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These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
Together, they make up the Eggheads, | 0:00:09 | 0:00:12 | |
arguably the most formidable quiz team in the country. | 0:00:12 | 0:00:14 | |
The question is... | 0:00:17 | 0:00:18 | |
..Can they be beaten? | 0:00:18 | 0:00:19 | |
Welcome to Eggheads, the show where a team of five quiz challengers | 0:00:24 | 0:00:27 | |
pit their wits against possibly the greatest quiz team in Britain. | 0:00:27 | 0:00:31 | |
They are the Eggheads. | 0:00:31 | 0:00:32 | |
And taking on the might of our quiz Goliaths today are the Amnesiacs. | 0:00:32 | 0:00:36 | |
This team are friends and regularly quiz together at the Red Lion | 0:00:36 | 0:00:39 | |
pub in Millfield, just outside their home town of Berwick-upon-Tweed. | 0:00:39 | 0:00:43 | |
Let's meet them. | 0:00:43 | 0:00:44 | |
Hello. I'm Martin. I'm 60 years old and I'm a farmer. | 0:00:44 | 0:00:48 | |
Hi. I'm Fiona. I'm 56 and I'm also a farmer. | 0:00:48 | 0:00:52 | |
Hello. I'm Simon. I'm 52 and I'm a retired yacht skipper. | 0:00:52 | 0:00:56 | |
Hello. I'm Nicky. I'm 51 and I run a transcribing business. | 0:00:56 | 0:01:01 | |
Hi. I'm Joan. I'm 58 and I'm an artist. | 0:01:01 | 0:01:04 | |
Welcome to you, Amnesiacs. | 0:01:04 | 0:01:05 | |
Now, have you forgotten what you're doing here? | 0:01:05 | 0:01:07 | |
-You know you're going to play the Eggheads. -Yes. | 0:01:07 | 0:01:10 | |
Why have you called yourself the Amnesiacs? | 0:01:10 | 0:01:13 | |
It's kind of lost in the mists of time, I believe. | 0:01:13 | 0:01:15 | |
I remember we were at a pub many years ago, | 0:01:15 | 0:01:17 | |
and we were talking about how you get asked a question at the quiz | 0:01:17 | 0:01:20 | |
and you think, "Oh, I know the answer to that," | 0:01:20 | 0:01:22 | |
and then amnesia seems to set in and you can't quite recall it. | 0:01:22 | 0:01:26 | |
So someone said, well, why don't we call ourselves the Amnesiacs, | 0:01:26 | 0:01:30 | |
if we forget that much? And that's how it transpired. | 0:01:30 | 0:01:32 | |
OK, well, let's hope it doesn't affect you today. | 0:01:32 | 0:01:34 | |
We give you a bit of time to think about things but it's always good | 0:01:34 | 0:01:38 | |
if you can remember the answer eventually. | 0:01:38 | 0:01:40 | |
Let me tell you what's been going on, Amnesiacs. | 0:01:40 | 0:01:42 | |
Every day there is £1,000 up for grabs for our challengers. | 0:01:42 | 0:01:45 | |
However, if they fail to defeat the Eggheads, | 0:01:45 | 0:01:47 | |
the prize-money rolls over to the next show. | 0:01:47 | 0:01:50 | |
So, Amnesiacs. The Eggheads have won the last four games. | 0:01:50 | 0:01:53 | |
That means £5,000 says you can't beat the Eggheads today. | 0:01:53 | 0:01:57 | |
And let's start, then, with our first head-to-head. It's Geography. | 0:01:57 | 0:02:02 | |
Who'd like to play this? Who'd like to start us? | 0:02:02 | 0:02:05 | |
It's got to be you, Martin, surely? Yes, I think probably. | 0:02:05 | 0:02:09 | |
I think I'll do the Geography, Dermot. | 0:02:09 | 0:02:11 | |
OK, Martin, straight in there | 0:02:11 | 0:02:13 | |
and which Egghead would you like to challenge? | 0:02:13 | 0:02:16 | |
Hmm... | 0:02:16 | 0:02:17 | |
THEY CONFER | 0:02:17 | 0:02:20 | |
I think we'll take on CJ please. | 0:02:20 | 0:02:23 | |
CJ, OK. | 0:02:23 | 0:02:24 | |
I am so happy. Delighted! | 0:02:24 | 0:02:28 | |
The two closest to me, then, it's Martin | 0:02:29 | 0:02:31 | |
from the Amnesiacs and CJ from the Eggheads | 0:02:31 | 0:02:33 | |
to play Geography. Into the question room please. | 0:02:33 | 0:02:36 | |
Now, Martin, Geography you're playing. Would you like to go | 0:02:37 | 0:02:40 | |
first or second? | 0:02:40 | 0:02:41 | |
I will go first, Dermot, please. | 0:02:41 | 0:02:43 | |
Good luck, Martin. First question. | 0:02:46 | 0:02:48 | |
Moose Jaw is the name of a city in which country? | 0:02:48 | 0:02:51 | |
Well, it's definitely not Kuwait. | 0:02:53 | 0:02:55 | |
And I don't believe it'll be Wales, | 0:02:55 | 0:02:57 | |
but I'm sure I've heard of a Moose Jaw or something in Canada. | 0:02:57 | 0:03:00 | |
The Eggheads were tittering, there. | 0:03:02 | 0:03:03 | |
I think enjoying Kuwait, there. You never know! | 0:03:03 | 0:03:07 | |
It is Canada. Well done, Martin. | 0:03:07 | 0:03:09 | |
