Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
Together they make up the Eggheads, | 0:00:09 | 0:00:11 | |
arguably the most formidable quiz team in the country. | 0:00:11 | 0:00:15 | |
The question is... | 0:00:17 | 0:00:18 | |
can they be beaten? | 0:00:18 | 0:00:20 | |
Welcome to Eggheads, the show where a team of five quiz Challengers | 0:00:24 | 0:00:27 | |
pit their wit against possibly the greatest quiz team in Britain. | 0:00:27 | 0:00:31 | |
They are the Eggheads! | 0:00:31 | 0:00:33 | |
Taking on our quiz champions today are the Barside Layabouts. | 0:00:33 | 0:00:37 | |
This team of friends from Glasgow regularly quiz | 0:00:37 | 0:00:40 | |
at Booly Mardy's in the city's West End. | 0:00:40 | 0:00:43 | |
Let's meet them! | 0:00:43 | 0:00:44 | |
Hi, I'm John and I'm a cafe owner. | 0:00:44 | 0:00:47 | |
Hi, I'm Mark and I'm a lawyer. | 0:00:47 | 0:00:49 | |
Hi, I'm Iain and I'm a chartered accountant. | 0:00:49 | 0:00:52 | |
Hi, I'm Donny, I'm a dental practice manager. | 0:00:52 | 0:00:55 | |
Hi, I'm Raymond and I'm a restaurant owner. | 0:00:55 | 0:00:58 | |
-So, John, team, good to see you. -Nice to meet you. | 0:00:58 | 0:01:01 | |
Here we are filming in Glasgow. You've just basically walked around the corner. | 0:01:01 | 0:01:04 | |
20 minutes at the most for any of us. | 0:01:04 | 0:01:06 | |
And you quiz, that's the key thing here. You guys quiz. | 0:01:06 | 0:01:09 | |
Well, we quiz mostly against one another in Booly Mardy's | 0:01:09 | 0:01:13 | |
and we all quiz together in Firebird. | 0:01:13 | 0:01:16 | |
And you used to have a team game that was a bit like your team name today, is that right? | 0:01:16 | 0:01:19 | |
Mark and I grew up in the southside of Glasgow | 0:01:19 | 0:01:22 | |
and Mark was an accomplished footballer | 0:01:22 | 0:01:24 | |
and that was known as the Langside Layabouts, his football team | 0:01:24 | 0:01:28 | |
and we took the name forward from there. | 0:01:28 | 0:01:30 | |
So here are with the Barside Layabouts. It's all falling into place, that's great. | 0:01:30 | 0:01:33 | |
Good luck against the Eggs here. | 0:01:33 | 0:01:36 | |
I just wonder whether there might be a moment coming where | 0:01:36 | 0:01:38 | |
they fall off their perch. | 0:01:38 | 0:01:40 | |
So every day there is £1,000 of cash up for grabs for our Challengers. | 0:01:40 | 0:01:43 | |
However, if they fail to defeat the Eggheads, | 0:01:43 | 0:01:45 | |
the prize-money rolls over to the next show | 0:01:45 | 0:01:47 | |
and the reason I say, "I wonder if there might be a moment," is | 0:01:47 | 0:01:50 | |
because they are on quite a streak at the moment. | 0:01:50 | 0:01:52 | |
The Eggheads have won the last 15 games on the trot. | 0:01:52 | 0:01:56 | |
So that means there's £16,000 to win today. | 0:01:56 | 0:01:59 | |
-Would you like to get on and try? -Yes, please. -Absolutely. | 0:01:59 | 0:02:02 | |
The first head-to-head battle is on the subject of Film & TV. | 0:02:02 | 0:02:06 | |
So Barside Layabouts, who wants to take this. | 0:02:06 | 0:02:09 | |
-John, what do you think? -I think Raymond, probably. | 0:02:09 | 0:02:12 | |
-Yeah, I'll go with that. -Good. | 0:02:12 | 0:02:13 | |
-Who are we going to play against? -Do you want to have a go at Barry? | 0:02:13 | 0:02:18 | |
-Yeah, fine. -What are you thinking? | 0:02:18 | 0:02:20 | |
He's a little bit impregnable on this one, | 0:02:20 | 0:02:23 | |
-it's not obvious who to choose. You're going for Barry? -Yes, please. | 0:02:23 | 0:02:26 | |
He's got the full... | 0:02:26 | 0:02:28 | |
He looks like he watches a lot of TV. | 0:02:28 | 0:02:30 | |
But we'll see. | 0:02:30 | 0:02:31 | |
Raymond from Barside Layabouts versus Barry, | 0:02:31 | 0:02:33 | |
the brain from the Eggheads. | 0:02:33 | 0:02:36 | |
To ensure there's no conferring, | 0:02:36 | 0:02:38 | |
please take your positions in the Question Room. | 0:02:38 | 0:02:40 | |
So here we go, Film and TV | 0:02:42 | 0:02:43 | |
and Raymond, would you like to go first or second? | 0:02:43 | 0:02:46 | |
I would like to go first, please. | 0:02:46 | 0:02:49 | |
So here we go, Raymond, good luck. | 0:02:52 | 0:02:54 | |
What type of animal was Babe in the 1995 feature film of the same name? | 0:02:54 | 0:03:00 | |
I think I know this one. | 0:03:03 | 0:03:04 | |
It's pig. | 0:03:04 | 0:03:05 | |
It is pig, very good. | 0:03:05 | 0:03:08 | |
Over to you, Barry. | 0:03:08 | 0:03:10 | |
