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These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
Together, they make up the Eggheads, | 0:00:09 | 0:00:11 | |
arguably the most formidable quiz team in the country. | 0:00:11 | 0:00:15 | |
The question is, can they be beaten? | 0:00:16 | 0:00:19 | |
Welcome to Eggheads, the show where a team of five quiz Challengers | 0:00:23 | 0:00:27 | |
attempt to beat possibly the greatest quiz team in Britain. | 0:00:27 | 0:00:30 | |
Their pedigree is well known as they've won some of the country's toughest quiz shows. | 0:00:30 | 0:00:34 | |
They are the Eggheads. | 0:00:34 | 0:00:36 | |
And taking on the awesome might of the Eggheads today | 0:00:36 | 0:00:39 | |
are the Good Neighbours. | 0:00:39 | 0:00:40 | |
This team are all from the University of Surrey. | 0:00:40 | 0:00:42 | |
And as everyone on the team has either lived together, | 0:00:42 | 0:00:45 | |
lived in the same street, or attended the same school, they decided that Good Neighbours | 0:00:45 | 0:00:50 | |
was a suitable name. Let's meet them. | 0:00:50 | 0:00:53 | |
Hi, I'm Amit. I'm 21, and I'm a politics student. | 0:00:53 | 0:00:56 | |
Hi, I'm Simon. I'm 21 and I'm a law student. | 0:00:56 | 0:00:59 | |
Hi, I'm Inderpreet. I'm 21 and I'm an aerospace engineering student. | 0:00:59 | 0:01:03 | |
Hi, my name's Jon. I'm 20 and I'm a hospitality student. | 0:01:03 | 0:01:06 | |
Hi, I'm Dave. I'm 22 and I'm an economics student. | 0:01:06 | 0:01:09 | |
So, welcome, Good Neighbours. Welcome, Amit. | 0:01:09 | 0:01:12 | |
-You go back a long way, all of you? -We're friends from university. We met at university. | 0:01:12 | 0:01:16 | |
What kind of stuff are you getting up to at university, outside your studies? | 0:01:16 | 0:01:20 | |
We just kind of play sports together, have a few drinks together, things like that. | 0:01:20 | 0:01:24 | |
And at what point did the word "quiz" come into this? | 0:01:24 | 0:01:27 | |
I think it all started... Amit started setting an alarm on his phone for six every day. | 0:01:27 | 0:01:31 | |
And it has sort of become a ritual to sit down and watch Eggheads. | 0:01:31 | 0:01:35 | |
So we thought, why not apply, see how we do. | 0:01:35 | 0:01:38 | |
Is your phone about to go off now and remind you to watch? | 0:01:38 | 0:01:42 | |
-Yes, it probably is. -It doesn't need to. You're here. Every day there is a £1,000 worth | 0:01:42 | 0:01:46 | |
of cash up for grabs for our Challengers. However, if they fail | 0:01:46 | 0:01:49 | |
to defeat the Eggheads, the prize money rolls over to the next show. | 0:01:49 | 0:01:53 | |
So, Good Neighbours, the Eggheads have won the last 19 games, | 0:01:53 | 0:01:57 | |
which means £20,000 says you can't beat them. | 0:01:57 | 0:02:01 | |
First head-to-head battle is on the subject of Film & TV. | 0:02:01 | 0:02:04 | |
Which one of you wants to play Film & TV? | 0:02:04 | 0:02:07 | |
-I think I'm going to try this one. -OK. Against which Egghead? | 0:02:07 | 0:02:11 | |
-What do you reckon? -Chris. -I will try Chris, I think. | 0:02:11 | 0:02:17 | |
Simon, from Good Neighbours, versus Chris from the Eggheads. | 0:02:17 | 0:02:20 | |
To ensure there's no conferring, please take your positions in the Question Room. | 0:02:20 | 0:02:26 | |
I'll ask each of you three multiple-choice questions on Film & TV in turn. | 0:02:26 | 0:02:29 | |
Whoever answers the most questions correctly is the winner. | 0:02:29 | 0:02:32 | |
Simon, your choice, would you like the first or second set of questions? | 0:02:32 | 0:02:35 | |
I think I'll go first. | 0:02:35 | 0:02:37 | |
OK. Here's your first question. | 0:02:41 | 0:02:42 | |
John Craven left Newsround in 1989 | 0:02:42 | 0:02:45 | |
and joined which long-running TV programme in the same year? | 0:02:45 | 0:02:49 | |
John Craven... | 0:02:55 | 0:02:58 | |
Don't think it was Countryfile | 0:02:58 | 0:03:00 | |
and I've never been a big fan of Songs Of Praise. | 0:03:00 | 0:03:03 | |
So, for that reason, I will go for the Antiques Roadshow. | 0:03:03 | 0:03:08 | |
