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'These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
'Together they make up the Eggheads, | 0:00:10 | 0:00:12 | |
'arguably the most formidable quiz team in the country. | 0:00:12 | 0:00:15 | |
'The question is, can they be beaten?' | 0:00:17 | 0:00:20 | |
Welcome to Eggheads, the show where a team of five quiz challengers | 0:00:23 | 0:00:27 | |
pit their wits against possibly the greatest quiz team in Britain. | 0:00:27 | 0:00:30 | |
They are the Eggheads. | 0:00:30 | 0:00:33 | |
And taking on our quiz champions today are The Orwell Network | 0:00:33 | 0:00:37 | |
from Suffolk. This team of entrepreneurs meet each week | 0:00:37 | 0:00:41 | |
to discuss business opportunities on the banks of the River Orwell | 0:00:41 | 0:00:45 | |
in Ipswich. Let's meet them. | 0:00:45 | 0:00:47 | |
Hi, I'm David, I'm 66 years old and I'm a textile printer. | 0:00:47 | 0:00:51 | |
Hi, I'm Ayman, I'm 39, I'm an IT company director. | 0:00:51 | 0:00:55 | |
Hi, I'm Allan, I'm 58 and I'm a project manager. | 0:00:55 | 0:00:59 | |
Hi, I'm Jenny, I'm 63 and I'm a freelance IT consultant. | 0:00:59 | 0:01:03 | |
Hi, I'm Richard, I'm 56 years old and I'm a solicitor. | 0:01:03 | 0:01:07 | |
-So, David and team, welcome. -Thank you. -Good to see you. | 0:01:07 | 0:01:10 | |
-Looking forward to this? -Absolutely. -Yes. | 0:01:10 | 0:01:12 | |
So you're all in different lines of business | 0:01:12 | 0:01:15 | |
but you're all basically self-starting people? | 0:01:15 | 0:01:17 | |
-Correct. -Yep. -We've all got our own businesses | 0:01:17 | 0:01:20 | |
and there's probably about 32 people in the group | 0:01:20 | 0:01:24 | |
and you can't have two categories the same, | 0:01:24 | 0:01:27 | |
but we meet every Wednesday and we try and promote | 0:01:27 | 0:01:30 | |
-and get business for each other. -OK. | 0:01:30 | 0:01:32 | |
So of the 32, how come we ended up with the five of you? | 0:01:32 | 0:01:35 | |
-THEY LAUGH -It was a freak result. | 0:01:35 | 0:01:38 | |
-The hands went up, did they? -We're the smart ones. | 0:01:38 | 0:01:41 | |
We were left standing when everybody else stepped back. | 0:01:41 | 0:01:43 | |
-THEY LAUGH -You're not an actual quiz team | 0:01:43 | 0:01:47 | |
but you... Well, maybe you are one from today. | 0:01:47 | 0:01:49 | |
-Maybe. -We'll find out. -OK, well, good luck up against this lot. | 0:01:49 | 0:01:53 | |
Let's see how you both do. There's £1,000 of cash up for grabs | 0:01:53 | 0:01:57 | |
for our challengers every day. If they fail to defeat the Eggheads, | 0:01:57 | 0:02:01 | |
the prize money rolls over to our next show. | 0:02:01 | 0:02:03 | |
So, Orwell Network, the Eggheads have won the last 37 games. | 0:02:03 | 0:02:08 | |
-Goodness me. -Which means £38,000 says you can't beat them today. | 0:02:08 | 0:02:13 | |
It's the most I've ever seen the jackpot at. | 0:02:13 | 0:02:15 | |
The first head-to-head battle will be on the subject of History. | 0:02:15 | 0:02:18 | |
-Who would like this? -History. | 0:02:18 | 0:02:21 | |
-Well, Richard, you were the... -You want to do History? | 0:02:21 | 0:02:25 | |
I'll give it a crack. | 0:02:25 | 0:02:28 | |
-You'll give it a crack! -Yeah. -I wouldn't like to say who against. | 0:02:28 | 0:02:31 | |
OK, Richard from this team against... Yes, exactly. | 0:02:31 | 0:02:35 | |
-Choose an Egghead. I'm assuming you watch the programme. -Barry. | 0:02:35 | 0:02:39 | |
-OK. Yep. -So, Richard, who is it? | 0:02:39 | 0:02:43 | |
-Barry. -It's Barry! OK! | 0:02:43 | 0:02:45 | |
History is meat and drink to quizzers, so it's going to be hard | 0:02:45 | 0:02:49 | |
to find a weak one of history. Barry loves his history | 0:02:49 | 0:02:52 | |
-but he has his moments, don't you, Barry? -I certainly do. | 0:02:52 | 0:02:55 | |
So, Richard from the Orwell Network versus Barry from the Eggheads | 0:02:55 | 0:02:58 | |
on History. And to ensure there's no conferring, | 0:02:58 | 0:03:01 | |
please take your positions in the question room. | 0:03:01 | 0:03:04 | |
-You can choose, Richard, the first or second set of questions. -Second. | 0:03:05 | 0:03:09 | |
Here we go, Barry. Who was the first secretary | 0:03:12 | 0:03:14 | |
