Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:07 | |
Together, they make up the Eggheads - | 0:00:09 | 0:00:11 | |
arguably the most formidable quiz team in the country. | 0:00:11 | 0:00:14 | |
The question is, can they be beaten? | 0:00:17 | 0:00:19 | |
Welcome to Eggheads, the show where a team of five quiz Challengers | 0:00:23 | 0:00:26 | |
pit their wits against possibly the greatest quiz team in Britain. | 0:00:26 | 0:00:30 | |
They are the Eggheads. | 0:00:30 | 0:00:32 | |
Taking on our quiz champions today are The Blaggards, from London. | 0:00:32 | 0:00:36 | |
This team originally met in New York whilst on a postgraduate course, | 0:00:36 | 0:00:40 | |
and have remained friends ever since. Let's meet them. | 0:00:40 | 0:00:43 | |
Hi, I'm Tom. I'm a sales and marketing officer. | 0:00:43 | 0:00:46 | |
Hi, I'm Jordan, I'm a business analyst for a Japanese bank. | 0:00:46 | 0:00:50 | |
Hi, I'm Ben, and I'm a business analyst. | 0:00:50 | 0:00:52 | |
Hi, I'm Dan, and I'm a marketing executive. | 0:00:52 | 0:00:55 | |
Hi, I'm Daniel, and I'm an oil analyst. | 0:00:55 | 0:00:58 | |
-So, Tom and team, hello. -Hello. -Thanks for coming in. | 0:00:58 | 0:01:00 | |
And interesting and a bit exotic, you met in New York? | 0:01:00 | 0:01:04 | |
Yeah, we all did a postgraduate year out in New York. | 0:01:04 | 0:01:07 | |
We worked and studied for a year. | 0:01:07 | 0:01:09 | |
We all met there in a bar called Blaggards, funnily enough, | 0:01:09 | 0:01:13 | |
hence the name. We've stayed friends ever since, yeah. | 0:01:13 | 0:01:15 | |
And working and studying in New York involved going into this bar | 0:01:15 | 0:01:18 | |
-an awful lot, did it? -Yeah, it did, yeah. | 0:01:18 | 0:01:21 | |
I don't know if the bosses knew about that, | 0:01:21 | 0:01:23 | |
but we certainly enjoyed ourselves! | 0:01:23 | 0:01:25 | |
At no point did any of you think, | 0:01:25 | 0:01:27 | |
"OK, I'm staying in America, I'm not coming back?" | 0:01:27 | 0:01:29 | |
It's more the visa side of things. | 0:01:29 | 0:01:31 | |
After a year, it can get quite tough to get a longer stay. | 0:01:31 | 0:01:34 | |
-So we all just headed back to London. -Have you quizzed together? | 0:01:34 | 0:01:37 | |
A couple of times, not really that often. | 0:01:37 | 0:01:39 | |
But we've quizzed together a few times before. | 0:01:39 | 0:01:42 | |
-Did you quiz in Blaggards? -I don't think that has a quiz. | 0:01:42 | 0:01:45 | |
That was mainly just drinking! | 0:01:45 | 0:01:47 | |
In other places, we have quizzed before. | 0:01:47 | 0:01:49 | |
-In the US or in this country? -In both, in both. | 0:01:49 | 0:01:52 | |
-And are American quizzes different from these ones? -The sports section is a lot different. | 0:01:52 | 0:01:56 | |
-Ooh, yeah, because you've got American football and all sorts. -Yeah, we're not so good at that one. | 0:01:56 | 0:02:00 | |
But British sport, hopefully, might be a bit better for us. | 0:02:00 | 0:02:02 | |
Good luck, team. Really hope you do well. | 0:02:02 | 0:02:05 | |
Every day, there's £1,000 worth of cash up for grabs for our Challengers. | 0:02:05 | 0:02:08 | |
However, if they fail to defeat the Eggheads, the prize-money, as you know, rolls over. | 0:02:08 | 0:02:12 | |
Now, Blaggards, the Eggheads are doing really, really well at the moment, and you've got to stop them. | 0:02:12 | 0:02:17 | |
-They've won the last 24. -Wow. -So there is £25,000 to win. | 0:02:17 | 0:02:19 | |
I think, rough calculation, | 0:02:19 | 0:02:21 | |
that's 5,000 each saying you can't beat them. | 0:02:21 | 0:02:23 | |
The first head-to-head battle is on the subject of Film And TV. | 0:02:23 | 0:02:27 | |
You can choose Beth, Kevin, Chris, Dave or Lisa. | 0:02:27 | 0:02:30 | |
-I think we're going to go with Daniel, aren't we? -Daniel, you're film and TV? | 0:02:30 | 0:02:33 | |
-Who do you want to size up? -Who would be the best one? -Shall we say Chris? | 0:02:33 | 0:02:36 | |
-Who did we agree on for that? -I think, was it Chris? | 0:02:36 | 0:02:38 | |
-I think it was Chris, wasn't it? -We can go with Chris, yeah. | 0:02:38 | 0:02:42 | |
-Right, so it's Dan... Oh, no, Daniel. -Daniel, yeah. | 0:02:42 | 0:02:45 | |
This is going to be great(!) | 0:02:45 | 0:02:47 | |
You've already foxed me. | 0:02:47 | 0:02:48 | |
So, Daniel, on the end, our oil analyst, is taking on Chris, | 0:02:48 | 0:02:53 | |
our train man, on Film And TV. To ensure there's no conferring, | 0:02:53 | 0:02:56 | |
would you please now take your positions | 0:02:56 | 0:02:58 | |