No, it was actually Countryfile. | 0:03:08 | 0:03:10 | |
And still is. | 0:03:10 | 0:03:12 | |
Sorry, Simon. | 0:03:12 | 0:03:15 | |
Chris, your question. In the 2005 film, Mr & Mrs Smith, | 0:03:15 | 0:03:19 | |
Brad Pitt and Angelina Jolie both play what? | 0:03:19 | 0:03:23 | |
They are both assassins. | 0:03:26 | 0:03:30 | |
With conviction and quite right. | 0:03:30 | 0:03:32 | |
Assassins. | 0:03:32 | 0:03:34 | |
Next question to you, Simon. Try and come back in. | 0:03:36 | 0:03:39 | |
David E Kelley, the TV producer and creator of Chicago Hope, | 0:03:39 | 0:03:43 | |
Ally McBeal and Boston Legal married which actress in 1993? | 0:03:43 | 0:03:49 | |
I think Susan Sarandon is still with the guy that was in The Player. | 0:03:54 | 0:03:59 | |
So, I don't know if it's her. | 0:03:59 | 0:04:00 | |
It's between Sigourney Weaver and Michelle Pfeiffer. | 0:04:02 | 0:04:04 | |
I'll go with Michelle Pfeiffer. | 0:04:08 | 0:04:11 | |
Michelle Pfeiffer is quite right. | 0:04:11 | 0:04:14 | |
Good one. Did your team-mates know that? | 0:04:14 | 0:04:18 | |
-No. -Tricky question. | 0:04:18 | 0:04:20 | |
OK, Chris, who created the puppetry technique for television | 0:04:20 | 0:04:24 | |
known as supermarionation? | 0:04:24 | 0:04:27 | |
Tex Avery was cartoons of the Golden Age. | 0:04:33 | 0:04:36 | |
Nick Park is Wallace & Gromit, which is claymation. | 0:04:36 | 0:04:40 | |
Supermarionation was Gerry Anderson. | 0:04:40 | 0:04:42 | |
Thunderbirds and all that stuff. | 0:04:42 | 0:04:44 | |
Supermarionation was Gerry Anderson, that's right. Meaning... | 0:04:44 | 0:04:48 | |
puppetry... | 0:04:48 | 0:04:50 | |
Super just means above and beyond. | 0:04:50 | 0:04:52 | |
As in a marionettes. Yep. | 0:04:52 | 0:04:55 | |
Supermarionation. | 0:04:55 | 0:04:57 | |
One extra string? Something like that. | 0:04:59 | 0:05:03 | |
Simon, who played the title role in the 1971 television series Casanova | 0:05:03 | 0:05:08 | |
written by Dennis Potter? | 0:05:08 | 0:05:10 | |
I'm not too sure about this. | 0:05:17 | 0:05:19 | |
I'm going to go with the one I've heard of and that's Terence Stamp. | 0:05:19 | 0:05:22 | |
No. Not Terence Stamp. | 0:05:24 | 0:05:26 | |
Frank Finlay is the answer. | 0:05:26 | 0:05:29 | |
Maybe '71 was more Frank Finlay's time, was it? | 0:05:29 | 0:05:32 | |
-Was he in Bouquet Of Barbed Wire? -Yes. | 0:05:32 | 0:05:36 | |
Terence Stamp is wrong, Simon, | 0:05:36 | 0:05:38 | |
so there is no way back for you in this round. | 0:05:38 | 0:05:41 | |
Chris has won. Well done to our Egghead. First blood to you. You'll be in the final, Chris. | 0:05:41 | 0:05:45 | |
Simon, I'm sorry, you won't be able to help your team in the final. | 0:05:45 | 0:05:48 | |
Please come back and rejoin your teams. | 0:05:48 | 0:05:51 | |
So, as it stands, the Challengers have lost one brain from the final round | 0:05:52 | 0:05:57 | |
whilst the Eggheads have not lost any brains yet. Next subject is Music. | 0:05:57 | 0:06:01 | |
Who would like this? | 0:06:01 | 0:06:03 | |
-Looks like me. -Looks like you, Dave. -Yes, I'll take it. | 0:06:04 | 0:06:08 | |
Against which Egghead? | 0:06:08 | 0:06:10 | |
I don't know, who do you reckon? | 0:06:10 | 0:06:11 | |
-Do you reckon Daphne or...? -Barry. | 0:06:11 | 0:06:17 | |
-Let's take Barry. -Dave from Good Neighbours versus Barry on Music. | 0:06:17 | 0:06:21 | |
-You seem to do Music quite a lot, Barry. -Yes, I seem to do. | 0:06:21 | 0:06:25 | |
-People must thank you don't look musical but they're wrong. -They're totally right. | 0:06:25 | 0:06:29 | |
My piano teacher said I was musically dyslexic. | 0:06:29 | 0:06:31 | |
To ensure there's no conferring, please take your positions in the Question Room. | 0:06:31 | 0:06:36 | |
-Dave, you're an economics student? -Yes. | 0:06:38 | 0:06:41 | |
-And what's the plan afterwards? -I'm not really too sure. | 0:06:41 | 0:06:44 | |
If there's any jobs left, I might go into banking or something similar. | 0:06:44 | 0:06:47 | |