of the Communist Party of the Soviet Union | 0:03:14 | 0:03:16 | |
when Sputnik was launched and the first woman went into space? | 0:03:16 | 0:03:20 | |
Sputnik was launched in 1957, I believe. | 0:03:25 | 0:03:29 | |
I think the first woman in space was Valentina Tereshkova | 0:03:29 | 0:03:33 | |
and she must have been about the early 60s, | 0:03:33 | 0:03:36 | |
so that's far too late for Lenin | 0:03:36 | 0:03:39 | |
and far too early for Yeltsin. It was Nikita Khrushchev. | 0:03:39 | 0:03:42 | |
Got every detail nailed down, Barry. Well done. First point to you. | 0:03:42 | 0:03:45 | |
Richard, your question. | 0:03:45 | 0:03:47 | |
Who's known as the king who drove the Danes out of Ireland? | 0:03:47 | 0:03:52 | |
Erm... I don't think it's Kenneth McAlpin. | 0:03:57 | 0:04:00 | |
I don't really know, to be honest with you, so I'll take a guess. | 0:04:00 | 0:04:04 | |
I think it's Llywelyn the Great. | 0:04:04 | 0:04:06 | |
Llywelyn the Great is wrong, though. It's Brian Boru. | 0:04:06 | 0:04:12 | |
One point to Barry, none to you. Second question. | 0:04:12 | 0:04:14 | |
Barry, in medieval costume, what was the name of the long strip of fabric | 0:04:14 | 0:04:18 | |
that trailed from a hood or headdress? | 0:04:18 | 0:04:21 | |
Well, chasuble is a garment that is worn by a priest or a bishop | 0:04:26 | 0:04:31 | |
and I believe a mangonel is some sort of catapult. | 0:04:31 | 0:04:34 | |
But this long strip of cloth worn from a headdress is a liripipe, | 0:04:34 | 0:04:37 | |
and you still see them in academic dress. | 0:04:37 | 0:04:39 | |
Liripipe is the right answer, Barry. Back to you, Richard. | 0:04:39 | 0:04:44 | |
The Bamburgh Sword, uncovered during a 1960 excavation, | 0:04:44 | 0:04:49 | |
is from which period of history? | 0:04:49 | 0:04:51 | |
-Bamburgh - can you spell that? -B-A-M-B-U-R-G-H. Bamburgh. | 0:04:54 | 0:04:59 | |
Again, I'm going to have to take a guess on this. | 0:04:59 | 0:05:03 | |
Bamburgh... | 0:05:03 | 0:05:05 | |
Erm, I don't think it's Restoration or Tudor, | 0:05:05 | 0:05:09 | |
I think I'm going to plump for Anglo-Saxon. | 0:05:09 | 0:05:13 | |
-Well done, you've got it right. -THEY CLAP | 0:05:13 | 0:05:16 | |
And it's important that you get that question right, because otherwise | 0:05:16 | 0:05:19 | |
you would've been out of the contest! So still in it! | 0:05:19 | 0:05:21 | |
Barry, if you get this answer correct, you're in the final round. | 0:05:21 | 0:05:25 | |
What was the nickname of the allied agent Nancy Wake, | 0:05:25 | 0:05:28 | |
who made her reputation outwitting German forces in France | 0:05:28 | 0:05:31 | |
during the Second World War? | 0:05:31 | 0:05:34 | |
Ah, she was a very brave and courageous lady | 0:05:38 | 0:05:41 | |
and I believe she was called The White Mouse. | 0:05:41 | 0:05:44 | |
She was called The White Mouse, you're quite right, Barry. | 0:05:44 | 0:05:47 | |
So three out of three. History is a strong subject for you. | 0:05:47 | 0:05:51 | |
Sorry, Richard. The first answer was a costly one | 0:05:51 | 0:05:54 | |
and you've been knocked out. Please come back and rejoin your teams. | 0:05:54 | 0:05:57 | |
So, as it stands, the Orwell Network have lost one brain. | 0:05:59 | 0:06:02 | |
Don't worry. Early days, guys. The Eggheads have not lost a brain. | 0:06:02 | 0:06:06 | |
Barry triumphed there. The next subject is Music. Who would like it? | 0:06:06 | 0:06:10 | |
-Music. -Oh, Music. -Should I have a... | 0:06:10 | 0:06:12 | |
-Yeah, do you want to... -Should I have a crack at that one? -Allan, I think. | 0:06:12 | 0:06:16 | |
-Yeah. -Allan? -Yeah, I'm going to give it a go. | 0:06:16 | 0:06:19 | |
OK, good stuff. And against which Egghead? Can't be Barry. | 0:06:19 | 0:06:22 | |
-Judith. -I think I'm going to go for Judith. | 0:06:22 | 0:06:27 | |
You're going to go for Judith on Music. | 0:06:27 | 0:06:30 | |
How's your music? What are you humming at the moment, Judith? | 0:06:30 | 0:06:33 | |
A sort of panic. | 0:06:33 | 0:06:35 | |
THEY LAUGH A panic melody. | 0:06:35 | 0:06:38 | |
Allan from the Orwell Network versus Judith and her panic melody. | 0:06:38 | 0:06:42 | |
To ensure there's no conferring, please take your positions. | 0:06:42 | 0:06:46 | |
