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These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:07 | |
Together they make up the Eggheads, | 0:00:10 | 0:00:11 | |
arguably the most formidable quiz team in the country. | 0:00:11 | 0:00:15 | |
The question is, can they be beaten? | 0:00:17 | 0:00:19 | |
Welcome to Eggheads, | 0:00:23 | 0:00:24 | |
the show where a team of five quiz Challengers pit their wits against | 0:00:24 | 0:00:28 | |
possibly the greatest quiz team in Britain. | 0:00:28 | 0:00:30 | |
They are the Eggheads. | 0:00:30 | 0:00:33 | |
Your shells going to give way today, Eggs, what do we think? | 0:00:33 | 0:00:37 | |
Oh, no. We're rock solid. | 0:00:37 | 0:00:38 | |
We'll see about that. JEREMY CHUCKLES | 0:00:38 | 0:00:40 | |
Challenging our resident quiz champions today | 0:00:40 | 0:00:42 | |
are Strip The Willow from Essex. | 0:00:42 | 0:00:44 | |
Now this team are all members of the Grand Ceilidh Club | 0:00:44 | 0:00:47 | |
in Southend-on-Sea, | 0:00:47 | 0:00:48 | |
so let's meet them. | 0:00:48 | 0:00:50 | |
Hi, I'm Jeff, and I'm a science teacher. | 0:00:50 | 0:00:52 | |
Hi, I'm Kate, and I'm a children's services practitioner. | 0:00:52 | 0:00:56 | |
Hi, I'm Claire, and I'm a barmaid. | 0:00:56 | 0:00:58 | |
Hi, I'm Alexandra, I'm a preschool practitioner. | 0:00:58 | 0:01:02 | |
Hi, I'm Bob, I'm a retired technician. | 0:01:02 | 0:01:05 | |
So, Jeff and team, welcome. | 0:01:05 | 0:01:07 | |
-ALL: -Hi. -Good to see you. | 0:01:07 | 0:01:09 | |
You've made a long trip up to Glasgow, haven't you? | 0:01:09 | 0:01:11 | |
Yes, four and a half hours from London... | 0:01:11 | 0:01:14 | |
-up to Glasgow. -Tell us then about the ceilidh club, Jeff. | 0:01:14 | 0:01:17 | |
Yes, it's a barn dancing group in Southend. | 0:01:17 | 0:01:19 | |
We meet regularly every Wednesday evening. | 0:01:19 | 0:01:22 | |
We really enjoy it, it's a really good social event. | 0:01:22 | 0:01:25 | |
We get to see our friends, and lots dancing and music. | 0:01:25 | 0:01:28 | |
And so we have some musicians here | 0:01:28 | 0:01:29 | |
and I think they're called callers as well, is that right? | 0:01:29 | 0:01:32 | |
Yes, I do some calling, | 0:01:32 | 0:01:34 | |
and Alexandra does some calling, and then we've got... | 0:01:34 | 0:01:36 | |
Kate is a musician as well. | 0:01:36 | 0:01:38 | |
The calling is, you know... | 0:01:38 | 0:01:40 | |
Is strip the willow one of the commands? | 0:01:40 | 0:01:42 | |
It's one of the moves within the dances. | 0:01:42 | 0:01:45 | |
What exactly is strip the willow? | 0:01:45 | 0:01:47 | |
You have a line of gentlemen facing a line of ladies. | 0:01:47 | 0:01:50 | |
-Yes. -You have a partner opposite you. | 0:01:50 | 0:01:53 | |
You move into the middle, just the top couple only, | 0:01:53 | 0:01:56 | |
you turn one and a half times round, right hand, | 0:01:56 | 0:01:58 | |
and then you go left hand down the opposite line. | 0:01:58 | 0:02:01 | |
So the men turn the ladies on the opposite line, | 0:02:01 | 0:02:04 | |
keep coming back to the middle, | 0:02:04 | 0:02:05 | |
turn your partner around until you get to the end of the line, | 0:02:05 | 0:02:08 | |
and that's strip the willow. But it can go on for a long time. | 0:02:08 | 0:02:11 | |
Depending on the length of the line, I guess. | 0:02:11 | 0:02:14 | |
I was in Pitlochry for New Year | 0:02:14 | 0:02:17 | |
and I started at one end of the high street and people kept going on, | 0:02:17 | 0:02:20 | |
adding on to the line, | 0:02:20 | 0:02:21 | |
so by the time I got to the end of the high street, I was quite tired. | 0:02:21 | 0:02:24 | |
It was January 2nd! | 0:02:24 | 0:02:26 | |
Yes, January 2nd. | 0:02:26 | 0:02:27 | |
Have you got that, Eggs? | 0:02:27 | 0:02:28 | |
When we do strip the willow later, are you up for that? | 0:02:28 | 0:02:31 | |
I've a feeling we might be do-si-doed here! | 0:02:31 | 0:02:33 | |
-Very good. -Well, I don't know, good luck. | 0:02:33 | 0:02:35 | |
Will you do some calling during this game maybe? | 0:02:35 | 0:02:37 | |
Yes, I think we will be. | 0:02:37 | 0:02:39 | |
I think... OK, the team captain especially. | 0:02:39 | 0:02:41 | |
Good luck, Jeff and team. | 0:02:41 | 0:02:43 | |
Every day there is £1,000 worth of cash | 0:02:43 | 0:02:45 | |
up for grabs for our Challengers. | 0:02:45 | 0:02:47 | |
However, if they fail to defeat the Eggheads, | 0:02:47 | 0:02:49 | |
the prize-money rolls over to the next show. | 0:02:49 | 0:02:51 | |
So, Strip The Willow, | 0:02:51 | 0:02:53 | |
I can tell you the Eggheads have been playing really well. | 0:02:53 | 0:02:55 | |
They've had some games that were close, | 0:02:55 | 0:02:57 | |
but by and large they have been triumphant. | 0:02:57 | 0:02:59 | |
They've won the last 18 games, | 0:02:59 | 0:03:02 | |
which means there's £19,000 to win today. | 0:03:02 | 0:03:04 | |
-Would you like to try? -Yes, please. | 0:03:04 | 0:03:06 | |