CJ, which European country is officially | 0:03:11 | 0:03:14 | |
known as the Hellenic Republic? | 0:03:14 | 0:03:16 | |
That would be Greece. | 0:03:19 | 0:03:20 | |
Yes, it would. OK, I think we eased you in there, both of you, | 0:03:20 | 0:03:24 | |
with your first questions. | 0:03:24 | 0:03:25 | |
Let's ratchet it up a bit now. | 0:03:25 | 0:03:27 | |
Martin, at the 2011 census, | 0:03:27 | 0:03:30 | |
what was the approximate population of the Isle of Wight? | 0:03:30 | 0:03:34 | |
Ooh... It's definitely not over a million. | 0:03:41 | 0:03:45 | |
Possibly 13,000. There is one or two big towns on it. | 0:03:45 | 0:03:48 | |
138,000? | 0:03:48 | 0:03:51 | |
Possibly... | 0:03:51 | 0:03:52 | |
I think I will go for 13,800. | 0:03:54 | 0:03:58 | |
It is... | 0:04:00 | 0:04:02 | |
10 times bigger than that. 138,000. | 0:04:02 | 0:04:06 | |
As you said, quite a few fairly big towns on the Isle of Wight. OK. | 0:04:06 | 0:04:11 | |
138,000 not identified by Martin. CJ, can you tell me... | 0:04:11 | 0:04:15 | |
The official languages of Peru are Quechua, Aymara, and which? | 0:04:15 | 0:04:21 | |
Erm...I don't think it would be English. Not for Peru. | 0:04:24 | 0:04:28 | |
The vast majority of Central and South America has Spanish. | 0:04:28 | 0:04:31 | |
But is that too obvious? | 0:04:32 | 0:04:35 | |
I may be trying to second-guess myself here. | 0:04:35 | 0:04:37 | |
I'll just have to go for Spanish. | 0:04:37 | 0:04:39 | |
OK. Just making sure you didn't talk yourself out of it. | 0:04:39 | 0:04:42 | |
It is the right answer. Well done, CJ. You have two. | 0:04:42 | 0:04:45 | |
Martin, you need this one, then. | 0:04:45 | 0:04:47 | |
Which of these countries straddles the equator? | 0:04:47 | 0:04:50 | |
Erm... I think I know that one. It's not Iran. Too far north. | 0:04:53 | 0:04:57 | |
India's too far north, as well. But I'm sure, Indonesia... | 0:04:57 | 0:05:01 | |
..straddles the equator. | 0:05:01 | 0:05:04 | |
Indonesia. Well, there's a lot of it, isn't there? | 0:05:04 | 0:05:07 | |
It's the right answer. Well done, Martin, you're still in it. | 0:05:07 | 0:05:10 | |
And, CJ, Newtownards in Northern Ireland | 0:05:11 | 0:05:14 | |
lies at the northern tip of which body of water? | 0:05:14 | 0:05:17 | |
Ladies and gentlemen, welcome to blind guessing time, starring CJ. | 0:05:21 | 0:05:24 | |
I don't even know why I'm thinking about this. | 0:05:27 | 0:05:30 | |
I've got absolutely nothing to go on. | 0:05:30 | 0:05:32 | |
Erm... Lough Foyle. | 0:05:32 | 0:05:33 | |
Lough Foyle. | 0:05:35 | 0:05:36 | |
No, it's not. That's way out. Other Eggheads? | 0:05:36 | 0:05:40 | |
-Strangford Lough? -Strangford Lough. | 0:05:40 | 0:05:42 | |
Strangford... So, good news, Martin. | 0:05:43 | 0:05:45 | |
CJ didn't get that, so we go into sudden death, | 0:05:45 | 0:05:48 | |
and to sort out a winner we remove the options now. | 0:05:48 | 0:05:51 | |
No choices for you, Martin. | 0:05:51 | 0:05:53 | |
So, can you tell me... | 0:05:53 | 0:05:55 | |
..Vail is a famous ski resort in which US state? | 0:05:55 | 0:05:59 | |
Vail. V-A-I-L. | 0:05:59 | 0:06:00 | |
I think that's in Colorado? | 0:06:01 | 0:06:05 | |
It's correct. | 0:06:05 | 0:06:07 | |
Yes! | 0:06:07 | 0:06:08 | |
OK, CJ, you need to get this, then. | 0:06:09 | 0:06:12 | |
Bikku Bitti is the highest mountain in which African country? | 0:06:12 | 0:06:17 | |
B-I-K-K-U, second word B-I-T-T-I | 0:06:17 | 0:06:23 | |
Haven't heard of it. Can I do anything with the language? Erm... | 0:06:23 | 0:06:27 | |
I don't think so. Erm... | 0:06:30 | 0:06:32 | |
Kenya? | 0:06:32 | 0:06:33 | |
OK, Kenya for Bikku Bitti. | 0:06:34 | 0:06:36 | |
It's not the right answer. | 0:06:36 | 0:06:38 | |
It is Libya. | 0:06:38 | 0:06:39 | |
Yes! There is a God! | 0:06:39 | 0:06:42 | |
Which means, Martin, you're through to the final round. | 0:06:44 | 0:06:46 | |
Yay! | 0:06:46 | 0:06:47 | |
I mean, after the Isle of Wight mix-up you've got back in it | 0:06:47 | 0:06:50 | |
and won the game. Well done. You're playing in the final round. | 0:06:50 | 0:06:53 | |
Would you both please come back and join your teams? | 0:06:53 | 0:06:57 | |
Surprised to find you back here, Martin. | 0:06:57 | 0:06:59 | |
Thought you might have forgotten the way back in. | 0:06:59 | 0:07:01 | |
You won't forget that round, though. That was a great performance. | 0:07:01 | 0:07:04 | |