Well, Allan, Music is the subject. Is that your passion? | 0:06:47 | 0:06:50 | |
Erm, I wouldn't say it's my main passion. | 0:06:50 | 0:06:53 | |
Visual art is my main passion. But I do listen to a lot of various... | 0:06:53 | 0:06:58 | |
-I have quite a varied taste in music. -You do an amazing thing. | 0:06:58 | 0:07:02 | |
You do portraits in the style of the grand masters. | 0:07:02 | 0:07:05 | |
-That's right, yes. -Do you mean you'll take a Rembrandt | 0:07:05 | 0:07:09 | |
and do an exact copy | 0:07:09 | 0:07:11 | |
or paint somebody as if Rembrandt painted them? | 0:07:11 | 0:07:14 | |
Yes, I'll paint somebody in the style of that artist. | 0:07:14 | 0:07:17 | |
So it could be an old master, like a Rembrandt, | 0:07:17 | 0:07:22 | |
or it might even be pop art, like a Litchenstein or a Warhol. | 0:07:22 | 0:07:26 | |
It really depends. But it's quite a challenge | 0:07:26 | 0:07:28 | |
-doing the different styles. -And do you suggest the old master | 0:07:28 | 0:07:32 | |
for a particular person or do they suggest it? | 0:07:32 | 0:07:34 | |
I think they suggest it, but sometimes if I'm doing my samples, | 0:07:34 | 0:07:39 | |
I might pick a celebrity and I might see them in a particular style | 0:07:39 | 0:07:42 | |
and think, "Oh, yeah, I think they'd really look good as that, | 0:07:42 | 0:07:46 | |
-"in that style." -And best artist you've ever used to reversion? | 0:07:46 | 0:07:51 | |
Well, I did a version, I did Tracey Emin | 0:07:51 | 0:07:54 | |
in the style of a Frida Kahlo | 0:07:54 | 0:07:58 | |
and I think that went down very well and I think that was successful. | 0:07:58 | 0:08:03 | |
-All right, Music. Allan, would you like to go first or second? -Second. | 0:08:03 | 0:08:07 | |
OK, this team likes to go second. Your first question, Judith. | 0:08:10 | 0:08:14 | |
Gotye had the UK's biggest-selling single of 2012 | 0:08:14 | 0:08:18 | |
with Somebody That I Used To... what? | 0:08:18 | 0:08:21 | |
Oh, blimey. Panic melody going. | 0:08:24 | 0:08:26 | |
What was the first word you said? | 0:08:26 | 0:08:29 | |
Gotye. G-O-T-Y-E, Gotye | 0:08:29 | 0:08:32 | |
had the UK's biggest-selling single of 2012 | 0:08:32 | 0:08:35 | |
with Somebody That I Used To what? | 0:08:35 | 0:08:37 | |
-Know. Know. -Are you saying Know as an answer | 0:08:37 | 0:08:41 | |
or are you just saying no, N-O, as if you want it all to stop? | 0:08:41 | 0:08:44 | |
No is all senses of the word, but... Know, K-N. | 0:08:44 | 0:08:49 | |
-Know. It's a yes to Know, is it? -Yes. -Yes. | 0:08:49 | 0:08:52 | |
-HE LAUGHS -I'd love to say no, | 0:08:52 | 0:08:56 | |
-but it's the right answer. -Oh, thank goodness for that. -OK, Allan. | 0:08:56 | 0:09:00 | |
Which word from the Italian for true is applied to operas | 0:09:00 | 0:09:04 | |
whose plots are based on a depiction of everyday life? | 0:09:04 | 0:09:07 | |
Erm, it's not staccato, cos that means like abrupt, | 0:09:12 | 0:09:17 | |
you know, sort of... Pulcinella I think is something else entirely. | 0:09:17 | 0:09:22 | |
And with my... sort of vague knowledge of Italian Latin, | 0:09:22 | 0:09:28 | |
I would say it's verismo. | 0:09:28 | 0:09:30 | |
-As in verify... -Yes, as in verify. -Verismo is the right answer. | 0:09:31 | 0:09:35 | |
-Well done. -THEY CLAP | 0:09:35 | 0:09:38 | |
OK, good stuff. You've got your first question right this time. | 0:09:38 | 0:09:41 | |
Judith, your question. O Fortuna, heard regularly on The X Factor, | 0:09:41 | 0:09:45 | |
is an extract from which famous piece of music? | 0:09:45 | 0:09:47 | |
O Fortuna? Erm... | 0:09:52 | 0:09:55 | |
Carmina Burana. | 0:09:55 | 0:09:57 | |
Carmina Burana is the right answer. Was that a guess? | 0:09:57 | 0:09:59 | |
-Er, more or less. -It was just very sudden. | 0:09:59 | 0:10:03 | |
There was no reasoning, just straight in. | 0:10:03 | 0:10:05 | |
Well, maybe I'd heard it somewhere. I mean, guesses are often not guesses | 0:10:05 | 0:10:09 | |
and they're sort of in your subconscious somewhere. | 0:10:09 | 0:10:12 | |
-Somewhere in the back of your mind. -Yeah. -OK, your question, Allan. | 0:10:12 | 0:10:16 | |
What was the name of Johnny Cash's longstanding backing group? | 0:10:16 | 0:10:20 | |