OK, good stuff. The first head-to-head battle | 0:03:06 | 0:03:08 | |
is on the subject of geography. | 0:03:08 | 0:03:10 | |
And you can choose between Beth, Chris, Pat, Steve, and Barry. | 0:03:10 | 0:03:13 | |
-How about Bob? -Bob? | 0:03:13 | 0:03:15 | |
-OK. -You want to do geography? -Yep. | 0:03:15 | 0:03:17 | |
-Bob's going to do geography. -All right. | 0:03:17 | 0:03:19 | |
Bob, our retired technician. | 0:03:19 | 0:03:21 | |
Any one of the five, Bob. | 0:03:21 | 0:03:23 | |
How about Beth? | 0:03:23 | 0:03:24 | |
-Beth? -OK. That's fine, yeah. | 0:03:24 | 0:03:27 | |
-OK. -Beth. | 0:03:27 | 0:03:28 | |
-And this is strip the willow now, is it? -Yes. | 0:03:28 | 0:03:32 | |
Bob from Strip The Willow versus Beth from the Eggheads on geography. | 0:03:32 | 0:03:36 | |
Please take your positions in the Question Room. | 0:03:36 | 0:03:38 | |
Well, I guess the key question, Beth, | 0:03:40 | 0:03:42 | |
is whether we've sorted out our Southeast Asia yet. | 0:03:42 | 0:03:44 | |
Well, at least I know Belize isn't there any more. | 0:03:44 | 0:03:46 | |
Belize is not in Southeast Asia | 0:03:46 | 0:03:48 | |
and Vietnam was constantly the issue, wasn't it? | 0:03:48 | 0:03:50 | |
Oh, I'm just going to say Vietnam, even if it isn't an option. | 0:03:50 | 0:03:55 | |
All right, Bob. Well, good luck. | 0:03:55 | 0:03:57 | |
I know you went to Romania recently. | 0:03:57 | 0:03:58 | |
Indeed, we did. | 0:03:58 | 0:04:00 | |
Tell us why. | 0:04:00 | 0:04:01 | |
My daughter invited me to look at salt mines, churches, | 0:04:01 | 0:04:06 | |
and other such tourist attractions, | 0:04:06 | 0:04:10 | |
and sweetened the pill by saying | 0:04:10 | 0:04:12 | |
there's a steam work narrow gauge railway in north-west Romania. | 0:04:12 | 0:04:17 | |
Ah, that's your kind of thing, is it? | 0:04:17 | 0:04:19 | |
-Yes, indeed. -Well, it's Chris's kind of thing, too. | 0:04:19 | 0:04:21 | |
Have you been to see that, Chris? | 0:04:21 | 0:04:22 | |
I haven't been there but I've read all about it. | 0:04:22 | 0:04:24 | |
-Oh, right. -There's videos of it on YouTube. | 0:04:24 | 0:04:26 | |
So Chris knows a bit about this at this end, Bob, | 0:04:26 | 0:04:28 | |
so you've touched his heart. | 0:04:28 | 0:04:30 | |
So would you like to go first or second, Bob, on geography? | 0:04:30 | 0:04:33 | |
I think I'd like to go first, please. | 0:04:33 | 0:04:35 | |
Here we go with your first question, Bob. Good luck. | 0:04:39 | 0:04:41 | |
What was the approximate population of Wales at the 2011 census? | 0:04:41 | 0:04:46 | |
Well, Wales is a fair percentage of Britain. | 0:04:50 | 0:04:52 | |
Percentage... | 0:04:54 | 0:04:55 | |
The population of Britain as it stands is about 60 million. | 0:04:55 | 0:04:59 | |
So I would think by saying... | 0:05:00 | 0:05:02 | |
..it's about a fifth of the land area, | 0:05:03 | 0:05:07 | |
I'd expect the population to be about a fifth, | 0:05:07 | 0:05:09 | |
so, Jeremy, I'm going for 13 million. | 0:05:09 | 0:05:12 | |
13 million. You're 10 million out. | 0:05:12 | 0:05:14 | |
It's something to do with the way... | 0:05:16 | 0:05:18 | |
Well, I guess England is so much the population centre, isn't it? | 0:05:18 | 0:05:22 | |
The correct answer is 3 million. | 0:05:22 | 0:05:24 | |
OK, Beth, your question. | 0:05:24 | 0:05:27 | |
Mar de Hoces is a name for the body of water | 0:05:27 | 0:05:30 | |
that separates Antarctica from which part of the world? | 0:05:30 | 0:05:34 | |
Well, purely from the language | 0:05:37 | 0:05:40 | |
and your wonderful pronunciation, Jeremy, | 0:05:40 | 0:05:43 | |
I'll go with South America. | 0:05:43 | 0:05:45 | |
Thank you for that compliment. | 0:05:45 | 0:05:47 | |
South America is right. | 0:05:47 | 0:05:49 | |
-You were tempted with Asia, weren't you? -Yeah! | 0:05:49 | 0:05:52 | |
OK, back to you, Bob. Get on the score sheet now. | 0:05:53 | 0:05:56 | |
The Cerne Abbas Giant is a figure cut into a hillside | 0:05:56 | 0:06:01 | |
in which country of the UK? | 0:06:01 | 0:06:04 | |
It's England. It's England. | 0:06:07 | 0:06:09 | |
-Do you know whereabouts? -Dorset. | 0:06:09 | 0:06:11 | |
Yes. I've seen it in Dorset, yes. | 0:06:11 | 0:06:13 | |
England is right. Well done. | 0:06:13 | 0:06:15 | |
OK. Based on this, | 0:06:15 | 0:06:17 | |
the next answer to your next question will be Scotland, Bob. | 0:06:17 | 0:06:20 | |
We can see the pattern here. | 0:06:20 | 0:06:22 | |
Beth, what is the most populated town of the Shetland Islands? | 0:06:22 | 0:06:29 | |
I used to live in the Orkney Islands, which is | 0:06:29 | 0:06:31 | |
the ones just below, but I never managed to get up to Lerwick. | 0:06:31 | 0:06:36 | |
Lerwick is quite right. | 0:06:36 | 0:06:38 | |
So, two to Beth. | 0:06:38 | 0:06:39 | |
It means, Bob, you need to get this right. | 0:06:39 | 0:06:41 | |
Australia's third-largest island, | 0:06:41 | 0:06:44 | |
after Tasmania and Melville Island, | 0:06:44 | 0:06:47 | |
is named after what creature? | 0:06:47 | 0:06:48 | |
