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DRUMMING AND APPLAUSE | 0:00:02 | 0:00:05 | |
The approaching Red Arrows, celebrating their 50th year, | 0:00:16 | 0:00:19 | |
means that we are ready to go. | 0:00:19 | 0:00:22 | |
Welcome to the 2014 Royal Edinburgh Military Tattoo. | 0:01:13 | 0:01:17 | |
CHEERING AND APPLAUSE | 0:01:20 | 0:01:24 | |
Across the castle drawbridge come 250 of the world's finest pipers | 0:01:29 | 0:01:33 | |
and drummers, in a glorious array of colours, a kaleidoscope of tartans. | 0:01:33 | 0:01:38 | |
Major Steven Small, Director of Army Bagpipe Music, | 0:01:41 | 0:01:44 | |
has put together a set of tunes marking the beginning of a journey. | 0:01:44 | 0:01:49 | |
The first stop on the way, Loch Lomond. | 0:01:49 | 0:01:52 | |
The march, Within' a Mile o' Edinburgh Toon, | 0:02:27 | 0:02:30 | |
leads to The Gallowa' Hills. | 0:02:30 | 0:02:33 | |
The slow air, The Mingulay Boat Song. | 0:02:50 | 0:02:54 | |
The hornpipe Over the Isles takes us to the Black Watch Polka. | 0:03:34 | 0:03:38 | |
Circles begin to form to another hornpipe - The Wise Maid. | 0:04:03 | 0:04:08 | |
Four tunes from the pen of Major Steven Small himself. | 0:04:39 | 0:04:42 | |
First the slow air, Langton Gate. | 0:04:42 | 0:04:45 | |
Jig time, with Pass the Port. | 0:04:58 | 0:05:01 | |
The Jigger. | 0:05:12 | 0:05:14 | |
The dancers and fiddlers join and we swing into The Chase. | 0:05:31 | 0:05:34 | |
CHEERING AND APPLAUSE | 0:05:54 | 0:05:58 | |
The ceilidh is over, | 0:06:14 | 0:06:16 | |
and the Massed Pipes and Drums, with the dancers and fiddlers, | 0:06:16 | 0:06:19 | |
take their leave with a song of farewell - | 0:06:19 | 0:06:21 | |
Will Ye No Come Back Again? | 0:06:21 | 0:06:24 | |
Pipe Major Peter MacGregor - The Highlanders. | 0:07:02 | 0:07:06 | |
CHEERING AND APPLAUSE | 0:07:06 | 0:07:08 | |
And now, from much further south, | 0:07:08 | 0:07:09 | |
The Band of the Armed Forces of Malta enter with Holyrood, | 0:07:09 | 0:07:13 | |
a march composed in Edinburgh over 100 years ago | 0:07:13 | 0:07:16 | |
merely a royal mile away from the Castle. | 0:07:16 | 0:07:19 | |
During the Second World War, | 0:07:29 | 0:07:30 | |
the Axis powers tried to bomb and starve the people of Malta | 0:07:30 | 0:07:34 | |
and the allied forces based on the island into submission. | 0:07:34 | 0:07:38 | |
They failed and in 1942, | 0:07:38 | 0:07:40 | |
in recognition of this extraordinary heroism, | 0:07:40 | 0:07:43 | |
Malta was awarded the George Cross. | 0:07:43 | 0:07:46 | |
The tune - Halel (Big Waves). | 0:08:15 | 0:08:19 | |
CHEERING AND APPLAUSE | 0:09:29 | 0:09:33 | |
Carrying their Maltese Cross of ribbon, | 0:09:39 | 0:09:41 | |
the dancers lead the band off to the march, The Bluebells of Scotland. | 0:09:41 | 0:09:46 | |
The Fanfare Trumpeters of Her Majesty's Royal Marines | 0:09:54 | 0:09:57 | |
pay tribute to Malta's heroism during the Second World War. | 0:09:57 | 0:10:01 | |
CHEERING AND APPLAUSE | 0:10:11 | 0:10:13 | |
