Browse content similar to Episode 42. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
Together they make up the Eggheads, arguably the most formidable quiz team in the country. | 0:00:08 | 0:00:14 | |
The question is, can they be beaten? | 0:00:16 | 0:00:20 | |
Welcome to Eggheads, the show where a team of five quiz challengers | 0:00:23 | 0:00:26 | |
pit their wits against possibly the greatest quiz team in Britain. | 0:00:26 | 0:00:30 | |
You might recognise them | 0:00:30 | 0:00:31 | |
as they are Goliaths in the world of TV quiz shows. They are the Eggheads. | 0:00:31 | 0:00:36 | |
And taking on the might of our quiz Goliaths today | 0:00:36 | 0:00:39 | |
are Beauties and the Beast. | 0:00:39 | 0:00:42 | |
The team works for a builders and agricultural merchant in Suffolk. | 0:00:42 | 0:00:45 | |
Let's meet them. | 0:00:45 | 0:00:46 | |
Hi, I'm Julie. | 0:00:46 | 0:00:48 | |
I'm 36 and I'm an accounts clerk. | 0:00:48 | 0:00:50 | |
Hi, I'm Karen. I'm 42 years old and I'm an accounts manager. | 0:00:50 | 0:00:55 | |
Hello, I'm Donny. | 0:00:55 | 0:00:57 | |
I'm 59 and I'm an accounts clerk. | 0:00:57 | 0:00:59 | |
Hi, I'm Kerry. I'm 37 and I'm a purchase ledger controller. | 0:00:59 | 0:01:04 | |
Hi, I'm Vicky. I'm 38 and I'm a receptionist. | 0:01:04 | 0:01:08 | |
Welcome to you, Beauties and the Beast. | 0:01:08 | 0:01:11 | |
I'm not going to ask you to identify yourselves. | 0:01:11 | 0:01:14 | |
You work together. I understand the team name. | 0:01:14 | 0:01:17 | |
You work together. Do you quiz together? | 0:01:17 | 0:01:19 | |
Yeah, locally. Yeah, local village halls, pubs, yeah. | 0:01:19 | 0:01:24 | |
We just started last year, so not done too good, but... | 0:01:24 | 0:01:28 | |
THEY LAUGH | 0:01:28 | 0:01:30 | |
Not done too good, in the sense of "not won anything" then? | 0:01:30 | 0:01:33 | |
Yeah. But you never know. It's the luck of the questions. | 0:01:33 | 0:01:36 | |
Accumulating knowledge along the way? | 0:01:36 | 0:01:38 | |
-Yeah. -The other thing I've learnt from the Eggheads is it's kind of quizzing technique. | 0:01:38 | 0:01:43 | |
How to work a question. How to look at little clues that might be there, | 0:01:43 | 0:01:47 | |
dates, anything that gives you an edge. | 0:01:47 | 0:01:49 | |
You've concentrated on all that cos it all comes into play on Eggheads. | 0:01:49 | 0:01:53 | |
We did our homework. | 0:01:53 | 0:01:54 | |
You've looked at the potential weaknesses of the opponents. | 0:01:54 | 0:01:58 | |
Well, let's put that plan into action then now, shall we? | 0:01:58 | 0:02:01 | |
Let me tell you what's been happening up to this point. | 0:02:01 | 0:02:04 | |
Every day, there's £1,000 of cash up for grabs for our challengers. | 0:02:04 | 0:02:08 | |
However, if they fail to defeat the Eggheads, the prize money rolls over to the next show. | 0:02:08 | 0:02:13 | |
Beauties and the Beast, the Eggheads have won the last ten games, | 0:02:13 | 0:02:16 | |
which means £11,000 says you can't beat the Eggheads. | 0:02:16 | 0:02:19 | |
And our first head-to-head battle today | 0:02:20 | 0:02:23 | |
is going to be Film and Television. | 0:02:23 | 0:02:25 | |
Now who likes their films, who enjoys television | 0:02:25 | 0:02:28 | |
and who'd like to play the round? | 0:02:28 | 0:02:30 | |
-I think that will be me. -Vicky. -Vicky, yeah. | 0:02:30 | 0:02:32 | |
Vicky? OK. And any Egghead you like. | 0:02:32 | 0:02:35 | |
-Erm... -Judith? -Judith. | 0:02:36 | 0:02:38 | |
Whatever you decide. | 0:02:38 | 0:02:40 | |
-The decision is yours. -You're captain! | 0:02:41 | 0:02:43 | |
-You're very willing, Vicky. You'll play anyone. -Yeah, Judith. | 0:02:43 | 0:02:47 | |
-Judith? -Yeah. -OK. Let's have Vicky and Judith into the Question Room then, please, | 0:02:47 | 0:02:51 | |
to make sure you can't confer with your team-mates. | 0:02:51 | 0:02:54 | |
Vicky, do you wanna go first or second? | 0:02:55 | 0:02:57 | |
Can I go first, please? | 0:02:57 | 0:02:59 | |
OK, going first. | 0:03:02 | 0:03:03 | |
First question on Film and Television. | 0:03:03 | 0:03:07 | |
Which EastEnders character | 0:03:07 | 0:03:09 | |