In the title of a 2012 fantasy horror film, | 0:03:10 | 0:03:14 | |
how is Abraham Lincoln described? | 0:03:14 | 0:03:16 | |
Amazing there, he was a vampire hunter. | 0:03:23 | 0:03:25 | |
I can't understand how the history books seem to have missed that one! | 0:03:25 | 0:03:28 | |
What's the film title, then? | 0:03:28 | 0:03:31 | |
I think it was Abraham Lincoln Vampire Hunter. | 0:03:31 | 0:03:34 | |
Oh, right, I missed the whole thing. Vampire hunter is right. | 0:03:34 | 0:03:37 | |
Raymond... | 0:03:37 | 0:03:39 | |
Aidan Turner starred in a new version of which of these TV | 0:03:39 | 0:03:41 | |
costume dramas in 2015? | 0:03:41 | 0:03:43 | |
I'm looking to the first two. | 0:03:50 | 0:03:53 | |
It's a 50-50 on Poldark and The Onedin Line. | 0:03:53 | 0:03:57 | |
I think they were both out. | 0:03:57 | 0:03:59 | |
I think Poldark, this year. I'll go for Poldark. | 0:04:01 | 0:04:04 | |
Yes, Poldark is right, Raymond well done. | 0:04:04 | 0:04:06 | |
We go to Barry. | 0:04:06 | 0:04:08 | |
Brian Cant, Toni Arthur and Chloe Ashcroft were all | 0:04:08 | 0:04:11 | |
presenters of which children's TV show that ran from 1964 to 1988? | 0:04:11 | 0:04:17 | |
I don't recall them in Blue Peter. | 0:04:21 | 0:04:24 | |
Brian Cant rings a bell for Play School, actually. | 0:04:24 | 0:04:28 | |
I'll go for Play School. | 0:04:28 | 0:04:30 | |
Yeah, completely. Did you not watch it? | 0:04:30 | 0:04:33 | |
No, my children were the wrong age at that time. | 0:04:33 | 0:04:36 | |
OK, Raymond, which British actor played leading roles in the | 0:04:36 | 0:04:40 | |
Shane Meadows films, A Room For Romeo Brass | 0:04:40 | 0:04:43 | |
and Dead Man's Shoes? | 0:04:43 | 0:04:46 | |
I can't believe I got this question. | 0:04:52 | 0:04:55 | |
Dead Man's Shoes is one of my favourite movies | 0:04:55 | 0:04:57 | |
and it's Paddy Considine. | 0:04:57 | 0:05:00 | |
Is that right? You like the film. | 0:05:00 | 0:05:02 | |
You're absolutely right Paddy Considine is right. | 0:05:02 | 0:05:04 | |
So you have got three out of three. | 0:05:04 | 0:05:08 | |
Barry is on the edge. | 0:05:08 | 0:05:10 | |
Which actor played the role of Caecilius in the Doctor Who | 0:05:10 | 0:05:15 | |
episode entitled The Fires Of Pompeii? | 0:05:15 | 0:05:17 | |
Mmm... | 0:05:23 | 0:05:24 | |
I think this may have been Peter Capaldi before he became | 0:05:24 | 0:05:27 | |
the latest doctor. I'll go for Peter Capaldi. | 0:05:27 | 0:05:30 | |
That is a real stinker of a question because they're all doctors. | 0:05:30 | 0:05:33 | |
All Doctor Whos, of course. | 0:05:33 | 0:05:34 | |
Doctor Whos to be or as was. | 0:05:34 | 0:05:37 | |
Peter Capaldi is the right one. Well done. | 0:05:37 | 0:05:40 | |
You're level after three questions and Raymond we go to Sudden Death. | 0:05:40 | 0:05:43 | |
A perfect round so far, gets a bit harder now, | 0:05:43 | 0:05:46 | |
I don't give you alternatives. OK? | 0:05:46 | 0:05:48 | |
For what does the C in the abbreviation BBFC stand? | 0:05:48 | 0:05:53 | |
I'll guess corporation. | 0:05:55 | 0:05:57 | |
No, I think it is the British Board Of Film Classification. | 0:05:57 | 0:06:01 | |
The C is for classification. | 0:06:01 | 0:06:03 | |
They put all the certificates on the movies. | 0:06:03 | 0:06:07 | |
Barry, for the round. | 0:06:07 | 0:06:09 | |
The Scotsman John Anderson acted as the referee on which Saturday | 0:06:09 | 0:06:13 | |
night entertainment show first broadcast in 1992? | 0:06:13 | 0:06:18 | |
I believe that was Gladiators. | 0:06:18 | 0:06:21 | |
Gladiators is right, Barry, well done, you've taken the round | 0:06:21 | 0:06:25 | |
and you will be in the final. Sorry, Raymond, you're knocked out. | 0:06:25 | 0:06:28 | |
But still early days for the Challengers. | 0:06:28 | 0:06:30 | |
Let's see what happens next, do please return to your teams. | 0:06:30 | 0:06:33 | |
OK, as it stands Barside Layabouts have lost a brain. | 0:06:35 | 0:06:38 | |
Don't worry, though, you've got four more. | 0:06:38 | 0:06:40 | |
The Eggheads have still got all five | 0:06:40 | 0:06:42 | |
and we move to our next round which is Music. | 0:06:42 | 0:06:45 | |
Is this good for you? | 0:06:45 | 0:06:47 | |
-Who would like Music. -Raymond would've liked music! | 0:06:47 | 0:06:50 | |
-OK. -It was his first choice. | 0:06:50 | 0:06:51 | |
-Shall I do that one? -I think so. | 0:06:53 | 0:06:55 | |
-I'll play that, please. -OK, John. | 0:06:55 | 0:06:58 | |