Now for one of the most exciting acts seen on the Castle Esplanade | 0:10:13 | 0:10:17 | |
for some time. | 0:10:17 | 0:10:19 | |
From South Africa's KwaZulu-Natal, | 0:10:19 | 0:10:22 | |
marvel at the raw energy of iNgobamakhosi Zulu Dance Troupe | 0:10:22 | 0:10:25 | |
with a ritual traditionally performed on the eve of battle. | 0:10:25 | 0:10:29 | |
What they describe as their 'Come Die' Dance. | 0:10:29 | 0:10:32 | |
DRUMMING AND CHANTING | 0:10:32 | 0:10:36 | |
CHEERING AND APPLAUSE | 0:12:07 | 0:12:09 | |
CHANTING CONTINUES | 0:12:09 | 0:12:13 | |
CHEERING AND APPLAUSE | 0:12:49 | 0:12:53 | |
The iNgobamakhosi Zulu Dance Troupe. | 0:12:59 | 0:13:02 | |
CHEERING AND APPLAUSE | 0:13:02 | 0:13:05 | |
Now from Shetland, Hjaltibonhoga. | 0:13:05 | 0:13:08 | |
It means Shetland, my spiritual home, | 0:13:08 | 0:13:11 | |
with a musician from every inhabited island. | 0:13:11 | 0:13:14 | |
The tune - Love of the Isles. | 0:13:14 | 0:13:17 | |
Swinging round to The Headlands now. | 0:14:18 | 0:14:21 | |
Watch out for the cross-bowing where they play each other's strings. | 0:15:00 | 0:15:03 | |
Like the tango, it takes two to fiddle. | 0:15:03 | 0:15:06 | |
And finally Hurlocks Reel. | 0:15:09 | 0:15:11 | |
The Shetland Fiddlers, Hjaltibonhoga, take a "bow", | 0:15:29 | 0:15:32 | |
take a bow. | 0:15:32 | 0:15:34 | |
CHEERING AND APPLAUSE | 0:15:34 | 0:15:36 | |
Next stop, Nagaland and a taste of their annual Hornbill Festival. | 0:15:36 | 0:15:41 | |
Nagaland is in the North Eastern corner of India | 0:15:55 | 0:15:58 | |
and is made up of 16 tribes, | 0:15:58 | 0:16:01 | |
each with their own language, costume and dance. | 0:16:01 | 0:16:05 | |
The aim of the Hornbill Festival is to preserve and protect the rich | 0:16:05 | 0:16:09 | |
cultural variety of Nagaland and display its history and traditions. | 0:16:09 | 0:16:13 | |
THEY SING IN THEIR OWN LANGUAGE | 0:16:16 | 0:16:19 | |
After a few untraditional yet steep steps, the lead warrior | 0:18:08 | 0:18:12 | |
presents a ceremonial Naga spear to the Salute-taker. | 0:18:12 | 0:18:16 | |
Good luck getting that through security, sir(!) | 0:18:17 | 0:18:20 | |
APPLAUSE | 0:18:20 | 0:18:22 | |
The Nagaland Folkloric Group. | 0:18:27 | 0:18:30 | |
CHEERING AND APPLAUSE | 0:18:30 | 0:18:33 | |
Continuing the international theme, the reigning | 0:18:35 | 0:18:38 | |
World Champion Highland Dancer from New Zealand is Morgan Bamford. | 0:18:38 | 0:18:43 | |
The music is The Gael. | 0:18:43 | 0:18:45 | |
Beautifully choreographed by Aileen Robertson, | 0:19:45 | 0:19:47 | |
in her first year as Tattoo Dance Director, | 0:19:47 | 0:19:50 | |
this is a truly international group with dancers from South Africa, | 0:19:50 | 0:19:54 | |
Australia, New Zealand, Canada and Scotland. | 0:19:54 | 0:19:58 | |
The outstanding Tattoo Highland Dancers. | 0:22:18 | 0:22:21 | |
CHEERING AND APPLAUSE | 0:22:21 | 0:22:23 | |
Overseas once more, and from the Lion City, | 0:22:23 | 0:22:27 | |