famously handed his wife divorce papers in the 1986 Christmas Day episode? | 0:03:09 | 0:03:14 | |
Well, I'm pretty sure on this one. Erm... | 0:03:19 | 0:03:22 | |
I think it was Den Watts. | 0:03:22 | 0:03:25 | |
-Dirty Den? -Mmm. -It was indeed, yes. | 0:03:25 | 0:03:28 | |
Good start. One to you, Vicky. | 0:03:28 | 0:03:31 | |
Judith, what is the title of the 2008 film in which Robert De Niro | 0:03:31 | 0:03:36 | |
and Al Pacino star as police detectives named Turk and Rooster? | 0:03:36 | 0:03:41 | |
I've got a huge gap, | 0:03:45 | 0:03:48 | |
cos I realise I haven't looked up the current films. | 0:03:48 | 0:03:52 | |
I mean, the 2008 films. | 0:03:52 | 0:03:54 | |
Erm... Oh dear. | 0:03:54 | 0:03:58 | |
Justified Homicide, Righteous Kill, Honorable Murder? | 0:03:58 | 0:04:01 | |
I think Righteous Kill, the words sound a bit better than the others, | 0:04:01 | 0:04:05 | |
so I'll try that. | 0:04:05 | 0:04:07 | |
Righteous Kill? You think like a Hollywood executive. | 0:04:07 | 0:04:10 | |
That's the right answer. | 0:04:10 | 0:04:12 | |
Well done. OK, well, there we are. | 0:04:12 | 0:04:14 | |
Good start for Judith. | 0:04:14 | 0:04:15 | |
Back to you, Vicky. Who played the title role in the 1964 Hitchcock film Marnie? | 0:04:15 | 0:04:21 | |
To be honest, I really haven't got a clue at this. | 0:04:26 | 0:04:30 | |
So it's going to be a total guess. Erm... | 0:04:30 | 0:04:33 | |
For some reason Sylvia Sidney's jumping out at me, but... | 0:04:37 | 0:04:40 | |
So I'm going to go for Sylvia Sidney. | 0:04:40 | 0:04:42 | |
Sylvia Sidney playing Marnie in the film, 1964. | 0:04:42 | 0:04:48 | |
No, it's not. | 0:04:48 | 0:04:50 | |
Sorry, Vicky. Judith, do you know? | 0:04:50 | 0:04:53 | |
It's Tippi Hedren. | 0:04:53 | 0:04:55 | |
-Tippi Hedren. -Yes. -Tippi Hedren acted in other Hitchcock films. | 0:04:55 | 0:04:58 | |
-The Birds. -The Birds. -The Birds, yeah. | 0:04:58 | 0:05:00 | |
OK, well, nothing there for Vicky. | 0:05:00 | 0:05:03 | |
Let's see how Judith does with her second question. | 0:05:03 | 0:05:06 | |
Who plays TV executive Jack Donaghy in the award-winning US sitcom 30 Rock? | 0:05:06 | 0:05:12 | |
I haven't the faintest idea. | 0:05:15 | 0:05:18 | |
Erm... Oh, dear me! | 0:05:20 | 0:05:22 | |
Oh, dear me! I'm wanting Daphne's luck technique. | 0:05:22 | 0:05:27 | |
I mean, it's a bit of, sort of inner meditation and all that, so... | 0:05:27 | 0:05:34 | |
Daphne's inspirational guessing. | 0:05:34 | 0:05:36 | |
Close my eyes and go for Alec Baldwin. | 0:05:36 | 0:05:39 | |
You've transferred it, Daphne. It's the right answer. | 0:05:39 | 0:05:43 | |
Thank you, Daphne. | 0:05:43 | 0:05:45 | |
OK, Alec Baldwin there. So means you've got to get this, Vicky. | 0:05:45 | 0:05:48 | |
What nationality is the film maker Walter Salles? | 0:05:48 | 0:05:52 | |
Er... Don't think it's French. | 0:05:59 | 0:06:03 | |
So Spanish or Brazilian. | 0:06:03 | 0:06:06 | |
Spanish. I'll go for Spanish. | 0:06:10 | 0:06:14 | |
OK, Walter Salles. | 0:06:14 | 0:06:15 | |
Any films we'd have heard of? | 0:06:15 | 0:06:17 | |
Probably Motorcycle Diaries. | 0:06:17 | 0:06:19 | |
Oh, Motorcycle Diaries. | 0:06:19 | 0:06:22 | |
-Che Guevara. -Yeah. | 0:06:22 | 0:06:23 | |
Walter Salles is Brazilian. | 0:06:23 | 0:06:27 | |
Brazilian. Bad luck. | 0:06:27 | 0:06:28 | |
This round has been a story of guessing. | 0:06:30 | 0:06:33 | |
And yours just haven't landed. | 0:06:33 | 0:06:36 | |
It's a one in three chance for you both and Judith's did. | 0:06:36 | 0:06:38 | |
That was the difference. | 0:06:38 | 0:06:40 | |
That means you won't be in the final round. Judith, you will be there. | 0:06:40 | 0:06:44 | |
Would you please rejoin your teams? | 0:06:44 | 0:06:46 | |
Bad luck there, Vicky. You can still play a role though | 0:06:48 | 0:06:51 | |
in an advisory capacity with Beauties and the Beast. | 0:06:51 | 0:06:53 | |
But you've lost one brain from the final round, Beauties and the Beast. | 0:06:53 | 0:06:57 | |
The Eggheads haven't lost any. | 0:06:57 | 0:06:59 | |
