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These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
Together, they make up the Eggheads, | 0:00:09 | 0:00:11 | |
arguably the most formidable quiz team in the country. | 0:00:11 | 0:00:14 | |
The question is, can they be beaten? | 0:00:17 | 0:00:19 | |
Welcome to Eggheads, | 0:00:23 | 0:00:24 | |
the show where a team of five quiz challengers pit their wits against | 0:00:24 | 0:00:27 | |
possibly the greatest quiz team in Britain. | 0:00:27 | 0:00:30 | |
They are the Eggheads. | 0:00:30 | 0:00:32 | |
We feeling bolshie or benign today? | 0:00:32 | 0:00:34 | |
-Bolshie. -Bolshie, says Judith. | 0:00:34 | 0:00:36 | |
-Very bolshie. -Oh, very bolshie, OK. | 0:00:36 | 0:00:38 | |
Hoping to beat the might of the Eggheads today | 0:00:38 | 0:00:41 | |
are Generation Game from Surrey. | 0:00:41 | 0:00:42 | |
Now, this friends and family team are regular quizzers | 0:00:42 | 0:00:46 | |
and have 90 years of quizzing experience between them. | 0:00:46 | 0:00:49 | |
Let's meet them. | 0:00:49 | 0:00:50 | |
Hello, I'm David and I'm a PhD researcher in history. | 0:00:50 | 0:00:54 | |
Hello, I'm Dan, I'm a business owner. | 0:00:54 | 0:00:56 | |
Hello, I'm Anthony, I'm a retired chartered engineer. | 0:00:56 | 0:01:00 | |
Hello, my name's Simon and I am a molecular virologist. | 0:01:00 | 0:01:03 | |
Hello, I'm Alex | 0:01:03 | 0:01:05 | |
and I'm a postdoctoral research fellow in English. | 0:01:05 | 0:01:08 | |
So, David and team, welcome. | 0:01:08 | 0:01:10 | |
-Thank you. -It seems we've got a quizzing team here, David, | 0:01:10 | 0:01:13 | |
-is that right? -Pretty strong, we hope. | 0:01:13 | 0:01:15 | |
Good, excellent. You quiz together or separately? | 0:01:15 | 0:01:18 | |
We've quizzed in different permutations amongst the five of us, | 0:01:18 | 0:01:21 | |
so different couples, different pairs, yes. | 0:01:21 | 0:01:23 | |
And at the heart of this are two families | 0:01:23 | 0:01:25 | |
who are friends with each other. | 0:01:25 | 0:01:26 | |
Two fathers and sons who are friends with each other at both levels. | 0:01:26 | 0:01:29 | |
The Zell and Spiro families. | 0:01:29 | 0:01:31 | |
-Correct. -What about these Eggheads, then? | 0:01:31 | 0:01:33 | |
Are they famous in quiz land? | 0:01:33 | 0:01:34 | |
I think they are pretty notorious, yes. | 0:01:34 | 0:01:36 | |
-Good luck to you. -Notoriously clever. | 0:01:38 | 0:01:39 | |
Yeah, although like all good machines, they can sometimes break. | 0:01:39 | 0:01:43 | |
Every day there is £1,000 of cash up for grabs for our Challengers. | 0:01:43 | 0:01:47 | |
However, if they fail to defeat the Eggheads, the prize money rolls over | 0:01:47 | 0:01:50 | |
to the next show. I know you know that, | 0:01:50 | 0:01:52 | |
so let me tell you, Generation Game, | 0:01:52 | 0:01:53 | |
the Eggheads are just getting into their stride. | 0:01:53 | 0:01:56 | |
They've won the last six, | 0:01:56 | 0:01:58 | |
so that means £7,000 is here for you to win today. | 0:01:58 | 0:02:01 | |
-Would you like to try? -We'll have a go. | 0:02:01 | 0:02:03 | |
Good stuff. The first head-to-head battle is on the subject of History. | 0:02:03 | 0:02:07 | |
I reckon this is right up your street. | 0:02:07 | 0:02:08 | |
-Who's going to do it? -That must be you. | 0:02:08 | 0:02:10 | |
I think that's me, isn't it? I'm going to do that. | 0:02:10 | 0:02:13 | |
OK, Anthony, retired chartered engineer, against which Egghead? | 0:02:13 | 0:02:17 | |
Anthony, pick any one of them. | 0:02:17 | 0:02:19 | |
I think we'll go for Dave, won't we? | 0:02:19 | 0:02:21 | |
-Dave? -Is that the agreement, Dave? | 0:02:21 | 0:02:23 | |
-Dave. -We'll go for Dave. | 0:02:23 | 0:02:25 | |
So, it's going to be Anthony from Generation Game versus Dave from | 0:02:25 | 0:02:28 | |
the Eggheads on History and just to ensure there's no conferring, | 0:02:28 | 0:02:31 | |
please take the short walk to our famous Question Room. | 0:02:31 | 0:02:34 | |
So, Anthony Spiro, | 0:02:36 | 0:02:37 | |
and what gives you your interest in history, Anthony? | 0:02:37 | 0:02:40 | |
Well, I like reading about it, | 0:02:40 | 0:02:42 | |
I'm of an age that I can look back over quite a long period | 0:02:42 | 0:02:47 | |
and it's a subject I enjoy. | 0:02:47 | 0:02:49 | |
Whether I know anything about it, we'll soon find out. | 0:02:49 | 0:02:51 | |
We will see. History against Tremendous Knowledge Dave | 0:02:51 | 0:02:54 | |
-and would you like to go first or second? -First, please. | 0:02:54 | 0:02:56 | |
Here's your question. | 0:03:00 | 0:03:01 | |
The 1928 Kellogg-Briand Pact, signed by nearly all | 0:03:01 | 0:03:05 | |
the nations of the world, aimed to eliminate | 0:03:05 | 0:03:08 | |