The Singapore Armed Forces Central Band, Music & Drama Company | 0:22:27 | 0:22:31 | |
and Military Police Command Silent Precision Drill Squad. | 0:22:31 | 0:22:35 | |
Not the catchiest title, | 0:22:35 | 0:22:36 | |
but be prepared for an outstanding display | 0:22:36 | 0:22:38 | |
and the highest mace throw ever the seen on the Castle Esplanade. | 0:22:38 | 0:22:43 | |
And it's not that one. | 0:22:44 | 0:22:47 | |
CHEERING AND APPLAUSE | 0:25:05 | 0:25:09 | |
# Oh, the summertime is coming | 0:25:22 | 0:25:26 | |
# And the trees are sweetly blooming | 0:25:26 | 0:25:31 | |
# And the wild mountain thyme | 0:25:31 | 0:25:35 | |
# All around the blooming heather | 0:25:35 | 0:25:39 | |
# Will you go, lassie, go? # | 0:25:39 | 0:25:46 | |
CHEERING AND APPLAUSE | 0:25:47 | 0:25:50 | |
MUSIC RESUMES | 0:25:51 | 0:25:53 | |
Yeah, that was it. | 0:26:22 | 0:26:24 | |
CHEERING AND APPLAUSE | 0:26:24 | 0:26:27 | |
From Singapore, an explosive performance. | 0:26:28 | 0:26:31 | |
Now from New Zealand, | 0:26:38 | 0:26:39 | |
the wonderful sounds of Te Matatini fill the Edinburgh night | 0:26:39 | 0:26:43 | |
with a celebration of the cultural dance of the Maori people. | 0:26:43 | 0:26:47 | |
The performance begins with the haka powhiri, | 0:26:47 | 0:26:50 | |
a ritual encounter of welcome. | 0:26:50 | 0:26:53 | |
THEY SHOUT AND CHANT | 0:26:55 | 0:26:59 | |
BAGPIPES PLAY "Scotland The Brave" | 0:26:59 | 0:27:03 | |
The tone changes when two sailors approach. | 0:27:03 | 0:27:07 | |
This performance represents a meeting of cultures - | 0:27:30 | 0:27:34 | |
that of the indigenous Maori | 0:27:34 | 0:27:35 | |
and the cultures of the European settlers, | 0:27:35 | 0:27:38 | |
represented here by the New Zealand Highland Dancers. | 0:27:38 | 0:27:42 | |
MAORIS CHANT | 0:27:42 | 0:27:45 | |
APPLAUSE | 0:27:47 | 0:27:50 | |
CHEERING AND APPLAUSE | 0:28:52 | 0:28:55 | |
MAORI WOMAN CHANTS | 0:28:56 | 0:29:00 | |
After the initial suspicion, all are able to dance to the same beat. | 0:29:01 | 0:29:07 | |
THEY CHANT, MUSIC STARTS | 0:29:07 | 0:29:10 | |
THEY SING IN MAORI | 0:29:10 | 0:29:12 | |
THEY CHANT | 0:30:04 | 0:30:07 | |
CHEERING AND APPLAUSE | 0:30:26 | 0:30:29 | |
Te Matatini and the New Zealand Highland Dancers. | 0:30:29 | 0:30:33 | |
STEEL ORCHESTRA PLAYS | 0:30:33 | 0:30:35 | |
The strains of the Banana Boat Song | 0:30:36 | 0:30:39 | |
mean a very welcome return to the Royal Edinburgh Military Tattoo | 0:30:39 | 0:30:42 | |
for the Trinidad and Tobago Defence Force Steel Orchestra. | 0:30:42 | 0:30:46 | |
AUDIENCE CLAPS IN TIME | 0:30:49 | 0:30:52 | |
Brown Girl In The Ring. | 0:31:35 | 0:31:37 | |
Matilda. | 0:31:49 | 0:31:52 | |
The dancers are all traditional characters from Spring Carnival. | 0:32:12 | 0:32:16 | |
Mary Ann. | 0:32:21 | 0:32:23 | |
On stilts - Mocko Jumbie - | 0:32:32 | 0:32:34 | |
and The Rivers Of Babylon. | 0:32:34 | 0:32:36 | |
T and T - the Trinidad and Tobago Defence Force Steel Orchestra! | 0:33:33 | 0:33:38 | |