Ooh, crikey. Erm... | 0:10:25 | 0:10:28 | |
Well... | 0:10:28 | 0:10:31 | |
I think I'm just... Based on the fact that | 0:10:31 | 0:10:34 | |
Johnny Cash comes from sort of... Tennessee, that sort of area | 0:10:34 | 0:10:40 | |
of the United States, I would say it was the Tennessee Three. | 0:10:40 | 0:10:45 | |
That's sort of a guess but I'd say Tennessee Three. | 0:10:45 | 0:10:47 | |
Your logic has not let you down. | 0:10:47 | 0:10:49 | |
-It's quite right. -THEY CLAP | 0:10:49 | 0:10:52 | |
OK, Tennessee Three it is. Judith, over to you. Two points each. | 0:10:52 | 0:10:57 | |
Who is credited with writing the Dire Straits song Money For Nothing | 0:10:57 | 0:11:01 | |
with Mark Knopfler? | 0:11:01 | 0:11:03 | |
I think it might be... | 0:11:08 | 0:11:10 | |
..Mick Fleetwood. | 0:11:11 | 0:11:13 | |
Have you heard this one, this song at all, Judith? | 0:11:13 | 0:11:16 | |
No. SHE LAUGHS | 0:11:16 | 0:11:20 | |
Well, I may have done, but not know its title or who wrote it. | 0:11:20 | 0:11:25 | |
Money For Nothing was written by Mark Knopfler and Sting. | 0:11:25 | 0:11:29 | |
-Oh. -Your question, Allan. If you get this right, you knock Judith out, | 0:11:29 | 0:11:33 | |
-so the tide might be turning for your team. -OK. | 0:11:33 | 0:11:35 | |
With a big jackpot of £38,000. Here is your question, Allan. | 0:11:35 | 0:11:39 | |
The jazz musician Dave Brubeck | 0:11:39 | 0:11:42 | |
received a posthumous Grammy nomination for his album | 0:11:42 | 0:11:45 | |
based on the works of which photographer? | 0:11:45 | 0:11:47 | |
Ooh. I'll have to guess at this one, I don't know. | 0:11:52 | 0:11:56 | |
I don't think it would probably be Richard Avedon, | 0:11:56 | 0:12:00 | |
he's a fashion photographer. | 0:12:00 | 0:12:02 | |
Erm, Ansel Adams... | 0:12:02 | 0:12:05 | |
My gut instinct is drawing me towards Ansel Adams. | 0:12:07 | 0:12:11 | |
Is he right, Eggheads? They don't know! | 0:12:12 | 0:12:16 | |
-Drawing a blank on this. Judith? -That's what I'd have gone for. | 0:12:16 | 0:12:19 | |
Ansel Adams is the right answer. Well done, Allan! | 0:12:19 | 0:12:23 | |
-THEY CLAP -You've taken the round | 0:12:23 | 0:12:25 | |
and knocked out our Egghead, Judith. She won't be in the final. | 0:12:25 | 0:12:29 | |
Very good news for your team. Do rejoin your teammates, please. | 0:12:29 | 0:12:32 | |
As it stands, the Orwell Network have lost one brain | 0:12:34 | 0:12:37 | |
but the Eggheads have also lost a brain, so getting exciting here. | 0:12:37 | 0:12:40 | |
The next subject is Arts & Books. | 0:12:40 | 0:12:42 | |
Who would like this? | 0:12:42 | 0:12:45 | |
-That was Jenny, wasn't it? -Yeah, Jenny. | 0:12:45 | 0:12:47 | |
-You could do that, couldn't you? -Yeah. OK. | 0:12:47 | 0:12:50 | |
Jenny, Arts & Books against... | 0:12:50 | 0:12:52 | |
-Not Judith or Barry. -Pat. | 0:12:52 | 0:12:55 | |
I'd like to play against Pat, please. | 0:12:55 | 0:12:58 | |
OK, so it is Jenny from the Orwell Network versus Pat on Arts & Books. | 0:12:58 | 0:13:02 | |
Please go to the question room. | 0:13:02 | 0:13:04 | |
-So, Arts & Books, Jenny. -Mm-hm. | 0:13:05 | 0:13:08 | |
Are you a regular Eggheads viewer, may I ask? | 0:13:08 | 0:13:10 | |
-I am now, since we decided to do this, yes. -Oh, I see. | 0:13:10 | 0:13:13 | |
-So you've been doing some cramming. -A little. | 0:13:13 | 0:13:15 | |
And you've worked out their various... | 0:13:15 | 0:13:18 | |
their patterns of play, their vicissitudes? | 0:13:18 | 0:13:20 | |
Well, we tried to, but it's quite difficult. | 0:13:20 | 0:13:23 | |
-They're all pretty good at most things. -Yeah, it's just the odd | 0:13:23 | 0:13:26 | |
little bit of daylight in there. And they have bad days, | 0:13:26 | 0:13:29 | |
so let's see what happens with Pat now, who's sitting there | 0:13:29 | 0:13:32 | |
looking rather silent and rather clever | 0:13:32 | 0:13:35 | |
and not even smiling at my comment. That's how serious he is. | 0:13:35 | 0:13:38 | |
You described me as silent, so I can hardly respond. | 0:13:38 | 0:13:41 | |
You can smile silently. Jenny, do you want to go first or second? | 0:13:41 | 0:13:45 | |
I think I'd like to go second, please. | 0:13:45 | 0:13:47 | |