what as an instrument of national policy? | 0:03:08 | 0:03:11 | |
That's an interesting question. | 0:03:15 | 0:03:17 | |
Whether it was sport, | 0:03:18 | 0:03:20 | |
I doubt that because the Olympic Games had been going | 0:03:20 | 0:03:23 | |
for about 30 years by then. | 0:03:23 | 0:03:25 | |
I would have thought that some sort of pre-runner, | 0:03:26 | 0:03:30 | |
precursor to the United Nations. | 0:03:30 | 0:03:31 | |
I'll go for war. | 0:03:31 | 0:03:33 | |
War is correct. | 0:03:33 | 0:03:34 | |
Well done. Dave, your question. | 0:03:34 | 0:03:36 | |
King of England Richard the Lionheart spent a large part | 0:03:38 | 0:03:41 | |
of his adult life in which country? | 0:03:41 | 0:03:43 | |
I've got to go France. | 0:03:46 | 0:03:47 | |
France is correct. | 0:03:47 | 0:03:48 | |
Anthony. Until the Reformation, | 0:03:50 | 0:03:52 | |
the Emperor Elect of the Holy Roman Empire was required to be crowned | 0:03:52 | 0:03:57 | |
by which of the following? | 0:03:57 | 0:03:58 | |
Unlikely to be the Tsar of Russia because I don't think there were | 0:04:02 | 0:04:06 | |
any Tsars of Russia about that time. | 0:04:06 | 0:04:10 | |
Charlemagne I doubt because he only lived for a finite period. | 0:04:10 | 0:04:14 | |
I'll go for the Pope. | 0:04:14 | 0:04:15 | |
The Pope is right. | 0:04:15 | 0:04:16 | |
Brilliantly logical, sir. | 0:04:16 | 0:04:18 | |
Well done. | 0:04:18 | 0:04:20 | |
Dave. I can see you're up against a good quizzer here. | 0:04:20 | 0:04:23 | |
Yeah, very definitely. | 0:04:23 | 0:04:25 | |
During World War II, who served as Taoiseach, | 0:04:25 | 0:04:28 | |
the Irish equivalent of Prime Minister? | 0:04:28 | 0:04:30 | |
This is tough. | 0:04:35 | 0:04:37 | |
I'm not happy with this at all because I thought | 0:04:39 | 0:04:42 | |
Eamon de Valera was Irish president. | 0:04:42 | 0:04:43 | |
I'm going to rule out Jack Lynch | 0:04:45 | 0:04:47 | |
because I think it's too early for him. | 0:04:47 | 0:04:50 | |
I'm not happy with this at all because, as I said, I thought | 0:04:50 | 0:04:53 | |
Eamon de Valera was President rather than Prime Minister. | 0:04:53 | 0:04:57 | |
So I'm going to go for Sean Lemass. | 0:04:57 | 0:04:59 | |
Eggheads, is he right? | 0:05:00 | 0:05:01 | |
-No. -No. -No, no. | 0:05:01 | 0:05:03 | |
-De Valera. -It's de Valera. | 0:05:03 | 0:05:05 | |
-Well, fine. -De Valera did become President. | 0:05:05 | 0:05:07 | |
He was Prime Minister for a long time but then eventually, in 1959, | 0:05:07 | 0:05:11 | |
I think, he became President and was there | 0:05:11 | 0:05:13 | |
for a considerable time longer. | 0:05:13 | 0:05:15 | |
He became President, Dave, you're right about that, | 0:05:16 | 0:05:19 | |
as Kevin's confirming, but not at the time. | 0:05:19 | 0:05:21 | |
Right, fine. | 0:05:21 | 0:05:22 | |
OK, Anthony, get this right, you're in the final. | 0:05:22 | 0:05:24 | |
The first Sino-Japanese War, | 0:05:24 | 0:05:26 | |
which took place between 1894 and 1895, grew out of a conflict between | 0:05:26 | 0:05:32 | |
Japan and China for supremacy in which country? | 0:05:32 | 0:05:36 | |
I think I can discount Tibet because that's too far away. | 0:05:40 | 0:05:44 | |
Mongolia, I doubt. | 0:05:46 | 0:05:48 | |
I'm going for Korea. | 0:05:48 | 0:05:49 | |
Yes! Yes! | 0:05:49 | 0:05:51 | |
Challengers, is he right? | 0:05:51 | 0:05:52 | |
-I think so. -Think so. -Yeah, they like that answer. | 0:05:52 | 0:05:54 | |
Korea is right. Well done, Anthony, you're in the final round. | 0:05:54 | 0:05:57 | |
You took on an Egghead and you defeated him | 0:05:57 | 0:06:00 | |
and Dave has been knocked out. | 0:06:00 | 0:06:01 | |
Early days. Come back to us, we'll play the next round. | 0:06:01 | 0:06:04 | |
So, as it stands, | 0:06:06 | 0:06:07 | |
the Generation Game have not lost any brains from the final round. | 0:06:07 | 0:06:10 | |
They're playing well. | 0:06:10 | 0:06:11 | |
The Eggheads have lost a brain. | 0:06:11 | 0:06:13 | |
Looks a bit dodgy for the Eggheads today. | 0:06:13 | 0:06:16 | |
The next subject is Music. | 0:06:16 | 0:06:18 | |
-Who would like Music? -That's... | 0:06:18 | 0:06:19 | |
-That's mine. That would be me. -It's you, Dan. | 0:06:19 | 0:06:22 | |
-That's me, Dan. -OK, Dan. | 0:06:22 | 0:06:23 | |
Dan Zell against... | 0:06:23 | 0:06:25 | |
-We're doing Judith, right? -Judith, yeah. | 0:06:25 | 0:06:27 | |
Judith. | 0:06:27 | 0:06:28 | |
Yeah, she loves a bit of opera, but not rap. | 0:06:28 | 0:06:31 | |
Dan from Generation Game challenges Judith from the Eggheads on Music. | 0:06:32 | 0:06:37 | |
Please go to the special room. | 0:06:37 | 0:06:38 | |
All right, so, you're on music, Dan. | 0:06:40 | 0:06:42 | |