Well, they're all Australian creatures. | 0:06:54 | 0:06:56 | |
I'm making the assumption that if there's | 0:06:56 | 0:07:00 | |
two jumping creatures and there are other birds, | 0:07:00 | 0:07:03 | |
it's got to be wallaby or kangaroo. | 0:07:03 | 0:07:07 | |
A pure guess, wallaby. | 0:07:07 | 0:07:09 | |
Wallaby. Anyone know Australia here, of the team-mates? | 0:07:11 | 0:07:14 | |
-I think it's Kangaroo Island. -Yeah, I thought it was kangaroo. | 0:07:14 | 0:07:16 | |
Kangaroo Island it is, Bob. | 0:07:16 | 0:07:18 | |
-Oh, well. -Sorry. Two wrong answers, | 0:07:20 | 0:07:21 | |
very expensive for you, you've been knocked out. | 0:07:21 | 0:07:23 | |
Beth will be in the final round. | 0:07:23 | 0:07:25 | |
Well done. Doing better and better on geography. | 0:07:25 | 0:07:27 | |
Come back to us, both of you, and we will play round two. | 0:07:27 | 0:07:29 | |
OK, Strip The Willow have lost a brain from the final round, | 0:07:31 | 0:07:34 | |
the Eggheads are still all there, playing well. | 0:07:34 | 0:07:37 | |
And the next subject for you, Challengers, is sport. | 0:07:37 | 0:07:39 | |
So, Jeff and team, who wants this? | 0:07:40 | 0:07:42 | |
-Sport. -Are you OK, Alex, on this, Alexandra, to do Sport? | 0:07:42 | 0:07:46 | |
I know it's not your favourite subject, but one for the team. | 0:07:46 | 0:07:48 | |
One of the team, I'll give it a go. | 0:07:48 | 0:07:51 | |
-Yes. -Yay! Go, Alexandra. -Alexandra is going to take one for the team. | 0:07:51 | 0:07:54 | |
Alexandra, brilliant. Against which Egghead? | 0:07:54 | 0:07:57 | |
Chris, would you be able to do this one, please? | 0:07:57 | 0:07:59 | |
Oh, you mustn't ask him - that's a recipe for disaster. | 0:07:59 | 0:08:02 | |
I'd consult with the higher powers. | 0:08:02 | 0:08:04 | |
Alexandra from Strip The Willow is against Chris | 0:08:05 | 0:08:08 | |
on sport, from the Eggheads, | 0:08:08 | 0:08:09 | |
which seems to happen quite a lot at the moment. | 0:08:09 | 0:08:11 | |
Please take your positions in our famous Question Room. | 0:08:11 | 0:08:14 | |
Alexandra, tell us what you do in the ceilidh club. | 0:08:16 | 0:08:19 | |
Are you a caller or a musician? | 0:08:19 | 0:08:20 | |
I am a caller. I call the dances | 0:08:20 | 0:08:23 | |
and I occasionally may have made a dance. | 0:08:23 | 0:08:25 | |
Right, and you then say "do this" and "do that" and they all do it. | 0:08:25 | 0:08:29 | |
-It must be satisfying. -When it works it's very satisfying, yes. | 0:08:29 | 0:08:32 | |
So apart from the command strip the willow, | 0:08:32 | 0:08:35 | |
what are the other classic commands? | 0:08:35 | 0:08:36 | |
There's do-si-do, swing your partner, promenade, | 0:08:36 | 0:08:41 | |
-I can't think of any others! -That's a good list. | 0:08:41 | 0:08:44 | |
All right. So, I guess, for this round's purposes, | 0:08:44 | 0:08:46 | |
take your partner by the arm, Alexandra, we're on sport. | 0:08:46 | 0:08:48 | |
And would you like to go first or second? | 0:08:48 | 0:08:50 | |
I would like to go first, please. | 0:08:50 | 0:08:52 | |
Here's your question. | 0:08:56 | 0:08:57 | |
In January 2016, Nick Brett became an indoor world champion | 0:08:57 | 0:09:01 | |
in which sport by beating Robert Paxton? | 0:09:01 | 0:09:04 | |
I don't think it's bowls. | 0:09:08 | 0:09:09 | |
And I've got a feeling, table tennis is calling. | 0:09:12 | 0:09:15 | |
I'm going to go with table tennis, I think. | 0:09:15 | 0:09:17 | |
Actually, that's wrong. I think the key word in the question | 0:09:17 | 0:09:20 | |
is probably indoor. | 0:09:20 | 0:09:21 | |
The suggestion that there's an indoor and outdoor version. | 0:09:21 | 0:09:23 | |
Team-mates, you got a clue here? | 0:09:23 | 0:09:25 | |
-Bowls. -Yeah, bowls, cos there's no outdoor table tennis or darts. | 0:09:25 | 0:09:29 | |
Bowls is the right answer, Alexandra. | 0:09:29 | 0:09:31 | |
Here's your question, Chris. | 0:09:33 | 0:09:34 | |
The Hawk-Eye ball tracking system | 0:09:34 | 0:09:36 | |
was first used in cricket broadcasting in what year? | 0:09:36 | 0:09:40 | |
Well, it's a very recent and quite controversial thing, isn't it? | 0:09:45 | 0:09:48 | |
So certainly not 1991. | 0:09:48 | 0:09:51 | |
I don't remember it in 2001, so I'll say 2011. | 0:09:53 | 0:09:57 | |
Eggheads, is he right? | 0:09:57 | 0:09:58 | |
I thought it was much earlier. | 0:09:58 | 0:09:59 | |
I think it must be earlier than that. | 0:09:59 | 0:10:01 | |
Earlier. Earlier, they're saying. | 0:10:01 | 0:10:02 | |
-2001, Chris. -Oh, 2001. | 0:10:02 | 0:10:05 | |
So, level. | 0:10:05 | 0:10:06 | |
Alexandra, here's your question. | 0:10:06 | 0:10:09 | |
Used in tennis's Australian Open from 1988, | 0:10:09 | 0:10:13 | |
rebound ace is a type of which of the following? | 0:10:13 | 0:10:17 | |
Quite a while, then. | 0:10:20 | 0:10:22 | |
I think it's... I'm going to go with ball, I think. | 0:10:24 | 0:10:28 | |
It could easily be ball, but it's court surface, Alexandra. | 0:10:29 | 0:10:32 | |