Here we go, Pat. See if I can get a smile out of you now. | 0:13:51 | 0:13:54 | |
Which fictional character was named after an ornithologist | 0:13:54 | 0:13:57 | |
who wrote the book Birds Of The West Indies? | 0:13:57 | 0:14:00 | |
Er, that is James Bond. | 0:14:05 | 0:14:08 | |
Yes. | 0:14:08 | 0:14:10 | |
-That's where Ian Fleming got it, is it? -Yes. Yep. | 0:14:10 | 0:14:13 | |
One of the major writers of bird books, | 0:14:13 | 0:14:18 | |
along with people like Audubon and Gould, James Bond. | 0:14:18 | 0:14:22 | |
OK. You're right. Well done. James Bond it is. Didn't know that. | 0:14:22 | 0:14:27 | |
Jenny, your question. Harlequin is the first novel | 0:14:27 | 0:14:29 | |
in the Grail Quest series by which author? | 0:14:29 | 0:14:31 | |
Nothing speaks to me here. | 0:14:37 | 0:14:39 | |
Erm, grail, holy grail, Ireland, religion, | 0:14:39 | 0:14:44 | |
I'm going to go for Patrick O'Brian on that basis only. | 0:14:44 | 0:14:47 | |
-It's Bernard Cornwell, Jenny. -OK. -Bernard Cornwell. | 0:14:47 | 0:14:51 | |
OK, Pat. | 0:14:51 | 0:14:53 | |
The Creation Of Eve and Adam And Eve Asleep | 0:14:53 | 0:14:57 | |
are two William Blake illustrations for which literary work. | 0:14:57 | 0:15:00 | |
I've seen some of his paintings | 0:15:05 | 0:15:08 | |
and they're usually very dramatic, they're usually... | 0:15:08 | 0:15:11 | |
..classic themes. | 0:15:12 | 0:15:14 | |
Well... | 0:15:14 | 0:15:17 | |
I could imagine him doing any of those three, | 0:15:17 | 0:15:19 | |
but The Creation Of Eve and Adam And Eve | 0:15:19 | 0:15:23 | |
sounds very much like the Garden of Eden, and so I think of those three, | 0:15:23 | 0:15:27 | |
Paradise Lost would seem to fit the bill best. Paradise Lost. | 0:15:27 | 0:15:32 | |
Paradise Lost is the right answer. OK. Back to you, Jenny. | 0:15:32 | 0:15:36 | |
Which historical figure became the muse of the English portraitist | 0:15:36 | 0:15:40 | |
George Romney, sitting for him over 100 times? | 0:15:40 | 0:15:44 | |
You need to get this one right. | 0:15:48 | 0:15:51 | |
I've seen a lot of portraits of Sarah Bernhardt. | 0:15:51 | 0:15:53 | |
I haven't seen many portraits of Jennie Jerome | 0:15:54 | 0:15:57 | |
and not many of Emma Hamilton, so on that basis, | 0:15:57 | 0:16:00 | |
I'm going to go for Sarah Bernhardt. | 0:16:00 | 0:16:02 | |
See whether Allan knows, as the portrait man here. | 0:16:02 | 0:16:05 | |
I would've gone for Sarah Bernhardt. | 0:16:05 | 0:16:07 | |
-Well-known name. -Yeah, I would've gone for that | 0:16:07 | 0:16:10 | |
just because I think she's... Like Jenny, I've seen her in | 0:16:10 | 0:16:14 | |
a portrait painted many times. | 0:16:14 | 0:16:18 | |
Yeah. Eggheads, anyone? | 0:16:18 | 0:16:20 | |
-Emma Hamilton. -Why do you all suddenly go for that? | 0:16:20 | 0:16:24 | |
Because Sarah Bernhardt and Jennie Jerome are too late | 0:16:24 | 0:16:27 | |
and they weren't alive when Romney was alive. | 0:16:27 | 0:16:30 | |
-It was 18th century, was it? -Yes. | 0:16:30 | 0:16:33 | |
-It is Emma Hamilton, Jennie. -OK. | 0:16:33 | 0:16:36 | |
Bad luck. You've been knocked out by Pat. | 0:16:36 | 0:16:38 | |
Pat's got two out of two. He'll be in the final round. | 0:16:38 | 0:16:41 | |
Please rejoin your teammates and we'll play on. | 0:16:41 | 0:16:44 | |
So, as it stands, the Orwell Network have lost two brains from the final, | 0:16:45 | 0:16:49 | |
while the Eggheads have lost one. The next subject is Sport. | 0:16:49 | 0:16:52 | |
-Which of you would like Sport? -Ooh. -It's Ayman. -That'd be me. | 0:16:52 | 0:16:57 | |
-You're the sportsman. -I'll take Sport. -OK. | 0:16:57 | 0:16:59 | |
Ayman on Sport against which Egghead? | 0:16:59 | 0:17:02 | |
Well, I would've took Judith as she's so attractive in the booth, | 0:17:02 | 0:17:06 | |
but the next attractive one will have to be Chris. | 0:17:06 | 0:17:09 | |
THEY LAUGH | 0:17:09 | 0:17:11 | |
So, Chris is also attractive in the booth. OK. | 0:17:11 | 0:17:15 | |
I've not heard that before. Ayman from the Orwell Network on Sport | 0:17:15 | 0:17:19 | |
against Chris. Please go to the famous booth. | 0:17:19 | 0:17:22 | |
So, last round before the final and it is Sport, Ayman. | 0:17:24 | 0:17:27 | |