Would you like to go first or second? | 0:06:42 | 0:06:44 | |
I'll go first, please. | 0:06:44 | 0:06:46 | |
And here we go. | 0:06:49 | 0:06:50 | |
What is the title of the Chuck Berry song that begins with the line, | 0:06:50 | 0:06:54 | |
"Riding along in my automobile"? | 0:06:54 | 0:06:56 | |
Good question. I know the song, I don't know what it's called. | 0:07:02 | 0:07:06 | |
HE HUMS THE TUNE | 0:07:07 | 0:07:09 | |
I don't think it's Sweet Little Sixteen, | 0:07:16 | 0:07:18 | |
I don't think it's Reelin' And Rockin'. | 0:07:18 | 0:07:20 | |
I suspect it's No Particular Place To Go | 0:07:20 | 0:07:22 | |
because it's about the joy of motoring. | 0:07:22 | 0:07:25 | |
No Particular Place To Go is the right answer, well done. | 0:07:25 | 0:07:28 | |
Well done. Your father approves. | 0:07:28 | 0:07:29 | |
Judith. Which musical term is also the Italian word for slow? | 0:07:31 | 0:07:36 | |
I think that is Lento. | 0:07:41 | 0:07:43 | |
Lento is quite right. | 0:07:43 | 0:07:45 | |
Dan, who is the lead singer of the Irish band The Cranberries? | 0:07:45 | 0:07:50 | |
I've actually got a bit of a thing for The Cranberries but I don't know | 0:07:54 | 0:07:57 | |
the answer to this off the top of my head. | 0:07:57 | 0:07:59 | |
I don't think it's Mary Black. | 0:07:59 | 0:08:01 | |
Something's telling me that it's not Roisin Murphy | 0:08:02 | 0:08:05 | |
because I think she's someone else. | 0:08:05 | 0:08:07 | |
I think it's Dolores O'Riordan. | 0:08:07 | 0:08:10 | |
Dolores O'Riordan is quite right. | 0:08:10 | 0:08:12 | |
OK. Two out of two. | 0:08:13 | 0:08:14 | |
Back to Judith. | 0:08:14 | 0:08:16 | |
All About Tonight and Boys And Girls are UK number one singles | 0:08:16 | 0:08:21 | |
by which female singer born in 1991? | 0:08:21 | 0:08:26 | |
Oh, glory be. | 0:08:29 | 0:08:30 | |
Search me. | 0:08:31 | 0:08:32 | |
Pixie Lott. | 0:08:33 | 0:08:35 | |
Pixie Lott is the right answer. | 0:08:35 | 0:08:37 | |
-How do you do that? -I don't know. | 0:08:38 | 0:08:40 | |
Spirit of Daphne. | 0:08:40 | 0:08:42 | |
OK. Dan. | 0:08:42 | 0:08:44 | |
Get this right, a little bit of pressure on Judith. | 0:08:44 | 0:08:47 | |
Because of the pizzicato sections in the first movement, | 0:08:47 | 0:08:50 | |
whose String Quartet Number Ten In E Flat Major, | 0:08:50 | 0:08:54 | |
published in 1809, | 0:08:54 | 0:08:56 | |
is nicknamed The Harp? | 0:08:56 | 0:08:58 | |
-1809? -1809. | 0:09:01 | 0:09:03 | |
OK. | 0:09:03 | 0:09:04 | |
It's too late for Beethoven, I think. | 0:09:04 | 0:09:07 | |
If it's a string quartet it's kind of chamber music, | 0:09:10 | 0:09:14 | |
which makes me think it's more likely to be Schubert than Rossini, | 0:09:14 | 0:09:20 | |
so I'll go for Schubert. | 0:09:20 | 0:09:23 | |
Schubert is your answer. | 0:09:23 | 0:09:24 | |
This always comes back to the dates, these questions. | 0:09:24 | 0:09:27 | |
1809 it was published. Can I get some dates from Kevin? | 0:09:27 | 0:09:29 | |
Kevin, Beethoven. | 0:09:29 | 0:09:30 | |
-What, his birth and death dates? -Yeah. | 0:09:30 | 0:09:33 | |
1770 to 1827. | 0:09:33 | 0:09:35 | |
-OK, so he's 1770 to 1827, Kevin says... -Ah. | 0:09:35 | 0:09:38 | |
..so he would have fitted the bill. | 0:09:38 | 0:09:40 | |
-Rossini? -1792 to 1868. | 0:09:40 | 0:09:44 | |
All right. Would have been a bit young. | 0:09:44 | 0:09:46 | |
And Schubert? | 0:09:46 | 0:09:47 | |
1797 to 1828. | 0:09:47 | 0:09:50 | |
Even younger. The answer is Beethoven. | 0:09:50 | 0:09:53 | |
Ah. | 0:09:53 | 0:09:54 | |
Yeah, OK. | 0:09:54 | 0:09:56 | |
So, Judith now has a chance to square things up here. | 0:09:56 | 0:10:02 | |
Maceo Parker, celebrated for his work with James Brown | 0:10:02 | 0:10:06 | |
in the 1960s, is best known for playing which instrument? | 0:10:06 | 0:10:11 | |
I'm not... I don't know, so... | 0:10:14 | 0:10:17 | |
I don't think it's drums. | 0:10:18 | 0:10:19 | |
So either saxophone or guitar. | 0:10:21 | 0:10:23 | |
I think it's saxophone. | 0:10:23 | 0:10:25 | |
-Eggheads? -I think so. -Yeah, yeah. | 0:10:25 | 0:10:27 | |
They like it. Saxophone is the right answer. | 0:10:27 | 0:10:29 | |
Three out of three, Judith, | 0:10:29 | 0:10:30 | |
you're in the final round. Sorry, Dan, | 0:10:30 | 0:10:32 | |
you're out, I'm afraid. Come back to us, | 0:10:32 | 0:10:34 | |
rejoin your teams, and we'll see what happens next. | 0:10:34 | 0:10:36 | |
So, as it stands, Generation Game have lost a brain now | 0:10:38 | 0:10:41 | |
from the final round. The Eggheads have also lost one. | 0:10:41 | 0:10:45 | |
Looking very competitive, this game today, | 0:10:45 | 0:10:47 | |
and the next subject is Sport. | 0:10:47 | 0:10:49 | |
So, who wants to take this? | 0:10:49 | 0:10:51 | |
