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These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:07 | |
Together, they make up the Eggheads, arguably the most formidable quiz team in the country. | 0:00:09 | 0:00:15 | |
The question is, can they be beaten? | 0:00:16 | 0:00:19 | |
Welcome to Eggheads, the show where a team of five quiz challengers | 0:00:23 | 0:00:26 | |
attempt to beat possibly the greatest quiz team in Britain. | 0:00:26 | 0:00:29 | |
Their quiz pedigree is well-known as they've won some of the country's | 0:00:29 | 0:00:32 | |
toughest quiz shows. They are the Eggheads. | 0:00:32 | 0:00:35 | |
And taking on the awesome might | 0:00:35 | 0:00:37 | |
of the Eggheads, today, are Insight Radio, from Glasgow. | 0:00:37 | 0:00:41 | |
They are all staff and volunteers who work for the radio station | 0:00:41 | 0:00:45 | |
for the Royal National Institute for the Blind. Let's meet them. | 0:00:45 | 0:00:49 | |
Hi. I'm Wilson. I'm 62 and I'm a volunteer broadcaster. | 0:00:49 | 0:00:54 | |
Hi. I'm Grace. I'm 55 and I am a volunteer broadcaster. | 0:00:54 | 0:00:59 | |
Hello. I'm Richard. I'm 67 and I'm a volunteer broadcaster. | 0:00:59 | 0:01:04 | |
Hello. I'm Fiona. | 0:01:04 | 0:01:05 | |
-I'm 59 and I'm also a broadcast volunteer. -Hi. I'm Alan. | 0:01:05 | 0:01:10 | |
I'm 37 and I'm a broadcast producer. | 0:01:10 | 0:01:13 | |
-Wilson and team, hello. -Hello, Jeremy. Good to meet you. | 0:01:13 | 0:01:16 | |
And you. And great to meet a fellow radio person. | 0:01:16 | 0:01:20 | |
Tell us about the station. | 0:01:20 | 0:01:22 | |
It's called Insight Radio. | 0:01:22 | 0:01:23 | |
We were founded by the RNIB, Royal National Institute of the Blind. | 0:01:23 | 0:01:29 | |
And we've been running now for about five years. | 0:01:29 | 0:01:32 | |
We, basically, serve blind | 0:01:32 | 0:01:34 | |
and partially-sighted people though we've got other listeners as well. | 0:01:34 | 0:01:37 | |
We provide quite a mix of news, music, features, as I say, | 0:01:37 | 0:01:42 | |
particularly of interest to people who are blind or partially-sighted. | 0:01:42 | 0:01:46 | |
-And you measure your audiences? You've got a sense of how needed you are? -Well, we do and... | 0:01:46 | 0:01:53 | |
our audience has grown over, as I say, something like five years, | 0:01:53 | 0:01:58 | |
and one measure of that is that 2007 we won a Sony silver award | 0:01:58 | 0:02:04 | |
-at which they recognised our work. -Fantastic. Well done. And good luck against the Eggheads here. | 0:02:04 | 0:02:12 | |
Hope you do really well. Every day there's £1,000 worth of cash up | 0:02:12 | 0:02:17 | |
for grabs for our challengers. However, if they fail to defeat | 0:02:17 | 0:02:19 | |
the Eggheads, the prize money rolls over to the next show. | 0:02:19 | 0:02:22 | |
Now, Insight Radio, the challengers won the last game | 0:02:22 | 0:02:26 | |
which means £1,000 says you can't beat the Eggheads. | 0:02:26 | 0:02:30 | |
First head to head battle is on the subject of politics. | 0:02:30 | 0:02:35 | |
Who wants to play politics? | 0:02:35 | 0:02:36 | |
I think you should go with it, Richard. You're the man for politics. | 0:02:36 | 0:02:40 | |
Even geography might come up, you think... | 0:02:40 | 0:02:43 | |
You see, we don't know what's coming up in the other categories so I think | 0:02:43 | 0:02:47 | |
-we must go with the categories that appear, so you go with it, Richard. -All right. | 0:02:47 | 0:02:51 | |
-We'll choose Richard. -Now, the tricky bit. | 0:02:51 | 0:02:55 | |
-It's very difficult but we've decided to play against CJ. -OK. | 0:02:55 | 0:02:59 | |
Richard, from Insight Radio, against CJ, from the Eggheads. To ensure | 0:02:59 | 0:03:04 | |
there's no conferring, please take your positions in the question room. | 0:03:04 | 0:03:09 | |
-So, Richard, you work on the radio station. -I do, indeed. | 0:03:09 | 0:03:12 | |