If not, a couple of Jet Skis and a beach somewhere maybe. | 0:06:47 | 0:06:50 | |
Oh, I see - buy a Jet Ski and hire it out? | 0:06:50 | 0:06:52 | |
Yes, it sounds good to me, better than sitting in an office for 12 hours. | 0:06:52 | 0:06:56 | |
-Sounds like the first choice. -Yes, maybe, if we win today, you never know, | 0:06:56 | 0:06:59 | |
-I might be gone by the end of my degree. -Did we not think of that when we were 21, Barry? -Wish I had. | 0:06:59 | 0:07:05 | |
I'll ask each of you three questions on Music and, Dave, you can choose the first or second set. | 0:07:05 | 0:07:10 | |
I'll take the first set, please. | 0:07:10 | 0:07:11 | |
Here we go. Who released the worldwide hit, | 0:07:14 | 0:07:17 | |
When Doves Cry, in 1984? | 0:07:17 | 0:07:20 | |
My mum went to see him in concert a little while ago. | 0:07:24 | 0:07:26 | |
I think it's Prince. | 0:07:26 | 0:07:29 | |
Prince is correct. | 0:07:29 | 0:07:31 | |
-Well done. Your mum went? -Yes. | 0:07:31 | 0:07:33 | |
Oh, dear, that ages me. | 0:07:33 | 0:07:35 | |
OK. Barry, which composer wrote the opera entitled Das Rheingold | 0:07:35 | 0:07:40 | |
that was first performed in 1869? | 0:07:40 | 0:07:43 | |
Das Rheingold is one of the four Ring operas by Wagner. | 0:07:47 | 0:07:50 | |
That's the correct answer. | 0:07:52 | 0:07:54 | |
Dave, your question. Which American singer had UK hits | 0:07:54 | 0:07:57 | |
with both Stranger In Paradise and The Good Life? | 0:07:57 | 0:08:01 | |
To be honest, I've never heard of any of them. | 0:08:06 | 0:08:10 | |
I'll say... Sam Cooke. | 0:08:10 | 0:08:14 | |
It wasn't Sam Cooke. Eggheads? | 0:08:15 | 0:08:17 | |
-Tony Bennett. -Tony Bennett is the answer. | 0:08:17 | 0:08:21 | |
Stranger In Paradise. Which is the best known of those two? | 0:08:21 | 0:08:24 | |
Stranger In Paradise. | 0:08:24 | 0:08:25 | |
-Same tune as Borodin. -It comes from Kismet. | 0:08:25 | 0:08:29 | |
-Right. Fifties? -Musical. -Musical, that's why you know. | 0:08:29 | 0:08:33 | |
Barry, in which year did Harry Secombe | 0:08:33 | 0:08:37 | |
have his greatest chart success with that This is My Song, | 0:08:37 | 0:08:40 | |
reaching number two in the UK singles chart? | 0:08:40 | 0:08:43 | |
'57 is definitely too early. I have to think whether it was '67 or '77. | 0:08:48 | 0:08:54 | |
This is My Song. | 0:08:54 | 0:08:56 | |
I can remember it well. | 0:08:56 | 0:08:57 | |
I think this was quite a while back. | 0:09:00 | 0:09:01 | |
I'm going to go for '67. | 0:09:01 | 0:09:04 | |
1967 is the correct answer. Yes. | 0:09:04 | 0:09:08 | |
Harry Secombe. So, you need this one, Dave. | 0:09:08 | 0:09:11 | |
In traditional Irish music, | 0:09:11 | 0:09:13 | |
a bodhran is a type of which instrument? | 0:09:13 | 0:09:17 | |
I don't know. Irish music isn't really my speciality. | 0:09:20 | 0:09:24 | |
Can you say the question again, please? | 0:09:25 | 0:09:28 | |
I'll spell it for you. B-O-D-H-R-A-N. | 0:09:28 | 0:09:30 | |
The A has a little accent on it. | 0:09:30 | 0:09:33 | |
B-O-D-H-R-A-N. In traditional Irish music, | 0:09:33 | 0:09:36 | |
a bodhran is a type of which instrument? | 0:09:36 | 0:09:39 | |
You need this to stay in. | 0:09:40 | 0:09:42 | |
With a name Nolan I should probably know, but, erm... | 0:09:42 | 0:09:45 | |
I'll take drum. | 0:09:45 | 0:09:47 | |
Drum is right. | 0:09:47 | 0:09:49 | |
Well done. | 0:09:49 | 0:09:52 | |
-Barry, you nodded. -Yes, it's one of those wonderful drums | 0:09:52 | 0:09:55 | |
that you play with some instrument that goes backwards and forwards. It makes a great sound. | 0:09:55 | 0:09:59 | |
It's like a big tambourine. You hold it in your left hand | 0:09:59 | 0:10:02 | |
-and sort of do that, with a very short drumstick. -Right. | 0:10:02 | 0:10:05 | |
You haven't got one on you, Barry? | 0:10:05 | 0:10:07 | |
-No. -If you get this right, you're through to the final. | 0:10:07 | 0:10:10 | |
Dave Rowntree, selected in 2008 | 0:10:10 | 0:10:12 | |
to contest the Cities of London and Westminster constituency for Labour, | 0:10:12 | 0:10:17 | |