That's you, David. You're going to go. | 0:10:52 | 0:10:54 | |
-Gosh, fall on my sword. -David, don't go, don't go. | 0:10:54 | 0:10:57 | |
David, before you go, tell us which Egghead. | 0:10:57 | 0:10:59 | |
It obviously can't be Dave or Judith. | 0:10:59 | 0:11:00 | |
-I think it's Lisa. -I think we're going for Lisa, aren't we? | 0:11:00 | 0:11:04 | |
Take on Lisa. | 0:11:04 | 0:11:05 | |
Good stuff. So, David from the Generation Game | 0:11:05 | 0:11:08 | |
versus Lisa on Sport. | 0:11:08 | 0:11:09 | |
-That'll work for me. -Good. | 0:11:09 | 0:11:11 | |
Very positive. Not the normal response I get from old Chris, | 0:11:11 | 0:11:14 | |
-is it? -Trying to set a good example. | 0:11:14 | 0:11:16 | |
Excellent. To ensure there's no conferring, | 0:11:16 | 0:11:18 | |
please take your positions. | 0:11:18 | 0:11:20 | |
So, good luck, David, on Sport. | 0:11:22 | 0:11:23 | |
Would you like to go first or second against Lisa? | 0:11:23 | 0:11:25 | |
I'll go first. | 0:11:25 | 0:11:26 | |
And here is your first question. | 0:11:30 | 0:11:32 | |
Brian Moore, who died in 2001, | 0:11:32 | 0:11:35 | |
was best known as a commentator on which sport? | 0:11:35 | 0:11:38 | |
Well, I can't remember him doing horse racing | 0:11:41 | 0:11:43 | |
and I never watched much darts | 0:11:43 | 0:11:45 | |
but he was certainly very big on football. | 0:11:45 | 0:11:48 | |
He was. Football's right, well done. | 0:11:48 | 0:11:50 | |
OK, Lisa. | 0:11:51 | 0:11:53 | |
What nationality is the former | 0:11:53 | 0:11:55 | |
Formula One racing driver Jarno Trulli? | 0:11:55 | 0:11:58 | |
In the best tradition, Jarno Trulli is an Italian. | 0:12:01 | 0:12:05 | |
Yes, you're right. | 0:12:05 | 0:12:06 | |
ITALIAN ACCENT: Jarno Trulli. OK, David. | 0:12:06 | 0:12:10 | |
Which of these cyclists was nominated | 0:12:10 | 0:12:12 | |
for the BBC's Sports Personality Of The Year award in 2015? | 0:12:12 | 0:12:15 | |
I know this one. It was Chris Froome. | 0:12:19 | 0:12:21 | |
Chris Froome is the right answer. | 0:12:23 | 0:12:24 | |
Lisa. | 0:12:26 | 0:12:27 | |
In which year did the swimmer Michael Phelps | 0:12:27 | 0:12:29 | |
win his first Olympic gold medal? | 0:12:29 | 0:12:31 | |
Now, this is going to be a question of me trying to work out | 0:12:36 | 0:12:38 | |
how old he is and when he started. | 0:12:38 | 0:12:40 | |
I think he might have been born sort of late '80s, early '90s. | 0:12:41 | 0:12:47 | |
I think, for all that, 2004 would be optimistic for a first gold. | 0:12:49 | 0:12:54 | |
Erm... | 0:12:57 | 0:12:58 | |
I think he was an established hit of the pool by 2012... | 0:13:00 | 0:13:03 | |
..so I will say 2008. | 0:13:05 | 0:13:07 | |
2004 is the answer, Lisa. | 0:13:09 | 0:13:11 | |
So, chance for you now to take the round, David, on this question. | 0:13:12 | 0:13:16 | |
In which sport did Katharine Merry win an Olympic medal | 0:13:16 | 0:13:19 | |
for Great Britain at the 2000 Olympics? | 0:13:19 | 0:13:23 | |
2000 Olympics was in Sydney. | 0:13:27 | 0:13:29 | |
Katharine Merry. | 0:13:29 | 0:13:31 | |
I don't think it was gymnastics. | 0:13:33 | 0:13:35 | |
Athletics doesn't really ring a bell. | 0:13:36 | 0:13:40 | |
I think I'm going to have to go for rowing. | 0:13:40 | 0:13:42 | |
-So I'll say rowing. -Let's see if your team-mates know. | 0:13:43 | 0:13:46 | |
Team-mates, is he right? | 0:13:46 | 0:13:47 | |
-No, it's athletics. -No, they all like athletics. -Ah. | 0:13:47 | 0:13:50 | |
Athletics it is. 400 metres, to be precise. | 0:13:50 | 0:13:52 | |
So your chance to come back in here, Lisa. | 0:13:52 | 0:13:55 | |
The rugby union players Phil Bennett, | 0:13:55 | 0:13:58 | |
Naas Botha and Barry John usually played in which position? | 0:13:58 | 0:14:03 | |
You don't even need to read the options, Jeremy. | 0:14:05 | 0:14:08 | |
I'm just going down the pub now, I haven't got a clue. | 0:14:08 | 0:14:10 | |
We haven't worked out a rule for these questions. | 0:14:12 | 0:14:14 | |
There's usually a rule that when you're in doubt | 0:14:14 | 0:14:17 | |
about a certain type of question you say a certain answer. | 0:14:17 | 0:14:20 | |
But we don't really have, like, when in doubt say flanker or | 0:14:22 | 0:14:25 | |
when in doubt say fly half for rugby union. | 0:14:25 | 0:14:27 | |
I am going to have to institute this rule. | 0:14:27 | 0:14:30 | |
Yeah, no, I think David deserves this one, | 0:14:32 | 0:14:35 | |
so it'll be terrible if I guess it. | 0:14:35 | 0:14:37 | |
Hooker. | 0:14:39 | 0:14:41 | |
OK, that is not the rule. | 0:14:41 | 0:14:43 | |
Fly half. | 0:14:43 | 0:14:44 | |
Actually, the general rule is you don't say fly half, | 0:14:46 | 0:14:48 | |
