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'These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
'Together they make up the Eggheads, | 0:00:09 | 0:00:11 | |
'arguably the most formidable quiz team in the country. | 0:00:11 | 0:00:15 | |
'The question is, can they be beaten?' | 0:00:17 | 0:00:20 | |
Welcome to Eggheads, the show where a team of five quiz challengers | 0:00:23 | 0:00:27 | |
pit their wits against possibly the greatest quiz team in Britain. | 0:00:27 | 0:00:31 | |
They are the Eggheads. And taking on the awesome might | 0:00:31 | 0:00:34 | |
of our quiz Goliaths today are Suffolk Paunch. | 0:00:34 | 0:00:37 | |
This team all know one another through their association | 0:00:37 | 0:00:40 | |
with Camille's Appeal, that's a children's brain tumour charity | 0:00:40 | 0:00:43 | |
set up by Martin. Let's meet them. | 0:00:43 | 0:00:46 | |
Hi, I'm Martin, I'm 33 years old and I'm an IT professional. | 0:00:46 | 0:00:50 | |
Hi, I'm Simon, 46 years old, I'm a software salesman. | 0:00:50 | 0:00:54 | |
Hi, I'm John, I'm 38 and I work in public relations. | 0:00:54 | 0:00:57 | |
Hi, I'm James, I'm 36 and I'm a design engineer. | 0:00:57 | 0:01:00 | |
I'm Stewart, 38, I'm a sustainable transport development officer. | 0:01:00 | 0:01:03 | |
Welcome to you, Suffolk Paunch. Let's talk about the team name. | 0:01:03 | 0:01:08 | |
How long did it take you to come up with that? Or was it obvious? | 0:01:08 | 0:01:12 | |
It's not very often I sit at the table and be the thinnest guy, | 0:01:12 | 0:01:15 | |
-so, yeah. -Martin, tell us about the serious stuff, Camille's Appeal. | 0:01:15 | 0:01:22 | |
It was a charity that my wife and I set up in 2009 | 0:01:22 | 0:01:26 | |
after our little girl, Camille, was diagnosed with a brain tumour. | 0:01:26 | 0:01:30 | |
It was inoperable at the time, a very serious situation. | 0:01:30 | 0:01:34 | |
My wife was spending a lot of time in hospital | 0:01:34 | 0:01:37 | |
so she tried to put some good work to use, | 0:01:37 | 0:01:41 | |
rather than wasting all that time, and decided to do some fundraising. | 0:01:41 | 0:01:44 | |
So that's where Camille's Appeal was born. | 0:01:44 | 0:01:46 | |
And the first thing we did, quite a few of us here, | 0:01:46 | 0:01:50 | |
was the tackle the three peaks challenge to raise money, | 0:01:50 | 0:01:52 | |
-and it snowballed from there. -OK. And how is Camille? | 0:01:52 | 0:01:56 | |
She's doing quite well. She's 18 months past treatment now, | 0:01:56 | 0:02:00 | |
so we're on the good side of quite an awful three years. | 0:02:00 | 0:02:05 | |
But she still has a few issues. And that's what the charity's about, | 0:02:05 | 0:02:08 | |
to help with rehabilitation after the standardised treatment, | 0:02:08 | 0:02:12 | |
which can be seriously damaging to a five-year-old. | 0:02:12 | 0:02:14 | |
-OK. Shall we do some quizzing in her honour? -Let's. -Why not? | 0:02:14 | 0:02:19 | |
Every day there's £1,000 up for grabs for our challengers. | 0:02:19 | 0:02:23 | |
If they fail to defeat the Eggheads, that rolls over to the next show. | 0:02:23 | 0:02:26 | |
Suffolk Paunch, the challengers won the last game, | 0:02:26 | 0:02:29 | |
proves it can be done, so £1,000 says you can't beat the Eggheads. | 0:02:29 | 0:02:34 | |
And our first head-to-head battle is on the subject of Arts & Books. | 0:02:34 | 0:02:38 | |
-Who wants to play? -Take one for the team, John. -Yep. | 0:02:38 | 0:02:42 | |
THEY LAUGH It's going to be John. | 0:02:42 | 0:02:45 | |
All right, John. And you choose your Egghead, any one of those five. | 0:02:45 | 0:02:48 | |
-I think I'll take on Dave. -Go for it. -Yeah? -Yeah. | 0:02:48 | 0:02:51 | |
OK, let's have John and Dave into the question room | 0:02:51 | 0:02:56 | |
to make sure there's no conferring with your teammates. Off you go. | 0:02:56 | 0:02:59 | |
So, John, are you a fairly well-read man | 0:03:01 | 0:03:04 | |
as we approach this Arts & Books round? | 0:03:04 | 0:03:07 | |
I'd rather have done Sport or Film & TV, | 0:03:07 | 0:03:09 | |
so I'm not particularly well-read. I'll do my best. | 0:03:09 | 0:03:13 | |
-Taking one for the team. -All right. | 0:03:13 | 0:03:15 | |
-John, do you want to go first or second? -I'll go first, please. | 0:03:15 | 0:03:19 | |