is famous for being the drummer of which band? | 0:10:17 | 0:10:20 | |
Gosh. Dave Rowntree. | 0:10:24 | 0:10:27 | |
I've heard this. | 0:10:27 | 0:10:28 | |
I'm not at all certain on this. But something is telling me Coldplay. | 0:10:30 | 0:10:36 | |
It's not Coldplay, actually, it's Blur. | 0:10:36 | 0:10:39 | |
-Something told me wrong, then. -Something did tell you wrongly. | 0:10:39 | 0:10:43 | |
-What was the something? -I've no idea, but I'll have words with it | 0:10:43 | 0:10:46 | |
-when I finish. -You need to. Scores are level after three questions. We go to Sudden Death. | 0:10:46 | 0:10:50 | |
-Dave, it's a bit harder. It's not multiple choice, OK? -Yes, OK. | 0:10:50 | 0:10:55 | |
Which member of the group Girls Aloud brought out a cosmetics range | 0:10:55 | 0:10:59 | |
called Dainty Doll in 2008? | 0:10:59 | 0:11:02 | |
I'm not really too sure. I only know one of them by name, so I have to say Cheryl Cole. | 0:11:04 | 0:11:09 | |
-No. Nicola Roberts is the answer. -If she's watching, sorry. | 0:11:09 | 0:11:13 | |
She'll make it up to you. | 0:11:13 | 0:11:15 | |
OK, Barry. | 0:11:15 | 0:11:17 | |
Who had a number-one hit on the US Hot 100 chart with Disturbia | 0:11:17 | 0:11:22 | |
in 2008? | 0:11:22 | 0:11:24 | |
This, for the round. | 0:11:24 | 0:11:26 | |
This may be for the round, but I'm not going to get it. | 0:11:26 | 0:11:29 | |
I really don't know. | 0:11:29 | 0:11:31 | |
US Hot 100 chart. | 0:11:31 | 0:11:33 | |
Disturbia. | 0:11:33 | 0:11:35 | |
-I'll try Beyonce. -No. It was Rihanna. | 0:11:40 | 0:11:42 | |
I was thinking Rihanna and I didn't say it. | 0:11:42 | 0:11:47 | |
Dave, over to you. | 0:11:47 | 0:11:48 | |
What was the title of REM's seventh full studio album, | 0:11:48 | 0:11:52 | |
which featured the songs, Losing My Religion and Shiny Happy People? | 0:11:52 | 0:11:57 | |
This is in the back of my head and I can't pick it out. | 0:12:00 | 0:12:03 | |
And I know Simon will know as well, which is the bad thing. | 0:12:03 | 0:12:06 | |
-I don't know. I am going to have to pass. -Out Of Time is the answer. | 0:12:12 | 0:12:18 | |
Barry, if you get this right, you're in the final. | 0:12:18 | 0:12:20 | |
This is Sudden Death, of course. | 0:12:20 | 0:12:22 | |
I'm still annoyed at the voice in my head that was saying Rihanna and I answered something else. | 0:12:22 | 0:12:27 | |
-It was trying to make amends and I didn't listen. -Keep listening to those voices. | 0:12:27 | 0:12:30 | |
The memorable score for the 1957 film The Bridge On The River Kwai | 0:12:30 | 0:12:36 | |
was written by which leading British composer, Barry? | 0:12:36 | 0:12:39 | |
I really should know this. | 0:12:41 | 0:12:43 | |
This is one that I'll know as soon as you tell me the answer. Gosh. | 0:12:46 | 0:12:52 | |
This is unfair. This is hurting. | 0:12:54 | 0:12:56 | |
I do know this. It just won't come. | 0:12:56 | 0:13:00 | |
No. It's not going to come. | 0:13:03 | 0:13:06 | |
-Eggheads, do you know? -Malcolm Arnold? -Malcolm Arnold is the answer. | 0:13:06 | 0:13:10 | |
And he won an Oscar for it. | 0:13:10 | 0:13:11 | |
It'll be on a CJ list somewhere. | 0:13:11 | 0:13:15 | |
Sudden Death. Music is the category. Back to you, Dave. | 0:13:15 | 0:13:19 | |
You're hanging in there. | 0:13:19 | 0:13:20 | |
Pieces Of The Sky, released in 1975, | 0:13:20 | 0:13:24 | |
is considered to be the album that launched the career | 0:13:24 | 0:13:27 | |
of which multi-Grammy Award-winning female country music singer? | 0:13:27 | 0:13:32 | |
Pieces Of The Sky. | 0:13:32 | 0:13:34 | |
-Grammy Award-winning female country singer? -Yes. | 0:13:36 | 0:13:39 | |
I haven't got many in my collection. | 0:13:39 | 0:13:41 | |
-I don't know. Dolly Parton? -No. | 0:13:45 | 0:13:47 | |
It's not Dolly. It's Emmylou Harris. | 0:13:47 | 0:13:50 | |
Over to you, Barry. This for the round. | 0:13:50 | 0:13:53 | |
Which jazz and blues singer was nicknamed Mr Five by Five | 0:13:53 | 0:13:57 | |
as an affectionate reference to his height and girth? | 0:13:57 | 0:14:00 | |