Team captain. Would you like to play? Anyone but Barry. | 0:06:58 | 0:07:01 | |
What's your feelings? | 0:07:01 | 0:07:03 | |
Chris. | 0:07:03 | 0:07:04 | |
-Chris, please. -Sure thing. | 0:07:04 | 0:07:06 | |
So it's going to be John... You had this before, Music. | 0:07:06 | 0:07:09 | |
-I've had it before, yes. -I mean, recently. | 0:07:09 | 0:07:11 | |
I got over it. | 0:07:11 | 0:07:13 | |
LAUGHTER | 0:07:13 | 0:07:15 | |
John from Barside Layabouts against Chris from the Eggheads | 0:07:15 | 0:07:18 | |
and to ensure there's no conferring, | 0:07:18 | 0:07:20 | |
please go to our Question Room. | 0:07:20 | 0:07:21 | |
So John you're the team captain, you put the team together? | 0:07:23 | 0:07:25 | |
-That's right. -But I gather you would rather be snowboarding. | 0:07:25 | 0:07:28 | |
Always. | 0:07:28 | 0:07:29 | |
Tell us where you snowboard? | 0:07:29 | 0:07:31 | |
We snowboard mostly in the French Alps, | 0:07:31 | 0:07:33 | |
sometimes the Italian Alps, sometimes Switzerland. | 0:07:33 | 0:07:36 | |
We try and go away for a couple of weeks every year. | 0:07:36 | 0:07:39 | |
I thought you going to say Scotland and northern Scotland and so on, | 0:07:39 | 0:07:42 | |
-but obviously not so much now. Is that right? -Not so much no, no. | 0:07:42 | 0:07:45 | |
Mark and I sometimes go up there but not very much, recently. | 0:07:45 | 0:07:48 | |
OK we're on Music, John. I'm sensing you like your music. | 0:07:48 | 0:07:50 | |
Would you like to go first or second? | 0:07:50 | 0:07:52 | |
I'd like to go first, please. | 0:07:52 | 0:07:54 | |
Here we go. | 0:07:57 | 0:07:58 | |
Which city did Frank Sinatra sing about with the line, | 0:07:58 | 0:08:01 | |
I wanna wake-up in a city that doesn't sleep? | 0:08:01 | 0:08:03 | |
That would be New York. | 0:08:08 | 0:08:10 | |
If Lisa was here she could sing it. | 0:08:10 | 0:08:12 | |
Judith, you once... Come on. | 0:08:12 | 0:08:14 | |
I know. It's Barcelona. It's Barcelona. | 0:08:14 | 0:08:18 | |
We had a very similar question to this for Judith once | 0:08:18 | 0:08:21 | |
and she answered Barcelona. | 0:08:21 | 0:08:23 | |
New York is the right answer. | 0:08:23 | 0:08:25 | |
-That was very close to your Barcelona moment. -Yes. | 0:08:25 | 0:08:28 | |
OK, Chris, your question. | 0:08:29 | 0:08:31 | |
The Grammy winning singer, | 0:08:31 | 0:08:32 | |
LeAnn Rimes is most famous for which genre of music? | 0:08:32 | 0:08:36 | |
She could turn her hand to any of those | 0:08:41 | 0:08:43 | |
but she is best known for country. | 0:08:43 | 0:08:45 | |
COUNTRY ACCENT: Yep, with a name like LeAnn. | 0:08:45 | 0:08:47 | |
-LeAnn. -I think so. | 0:08:47 | 0:08:48 | |
HE CHUCKLES | 0:08:48 | 0:08:50 | |
John, in 2013, which of these artists | 0:08:50 | 0:08:52 | |
started a multi-year performing residency in Las Vegas? | 0:08:52 | 0:08:56 | |
Well I don't really know this one. | 0:09:03 | 0:09:04 | |
I'd like to think Katy Perry was too young to be doing | 0:09:04 | 0:09:07 | |
a residency in Las Vegas and I'm fairly sure Madonna is not | 0:09:07 | 0:09:12 | |
so perhaps Britney Spears was at the right part of her career | 0:09:12 | 0:09:15 | |
and I'll go for Britney Spears. | 0:09:15 | 0:09:17 | |
Yeah. It is Britney Spears. | 0:09:17 | 0:09:18 | |
We think of Elvis when we think of residences in Vegas, don't we? | 0:09:18 | 0:09:22 | |
Very sad, I know what was... There was some amazing contract | 0:09:22 | 0:09:26 | |
Elvis had that almost broke him, I think. | 0:09:26 | 0:09:29 | |
Performing 30 nights out of 31 per month. | 0:09:29 | 0:09:31 | |
Something amazing. Poor guy. | 0:09:31 | 0:09:34 | |
Chris, your question. | 0:09:34 | 0:09:35 | |
Which of these names is given to a type of electric guitar | 0:09:35 | 0:09:38 | |
that has been in production since 1952? | 0:09:38 | 0:09:42 | |
If it's been in production since '52. | 0:09:47 | 0:09:49 | |
That predates Eric Clapton by quite a bit. | 0:09:49 | 0:09:53 | |
He was 1960s. | 0:09:53 | 0:09:54 | |
Buddy Rich is a drummer. | 0:09:54 | 0:09:57 | |
So it has got to be Les Paul. | 0:09:57 | 0:09:59 | |
Yes, have you heard of that guitar, the Les Paul? | 0:09:59 | 0:10:02 | |
-No. -OK. | 0:10:02 | 0:10:04 | |
Les Paul is the answer, well done, Chris. | 0:10:04 | 0:10:06 | |
OK it's 2-2. It's tight. | 0:10:06 | 0:10:09 | |
Here's your question. | 0:10:09 | 0:10:10 | |
John, Where The Streets Have No Name and With Or Without You | 0:10:10 | 0:10:15 | |