CHEERING AND APPLAUSE | 0:33:38 | 0:33:41 | |
Founded in 1664 | 0:33:43 | 0:33:46 | |
as the Duke of York and Albany's Maritime Regiment of Foot, | 0:33:46 | 0:33:49 | |
the Royal Marines celebrate their 350th anniversary this year. | 0:33:49 | 0:33:54 | |
Originally soldiers who fought on board ships, | 0:33:54 | 0:33:57 | |
they have developed into one of the world's toughest commando units. | 0:33:57 | 0:34:01 | |
Winston Churchill, who had fought in the Boer War, | 0:34:01 | 0:34:05 | |
borrowed the Afrikaans word "kommando" | 0:34:05 | 0:34:07 | |
for a new type of military unit, self-reliant and highly mobile. | 0:34:07 | 0:34:12 | |
True to their motto, "Per Mare, Per Terram" - | 0:34:12 | 0:34:16 | |
by land and by sea - | 0:34:16 | 0:34:18 | |
the Royal Marines are an elite force | 0:34:18 | 0:34:20 | |
trained for worldwide rapid response, | 0:34:20 | 0:34:23 | |
able to deal with a wide spectrum of threats | 0:34:23 | 0:34:26 | |
and security challenges on land and on sea. | 0:34:26 | 0:34:30 | |
CHEERING AND APPLAUSE | 0:34:30 | 0:34:33 | |
Of the six bands in the Royal Marines Band Service, | 0:34:35 | 0:34:39 | |
three are on the Esplanade - | 0:34:39 | 0:34:41 | |
one from Portsmouth, one from Plymouth | 0:34:41 | 0:34:43 | |
and one based in Scotland, at Rosyth, just over the Forth. | 0:34:43 | 0:34:46 | |
This bugle march says it all - Soldier An' Sailor Too. | 0:34:49 | 0:34:53 | |
They move effortlessly into the military slow march | 0:35:59 | 0:36:03 | |
with the Skye Boat Song. | 0:36:03 | 0:36:05 | |
APPLAUSE | 0:37:40 | 0:37:42 | |
Hard to beat. | 0:39:05 | 0:39:07 | |
LOUD CHEERING AND APPLAUSE | 0:39:07 | 0:39:09 | |
ORDERS ARE SHOUTED | 0:39:11 | 0:39:13 | |
The Senior Drum Major, Colour Sergeant Bugler Steve Blair, | 0:39:13 | 0:39:17 | |
gives the command. | 0:39:17 | 0:39:18 | |
This time the tune is Commando Spirit. | 0:39:18 | 0:39:22 | |
The Massed Band of the Royal Marines | 0:39:52 | 0:39:55 | |
are joined by the Band of the Armed Forces of Malta, | 0:39:55 | 0:39:57 | |
the Band of the Royal Regiment of Scotland | 0:39:57 | 0:40:00 | |
and the Singapore Armed Forces Central Band. | 0:40:00 | 0:40:03 | |
Colonel Nick Grace, OBE, | 0:40:44 | 0:40:47 | |
the 2014 Tattoo Principal Director of Music, | 0:40:47 | 0:40:50 | |
takes to the podium. | 0:40:50 | 0:40:52 | |
CHEERING AND APPLAUSE | 0:40:52 | 0:40:54 | |
The massed military bands continue with Mark Knopfler's theme | 0:40:57 | 0:41:01 | |
from Local Hero, Going Home. | 0:41:01 | 0:41:04 | |
PIPE BANDS JOIN MELODY | 0:42:08 | 0:42:11 | |
Musician Matthew Gregory of the Royal Marines Band, Plymouth. | 0:43:17 | 0:43:21 | |
CHEERING AND APPLAUSE | 0:43:21 | 0:43:23 | |
The All Night Hooley In Glebe Street brings back the cast over 1,000, | 0:43:25 | 0:43:29 | |
the Tattoo Highland Dancers and the New Zealand Highland Dancers, | 0:43:29 | 0:43:33 | |
the dancers from Malta and Singapore... | 0:43:33 | 0:43:36 | |