Our next subject is sport. I know you're all pretty sporting. | 0:06:59 | 0:07:02 | |
We have one person | 0:07:03 | 0:07:05 | |
who knows about sport. That's Donny. | 0:07:05 | 0:07:07 | |
-Yeah, I'm Sport. Yes. -Donny? | 0:07:07 | 0:07:08 | |
-One of the Beauties. Who is the beast? -I'm the beast. | 0:07:08 | 0:07:11 | |
He had to ask! | 0:07:11 | 0:07:13 | |
Donny, who would you like to play from the Eggheads? | 0:07:13 | 0:07:17 | |
-It can't be Judith. -Who do you think? | 0:07:17 | 0:07:19 | |
-Chris is quite... -Chris, please. | 0:07:19 | 0:07:22 | |
Chris. OK. Well, two beauties into the question room. | 0:07:22 | 0:07:25 | |
Let's have Donny and Chris. | 0:07:25 | 0:07:28 | |
So, Donny, do you want to go first or second? | 0:07:29 | 0:07:31 | |
I would like to go first, please. | 0:07:31 | 0:07:33 | |
Best of luck, Donny. Here's your question. | 0:07:37 | 0:07:39 | |
What does a snooker referee call when a player committing a foul | 0:07:39 | 0:07:43 | |
is judged not to have played the shot to the best of his ability? | 0:07:43 | 0:07:46 | |
Well, I think it's deemed as if the player tried a deliberate miss. | 0:07:48 | 0:07:53 | |
So I will go for miss. | 0:07:53 | 0:07:55 | |
OK, and miss, that certainly wasn't. It's the right answer. | 0:07:55 | 0:07:58 | |
First question for you, Chris. | 0:07:58 | 0:08:00 | |
Which athletics event is known as the metric mile? | 0:08:00 | 0:08:04 | |
Well, a mile is 1760 yards | 0:08:07 | 0:08:11 | |
and the closest to that is 1500m. 1500m. | 0:08:11 | 0:08:16 | |
That is correct. Well done. | 0:08:16 | 0:08:17 | |
Back to you, Donny. | 0:08:17 | 0:08:19 | |
Sparky was the nickname of which former Manchester United player? | 0:08:19 | 0:08:23 | |
I believe that to be Mark Hughes. | 0:08:26 | 0:08:29 | |
Sparky Marky. Yes, it's the right answer. | 0:08:29 | 0:08:32 | |
OK, Chris. In which sport | 0:08:35 | 0:08:37 | |
might a player be selected as the Sir Henry Cotton Rookie of the Year? | 0:08:37 | 0:08:42 | |
Well, Sir Henry Cotton was a golfer way back when, so it must be golf. | 0:08:45 | 0:08:51 | |
Certainly must be. | 0:08:51 | 0:08:52 | |
Hole in one. Well, done, Chris. | 0:08:52 | 0:08:54 | |
Two to you. OK, third question each. | 0:08:54 | 0:08:57 | |
Donny, how many metres | 0:08:57 | 0:08:58 | |
do competitors stand from the target during Olympic archery competitions? | 0:08:58 | 0:09:04 | |
Well, this is a question I'm afraid I don't know. | 0:09:07 | 0:09:11 | |
So I've got to take a guess at it. | 0:09:11 | 0:09:15 | |
And, erm, I will go for the middle one, 80. | 0:09:15 | 0:09:19 | |
OK, 80 metres from the target in Olympic archery. | 0:09:19 | 0:09:23 | |
And Donny having a guess and missed the target. | 0:09:23 | 0:09:26 | |
Donny, it's 70m. | 0:09:26 | 0:09:28 | |
OK, well, a chance for Chris to win the round then. | 0:09:30 | 0:09:33 | |
Chris, who became the first man ever to run a marathon in under two hours and four minutes | 0:09:33 | 0:09:38 | |
at the Berlin Marathon in 2008? | 0:09:38 | 0:09:40 | |
The greatest marathon runners in the world come from Africa, | 0:09:45 | 0:09:49 | |
Ethiopia in particular, | 0:09:49 | 0:09:51 | |
cos they can train at altitude all the time. | 0:09:51 | 0:09:54 | |
-I think it's Haile Gebrselassie. -Haile Gebrselassie. | 0:09:54 | 0:09:57 | |
Under two hours and four minutes and it was done by... | 0:09:57 | 0:10:00 | |
Haile Gebrselassie is the right answer, Chris. | 0:10:00 | 0:10:03 | |
Well, three out of three. | 0:10:03 | 0:10:05 | |
Just the one in it, Donny, means you won't play in the final round. | 0:10:05 | 0:10:09 | |
Chris, you'll be there. Would you both please rejoin your teams? | 0:10:09 | 0:10:12 | |
Well, Beauties and the Beast, | 0:10:14 | 0:10:15 | |
you've lost two brains from the final round. | 0:10:15 | 0:10:17 | |
All Eggheads are there. With two head-to-heads, it could be all square in the final round. | 0:10:17 | 0:10:22 | |
And this category is Arts and Books. | 0:10:22 | 0:10:25 | |
-Who'd like to play this? -Want me to go? | 0:10:25 | 0:10:27 | |
Do you want to go? | 0:10:27 | 0:10:29 | |