OK, John, here is your first question. | 0:03:22 | 0:03:24 | |
Coot Club, Pigeon Post and The Big Six | 0:03:24 | 0:03:27 | |
are three of the titles in which series of children's books? | 0:03:27 | 0:03:31 | |
Coot Club, Pigeon Post and The Big Six | 0:03:34 | 0:03:37 | |
are three of the titles in which series of children's books? | 0:03:37 | 0:03:40 | |
Erm... I don't know this one. | 0:03:42 | 0:03:45 | |
But I don't think it's The Chronicles Of Narnia. | 0:03:45 | 0:03:49 | |
I'd be tempted to go for Swallows And Amazons. | 0:03:49 | 0:03:53 | |
OK, Swallows And Amazons. It's the right answer. | 0:03:53 | 0:03:56 | |
-Well done. -Go on, John! | 0:03:56 | 0:03:59 | |
All right, Dave, your first question. | 0:03:59 | 0:04:01 | |
The Constant Gardener is a novel by which writer? | 0:04:01 | 0:04:04 | |
The Constant Gardener is a novel by which writer? | 0:04:07 | 0:04:10 | |
-It's John le Carre. -Yep, John le Carre is the right answer. | 0:04:10 | 0:04:14 | |
And John, second question. | 0:04:14 | 0:04:16 | |
What colour is the traditional Japanese porcelain Hakuji? | 0:04:16 | 0:04:19 | |
H-A-K-U-J-I. | 0:04:19 | 0:04:23 | |
I really don't know this one, so I'm going to have to completely guess. | 0:04:25 | 0:04:28 | |
So I'll go down the middle, blue. | 0:04:28 | 0:04:31 | |
Blue for Hakuji. What do you think, Dave? | 0:04:31 | 0:04:35 | |
-I would've guessed white. -Yep. It's white, not blue. | 0:04:35 | 0:04:39 | |
So nothing there, John. Chance for Dave to take the lead. | 0:04:39 | 0:04:42 | |
In the late 18th century, which poet collaborated | 0:04:42 | 0:04:45 | |
with Samuel Taylor Coleridge on the idea of establishing | 0:04:45 | 0:04:48 | |
an egalitarian community initially planned to be in North America? | 0:04:48 | 0:04:52 | |
I'm not really sure on this at all. | 0:04:56 | 0:04:59 | |
Erm, I'm torn between two of the poets. | 0:04:59 | 0:05:02 | |
Southey and Shelley. I don't think it's Chatterton. | 0:05:02 | 0:05:05 | |
Erm... I'm going to go with Robert Southey. | 0:05:05 | 0:05:09 | |
OK, Robert Southey. And that is correct. OK. | 0:05:09 | 0:05:13 | |
Well, John, you can read the scores. Means you need this one. | 0:05:13 | 0:05:16 | |
Eddie Carbone is a central character in which Arthur Miller play? | 0:05:16 | 0:05:21 | |
Eddie Carbone is a central character in which Arthur Miller play? | 0:05:25 | 0:05:30 | |
Erm, I don't know, but I think I'll go with Death Of A Salesman. | 0:05:31 | 0:05:36 | |
OK, Death Of A Salesman, | 0:05:36 | 0:05:39 | |
which I'm afraid is the death of your challenge. | 0:05:39 | 0:05:41 | |
-THEY LAUGH -It's not the right answer. | 0:05:41 | 0:05:44 | |
It's, Dave, of the other two? | 0:05:44 | 0:05:47 | |
All it is with Death Of A Salesman, | 0:05:47 | 0:05:49 | |
Willy Loman is the central character in that, | 0:05:49 | 0:05:52 | |
and I remember that for purely monetary reasons | 0:05:52 | 0:05:54 | |
-on my Millionaire appearance. -Ha-ha! -It was the £32,000 question. | 0:05:54 | 0:06:00 | |
I would go for A View From The Bridge, but that's just me. | 0:06:00 | 0:06:03 | |
-But I'm probably wrong. -No, you're not. -Oh, that's OK. | 0:06:03 | 0:06:06 | |
But Death Of A Salesman I could've eliminated with that, | 0:06:06 | 0:06:09 | |
-because I do remember that one. -OK. Let's just confirm that. | 0:06:09 | 0:06:13 | |
Dave is through to the final round and bad luck to John. | 0:06:13 | 0:06:17 | |
Please come back and join your teams. | 0:06:17 | 0:06:19 | |
Well, the early exchanges have seen one casualty from Suffolk Paunch | 0:06:19 | 0:06:23 | |
in the form of John. The Eggheads all there, of course. | 0:06:23 | 0:06:26 | |
Second head-to-head comes up as Geography. | 0:06:26 | 0:06:29 | |
-Who'd like to play this one? Geography? -That's me. | 0:06:29 | 0:06:32 | |
-Yeah, we'll let Simon lose on this one. -All right, Simon. | 0:06:32 | 0:06:35 | |
-Take another one for the team. -Let Simon lose. And any Egghead | 0:06:35 | 0:06:38 | |
-apart from Dave there. -I'll go up against Barry. -All right. | 0:06:38 | 0:06:42 | |
Let's have Simon and Barry into the question room, please. | 0:06:42 | 0:06:45 | |
Simon, it's the Geography round, and I know you've travelled quite a bit, | 0:06:46 | 0:06:50 | |
but have you got the geography basics like the Eggheads? | 0:06:50 | 0:06:54 | |