And you're doing, I understand, the afternoon show. | 0:03:12 | 0:03:15 | |
Yes. I do the afternoon show on a Wednesday with Alan and I operate | 0:03:15 | 0:03:18 | |
from three o'clock till six o'clock in the evening. | 0:03:18 | 0:03:22 | |
That's fine. It doesn't coincide with my programme. | 0:03:22 | 0:03:25 | |
-Indeed, it doesn't. -So recommend everyone listens to it. | 0:03:25 | 0:03:29 | |
I'm asking you three multiple choice questions, each of you, and whoever | 0:03:29 | 0:03:32 | |
gets the most right goes through | 0:03:32 | 0:03:34 | |
to the final round and Richard, you can choose the first or second set. | 0:03:34 | 0:03:38 | |
I think I'd like to go first. | 0:03:38 | 0:03:41 | |
Richard, Fiorello LaGuardia | 0:03:43 | 0:03:46 | |
served three consecutive four-year terms between 1933 and 1945 as Mayor | 0:03:46 | 0:03:52 | |
of which US city? | 0:03:52 | 0:03:54 | |
Well, I think that I know this one. | 0:03:58 | 0:04:02 | |
The answer is New York. | 0:04:02 | 0:04:04 | |
New York is correct. Well done, Richard... | 0:04:04 | 0:04:06 | |
because I guess the airport... | 0:04:06 | 0:04:09 | |
LaGuardia Airport. Yeah. | 0:04:09 | 0:04:12 | |
OK, CJ, your question. For what does the letter T | 0:04:12 | 0:04:15 | |
stand in the abbreviation STV, the voting system introduced in Scotland | 0:04:15 | 0:04:20 | |
in 2007 for local elections? | 0:04:20 | 0:04:23 | |
One of those questions where I had no idea until the options came up. | 0:04:27 | 0:04:32 | |
But having seen the options, I think | 0:04:32 | 0:04:34 | |
it stands for Single Transferable Vote, so I'll try transferable. | 0:04:34 | 0:04:39 | |
It does. You're right. Well done. One point to you. | 0:04:39 | 0:04:41 | |
Back to you, Richard. How many police forces are there | 0:04:41 | 0:04:43 | |
currently in England and Wales? | 0:04:43 | 0:04:46 | |
Well, I'm not sure about this question at all. | 0:04:50 | 0:04:55 | |
So I will have a stab and say 34. | 0:04:57 | 0:05:01 | |
That's wrong, I'm afraid. 43 is the correct answer. | 0:05:01 | 0:05:05 | |
CJ, your chance to take the lead. | 0:05:05 | 0:05:08 | |
Which American politician once said | 0:05:08 | 0:05:10 | |
"I love California, I practically grew up in Phoenix?" | 0:05:10 | 0:05:15 | |
I simply can't imagine it was Schwarzenegger. | 0:05:19 | 0:05:22 | |
I can only imagine it was Dan Quayle so let's try him. | 0:05:22 | 0:05:28 | |
I've not heard the quote before, either. I thought I'd heard all of | 0:05:28 | 0:05:32 | |
his gaffs. Dan Quayle is correct. Richard, back to you. | 0:05:32 | 0:05:37 | |
The House of Lords has an absolute veto on any bill introduced | 0:05:37 | 0:05:42 | |
in the Commons that proposes to do what? | 0:05:42 | 0:05:45 | |
Well, declare war... not sure about that. | 0:05:50 | 0:05:55 | |
Extend the life of the Parliament... I wouldn't have thought so. | 0:05:55 | 0:06:01 | |
I'll go for abolish the monarchy. | 0:06:01 | 0:06:05 | |
Actually, not. It's extend the life of Parliament. | 0:06:06 | 0:06:11 | |
That is obviously the one thing that they don't want the politicians | 0:06:11 | 0:06:13 | |
to do cos they could stay in power forever. | 0:06:13 | 0:06:17 | |
So, Richard, commiserations. | 0:06:17 | 0:06:19 | |
You've lost there. CJ will have won the round anyway. | 0:06:19 | 0:06:23 | |
You were beaten by our Egghead. As a result, you won't be in the final. | 0:06:23 | 0:06:26 | |
CJ, you will. Do both of you come back, rejoin your teams. | 0:06:26 | 0:06:32 | |
As it stands, the challengers have lost one brain from the final round. | 0:06:32 | 0:06:34 | |
The Eggheads have not lost any brains. | 0:06:34 | 0:06:38 | |
And the next subject is music. | 0:06:38 | 0:06:40 | |
Music. So who's going to do this one? | 0:06:40 | 0:06:43 | |
-That was Alan. -Alan. I think we decided before the show. | 0:06:43 | 0:06:46 | |
-Yes. -It was democratic that you have been volunteered, Alan. | 0:06:46 | 0:06:49 | |