are songs on which U2 album? | 0:10:15 | 0:10:18 | |
-That would be The Joshua tree. -Do you like them? -Yeah. -It's true. | 0:10:23 | 0:10:29 | |
The Joshua Tree is correct. | 0:10:29 | 0:10:30 | |
Well done. You've got three out of three. | 0:10:30 | 0:10:32 | |
It means you're clinging on, Chris, slightly. | 0:10:32 | 0:10:35 | |
If you get this wrong, you'll be out. | 0:10:35 | 0:10:37 | |
After Simon and Garfunkel had split, | 0:10:37 | 0:10:40 | |
what job did Art Garfunkel take up at the end of 1971? | 0:10:40 | 0:10:45 | |
Well, he came back into the business, didn't he, | 0:10:53 | 0:10:55 | |
with Bright Eyes in the mid-'70s? | 0:10:55 | 0:10:57 | |
I don't think he'd go and edit a newspaper. | 0:10:57 | 0:11:00 | |
I don't think he had the qualifications to be an architect. | 0:11:00 | 0:11:04 | |
He'd probably go back as a maths teacher. | 0:11:04 | 0:11:07 | |
He was indeed a maths teacher, so, three out of three again. | 0:11:07 | 0:11:11 | |
And we go to Sudden Death, John. | 0:11:11 | 0:11:13 | |
-It gets a bit harder because I don't give your alternatives. -OK. | 0:11:13 | 0:11:17 | |
For what does the letter B stand in the name of the '60s band | 0:11:17 | 0:11:21 | |
often abbreviated to DDDBMT? | 0:11:21 | 0:11:24 | |
That would be Beaky. | 0:11:26 | 0:11:27 | |
It is, absolutely. And the band name? | 0:11:27 | 0:11:29 | |
-I'd rather not go there, sorry. -Anybody give it to me. | 0:11:29 | 0:11:33 | |
-Do you know it, Chris? -Dave, Dee, Dozy, Beaky, Mick and Titch. | 0:11:33 | 0:11:35 | |
That's the one. | 0:11:35 | 0:11:37 | |
OK, Chris, get this wrong and you are bounced out. | 0:11:37 | 0:11:41 | |
"Help me escape this feeling of insecurity" | 0:11:42 | 0:11:45 | |
is the first line of which Take That hit? | 0:11:45 | 0:11:48 | |
Patience. | 0:11:49 | 0:11:50 | |
Well, that is a song by Take That. | 0:11:51 | 0:11:54 | |
But it's not the right answer, it's Relight My Fire, | 0:11:54 | 0:11:56 | |
which was originally a hit for Dan Hartman in the US. | 0:11:56 | 0:12:00 | |
So, Chris, you're gone. | 0:12:00 | 0:12:02 | |
Well done, John, our cafe owner is in the final round. | 0:12:02 | 0:12:04 | |
And Chris, you are not. Please come back and rejoin your teams. | 0:12:04 | 0:12:09 | |
Good round for the Barside Layabouts. They have lost a brain, | 0:12:09 | 0:12:12 | |
but the Eggheads have also lost one now, they've lost Chris. | 0:12:12 | 0:12:15 | |
So let's see what's happens. The next subject is Arts and Books. | 0:12:15 | 0:12:18 | |
Who would like this? Who's well read? | 0:12:18 | 0:12:21 | |
-Mark, are you going to play that? -Yeah, I'll play that. -Mark? | 0:12:21 | 0:12:23 | |
-All right for me to play? -Yeah. -OK. | 0:12:23 | 0:12:26 | |
OK. Against? | 0:12:26 | 0:12:28 | |
-Judith or CJ, I would say. -I agree. -You pick. | 0:12:28 | 0:12:32 | |
-Captain, you've done well. -OK, could we play against CJ, please? | 0:12:32 | 0:12:37 | |
Yes, you can. Mark from Barside Layabouts | 0:12:37 | 0:12:39 | |
versus CJ from the Eggheads, grinning. | 0:12:39 | 0:12:42 | |
I quite like Arts and Books, which is probably the portent to doom. | 0:12:42 | 0:12:46 | |
This may not only be questions about your autobiography. | 0:12:46 | 0:12:49 | |
In that case, I'm not interested. | 0:12:49 | 0:12:51 | |
To ensure there's no conferring, please take your positions. | 0:12:51 | 0:12:54 | |
So, Mark, would you like to go first or second on Arts and Books? | 0:12:54 | 0:12:58 | |
First, please. | 0:12:58 | 0:12:59 | |
Here is your question. Who wrote the bestselling 2015 novel Grey? | 0:13:02 | 0:13:07 | |
I don't know the novel. And I'm going to have a bit of a guess here. | 0:13:13 | 0:13:18 | |
And... | 0:13:18 | 0:13:20 | |
I'll guess EL James. | 0:13:20 | 0:13:22 | |
Yes, that's right because she's 50 Shades Of Grey, | 0:13:22 | 0:13:25 | |
so it was born from that, wasn't it, Eggs? Is that right? | 0:13:25 | 0:13:29 | |
-That's probably the right word, yeah. -OK, CJ. | 0:13:29 | 0:13:33 | |
The novel Moll Flanders was published in which year? | 0:13:33 | 0:13:37 | |
It was written by Daniel Defoe | 0:13:43 | 0:13:45 | |
who was busy at the beginning of the 18th century, so it's 1722. | 0:13:45 | 0:13:50 | |
He was indeed busy, 1722 is right. | 0:13:50 | 0:13:53 | |
Your question, Mark. | 0:13:53 | 0:13:55 | |
The title character of which Charles Dickens novel is called | 0:13:55 | 0:13:58 | |