The flags and capitals and things like that? | 0:06:54 | 0:06:57 | |
We're soon going to find out. I've travelled around a lot, | 0:06:57 | 0:07:00 | |
-mainly UK but a few overseas, but we'll see. -We will! | 0:07:00 | 0:07:05 | |
-Let's see right now. Do you want to go first or second? -I'll go first. | 0:07:05 | 0:07:09 | |
One I forgot to mention, currencies. That's your first question. | 0:07:10 | 0:07:14 | |
What is the official monetary unit of Monaco? | 0:07:14 | 0:07:17 | |
What's the official monetary unit of Monaco? | 0:07:19 | 0:07:22 | |
Well, I know it's not the Lira, that was Italy. | 0:07:22 | 0:07:25 | |
Euro is obviously France. | 0:07:25 | 0:07:28 | |
But Monaco is independent, | 0:07:28 | 0:07:30 | |
so it's whether they've adopted the Euro or stayed on the French Franc. | 0:07:30 | 0:07:34 | |
It's going to be a guess. I'm going to go for Franc. | 0:07:34 | 0:07:38 | |
It's Euro, I'm afraid. All Euro. | 0:07:38 | 0:07:43 | |
So nothing there. | 0:07:43 | 0:07:45 | |
Barry, Tromso is a city in which European country? | 0:07:45 | 0:07:48 | |
Tromso is a city in which European country? | 0:07:50 | 0:07:54 | |
Well, funnily enough, I was actually in Tromso a few weeks ago. | 0:07:54 | 0:07:57 | |
I went on a cruise up the Fjords of Norway. | 0:07:57 | 0:07:59 | |
So I'm pretty certain that Tromso is in Norway. | 0:07:59 | 0:08:02 | |
-Pity you came back. -THEY LAUGH | 0:08:02 | 0:08:05 | |
-Was it good? -It was brilliant! The Fjords were stunningly beautiful. | 0:08:05 | 0:08:11 | |
It's the right answer. Can't talk you out of that one. | 0:08:11 | 0:08:14 | |
OK, you have a lead. Simon, what term is often used to describe | 0:08:14 | 0:08:18 | |
the most densely populated area of Scotland? | 0:08:18 | 0:08:22 | |
OK, this is probably going to be a guess, | 0:08:25 | 0:08:27 | |
as Scotland's not high up in my list of knowledge. | 0:08:27 | 0:08:30 | |
Central Tie doesn't sound right. | 0:08:30 | 0:08:33 | |
Er, Central Sleeve, | 0:08:33 | 0:08:36 | |
again, not convinced on that. So I'm going to go Central Belt. | 0:08:36 | 0:08:42 | |
And you'd be right to do so. You have a correct answer there. | 0:08:42 | 0:08:45 | |
So, it's one-all, but Barry has to face his second question. | 0:08:45 | 0:08:50 | |
If they meet certain criteria, which geographical features | 0:08:50 | 0:08:54 | |
might be described as Nuttalls, | 0:08:54 | 0:08:56 | |
named after the walkers and writers John and Anne Nuttall? | 0:08:56 | 0:09:00 | |
Well, there are lots of names for this particular geographical feature. | 0:09:03 | 0:09:07 | |
There are Corbetts and Marilyns, | 0:09:07 | 0:09:09 | |
and perhaps the most famous ones are Munros, | 0:09:09 | 0:09:11 | |
which are hills over 3,000 feet, | 0:09:11 | 0:09:14 | |
-but I believe Nuttalls are hills and mountains. -OK. | 0:09:14 | 0:09:17 | |
Right. We've got a lot of terms there. That's correct. | 0:09:17 | 0:09:20 | |
I want to hear a bit more about Nuttalls. | 0:09:20 | 0:09:23 | |
You mentioned Munros, which I've heard of. | 0:09:23 | 0:09:25 | |
What precisely is a Nuttall? | 0:09:25 | 0:09:27 | |
I don't know the height of a Nuttall. | 0:09:27 | 0:09:30 | |
I would guess it's something perhaps 2,000 feet. | 0:09:30 | 0:09:33 | |
OK, yeah, that's right. And do they have to be somewhere, | 0:09:33 | 0:09:36 | |
-like Munros are in Scotland? -No, they can be anywhere. | 0:09:36 | 0:09:39 | |
There must be hundreds of thousands of them. | 0:09:39 | 0:09:41 | |
-I suspect it's just in the UK. -OK. Hills and mountains, | 0:09:41 | 0:09:44 | |
you've kept that lead up for two questions, so Simon needs this. | 0:09:44 | 0:09:48 | |
In square miles, what is the approximate size of Germany? | 0:09:48 | 0:09:53 | |
In square miles, the approximate size of Germany, please. | 0:09:59 | 0:10:03 | |
I should know this, as my mother's German, | 0:10:03 | 0:10:05 | |
but it doesn't really help me on the mileage. | 0:10:05 | 0:10:08 | |
Well, yeah. Has she been round it with a measuring tape? | 0:10:08 | 0:10:11 | |
-Probably, knowing her. -THEY LAUGH | 0:10:11 | 0:10:14 | |
Well, 138 looks a little bit too small. | 0:10:14 | 0:10:17 | |
I know Germany's got pretty big | 0:10:17 | 0:10:20 | |
over the last few years. | 0:10:20 | 0:10:22 | |