-Go on. Go and get them. -OK, stay with us, Kerry. -Sorry. | 0:10:29 | 0:10:32 | |
Kerry, you need to choose an opponent. | 0:10:32 | 0:10:34 | |
-Oh. -Or it might be a bit easy. -Yes. | 0:10:34 | 0:10:36 | |
And the choices are Daphne, CJ or Kevin, the three in the middle. | 0:10:36 | 0:10:42 | |
-Who would you like to go for? -I'll go against CJ | 0:10:42 | 0:10:45 | |
as he's smiling so nicely over there. | 0:10:45 | 0:10:48 | |
It wasn't genuine. | 0:10:48 | 0:10:50 | |
The fixed grin of fear. OK, Kerry and CJ, into the Question Room, please. | 0:10:50 | 0:10:55 | |
So, Kerry, would you like to go first or second? | 0:10:57 | 0:10:59 | |
I will go first, please. | 0:10:59 | 0:11:01 | |
OK, Arts and Books. | 0:11:03 | 0:11:04 | |
Let's see what we've got. This is your first question, Kerry. | 0:11:04 | 0:11:07 | |
What is the title of Christopher Fry's 1949 play famously adapted | 0:11:07 | 0:11:12 | |
by Margaret Thatcher in a 1980 speech? | 0:11:12 | 0:11:15 | |
Right. Well, I haven't got a clue on this one, | 0:11:22 | 0:11:25 | |
so it's going to be a complete guess. | 0:11:25 | 0:11:28 | |
-I am going to go for The Lady's Not For Burning. -OK. | 0:11:30 | 0:11:36 | |
You're familiar with how Margaret Thatcher adapted that phrase? | 0:11:36 | 0:11:40 | |
-No. -OK. I'm interested because it's the right answer. | 0:11:40 | 0:11:45 | |
Oh, good grief! | 0:11:45 | 0:11:47 | |
And, Eggheads, the phrase Margaret Thatcher used was? | 0:11:47 | 0:11:50 | |
"You turn if you want to, the lady's not for turning." | 0:11:50 | 0:11:53 | |
"The lady's not for turning," she adapted. | 0:11:53 | 0:11:56 | |
But Lady's Not For Burning, got there by Kerry. | 0:11:56 | 0:11:58 | |
And CJ's first question coming up. | 0:11:58 | 0:12:01 | |
In the Harry Potter books, trains for Hogwarts | 0:12:01 | 0:12:04 | |
leave from Platform Nine and Three-Quarters at which London station? | 0:12:04 | 0:12:08 | |
I haven't read any of the books, | 0:12:10 | 0:12:12 | |
but I have forced myself to sit through the films, | 0:12:12 | 0:12:15 | |
simply because questions about these tedious stories come up all time. | 0:12:15 | 0:12:19 | |
If anything else, it's teaching kids across the country to read, | 0:12:19 | 0:12:23 | |
but where's our next generation of waiters gonna come from? | 0:12:23 | 0:12:26 | |
But in that case, I think it's King's Cross, Dermot. | 0:12:26 | 0:12:30 | |
CJ, you must be adding to your legions of fans out there. | 0:12:30 | 0:12:32 | |
Yes, both of them are very pleased with me. | 0:12:32 | 0:12:35 | |
Yes. Apologies to Harry Potter lovers out there, | 0:12:35 | 0:12:39 | |
but, yeah, CJ has got it right, of course. | 0:12:39 | 0:12:41 | |
King's Cross is correct. | 0:12:41 | 0:12:43 | |
OK, good start, Kerry. | 0:12:43 | 0:12:45 | |
Second one for you now. | 0:12:45 | 0:12:47 | |
Who wrote the 1970s travel book The Great Railway Bazaar? | 0:12:47 | 0:12:51 | |
Again, this is going to be a complete guess. | 0:12:57 | 0:13:00 | |
Erm... | 0:13:01 | 0:13:03 | |
I'm going to go for Paul Theroux. | 0:13:03 | 0:13:06 | |
OK. | 0:13:06 | 0:13:08 | |
I don't know why, but... | 0:13:08 | 0:13:10 | |
It's tough when you're forced to guess. | 0:13:10 | 0:13:12 | |
-Not so tough when you get the right answer though! -No! | 0:13:12 | 0:13:16 | |
Paul Theroux. | 0:13:16 | 0:13:17 | |
So, CJ, to catch up. | 0:13:18 | 0:13:20 | |
In which field of the arts is the annual Carnegie Medal awarded? | 0:13:20 | 0:13:24 | |
Uh-oh! | 0:13:27 | 0:13:29 | |
Uh-oh! | 0:13:31 | 0:13:33 | |
This has gone right out of my head and I know this. | 0:13:35 | 0:13:40 | |
So I'm going to hopefully give it a couple of moments | 0:13:40 | 0:13:43 | |
to see if it pops back in. | 0:13:43 | 0:13:45 | |
This is just so ridiculously simple and it's just completely gone. | 0:13:45 | 0:13:49 | |
Oh, dear! Literature. | 0:13:53 | 0:13:55 | |
The Carnegie Medal for... | 0:13:55 | 0:13:57 | |
-Is it, Eggheads? -Yes. Children's literature. | 0:13:57 | 0:13:59 | |
-Children's literature. -Specifically illustration. | 0:13:59 | 0:14:02 | |
-Yeah. -Further narrows it down. | 0:14:02 | 0:14:04 | |