-I know you're a big Spurs fan. -I am, absolutely. | 0:17:27 | 0:17:29 | |
-And also another smaller club. -Yeah, Haughley United. | 0:17:29 | 0:17:33 | |
I'm the chairman of Haughley United Football Club. | 0:17:33 | 0:17:36 | |
Proud to be chairman, as well. It's a great club, great village | 0:17:36 | 0:17:40 | |
and it's very, very satisfying. | 0:17:40 | 0:17:44 | |
-And Haughley is not H-O-R but H-A-U-G-H, is that right? -Yes. | 0:17:44 | 0:17:47 | |
So are you anywhere in a league or... | 0:17:47 | 0:17:50 | |
We're in the 11th tier of the league as you count it, | 0:17:50 | 0:17:54 | |
so we are a fair way down. | 0:17:54 | 0:17:57 | |
But hopefully, with a little bit of support and backing, | 0:17:57 | 0:18:02 | |
we can make ourselves the Man United, | 0:18:02 | 0:18:05 | |
the new Man United of Britain. | 0:18:05 | 0:18:09 | |
So there'll come a point where your loyalties will be divided | 0:18:09 | 0:18:12 | |
cos Haughley will play Spurs. What will you do then? | 0:18:12 | 0:18:15 | |
Well, if I haven't bought Spurs by then, | 0:18:15 | 0:18:18 | |
-I will be backing Haughley United. -THEY LAUGH | 0:18:18 | 0:18:21 | |
Good luck against Chris here. Chris, your football team? | 0:18:21 | 0:18:25 | |
Well, when I was at school, Spurs were our local team. | 0:18:25 | 0:18:29 | |
Most of the lads supported Spurs. | 0:18:29 | 0:18:32 | |
A few eccentrics supported Enfield Town, the local non-leaguers. | 0:18:32 | 0:18:36 | |
I suppose nowadays, I should look with favour upon Crewe Alexandra. | 0:18:36 | 0:18:40 | |
So, yeah, The Alex for want of anything better. | 0:18:40 | 0:18:43 | |
OK. So, Ayman, you can choose whether you go first or second. | 0:18:43 | 0:18:47 | |
Erm, I'm going to buck the trend, I'm going to go first. | 0:18:47 | 0:18:50 | |
Here we go, Ayman. Good luck. In athletics, the abbreviation PB | 0:18:53 | 0:18:56 | |
usually stands for what phrase? | 0:18:56 | 0:18:58 | |
-Personal Best. -Straight there. Personal Best is right. Well done. | 0:19:02 | 0:19:05 | |
-THEY CLAP -OK, Chris. | 0:19:05 | 0:19:07 | |
Which of these is least likely to be heard | 0:19:07 | 0:19:10 | |
as a score in a Wimbledon tennis match? | 0:19:10 | 0:19:14 | |
40-all is called something else, isn't it? It's, er... | 0:19:20 | 0:19:23 | |
It's deuce. So, yeah, 40-all. | 0:19:23 | 0:19:27 | |
Rather lovely question that, isn't it? 40-all is indeed deuce. | 0:19:27 | 0:19:31 | |
Well done. OK, Ayman. | 0:19:31 | 0:19:35 | |
Which heavyweight boxing world champion | 0:19:35 | 0:19:37 | |
won the light heavyweight bronze medal at the 1984 Olympics? | 0:19:37 | 0:19:42 | |
1984. 1984. | 0:19:46 | 0:19:48 | |
It wouldn't be Mike Tyson. | 0:19:50 | 0:19:52 | |
Do you know what? | 0:19:54 | 0:19:56 | |
I am about 60 percent sure it's Holyfield, | 0:19:56 | 0:20:02 | |
Evander Holyfield. | 0:20:02 | 0:20:04 | |
Erm... Erm, but I'm sort of swaying to Riddick Bowe. | 0:20:07 | 0:20:12 | |
Erm, I think I'm going to go with Evander Holyfield. | 0:20:12 | 0:20:15 | |
Always go with your gut instinct. | 0:20:15 | 0:20:18 | |
-Do you like boxing? -Er, yes. | 0:20:18 | 0:20:22 | |
Let's see if your teammates know, cos there seems a bit of knowledge. | 0:20:22 | 0:20:25 | |
-Who do you think it is? -We think it's Holyfield. -Probably Holyfield. | 0:20:25 | 0:20:29 | |
-Yeah, Holyfield is the right answer. Well done. -Yes! | 0:20:29 | 0:20:32 | |
Evander Holyfield! OK, means a lot to Ayman. Here we go, Chris. | 0:20:32 | 0:20:36 | |
From 1961 to 1980, which country's Formula 1 Grand Prix | 0:20:36 | 0:20:41 | |
was held at Watkins Glen International? | 0:20:41 | 0:20:45 | |
Eee... | 0:20:48 | 0:20:49 | |
It's either Canada or Australia. | 0:20:49 | 0:20:52 | |
I don't think it's Canada. | 0:20:55 | 0:20:57 | |
No, it's Australia. | 0:20:57 | 0:21:00 | |
Yeah, it could've been any of those three, really. | 0:21:00 | 0:21:02 | |
-Eggs, help us here. -USA. | 0:21:02 | 0:21:06 | |
-Whereabouts is that in the USA? -I think it's New York State. | 0:21:06 | 0:21:09 | |
I'm not sure. I think it's in New York State. | 0:21:09 | 0:21:12 | |
Watkins Glen International is in the USA, Chris. Sorry. | 0:21:12 | 0:21:15 | |