I'm going to go for, straight down the middle, 238,000. | 0:10:22 | 0:10:27 | |
OK, 238,000, the approximate size of Germany in square miles. | 0:10:27 | 0:10:31 | |
Of course, they do it in square kilometres. | 0:10:31 | 0:10:34 | |
It's 138,000. 1-3-8. | 0:10:34 | 0:10:39 | |
Unfortunately, it was the smaller one of those options. | 0:10:39 | 0:10:42 | |
Which means, Barry, you've won the round with your Nuttalls. | 0:10:42 | 0:10:47 | |
-HE LAUGHS -Which means no place for you, Simon. | 0:10:47 | 0:10:50 | |
Would you both please come back and join your teams. | 0:10:50 | 0:10:52 | |
Well, being called Suffolk Paunch, you needed to lose a bit of ballast. | 0:10:54 | 0:10:58 | |
THEY LAUGH | 0:10:58 | 0:11:00 | |
You've done that in the form of John and Simon. | 0:11:00 | 0:11:03 | |
But I suggest you probably stop the rot here | 0:11:03 | 0:11:06 | |
with our third head-to-head. | 0:11:06 | 0:11:08 | |
And this one is Film & Television. | 0:11:08 | 0:11:12 | |
Who'd like to play this one? | 0:11:12 | 0:11:14 | |
That was one we'd earmarked for John, | 0:11:14 | 0:11:16 | |
so we're going to have to choose somebody else, | 0:11:16 | 0:11:18 | |
and I think we've decided that James is going to tackle this one. | 0:11:18 | 0:11:21 | |
All right, James. You're ready to go. | 0:11:21 | 0:11:24 | |
Dave and Barry have played, so you have Pat, Chris or Daphne | 0:11:24 | 0:11:28 | |
-to delight you. -Erm, I'd like to take on Pat, please. | 0:11:28 | 0:11:31 | |
Right. James and Pat playing this one. Into the question room, please. | 0:11:31 | 0:11:35 | |
Right, James, let's see if we can get you into the final round | 0:11:37 | 0:11:40 | |
against Pat on Film & Television. Do you want to go first or second? | 0:11:40 | 0:11:44 | |
I'd like to go first, please. | 0:11:44 | 0:11:46 | |
James, first question coming right up. | 0:11:49 | 0:11:52 | |
Which Coronation Street character has had husbands called | 0:11:52 | 0:11:55 | |
Brian, Martin, Richard and Joe? | 0:11:55 | 0:11:58 | |
Which Coronation Street character has had husbands called | 0:12:00 | 0:12:03 | |
Brian, Martin, Richard and Joe? | 0:12:03 | 0:12:06 | |
Well, I can't say I'm a big Coronation Street fan. | 0:12:06 | 0:12:09 | |
It's not high up on my viewing. | 0:12:09 | 0:12:12 | |
Erm, I don't think it's Hayley. | 0:12:12 | 0:12:15 | |
I don't know who Emily is. | 0:12:15 | 0:12:18 | |
So I'm going to go for Gail. | 0:12:18 | 0:12:20 | |
The much-married Gail is the right answer. Well done. | 0:12:20 | 0:12:23 | |
-Gail Platt. -Yeah. What did she start out as? Tilsley. | 0:12:23 | 0:12:27 | |
Well, Potter. Gail Potter. | 0:12:27 | 0:12:30 | |
-Oh, OK. -Brian Tilsley was the first. -Oh, right. | 0:12:30 | 0:12:32 | |
All right. You've got one on the board. And Pat, | 0:12:32 | 0:12:36 | |
the TV sitcom Waiting For God | 0:12:36 | 0:12:38 | |
was set in what type of establishment? | 0:12:38 | 0:12:41 | |
The TV sitcom Waiting For God | 0:12:43 | 0:12:45 | |
was set in what type of establishment? | 0:12:45 | 0:12:48 | |
I wasn't a keen watcher, but I think I've seen a bit of an episode. | 0:12:50 | 0:12:54 | |
I think they're all in a retirement home. | 0:12:54 | 0:12:57 | |
Waiting For God, retirement home, yeah, it's the right answer. | 0:12:57 | 0:13:01 | |
One each and straight back to James. | 0:13:01 | 0:13:04 | |
A cover of the Bob Dylan song This Wheel's On Fire | 0:13:04 | 0:13:07 | |
was used as the theme to which TV comedy series? | 0:13:07 | 0:13:11 | |
Well, this is actually one of my wife's favourite programmes, | 0:13:15 | 0:13:19 | |
so I know the answer to this one. Absolutely Fabulous. | 0:13:19 | 0:13:22 | |
Yes, it is, Absolutely Fabulous. This Wheel's On Fire. | 0:13:22 | 0:13:26 | |
And Pat, who voiced the title character | 0:13:26 | 0:13:29 | |
in the 2011 animated film Rango? | 0:13:29 | 0:13:32 | |
It's one of the best-looking animation films I've ever seen, | 0:13:36 | 0:13:39 | |
simply magnificent-looking film. | 0:13:39 | 0:13:42 | |
And Rango was a chameleon in a bad part of the Wild West | 0:13:42 | 0:13:45 | |
and he was voiced by Johnny Depp. | 0:13:45 | 0:13:47 | |
OK. One of your specialities, animated films. | 0:13:47 | 0:13:51 | |
I do like good animated films. | 0:13:51 | 0:13:54 | |
And it's the right answer, Johnny Depp was Rango. | 0:13:54 | 0:13:57 | |