-OK. -So we'll go with Alan. | 0:06:49 | 0:06:51 | |
Which Egghead? You've got Barry, Chris, Daphne or Judith. | 0:06:51 | 0:06:55 | |
We would like to ask Judith to join the music round. | 0:06:55 | 0:07:01 | |
Judith, feeling musical? | 0:07:01 | 0:07:03 | |
-You are quite musical. -No. I'm not at all musical. | 0:07:03 | 0:07:05 | |
I told you the other day, I prefer | 0:07:05 | 0:07:08 | |
listening to the spoken word rather than to music. | 0:07:08 | 0:07:10 | |
Yeah but you have a musical sense of... | 0:07:10 | 0:07:13 | |
-Do I? Well, that's kind of you. -Maybe not. | 0:07:13 | 0:07:14 | |
It's Alan, from Insight Radio then, against Judith, from the Eggheads. | 0:07:14 | 0:07:19 | |
So there's no conferring, please take your positions. | 0:07:19 | 0:07:24 | |
So, Alan, you're a radio man, too. | 0:07:24 | 0:07:26 | |
Yes. I am. | 0:07:26 | 0:07:28 | |
And producing, presenting, what are you doing on the station? | 0:07:28 | 0:07:30 | |
I present a show six days a week and I do some co-production, as well. | 0:07:30 | 0:07:35 | |
Oh, my goodness. You are busy. | 0:07:35 | 0:07:37 | |
-Very much so. Yeah. -Well, good luck in taking on Judith here. | 0:07:37 | 0:07:41 | |
Three questions on music. | 0:07:41 | 0:07:43 | |
And Alan, you can choose the first or second set. | 0:07:43 | 0:07:46 | |
I think I'll go with ladies first. | 0:07:46 | 0:07:50 | |
Judith, which singer had a UK top-ten hit single, With Games Without Frontiers, and Sledgehammer? | 0:07:53 | 0:07:59 | |
I think that was... | 0:08:03 | 0:08:07 | |
-Paul Young. -Paul Young. -Yes. | 0:08:11 | 0:08:14 | |
-It was Peter Gabriel... actually. Not Paul Young. -Oh, right. | 0:08:14 | 0:08:18 | |
Peter Gabriel was in Genesis and then went solo and all that. | 0:08:18 | 0:08:21 | |
Sorry, Judith. | 0:08:21 | 0:08:24 | |
Here's your question, Alan. In the 1980s, Johnny Marr, | 0:08:24 | 0:08:28 | |
Andy Rourke and Mike Joyce were all members of which group? | 0:08:28 | 0:08:34 | |
If memory serves me correct, I'm sure Johnny Marr was a guitarist. | 0:08:43 | 0:08:48 | |
And I'm positive I was listening to this band on the way down here on the train. I think it's The Smiths. | 0:08:48 | 0:08:56 | |
The Smiths is absolutely correct, Alan. Well done. | 0:08:56 | 0:09:00 | |
Missing out just Morrissey, there. | 0:09:00 | 0:09:04 | |
Judith, your question. | 0:09:04 | 0:09:06 | |
Which group released the album... | 0:09:06 | 0:09:08 | |
"The Circus" in December 2008? | 0:09:08 | 0:09:12 | |
Now, this is something I've read. | 0:09:15 | 0:09:18 | |
Can I remember it? | 0:09:18 | 0:09:22 | |
I know Girls Aloud have got | 0:09:23 | 0:09:25 | |
a hit of some kind and Take That. So which is it? | 0:09:25 | 0:09:29 | |
Would Girls Aloud do something called The Circus? | 0:09:29 | 0:09:33 | |
I think it's wrong. Take That. | 0:09:33 | 0:09:37 | |
No. Take That is right. Well done. | 0:09:37 | 0:09:39 | |
Hooray. At last. | 0:09:39 | 0:09:42 | |
Over to you, Alan. Here is your question. | 0:09:42 | 0:09:45 | |
How many white keys are there on a standard grand piano? | 0:09:45 | 0:09:50 | |
Not very good at playing instruments, | 0:09:57 | 0:10:02 | |
like the guitar, as my neighbours will probably testify. | 0:10:02 | 0:10:05 | |
I think I'm going | 0:10:05 | 0:10:08 | |
to go with 44. | 0:10:08 | 0:10:11 | |
44 is your answer, straight down the middle. | 0:10:13 | 0:10:16 | |
I'll try your teammates. Is he right? | 0:10:16 | 0:10:19 | |
I think it might be 52. | 0:10:19 | 0:10:21 | |
It could be. There's a lot of white notes on the piano. | 0:10:21 | 0:10:24 | |
One way of thinking of it! I'm afraid it's more, Alan, than 44. | 0:10:24 | 0:10:28 | |
It is 52. | 0:10:28 | 0:10:30 | |
So, back to you, Judith. | 0:10:30 | 0:10:33 | |
What is the commonly used French term for a cradle song or lullaby? | 0:10:33 | 0:10:39 | |
Well, aubade, that sounds like something to do with the dawn | 0:10:44 | 0:10:47 | |