Jazz and blues singer. | 0:14:02 | 0:14:04 | |
Well, Fats Domino was quite large. | 0:14:12 | 0:14:15 | |
George Melly was also quite a substantial gentleman. | 0:14:15 | 0:14:19 | |
Mr Five by Five. I'm going to say Fats Domino. | 0:14:19 | 0:14:22 | |
-No. The answer is Jimmy Rushing. -Oh. | 0:14:22 | 0:14:25 | |
Back to you, Dave. | 0:14:25 | 0:14:27 | |
Le tombeau de Couperin | 0:14:27 | 0:14:29 | |
is a work first performed in 1919 by which French composer | 0:14:29 | 0:14:33 | |
written to commemorate seven of his friends | 0:14:33 | 0:14:37 | |
who died during the First World War? | 0:14:37 | 0:14:40 | |
-Which French composer? -I've absolutely idea. | 0:14:40 | 0:14:43 | |
-No clue. -Are you going to pass? -Yep. | 0:14:45 | 0:14:48 | |
Maurice Ravel. | 0:14:48 | 0:14:50 | |
Barry, what is the title of Arthur Sullivan's only grand opera, | 0:14:50 | 0:14:55 | |
first performed in 1891, | 0:14:55 | 0:14:57 | |
written without the collaboration of W S Gilbert? | 0:14:57 | 0:15:01 | |
Now, he wrote Box And Cox, which I think was with Gilbert, | 0:15:03 | 0:15:07 | |
but I seem to recall he also wrote an opera called Ivanhoe. | 0:15:07 | 0:15:11 | |
-What is your answer? -My answer is Ivanhoe. | 0:15:11 | 0:15:13 | |
Ivanhoe is right. | 0:15:13 | 0:15:16 | |
Daphne knew that. | 0:15:16 | 0:15:17 | |
Anyway, Barry, you have squeaked through there on music. | 0:15:17 | 0:15:21 | |
-Scraped indeed. -Dave, you were beaten our Eggheads, | 0:15:21 | 0:15:24 | |
you won't be in the final round. Barry, you will help the Eggheads in the final round. | 0:15:24 | 0:15:28 | |
Please, both of you, come back and rejoin your teams. | 0:15:28 | 0:15:30 | |
So, as it, stands, the Challengers have lost two brains from the final, | 0:15:32 | 0:15:36 | |
the Eggheads have not lost any. The next the subject is History. Who wants History? | 0:15:36 | 0:15:40 | |
-Who's going to take it? -Amit, I think you should take it. | 0:15:42 | 0:15:45 | |
-Shall I take it? -Go for it. -I think I'll take History. -Against which Egghead, Amit? | 0:15:45 | 0:15:51 | |
Judith. I think we'll play Judith. | 0:15:51 | 0:15:55 | |
Amit from Good Neighbours versus Judith from the Eggheads. | 0:15:55 | 0:15:59 | |
To ensure there is no conferring, please go the Question Room now. | 0:15:59 | 0:16:02 | |
Three questions on History in turn, and you can choose, | 0:16:02 | 0:16:06 | |
-Amit, whether you want the first or second set. -I'll go for first, please. | 0:16:06 | 0:16:10 | |
And we are playing for £20,000, of course. The term "little ships" | 0:16:12 | 0:16:15 | |
was applied to the flotilla of over 700 fishing vessels | 0:16:15 | 0:16:19 | |
and pleasure steamers that played a major role | 0:16:19 | 0:16:22 | |
in which event of World War II? | 0:16:22 | 0:16:24 | |
I have absolutely no idea. | 0:16:32 | 0:16:34 | |
I will just go for Normandy landings. | 0:16:34 | 0:16:39 | |
-Do you know, guys? -Dunkirk. -Dunkirk is the answer. Dunkirk, bad luck. | 0:16:41 | 0:16:46 | |
Judith, your question. | 0:16:46 | 0:16:48 | |
What type of clothing was the doublet | 0:16:48 | 0:16:50 | |
that was particularly popular with men during Tudor times? | 0:16:50 | 0:16:55 | |
Well, it's not a hat. | 0:16:59 | 0:17:01 | |
I thought it was going to be a belt. | 0:17:01 | 0:17:03 | |
Now I'm confused. | 0:17:03 | 0:17:05 | |
A doublet, doublet and hose. Oh, it's a jacket, then. | 0:17:05 | 0:17:08 | |
-Yes. -Jacket is the right answer. -Phew! | 0:17:08 | 0:17:14 | |
Amit, back to you. | 0:17:14 | 0:17:16 | |
Which part of modern Britain was occupied by the Celtic tribe | 0:17:16 | 0:17:20 | |
called the Silures at the time of the Roman conquest? S-I-L-U-R-E-S. | 0:17:20 | 0:17:26 | |
Was it... | 0:17:28 | 0:17:31 | |
Silures, I don't know if that sounds slightly Welsh. | 0:17:31 | 0:17:35 | |
Again, I am not too sure to be honest. | 0:17:37 | 0:17:39 | |
Cornwall, South Wales... | 0:17:39 | 0:17:42 | |
I'll go South Wales. | 0:17:42 | 0:17:45 | |