So all square. Going well here, James. Don't want to spoil this run. | 0:13:57 | 0:14:01 | |
Concentrate on this. What is the first name of the character | 0:14:01 | 0:14:04 | |
played by Julia Roberts in the 2001 film Ocean's Eleven? | 0:14:04 | 0:14:09 | |
I actually saw this film the other day, | 0:14:11 | 0:14:14 | |
but I don't know if I can remember. | 0:14:14 | 0:14:16 | |
I don't think it's Dee. | 0:14:16 | 0:14:19 | |
It's between Nell and Tess. | 0:14:19 | 0:14:21 | |
-Erm, I think it's Tess. -OK. | 0:14:21 | 0:14:24 | |
All right, Ocean's Eleven, and you think it's Tess. | 0:14:24 | 0:14:29 | |
You're right. You have it. | 0:14:29 | 0:14:31 | |
Three-two. Pat needs this, then. | 0:14:31 | 0:14:34 | |
What was the name of the BBC music programme | 0:14:34 | 0:14:36 | |
of the late 1970s and early 1980s | 0:14:36 | 0:14:39 | |
in which music acts were filmed performing | 0:14:39 | 0:14:42 | |
in educational establishments? | 0:14:42 | 0:14:44 | |
Well, I'm sure I've heard of this programme. | 0:14:50 | 0:14:53 | |
Sadly, all three options look plausible to me. | 0:14:53 | 0:14:56 | |
Nothing is clicking in any sort of authoritative way. | 0:14:56 | 0:15:00 | |
Rock Goes To College. Rock Goes To School. Rock Goes To University. | 0:15:00 | 0:15:04 | |
Hm. | 0:15:05 | 0:15:07 | |
I'll be annoyed if I get this wrong, | 0:15:10 | 0:15:12 | |
but I'm not convinced I know the answer. | 0:15:12 | 0:15:14 | |
I'm going to go with Rock Goes To College. | 0:15:14 | 0:15:17 | |
-It seems slightly more familiar than the others. -OK. | 0:15:17 | 0:15:20 | |
That's the Egghead you are. It's the right answer. | 0:15:20 | 0:15:22 | |
There's something in there he can't identify, he gets it out. | 0:15:22 | 0:15:26 | |
Rock Goes To College. Tricky question negotiated well by Pat. | 0:15:26 | 0:15:30 | |
So we go to sudden death and that, James, means | 0:15:30 | 0:15:34 | |
we remove those options, | 0:15:34 | 0:15:36 | |
make it harder so we can sort out a winner. | 0:15:36 | 0:15:39 | |
And I've got to hear the answer from you. Here's your question. | 0:15:39 | 0:15:42 | |
The late 1960s British TV drama Market In Honey Lane | 0:15:42 | 0:15:46 | |
was set in which city? | 0:15:46 | 0:15:49 | |
The late 1960s British TV drama Market In Honey Lane | 0:15:49 | 0:15:53 | |
was set in which city? | 0:15:53 | 0:15:56 | |
I really don't have any idea on this. | 0:15:56 | 0:16:00 | |
I've never heard of the programme. | 0:16:00 | 0:16:02 | |
Erm... If I had to guess, | 0:16:02 | 0:16:06 | |
I'd say London. | 0:16:06 | 0:16:09 | |
OK, London. It's the right answer. | 0:16:09 | 0:16:12 | |
Well done. All right, Pat, means you need this. | 0:16:12 | 0:16:17 | |
The 1980s US sitcom What A Country | 0:16:17 | 0:16:20 | |
was based on which British sitcom | 0:16:20 | 0:16:22 | |
that first aired in the late 1970s? | 0:16:22 | 0:16:25 | |
The 1980s US sitcom What A Country | 0:16:25 | 0:16:28 | |
was based on which British sitcom | 0:16:28 | 0:16:30 | |
that first aired in the late 1970s? | 0:16:30 | 0:16:33 | |
Never heard of this sitcom. | 0:16:34 | 0:16:36 | |
I know there are American sitcoms | 0:16:37 | 0:16:41 | |
based on old Alf Garnett, Till Death Us Do Part. | 0:16:41 | 0:16:45 | |
And I think that's Archie Bunker, All In The Family. | 0:16:45 | 0:16:48 | |
What A Country sounds almost like an exasperated... | 0:16:48 | 0:16:52 | |
..a phrase of exasperation, What A Country. | 0:16:52 | 0:16:55 | |
What English sitcom could fit the bill? | 0:16:55 | 0:16:59 | |
1970s. | 0:17:02 | 0:17:04 | |
It Ain't Half Hot Mum, Dad's Army and that sort of thing. | 0:17:06 | 0:17:09 | |
Till Death Us Do Part. Rising Damp. | 0:17:10 | 0:17:15 | |
I really can't find any way of homing in. | 0:17:15 | 0:17:18 | |
I suppose it's possible they made two inspired by Alf Garnett. | 0:17:19 | 0:17:23 | |
I'll go for Till Death Us Do Part, | 0:17:24 | 0:17:27 | |
but I think I'm a dead man walking here. | 0:17:27 | 0:17:29 | |
Yeah. Till Death Us Do Part. | 0:17:29 | 0:17:32 | |
It doesn't really fit the date, the late 1970s. | 0:17:32 | 0:17:35 | |
Till Death Us Do Part is earlier than that. | 0:17:35 | 0:17:37 | |
It's incorrect, Pat. Do you know, other Eggheads? | 0:17:37 | 0:17:40 | |