Illustration of children's books. | 0:14:04 | 0:14:06 | |
Illustration of children's literature. | 0:14:06 | 0:14:08 | |
It's the right answer. Fair's fair, Kerry. | 0:14:09 | 0:14:11 | |
You had a guess at your second. He's guessed his successfully. | 0:14:11 | 0:14:14 | |
Let's hope you know this one and really put the pressure on him. | 0:14:14 | 0:14:17 | |
The Analysis Of Beauty, which puts forward the idea | 0:14:17 | 0:14:21 | |
that beauty is achieved through a serpentine line, is a 1753 treatise by which artist? | 0:14:21 | 0:14:28 | |
Again, this is going to be a complete guess. | 0:14:33 | 0:14:36 | |
And I am going to go for Thomas Gainsborough. | 0:14:36 | 0:14:41 | |
OK, Gainsborough, The Analysis Of Beauty. | 0:14:41 | 0:14:46 | |
Have you guessed it again? | 0:14:46 | 0:14:48 | |
You haven't, Kerry. | 0:14:48 | 0:14:50 | |
-Oh! -No, it's not Gainsborough. CJ, is it Reynolds or Hogarth? | 0:14:50 | 0:14:53 | |
Dunno. I would have gone for Hogarth. | 0:14:53 | 0:14:55 | |
Yeah, it's Hogarth. The Analysis Of Beauty. | 0:14:55 | 0:14:58 | |
William Hogarth. OK. | 0:14:58 | 0:15:00 | |
Chance for CJ. Here's your question. | 0:15:00 | 0:15:02 | |
Who wrote the Elizabethan play The Spanish Tragedy? | 0:15:02 | 0:15:05 | |
This one I'm not sure about. Erm... | 0:15:09 | 0:15:12 | |
Now Daphne is probably going to be squealing at me here. | 0:15:12 | 0:15:17 | |
I am going to go for what I thought of | 0:15:20 | 0:15:22 | |
-before the options came up. -Yep. | 0:15:22 | 0:15:24 | |
Which is Christopher Marlowe. | 0:15:24 | 0:15:26 | |
OK. Marlowe. | 0:15:26 | 0:15:28 | |
As I read the question out before the options come out, | 0:15:28 | 0:15:31 | |
-you try and put something in your head? -Yeah. | 0:15:31 | 0:15:33 | |
If it's there, you would get confirmation. | 0:15:33 | 0:15:36 | |
I can confirm that that is the wrong answer! | 0:15:36 | 0:15:38 | |
-Other Eggheads? -Thomas Kyd. | 0:15:38 | 0:15:41 | |
Thomas Kyd, The Spanish Tragedy. | 0:15:41 | 0:15:44 | |
A let-off for you, Kerry. All square, two-two. | 0:15:44 | 0:15:47 | |
Sudden Death for the first time. | 0:15:47 | 0:15:49 | |
Now this means we remove those choices. | 0:15:49 | 0:15:52 | |
So if you have to guess, which I hope you don't, it's going to be a lot harder. | 0:15:52 | 0:15:57 | |
I've just got to hear any answer coming from you. | 0:15:57 | 0:16:00 | |
"Many years later, | 0:16:00 | 0:16:01 | |
"as he faced the firing squad, Colonel Aureliano Buendia | 0:16:01 | 0:16:06 | |
"was to remember that distant afternoon when his father took him to discover ice," | 0:16:06 | 0:16:12 | |
is the opening line to which 1967 novel? | 0:16:12 | 0:16:17 | |
Oh, I really don't know. | 0:16:17 | 0:16:20 | |
I'm gonna struggle on this one. | 0:16:26 | 0:16:29 | |
I'm going to go for Captain Corelli's Mandolin. | 0:16:29 | 0:16:31 | |
I know it's wrong, but that's the only one I can think of. | 0:16:31 | 0:16:35 | |
OK, Captain Corelli's Mandolin. | 0:16:35 | 0:16:37 | |
Not the right answer. But worth having a guess. | 0:16:37 | 0:16:39 | |
Do you know, CJ? | 0:16:39 | 0:16:41 | |
-I don't, no. -That's interesting. | 0:16:41 | 0:16:43 | |
CJ wouldn't have known it if you'd put him in first | 0:16:43 | 0:16:46 | |
which you could have done. Other Eggheads? | 0:16:46 | 0:16:50 | |
-It's 100 Years Of Solitude. -Kevin's got it there. -Marquez. Gabriel Garcia Marquez. | 0:16:50 | 0:16:54 | |
Gabriel Garcia Marquez. 100 Years Of Solitude. | 0:16:54 | 0:16:57 | |
-Have you heard of it, Kerry? -No! -100 Years Of Solitude. | 0:16:57 | 0:17:02 | |
Aureliano Buendia. OK, well, CJ, My Last Duchess is a sinister poem | 0:17:02 | 0:17:08 | |
by which 19th-century writer? | 0:17:08 | 0:17:10 | |
Byron. Sorry, George Gordon Byron. | 0:17:13 | 0:17:19 | |
-I don't need a full name for an incorrect answer. -Fine. | 0:17:19 | 0:17:21 | |
It's OK. | 0:17:21 | 0:17:24 | |
-Other Eggheads? -Robert Browning. | 0:17:26 | 0:17:28 | |
Robert Browning. Robert Browning, My Last Duchess. | 0:17:28 | 0:17:31 | |
OK, on we go. You're still in it, Kerry. | 0:17:31 | 0:17:34 | |
So you can get this. | 0:17:34 | 0:17:37 | |