Daisy by his school friend Steerforth? | 0:13:58 | 0:14:02 | |
I'm not sure about this. I think it might be... | 0:14:07 | 0:14:12 | |
Oliver Twist. | 0:14:14 | 0:14:15 | |
No, it's actually David Copperfield. | 0:14:15 | 0:14:19 | |
I guess, David, Daisy, similar sounding words | 0:14:19 | 0:14:23 | |
is the only clue there, but I'm sorry, you've got it wrong. | 0:14:23 | 0:14:26 | |
CJ. | 0:14:26 | 0:14:27 | |
A Scottish housekeeper with a first name May appears in literature | 0:14:27 | 0:14:33 | |
working for which fictional character? | 0:14:33 | 0:14:35 | |
Immediately when you said May, I thought | 0:14:41 | 0:14:44 | |
that was Mrs Hudson's first name. I'm just checking if it is now. | 0:14:44 | 0:14:47 | |
Mrs Hudson, I believe, is Scottish in the original books. | 0:14:47 | 0:14:51 | |
I don't think it's James Bond. | 0:14:51 | 0:14:53 | |
There something in the back of my mind | 0:14:53 | 0:14:56 | |
ringing a bell that it is May Hudson, so I'll try Sherlock Holmes. | 0:14:56 | 0:15:00 | |
Wide of the beam. | 0:15:00 | 0:15:02 | |
-Oh. -A long way wide. James Bond. -Is it? | 0:15:02 | 0:15:06 | |
OK, so James Bond had a housekeeper called May. Who knew? | 0:15:06 | 0:15:10 | |
OK, your question, Mark. | 0:15:10 | 0:15:12 | |
The writer Maurice Bendrix, Sarah Miles and her husband Henry Miles | 0:15:12 | 0:15:18 | |
are the principal characters in which of Graham Greene's novels? | 0:15:18 | 0:15:22 | |
Another difficult one, I think. | 0:15:30 | 0:15:32 | |
The End Of The Affair, I think it is. | 0:15:32 | 0:15:36 | |
Yes, you're right, it is The End Of The Affair. Difficult. | 0:15:36 | 0:15:40 | |
But good answer. This is an interesting round, this. | 0:15:40 | 0:15:43 | |
CJ, if you get this wrong, you'll be out. | 0:15:43 | 0:15:46 | |
Lisa del Giocondo, the model for da Vinci's Mona Lisa | 0:15:47 | 0:15:52 | |
is believed to have both died and been born in which city? | 0:15:52 | 0:15:57 | |
Well, I knew who she was. | 0:16:02 | 0:16:04 | |
I've got nothing to go on here, | 0:16:06 | 0:16:08 | |
just maybe she just didn't move too far from home. | 0:16:08 | 0:16:13 | |
I'm not aware of da Vinci... | 0:16:15 | 0:16:16 | |
..working particularly, if at all, in Venice or Naples. | 0:16:18 | 0:16:22 | |
So let's just hope she was a local Florentine and try Florence. | 0:16:22 | 0:16:26 | |
You've got it right, CJ, well done, Florence it is. | 0:16:26 | 0:16:29 | |
Good logic, don't do yourself down. | 0:16:29 | 0:16:31 | |
-I don't think I've said that before, have I? -Thank you. | 0:16:31 | 0:16:34 | |
OK, 2-2 after three questions. | 0:16:34 | 0:16:37 | |
We go to Sudden Death. And it means I don't give you alternatives. | 0:16:37 | 0:16:40 | |
Here is your question, Mark. | 0:16:40 | 0:16:42 | |
This Slough of Despond is a deep bog in which work by John Bunyan? | 0:16:42 | 0:16:47 | |
I don't know. I don't know a guess even, I don't know. | 0:16:48 | 0:16:51 | |
-OK. Eggs? -Pilgrim's Progress. -Pilgrim's Progress it is. | 0:16:52 | 0:16:57 | |
What other famous characteristics of the terrain are there? | 0:16:57 | 0:17:00 | |
The Slough of Despond is the famous one. | 0:17:00 | 0:17:03 | |
-He passes through various obstacles, doesn't he? -The celestial city. | 0:17:03 | 0:17:06 | |
-He goes to the celestial city eventually. -OK, CJ, it Sudden Death. | 0:17:06 | 0:17:09 | |
If you get this right, you're in the final round. | 0:17:09 | 0:17:12 | |
Which artist, born in 1923, used Ben-Day dots | 0:17:12 | 0:17:16 | |
and speech balloons in paintings such as I Know...Brad? | 0:17:16 | 0:17:23 | |
I'll just have a think, but I'm assuming it must be | 0:17:24 | 0:17:27 | |
Roy Lichtenstein. | 0:17:27 | 0:17:29 | |
I'm just checking if there's anybody else. | 0:17:29 | 0:17:32 | |
Lichtenstein is most famous for using speech bubbles | 0:17:32 | 0:17:34 | |
and certainly used a lot of dots. | 0:17:34 | 0:17:36 | |
I don't think I can name anybody else. | 0:17:36 | 0:17:40 | |
No, I'll go for Roy Lichtenstein. | 0:17:41 | 0:17:43 | |
Yes, Ben-Day dots were named after the illustrator and printer | 0:17:44 | 0:17:47 | |
Benjamin Day, but the artist, you're right, is Roy Lichtenstein. | 0:17:47 | 0:17:51 | |
CJ, you've won the round. Sorry, Mark. | 0:17:51 | 0:17:53 | |
That can happen on Sudden Death, it can be sudden. | 0:17:53 | 0:17:56 | |
You've been knocked out by the grand master here. | 0:17:56 | 0:17:59 | |