..KwaZulu-Natal, and the iNgobamakhosi dancers, | 0:43:37 | 0:43:41 | |
from the northeast of India, the Nagaland Folkloric Group, | 0:43:41 | 0:43:46 | |
the Te Matatini Maori dancers... | 0:43:46 | 0:43:49 | |
..and the Trinidad and Tobago Defence Force Steel Orchestra, | 0:43:50 | 0:43:54 | |
and last, but by no means least, Mocko Jumbie. | 0:43:54 | 0:43:57 | |
CHEERING AND APPLAUSE | 0:43:57 | 0:44:00 | |
Together, they will celebrate a century of song. | 0:44:00 | 0:44:04 | |
On vocals, the Erskine Stewart's Melville School Choir. | 0:44:04 | 0:44:08 | |
# Come on and hear, come on and hear Alexander's ragtime band | 0:44:08 | 0:44:12 | |
# Come on and hear, come on and hear | 0:44:12 | 0:44:15 | |
# It's the best band in the land | 0:44:15 | 0:44:18 | |
# And if you want to hear that Swannee River played in ragtime | 0:44:18 | 0:44:23 | |
# Come on and hear, come on and hear | 0:44:23 | 0:44:26 | |
# Alexander's ragtime band... # | 0:44:26 | 0:44:28 | |
AUDIENCE CLAPS IN TIME | 0:44:28 | 0:44:31 | |
# In olden days a glimpse of stocking | 0:44:39 | 0:44:42 | |
# Was looked on as something shocking | 0:44:42 | 0:44:45 | |
# Now heaven knows | 0:44:45 | 0:44:47 | |
# Anything goes... # | 0:44:47 | 0:44:50 | |
# One, two, three o'clock Four o'clock rock | 0:45:06 | 0:45:08 | |
# Five, six, seven o'clock Eight o'clock rock | 0:45:08 | 0:45:11 | |
# Nine, ten, eleven o'clock Twelve o'clock rock | 0:45:11 | 0:45:14 | |
# We're going to rock around the clock tonight | 0:45:14 | 0:45:17 | |
# Put your glad rags on and join me, hon | 0:45:17 | 0:45:20 | |
# We'll have some fun when the clock strikes one | 0:45:20 | 0:45:23 | |
# We're going to rock around the clock tonight | 0:45:23 | 0:45:26 | |
# We're going to rock, rock, rock till broad daylight | 0:45:26 | 0:45:28 | |
# We're going to rock, rock, rock around the clock tonight... # | 0:45:28 | 0:45:32 | |
# Can't buy me love | 0:45:32 | 0:45:35 | |
# Can't buy me love | 0:45:35 | 0:45:38 | |
# Can't buy me | 0:45:38 | 0:45:39 | |
# Money can't buy me | 0:45:39 | 0:45:42 | |
# Love... # | 0:45:42 | 0:45:44 | |
# Sha-la-la-lala-lala-la | 0:45:45 | 0:45:49 | |
# Sha-la-la-lala-lala-la | 0:45:49 | 0:45:53 | |
# Sha-la-la-lala-lala-la | 0:45:53 | 0:45:56 | |
# And Marie who waits for me... # | 0:45:56 | 0:46:00 | |
CHEERING | 0:46:07 | 0:46:10 | |
# Let me entertain you | 0:46:26 | 0:46:32 | |
# Come on and let me | 0:46:34 | 0:46:37 | |
# Entertain you... # | 0:46:37 | 0:46:40 | |
# Hey, hey baby | 0:46:42 | 0:46:46 | |
# Oh, ah | 0:46:46 | 0:46:48 | |
# I wanna know | 0:46:48 | 0:46:53 | |
# If you'll be my girl... # | 0:46:53 | 0:46:55 | |
# Clap along if you feel like a room without a roof | 0:47:00 | 0:47:05 | |
# Clap along if you feel like | 0:47:07 | 0:47:10 | |
# Happiness is the truth | 0:47:10 | 0:47:13 | |
# Clap along if you know what happiness is to you | 0:47:13 | 0:47:19 | |
# Clap along if you feel like that's what you wanna do | 0:47:19 | 0:47:25 | |
# Cos I'm happy! # | 0:47:25 | 0:47:27 | |
A happy soloist - Musician Ellie Lomas, Royal Marines. | 0:47:27 | 0:47:31 | |