Which ballet dancer was arrested in 1959 when her husband was accused | 0:17:37 | 0:17:42 | |
of attempting to overthrow the government of Panama? | 0:17:42 | 0:17:45 | |
Which ballet dancer was arrested in 1959 when her husband was accused | 0:17:45 | 0:17:49 | |
of attempting to overthrow the government of Panama? | 0:17:49 | 0:17:52 | |
I can't think of any ballet dancers. | 0:17:58 | 0:18:02 | |
I haven't got a clue, Dermot. I'll have to pass on that one. | 0:18:08 | 0:18:12 | |
I really don't know. I can't think of any. | 0:18:12 | 0:18:14 | |
-Mmm. Mind going a blank. -Mm-hm. | 0:18:14 | 0:18:16 | |
The old curse of the Question Room. Erm, CJ, do you know? | 0:18:16 | 0:18:20 | |
Is it Margot Fonteyn? | 0:18:20 | 0:18:21 | |
Margot Fonteyn. | 0:18:21 | 0:18:24 | |
CJ, will you go through to the final round? | 0:18:24 | 0:18:26 | |
If you get this, you will. Which art critic | 0:18:26 | 0:18:28 | |
known for his well-spoken voice has described the Turner Prize as "an annual farce | 0:18:28 | 0:18:33 | |
"as inevitable in November as is the pantomime at Christmas"? | 0:18:33 | 0:18:37 | |
I hope that is that immensely irritating Brian Sewell. | 0:18:37 | 0:18:41 | |
Brian Sewell is the correct answer, CJ! | 0:18:41 | 0:18:45 | |
You've won. | 0:18:45 | 0:18:47 | |
Kerry, bad luck. Means you won't be playing in the final round. | 0:18:47 | 0:18:50 | |
Sorry to say that. Would you both please rejoin your teams? | 0:18:50 | 0:18:54 | |
Beauties and the Beast, you've lost three brains from the final round. | 0:18:54 | 0:18:58 | |
The Eggheads haven't lost any, | 0:18:58 | 0:18:59 | |
so you get your last chance now to knock one of them out on this subject, Politics. | 0:18:59 | 0:19:05 | |
Julie or Karen, who wants to play it? | 0:19:05 | 0:19:07 | |
-What do you think? -Are you good at politics? -I'd go for politics. | 0:19:07 | 0:19:12 | |
-Politics. -It's me, I'm afraid. -OK. | 0:19:12 | 0:19:14 | |
And you've got an easy round against Kevin or Daphne then. | 0:19:14 | 0:19:19 | |
Ha-ha! Who would you like to play? | 0:19:19 | 0:19:21 | |
-Daphne, please. -Daphne? OK. | 0:19:21 | 0:19:24 | |
Let's have Karen and Daphne in the Question Room, please. | 0:19:24 | 0:19:27 | |
Karen, would you like to go first or second? | 0:19:29 | 0:19:32 | |
I think I'd like to go first, please. | 0:19:32 | 0:19:35 | |
Best of luck, Karen. Politics, and this is your question. | 0:19:38 | 0:19:41 | |
At what time of day | 0:19:41 | 0:19:43 | |
does Prime Minister's Questions usually take place? | 0:19:43 | 0:19:46 | |
I'm not sure, but I don't believe it would be 9am. | 0:19:52 | 0:19:56 | |
I'm gonna go for midday. | 0:19:56 | 0:20:02 | |
-OK, midday. -Midday. -You wouldn't see it very often. | 0:20:02 | 0:20:05 | |
You'd be at work, wouldn't you? | 0:20:05 | 0:20:07 | |
I would, you see. | 0:20:07 | 0:20:08 | |
-Because it is at midday! -Excellent. -Well worked out. | 0:20:08 | 0:20:11 | |
Daphne, who announced her intention | 0:20:13 | 0:20:15 | |
to resign as Transport Minister during the 2008 Labour Party conference? | 0:20:15 | 0:20:20 | |
Well, she claimed she wanted to spend more time with her family. | 0:20:23 | 0:20:29 | |
It was Ruth Kelly. | 0:20:29 | 0:20:30 | |
-Ruth Kelly? -Mm-hm. | 0:20:30 | 0:20:32 | |
Resigned as Transport Minister at the Labour Party conference in 2008. | 0:20:32 | 0:20:37 | |
Yes, that's correct. | 0:20:37 | 0:20:38 | |
Karen, William Lyon Mackenzie King served three times as prime minister | 0:20:40 | 0:20:45 | |
of which country in the first half of the 20th century? | 0:20:45 | 0:20:49 | |
I'm... With the name of William, this is a complete guess, | 0:20:51 | 0:20:57 | |
but it doesn't come across as an Australian name. | 0:20:57 | 0:21:03 | |
Erm, I'm really guessing here. William? South Africa. | 0:21:03 | 0:21:09 | |
OK, William Lyon Mackenzie King served three times | 0:21:09 | 0:21:14 | |
-as prime minister of Canada. -Ah! -Not Australia. | 0:21:14 | 0:21:17 | |
On the right track, but landed the wrong one of the other two. | 0:21:17 | 0:21:20 | |