so it doesn't really matter. | 0:14:48 | 0:14:49 | |
-That's fine. -But Judith thinks she might have a rule on this. | 0:14:49 | 0:14:52 | |
-Judith, what would you say? -My rule would have been a fly half. | 0:14:52 | 0:14:54 | |
Why would you go fly half in this question if you had no knowledge? | 0:14:54 | 0:14:57 | |
It's the most glamorous position. | 0:14:57 | 0:14:59 | |
He's the one who wins in the final minute, kind of thing, | 0:14:59 | 0:15:01 | |
by kicking a penalty or something. | 0:15:01 | 0:15:04 | |
Judith says you go fly half because it's the most glamorous position. | 0:15:04 | 0:15:07 | |
Well, to be fair, the kickers are normally the most famous so, yeah. | 0:15:07 | 0:15:10 | |
But I thought on that basis I might have heard of at least one of them. | 0:15:10 | 0:15:13 | |
That's true. Works the other way as well. | 0:15:13 | 0:15:15 | |
-Yeah. -So you're... | 0:15:15 | 0:15:16 | |
-I'm out. Yeah. No more of this rubbish! -So you're out, Lisa. | 0:15:16 | 0:15:19 | |
Gone! Two wrong out of three. | 0:15:19 | 0:15:20 | |
David, you're in the final round, and that's good news for your team. | 0:15:20 | 0:15:24 | |
Come back to us, we'll play on. | 0:15:24 | 0:15:26 | |
So, as it stands, Generation Game have lost a brain | 0:15:28 | 0:15:30 | |
from the final round. The Eggheads have lost two now | 0:15:30 | 0:15:32 | |
and the last subject before the final is Arts & Books. | 0:15:32 | 0:15:36 | |
Well, that's me, chaps. | 0:15:36 | 0:15:38 | |
Good luck, Alex. | 0:15:38 | 0:15:39 | |
OK, against whom? | 0:15:40 | 0:15:42 | |
I will, with trepidation, take on Pat, Jeremy. | 0:15:42 | 0:15:45 | |
So you're leaving Kev until the final. | 0:15:45 | 0:15:47 | |
OK, Alex from Generation Game versus Pat from the Eggheads. | 0:15:47 | 0:15:51 | |
-Good for you, Pat? -It's all right. | 0:15:51 | 0:15:53 | |
I read a book every now and again. | 0:15:53 | 0:15:55 | |
To ensure there's no conferring, | 0:15:55 | 0:15:56 | |
would you please take your positions in our Question Room? | 0:15:56 | 0:15:59 | |
Alex, I know you're doing research at university. | 0:16:01 | 0:16:03 | |
-Yes, that's right, Jeremy. -Tell us what it's in. | 0:16:03 | 0:16:06 | |
Victorian poetry. | 0:16:06 | 0:16:08 | |
Oh, well, perfect, so Arts & Books is not... | 0:16:08 | 0:16:09 | |
Because I thought you might be about to say chemistry or something, | 0:16:09 | 0:16:13 | |
which wouldn't come in handy for this round. | 0:16:13 | 0:16:15 | |
No, advantageously, or maybe regrettably, it is my job. | 0:16:15 | 0:16:19 | |
And you've written a book on the great WB Yeats, | 0:16:19 | 0:16:22 | |
who's my hero, my poetic hero. | 0:16:22 | 0:16:25 | |
Oh, glad to hear it. | 0:16:25 | 0:16:26 | |
Yes, the book is about Yeats and Rudyard Kipling in the early part | 0:16:26 | 0:16:30 | |
of their lives when they were living in London at the same time. | 0:16:30 | 0:16:33 | |
OK, and they met each other or not? | 0:16:33 | 0:16:36 | |
No, the title of the book is Meeting Without Knowing It because they | 0:16:36 | 0:16:40 | |
intersect thematically but they never directly cross paths. | 0:16:40 | 0:16:43 | |
They shadow one another. | 0:16:43 | 0:16:45 | |
How fascinating. All right, good luck in this round. | 0:16:45 | 0:16:48 | |
I know it might not all be Victorian poetry, so you have that defence. | 0:16:48 | 0:16:51 | |
Would you like to go first or second against Pat, or as he's known, | 0:16:51 | 0:16:54 | |
the Silent Destroyer? | 0:16:54 | 0:16:56 | |
I shall go first, Jeremy. | 0:16:56 | 0:16:57 | |
Good luck, Alex. | 0:17:00 | 0:17:01 | |
A theatre that has no performance currently running | 0:17:01 | 0:17:04 | |
is commonly said to be what? | 0:17:04 | 0:17:06 | |
I'm a little baffled by this, really. | 0:17:09 | 0:17:11 | |
My suspicion is that it's dark - that would make sense. | 0:17:13 | 0:17:16 | |
The lights are off, the theatre is disused. | 0:17:16 | 0:17:19 | |
I think that's the best that I can manage. | 0:17:19 | 0:17:21 | |
I'll say a dark theatre. | 0:17:21 | 0:17:23 | |
Dark is right. Well done. | 0:17:23 | 0:17:25 | |
Over to you, Pat. | 0:17:27 | 0:17:28 | |
Which man wrote the poem that begins | 0:17:28 | 0:17:30 | |
"On the Ning Nang Nong | 0:17:30 | 0:17:32 | |
"Where the cows go bong | 0:17:32 | 0:17:34 | |
"And the monkeys all say boo"? | 0:17:34 | 0:17:36 | |
I think this was featured in The Goon Show, I think. | 0:17:39 | 0:17:45 | |
I have a slight concern that Peter Sellers may have had some | 0:17:45 | 0:17:48 | |
connections to The Goon Show | 0:17:48 | 0:17:50 | |
but I think I'll have to go for Spike Milligan. | 0:17:50 | 0:17:53 | |
Yeah, well done, Pat. Spike Milligan is right. | 0:17:53 | 0:17:56 | |
Alex. | 0:17:57 | 0:17:58 | |