CHEERING AND APPLAUSE | 0:47:31 | 0:47:34 | |
The lights fade now | 0:47:34 | 0:47:37 | |
and the Tattoo's Principal Director of Music, | 0:47:37 | 0:47:39 | |
Colonel Nick Grace OBE, | 0:47:39 | 0:47:41 | |
leads the ensemble with the tune Invincible, | 0:47:41 | 0:47:44 | |
as the cast rest their dancing feet | 0:47:44 | 0:47:46 | |
and feast their eyes on the Tattoo fireworks. | 0:47:46 | 0:47:50 | |
CHEERING AND APPLAUSE | 0:49:07 | 0:49:10 | |
To a reprise of Going Home, | 0:49:15 | 0:49:18 | |
the Guard of Honour, found by the Royal Navy, the Senior Service. | 0:49:18 | 0:49:21 | |
Marching on four legs | 0:49:21 | 0:49:23 | |
is the Mascot of the Royal Regiment of Scotland, | 0:49:23 | 0:49:27 | |
Lance Corporal Cruachan IV, | 0:49:27 | 0:49:30 | |
and Pony Major, Corporal Mark Wilkinson, keeping up on two. | 0:49:30 | 0:49:36 | |
And also on parade are the Chelsea Pensioners | 0:49:37 | 0:49:41 | |
from the Royal Hospital Chelsea. | 0:49:41 | 0:49:43 | |
CHEERING AND APPLAUSE | 0:49:46 | 0:49:49 | |
Royal Navy Guard of Honour, | 0:49:53 | 0:49:55 | |
general salute, | 0:49:55 | 0:49:58 | |
present arms! | 0:49:58 | 0:50:01 | |
The National Anthem. | 0:50:01 | 0:50:04 | |
# God save our gracious Queen | 0:50:04 | 0:50:08 | |
# Long live our noble Queen | 0:50:08 | 0:50:13 | |
# God save the Queen | 0:50:13 | 0:50:16 | |
# Send her victorious | 0:50:17 | 0:50:21 | |
# Happy and glorious | 0:50:21 | 0:50:26 | |
# Long to reign over us | 0:50:26 | 0:50:30 | |
# God save the Queen. # | 0:50:30 | 0:50:36 | |
Slope arms! | 0:50:36 | 0:50:40 | |
APPLAUSE | 0:50:40 | 0:50:42 | |
And now that international anthem of friendship | 0:50:43 | 0:50:48 | |
that Robert Burns gave to the world, Auld Lang Syne. | 0:50:48 | 0:50:52 | |
# Should auld acquaintance be forgot | 0:50:52 | 0:50:55 | |
# And never brought to mind? | 0:50:55 | 0:51:00 | |
# Should auld acquaintance be forgot | 0:51:00 | 0:51:04 | |
# And auld lang syne | 0:51:04 | 0:51:08 | |
# For auld lang syne, my dear | 0:51:08 | 0:51:13 | |
# For auld lang syne | 0:51:13 | 0:51:16 | |
# We'll tak a cup o' kindness yet | 0:51:16 | 0:51:21 | |
# For auld lang syne | 0:51:21 | 0:51:25 | |
# And there's a hand, my trusty fiere | 0:51:27 | 0:51:31 | |
# And gie's a hand o' thine | 0:51:31 | 0:51:35 | |
# We'll tak a right guid-willie waught | 0:51:35 | 0:51:39 | |
# For auld lang syne | 0:51:39 | 0:51:43 | |
# For auld lang syne, my dear | 0:51:43 | 0:51:47 | |
# For auld lang syne | 0:51:47 | 0:51:51 | |
# We'll tak a cup o' kindness yet | 0:51:51 | 0:51:56 | |
# For auld lang syne... # | 0:51:56 | 0:52:06 | |
CHEERING AND APPLAUSE | 0:52:06 | 0:52:09 | |
The lowering of the flags, lights out. | 0:52:11 | 0:52:14 | |
Eternal Father, Strong To Save - The Navy Hymn. | 0:52:14 | 0:52:18 | |