That means that the Amnesiacs are all still here, | 0:07:04 | 0:07:07 | |
the Eggheads have lost one brain from the final round. | 0:07:07 | 0:07:09 | |
Our next subject today, it's Arts & Books. | 0:07:09 | 0:07:12 | |
Now, who'd like to play this from the Amnesiacs? | 0:07:12 | 0:07:15 | |
-Joan? Joan, we'll take a chance on that. -You sure? -Yes, definitely. | 0:07:15 | 0:07:19 | |
That's it. Joan you've got to choose an opponent. | 0:07:19 | 0:07:21 | |
Who would you like to play? It can't be CJ. | 0:07:21 | 0:07:23 | |
-Chris? -Yeah. Martin? What do you reckon, Chris? -Yeah. -We think Chris. | 0:07:23 | 0:07:28 | |
I like the way you asked Martin there. He's not interested. | 0:07:28 | 0:07:31 | |
"I've won my round. Don't ask me." | 0:07:31 | 0:07:34 | |
It's going to be Chris, then. OK. | 0:07:34 | 0:07:36 | |
Let's have Joan and Chris into the question room for this one, please. | 0:07:36 | 0:07:39 | |
So, Joan, good to have an artist playing Arts & Books. | 0:07:41 | 0:07:43 | |
Would you like to go first or second? | 0:07:43 | 0:07:45 | |
I'd like to go first, Dermot, please. | 0:07:45 | 0:07:47 | |
OK, Joan, first question is this. | 0:07:50 | 0:07:52 | |
What is the full title of the Narnia series of books by CS Lewis? | 0:07:52 | 0:07:56 | |
Well, I'm sure it's not the Annals of Narnia. | 0:08:02 | 0:08:05 | |
I'm drawn towards the Chronicles of Narnia. | 0:08:05 | 0:08:09 | |
Yes. You'd be right to be. | 0:08:10 | 0:08:11 | |
It's the correct answer. | 0:08:11 | 0:08:12 | |
Yes! Well done, Joan. | 0:08:12 | 0:08:14 | |
Chris. Which book is set in the ancient time | 0:08:15 | 0:08:19 | |
between the age of Faerie and the dominion of men? | 0:08:19 | 0:08:22 | |
Well, the Grapes of Wrath is Depression America, | 0:08:27 | 0:08:29 | |
the Count of Monte Cristo is nineteenth century France. | 0:08:29 | 0:08:32 | |
It's Tolkien's The Hobbit. | 0:08:32 | 0:08:35 | |
It is, yes. The Hobbit. Didn't you get a part in that, Chris? | 0:08:35 | 0:08:39 | |
Er... No. | 0:08:39 | 0:08:41 | |
OK, it's all square. One all. | 0:08:44 | 0:08:47 | |
Joan. The sixteenth and seventeenth century British portrait | 0:08:47 | 0:08:51 | |
miniaturist Nicholas Hilliard established which | 0:08:51 | 0:08:54 | |
shape as a standard for such paintings? | 0:08:54 | 0:08:57 | |
Well, I've never seen a triangular portrait. | 0:08:59 | 0:09:02 | |
And I think square's quite unlikely. We'll have to go for oval. | 0:09:02 | 0:09:07 | |
Yes, you're right. | 0:09:07 | 0:09:08 | |
-Yes! Come on! -Well done. Two for you. | 0:09:08 | 0:09:10 | |
Chris, the artist Titian lends his name to a shade of which colour? | 0:09:12 | 0:09:16 | |
Yeah, you sometimes see ladies with Titian hair. | 0:09:19 | 0:09:21 | |
It's red. | 0:09:21 | 0:09:23 | |
It is red. That is correct. Two all. Both of you doing very well here. | 0:09:23 | 0:09:28 | |
Joan, third question. | 0:09:28 | 0:09:30 | |
"Was it a vision, or a waking dream? | 0:09:30 | 0:09:32 | |
"Fled is that music - Do I wake or sleep?" | 0:09:32 | 0:09:34 | |
is the last line of which work by John Keats? | 0:09:34 | 0:09:38 | |
Well, to be truthful, I don't know. But... | 0:09:45 | 0:09:48 | |
Mmm... Certainly a Grecian urn doesn't run well at all... | 0:09:50 | 0:09:53 | |
Ah... | 0:09:55 | 0:09:56 | |
I'd like to go for Nightingale. | 0:09:56 | 0:09:58 | |
Ode to a Nightingale. | 0:09:58 | 0:10:00 | |
Ode to a Nightingale. | 0:10:00 | 0:10:01 | |
"Was it a vision, or a waking dream? | 0:10:01 | 0:10:03 | |
"Fled is that music - Do I wake or sleep?" | 0:10:03 | 0:10:05 | |
Concludes... | 0:10:05 | 0:10:06 | |
The Ode... | 0:10:07 | 0:10:09 | |
To a Nightingale! It's correct! | 0:10:09 | 0:10:10 | |
Yes! Come on, Joan! | 0:10:10 | 0:10:12 | |
You have three. | 0:10:12 | 0:10:13 | |
OK, Chris. Which British author wrote the 1904 short story | 0:10:13 | 0:10:18 | |
the Country Of The Blind | 0:10:18 | 0:10:21 | |
about the discovery of a community of sightless people in Equator? | 0:10:21 | 0:10:24 | |
Yeah, it's not Rudyard Kipling, that much I do know... | 0:10:29 | 0:10:32 | |
It's a wee bit early for Aldous Huxley, I think. | 0:10:33 | 0:10:36 | |
I think it belongs to HG Wells, and his sort-of science-fiction-y | 0:10:36 | 0:10:39 | |
period so I'll have to go with HG Wells. | 0:10:39 | 0:10:41 | |
HG Wells for the Country Of The Blind. | 0:10:41 | 0:10:44 | |