Bit of bad luck. So, Chris, your question. | 0:10:32 | 0:10:36 | |
What is the name of Middlesbrough FC's home ground? | 0:10:36 | 0:10:39 | |
Oh, Turf Moor's Burnley, Vicarage Road is Watford, | 0:10:44 | 0:10:47 | |
so it's got to be Riverside Stadium. | 0:10:47 | 0:10:48 | |
-Riverside Stadium is quite right. -Well done. | 0:10:48 | 0:10:50 | |
So the first point in this round | 0:10:50 | 0:10:52 | |
and you need to get this one right, Alexandra. | 0:10:52 | 0:10:54 | |
In which decade did synchronised swimming debut | 0:10:54 | 0:10:58 | |
as an Olympic sport? | 0:10:58 | 0:11:00 | |
I seem to remember watching it | 0:11:05 | 0:11:07 | |
and pretending to do it while swimming in the creek! | 0:11:07 | 0:11:11 | |
I think that's 1970s. | 0:11:11 | 0:11:13 | |
I'm afraid it's 1980s. | 0:11:16 | 0:11:18 | |
So sorry. | 0:11:18 | 0:11:20 | |
So Chris has beaten Alexandra in the sporting round. | 0:11:20 | 0:11:22 | |
Chris, you'll be in the final. How about that - on sport? | 0:11:22 | 0:11:24 | |
-How about that? -How about that? | 0:11:24 | 0:11:26 | |
And, Alexandra, return to your team, | 0:11:26 | 0:11:29 | |
who need to start to come back now. | 0:11:29 | 0:11:31 | |
Bad luck there, Alexandra. | 0:11:32 | 0:11:34 | |
Actually, one of the techniques in synchronised swimming | 0:11:34 | 0:11:36 | |
is called the eggbeater kick. | 0:11:36 | 0:11:39 | |
You've been on the receiving end of a few of those! | 0:11:39 | 0:11:41 | |
Haven't you, Eggheads? | 0:11:41 | 0:11:43 | |
So, Strip The Willow, you have lost two brains from the final round, | 0:11:43 | 0:11:47 | |
the Eggheads are all still there, | 0:11:47 | 0:11:48 | |
and the next subject for you is arts and books. | 0:11:48 | 0:11:50 | |
-Who would like this? -I think that's you. | 0:11:50 | 0:11:52 | |
-Something for you, Catherine. -That would be me. Yep. -Kate. | 0:11:52 | 0:11:55 | |
It's Kate. OK. Our children's services practitioner. | 0:11:55 | 0:11:57 | |
Against which Egghead? | 0:11:57 | 0:11:59 | |
-Steve? -Shall I go for Steve? | 0:11:59 | 0:12:01 | |
-We'll go for Steve, please. -Very good. | 0:12:01 | 0:12:03 | |
Good luck. Kate from Strip The Willow, Steve from the Eggheads, | 0:12:03 | 0:12:05 | |
please take your positions. | 0:12:05 | 0:12:07 | |
Kate, good luck in this round. | 0:12:08 | 0:12:10 | |
-Thank you. -Would you like to go first or second? | 0:12:10 | 0:12:11 | |
I would like to go first, please, Jeremy. | 0:12:11 | 0:12:14 | |
And here we go with your first question. | 0:12:17 | 0:12:19 | |
The illustrator Quentin Blake is famous for his work | 0:12:19 | 0:12:21 | |
with which of these writers? | 0:12:21 | 0:12:23 | |
That would be Roald Dahl, Jeremy, an author who I grew up on. | 0:12:27 | 0:12:31 | |
As did we all. Roald Dahl is quite right. | 0:12:31 | 0:12:33 | |
-And he's an amazing illustrator, isn't he? -He is. | 0:12:33 | 0:12:37 | |
OK, Steve, which of these was the place and date of Rembrandt's birth? | 0:12:37 | 0:12:41 | |
Well, I know he were Dutch, so that's a big help, | 0:12:48 | 0:12:51 | |
so I'll say Leiden, 1606. | 0:12:51 | 0:12:53 | |
Yes, spot on. | 0:12:53 | 0:12:54 | |
It is Leiden, 1606. | 0:12:54 | 0:12:56 | |
OK, Kate your question. | 0:12:57 | 0:12:59 | |
Rabbit Run, published in 1960, | 0:12:59 | 0:13:01 | |
was the first in a series of novels by which American author? | 0:13:01 | 0:13:05 | |
I don't know this one, Jeremy. | 0:13:10 | 0:13:12 | |
I think it's not going to be Kerouac. | 0:13:12 | 0:13:15 | |
I think I'm going to go with John Updike, Jeremy. | 0:13:15 | 0:13:18 | |
Team-mates, is she right? | 0:13:19 | 0:13:21 | |
-Yes. -You are right, Kate, well done. | 0:13:21 | 0:13:23 | |
It is John Updike. | 0:13:23 | 0:13:24 | |
OK. | 0:13:24 | 0:13:26 | |
Steve, to catch up. | 0:13:26 | 0:13:27 | |
Which of these writers wrote only one novel | 0:13:27 | 0:13:30 | |
that was published in their lifetime? | 0:13:30 | 0:13:32 | |
As opposed to more than one, I'm assuming? | 0:13:37 | 0:13:38 | |
Right, OK. | 0:13:38 | 0:13:40 | |
In that case then, I'll say Oscar Wilde. | 0:13:40 | 0:13:42 | |
And do you know what it was? | 0:13:42 | 0:13:43 | |
Picture of Dorian Gray. | 0:13:43 | 0:13:45 | |
Picture of Dorian Gray is the right answer. | 0:13:45 | 0:13:47 | |
Oscar Wilde is correct. | 0:13:47 | 0:13:49 | |
So, level. This is a fun round, Kate. | 0:13:50 | 0:13:52 | |
-Certainly is. -We're finding out a lot here and you're playing well. | 0:13:52 | 0:13:55 | |
Here is your next question. | 0:13:55 | 0:13:57 | |
Which was the first of Patricia Cornwell's novels | 0:13:57 | 0:14:00 | |
to feature the character Kay Scarpetta? | 0:14:00 | 0:14:03 | |
OK, so I know the novels, | 0:14:07 | 0:14:08 | |
I think I might have read one | 0:14:08 | 0:14:12 | |
with a detective Kay Scarpetta. | 0:14:12 | 0:14:14 | |
Don't know the title. | 0:14:14 | 0:14:16 | |
Point Of Origin seems to be speaking to me because it's about something | 0:14:19 | 0:14:22 | |