How were faces usually painted in ancient Egyptian art? | 0:17:58 | 0:18:03 | |
Well, these are the paintings that one would see on the walls | 0:18:07 | 0:18:10 | |
of Egyptian tombs and they are all in profile. | 0:18:10 | 0:18:13 | |
In profile is quite right. | 0:18:14 | 0:18:16 | |
Well done. | 0:18:16 | 0:18:18 | |
Pat, your question. | 0:18:18 | 0:18:19 | |
Which novel by Thomas Hardy is subtitled | 0:18:19 | 0:18:21 | |
The Life And Death Of A Man Of Character? | 0:18:21 | 0:18:24 | |
Hmm. | 0:18:29 | 0:18:30 | |
Well, I don't think it's Tess Of The D'Urbervilles, | 0:18:30 | 0:18:33 | |
seeing as the book is centred on a female character, | 0:18:33 | 0:18:36 | |
so she wouldn't be a man of character. | 0:18:36 | 0:18:39 | |
So, it's Far From The Madding Crowd versus The Mayor Of Casterbridge. | 0:18:39 | 0:18:42 | |
I think Far From The Madding Crowd, | 0:18:42 | 0:18:45 | |
Bathsheba Everdene is sort of the central character | 0:18:45 | 0:18:48 | |
and there are two or three husbands. | 0:18:48 | 0:18:51 | |
The Mayor Of Casterbridge, that's Henchard, | 0:18:51 | 0:18:54 | |
who sells his wife and child or something. | 0:18:54 | 0:18:57 | |
That's the most tempting of the three, | 0:18:57 | 0:18:58 | |
so I'll go for The Mayor Of Casterbridge. | 0:18:58 | 0:19:00 | |
The Mayor Of Casterbridge is right. | 0:19:00 | 0:19:02 | |
So, two each. | 0:19:02 | 0:19:03 | |
Alex, the third question could be crucial. | 0:19:04 | 0:19:07 | |
Here's your question. I'm just praying for some Victorian poetry. | 0:19:07 | 0:19:10 | |
Who created the artwork Balloon Dog Orange, | 0:19:10 | 0:19:14 | |
which in 2013 achieved the highest price for a living artist's work | 0:19:14 | 0:19:20 | |
sold at auction when it went for 58.4 million? | 0:19:20 | 0:19:24 | |
Well, yeah, we see variations of this outside of large | 0:19:31 | 0:19:34 | |
and gullible public art galleries around the world. | 0:19:34 | 0:19:37 | |
This, I'm pretty sure, is the extremely rich Jeff Koons. | 0:19:38 | 0:19:42 | |
It is Jeff Koons, well done. | 0:19:42 | 0:19:44 | |
Well done indeed. | 0:19:44 | 0:19:45 | |
OK, Pat, to stay in. | 0:19:47 | 0:19:48 | |
Alex is playing well. | 0:19:48 | 0:19:49 | |
Although Ariel Dorfman was born in Argentina, his works, such as | 0:19:50 | 0:19:54 | |
the play Death And The Maiden, have been particularly concerned | 0:19:54 | 0:19:58 | |
with the turbulent and violent history of which country? | 0:19:58 | 0:20:02 | |
My first reaction is Chile. | 0:20:05 | 0:20:07 | |
The Pinochet years and all those... | 0:20:08 | 0:20:11 | |
..human rights issues. | 0:20:13 | 0:20:14 | |
Nicaragua and Bolivia... | 0:20:16 | 0:20:17 | |
I think I'll have to go for Chile. | 0:20:20 | 0:20:23 | |
Chile is correct. So we go to Sudden Death. | 0:20:23 | 0:20:25 | |
Gets a little bit tighter, Alex. | 0:20:27 | 0:20:29 | |
I don't give you alternatives. | 0:20:29 | 0:20:31 | |
Dan Brown's character Robert Langdon first appeared in print | 0:20:31 | 0:20:35 | |
in which novel? | 0:20:35 | 0:20:36 | |
I'm not a fan of Dan Brown but I think this is the art professor | 0:20:38 | 0:20:43 | |
in The Da Vinci Code. | 0:20:43 | 0:20:44 | |
I think you're probably right but also wrong, | 0:20:47 | 0:20:50 | |
because he appeared in Angels And Demons. | 0:20:50 | 0:20:53 | |
Is that the story before Da Vinci Code? | 0:20:53 | 0:20:55 | |
Yeah, it's set in Rome and it's concerned fairly heftily | 0:20:55 | 0:20:58 | |
with the Catholic Church. | 0:20:58 | 0:21:00 | |
And he then goes on to Da Vinci Code? | 0:21:00 | 0:21:02 | |
I think the second one is The Da Vinci Code, yes. | 0:21:02 | 0:21:04 | |
There are very brief references to Angels And Demons | 0:21:04 | 0:21:07 | |
in The Da Vinci Code. | 0:21:07 | 0:21:08 | |
Alex, sorry about that, you got it wrong, | 0:21:08 | 0:21:10 | |
so Pat has a chance to take the round. | 0:21:10 | 0:21:13 | |
Idefix is the French name for which four-legged character | 0:21:13 | 0:21:18 | |
in the Asterix series of comic books? | 0:21:18 | 0:21:20 | |
Oh... | 0:21:21 | 0:21:23 | |
Four-legged character. | 0:21:26 | 0:21:27 | |
I think it's the dog. | 0:21:27 | 0:21:28 | |
So, what did they call the dog in the West? | 0:21:31 | 0:21:33 | |
I have a name in my head. | 0:21:35 | 0:21:36 | |
I'm not sure it's right. | 0:21:38 | 0:21:39 | |
Could I just listen to the question one more time? | 0:21:41 | 0:21:43 | |
Yeah. I-D-E-accent-F-I-X is what we're looking at. | 0:21:43 | 0:21:47 | |
Idefix is the French name for which four-legged character | 0:21:47 | 0:21:50 | |
in the Asterix series of comic books? | 0:21:50 | 0:21:53 | |
The four-legged character has got to be the dog, sheep, goat, cow... | 0:21:53 | 0:21:56 | |
