |
something that would live with the area for ever. | 0:25:11 | 0:25:14 | |
MUSIC: Bombs Away by BoB | 0:25:17 | 0:25:21 | |
SIRENS WAIL | 0:25:26 | 0:25:31 | |
-What is he doing? -I don't know. | 0:25:34 | 0:25:37 | |
Is he jumping? | 0:25:37 | 0:25:39 | |
Is someone...? Is he going to jump? | 0:25:39 | 0:25:42 | |
SIRENS WAIL | 0:25:42 | 0:25:44 | |
Shouldn't someone, like, help him? | 0:25:44 | 0:25:48 | |
Is he going to jump? | 0:25:48 | 0:25:49 | |
Should we help him? | 0:25:53 | 0:25:54 | |
GASPING AND SCREAMING | 0:26:00 | 0:26:04 | |
SHE GASPS | 0:26:04 | 0:26:07 | |
Oh, my... Oh, my God. | 0:26:07 | 0:26:10 | |
-This is crazy. -Yeah. | 0:26:10 | 0:26:12 | |
Oh, my God. | 0:26:16 | 0:26:18 | |
He's taking a stroll. | 0:26:18 | 0:26:19 | |
Oh, my God. | 0:26:27 | 0:26:29 | |
Oh, my God. | 0:26:31 | 0:26:33 | |
HELICOPTER WHIRS | 0:26:33 | 0:26:37 | |
This is crazy. | 0:26:44 | 0:26:46 | |
Oh, God. | 0:26:55 | 0:26:57 | |
Oh, my God. | 0:26:57 | 0:26:59 | |
-That was crazy. -SOMEONE COUGHS | 0:27:04 | 0:27:06 | |
-He walked right down there. -That was totally crazy, right? | 0:27:06 | 0:27:09 | |
# I used to dream of success Now success is inadequate | 0:27:11 | 0:27:14 | |
# It seems the bigger I get | 0:27:14 | 0:27:15 | |
# It's the more they get mad at me... # | 0:27:15 | 0:27:18 | |
Next time on Magician Impossible, | 0:27:18 | 0:27:20 | |
I head back to the UK and straight into a media frenzy. | 0:27:20 | 0:27:23 | |
# So fly, no gravity | 0:27:23 | 0:27:25 | |
# So high, Mount Everest... # SCREAMING | 0:27:25 | 0:27:27 | |
# And the show must go on, yes | 0:27:27 | 0:27:28 | |
# But I don't have to act in it | 0:27:28 | 0:27:30 | |
# And they don't make a television | 0:27:30 | 0:27:31 | |
# That handles the frequencies of my channel | 0:27:31 | 0:27:34 | |
# And there ain't no computer that can hack it | 0:27:34 | 0:27:36 | |
# It just don't have the capacity | 0:27:36 | 0:27:37 | |
# Hell, no, that ain't happening You hustle? | 0:27:37 | 0:27:39 | |
# Well, we are Grand Hustle and we mastered it | 0:27:39 | 0:27:42 | |
# Y'all workin' on your bachelor's | 0:27:42 | 0:27:44 | |
# We ball like the athletes | 0:27:44 | 0:27:45 | |
# Drink wine out of chalices on Sunday like we Catholics... # | 0:27:45 | 0:27:48 | |
I don't know. It's freaky. | 0:27:50 | 0:27:51 | |
# Official, no artificial preservatives or additives | 0:27:51 | 0:27:55 | |
# I love it all but I ain't attached to it | 0:27:55 | 0:27:57 | |
# Whenever I wake up I get this feeling | 0:27:57 | 0:28:00 | |
# That I can't wait up Cos time is ticking | 0:28:00 | 0:28:03 | |
# Bombs away | 0:28:03 | 0:28:05 | |
# Bombs away-ay-ay-ay | 0:28:05 | 0:28:09 | |
# Whenever I wake up I get this feeling | 0:28:09 | 0:28:13 | |
# That I can't wait up Cos time is ticking | 0:28:13 | 0:28:16 | |
# Bombs away | 0:28:16 | 0:28:18 | |
# Bombs away-ay-ay-ay... # | 0:28:18 | 0:28:23 |