Please return to us and we'll see what happens in the next round. | 0:17:59 | 0:18:03 | |
OK, so Barside Layabouts have now lost two brains. | 0:18:04 | 0:18:07 | |
-No cause for panic yet, guys. -OK. | 0:18:07 | 0:18:10 | |
Got an alternative strategy? | 0:18:10 | 0:18:11 | |
No, we planned to lose two brains early on. | 0:18:11 | 0:18:14 | |
Yeah, part of the plan, good. The Eggheads have lost one. | 0:18:14 | 0:18:17 | |
That's right, just creep up on them, surprise them, a very good tactic. | 0:18:17 | 0:18:20 | |
The next subject is History. | 0:18:20 | 0:18:22 | |
Who would like History? | 0:18:22 | 0:18:24 | |
-OK, I think Donny is going to play History. -Donny. | 0:18:26 | 0:18:29 | |
OK, Donny against which Egghead? | 0:18:29 | 0:18:31 | |
You can either have - we're narrowing it down now - | 0:18:31 | 0:18:35 | |
Judith or Kevin. | 0:18:35 | 0:18:36 | |
It's Judith, please. | 0:18:36 | 0:18:38 | |
So it's Donny from Barside Layabouts versus Judith, | 0:18:38 | 0:18:41 | |
-whose patron saint is...? -Eleanor of Aquitaine. | 0:18:41 | 0:18:43 | |
From the Eggheads, please go to the question room now. | 0:18:43 | 0:18:47 | |
We should probably explain the Eleanor of Aquitaine reference, | 0:18:47 | 0:18:50 | |
Judith, for anyone tuning in. | 0:18:50 | 0:18:52 | |
It was the last question on Who Wants To Be A Millionaire? | 0:18:52 | 0:18:56 | |
The million pound question, and it was - who was Henry... | 0:18:56 | 0:18:59 | |
No, who was Eleanor of Aquitaine married to? | 0:18:59 | 0:19:02 | |
Was it Henry I, Henry II, Henry V, | 0:19:02 | 0:19:05 | |
-or Richard I? -And you were just unerring, I remember. | 0:19:05 | 0:19:08 | |
Well, I'd just visited, by sheer chance, | 0:19:08 | 0:19:12 | |
two months before that, I'd driven back through France | 0:19:12 | 0:19:15 | |
and gone to her...where she's buried, where her tomb is. | 0:19:15 | 0:19:19 | |
And there she is lying next door to her husband in a tomb. | 0:19:19 | 0:19:23 | |
And it was sheer chance. Extraordinary, really. | 0:19:23 | 0:19:26 | |
-A lucky moment. Well, you take an interest in history, I know. -Yeah. | 0:19:26 | 0:19:31 | |
Others might not have glanced. | 0:19:31 | 0:19:32 | |
OK, so that is why, Donny, Eleanor of Aquitaine is Judith's... | 0:19:32 | 0:19:37 | |
What shall we say, guiding star, lucky angel? | 0:19:37 | 0:19:39 | |
-Patron saint? -She wasn't exactly a saint, I must admit. | 0:19:39 | 0:19:43 | |
Donny, do you want to go first or second on History? | 0:19:43 | 0:19:46 | |
I'd rather go second, thanks. | 0:19:46 | 0:19:48 | |
So, here we go, Judith, your question. | 0:19:51 | 0:19:53 | |
Which of these buildings is often described as | 0:19:53 | 0:19:56 | |
the oldest and largest occupied castle in the world? | 0:19:56 | 0:19:59 | |
I think that's Windsor Castle. | 0:20:05 | 0:20:07 | |
It is Windsor Castle. Well done. | 0:20:07 | 0:20:09 | |
Donny. | 0:20:09 | 0:20:11 | |
The Manchu Empire, also know as the Qing Dynasty ruled lands | 0:20:11 | 0:20:15 | |
based on what is now which country? | 0:20:15 | 0:20:17 | |
-China. -No hesitation there. | 0:20:21 | 0:20:24 | |
China is correct. OK, they may get harder. Judith, | 0:20:24 | 0:20:28 | |
during the Second World War, | 0:20:28 | 0:20:30 | |
which of these battles took place in India? | 0:20:30 | 0:20:32 | |
Well, not Anzio. | 0:20:37 | 0:20:38 | |
Gosh, I'm not sure where Bardia was. | 0:20:38 | 0:20:43 | |
I think Imphal sounds more Indian than anything else, | 0:20:43 | 0:20:46 | |
so I'm going to say Imphal. | 0:20:46 | 0:20:48 | |
Imphal is correct. Anyone tell us about it? | 0:20:48 | 0:20:51 | |
Chris, you can tell us about Imphal. | 0:20:51 | 0:20:53 | |
Yeah, well, the Japanese had gone rampaging all the way up Burma | 0:20:53 | 0:20:56 | |
and the British Army had been retreating before them | 0:20:56 | 0:20:58 | |
and they made a stand at Imphal, literally at the gates of India. | 0:20:58 | 0:21:01 | |
And they managed to fight the Japs to a standstill. | 0:21:01 | 0:21:04 | |
It's really, really fierce, no quarter, | 0:21:04 | 0:21:07 | |
horrible fighting for weeks on end. | 0:21:07 | 0:21:11 | |
The front line was literally | 0:21:11 | 0:21:12 | |
the other side of a tennis court at one point. | 0:21:12 | 0:21:15 | |
And that was the turning point of the war, where they finally | 0:21:15 | 0:21:18 | |
stopped the Japanese, | 0:21:18 | 0:21:19 | |
and it was sort of all the way back down Burma after that. | 0:21:19 | 0:21:23 | |