and barcarolle sounds something to do with boats. | 0:10:47 | 0:10:50 | |
And berceuse is the cradle. | 0:10:50 | 0:10:55 | |
Berceuse. | 0:10:55 | 0:10:57 | |
-Is that your answer? -Yeah. -You're right. Well done. | 0:10:57 | 0:10:59 | |
Got it. | 0:10:59 | 0:11:01 | |
Alan, you get this right, we go to sudden death. | 0:11:01 | 0:11:05 | |
If you don't, you won't be in the final. Here we go. | 0:11:05 | 0:11:09 | |
The surrealist Elisabeth Lutyens once dismissed British pastoral | 0:11:09 | 0:11:15 | |
composers such as Vaughan Williams with which derogatory phrase? | 0:11:15 | 0:11:20 | |
Pastoral. | 0:11:25 | 0:11:27 | |
I would... Cowpat, I don't think. | 0:11:27 | 0:11:31 | |
That doesn't sound right. Wriggling, I suppose, is quite insulting. | 0:11:31 | 0:11:38 | |
Perhaps C is quite a bit of a put-down. | 0:11:40 | 0:11:46 | |
I think I'll go with C then as my final answer. | 0:11:46 | 0:11:50 | |
-You're going with Mad Wriggling. -Yeah. | 0:11:50 | 0:11:53 | |
I don't know the background to this at all but she apparently dismissed | 0:11:53 | 0:11:56 | |
it as the The Cowpat School. | 0:11:56 | 0:11:58 | |
Could have been any answer as far as I'm concerned. Anyone know the background to this? | 0:12:00 | 0:12:04 | |
Wasn't it Benjamin Britten who described Vaughan Williams' music | 0:12:04 | 0:12:06 | |
as "cow looking over a gate" music? | 0:12:06 | 0:12:09 | |
Alan, I'm sorry. You've been beaten by our Egghead there so you won't be in the final round. | 0:12:09 | 0:12:14 | |
Judith, you will be, you won on music. | 0:12:14 | 0:12:17 | |
I know, that's a first. | 0:12:17 | 0:12:20 | |
Please, both of you, come back to the studio. | 0:12:20 | 0:12:23 | |
As it stands, the challengers have lost two brains from the | 0:12:23 | 0:12:26 | |
final round. The Eggheads have lost no brains so far. Still time. | 0:12:26 | 0:12:29 | |
And you can still win. | 0:12:29 | 0:12:31 | |
The next subject is food and drink. | 0:12:31 | 0:12:34 | |
Which of you wants this? | 0:12:34 | 0:12:37 | |
Food and drink... | 0:12:37 | 0:12:38 | |
Fiona, I think. I'm afraid you're going to be volunteered. | 0:12:38 | 0:12:41 | |
Am I the one that has to go? Right. | 0:12:41 | 0:12:43 | |
We all enjoy food and drink but it's just the questions on it, if you don't mind taking them on, Fiona. | 0:12:43 | 0:12:49 | |
I'll see what I can do. | 0:12:49 | 0:12:50 | |
Fiona against... | 0:12:50 | 0:12:53 | |
-We'd like to go up against Chris. -There's definitely a plan here. | 0:12:53 | 0:12:57 | |
Fiona, from Insight Radio, versus Chris, from the Eggheads, | 0:12:57 | 0:13:00 | |
please go to the question room now. | 0:13:00 | 0:13:04 | |
So I will ask each of you three questions on food and drink in turn. | 0:13:04 | 0:13:08 | |
And Fiona, would you like the first or second set? | 0:13:08 | 0:13:11 | |
I think I'd like to go first, please. | 0:13:11 | 0:13:13 | |
Very good. Here we go with food and drink. Good luck. What colour | 0:13:15 | 0:13:18 | |
is the shell of a European lobster before it is cooked? | 0:13:18 | 0:13:21 | |
A European lobster. | 0:13:29 | 0:13:31 | |
I don't think it's dark blue. | 0:13:31 | 0:13:34 | |
Let me think. Pale yellow. | 0:13:34 | 0:13:39 | |
Well, I think... | 0:13:39 | 0:13:43 | |
it's probably not right but I'll have to try... | 0:13:43 | 0:13:46 | |
pale yellow. | 0:13:46 | 0:13:47 | |
Pale yellow is wrong. Eggheads... | 0:13:47 | 0:13:51 | |
Dark blue. | 0:13:51 | 0:13:53 | |
Dark blue. | 0:13:53 | 0:13:56 | |
There we are. Fiona, I'll move to Chris. | 0:13:56 | 0:13:59 | |
Which constituent makes up nearly 90% of the white of a chicken's egg? | 0:13:59 | 0:14:05 | |
Well, it's not fat cos that's all in the yolk. | 0:14:08 | 0:14:11 | |
And I don't think there's that much protein in the white of an egg. | 0:14:14 | 0:14:18 | |
So it's probably water. | 0:14:18 | 0:14:20 | |
I've had some very watery eggs in my time so it's water. | 0:14:20 | 0:14:23 | |