-Something like Citizen Smith? -Yes, Minister? -No. | 0:17:40 | 0:17:44 | |
We'll have a long list of sitcoms. I don't think anyone will get it. | 0:17:44 | 0:17:48 | |
-Just out of interest? -It Ain't Half Hot Mum? -No. | 0:17:48 | 0:17:51 | |
It's Mind Your Language. Which you've got to do, Pat. You're out. | 0:17:51 | 0:17:55 | |
-THEY LAUGH -Expletive deleted. -Yes. | 0:17:55 | 0:17:58 | |
Mind Your Language. Well done, James! | 0:17:58 | 0:18:02 | |
You're through to the final round. You stopped the rot. | 0:18:02 | 0:18:05 | |
Through to the final round at the expense of Pat. | 0:18:05 | 0:18:07 | |
Please come and join your teams. | 0:18:07 | 0:18:09 | |
Well, that's much better for Suffolk Paunch. You did stop the rot. | 0:18:11 | 0:18:14 | |
That means the Eggheads have lost one brain from the final round, | 0:18:14 | 0:18:17 | |
two Suffolk Paunches. That's a good phrase. | 0:18:17 | 0:18:19 | |
They are the two largest. | 0:18:19 | 0:18:23 | |
OK, right, a chance to make it all square in the final round | 0:18:23 | 0:18:26 | |
with our last head-to-head. This one is Politics. | 0:18:26 | 0:18:29 | |
And Martin or Stewart, the bookends there. | 0:18:29 | 0:18:32 | |
Who wants to play Politics? | 0:18:32 | 0:18:34 | |
-That's you. -I was earmarked for it, | 0:18:34 | 0:18:36 | |
but I'm feeling that I should sacrifice Stewart. | 0:18:36 | 0:18:39 | |
-THEY LAUGH -Well, there's a kindly captain! | 0:18:39 | 0:18:43 | |
-Thank you. -THEY LAUGH | 0:18:43 | 0:18:46 | |
-All right, Stewart is it going to be? -Yeah. -You have sacrificed him. | 0:18:46 | 0:18:49 | |
Well, no, you've thrown him in there, not sacrificed him. | 0:18:49 | 0:18:51 | |
He's going to win. And you've got to play Daphne or Chris. | 0:18:51 | 0:18:56 | |
-Erm, why not? Let's take on Daphne. -Why not? OK. | 0:18:56 | 0:19:02 | |
Stewart and Daphne playing Politics. Into the question room. | 0:19:02 | 0:19:05 | |
So Stewart, you got your hands on an Olympic torch. | 0:19:06 | 0:19:10 | |
I did, yep. I was nominated by Martin and Hayley | 0:19:10 | 0:19:13 | |
for my work with Camille's Appeal, | 0:19:13 | 0:19:16 | |
-so really proud. -Good man. Must've been a great moment. | 0:19:16 | 0:19:19 | |
How far did you carry it? And you get to keep one. | 0:19:19 | 0:19:21 | |
Yeah, I purchased by torch | 0:19:21 | 0:19:23 | |
since I ran 300 metres with it. | 0:19:23 | 0:19:27 | |
Knowing how big I am, luckily it was downhill. | 0:19:27 | 0:19:29 | |
-THEY LAUGH -And since then, | 0:19:29 | 0:19:32 | |
I've raised over 5,000 with the torch, | 0:19:32 | 0:19:34 | |
-so it's been fantastic for the charity. -Amazing. | 0:19:34 | 0:19:37 | |
Congratulations on that. Would you like to go first or second? | 0:19:37 | 0:19:41 | |
I'm going to go second. | 0:19:41 | 0:19:43 | |
It's your choice. The questions are evenly balanced. | 0:19:46 | 0:19:49 | |
So let's see how it pans out with Daphne going first. | 0:19:49 | 0:19:51 | |
The politician George Galloway was born in which country of the UK? | 0:19:51 | 0:19:56 | |
The politician George Galloway was born in which country of the UK? | 0:19:59 | 0:20:05 | |
Hm. SHE LAUGHS | 0:20:06 | 0:20:09 | |
Funny, I think it's Scotland. | 0:20:09 | 0:20:13 | |
Yeah, if you've ever listened to him, you'd work that out. | 0:20:13 | 0:20:16 | |
-It's the right answer. -I don't listen to politicians! | 0:20:16 | 0:20:19 | |
OK. And Stewart, first question for you. | 0:20:19 | 0:20:23 | |
How many groups of individuals rule | 0:20:23 | 0:20:26 | |
in a mode of government known as a diarchy? | 0:20:26 | 0:20:29 | |
How many groups of individuals rule | 0:20:31 | 0:20:34 | |
in a mode of government known as a diarchy? | 0:20:34 | 0:20:37 | |
D-I-A-R-C-H-Y. | 0:20:37 | 0:20:40 | |
Erm, as a sacrificial lamb for politics, | 0:20:40 | 0:20:44 | |
I'm going to go straight down the middle and guess that it's ten. | 0:20:44 | 0:20:49 | |
OK, ten individuals ruling | 0:20:49 | 0:20:51 | |
in a mode of government known as a diarchy. It's two. | 0:20:51 | 0:20:55 | |
Shared responsibilities. Two. | 0:20:55 | 0:20:59 | |
OK, Daphne, chance for a bigger lead here. | 0:20:59 | 0:21:02 | |
Which Labour politician, who first became MP for Birkenhead in 1979, | 0:21:02 | 0:21:07 | |
was given the role of so-called poverty tsar | 0:21:07 | 0:21:09 | |