# Eternal Father, strong to save | 0:52:18 | 0:52:25 | |
# Whose arm hath bound the restless wave | 0:52:25 | 0:52:32 | |
# Who bidd'st the mighty ocean deep | 0:52:32 | 0:52:38 | |
# Its own appointed limits keep | 0:52:38 | 0:52:44 | |
# O hear us when we cry to thee | 0:52:44 | 0:52:50 | |
# For those in peril on the sea... # | 0:52:50 | 0:52:57 | |
BUGLERS PLAY "Sunset" | 0:53:22 | 0:53:26 | |
# ..For those in peril on the sea... # | 0:54:03 | 0:54:12 | |
High on the Castle Ramparts, | 0:54:14 | 0:54:16 | |
on the 100th anniversary of the outbreak of the Great War, | 0:54:16 | 0:54:20 | |
the lone piper plays The Battle's O'er. | 0:54:20 | 0:54:23 | |
"Sleep in peace, my soldier laddie | 0:55:24 | 0:55:27 | |
"Sleep in peace now the battle's o'er." | 0:55:27 | 0:55:30 | |
BAND STRIKES UP | 0:55:30 | 0:55:32 | |
The unmistakable sound of Scotland The Brave | 0:55:32 | 0:55:35 | |
means we are approaching the end of yet another memorable Tattoo. | 0:55:35 | 0:55:40 | |
Farewell to the Royal Navy Guard of Honour, the Chelsea Pensioners... | 0:55:40 | 0:55:45 | |
..the singers and dancers of Nagaland... | 0:55:48 | 0:55:51 | |
the Highland dancers, | 0:55:52 | 0:55:55 | |
the Steel Orchestra, | 0:55:55 | 0:55:57 | |
the iNgobamakhosi Zulu Dance Troupe, | 0:55:57 | 0:56:00 | |
Hjaltibonhoga, | 0:56:00 | 0:56:02 | |
Te Matatini Maori dancers. | 0:56:02 | 0:56:05 | |
BANDS STRIKE UP | 0:56:07 | 0:56:10 | |
We're No Awa' Tae Bide Awa', | 0:56:13 | 0:56:16 | |
led by the 2014 Tattoo Principal Director of Music, | 0:56:16 | 0:56:20 | |
Colonel Nick Grace, it's time for the massed military bands | 0:56:20 | 0:56:24 | |
and Erskine Stewart's Melville School Choir | 0:56:24 | 0:56:27 | |
to leave the Castle Esplanade. | 0:56:27 | 0:56:29 | |
This year's event, in partnership with the Royal Bank of Scotland, | 0:56:29 | 0:56:34 | |
is the 16th consecutive sold-out season, | 0:56:34 | 0:56:36 | |
a record which innovative Tattoo Producer, | 0:56:36 | 0:56:39 | |
Brigadier David Allfrey, is justifiably proud of. | 0:56:39 | 0:56:42 | |
His eyes are already focused on next year and beyond. | 0:56:42 | 0:56:47 | |
The Band of Her Majesty's Royal Marines | 0:56:50 | 0:56:53 | |
take their final curtain call with their regimental quick march - | 0:56:53 | 0:56:56 | |
A Life On The Ocean Wave. | 0:56:56 | 0:56:59 | |
AUDIENCE CLAPS IN TIME | 0:57:01 | 0:57:04 | |
350 years and still going strong! | 0:57:12 | 0:57:15 | |
Drum Major Michael Hay leads the massed pipes and drums | 0:57:16 | 0:57:21 | |
as they march towards the cobbles of Castlehill | 0:57:21 | 0:57:24 | |
to the tune that has taken generations of pipes and drums | 0:57:24 | 0:57:27 | |
back to barracks - The Black Bear. | 0:57:27 | 0:57:30 | |
And from Edinburgh Castle, this is Bill Paterson wishing you, | 0:57:35 | 0:57:38 | |
wherever in the world you've been watching, | 0:57:38 | 0:57:41 | |
good fortune and good health until we meet again. | 0:57:41 | 0:57:45 | |
BAND PLAYS "Scotland The Brave" | 0:57:49 | 0:57:51 | |
LOUD CHEERING AND APPLAUSE | 0:58:01 | 0:58:04 |