Water is correct. | 0:14:23 | 0:14:26 | |
Fiona, back to you. | 0:14:26 | 0:14:28 | |
Which diet, popularised by George Ohsawa after World War Two | 0:14:28 | 0:14:34 | |
aims to balance the yin and yang elements in food? | 0:14:34 | 0:14:38 | |
Well, the name itself would make you think it was rice diet. | 0:14:43 | 0:14:48 | |
I'm pretty sure it's not the Cambridge Diet. | 0:14:48 | 0:14:52 | |
But the balancing makes me think it might be macrobiotics. | 0:14:52 | 0:14:57 | |
So I have to choose between those two. | 0:14:57 | 0:15:01 | |
It was after the Second World War. | 0:15:01 | 0:15:06 | |
No. Maybe I should go back to the rice diet and hope for the best. | 0:15:06 | 0:15:11 | |
Rice diet. You're clenching your teeth as you say that. | 0:15:11 | 0:15:17 | |
I am. Absolutely. And my fingers. | 0:15:17 | 0:15:19 | |
-It was macrobiotics. -Oh, no. -I'm so sorry. | 0:15:19 | 0:15:24 | |
I was willing you towards that. Sorry. Rice diet is wrong. | 0:15:24 | 0:15:27 | |
Macrobiotics is right. Chris, your question. | 0:15:27 | 0:15:30 | |
If you get this right, I do believe you have won the round. | 0:15:30 | 0:15:34 | |
What type of food is a gurnard? | 0:15:34 | 0:15:37 | |
G-U-R-N-A-R-D. What type of food is a gurnard, Chris? | 0:15:37 | 0:15:42 | |
It's an extremely ugly, rather bony but quite tasty sea fish. | 0:15:47 | 0:15:50 | |
Is he right? Anyone? | 0:15:51 | 0:15:53 | |
He's right. It is sea fish. | 0:15:53 | 0:15:56 | |
So, congratulations, Chris. | 0:15:56 | 0:15:58 | |
Fiona, I'm afraid you were beaten by our Egghead. | 0:15:58 | 0:16:01 | |
As a result, you won't be able to help your team in the final round. | 0:16:01 | 0:16:04 | |
Do, both of you, come back to us now. | 0:16:04 | 0:16:07 | |
As it stands, the challengers have lost three brains. | 0:16:07 | 0:16:10 | |
That's going to make it harder. The Eggheads have lost | 0:16:10 | 0:16:13 | |
no brains at all, so far. | 0:16:13 | 0:16:16 | |
But we still have another round before the final round. | 0:16:16 | 0:16:18 | |
It's arts and books. | 0:16:18 | 0:16:20 | |
Which of you wants this one? | 0:16:20 | 0:16:22 | |
-Grace? -Me. Yes. | 0:16:22 | 0:16:24 | |
-Could be Wilson? No? -No. I'm being held back from any of the rounds. | 0:16:24 | 0:16:31 | |
-The secret weapon. -Well, it's now out in the open. | 0:16:31 | 0:16:34 | |
What am I saying? | 0:16:34 | 0:16:36 | |
I've blown the whole strategy. OK. Grace against who? | 0:16:36 | 0:16:41 | |
Barry, please. | 0:16:41 | 0:16:42 | |
Right. It's Grace, from Insight Radio, versus Barry, from the Eggheads and to ensure there's | 0:16:42 | 0:16:47 | |
no conferring, please take your positions in the question room. | 0:16:47 | 0:16:52 | |
So, Grace, I'm going to guess that you're at the radio station as well. | 0:16:52 | 0:16:55 | |
I am, indeed. Yes. I do two shows. | 0:16:55 | 0:16:58 | |
I do the early morning on Thursday, the first edition news show | 0:16:58 | 0:17:02 | |
and then I do on a Monday lunchtime, I do the daily lunch. | 0:17:02 | 0:17:06 | |
-It's more of a magazine show. -So we have something in common then. | 0:17:06 | 0:17:07 | |
We do, indeed. | 0:17:07 | 0:17:10 | |
-An allotment in your spare time. -Yes. I absolutely love it. | 0:17:10 | 0:17:15 | |
Just got it last year. Had my name down on the waiting list. | 0:17:15 | 0:17:18 | |
So I'm a complete novice but great fun. Absolutely terrific. | 0:17:18 | 0:17:23 | |
Great fun. Great exercise. | 0:17:23 | 0:17:25 | |
Meet lots of good, nice people and I can eat my own vegetables. | 0:17:25 | 0:17:29 | |
Yeah. Wonderful. OK. | 0:17:29 | 0:17:31 | |
Three questions. Arts and books. | 0:17:31 | 0:17:33 | |
Grace, you can choose first or second. | 0:17:33 | 0:17:35 | |
I think I'll go first please, Jeremy. | 0:17:35 | 0:17:37 | |
So, what name is given to the method of painting with opaque watercolours | 0:17:39 | 0:17:45 | |