in David Cameron's government after the 2010 general election? | 0:21:09 | 0:21:12 | |
Hm. I think... | 0:21:17 | 0:21:20 | |
Erm... Yes. Frank Field. | 0:21:20 | 0:21:24 | |
Frank Field, you think, poverty tsar. It's correct. | 0:21:24 | 0:21:28 | |
Two-nil up. And Stewart, you have to get this, then. | 0:21:28 | 0:21:33 | |
Of those that voted, approximately how many people voted yes | 0:21:33 | 0:21:37 | |
in the 2011 alternative vote referendum in the UK? | 0:21:37 | 0:21:41 | |
52 sounds quite high. | 0:21:48 | 0:21:50 | |
Erm, and I'm drawn towards 32. | 0:21:50 | 0:21:55 | |
So I'm going to go with 32, | 0:21:55 | 0:21:58 | |
cos I think a referendum's quite a hard thing, | 0:21:58 | 0:22:01 | |
-so we'll go for 32. -OK. | 0:22:01 | 0:22:03 | |
You could rule 52 out straight away because it was defeated, wasn't it? | 0:22:03 | 0:22:08 | |
And so, of the other two, you've gone for 32 | 0:22:08 | 0:22:11 | |
and it's correct! Well done! Yes. | 0:22:11 | 0:22:14 | |
But Daphne still has a chance to clinch the round with this. | 0:22:14 | 0:22:18 | |
Which former chairman of HSBC Bank | 0:22:18 | 0:22:22 | |
was made a lord in 2010 and trade minister in 2011? | 0:22:22 | 0:22:27 | |
Hm. Erm... | 0:22:31 | 0:22:34 | |
Don't know this, but it's not Bob Diamond, | 0:22:34 | 0:22:37 | |
cos I know he's Barclays. | 0:22:37 | 0:22:40 | |
Erm, Stephen Green? | 0:22:40 | 0:22:43 | |
-Is that a guess? -Yes. -Well, a 50/50 guess. You eliminated Bob Diamond. | 0:22:43 | 0:22:48 | |
It's the right answer, Daphne! You're through to the final round. | 0:22:48 | 0:22:52 | |
Bad luck, Stewart. Please come back and join your teams. | 0:22:52 | 0:22:55 | |
And so this is what we've been playing towards, | 0:22:57 | 0:22:59 | |
time for the final round which, as always, is general knowledge. | 0:22:59 | 0:23:04 | |
But those of you who lost your head-to-heads won't take part, | 0:23:04 | 0:23:07 | |
so Simon, John and Stewart from Suffolk Paunch | 0:23:07 | 0:23:11 | |
and Pat from the Eggheads, would you leave the studio, please. | 0:23:11 | 0:23:14 | |
So, Martin and James, you're playing to win Suffolk Paunch £1,000. | 0:23:16 | 0:23:19 | |
Dave, Daphne, Chris and Barry, you're playing for something | 0:23:19 | 0:23:22 | |
which money can't buy - your reputation. | 0:23:22 | 0:23:25 | |
As usual, I'll ask each team three questions in turn. | 0:23:25 | 0:23:28 | |
The questions are general knowledge. You are allowed to confer. | 0:23:28 | 0:23:31 | |
So, Suffolk Paunch, the question is, are your two brains | 0:23:31 | 0:23:35 | |
better than the Eggheads' four? Martin and James, | 0:23:35 | 0:23:38 | |
-up to you again, do you want to go first or second? -First, please. | 0:23:38 | 0:23:42 | |
Good luck, guys. And here's your first question, general knowledge. | 0:23:45 | 0:23:49 | |
What term is used to describe tangible mail | 0:23:49 | 0:23:52 | |
delivered by a postal system as opposed to electronic mail? | 0:23:52 | 0:23:56 | |
What term is used to describe tangible mail | 0:23:59 | 0:24:02 | |
delivered by a postal system as opposed to electronic mail? | 0:24:02 | 0:24:07 | |
So, I know the answer quite easily. | 0:24:07 | 0:24:10 | |
-It's definitely snail mail. -Snail mail. | 0:24:10 | 0:24:12 | |
-Snail mail, please. -Not very hard, especially given your job. | 0:24:12 | 0:24:15 | |
Yeah, snail mail is the right answer. Well done, Suffolk Paunch. | 0:24:15 | 0:24:20 | |
Eggheads, hypnophobia is the fear of what? | 0:24:20 | 0:24:24 | |
Hypnophobia is the fear of what? | 0:24:26 | 0:24:29 | |
-Can you spell it? -H-Y-P-N-O-phobia. | 0:24:29 | 0:24:33 | |
-Hypnophobia. -Falling asleep. -Yeah, hippophobia would be horses. | 0:24:33 | 0:24:37 | |
So it's hypnophobia, must be falling asleep. | 0:24:37 | 0:24:39 | |
Hypnophobia, definitely, yeah, falling asleep. | 0:24:39 | 0:24:42 | |
I don't know what the fear of breathing is. Death. | 0:24:42 | 0:24:45 | |
Yeah, it's falling asleep, Dermot. | 0:24:45 | 0:24:48 | |
It's the right answer. Falling asleep. | 0:24:48 | 0:24:50 | |
Back to Martin and James. Second question. | 0:24:50 | 0:24:53 | |
Which actor appeared as Winston Churchill | 0:24:53 | 0:24:56 | |
in the closing ceremony of the 2012 Olympic Games? | 0:24:56 | 0:25:00 | |