South Wales is right, well done. | 0:17:45 | 0:17:48 | |
Very good. | 0:17:48 | 0:17:49 | |
-Was that just a fluke, or what? -Oh, yes, definitely. | 0:17:49 | 0:17:53 | |
Very honest. Judith, your question. | 0:17:53 | 0:17:55 | |
The event known as the coup of 18 Brumaire | 0:17:55 | 0:17:57 | |
brought which major figure into power in France? | 0:17:57 | 0:18:02 | |
Well, that was quite late on in the Revolution, | 0:18:07 | 0:18:12 | |
because they changed the months. | 0:18:12 | 0:18:13 | |
I think it might be Napoleon. | 0:18:15 | 0:18:18 | |
Napoleon is the right answer. | 0:18:20 | 0:18:23 | |
Well done. | 0:18:23 | 0:18:24 | |
Back to you, Amit. | 0:18:26 | 0:18:28 | |
In which century did the Captain Swing Riots | 0:18:28 | 0:18:31 | |
take place in southern England? | 0:18:31 | 0:18:33 | |
These aren't easy, are they? Captain Swing Riots... | 0:18:39 | 0:18:44 | |
17th. | 0:18:44 | 0:18:46 | |
I am going to ask Barry this. | 0:18:46 | 0:18:47 | |
Was it in 1830? The 19th century? | 0:18:47 | 0:18:50 | |
And what were they all about? | 0:18:50 | 0:18:52 | |
-Agriculture. -Agricultural riots. -Agricultural riots. | 0:18:52 | 0:18:54 | |
It was an agricultural form of Luddism, I think. | 0:18:54 | 0:18:58 | |
New machinery was coming in and was displacing farm workers. | 0:18:58 | 0:19:03 | |
Interesting, 19th century is the answer, so you got that wrong, Amit. | 0:19:03 | 0:19:06 | |
So, no way back in this round, and you won't be in the final, sorry. | 0:19:06 | 0:19:10 | |
Judith will be. Please, both of you, come back to us. | 0:19:10 | 0:19:14 | |
So, as it stands, the Challengers have lost three brains from the final round, | 0:19:14 | 0:19:18 | |
the Eggheads have not lost any, so far. So far. We can fight back. | 0:19:18 | 0:19:23 | |
-I hope so! -This is good for you students, Arts & Books now. | 0:19:23 | 0:19:27 | |
Arts & Books, who wants this? | 0:19:27 | 0:19:30 | |
-Come on, Jon. -It's Jon, isn't it? | 0:19:30 | 0:19:32 | |
-Yeah, go on, Jon. -Jon? -It looks like it's me, yes. -Against which Egghead? | 0:19:32 | 0:19:36 | |
Who do we want me to go against? | 0:19:36 | 0:19:40 | |
Kevin, go on, just try. | 0:19:40 | 0:19:42 | |
And looks like I'm going against Kevin. | 0:19:42 | 0:19:46 | |
Jon from Good Neighbours against Kevin from the Eggheads. | 0:19:46 | 0:19:49 | |
To ensure there is no conferring, please go to the Question Room. | 0:19:49 | 0:19:53 | |
Jon, I gather you want to be a professional rugby player? | 0:19:53 | 0:19:56 | |
Well, hopefully. See how it goes, really. | 0:19:56 | 0:19:58 | |
I've been injured lately, so... | 0:19:58 | 0:20:01 | |
-What was your injury? -I've ruptured my posterior cruciate ligament. | 0:20:01 | 0:20:05 | |
-That's in my knee. -Behind the knee, that's bad. | 0:20:05 | 0:20:08 | |
-It is quite a bad one. -Do you have to have that repaired or do you leave it? | 0:20:08 | 0:20:11 | |
I've had a bit of surgery on it, but I'm slowly getting back into playing. | 0:20:11 | 0:20:14 | |
So, it's you against Kevin, three questions, Arts & Books. | 0:20:14 | 0:20:18 | |
You can choose, Jon, the first or second set. | 0:20:18 | 0:20:21 | |
Seeing as the first hasn't been very successful, I think I'll go second. | 0:20:21 | 0:20:24 | |
Kevin, here's your first question. | 0:20:28 | 0:20:30 | |
A diptych, D-I-P-T-Y-C-H, is a term for a work of art | 0:20:30 | 0:20:34 | |
that's been painted on how many different panels? | 0:20:34 | 0:20:37 | |
The "di" bit specifies two. | 0:20:39 | 0:20:41 | |
It's two hinged panels which open out. | 0:20:41 | 0:20:44 | |
Two is correct. | 0:20:44 | 0:20:47 | |
Now to you, Jon. | 0:20:49 | 0:20:50 | |
Sakamoto Chiyo is the central character | 0:20:50 | 0:20:54 | |
of which best-selling 1997 book by Arthur Golden? | 0:20:54 | 0:20:59 | |
I know the Memoirs Of A Geisha was made into a film quite recently. | 0:21:08 | 0:21:12 | |
I'm going to go for Memoirs Of A Geisha. | 0:21:15 | 0:21:18 | |
Well done for not being tricked into any of the others. | 0:21:18 | 0:21:21 | |