It's the right answer! | 0:10:44 | 0:10:45 | |
Well done, Chris. We go to sudden death again. | 0:10:45 | 0:10:50 | |
OK, Joan, you know what that involves | 0:10:50 | 0:10:52 | |
after you saw Martin playing it. | 0:10:52 | 0:10:53 | |
No choices are going to be offered to you. | 0:10:53 | 0:10:56 | |
Lloyd Dallas and Dotty Otley are characters in which | 0:10:56 | 0:11:00 | |
play by Michael Frayne? | 0:11:00 | 0:11:02 | |
Nope. I'm sorry. I really can't think of an answer to give you. | 0:11:05 | 0:11:09 | |
You don't know any Michael Frayne plays? | 0:11:09 | 0:11:11 | |
-I don't. I'm very sorry, I don't. -Can't have a guess. | 0:11:11 | 0:11:14 | |
OK, Chris, do you know? | 0:11:14 | 0:11:15 | |
-Er... It's not Noises Off, is it? -Yes, it is. Noises Off. | 0:11:15 | 0:11:18 | |
Lloyd Dallas and Dotty Otley. | 0:11:18 | 0:11:20 | |
So, a chance for you, Chris. | 0:11:20 | 0:11:22 | |
The name of which river appears in the title of a work of literature | 0:11:22 | 0:11:25 | |
written between 1928 and 1940 by the Russian writer Mikhail Sholokhov? | 0:11:25 | 0:11:31 | |
Quiet Flows The Don. | 0:11:32 | 0:11:34 | |
It's the Russian Don, not the one in Sheffield. | 0:11:34 | 0:11:37 | |
It is, yes, the right answer. | 0:11:39 | 0:11:41 | |
Well, you didn't have to specify, you could have just said, | 0:11:41 | 0:11:43 | |
"The Don" and left us guessing, | 0:11:43 | 0:11:45 | |
but we probably would have worked that out. | 0:11:45 | 0:11:47 | |
It's the right answer, Chris, yes. You're through to the final round. | 0:11:47 | 0:11:50 | |
Good quizzing, there, Joan, but no place in the final round. | 0:11:50 | 0:11:52 | |
Sorry about that, Joan, would you both please | 0:11:52 | 0:11:55 | |
come back and join your teams? | 0:11:55 | 0:11:57 | |
Well, it's all square after that round. | 0:11:57 | 0:11:59 | |
Both the Amnesiacs | 0:11:59 | 0:12:00 | |
and the Eggheads have lost one brain from the final round. | 0:12:00 | 0:12:03 | |
Our third subject today is Music. | 0:12:03 | 0:12:06 | |
Who would like to play this one? Music. It's Fiona, Simon or Nicky. | 0:12:06 | 0:12:11 | |
-I think Simon. -Simon? -Simone? -I'll go for that one. | 0:12:11 | 0:12:15 | |
OK, Simon, who do you want to take on? | 0:12:15 | 0:12:17 | |
Chris and CJ have played so you can have Barry, Judith, or Pat. | 0:12:17 | 0:12:22 | |
-Which one? Pat or... You choose. -I'll take Barry. -OK, Barry. | 0:12:22 | 0:12:27 | |
It's Simon and Barry for this one, it's Music, | 0:12:27 | 0:12:30 | |
and into the question room both of you, please. | 0:12:30 | 0:12:32 | |
So, Simon, you choose for us, you're the challenger. | 0:12:33 | 0:12:36 | |
Do you want to go first or second? | 0:12:36 | 0:12:37 | |
I'll go first again. | 0:12:37 | 0:12:39 | |
All right, good luck, Simon. Here's your first question. | 0:12:41 | 0:12:43 | |
Which song did Gareth Gates cover as his first UK single? | 0:12:43 | 0:12:47 | |
Well, I don't think it was Silver Lady. Um... | 0:12:52 | 0:12:54 | |
I'm pretty sure it wasn't the old Slade song. | 0:12:54 | 0:12:56 | |
I'll go for Unchained Melody. | 0:12:56 | 0:12:58 | |
That would fit, wouldn't it? | 0:12:58 | 0:12:59 | |
And it was! Yes, Unchained Melody for Gareth Gates. | 0:12:59 | 0:13:02 | |
One there to Simon. | 0:13:04 | 0:13:06 | |
Barry, which of these composers was born most recently? | 0:13:06 | 0:13:09 | |
Well, the earliest there is Johann Sebastian Bach, | 0:13:15 | 0:13:17 | |
who was fairly soon followed by Mozart in the middle | 0:13:17 | 0:13:20 | |
of the eighteenth century, 1756 I think Mozart was born. | 0:13:20 | 0:13:24 | |
The most recent by far is that great British composer Edward Elgar. | 0:13:24 | 0:13:28 | |
OK, not hard for an Egghead, that one. Edward Elgar is correct. | 0:13:28 | 0:13:32 | |
Simon. Rock-A-Hula Baby was a chart-topping single in the UK | 0:13:33 | 0:13:36 | |
for which for which singer? | 0:13:36 | 0:13:38 | |
Right. I don't think it's Ray Charles. | 0:13:42 | 0:13:45 | |
Frank Ifield I'd also think it's possibly not. | 0:13:45 | 0:13:48 | |
So I'll go for Elvis Presley. | 0:13:48 | 0:13:50 | |
Elvis Presley. | 0:13:50 | 0:13:51 | |
-Yes! It's the right answer. Well done, Simon. -Yay! | 0:13:51 | 0:13:54 | |
Simon got it! And Barry, your second question. | 0:13:54 | 0:13:57 | |
Which rock star turned 70 on the 26th of July 2013? | 0:13:57 | 0:14:02 | |