I think it's dog. There's a dog. | 0:21:56 | 0:21:58 | |
I'm not sure I'm right but I'm going to go with Dogmatix. | 0:22:00 | 0:22:03 | |
The answer is Dogmatix. | 0:22:04 | 0:22:05 | |
Well done, Pat, you've taken the round. | 0:22:05 | 0:22:07 | |
Sorry, Alex, beaten by our Egghead. | 0:22:07 | 0:22:09 | |
Levels it up, though. Makes for an interesting final. | 0:22:09 | 0:22:12 | |
Please, both of you, return and we will play that final round. | 0:22:12 | 0:22:15 | |
So, bad luck, Alex, there. | 0:22:17 | 0:22:18 | |
And just for clarity, Da Vinci Code was obviously | 0:22:18 | 0:22:21 | |
the big explosion publicity-wise, | 0:22:21 | 0:22:24 | |
but Angels And Demons was published before, in 2000. | 0:22:24 | 0:22:26 | |
So, Da Vinci was 2003, but after Da Vinci Code, | 0:22:26 | 0:22:29 | |
everyone bought Angels And Demons, | 0:22:29 | 0:22:30 | |
so there's a bit of confusion about which came first. | 0:22:30 | 0:22:33 | |
Anyway, bad luck to you, but full of hope for your team here. | 0:22:33 | 0:22:36 | |
This is what we've been playing towards. | 0:22:36 | 0:22:38 | |
It is time for the final round. | 0:22:38 | 0:22:39 | |
As always, it is General Knowledge, but I'm afraid those of you who lost | 0:22:39 | 0:22:42 | |
your head-to-heads won't be allowed to take part in this round. | 0:22:42 | 0:22:45 | |
So, Dan and Alex from Generation Game | 0:22:45 | 0:22:48 | |
and Dave and Lisa from the Eggheads, | 0:22:48 | 0:22:50 | |
would you please now leave the studio? | 0:22:50 | 0:22:52 | |
So, David, Anthony and Simon, | 0:22:54 | 0:22:56 | |
you are playing to win Generation Game £7,000. | 0:22:56 | 0:23:00 | |
Judith, Kevin, Pat, | 0:23:00 | 0:23:01 | |
you're playing for something which I don't think money can buy, | 0:23:01 | 0:23:04 | |
which is your reputation. | 0:23:04 | 0:23:06 | |
As usual, I will ask each team three questions in turn. | 0:23:06 | 0:23:09 | |
This time, they're all General Knowledge. | 0:23:09 | 0:23:11 | |
Gents, you are allowed to confer. | 0:23:11 | 0:23:13 | |
OK, so, Generation Game, the question is, | 0:23:13 | 0:23:15 | |
can you with your three brilliant brains | 0:23:15 | 0:23:16 | |
overwhelm these three over here? | 0:23:16 | 0:23:19 | |
-We'll try. -We'll have a go. -You don't need to say. | 0:23:19 | 0:23:22 | |
-No pressure. -Just tell me if you want to go first or second. | 0:23:22 | 0:23:25 | |
We'll go first, please. | 0:23:25 | 0:23:27 | |
So, your first question is this. | 0:23:30 | 0:23:31 | |
Gold Coast Airport, previously known as Coolangatta Airport, | 0:23:31 | 0:23:36 | |
is located in which country? | 0:23:36 | 0:23:38 | |
-Gold Coast is Australia. -It's Australia. | 0:23:41 | 0:23:43 | |
We're just going to go straight for it, Australia. | 0:23:43 | 0:23:46 | |
Australia is correct. | 0:23:46 | 0:23:47 | |
Back to you, Eggheads. | 0:23:48 | 0:23:50 | |
Under what moniker did the TV chef Graham Kerr | 0:23:50 | 0:23:54 | |
become famous in the 1960s and '70s? | 0:23:54 | 0:23:57 | |
Well, I think Galloping Gourmet. | 0:24:01 | 0:24:03 | |
Galloping Gourmet. Yes. | 0:24:03 | 0:24:04 | |
A favourite of my mother's. | 0:24:04 | 0:24:06 | |
He was one of the first of the celeb chefs. | 0:24:06 | 0:24:08 | |
-I can remember seeing him. OK? -Yep. | 0:24:08 | 0:24:10 | |
That is, or Graham Kerr was, The Galloping Gourmet. | 0:24:10 | 0:24:14 | |
The Galloping Gourmet is quite right. | 0:24:14 | 0:24:16 | |
Well done. | 0:24:16 | 0:24:18 | |
OK, your question. | 0:24:18 | 0:24:20 | |
In the UK, the Girobank was created in 1968 as a clearing bank | 0:24:20 | 0:24:25 | |
that was part of which organisation? | 0:24:25 | 0:24:28 | |
-Post Office. -Post Office. | 0:24:31 | 0:24:32 | |
-Post Office, definitely. -I don't remember it, | 0:24:32 | 0:24:34 | |
but these two certainly remember the Post Office. | 0:24:34 | 0:24:36 | |
Post Office is correct. | 0:24:38 | 0:24:39 | |
Two out of two. Well done. Eggheads. | 0:24:39 | 0:24:42 | |
What is the name of the award given for the best feature film | 0:24:42 | 0:24:45 | |
at the annual Berlin Film Festival? | 0:24:45 | 0:24:48 | |
-Golden Bear. -Golden Bear. -Golden Bear, I think, yeah. | 0:24:53 | 0:24:56 | |
That is the Golden Bear. | 0:24:56 | 0:24:58 | |
Golden Bear is correct. | 0:25:00 | 0:25:01 | |
You been to that, Kevin? | 0:25:01 | 0:25:03 | |
No, my film festivals tend to be in the UK. | 0:25:03 | 0:25:06 | |
-In the UK. -I have once been to the Reykjavik Film Festival, though. | 0:25:06 | 0:25:09 | |
Oh, right, OK. | 0:25:09 | 0:25:12 | |
Third question could be crucial. You're speeding along here. | 0:25:12 | 0:25:15 | |
If you get this right, you put some pressure on them. | 0:25:15 | 0:25:18 | |