Memoirs Of A Geisha is right. | 0:21:21 | 0:21:24 | |
Kevin, your question. What is the name of the inept constable | 0:21:24 | 0:21:29 | |
in Shakespeare's Measure For Measure? | 0:21:29 | 0:21:32 | |
He is... | 0:21:35 | 0:21:37 | |
He may have used the others, but he is Elbow. | 0:21:37 | 0:21:40 | |
-You mean Shakespeare may have used the other characters? -No, sorry, no. | 0:21:40 | 0:21:44 | |
No, they're not Shakespearean characters. | 0:21:44 | 0:21:46 | |
I was going to say, it's not like you to not know something. | 0:21:46 | 0:21:49 | |
-No, no, it was a feeble attempt at humour involving body parts. -OK. | 0:21:49 | 0:21:54 | |
-Anytime you want to try again, let us know. -No, it's OK. | 0:21:54 | 0:21:57 | |
Elbow's right, well done. | 0:21:57 | 0:22:00 | |
So onto you now, Jon. | 0:22:00 | 0:22:01 | |
In which Dan Brown novel does the hero, Robert Langdon, | 0:22:01 | 0:22:04 | |
struggle against a secret society called the Illuminati? | 0:22:04 | 0:22:09 | |
-Can you repeat the question, please? -In which Dan Brown novel | 0:22:15 | 0:22:18 | |
does the hero, Robert Langdon, struggle against a secret society | 0:22:18 | 0:22:23 | |
called the Illuminati? | 0:22:23 | 0:22:25 | |
I've read The Da Vinci Code and I am sure it is The Da Vinci Code. | 0:22:28 | 0:22:32 | |
Yeah, I'm going with Da Vinci Code. | 0:22:33 | 0:22:35 | |
Da Vinci Code, you really need this one right. You know, it's not. | 0:22:35 | 0:22:38 | |
It's Angels & Demons. | 0:22:38 | 0:22:41 | |
Did your colleagues know that? | 0:22:41 | 0:22:42 | |
I had an inkling because I know that was written before The Da Vinci Code | 0:22:42 | 0:22:46 | |
-and it featured the same character. -Right. | 0:22:46 | 0:22:49 | |
So you've got to really hope now that Kevin gets this wrong. | 0:22:49 | 0:22:53 | |
Kevin, the 1895 painting Flaming June | 0:22:53 | 0:22:56 | |
depicting a reclining woman in a flowing orange gown | 0:22:56 | 0:23:00 | |
is the work of which artist? | 0:23:00 | 0:23:03 | |
That is by Frederic Leighton. | 0:23:07 | 0:23:11 | |
I believe it's in the Tate GB. | 0:23:11 | 0:23:13 | |
-This for the round. -Mmm. | 0:23:13 | 0:23:16 | |
Frederic Leighton painted Flaming June. | 0:23:16 | 0:23:19 | |
Well done, Kevin. You've taken the round and you will be in the final. | 0:23:19 | 0:23:23 | |
No way back for you, Jon. | 0:23:23 | 0:23:24 | |
You were beaten by our Egghead. | 0:23:24 | 0:23:27 | |
Please, both of you, come back to us. | 0:23:27 | 0:23:30 | |
So this is what we've been playing towards, it's time for the final round, which is General Knowledge. | 0:23:30 | 0:23:35 | |
I'm afraid those of you who lost your head-to-heads | 0:23:35 | 0:23:37 | |
won't be allowed to take part in this round. | 0:23:37 | 0:23:39 | |
So, Amit, Simon, Jon and Dave, would you please leave the studio? | 0:23:39 | 0:23:44 | |
So what are you studying, Inderpreet? | 0:23:46 | 0:23:49 | |
I'm studying aerospace engineering. | 0:23:49 | 0:23:51 | |
-With the hope of being...? -I hope to become a commercial pilot. | 0:23:51 | 0:23:54 | |
OK, well, happy flying with this lot. | 0:23:54 | 0:23:56 | |
See how you do, you're playing to win your colleagues back there £20,000. | 0:23:56 | 0:24:02 | |
It'll be interesting to see how you split it if you succeed. | 0:24:02 | 0:24:05 | |
Daphne, Chris, Barry, Judith and Kevin, | 0:24:05 | 0:24:08 | |
you are playing for something money can't buy, which is your reputation. | 0:24:08 | 0:24:11 | |
As usual, I will ask each team three questions in turn. | 0:24:11 | 0:24:14 | |
This time the questions are all general knowledge. | 0:24:14 | 0:24:17 | |
I would normally say you can confer, but you don't have much option. | 0:24:17 | 0:24:22 | |
So, Inderpreet, the question is, is your one brain | 0:24:22 | 0:24:25 | |
better than the Eggheads' five? | 0:24:25 | 0:24:27 | |
-Would you like to go first or second? -I'll go second, please. | 0:24:27 | 0:24:31 | |
Eggheads, your question. In Anglo-Saxon England, | 0:24:35 | 0:24:37 | |