I don't think The Boss is 70 yet, so I'll discount Bruce Springsteen. | 0:14:06 | 0:14:11 | |
David Bowie or Mick Jagger... | 0:14:11 | 0:14:13 | |
Of the two, I think Mick Jagger is slightly the elder, | 0:14:13 | 0:14:15 | |
so I'll go for Mick Jagger. | 0:14:15 | 0:14:18 | |
It's the right answer. Sir Mick at 70 on the 26th of July 2013. | 0:14:18 | 0:14:24 | |
And your third question, then, Simon. | 0:14:24 | 0:14:27 | |
Which opera in Wagner's Ring Cycle was originally titled | 0:14:27 | 0:14:31 | |
Siegfried's Death? | 0:14:31 | 0:14:32 | |
Right. Goodness me, this is way out of the comfort zone. Erm... | 0:14:37 | 0:14:40 | |
As I have absolutely no idea on this one, it's going to be a total | 0:14:42 | 0:14:46 | |
stab in the dark, and I shall go for The Rhine Gold. | 0:14:46 | 0:14:49 | |
It's not the right answer, Simon. | 0:14:50 | 0:14:52 | |
-Do you know, Barry? -Well, I think The Rhine Gold | 0:14:52 | 0:14:54 | |
and The Valkyrie are two of the early ones out of the four | 0:14:54 | 0:14:57 | |
in the Ring Cycle, so I'd have gone for the Twilight Of The Gods. | 0:14:57 | 0:15:00 | |
Yeah, that's the one we wanted. Twilight of the Gods. All right. | 0:15:00 | 0:15:03 | |
Try this, then. | 0:15:03 | 0:15:04 | |
Barry, what is the English meaning of the term "Empfindsamer Stil," | 0:15:04 | 0:15:10 | |
the name of a movement in German music in the eighteenth century? | 0:15:10 | 0:15:13 | |
The eighteenth century... | 0:15:18 | 0:15:20 | |
Never heard this term, but I can't believe it's Seeking Style... | 0:15:21 | 0:15:25 | |
Well, as it's German, I feel almost obliged to go for the Strident Style. | 0:15:26 | 0:15:31 | |
OK. | 0:15:31 | 0:15:33 | |
It's Sensitive Style. | 0:15:33 | 0:15:34 | |
You deserved that. | 0:15:34 | 0:15:36 | |
That will teach me to stereotype. | 0:15:38 | 0:15:40 | |
Yeah, that will teach you. Absolutely. | 0:15:40 | 0:15:41 | |
OK, it's all square, and we go to sudden death again. | 0:15:41 | 0:15:47 | |
Simon, which comedy group had a UK hit single in 1975 with | 0:15:47 | 0:15:51 | |
Funky Gibbon? | 0:15:51 | 0:15:53 | |
Well, that's got to be The Goodies. | 0:15:53 | 0:15:56 | |
OK, The Goodies you say. Funky Gibbon. | 0:15:56 | 0:15:58 | |
-You're right! -Yes! Go on! | 0:15:58 | 0:16:00 | |
OK, Barry. | 0:16:01 | 0:16:02 | |
John Flansburgh and John Linnell are the two main members of which | 0:16:02 | 0:16:06 | |
American alternative band whose biggest hit in the UK was | 0:16:06 | 0:16:09 | |
the 1990 single Birdhouse In Your Soul? | 0:16:09 | 0:16:12 | |
Haven't a clue! | 0:16:14 | 0:16:15 | |
I haven't heard of either of these two gentlemen, | 0:16:16 | 0:16:19 | |
or I haven't even heard of the hit. | 0:16:19 | 0:16:21 | |
Though it does have an intriguing title, Birdhouse In Your Soul. | 0:16:21 | 0:16:24 | |
I think there's a birdhouse in my soul now. | 0:16:24 | 0:16:26 | |
Oh Gosh... I'll pick one out the blue and apologies | 0:16:28 | 0:16:31 | |
if it's a British band, but I'll go for The Prodigy. | 0:16:31 | 0:16:33 | |
OK. The Prodigy. | 0:16:34 | 0:16:36 | |
Who are British. | 0:16:36 | 0:16:38 | |
-No, Barry. -You surprise me! | 0:16:38 | 0:16:40 | |
Anyone from the Eggheads know? Other Eggheads? | 0:16:40 | 0:16:43 | |
They Might Be Giants? | 0:16:43 | 0:16:44 | |
Pat's got it. They Might Be Giants. | 0:16:44 | 0:16:46 | |
They Might Be Giants, which means you're not going to be | 0:16:46 | 0:16:49 | |
a quizzing giant in the final round, Barry. Simon, we hope you will be. | 0:16:49 | 0:16:52 | |
You're in the final round. | 0:16:52 | 0:16:54 | |
Would you both please come back and join your teams? | 0:16:54 | 0:16:57 | |
Come on! | 0:16:57 | 0:16:59 | |
Well, the Amnesiacs clearly remembering why they're here. | 0:16:59 | 0:17:02 | |
Doing very well, now. Two Eggheads gone from the final round, | 0:17:02 | 0:17:04 | |
and only one gone from the Amnesiacs team. | 0:17:04 | 0:17:06 | |
So we play our last head-to-head before the final round. | 0:17:06 | 0:17:09 | |
This round is going to be on Science. | 0:17:09 | 0:17:12 | |
And we have Nicky or Fiona left. | 0:17:12 | 0:17:15 | |
It's going to be me, because we're saving Nicky for the final, | 0:17:15 | 0:17:18 | |
so it was going to be me whatever the subject. | 0:17:18 | 0:17:20 | |
All right. You're not even thinking about what the subject is. | 0:17:20 | 0:17:23 | |