OK. Donny, we are back with you. | 0:21:23 | 0:21:25 | |
The Peterloo Massacre of 1819 occurred in which city? | 0:21:25 | 0:21:30 | |
I have absolutely no idea. | 0:21:35 | 0:21:37 | |
I'm...I'm going to guess Sheffield. | 0:21:40 | 0:21:43 | |
Manchester is the answer. | 0:21:45 | 0:21:47 | |
So, Judith has the chance to take the round with her third question. | 0:21:47 | 0:21:51 | |
Cos you let her go first. | 0:21:51 | 0:21:53 | |
Which London building was built between 1675 and 1710 | 0:21:53 | 0:21:58 | |
at a cost of approximately £750,000? | 0:21:58 | 0:22:02 | |
-1675? -Yeah. -Well, the Tower of London was very much earlier. | 0:22:07 | 0:22:12 | |
Buckingham Palace was later. | 0:22:12 | 0:22:14 | |
But the Fire of London, I mean, St Paul's Cathedral was rebuilt | 0:22:14 | 0:22:18 | |
after the Fire of London, so I think it's St Paul's Cathedral. | 0:22:18 | 0:22:22 | |
You've got it right, St Paul's Cathedral it is. | 0:22:22 | 0:22:24 | |
Donny, sorry about that, you gave her the initiative | 0:22:24 | 0:22:27 | |
and she got all three right. | 0:22:27 | 0:22:28 | |
So you are in the final, Judith. | 0:22:28 | 0:22:30 | |
If you'd both come back to us, we will play the final round. | 0:22:30 | 0:22:33 | |
OK, this is what we've been playing towards. | 0:22:33 | 0:22:36 | |
It's time for the final round. As always, it's General Knowledge. | 0:22:36 | 0:22:40 | |
But those who lost your head-to-heads | 0:22:40 | 0:22:42 | |
won't be allowed to take part in this round. | 0:22:42 | 0:22:45 | |
That is Mark, Donny and Raymond from Barside Layabouts. | 0:22:45 | 0:22:49 | |
And Chris, not a layabout at all, for the Eggheads, | 0:22:49 | 0:22:52 | |
please leave the studio. | 0:22:52 | 0:22:54 | |
John and Iain, you are playing to win Barside Layabouts £16,000. | 0:22:56 | 0:23:00 | |
A really handy jackpot we have now. | 0:23:00 | 0:23:02 | |
Eggheads, you've got to defend that money | 0:23:02 | 0:23:04 | |
cos you are paying for your reputations. | 0:23:04 | 0:23:06 | |
As usual, I will ask each team three questions in turn. | 0:23:06 | 0:23:09 | |
This time the questions are all General Knowledge. | 0:23:09 | 0:23:11 | |
You are allowed to confer. | 0:23:11 | 0:23:13 | |
So, Barside Layabouts, the question is, | 0:23:13 | 0:23:15 | |
are you two brains able to take down these four? | 0:23:15 | 0:23:18 | |
Iain, do you want to go first or second? | 0:23:18 | 0:23:20 | |
We'd like to go first, please, Jeremy. | 0:23:20 | 0:23:23 | |
Good luck to you both. Here we go. | 0:23:26 | 0:23:28 | |
What is the weight in grams of a £1 coin? | 0:23:28 | 0:23:31 | |
-OK, well, it's 9.5. -Yeah. -Otherwise it would be too heavy. -OK. | 0:23:41 | 0:23:46 | |
We'll go for 9.5, Jeremy. | 0:23:46 | 0:23:48 | |
Very difficult, weight questions. 9.5 is correct. Well done. | 0:23:48 | 0:23:52 | |
Eggheads, all four of you, | 0:23:52 | 0:23:54 | |
which of these words refers to the sense of touch? | 0:23:54 | 0:23:59 | |
-Haptic. -Definitely? -Touch. | 0:24:03 | 0:24:06 | |
Touch is haptic. | 0:24:06 | 0:24:08 | |
Touch is indeed haptic. | 0:24:08 | 0:24:10 | |
Barry, you know this because you've got some fancy watch - | 0:24:10 | 0:24:13 | |
don't mention the make of it - | 0:24:13 | 0:24:15 | |
but it's got a haptic touch, hasn't it? | 0:24:15 | 0:24:18 | |
Yes, it touches me whenever I get a phone call, | 0:24:18 | 0:24:20 | |
which is wonderful, cos otherwise I would miss them. | 0:24:20 | 0:24:23 | |
Isn't that called the haptic? | 0:24:23 | 0:24:25 | |
Yes, it is called the haptic. | 0:24:25 | 0:24:27 | |
-Whatever. -The haptic whatever. OK, one each. | 0:24:27 | 0:24:30 | |
Your question, challengers. | 0:24:32 | 0:24:34 | |
Snowflakes generally have how many sides or points? | 0:24:34 | 0:24:38 | |
Snowflakes. | 0:24:42 | 0:24:44 | |
I think it might be 10. | 0:24:48 | 0:24:51 | |
I'm not sure. | 0:24:54 | 0:24:56 | |
Um, go with that? | 0:24:56 | 0:24:58 | |
Yeah, I'm happy to go with that. | 0:24:58 | 0:25:01 | |
We'll go with 10, please, Jeremy. | 0:25:01 | 0:25:03 | |
OK. You started on six, you moved to 10, was there logic there? | 0:25:03 | 0:25:08 | |
There was no logic, it was just based on blind intuition. | 0:25:08 | 0:25:12 | |
Barry will know this, you're the science man. | 0:25:12 | 0:25:15 | |
I'm afraid it's six. | 0:25:15 | 0:25:17 | |
And how do we get to six? Is it just a septagon, or...? | 0:25:17 | 0:25:21 | |