that have been ground in water and mixed with gum and white pigment? | 0:17:45 | 0:17:50 | |
I'm really not sure. | 0:17:55 | 0:17:57 | |
I was hoping for a book question... | 0:17:57 | 0:17:59 | |
but tempera seems to be... | 0:18:02 | 0:18:05 | |
jumping out at me but it's a shot in the dark. Tempera. | 0:18:05 | 0:18:11 | |
Tempera's jumping out at me as well. | 0:18:11 | 0:18:13 | |
-It's wrong though. It is gouache. -Right. | 0:18:13 | 0:18:17 | |
-What is tempera, Eggs? -Eggs. | 0:18:17 | 0:18:20 | |
-What, it's eggs? -Using eggs as the binding agent for the paint powder. | 0:18:20 | 0:18:23 | |
It was what was used before oil painting came along. | 0:18:23 | 0:18:27 | |
-So it was the right territory, Grace. -Yeah. | 0:18:27 | 0:18:30 | |
Barry, your question. | 0:18:30 | 0:18:33 | |
In the 1820s, the Japanese artist Katsushika Hokusai | 0:18:33 | 0:18:38 | |
produced a famous series of prints known as the 36 views of which site? | 0:18:38 | 0:18:45 | |
Hokusai is one of my all-time favourite artists. | 0:18:50 | 0:18:55 | |
He was a member of the Ukiyo-e, the School of the Floating World, | 0:18:55 | 0:18:58 | |
which attempted to catch impressions of the world around him and his most | 0:18:58 | 0:19:02 | |
famous series was the 36 views of Mount Fuji. | 0:19:02 | 0:19:05 | |
I love it when you guys do the background as well. | 0:19:05 | 0:19:09 | |
Mount Fuji is right. Grace, the popular historical novel | 0:19:09 | 0:19:13 | |
by Captain Marryat, set during the English Civil War, | 0:19:13 | 0:19:17 | |
about a group of royalist children forced to go into hiding, | 0:19:17 | 0:19:22 | |
is called The Children Of The... what? | 0:19:22 | 0:19:25 | |
I think it's Children Of The New Forest. | 0:19:29 | 0:19:32 | |
Absolutely right. Well done. | 0:19:32 | 0:19:35 | |
Well done, Grace. New Forest is correct. | 0:19:35 | 0:19:38 | |
Barry, your question. | 0:19:38 | 0:19:41 | |
What was the name of the American poet born in 1894 who was known | 0:19:41 | 0:19:46 | |
for experimental typography, | 0:19:46 | 0:19:48 | |
especially the ubiquitous use of lower case letters? | 0:19:48 | 0:19:54 | |
Well, Ezra Pound is much later than that. | 0:19:58 | 0:20:02 | |
And Emily Dickinson is earlier, although she only had three poems | 0:20:02 | 0:20:05 | |
ever published in her lifetime. | 0:20:05 | 0:20:07 | |
But the poet renowned for his typography and I wish | 0:20:07 | 0:20:10 | |
I could say this in lower case... | 0:20:10 | 0:20:12 | |
is EE Cummings. | 0:20:12 | 0:20:13 | |
EE Cummings is right. Anyone know any EE Cummings? | 0:20:13 | 0:20:16 | |
Not the poems. I mean, you see his name. | 0:20:16 | 0:20:19 | |
His name was never written like that. | 0:20:19 | 0:20:21 | |
It's all lower case letters without full stops. | 0:20:21 | 0:20:23 | |
What was the Woody Allen film where EE Cummings was quoted? | 0:20:23 | 0:20:28 | |
The Sleeper. | 0:20:28 | 0:20:30 | |
Hannah And Her Sisters. | 0:20:30 | 0:20:33 | |
No-one, not even the rain, has such small hands. | 0:20:33 | 0:20:38 | |
-That's very baffling. -It is baffling. | 0:20:38 | 0:20:40 | |
Beautiful things can be baffling. | 0:20:40 | 0:20:44 | |
Well, Grace, no easy way to say it. | 0:20:44 | 0:20:47 | |
If you get this one wrong, you won't be in the final and I think Wilson | 0:20:47 | 0:20:51 | |
would like you to be in the final. | 0:20:51 | 0:20:53 | |
I'll try. | 0:20:53 | 0:20:55 | |
Otherwise he's going to be slightly lonely. So here we go. | 0:20:55 | 0:20:57 | |
In the detective stories by Dorothy L Sayers, what is the name of Lord Peter Wimsey's manservant? | 0:20:57 | 0:21:04 | |
I don't think it's Hudson. | 0:21:16 | 0:21:18 | |
Burrell or Bunter. | 0:21:20 | 0:21:24 | |
I'll go for Burrell. | 0:21:24 | 0:21:27 | |
Your answer is Burrell. | 0:21:27 | 0:21:29 | |
Yes. | 0:21:29 | 0:21:31 | |
But it's Bunter. | 0:21:31 | 0:21:33 | |
-Oh. -Sorry. | 0:21:33 | 0:21:36 | |
He passed us all by. Bunter the butler. | 0:21:36 | 0:21:38 | |