beginning, and if it's the debut of that particular character, | 0:14:22 | 0:14:26 | |
I think I might go for that one, Jeremy, Point Of Origin. | 0:14:26 | 0:14:29 | |
-Postmortem is the answer, Kate. -Oh. | 0:14:31 | 0:14:34 | |
So, Steve, for the round. | 0:14:34 | 0:14:36 | |
The American artist Ad Reinhardt's work | 0:14:36 | 0:14:39 | |
is most commonly associated with which art movement? | 0:14:39 | 0:14:43 | |
The short answer is I don't know. | 0:14:47 | 0:14:49 | |
I'm going to rule out impressionism, rightly or wrongly, | 0:14:49 | 0:14:52 | |
and because I don't know, it could equally be either. | 0:14:52 | 0:14:55 | |
I'll try pop art. | 0:14:57 | 0:14:59 | |
No, it actually is abstract expressionism. | 0:14:59 | 0:15:02 | |
OK, so it's level after three. | 0:15:03 | 0:15:05 | |
How about that, Kate? | 0:15:05 | 0:15:07 | |
-Oh. -Did you think you were out there? | 0:15:07 | 0:15:09 | |
I thought I might have bitten the dust. | 0:15:09 | 0:15:11 | |
No, you have not, definitely not. | 0:15:11 | 0:15:13 | |
Sudden Death we go to. Gets a bit harder now. | 0:15:13 | 0:15:15 | |
I don't give your alternative answers, | 0:15:15 | 0:15:17 | |
so you've gone further into this round | 0:15:17 | 0:15:19 | |
than any of your colleagues did in theirs. Good luck. | 0:15:19 | 0:15:21 | |
Here we go. | 0:15:21 | 0:15:22 | |
Which character in Shakespeare's Much Ado About Nothing | 0:15:22 | 0:15:26 | |
is the main romantic interest of Benedick? | 0:15:26 | 0:15:30 | |
I think that's Beatrice. | 0:15:30 | 0:15:33 | |
It is Beatrice. Really good answer, well done. | 0:15:33 | 0:15:36 | |
Sudden Death. | 0:15:36 | 0:15:37 | |
Back to you, Steve. | 0:15:37 | 0:15:39 | |
The poet George Gordon Noel, born in London in 1788, | 0:15:39 | 0:15:44 | |
was better known by what title and surname? | 0:15:44 | 0:15:47 | |
Well, the surname threw me a bit to start with, | 0:15:47 | 0:15:49 | |
but I think it's got to be Lord Byron. | 0:15:49 | 0:15:51 | |
It is Lord Byron. | 0:15:51 | 0:15:53 | |
Back to you, Kate, Sudden Death. | 0:15:53 | 0:15:55 | |
What is the surname of Pa, Ma, Tom, Al and Noah | 0:15:55 | 0:15:59 | |
in John Steinbeck's novel the Grapes Of Wrath? | 0:15:59 | 0:16:02 | |
I don't think I know this one, Jeremy. | 0:16:02 | 0:16:04 | |
I think I might have to take a guess. | 0:16:04 | 0:16:06 | |
I'm going to guess something quite generic, unless... | 0:16:08 | 0:16:13 | |
it's maybe a.. | 0:16:13 | 0:16:14 | |
It might be a Spanish name. | 0:16:14 | 0:16:16 | |
I don't know any common ones, so I'm going to guess... | 0:16:16 | 0:16:20 | |
White. I don't think it's right. | 0:16:20 | 0:16:22 | |
No, it's Joad. | 0:16:22 | 0:16:24 | |
It's the Joad family going from, I guess, | 0:16:24 | 0:16:26 | |
the dust bowls of Oklahoma to California. | 0:16:26 | 0:16:28 | |
Joad, J-O-A-D. | 0:16:28 | 0:16:30 | |
Steve, for the round. | 0:16:32 | 0:16:33 | |
What was the name of the bemusement park created by | 0:16:33 | 0:16:36 | |
the artist Banksy and opened in Weston-Super-Mare in 2015? | 0:16:36 | 0:16:42 | |
It's Dismaland, Jeremy. | 0:16:42 | 0:16:45 | |
Dismaland is the right answer. | 0:16:45 | 0:16:47 | |
You probably knew that, Kate. | 0:16:47 | 0:16:48 | |
-I did. -Sorry, knocked out by our Egghead, there, | 0:16:48 | 0:16:51 | |
but you played so well. | 0:16:51 | 0:16:52 | |
Come back to us, both of you. | 0:16:52 | 0:16:53 | |
We've got one more round to play before the final. | 0:16:53 | 0:16:56 | |
Well done, Steve. Did I have a memory that you had 10,000 books? | 0:16:58 | 0:17:01 | |
-Yeah. -Really? And where are they all stocked? | 0:17:01 | 0:17:03 | |
-Well, a few more now, I bought a few more yesterday. -Did you? | 0:17:03 | 0:17:05 | |
I've just got one bedroom devoted to them, | 0:17:05 | 0:17:07 | |
so it's like they're reaching up to the ceiling now, | 0:17:07 | 0:17:09 | |
so I really need to come up with plan B. | 0:17:09 | 0:17:11 | |
And is the ceiling below bowed? | 0:17:11 | 0:17:14 | |
I try to avoid that room, to be honest. | 0:17:14 | 0:17:16 | |
JEREMY LAUGHS | 0:17:16 | 0:17:17 | |
OK. So, Strip The Willow have lost three brains, | 0:17:17 | 0:17:20 | |
so this is, I suppose, in dancing ceilidh terms, | 0:17:20 | 0:17:23 | |
it's where it's going perfectly well, | 0:17:23 | 0:17:25 | |
then in the backline somebody falls over. | 0:17:25 | 0:17:27 | |
Yeah. Perhaps we need to rewrite the dance now. | 0:17:27 | 0:17:30 | |
I think maybe just even speed up the music. | 0:17:30 | 0:17:33 | |
-That will fool them. -Yeah, I think it's not what they expecting. | 0:17:33 | 0:17:36 | |
The Eggheads have not lost any so far | 0:17:36 | 0:17:38 | |
and the last subject for you before we play the final is music. | 0:17:38 | 0:17:41 | |
That's good, isn't it? | 0:17:41 | 0:17:42 | |
-That's me then, is it? -That's good. | 0:17:42 | 0:17:44 | |
-That's Claire. -OK, Claire. Against which Egghead, Claire? | 0:17:44 | 0:17:47 | |