OK, Fiona, who would you like to play, Pat or Judith? | 0:17:23 | 0:17:26 | |
-Judith. -Judith. I think I'll play Judith, please. | 0:17:26 | 0:17:30 | |
OK. Fiona and Judith to the question room, please. | 0:17:30 | 0:17:32 | |
So, Fiona. Let's see how much you know about science. | 0:17:34 | 0:17:37 | |
Do you want to go first or second? I'll go first, please. | 0:17:37 | 0:17:40 | |
OK, Fiona. Good luck with this question. | 0:17:43 | 0:17:45 | |
What name did the English inventor Charles Babbage give to the | 0:17:45 | 0:17:49 | |
early computer he worked on until his death in 1871? | 0:17:49 | 0:17:53 | |
Well, looking at the options, I would've though the most obvious | 0:17:59 | 0:18:04 | |
one in view of what computers are supposed to do would be... | 0:18:04 | 0:18:08 | |
Analytical Engine. So I'll go for that one, please. | 0:18:08 | 0:18:12 | |
Right answer. Yes, well done, Fiona. | 0:18:12 | 0:18:16 | |
Judith. Which of these is roughly 100,000 light years across? | 0:18:18 | 0:18:22 | |
Erm... 100,000 light years. I think it must be The Milky Way. | 0:18:26 | 0:18:31 | |
Yep. Kind of got to be, hasn't it? Of those. | 0:18:31 | 0:18:33 | |
Yes, it's the right answer. Well done, Judith. | 0:18:33 | 0:18:37 | |
And Fiona. The frontal bone forms what part of the human body? | 0:18:37 | 0:18:41 | |
I can only guess that it's connected to the frontal lobe | 0:18:44 | 0:18:50 | |
and therefore, it is a guess, but I would say the forehead. | 0:18:50 | 0:18:54 | |
Frontal bone forms part of the... | 0:18:54 | 0:18:57 | |
Forehead! Yes. Well done. | 0:18:57 | 0:19:00 | |
Yay! Well done. | 0:19:00 | 0:19:02 | |
And Judith. What type of bird is an aracari? | 0:19:02 | 0:19:06 | |
A-R-A-C-A-R-I. | 0:19:10 | 0:19:13 | |
A-R-A-C-A-R-I, aracari... | 0:19:13 | 0:19:15 | |
Well, a toucan's a Toucan. | 0:19:18 | 0:19:20 | |
I know there are lots of birds of paradise, | 0:19:22 | 0:19:24 | |
but they're all called something like Prince Frederick of Hohenstaufen... | 0:19:24 | 0:19:29 | |
I mean, they've all got rather extraordinary names... Erm... | 0:19:29 | 0:19:33 | |
I don't know. Magic right. Parrot! | 0:19:35 | 0:19:38 | |
Magic right, Parrot. | 0:19:38 | 0:19:39 | |
It's a Toucan! | 0:19:39 | 0:19:40 | |
Oh, no. Honestly. The most unlikely one. | 0:19:40 | 0:19:43 | |
The third one you would have gone for. | 0:19:43 | 0:19:45 | |
OK. Great news potentially for Fiona. | 0:19:45 | 0:19:48 | |
The diet of a phytophagous creature consists mainly of what? | 0:19:48 | 0:19:52 | |
I would certainly rule out stones... | 0:19:56 | 0:19:59 | |
On phyto... Phytoplasm... I think I'll go for plants. | 0:20:01 | 0:20:09 | |
Plants is the right answer. Well done. | 0:20:09 | 0:20:11 | |
OK, well that's very good news because you're through! | 0:20:12 | 0:20:15 | |
You're through to the final round, Fiona. | 0:20:15 | 0:20:18 | |
Great news for the Amnesiacs. | 0:20:18 | 0:20:20 | |
Would you both please come back and join your teams? | 0:20:20 | 0:20:23 | |
And so this is what we've been playing towards, it's time for | 0:20:23 | 0:20:26 | |
the final round, which, as always, is General Knowledge. | 0:20:26 | 0:20:28 | |
But, I'm afraid, those of you who lost your head-to-heads, | 0:20:28 | 0:20:31 | |
won't be allowed to take part in this round, | 0:20:31 | 0:20:33 | |
so just Joan from the Amnesiacs and CJ and Barry | 0:20:33 | 0:20:37 | |
and Judith from the Eggheads, would you leave the studio, please? | 0:20:37 | 0:20:41 | |
So Martin, Fiona, Simon | 0:20:43 | 0:20:44 | |
and Nicky you are playing to win the Amnesiacs £5,000. | 0:20:44 | 0:20:48 | |
Chris and Pat, you are playing for something which money cannot buy! | 0:20:48 | 0:20:51 | |
The Eggheads' reputation. | 0:20:51 | 0:20:53 | |
So, as usual, I ask each team three questions in turn. | 0:20:53 | 0:20:56 | |
This time the questions are all General Knowledge, anything | 0:20:56 | 0:20:59 | |
can come up, and you are allowed to confer in the final round. | 0:20:59 | 0:21:02 | |
So, Amnesiacs, the question is | 0:21:02 | 0:21:03 | |
- are your four brains better than the Eggheads' two? | 0:21:03 | 0:21:06 | |
Amnesiacs, how do you want to play this round, first or second? | 0:21:06 | 0:21:09 | |
Well, I think we'll stick with the winning formula so far, | 0:21:09 | 0:21:12 | |
and we'll go first. | 0:21:12 | 0:21:13 | |
OK. Going first. | 0:21:16 | 0:21:18 | |