You're ahead now, Ayman. | 0:21:15 | 0:21:18 | |
And if you get this one right, you've knocked him out. OK? | 0:21:18 | 0:21:21 | |
-OK. -And that's good for your team. | 0:21:21 | 0:21:23 | |
Who was appointed head coach of England cricket's 20/20 | 0:21:23 | 0:21:26 | |
and one-day international teams in 2012? | 0:21:26 | 0:21:29 | |
Oh, God. | 0:21:29 | 0:21:31 | |
I am... thinking it's Ashley Giles, | 0:21:33 | 0:21:37 | |
erm, purely on the basis that | 0:21:37 | 0:21:41 | |
I've seen his name, and I've started watching 20/20 | 0:21:41 | 0:21:45 | |
cos cricket is too slow for me | 0:21:45 | 0:21:47 | |
and 20/20 is a more up-to-date version of cricket | 0:21:47 | 0:21:51 | |
and it's enjoyable. But... Steve, as well. | 0:21:51 | 0:21:55 | |
I'm kind of stuck between them two. | 0:21:55 | 0:21:57 | |
I'm 50/50. I actually don't know which one to go for. | 0:21:57 | 0:22:01 | |
Erm... I think, like before, I'm going to go with my gut instinct, | 0:22:01 | 0:22:05 | |
-Ashley Giles. -Ashley Giles it is! | 0:22:05 | 0:22:09 | |
-Yes! -THEY CLAP | 0:22:09 | 0:22:11 | |
Well done. That's really good news for your team. Chris is knocked out | 0:22:11 | 0:22:15 | |
cos he got a wrong answer, no way back for him. | 0:22:15 | 0:22:18 | |
And let's see what happens in the final round with 38,000 to play for. | 0:22:18 | 0:22:21 | |
Well done to Ayman, that was a good round for you. | 0:22:23 | 0:22:25 | |
This is what we've been playing towards. Time for the final round | 0:22:25 | 0:22:29 | |
which, as always, is General Knowledge. | 0:22:29 | 0:22:31 | |
I'm afraid those who lost their head-to-heads won't be taking part. | 0:22:31 | 0:22:35 | |
So Jenny and Richard from the Orwell Network | 0:22:35 | 0:22:37 | |
and Chris and Judith from the Eggheads, | 0:22:37 | 0:22:39 | |
would you please now leave the studio. | 0:22:39 | 0:22:43 | |
David, Ayman and Allan, you're playing to win the Orwell Network | 0:22:43 | 0:22:47 | |
£38,000. Daphne, Barry and Pat, you're playing for something | 0:22:47 | 0:22:51 | |
that money can't buy - the Eggheads' reputation. | 0:22:51 | 0:22:53 | |
As usual, I will ask each team three questions in turn. | 0:22:53 | 0:22:56 | |
This time the questions are General Knowledge and you can confer. | 0:22:56 | 0:23:00 | |
So, Orwell Network, the question is, are you able with your three brains | 0:23:00 | 0:23:04 | |
to defeat the Eggheads with their three? | 0:23:04 | 0:23:07 | |
-And would you like to go first or second? -Er, I think we'll go first. | 0:23:07 | 0:23:11 | |
-Yeah. -We'll go first this time. | 0:23:11 | 0:23:13 | |
All right, good luck, guys. | 0:23:16 | 0:23:18 | |
£38,000 jackpot to play for. Three questions away from it. | 0:23:18 | 0:23:21 | |
In Cockney rhyming slang, titfer is the name for what? | 0:23:21 | 0:23:25 | |
-Hat. -Hat. It's definitely a hat. Yeah, tit for tat, hat. | 0:23:27 | 0:23:32 | |
-Yeah. -Hat. | 0:23:32 | 0:23:34 | |
Your answer is hat and it is correct. Well done! | 0:23:34 | 0:23:37 | |
They may get harder. Eggheads, your question. | 0:23:37 | 0:23:39 | |
Which term for sudden and unexpected luck or wealth | 0:23:39 | 0:23:44 | |
was originally a Spanish word meaning "fair weather at sea"? | 0:23:44 | 0:23:49 | |
-Bonanza. -Bonanza. -Yep. | 0:23:54 | 0:23:56 | |
That's bonanza. | 0:23:56 | 0:23:58 | |
That is bonanza. It would've been great if they'd just slipped up. | 0:23:58 | 0:24:02 | |
Wouldn't that have been wonderful? Clear the way for you. | 0:24:02 | 0:24:05 | |
But they rarely do that. Your second question. | 0:24:05 | 0:24:08 | |
Tom Kitchin and Paul Kitching found fame as what? | 0:24:08 | 0:24:14 | |
Tom Kitchin and Paul Kitching | 0:24:14 | 0:24:18 | |
found fame as what? | 0:24:18 | 0:24:20 | |
-Chefs. -Is it? | 0:24:24 | 0:24:26 | |
-Definitely chefs. -Chefs. Yeah, I'll go with that. -Yeah. | 0:24:26 | 0:24:30 | |
Chefs. | 0:24:30 | 0:24:32 | |
You're playing it a very sure-footed way. Absolutely right, chefs. | 0:24:32 | 0:24:36 | |
-Well done, Dave. -Good work. Chefs is right. Well done. | 0:24:36 | 0:24:39 | |
Eggheads, I think you sense you've got a quiz team on your hands. | 0:24:39 | 0:24:44 | |
In Britain, the words "Decus et tutamen" | 0:24:44 | 0:24:49 | |