Well, Grace, bad luck. | 0:21:38 | 0:21:40 | |
And well done, Barry. | 0:21:40 | 0:21:42 | |
Grace, unfortunately, you've been undone by our Egghead | 0:21:42 | 0:21:46 | |
and you won't be able to join your team in the final round. Barry, you will be there. Please, both of you, | 0:21:46 | 0:21:52 | |
come back and rejoin your teammates. | 0:21:52 | 0:21:54 | |
This is what we've been playing towards. | 0:21:54 | 0:21:55 | |
Time for our final round which, as always, is general knowledge. | 0:21:55 | 0:21:59 | |
I'm afraid those of you who lost your head to heads won't be | 0:21:59 | 0:22:02 | |
allowed to take part in this round, so that's Grace, Richard, Fiona and Alan, from Insight Radio. | 0:22:02 | 0:22:07 | |
Please leave the studio. | 0:22:07 | 0:22:09 | |
Wilson, you are playing to win Insight Radio £1,000. | 0:22:10 | 0:22:12 | |
CJ, Daphne, Chris, Barry and Judith, you are playing for something which money can't buy - | 0:22:12 | 0:22:19 | |
the Eggheads' reputation. It needed rebuilding in the last match. | 0:22:19 | 0:22:22 | |
They were down to one and they lost, | 0:22:22 | 0:22:26 | |
so this is all about them trying to feel good about themselves. | 0:22:26 | 0:22:31 | |
As usual, I'll ask each team three questions in turn. | 0:22:31 | 0:22:35 | |
This time, the questions are all general knowledge. | 0:22:35 | 0:22:37 | |
You can confer...with yourself. | 0:22:37 | 0:22:41 | |
Insight Radio, the question is is your one brain | 0:22:41 | 0:22:44 | |
better than the Eggheads' five? Do you want to go first or second? | 0:22:44 | 0:22:49 | |
Jeremy, I'll go second. | 0:22:49 | 0:22:51 | |
Your question, Eggheads. In the UK, for what does the letter D stand | 0:22:54 | 0:22:56 | |
in the name of the veterinary charity, the PDSA? | 0:22:56 | 0:23:02 | |
Dispensary. It's the People's Dispensary for Sick Animals. | 0:23:07 | 0:23:13 | |
I just assumed it stood for dog. | 0:23:13 | 0:23:15 | |
-Oh. -Dispensary's correct. | 0:23:17 | 0:23:20 | |
Back to you, Wilson. In the UK property market, fashionable, urban | 0:23:22 | 0:23:27 | |
apartments that are marketed as New York style, are usually called what? | 0:23:27 | 0:23:33 | |
Well, I've just seen a wonderful film which was set in a garret | 0:23:38 | 0:23:43 | |
and I can't imagine anybody marketing a house as a garret. | 0:23:43 | 0:23:48 | |
Attics, I don't think many people | 0:23:48 | 0:23:50 | |
have attics and basically, that's what they're called. | 0:23:50 | 0:23:52 | |
So I'm going to go for B, lofts. | 0:23:52 | 0:23:56 | |
And you're totally right. Well done. Lofts is right. | 0:23:56 | 0:23:57 | |
Eggheads, in German, the letter V is normally pronounced like | 0:24:00 | 0:24:05 | |
which letter in English? | 0:24:05 | 0:24:07 | |
That would be F. | 0:24:12 | 0:24:14 | |
-F for... Freddy. -F... | 0:24:14 | 0:24:18 | |
for Freddy is right. | 0:24:18 | 0:24:21 | |
Wilson, back to you. | 0:24:21 | 0:24:24 | |
In ancient architecture, what name was given to a temple dedicated to all the Gods? | 0:24:24 | 0:24:30 | |
Well, I think pyramid, I associate that specifically with Ancient Egypt. | 0:24:35 | 0:24:40 | |
And Parthenon is really the Greek word for beautiful. | 0:24:40 | 0:24:46 | |
So I think the temple of all the Gods in Greek would be the Pantheon. | 0:24:46 | 0:24:52 | |
Pantheon, it is, Wilson. Yes. | 0:24:52 | 0:24:54 | |
Two points each. | 0:24:54 | 0:24:56 | |
Eggheads, Pygmalion, by George Bernard Shaw, was first staged | 0:24:56 | 0:25:00 | |
in 1913, not in London, but in which city? | 0:25:00 | 0:25:04 | |
Chichester is a city. | 0:25:09 | 0:25:11 | |
-I can't imagine it would be Cairo. -There might have been a reason. | 0:25:14 | 0:25:16 | |
For an out of town triumph, we'll bring it into the West End. | 0:25:16 | 0:25:20 | |
The only thing I ever know that was first staged in Cairo | 0:25:20 | 0:25:23 | |
was Aida. | 0:25:23 | 0:25:25 | |