In the final round. Playing for £5,000. | 0:21:18 | 0:21:20 | |
Amnesiacs, your first question. | 0:21:20 | 0:21:22 | |
What term was coined in the late 1990s to mean a young woman | 0:21:22 | 0:21:27 | |
with an independent, liberated, and brash lifestyle? | 0:21:27 | 0:21:29 | |
-Are we all agreed? -Ladette. -Ladette. | 0:21:34 | 0:21:37 | |
Well, I think we're all agreed on that one, Dermot, and it's Ladette. | 0:21:39 | 0:21:43 | |
OK. You've gone for Ladette. | 0:21:43 | 0:21:46 | |
Which, I think we can all confirm, is the right answer. Well done. | 0:21:46 | 0:21:50 | |
OK. | 0:21:50 | 0:21:51 | |
Eggheads. | 0:21:51 | 0:21:53 | |
A state of agreement between people is sometimes described as what? | 0:21:53 | 0:21:57 | |
That's a meeting of minds, isn't it? I think so, yeah. | 0:22:04 | 0:22:06 | |
That's a meeting of minds. | 0:22:06 | 0:22:08 | |
Yes, indeed. Of course it is, which you've had on that one. | 0:22:09 | 0:22:12 | |
We hope you don't have on some of the other questions coming up. | 0:22:12 | 0:22:15 | |
Second question for both teams. Amnesiacs first. | 0:22:15 | 0:22:18 | |
What role did Russell Crowe play in the film Les Miserables? | 0:22:18 | 0:22:22 | |
-Was it Valjean? -No. -No, he was the main character. | 0:22:27 | 0:22:30 | |
-That was whats-his-face... -Erm... Wolverine. | 0:22:30 | 0:22:35 | |
-Hugh Jackman. -Yeah. -So it's either Marius or Javert... | 0:22:35 | 0:22:40 | |
Javert. Would he be the military one that condemned them | 0:22:40 | 0:22:44 | |
to death or something? | 0:22:44 | 0:22:45 | |
-Going back to his Gladiator roots. -Yeah. | 0:22:47 | 0:22:50 | |
Of the three, possibly that one. I've not seen the film, but... | 0:22:51 | 0:22:55 | |
Well, we're not 100% sure because none of us | 0:22:55 | 0:22:58 | |
have seen the film which is not exactly helpful... | 0:22:58 | 0:23:00 | |
..but we're going to give it a whirl at Javert. | 0:23:01 | 0:23:05 | |
Javert. For Russell Crowe. | 0:23:05 | 0:23:07 | |
It's the right answer! Well done. | 0:23:07 | 0:23:09 | |
-Ooh! -Well done! -Strike one! That was lucky. | 0:23:09 | 0:23:12 | |
OK, Eggheads. What is the name for the imaginary mystic lines | 0:23:12 | 0:23:17 | |
running across Britain that are said to connect places of ancient power? | 0:23:17 | 0:23:20 | |
What is the name for the imaginary mystic lines | 0:23:25 | 0:23:27 | |
running across Britain that are said to connect places of ancient power? | 0:23:27 | 0:23:32 | |
THEY CONFER | 0:23:32 | 0:23:35 | |
They were... They are ley lines. | 0:23:36 | 0:23:39 | |
Ley lines. They are. That is the right answer. OK. | 0:23:39 | 0:23:42 | |
Well, it's all square at two all. | 0:23:42 | 0:23:45 | |
Very finely poised. Amnesiacs. | 0:23:45 | 0:23:48 | |
Which of these cheeses was invented by a German company in the 1970s? | 0:23:48 | 0:23:53 | |
-Lymeswold's British, is it not? -Yeah. -So count that out. | 0:23:57 | 0:24:02 | |
-Is Cambazola Italian? -I thought it was Italian. | 0:24:02 | 0:24:06 | |
-Sounds Italian, doesn't it? -Yeah, it does. | 0:24:08 | 0:24:11 | |
THEY CONFER | 0:24:11 | 0:24:13 | |
But I think Cambazola is Italian, as you say, | 0:24:15 | 0:24:18 | |
and Lymeswold's British, so... | 0:24:18 | 0:24:19 | |
But it's certainly a manufactured cheese, it's a... | 0:24:19 | 0:24:22 | |
It's not a classic cheese, Cambazola. | 0:24:22 | 0:24:23 | |
So do we go for Herve? | 0:24:23 | 0:24:25 | |
Erm... Well, Dermot, again we're not 100% sure | 0:24:26 | 0:24:30 | |
but we're kind of edging towards Herve's Adventures of Cheese... | 0:24:30 | 0:24:33 | |
Herve, Herge, I see yes. Adventures of Cheese. | 0:24:36 | 0:24:39 | |
No, it's not. Lymeswold, as you say, is British. | 0:24:41 | 0:24:44 | |
It is Cambozola. | 0:24:44 | 0:24:46 | |
Well, a chance for the Eggheads to win the game. | 0:24:48 | 0:24:51 | |
Eggheads, in which year did the BBC radio station | 0:24:51 | 0:24:53 | |
known as the Light Programme begin broadcasting? | 0:24:53 | 0:24:56 | |
1922 was 2LO, wasn't it? | 0:25:02 | 0:25:03 | |
When it was just the British Broadcasting Company? | 0:25:03 | 0:25:06 | |
That was the first BBC station to go on the air. | 0:25:06 | 0:25:09 | |
It was certainly going all through the war, so it rules out 1945. | 0:25:12 | 0:25:16 | |
So... | 0:25:17 | 0:25:19 | |
The Light Programme 247m. Light Programme Home Service 330m. | 0:25:19 | 0:25:25 | |