-I was a bit obsessed with the Olympics. -Yes. | 0:25:03 | 0:25:06 | |
So I think I know this. He did a rather good rendition | 0:25:06 | 0:25:09 | |
coming out of some structure quite high up in the Olympic stadium | 0:25:09 | 0:25:12 | |
-and it was Timothy Spall. Happy with that? -Yep. | 0:25:12 | 0:25:14 | |
-Timothy Spall. -Timothy Spall. OK. | 0:25:14 | 0:25:17 | |
Bit obsessed with the Olympics, you say. You weren't the only one. | 0:25:17 | 0:25:20 | |
It was the right answer, yes. Well done. | 0:25:20 | 0:25:22 | |
Timothy Spall as Winston Churchill in the closing ceremony. | 0:25:22 | 0:25:26 | |
Eggheads, in World War II, Huff-duff was used as a slang term for what? | 0:25:26 | 0:25:30 | |
-High-frequency direction finding. -OK. | 0:25:35 | 0:25:37 | |
-It's a radio detection system. -OK. | 0:25:37 | 0:25:40 | |
It's high-frequency direction finding, Dermot, | 0:25:40 | 0:25:43 | |
-it's a radio detection system. -High-frequency direction finding. | 0:25:43 | 0:25:46 | |
It's the right answer, yes. He knows it. | 0:25:46 | 0:25:49 | |
It's all square. Anything can happen. | 0:25:49 | 0:25:52 | |
OK, well done so far, Martin and James. Third question. | 0:25:52 | 0:25:55 | |
Who recorded the UK chart-topping 1964 single Have I The Right? | 0:25:55 | 0:26:01 | |
So, it's difficult to rule any out | 0:26:04 | 0:26:07 | |
-because I don't think I know the song at all. -I don't know the song. | 0:26:07 | 0:26:10 | |
-The most well-know group out of them is The Searchers. -Agreed. | 0:26:10 | 0:26:14 | |
-Shall we go for The Searchers? -It's as good as any. -OK. | 0:26:15 | 0:26:20 | |
We're going to go for The Searchers, please. | 0:26:20 | 0:26:22 | |
The Searchers for Have I The Right? Eggheads, is it The Searchers? | 0:26:22 | 0:26:25 | |
-The Honeycombs. -It's The Honeycombs, so you're incorrect there. | 0:26:25 | 0:26:29 | |
Two out of the three. Will that be enough to take us into sudden death | 0:26:29 | 0:26:32 | |
or can the Eggheads win here? | 0:26:32 | 0:26:35 | |
Which British model married the American actor | 0:26:35 | 0:26:38 | |
Giovanni Ribisi in 2012? | 0:26:38 | 0:26:41 | |
Which British model married the American actor | 0:26:45 | 0:26:47 | |
Giovanni Ribisi in 2012? | 0:26:47 | 0:26:50 | |
Well, I don't know the answer totally, | 0:26:54 | 0:26:56 | |
but Agyness Deyn, she's acting as well, now, isn't she? | 0:26:56 | 0:27:00 | |
-Yeah. -But so is Rosie Huntington-Whiteley. | 0:27:00 | 0:27:04 | |
-But I don't think it's Lily Cole. -No, it's not Lily Cole. | 0:27:04 | 0:27:08 | |
-As you say... -Well, if we go with Agyness Deyn, it's sudden death | 0:27:08 | 0:27:12 | |
-if it's wrong. -Agyness Deyn's definitely... | 0:27:12 | 0:27:15 | |
-I don't make a study of these things. -No. -Agyness Deyn. | 0:27:15 | 0:27:18 | |
Well, most of us don't study these things, | 0:27:18 | 0:27:21 | |
but the consensus of opinion is it's Agyness Deyn. | 0:27:21 | 0:27:24 | |
Agyness Deyn. OK. | 0:27:24 | 0:27:26 | |
You're fairly relaxed because you weren't put under pressure | 0:27:26 | 0:27:30 | |
by the answer from Suffolk Paunch. | 0:27:30 | 0:27:32 | |
But you've got it. Eggheads, you've won. | 0:27:32 | 0:27:36 | |
Well played, Suffolk Paunch. Not to be on the day, | 0:27:41 | 0:27:44 | |
but thanks for being so much fun. We've had a bit of a laugh. | 0:27:44 | 0:27:47 | |
That's the main thing, to enjoy yourselves. | 0:27:47 | 0:27:49 | |
Thanks to Simon, John and Stewart sitting in the question room. | 0:27:49 | 0:27:53 | |
The main thing, of course, is Camille's Appeal. | 0:27:53 | 0:27:56 | |
Best of luck with that for the future. | 0:27:56 | 0:27:58 | |
Thank you for playing the Eggheads. They've done what comes naturally | 0:27:58 | 0:28:02 | |
and they reign supreme over quiz land once again. | 0:28:02 | 0:28:04 | |
I'm afraid you won't be going home with £1,000. | 0:28:04 | 0:28:06 | |
That means the money rolls over to the next show. | 0:28:06 | 0:28:09 | |
Eggheads, congratulations. Who will beat you? | 0:28:09 | 0:28:12 | |
And join us next time to see if a new team of challengers | 0:28:12 | 0:28:15 | |
have the brains to defeat the Eggheads. £2,000 says they don't. | 0:28:15 | 0:28:18 | |
Until then, goodbye. | 0:28:18 | 0:28:20 | |
Subtitles by Red Bee Media Ltd | 0:28:23 | 0:28:27 | |
. | 0:28:27 | 0:28:27 |