-Who would you like? -Barry? -Let's go with Barry. -Try Barry. | 0:17:47 | 0:17:50 | |
So Claire from Strip The Willow | 0:17:50 | 0:17:52 | |
is going to play Barry, on music, from the Eggheads. | 0:17:52 | 0:17:55 | |
And, for the last time, please go to our Question Room. | 0:17:55 | 0:17:58 | |
So, Claire, you're a barmaid in Leigh-on-Sea. | 0:18:00 | 0:18:02 | |
Well, I actually work in a town nearby in Rochford | 0:18:02 | 0:18:05 | |
at the Cherry Tree, yes. | 0:18:05 | 0:18:06 | |
Oh, OK. And the Cherry Tree, tell us what kind of pub that is. | 0:18:06 | 0:18:08 | |
It's a kind of gastro-pub out in the middle of nowhere, | 0:18:08 | 0:18:11 | |
it's a destination pub, it's a listed building. | 0:18:11 | 0:18:14 | |
It's really quite beautiful, actually. | 0:18:14 | 0:18:16 | |
And any famous people that you have served there? | 0:18:16 | 0:18:19 | |
Not in the pub, no. | 0:18:19 | 0:18:21 | |
We haven't had anybody famous through the doors as yet. | 0:18:21 | 0:18:23 | |
Wasn't there Christmas dinner with Rowan Atkinson or something? | 0:18:23 | 0:18:26 | |
-Tell us about that. -Yeah. | 0:18:26 | 0:18:28 | |
I used to work with Piers Fletcher, who's now the producer for QI. | 0:18:28 | 0:18:31 | |
I worked in the city with him | 0:18:31 | 0:18:33 | |
and he asked me to help out at a friend's Christmas lunch. | 0:18:33 | 0:18:35 | |
And when I got round to his house, | 0:18:35 | 0:18:37 | |
it was Emma Freud and Richard Curtis's house | 0:18:37 | 0:18:39 | |
and there were quite a famous bunch of friends, | 0:18:39 | 0:18:42 | |
including Angus Deayton, Rowan Atkinson and Howard Goodall. | 0:18:42 | 0:18:45 | |
What a great line-up. | 0:18:45 | 0:18:46 | |
It was a cracking evening, really funny evening. | 0:18:46 | 0:18:48 | |
That's like a TV show right there, isn't it? | 0:18:48 | 0:18:50 | |
It could have been a whole sitcom, I think. | 0:18:50 | 0:18:52 | |
All right, good luck in this round. | 0:18:52 | 0:18:54 | |
Music against Barry, Claire. Would you like to go first or second? | 0:18:54 | 0:18:56 | |
I'd like to go first, please, Jeremy. | 0:18:56 | 0:18:58 | |
And here we go. Let's try and get you through to the final here. | 0:19:01 | 0:19:04 | |
Lulu sang the theme song to which James Bond film? | 0:19:04 | 0:19:08 | |
Well, I know that The Spy Who Loved Me was Carly Simon, | 0:19:13 | 0:19:16 | |
Diamonds Are Forever, I'm sure was Shirley Bassey | 0:19:16 | 0:19:18 | |
so I'll go for Man With The Golden Gun, please, Jeremy. | 0:19:18 | 0:19:20 | |
Yeah, brilliant work. | 0:19:20 | 0:19:21 | |
The Man With The Golden Gun it is. | 0:19:21 | 0:19:23 | |
With Christopher Lee, wasn't it, Barry? | 0:19:23 | 0:19:25 | |
-It was indeed, yes. -And Scaramanga and all that. | 0:19:25 | 0:19:27 | |
Here's your question. | 0:19:28 | 0:19:30 | |
Bye Bye Love was the debut UK hit single from which group? | 0:19:30 | 0:19:33 | |
Oh, I grew up listening to this group | 0:19:38 | 0:19:40 | |
and I love their music to this very day. | 0:19:40 | 0:19:42 | |
It was the Everly Brothers. | 0:19:42 | 0:19:44 | |
The Everly Brothers is quite right. | 0:19:44 | 0:19:46 | |
Claire, back to you. | 0:19:46 | 0:19:48 | |
The Heavy Entertainment Show is a 2016 album by which singer? | 0:19:48 | 0:19:51 | |
I'm not sure about this one, | 0:19:56 | 0:19:58 | |
but I'm going to rule out Robbie Williams, I think, and Tom Jones. | 0:19:58 | 0:20:03 | |
I'll go Ed Sheeran. | 0:20:03 | 0:20:04 | |
His main ones have been the plus sign and multiply sign | 0:20:06 | 0:20:10 | |
and all of that on the cover. | 0:20:10 | 0:20:11 | |
Let's see if your team-mates know this. | 0:20:11 | 0:20:13 | |
Kate, not your thing? | 0:20:13 | 0:20:15 | |
-I don't know. -Barry, do you know? | 0:20:15 | 0:20:16 | |
-It's Robbie Williams. -Oh. -Yeah. | 0:20:16 | 0:20:18 | |
Robbie Williams. | 0:20:18 | 0:20:20 | |
He's always big on entertainment - | 0:20:20 | 0:20:22 | |
Let Me Entertain You and all that - that's his kind of thing. | 0:20:22 | 0:20:25 | |
Robbie Williams is the answer, | 0:20:25 | 0:20:26 | |
so Barry has a chance to take the lead. | 0:20:26 | 0:20:29 | |
Andy McCluskey is the lead singer with which band | 0:20:29 | 0:20:32 | |
formed in the late '70s? | 0:20:32 | 0:20:33 | |
It's not Yazoo and it's not Soft Cell, | 0:20:38 | 0:20:41 | |
it's Orchestral Manoeuvres in the Dark. | 0:20:41 | 0:20:43 | |
Very good, Barry. Didn't know you followed them. | 0:20:43 | 0:20:46 | |
I've heard one or two of theirs. | 0:20:46 | 0:20:48 | |
I couldn't name any at the moment, | 0:20:48 | 0:20:50 | |
but I have heard some of their work. | 0:20:50 | 0:20:51 | |
Oh, I love them. | 0:20:51 | 0:20:52 | |
Orchestral Manoeuvres in the Dark is quite right. | 0:20:52 | 0:20:55 | |
Well done. OK. | 0:20:55 | 0:20:56 | |
So, third question to you, Claire. | 0:20:58 | 0:20:59 | |
You need to get this right to stay in. | 0:20:59 | 0:21:02 | |
The 20th-century piano virtuoso Arthur Rubinstein | 0:21:02 | 0:21:06 | |