which team was used for the lowest rank of freeborn men? | 0:24:37 | 0:24:41 | |
-Churl. -Churl, yeah. | 0:24:44 | 0:24:46 | |
We're all agreed, churl. | 0:24:46 | 0:24:48 | |
-It's where you get the word, "churlish" from. -Churl is right. | 0:24:48 | 0:24:52 | |
-That's where you get churlish from, interesting. -Yes. | 0:24:52 | 0:24:55 | |
OK, Inderpreet, your question. | 0:24:55 | 0:24:58 | |
Portraits of Florence Nightingale, Charles Dickens and Charles Darwin | 0:24:58 | 0:25:01 | |
have all appeared on the reverse of which Bank Of England bank note? | 0:25:01 | 0:25:06 | |
Charles Darwin, Florence Nightingale... | 0:25:11 | 0:25:13 | |
I don't think I've seen them on the £5, | 0:25:15 | 0:25:18 | |
something says to me they are on the £10 note. | 0:25:18 | 0:25:22 | |
So I'll go for the £10. | 0:25:22 | 0:25:25 | |
£10 is quite right Well done, Inderpreet. Very, very good. | 0:25:25 | 0:25:29 | |
You needed that first question. Next question is for the Eggheads. | 0:25:29 | 0:25:33 | |
The Samoyed dog was bred by people in which area of the world? | 0:25:33 | 0:25:39 | |
S-A-M-O-Y-E-D. | 0:25:39 | 0:25:41 | |
The Samoyed dog was bred by people in which area of the world? | 0:25:41 | 0:25:46 | |
It comes from Siberia. | 0:25:51 | 0:25:54 | |
Siberia is right. | 0:25:54 | 0:25:57 | |
See how steady they are, but they can be thrown. | 0:25:57 | 0:26:00 | |
Things can go wrong, particularly when there's all five of them. | 0:26:00 | 0:26:04 | |
They fall out, they fight. Although CJ's not here, is he? | 0:26:04 | 0:26:07 | |
THEY LAUGH | 0:26:07 | 0:26:09 | |
Inderpreet, which cocktail probably originated in the 1930s | 0:26:09 | 0:26:13 | |
and usually consists of | 0:26:13 | 0:26:16 | |
white rum, brandy and triple sec with lemon juice? | 0:26:16 | 0:26:19 | |
I can't see a connection between any of them except Between The Sheets, | 0:26:25 | 0:26:28 | |
white sheets, white rum, I'll go for Between The Sheets. | 0:26:28 | 0:26:32 | |
You've got it absolutely right, Between The Sheets. | 0:26:32 | 0:26:36 | |
Well, I tell you what, if they get this wrong, | 0:26:36 | 0:26:38 | |
and you get yours right, £20,000 is yours. | 0:26:38 | 0:26:40 | |
Next question is for the Eggheads. | 0:26:40 | 0:26:44 | |
Who played the role of Catherine in the 1962 film, Jules Et Jim? | 0:26:44 | 0:26:50 | |
Jules Et Jim, it's Jeanne Moreau. | 0:26:56 | 0:26:59 | |
Yeah. | 0:26:59 | 0:27:01 | |
-That's Jean Moreau. -Jeanne. -Jeanne. | 0:27:01 | 0:27:03 | |
Jeanne, she's a lady. | 0:27:03 | 0:27:05 | |
Jeanne Moreau is your answer. | 0:27:05 | 0:27:09 | |
It would be so nice if you got this wrong, but you haven't. | 0:27:09 | 0:27:12 | |
Jeanne Moreau is correct. | 0:27:12 | 0:27:14 | |
You need to get this right, Inderpreet, to stay in it. | 0:27:14 | 0:27:17 | |
Before being killed by him in a drunken quarrel, | 0:27:17 | 0:27:21 | |
Clitus had been a trusted commander of which historical figure? | 0:27:21 | 0:27:26 | |
I'm going to rule the middle one out because I've never heard of him. | 0:27:33 | 0:27:37 | |
I'm going to go with Julius Caesar. | 0:27:41 | 0:27:42 | |
-Let me check with the Eggheads. Eggheads? -Alexander the Great. | 0:27:44 | 0:27:47 | |
And they all know, it's Alexander the Great. Inderpreet, I'm sorry. | 0:27:47 | 0:27:51 | |
Congratulations, Eggheads, you've won. | 0:27:51 | 0:27:54 | |
Commiserations to you and to the whole team. | 0:28:00 | 0:28:02 | |
The Eggheads have done what comes naturally. Their winning streak continues. | 0:28:02 | 0:28:06 | |
I'm afraid you won't be going home with the £20,000, which means the money rolls over to our next show. | 0:28:06 | 0:28:11 | |
Eggheads, congratulations, who will ever beat you? Join us next time to see if a new team of Challengers | 0:28:11 | 0:28:16 | |
have the brains to defeat the Eggheads. | 0:28:16 | 0:28:19 | |
£21,000 says they don't. | 0:28:19 | 0:28:22 | |
Till then, goodbye. | 0:28:22 | 0:28:23 | |
Subtitles by Red Bee Media Ltd | 0:28:42 | 0:28:45 | |
E-mail [email protected] | 0:28:45 | 0:28:48 |