can be found on a coin of which denomination? | 0:24:49 | 0:24:53 | |
-Decus et tutamen. -£1. It means "an ornament and a protection." | 0:24:55 | 0:25:00 | |
Mm-hm. Yes, that's the £1 coin, round the edge. | 0:25:00 | 0:25:05 | |
It's on the £1 round the edge, is it? What does it mean? | 0:25:05 | 0:25:08 | |
It means "an ornament and a protection." | 0:25:08 | 0:25:10 | |
An ornament and a protection. Did you know this one? Are they right? | 0:25:10 | 0:25:14 | |
-I've no idea. -I think they're probably right. | 0:25:14 | 0:25:18 | |
-They do sound right. -They must be right. | 0:25:18 | 0:25:20 | |
They're the Eggheads. £1 is correct. So, your third question. | 0:25:20 | 0:25:24 | |
Get this one right, you're one wrong answer from them away from £38,000. | 0:25:24 | 0:25:30 | |
Take your time, guys. Here we go. | 0:25:30 | 0:25:32 | |
Louis Braille, | 0:25:32 | 0:25:35 | |
Voltaire and Emil Zola | 0:25:35 | 0:25:37 | |
were all buried in which Parisian building, | 0:25:37 | 0:25:41 | |
originally an 18th century church | 0:25:41 | 0:25:43 | |
dedicated to St Genevieve? | 0:25:43 | 0:25:46 | |
I wouldn't have thought it was the Pantheon. | 0:25:58 | 0:26:00 | |
The Pantheon's in Rome, isn't it? | 0:26:00 | 0:26:03 | |
It's an 18th century church. | 0:26:03 | 0:26:06 | |
Les Invalides sounds like it might formally have been a church. | 0:26:06 | 0:26:11 | |
-That sounds right to me. -Yeah. -Whereas a Pantheon... | 0:26:11 | 0:26:15 | |
It wouldn't be a palace, so Les Invalides... | 0:26:15 | 0:26:17 | |
-I reckon go with your gut instinct. -Yeah. | 0:26:17 | 0:26:21 | |
I could be completely wrong, but I would go with that. | 0:26:21 | 0:26:23 | |
-You all right with that, Dave? -What, Les Invalides? | 0:26:23 | 0:26:27 | |
-Les Invalides. -Yeah. | 0:26:27 | 0:26:29 | |
OK. Er, Les Invalides. | 0:26:29 | 0:26:34 | |
Les Invalides is your answer. | 0:26:34 | 0:26:37 | |
You took it quite quickly. Eggheads, are they right? | 0:26:37 | 0:26:40 | |
-Pantheon. -I think it's the Pantheon. -How would we know that? | 0:26:40 | 0:26:43 | |
All the great and good of France are generally buried in the Pantheon. | 0:26:43 | 0:26:46 | |
-Pantheon is the correct answer. -Oh. Sorry. | 0:26:46 | 0:26:49 | |
-You're not finished. -No. | 0:26:49 | 0:26:51 | |
They still need to get this one right and they may not. | 0:26:51 | 0:26:54 | |
Third question in the final round to the Eggheads. | 0:26:54 | 0:26:57 | |
What was the profession of Eric Hobsbawm, who died in 2012? | 0:26:57 | 0:27:01 | |
-He was a Marxist historian, wasn't he? -Yeah. | 0:27:04 | 0:27:07 | |
He was a very famous Marxist historian. | 0:27:07 | 0:27:12 | |
The correct answer is historian. | 0:27:12 | 0:27:15 | |
So we say congratulations, Eggheads, you have won. | 0:27:15 | 0:27:19 | |
Well, three out of three for them, and that makes it very difficult. | 0:27:24 | 0:27:28 | |
-The Pantheon, Les Invalides... -It's... Yeah. | 0:27:28 | 0:27:32 | |
-Hard one to guess. -Yeah. -They have regular debates about reburying | 0:27:32 | 0:27:35 | |
famous people in the Pantheon. | 0:27:35 | 0:27:37 | |
I think there was a move a while ago for Claude Monet to be dug up | 0:27:37 | 0:27:41 | |
and reburied there, a big hoo-hah about whether it should happen. | 0:27:41 | 0:27:45 | |
Interesting. Well, I'm sorry that was the one that took you out. | 0:27:45 | 0:27:49 | |
Commiserations to you. The Eggheads have done what comes naturally | 0:27:49 | 0:27:53 | |
and their winning streak continues. My goodness! | 0:27:53 | 0:27:56 | |
Every game is exciting now with this amount of money on the table. | 0:27:56 | 0:28:00 | |
I'm afraid it does mean you won't be going home with the £38,000, | 0:28:00 | 0:28:04 | |
so the cash rolls over to the next show. | 0:28:04 | 0:28:06 | |
Eggheads, congratulations. | 0:28:06 | 0:28:08 | |
I ask yet again, who will beat you? | 0:28:08 | 0:28:11 | |
Join us next time to see if a new team of challengers | 0:28:11 | 0:28:14 | |
have the brains to defeat the Eggheads. | 0:28:14 | 0:28:16 | |
£39,000 says they don't. Till then, goodbye. | 0:28:16 | 0:28:20 | |
Subtitles by Red Bee Media Ltd | 0:28:23 | 0:28:27 | |
. | 0:28:27 | 0:28:27 |