was born in a city that is now part of which country? | 0:21:06 | 0:21:09 | |
I don't know this one, so it's going to have to be an educated guess, | 0:21:13 | 0:21:16 | |
but Rubinstein sounds possibly German. | 0:21:16 | 0:21:20 | |
I will go Germany, please, Jeremy. | 0:21:22 | 0:21:24 | |
Poland is the answer, Claire. Sorry, no way back in this round, | 0:21:25 | 0:21:28 | |
so Barry has taken the round and will be in the final. | 0:21:28 | 0:21:31 | |
And, if you both return to your teams, | 0:21:31 | 0:21:33 | |
we will play that final round for £19,000. | 0:21:33 | 0:21:36 | |
So this is what we have been playing towards. | 0:21:38 | 0:21:40 | |
It is time for our final round. | 0:21:40 | 0:21:42 | |
As always, it's general knowledge. | 0:21:42 | 0:21:44 | |
But I'm afraid those of you who lost your head-to-heads | 0:21:44 | 0:21:46 | |
are not allowed to take part in this round. | 0:21:46 | 0:21:48 | |
So that's Kate, Claire, Alexandra and Bob, | 0:21:48 | 0:21:51 | |
all from Strip The Willow, | 0:21:51 | 0:21:52 | |
I'm afraid I have to ask you to please leave the studio. | 0:21:52 | 0:21:56 | |
Jeff, I know you're a scientist. | 0:21:58 | 0:21:59 | |
-Yes. -A degree in marine biology and a PhD in lugworms. -That's right. | 0:21:59 | 0:22:03 | |
-Hopefully, that will come up. -I would love a lugworm question. | 0:22:03 | 0:22:06 | |
We are overdue, aren't we, actually? | 0:22:06 | 0:22:08 | |
You are playing to win Strip The Willow £19,000 | 0:22:08 | 0:22:11 | |
and your team behind you, | 0:22:11 | 0:22:12 | |
I know it hasn't quite gone to plan but, believe me, | 0:22:12 | 0:22:15 | |
they are cheering you on. | 0:22:15 | 0:22:16 | |
Barry, Steve, Pat, Chris and Beth, | 0:22:16 | 0:22:18 | |
you're playing for something that money can't buy, | 0:22:18 | 0:22:20 | |
the Eggheads' reputation. | 0:22:20 | 0:22:22 | |
As usual, I will ask each team three questions in turn - | 0:22:22 | 0:22:24 | |
they are all general knowledge. | 0:22:24 | 0:22:26 | |
I usually say you may confer, but obviously that's a bit difficult! | 0:22:26 | 0:22:30 | |
The real question here, Jeff, | 0:22:30 | 0:22:31 | |
is whether your one brain can take down these five mega-brains. | 0:22:31 | 0:22:36 | |
It can be done, it's been done relatively recently. | 0:22:36 | 0:22:39 | |
Would you like to go first or second? | 0:22:39 | 0:22:41 | |
I'd like to go first, please, Jeremy. | 0:22:41 | 0:22:43 | |
OK. Here we go, good luck. | 0:22:45 | 0:22:47 | |
In the TV sitcom Only Fools And Horses, | 0:22:47 | 0:22:51 | |
what was the name of Boycie's wife? | 0:22:51 | 0:22:53 | |
Right, well, in Only Fools And Horses, I haven't heard of... | 0:22:57 | 0:23:02 | |
They are probably in it, Raquel and Cassandra, but Marlene, | 0:23:02 | 0:23:05 | |
it's a long time since I've watched it, | 0:23:05 | 0:23:08 | |
Marlene does ring a bell so I'll go for Marlene. | 0:23:08 | 0:23:10 | |
Marlene is right. | 0:23:10 | 0:23:12 | |
Well done. That would be an easy one to go wrong on. | 0:23:12 | 0:23:15 | |
-The other two names are in it as well. -Right. -OK, Eggheads. | 0:23:15 | 0:23:19 | |
Edward is the real first name of which children's character? | 0:23:19 | 0:23:22 | |
-Winnie-the-Pooh. -I think he's Edward Pooh. -Edward Bear. | 0:23:25 | 0:23:28 | |
Yeah? | 0:23:28 | 0:23:29 | |
We think that's Winnie-the-Pooh. | 0:23:29 | 0:23:32 | |
Winnie-the-Pooh is quite right. | 0:23:32 | 0:23:34 | |
OK. Level. £19,000 we're playing for. | 0:23:34 | 0:23:37 | |
Jeff, you can do this. | 0:23:37 | 0:23:39 | |
Here's your question. Malcolm Campbell broke the land speed record | 0:23:39 | 0:23:43 | |
for the first time in which decade? | 0:23:43 | 0:23:46 | |
I'm just wondering whether they were doing that land speed record | 0:23:50 | 0:23:53 | |
out in Arizona. Would it have been out there? | 0:23:53 | 0:23:55 | |
Now I need to work out when he actually lived. | 0:23:55 | 0:23:59 | |
1960s seems a little bit late to me. | 0:24:00 | 0:24:03 | |
Whether it's the 1920s or the 1940s. | 0:24:04 | 0:24:07 | |
1960s is too late. | 0:24:07 | 0:24:08 | |
Certainly a lot of racing going on in the 1920s. | 0:24:08 | 0:24:12 | |
Malcolm Campbell... | 0:24:12 | 0:24:14 | |
Let's go for the 1920s. | 0:24:14 | 0:24:16 | |
Malcolm Campbell, when he broke the land speed record, | 0:24:16 | 0:24:19 | |
he touched 146mph, | 0:24:19 | 0:24:21 | |
he did it in the UK, but he did it in the 1920s, | 0:24:21 | 0:24:24 | |
so you are absolutely right. Well done. | 0:24:24 | 0:24:26 | |
OK. Eggheads, your question to catch up. | 0:24:26 | 0:24:29 | |
What was the medieval trebuchet designed to do? | 0:24:29 | 0:24:32 | |
-Fire projectiles. -Yeah, massive... | 0:24:36 | 0:24:38 | |
It was time to get out of the way. | 0:24:38 | 0:24:40 | |
It was a giant catapult that fired projectiles. | 0:24:40 | 0:24:43 | |
It did fire projectiles, you're right. | 0:24:43 | 0:24:46 | |