£7,000, we're playing for. | 0:25:18 | 0:25:20 | |
In which decade was Erica Jong's novel | 0:25:20 | 0:25:23 | |
Fear Of Flying first published? | 0:25:23 | 0:25:25 | |
It was on the cusp of '60s and '70s. | 0:25:30 | 0:25:32 | |
-It definitely wasn't the '80s. -It wasn't the '80s. | 0:25:32 | 0:25:35 | |
It was somewhere between the '60s and '70s. | 0:25:35 | 0:25:37 | |
-Gosh. -I think it was the very late '60s. | 0:25:37 | 0:25:40 | |
I think it was. I'd be more comfortable with the '60s. | 0:25:40 | 0:25:43 | |
-I think it's a higher probability in the '60s. -'68, '69. | 0:25:43 | 0:25:46 | |
-I think it was. -Yeah, or '70s. -I don't think it was the '70s. | 0:25:46 | 0:25:49 | |
Do you remember anything in the novel | 0:25:49 | 0:25:51 | |
that would give a clue to the...? | 0:25:51 | 0:25:52 | |
No. I was still at university until I started work in '69. | 0:25:52 | 0:25:56 | |
Well, if you started the book in '69, it's '60s. | 0:25:56 | 0:25:59 | |
-Started work. -Oh, started work. | 0:25:59 | 0:26:00 | |
No, no, I started work, and I'm just trying to remember when it... | 0:26:00 | 0:26:04 | |
Because it could just have been the early '70s. | 0:26:05 | 0:26:07 | |
It could have been the early '70s, yeah. | 0:26:07 | 0:26:09 | |
I'm tempted, I'm getting more tempted to '70s. | 0:26:10 | 0:26:12 | |
Me too, me too. The more we think about it. | 0:26:12 | 0:26:14 | |
Your first thought was the '60s. | 0:26:14 | 0:26:16 | |
-I'm talking myself into the '70s. -What do you think? | 0:26:16 | 0:26:18 | |
Do you think your second thoughts beat your first thoughts? | 0:26:18 | 0:26:21 | |
There's an old saying you should always go with your first reaction | 0:26:21 | 0:26:23 | |
but the '60s was not Fear Of Flying. | 0:26:23 | 0:26:27 | |
Let's take a think here. | 0:26:29 | 0:26:31 | |
I think we should go with our first choice, which was the '60s. | 0:26:32 | 0:26:36 | |
OK. OK. | 0:26:36 | 0:26:37 | |
All right, so after much deliberation, | 0:26:37 | 0:26:39 | |
we're erring towards the 1960s. We're going to say the '60s. | 0:26:39 | 0:26:42 | |
OK. Oh, I listened to that so carefully | 0:26:43 | 0:26:46 | |
and you were going '70s. | 0:26:46 | 0:26:48 | |
-Do you know, Eggheads? -I think it's '73. | 0:26:48 | 0:26:51 | |
1973 is the year. | 0:26:51 | 0:26:54 | |
'70s is the answer. | 0:26:54 | 0:26:55 | |
So you've got two out of three. Third question to the Eggheads. | 0:26:57 | 0:27:00 | |
Capitol Hill in Washington, DC | 0:27:00 | 0:27:03 | |
is the location of which of the following? | 0:27:03 | 0:27:05 | |
You get this right, the contest is over. | 0:27:08 | 0:27:11 | |
-The Pentagon... -White House is Pennsylvania Avenue. | 0:27:11 | 0:27:13 | |
-Pentagon's in Virginia. -Pentagon's out in Virginia. | 0:27:13 | 0:27:16 | |
-So it's got to be Congress. -Congress is on Capitol Hill. | 0:27:16 | 0:27:19 | |
Well, Congress sits in the Capitol, so... | 0:27:19 | 0:27:21 | |
-Yeah. -I mean, it's, yeah. | 0:27:23 | 0:27:24 | |
OK? Seems straightforward enough - hope there's not a twist to it. | 0:27:24 | 0:27:27 | |
Well, the White House is 1,600 Pennsylvania Avenue, | 0:27:28 | 0:27:31 | |
the Pentagon sits out in Virginia on the other side of the Potomac, | 0:27:31 | 0:27:36 | |
but Congress sits in the Capitol building and that would be on... | 0:27:36 | 0:27:40 | |
Which is on rising ground, so that would be Capitol Hill, | 0:27:40 | 0:27:45 | |
so it's Congress. | 0:27:45 | 0:27:47 | |
The correct answer is Congress. | 0:27:47 | 0:27:49 | |
We say congratulations, Eggheads, you have won. | 0:27:49 | 0:27:51 | |
And I know you know that one. | 0:27:56 | 0:27:58 | |
But then they'd know the Fear Of Flying so if you'd gone second, | 0:27:58 | 0:28:00 | |
maybe you'd be in Sudden Death. | 0:28:00 | 0:28:02 | |
Who knows? Who knows? | 0:28:02 | 0:28:03 | |
-Who knows? -Very close. -Commiserations, Generation Game. | 0:28:03 | 0:28:06 | |
You played a great game. I can see you're good quizzers. | 0:28:06 | 0:28:08 | |
You lost a couple of good quizzers round the back as well. | 0:28:08 | 0:28:11 | |
The Eggheads have done what comes naturally to them. | 0:28:11 | 0:28:13 | |
This winning streak continues. | 0:28:13 | 0:28:15 | |
It means that you won't be going home with the £7,000 | 0:28:15 | 0:28:18 | |
so we roll the money over to our next show. | 0:28:18 | 0:28:20 | |
Eggheads, congratulations. | 0:28:20 | 0:28:22 | |
Who will beat you? | 0:28:22 | 0:28:24 | |
Join us next time to see if a new team of Challengers | 0:28:24 | 0:28:27 | |
have the brains to defeat them. | 0:28:27 | 0:28:29 | |
£8,000 will be up for grabs. | 0:28:29 | 0:28:31 | |
And until then, goodbye. | 0:28:31 | 0:28:33 |