Light Programme 247m. | 0:25:25 | 0:25:27 | |
1922's too early. | 0:25:28 | 0:25:29 | |
-It's got to be 1937, Pat. -OK, OK. | 0:25:31 | 0:25:34 | |
I don't have any strong information on the matter. | 0:25:34 | 0:25:37 | |
Yep, OK, I'm happy with that. | 0:25:37 | 0:25:39 | |
We're going to go for 1937. | 0:25:39 | 0:25:40 | |
Well, Chris knows the frequencies, knows everything... | 0:25:42 | 0:25:46 | |
..Apart from the date. | 0:25:46 | 0:25:47 | |
Which was 1945. | 0:25:48 | 0:25:50 | |
Oooh! | 0:25:50 | 0:25:52 | |
"Ooohs", from the Amnesiacs, there. | 0:25:52 | 0:25:55 | |
1945. You're still in it! We go once again to sudden death. | 0:25:55 | 0:25:59 | |
Many of you are familiar with that, played it in your head-to-heads. | 0:25:59 | 0:26:02 | |
So, Amnesiacs, | 0:26:02 | 0:26:04 | |
what was the name of the amusement centre | 0:26:04 | 0:26:06 | |
opened on Coney Island in 1903 that presented | 0:26:06 | 0:26:09 | |
a world of fantasy in which the moon figured prominently? | 0:26:09 | 0:26:12 | |
Just... | 0:26:15 | 0:26:16 | |
There's a Lunar Park in Sydney. | 0:26:17 | 0:26:20 | |
-Right. -Did they pinch the name from...? | 0:26:20 | 0:26:23 | |
Yeah... Well, it's certainly something to do with the moon. | 0:26:23 | 0:26:28 | |
Astral World, Lunar World... | 0:26:28 | 0:26:30 | |
That's the only thing I've got to go on is this Lunar Park in Sydney. | 0:26:30 | 0:26:33 | |
Sydney's a long way from Coney Island, though. | 0:26:33 | 0:26:37 | |
-Yes, I know, but... -It's the same principle. | 0:26:37 | 0:26:40 | |
-We'll go with that? -Yeah. | 0:26:41 | 0:26:43 | |
Erm... We're not sure but we're going to go with Lunar Park. | 0:26:43 | 0:26:49 | |
Lunar Park on Coney Island in 1903... | 0:26:49 | 0:26:52 | |
-And... It is Lunar Park, it's the right answer! -Yes! | 0:26:52 | 0:26:55 | |
Lunar, obviously with their reference to the moon there. | 0:26:55 | 0:26:58 | |
Eggheads, you need to get this one. | 0:27:00 | 0:27:02 | |
What is the newspaper term "op-ed" short for? | 0:27:02 | 0:27:06 | |
-Hmm. Doesn't spring to mind. -Well, ed's obviously editor or editorial. | 0:27:09 | 0:27:13 | |
Is it something to do with opposite? Does it refer to... | 0:27:15 | 0:27:19 | |
Material being printed on the opposite page, no? | 0:27:19 | 0:27:21 | |
No. | 0:27:23 | 0:27:24 | |
At the editor's discretion. | 0:27:24 | 0:27:26 | |
Hmm. That sounds plausible. | 0:27:26 | 0:27:28 | |
Option of the editor. | 0:27:28 | 0:27:29 | |
-Hmm... -Don't quite... Not quite sure... | 0:27:29 | 0:27:33 | |
Well, I suppose the editor has loads of discretion, hasn't he? | 0:27:33 | 0:27:38 | |
So what would the phrasing of the answer be? Option Of The Editor? | 0:27:38 | 0:27:41 | |
-Yeah. -Yeah? | 0:27:41 | 0:27:44 | |
OK, we're uncertain about this. | 0:27:44 | 0:27:45 | |
We're going to go with Option Of The Editor. | 0:27:45 | 0:27:48 | |
Option Of The Editor. OK, well, "op-ed"... | 0:27:48 | 0:27:51 | |
And you solved it in the first 30 seconds | 0:27:51 | 0:27:53 | |
but you haven't given me that answer, it's Opposite Editorial, | 0:27:53 | 0:27:56 | |
which is what you said in 30 seconds, but it means you've lost. | 0:27:56 | 0:27:59 | |
-Amnesiacs, you've won the money! -Yes! | 0:27:59 | 0:28:02 | |
That was fantastic. Amnesiacs, well, I hope you haven't forgotten that. | 0:28:06 | 0:28:09 | |
No, no, no, no, no, no, no! | 0:28:09 | 0:28:11 | |
Definitely not! | 0:28:11 | 0:28:12 | |
We'll certainly long remember that appearance on Eggheads | 0:28:12 | 0:28:15 | |
and especially that turning point where | 0:28:15 | 0:28:18 | |
they had a chance to win it there, with the Light Programme and... | 0:28:18 | 0:28:21 | |
Well done! | 0:28:21 | 0:28:22 | |
And congratulations on beating the Eggheads, and beating them | 0:28:22 | 0:28:25 | |
in the head-to-heads as well, so it's a comprehensive victory. | 0:28:25 | 0:28:28 | |
Very good to see you, Amnesiacs, as I say, | 0:28:28 | 0:28:30 | |
we won't forget your appearance for a very long time. | 0:28:30 | 0:28:33 | |
So, Amnesiacs, you are officially, for today anyway, | 0:28:33 | 0:28:36 | |
cleverer than the Eggheads. You've proved they can be beaten. | 0:28:36 | 0:28:38 | |
Join us next time on Eggheads to see | 0:28:38 | 0:28:40 | |
if a new team of challengers will be just as successful. | 0:28:40 | 0:28:43 | |
Until then, goodbye! | 0:28:43 | 0:28:45 |