No signs so far of them breaking into a sweat, is there? | 0:24:46 | 0:24:49 | |
I didn't think they'd get that one wrong. | 0:24:49 | 0:24:51 | |
No, that's the kind of word they love. | 0:24:51 | 0:24:53 | |
They sometimes just throw it into conversation! | 0:24:53 | 0:24:55 | |
So your third question, get this one right and, who knows, | 0:24:55 | 0:24:58 | |
you may not have to do any more work today. | 0:24:58 | 0:25:00 | |
£19,000 we're playing for, big jackpot. | 0:25:00 | 0:25:03 | |
So, Jeff, here is your question. | 0:25:03 | 0:25:05 | |
Samuel Morse's famous 1844 telegraph message | 0:25:05 | 0:25:10 | |
was sent on a line connecting which two cities? | 0:25:10 | 0:25:14 | |
There's the famous one about catching a criminal. | 0:25:20 | 0:25:22 | |
I can't remember whether that's connected to that, | 0:25:22 | 0:25:26 | |
but he was on the ship, wasn't he, | 0:25:26 | 0:25:28 | |
going to America and they had to cable back and arrested him? | 0:25:28 | 0:25:31 | |
I don't think that is going to be that one. | 0:25:31 | 0:25:34 | |
Samuel Morse, I need to think about where he was from. | 0:25:34 | 0:25:40 | |
Morse code. Morse code, then. | 0:25:40 | 0:25:43 | |
Aberdeen and Edinburgh... So, Morse, | 0:25:43 | 0:25:47 | |
Edinburgh and Aberdeen is about 50 miles apart, Paris and Lille, | 0:25:47 | 0:25:51 | |
that's French, France and Belgium. Washington DC and Baltimore, | 0:25:51 | 0:25:56 | |
that's a bit further apart. | 0:25:56 | 0:25:59 | |
Um... Tricky. | 0:25:59 | 0:26:01 | |
We'll go for the Scottish connection, I think, | 0:26:01 | 0:26:04 | |
Edinburgh and Aberdeen. | 0:26:04 | 0:26:06 | |
Edinburgh and Aberdeen. | 0:26:06 | 0:26:08 | |
I think the murderer you're referring to was Dr Crippen | 0:26:08 | 0:26:11 | |
but I'm not sure when that was. | 0:26:11 | 0:26:13 | |
-That was 1910. -1910, so it's much later. | 0:26:13 | 0:26:16 | |
Was this sent inside France or Scotland or the USA? | 0:26:16 | 0:26:21 | |
Let us see. Eggheads, do you know? | 0:26:21 | 0:26:23 | |
-Washington and Baltimore. -It's Washington DC and Baltimore. -OK. | 0:26:23 | 0:26:27 | |
-Jeff... -The message he sent was, "What God hath wrought?" | 0:26:27 | 0:26:30 | |
-He was American, was he? -Mm-hm. | 0:26:30 | 0:26:32 | |
So once you know he is American, then you can go to the cities. | 0:26:32 | 0:26:36 | |
So, Eggheads, with this answer you can take it. | 0:26:36 | 0:26:39 | |
What is the traditional starting point for the | 0:26:39 | 0:26:41 | |
London to Brighton Veteran Car Run? | 0:26:41 | 0:26:44 | |
Hyde Park. | 0:26:47 | 0:26:49 | |
No arguing with that. | 0:26:49 | 0:26:50 | |
I'm not arguing with you, Chris. | 0:26:50 | 0:26:53 | |
-Hyde Park, yeah? -Hyde Park. -We think that's Hyde Park. | 0:26:53 | 0:26:57 | |
Chris, you were straight there. You've seen it start, have you? | 0:26:57 | 0:27:00 | |
I've seen Genevieve umpteen times on the telly. | 0:27:00 | 0:27:04 | |
-She one of the cars, is she? -Yeah. | 0:27:04 | 0:27:06 | |
If you've got this right, the contest is over. | 0:27:06 | 0:27:08 | |
And they are playing very, very well. | 0:27:08 | 0:27:11 | |
Three questions in the final round, Eggheads, three correct answers, | 0:27:11 | 0:27:15 | |
Hyde Park is the answer. | 0:27:15 | 0:27:17 | |
We say congratulations, Eggheads, you have won! | 0:27:17 | 0:27:20 | |
And the message that Samuel Morse sent, you're very nearly there, | 0:27:25 | 0:27:29 | |
Barry, "What hath God wrought?" | 0:27:29 | 0:27:32 | |
-I got the two words transposed. -Yeah. You were pretty much there. | 0:27:32 | 0:27:35 | |
That's how they are playing at the moment, I'm afraid. | 0:27:35 | 0:27:38 | |
I almost feel like I should apologise. | 0:27:38 | 0:27:40 | |
But the thing is, the jackpot is high and that's the joy of the game. | 0:27:40 | 0:27:43 | |
-Yes. -Jeff, well done. Sorry about Samuel Morse. | 0:27:43 | 0:27:46 | |
Yes. If I'd known the nationality, I would've have got it right, I think. | 0:27:46 | 0:27:50 | |
Well, you never sent an SOS out during that round. | 0:27:50 | 0:27:53 | |
You played well. In the end, they've just edged it, these Eggheads, | 0:27:53 | 0:27:57 | |
as they tend to do. They've done what comes naturally to them. | 0:27:57 | 0:27:59 | |
This winning streak continues. | 0:27:59 | 0:28:02 | |
Barry, I think we need the jazz hands. | 0:28:02 | 0:28:04 | |
Oh, last time, then! | 0:28:04 | 0:28:05 | |
Woo-ooo! | 0:28:05 | 0:28:07 | |
Well, it marks the moment where we go into a £20,000 jackpot. | 0:28:08 | 0:28:12 | |
It does mean the Challengers don't go home with the £19,000, | 0:28:12 | 0:28:15 | |
we roll the money over to the next show. | 0:28:15 | 0:28:18 | |
Eggheads, who will beat you? | 0:28:18 | 0:28:19 | |
Join us next time to see if a new team of Challengers have the brains | 0:28:19 | 0:28:22 | |
to defeat the Eggheads, with £20,000 to play for. | 0:28:22 | 0:28:26 | |
This is getting exciting. | 0:28:26 | 0:28:28 | |
Till then, goodbye. | 0:28:28 | 0:28:30 |