Daphne, second question. Faith Of My Fathers, | 0:21:20 | 0:21:23 | |
which was made into a 2005 TV film, is a memoir by which US politician? | 0:21:23 | 0:21:29 | |
Oh, dear! Erm... Oh-ho! | 0:21:33 | 0:21:37 | |
Don't know. Erm, 2005? | 0:21:37 | 0:21:42 | |
Well, I'm hoping that's too early | 0:21:42 | 0:21:47 | |
for Barack Obama. Erm... | 0:21:47 | 0:21:50 | |
Faith Of My Fathers? | 0:21:50 | 0:21:52 | |
Oh, dear. | 0:21:52 | 0:21:55 | |
Pure guess. John McCain. | 0:21:55 | 0:21:57 | |
-Is the right answer, Daphne. -Oh! | 0:21:57 | 0:22:00 | |
OK, means you've got to get this, Karen. | 0:22:00 | 0:22:02 | |
The term "ochlocracy," | 0:22:02 | 0:22:05 | |
O-C-H-L-O-C-R-A-C-Y. | 0:22:05 | 0:22:10 | |
The term "ochlocracy" means rule by what? | 0:22:10 | 0:22:13 | |
Well, this is going to be a slight guess. | 0:22:18 | 0:22:21 | |
I don't think it's the mob. | 0:22:21 | 0:22:24 | |
Erm, I'm not sure... | 0:22:24 | 0:22:29 | |
It is purely on how you're saying it, ochu... | 0:22:29 | 0:22:32 | |
It's "ochlocracy". | 0:22:32 | 0:22:34 | |
O-C-H-L-O-C-R-A-C-Y. "Ochlocracy". | 0:22:34 | 0:22:38 | |
Yeah, I just think if you "occupy" somewhere, | 0:22:38 | 0:22:41 | |
maybe it's the army, but that IS my guess. | 0:22:41 | 0:22:45 | |
OK, the army. "Ochlocracy" means rule by the army. | 0:22:47 | 0:22:50 | |
Would you have gone for that, Daphne? | 0:22:50 | 0:22:52 | |
-No, it's the mob. -It's the mob. | 0:22:52 | 0:22:55 | |
It means, Karen, I'm afraid | 0:22:55 | 0:22:57 | |
you won't be playing in the final round and Daphne, | 0:22:57 | 0:23:00 | |
with another successful guess, has booked a place for herself. | 0:23:00 | 0:23:04 | |
Would you both please come back and join your teams? | 0:23:04 | 0:23:07 | |
This is what we've been playing towards. | 0:23:07 | 0:23:09 | |
It's time for the final round which is General Knowledge. | 0:23:09 | 0:23:12 | |
But I'm afraid those of you who lost your head-to-heads can't take part. | 0:23:12 | 0:23:16 | |
So, Karen, Donny, Kerry and Vicky, | 0:23:16 | 0:23:19 | |
from Beauties and the Beasts, would you please leave the studio? | 0:23:19 | 0:23:24 | |
So, Julie, you're playing to win Beauties and the Beast £11,000. | 0:23:25 | 0:23:29 | |
Judith, Kevin, CJ, Daphne and Chris, you're playing for something | 0:23:29 | 0:23:32 | |
which money can't buy - the Eggheads' reputation. | 0:23:32 | 0:23:36 | |
I'll ask each team three questions in turn. | 0:23:36 | 0:23:39 | |
The questions are all general knowledge and you're allowed to confer. | 0:23:39 | 0:23:42 | |
Julie, the question is, is your one brain better than the Eggheads' five? | 0:23:42 | 0:23:46 | |
And, Julie, you get to choose, | 0:23:46 | 0:23:49 | |
as always, do you want to go first or second? | 0:23:49 | 0:23:52 | |
I'd like to go second, please. | 0:23:52 | 0:23:54 | |
General Knowledge and best of luck, Julie. | 0:23:56 | 0:23:59 | |
-Thank you. -Here you go, Eggheads. | 0:23:59 | 0:24:00 | |
The island of Murano, north of Venice, | 0:24:00 | 0:24:03 | |
is most associated with which industry? | 0:24:03 | 0:24:06 | |
-Everybody happy with glass? -Glass. | 0:24:10 | 0:24:12 | |
-That is Murano, with an M? -Yeah. The island of Murano, | 0:24:12 | 0:24:17 | |
north of Venice, is most associated with which industry? | 0:24:17 | 0:24:21 | |
M-U-R-A-N-O. | 0:24:21 | 0:24:23 | |
It's glassblowing. | 0:24:23 | 0:24:25 | |
-Glass industry. -Glassblowing is correct, Eggheads. Yes. | 0:24:25 | 0:24:29 | |
Glad you avoided that question? | 0:24:29 | 0:24:30 | |
-Yeah. -That's a good thing. Don't want you kicking yourself, | 0:24:30 | 0:24:34 | |
thinking, "I knew that!" | 0:24:34 | 0:24:36 | |
Right, so right decision then. | 0:24:36 | 0:24:39 | |
Here's your question. On which part of the body are barrettes normally worn? | 0:24:39 | 0:24:43 | |
On which part of the body are barrettes normally worn? | 0:24:46 | 0:24:50 | |
B-A-R-R-E-T-T-E-S. Barrettes. | 0:24:50 | 0:24:56 | |
Barrettes? Never heard of it, if I'm honest. | 0:24:56 | 0:25:01 | |
Erm, I don't think it's head. | 0:25:01 | 0:25:03 | |
It's either feet or hands. | 0:25:04 | 0:25:08 | |