The crystalline structure of ice. | 0:25:21 | 0:25:23 | |
But that six can be formed in millions, | 0:25:23 | 0:25:26 | |
probably billions of different ways. | 0:25:26 | 0:25:28 | |
Six is the answer. | 0:25:28 | 0:25:29 | |
-Sorry. -OK, I wasn't sure. -OK, | 0:25:29 | 0:25:33 | |
Eggheads, to take the lead now. | 0:25:33 | 0:25:35 | |
The inventor Paul Cornu has been credited with the first | 0:25:35 | 0:25:39 | |
successful example of which device in 1907? | 0:25:39 | 0:25:42 | |
Helicopter. | 0:25:46 | 0:25:47 | |
Yes, I think it's helicopter. Dishwasher was... What was that? | 0:25:47 | 0:25:51 | |
-Was it Cockerell, the dishwasher? -Are we going with that? | 0:25:51 | 0:25:54 | |
Yeah, yeah. I think that's helicopter. | 0:25:54 | 0:25:58 | |
You think it's helicopter. Where was he from, old Cornu? | 0:25:58 | 0:26:01 | |
-I think he was French. -French? | 0:26:01 | 0:26:03 | |
-So it's Paul Cornu? -Yes. I think so. | 0:26:03 | 0:26:05 | |
And it was the helicopteur. | 0:26:05 | 0:26:06 | |
Was it, or is it the guided missile? | 0:26:06 | 0:26:09 | |
No, no, I'm not sure he would have called it that. | 0:26:09 | 0:26:12 | |
I can't move you off that answer. | 0:26:12 | 0:26:13 | |
OK, helicopter is right. Well done. | 0:26:13 | 0:26:15 | |
Well done, | 0:26:15 | 0:26:17 | |
so they have taken the lead now. | 0:26:17 | 0:26:19 | |
You do need to get this one right, gentlemen, to stay in. | 0:26:19 | 0:26:22 | |
Tyson Beckford, Marcus Schenkenberg | 0:26:22 | 0:26:26 | |
and Travis Fimmel are famous names in which industry? | 0:26:26 | 0:26:31 | |
It's definitely modelling. On you go. | 0:26:36 | 0:26:39 | |
We're going for modelling, please. | 0:26:39 | 0:26:41 | |
Oh, you went straight there. So how do you know that? | 0:26:41 | 0:26:44 | |
I could quip away about Iain's modelling career. | 0:26:44 | 0:26:47 | |
Maybe I shouldn't ask. | 0:26:47 | 0:26:48 | |
Well done, modelling is right. | 0:26:48 | 0:26:50 | |
That's good, good play. | 0:26:50 | 0:26:52 | |
Two out of three, may be enough to take us to sudden death, | 0:26:52 | 0:26:55 | |
but let's see. If the Eggheads get this right, the contest is over. | 0:26:55 | 0:26:59 | |
"How does it feel to treat me like you do?" | 0:26:59 | 0:27:02 | |
are the opening lines of which song | 0:27:02 | 0:27:05 | |
which first made the UK charts in 1983? | 0:27:05 | 0:27:08 | |
-It's Blue Monday. -OK. Thanks very much. | 0:27:12 | 0:27:16 | |
-I've no idea. -I think we have a definite one | 0:27:16 | 0:27:19 | |
from down the end there that it's Blue Monday. | 0:27:19 | 0:27:22 | |
I thought this was going to stump you. You say Blue Monday. | 0:27:22 | 0:27:24 | |
How so, CJ? You know this song? | 0:27:24 | 0:27:26 | |
-I know this, it's a big, big hit, this one. -But before your time. | 0:27:26 | 0:27:29 | |
It's one of those songs that... | 0:27:29 | 0:27:32 | |
It's sort of supersedes when it was released | 0:27:33 | 0:27:36 | |
because a lot of people, even if you don't know the song itself, | 0:27:36 | 0:27:39 | |
you know the tune, you've heard it. | 0:27:39 | 0:27:41 | |
Blue Monday it is. | 0:27:41 | 0:27:42 | |
We say congratulations, Eggheads, you have won. | 0:27:42 | 0:27:44 | |
-John, you would definitely have known Blue Monday? -Yes. | 0:27:50 | 0:27:53 | |
Because you've got that pop thing, I can tell. | 0:27:53 | 0:27:57 | |
I'm sorry about that, guys, what can I say? | 0:27:57 | 0:27:59 | |
I feel I'm constantly having to make excuses for this lot. | 0:27:59 | 0:28:02 | |
They just lumber along and then bang. | 0:28:02 | 0:28:05 | |
-Fair play. -Fair play. | 0:28:05 | 0:28:06 | |
Well, the Eggheads have done what comes naturally to them. | 0:28:06 | 0:28:09 | |
This winning streak continues. We are piling up the money. | 0:28:09 | 0:28:13 | |
It does mean our challengers don't go home with the £16,000, | 0:28:13 | 0:28:16 | |
so we take the money and roll it over to our next show. | 0:28:16 | 0:28:19 | |
They're getting more and more exciting, Eggs. | 0:28:19 | 0:28:22 | |
Congratulations. I don't think you can ever be beaten. | 0:28:22 | 0:28:25 | |
I think we've seen the last game in which they lose. | 0:28:25 | 0:28:28 | |
Join us next time to see if a new team of challengers | 0:28:28 | 0:28:31 | |
have the brains to defeat the Eggheads. | 0:28:31 | 0:28:33 | |
£17,000 is on the table for that game. | 0:28:33 | 0:28:36 | |
Till then, goodbye. | 0:28:36 | 0:28:37 |