Why Vienna? | 0:25:25 | 0:25:28 | |
What date? And why Vienna? | 0:25:28 | 0:25:33 | |
It's not English-speaking. | 0:25:33 | 0:25:36 | |
No. It wasn't written... | 0:25:36 | 0:25:38 | |
Yes. It wouldn't be Cairo. I reckon | 0:25:38 | 0:25:42 | |
he tried it out in the provinces which would be Chichester... | 0:25:42 | 0:25:44 | |
-which is a city. -A double bluff. | 0:25:44 | 0:25:49 | |
And it was Chichester, wouldn't you | 0:25:49 | 0:25:52 | |
put two other Colchester, or Caernarvon or something. | 0:25:52 | 0:25:55 | |
-That could be the double bluff. -The double bluff. Yeah. | 0:25:55 | 0:25:59 | |
Well, as you can tell, we're completely flummoxed. | 0:25:59 | 0:26:04 | |
But we think the logical answer must be Chichester. | 0:26:04 | 0:26:09 | |
-So that's what we'll go for. -OK. | 0:26:09 | 0:26:13 | |
If you're right, then you take the lead. | 0:26:13 | 0:26:17 | |
You're wrong, Eggheads. | 0:26:17 | 0:26:19 | |
You are wrong. All five of you. | 0:26:19 | 0:26:22 | |
Chichester. No. | 0:26:22 | 0:26:24 | |
-Vienna. -You wouldn't have even got it right if you'd had two choices. | 0:26:24 | 0:26:27 | |
Vienna, so what a turn of events. | 0:26:27 | 0:26:28 | |
You all coasted through to the final, | 0:26:28 | 0:26:32 | |
not losing a single life. | 0:26:32 | 0:26:36 | |
And here's Wilson now with the chance to take the money | 0:26:36 | 0:26:39 | |
if you get this answer right. | 0:26:39 | 0:26:41 | |
In printing, what name is given to a short line of text at the end of a | 0:26:41 | 0:26:46 | |
paragraph that appears awkwardly at the top of the next page? | 0:26:46 | 0:26:51 | |
Well, I don't pretend to know the technicalities of printing. | 0:26:56 | 0:27:01 | |
I enjoy reading books but I have to say that maybe all | 0:27:01 | 0:27:04 | |
the books I've read have been properly typographically set. | 0:27:04 | 0:27:08 | |
This is very difficult. It actually could be any of these. | 0:27:10 | 0:27:13 | |
Spinster... | 0:27:13 | 0:27:15 | |
on its own. | 0:27:15 | 0:27:17 | |
Maiden...possibly. | 0:27:17 | 0:27:20 | |
Not yet on its own. | 0:27:20 | 0:27:22 | |
Well, they're all female and they all suggest something on its own. | 0:27:22 | 0:27:29 | |
I'm going to guess widow. | 0:27:29 | 0:27:32 | |
Now, you say you don't know about printing. | 0:27:34 | 0:27:35 | |
Some will know the answer from this because they use a computer. | 0:27:35 | 0:27:39 | |
They go in and they format some word processing | 0:27:39 | 0:27:41 | |
document and they're asked about the last line of a paragraph and | 0:27:41 | 0:27:45 | |
they're asked to check the box next to which is the word "widow". | 0:27:45 | 0:27:50 | |
Widow is absolutely right. Congratulations, challengers. | 0:27:50 | 0:27:53 | |
You've won. | 0:27:53 | 0:27:55 | |
Well, well, well. | 0:28:00 | 0:28:02 | |
Only the fourth time in Eggheads' history that a single player has defeated the lot of them. | 0:28:02 | 0:28:07 | |
Only the fourth time that you've lost two in a row, because this the | 0:28:07 | 0:28:11 | |
whole point of this was they were going to get their spirit back together after the crushing defeat. | 0:28:11 | 0:28:17 | |
-What's gone wrong? Well done, Wilson. Brilliant play. -Thank you. | 0:28:19 | 0:28:21 | |
Great attempt by the team behind to disguise the plan as well... | 0:28:21 | 0:28:26 | |
and make us think you weren't going to win. Congratulations. | 0:28:26 | 0:28:29 | |
You're officially cleverer than the Eggheads. | 0:28:29 | 0:28:31 | |
You proved they can be beaten. | 0:28:31 | 0:28:33 | |
Join us next time. See what they're up to next time. | 0:28:33 | 0:28:36 | |
See if a new team of challengers can make it three in a row. | 0:28:36 | 0:28:40 | |
They'll need counselling if that happens. | 0:28:40 | 0:28:43 | |
Until then, goodbye. | 0:28:43 | 0:28:45 | |
Subtitles by Red Bee Media Ltd | 0:28:50 | 0:28:54 | |
E-mail [email protected] | 0:28:54 | 0:28:56 |