I will try... Mmm... | 0:25:08 | 0:25:12 | |
Feet. I'll go for feet. | 0:25:18 | 0:25:20 | |
Barrettes worn on the feet. | 0:25:20 | 0:25:22 | |
-Is the wrong answer, Julie. -Oh! -They're not worn on the feet. | 0:25:23 | 0:25:26 | |
Do you know, Eggheads? | 0:25:26 | 0:25:28 | |
-Head. -It's a big thing... -They're slides you put in your hair. | 0:25:28 | 0:25:32 | |
-Oh, like hair clips? -Yes. Big slides. -Big ones? | 0:25:32 | 0:25:36 | |
-Yes. -Yeah. | 0:25:36 | 0:25:37 | |
OK, barrettes there. | 0:25:37 | 0:25:39 | |
Julie, not heard of those. | 0:25:39 | 0:25:41 | |
But let's see how you do with your second one, Eggheads. | 0:25:41 | 0:25:44 | |
Mansour Bahrami, born in Iran in 1956, is known for his trick shots | 0:25:44 | 0:25:49 | |
and flamboyant performances in the seniors' events of which sport? | 0:25:49 | 0:25:53 | |
That's tennis. | 0:25:56 | 0:25:59 | |
-He's got a big moustache. -Yes. That's right, yes, yeah. | 0:25:59 | 0:26:02 | |
I saw him play at the Royal Albert Hall partnering Henri Leconte | 0:26:02 | 0:26:05 | |
and that was... A few laughs in that match. | 0:26:05 | 0:26:08 | |
Yeah, Mansour Bahrami. It's tennis. | 0:26:08 | 0:26:09 | |
That's correct, Eggheads. | 0:26:09 | 0:26:11 | |
Julie, best of luck with this one. You've got to get this one | 0:26:11 | 0:26:16 | |
and I know how hard it is without anyone to consult with there. | 0:26:16 | 0:26:19 | |
What type of transport is a traditional gulet in Turkey? | 0:26:19 | 0:26:25 | |
G-U-L-E-T. Have you ever been to Turkey, Julie? | 0:26:25 | 0:26:29 | |
No. I wish I had. | 0:26:29 | 0:26:32 | |
-Erm... -Gulet. | 0:26:32 | 0:26:34 | |
Don't think it's a train. I could be wrong. I was wrong before, but... | 0:26:34 | 0:26:42 | |
I'm... | 0:26:42 | 0:26:44 | |
Turkey, boats, holidays. | 0:26:44 | 0:26:47 | |
Boats. Just a pure guess, boats? | 0:26:47 | 0:26:51 | |
OK, boat, pure guess. Well, it's not a pure guess there, | 0:26:51 | 0:26:54 | |
holidays, boats. It's the right answer. | 0:26:54 | 0:26:56 | |
-Oh! -Well, done, Julie. Congratulations. | 0:26:56 | 0:26:59 | |
Now that's a relief. You've got one on the board. | 0:26:59 | 0:27:02 | |
-We hope the Eggheads don't get this. -Yeah. | 0:27:02 | 0:27:04 | |
And the game's back on. | 0:27:04 | 0:27:05 | |
But, as you know, because of that slip-up on the first one, | 0:27:05 | 0:27:09 | |
you put them in first, they do win the game | 0:27:09 | 0:27:12 | |
if they get this. But here's hoping. | 0:27:12 | 0:27:14 | |
Who plays Sebastian Flyte in the 2008 film Brideshead Revisited? | 0:27:14 | 0:27:19 | |
Who plays Sebastian Flyte in the 2008 film Brideshead Revisited? | 0:27:23 | 0:27:28 | |
-Plays, erm... -Yeah, he plays Charles Ryder. | 0:27:28 | 0:27:31 | |
Well, Matthew Goode plays the sort of lead role, Charles Ryder | 0:27:31 | 0:27:35 | |
but Sebastian Flyte is played by Ben Whishaw. | 0:27:35 | 0:27:39 | |
Ben Whishaw? | 0:27:39 | 0:27:40 | |
It's the right answer, Eggheads. You've won. | 0:27:40 | 0:27:43 | |
-How would you have been with that, Julie? -I wouldn't have known. -No? | 0:27:49 | 0:27:52 | |
My main subject's music, so I was hoping it was going to come up later. | 0:27:52 | 0:27:56 | |
And it didn't come up today. Yeah. | 0:27:56 | 0:27:58 | |
The plan fell apart there, Beauties and the Beast. | 0:27:58 | 0:28:01 | |
And thanks very much for coming along here. | 0:28:01 | 0:28:03 | |
It's been a real pleasure having you. | 0:28:03 | 0:28:05 | |
The Eggheads did what comes naturally. | 0:28:05 | 0:28:07 | |
Their winning streak continues. | 0:28:07 | 0:28:09 | |
I'm afraid you won't be going home with the £11,000, | 0:28:09 | 0:28:11 | |
which means the money rolls over to the next show. | 0:28:11 | 0:28:14 | |
Eggheads, congratulations. Who will beat you? | 0:28:14 | 0:28:17 | |
Join us next time to see if a new team of challengers | 0:28:17 | 0:28:21 | |
have the brains to defeat the Eggheads. | 0:28:21 | 0:28:23 | |
£12,000 says they don't. Until then, goodbye. | 0:28:23 | 0:28:26 | |
Subtitles by Red Bee Media Ltd | 0:28:42 | 0:28:45 | |
E-mail [email protected] | 0:28:45 | 0:28:49 |