in our legendary Question Room. | 0:02:58 | 0:02:59 | |
Good luck, Daniel. Film And TV is the subject, against our Chris. | 0:03:01 | 0:03:04 | |
-And would you like to go first or second? -I'll go first, please. | 0:03:04 | 0:03:08 | |
Here we go with your first question. | 0:03:12 | 0:03:14 | |
Which of these actresses was born in South Africa? | 0:03:14 | 0:03:17 | |
I am almost certain that is Charlize Theron. | 0:03:22 | 0:03:26 | |
Charlize Theron is the right answer. | 0:03:26 | 0:03:28 | |
Chris, here's your question. | 0:03:28 | 0:03:30 | |
The characters in which children's television programme had | 0:03:30 | 0:03:33 | |
their base on Tracy Island? | 0:03:33 | 0:03:35 | |
"Ooh, crumbs, Chief!" It's not Danger Mouse. It's Thunderbirds. | 0:03:39 | 0:03:42 | |
Thunderbirds is the right answer. Well done. | 0:03:42 | 0:03:45 | |
I think, as soon as I said it, | 0:03:45 | 0:03:46 | |
I thought, "You're a fan, aren't you?" | 0:03:46 | 0:03:48 | |
Not really. | 0:03:48 | 0:03:50 | |
LAUGHTER | 0:03:50 | 0:03:52 | |
-We're a bit less wooden here. -Hmm. | 0:03:52 | 0:03:54 | |
Daniel, the 2016 TV comedy series, The Agency, | 0:03:54 | 0:03:58 | |
stars which impressionist? | 0:03:58 | 0:04:00 | |
I have no idea with this one. | 0:04:05 | 0:04:08 | |
I didn't know Rory Bremner was still going. | 0:04:08 | 0:04:11 | |
I'll take a stab at Jon Culshaw. | 0:04:12 | 0:04:15 | |
Jon Culshaw, you say? Well, he is an impressionist. | 0:04:15 | 0:04:18 | |
Of course, they all are. It's actually Morgana Robinson. | 0:04:18 | 0:04:21 | |
Chris, your question. | 0:04:21 | 0:04:22 | |
In which Tim Burton film did the young actor Freddie Highmore | 0:04:22 | 0:04:25 | |
have a starring role? | 0:04:25 | 0:04:27 | |
Well, there's no role for a young actor in Sweeney Todd. | 0:04:31 | 0:04:35 | |
Neither is there a role for a young actor, | 0:04:35 | 0:04:37 | |
as opposed to a young actress, an Alice In Wonderland. | 0:04:37 | 0:04:39 | |
So he's got to have played Charlie | 0:04:39 | 0:04:41 | |
in Charlie And The Chocolate Factory. | 0:04:41 | 0:04:43 | |
Yes, I see what you mean, I see how you did that. | 0:04:43 | 0:04:46 | |
Charlie And The Chocolate Factory is correct. | 0:04:46 | 0:04:48 | |
So, Daniel, you've got one, he's got two, | 0:04:48 | 0:04:51 | |
you need to get this one right. | 0:04:51 | 0:04:52 | |
Which of these films was based on a short story | 0:04:52 | 0:04:55 | |
by the American writer Annie Proulx? | 0:04:55 | 0:04:57 | |
Again, I don't... I wouldn't know this one. | 0:05:04 | 0:05:07 | |
I'm going to take a stab, based on what I can picture in my head, | 0:05:09 | 0:05:13 | |
at Brokeback Mountain. | 0:05:13 | 0:05:14 | |
Brokeback Mountain's absolutely right. | 0:05:14 | 0:05:16 | |
Ah, yes, Dan! | 0:05:16 | 0:05:18 | |
Well done, good quizzing there, Daniel. | 0:05:18 | 0:05:20 | |
So you're level with Chris. And Chris, here is your question. | 0:05:20 | 0:05:24 | |
What was the name of the character Drew Barrymore played in the | 0:05:24 | 0:05:27 | |
Steven Spielberg film ET The Extra-terrestrial? | 0:05:27 | 0:05:32 | |
That was Elliott's little sister, wasn't it? And... | 0:05:35 | 0:05:39 | |
I think her name was Gertie. | 0:05:39 | 0:05:41 | |
Gertie is the right answer. Well done. | 0:05:41 | 0:05:43 | |
Chris, you've done it, you've beaten Daniel. Sorry, Daniel. | 0:05:43 | 0:05:47 | |
It was that wretched question earlier on that did it for you. | 0:05:47 | 0:05:50 | |
You're out of the final, Chris is in, but it's very early. | 0:05:50 | 0:05:53 | |
Plenty of time yet. Please rejoin your teams. | 0:05:53 | 0:05:55 | |
As it stands, the Blaggards have lost a brain from the final round. | 0:05:57 | 0:06:00 | |
The Eggheads have not lost any. And the next subject for you is Science. | 0:06:00 | 0:06:04 | |
-So who would like Science? -I think that's Dan. -That's for Dan, yeah. | 0:06:04 | 0:06:07 | |
-Dan's the man for Science. -Dan, OK. | 0:06:07 | 0:06:10 | |
So we've got two Dans in a row. | 0:06:10 | 0:06:11 | |
And against which Egghead? You can have anyone except Chris. | 0:06:11 | 0:06:14 | |
-What do we think? -Do you want to go for Dave? -Dave? -Yeah? | 0:06:14 | 0:06:18 | |
Try that, yeah. | 0:06:18 | 0:06:20 | |
-Yeah, think we're going to go for Dave. -Known as Tremendous Knowledge. | 0:06:20 | 0:06:23 | |
Dan, from the Blaggards, takes on Dave on Science. | 0:06:23 | 0:06:26 | |
Please go to our Question Room now. | 0:06:26 | 0:06:27 | |
So, Dan, I'm sorry, I don't think there's going to be a question on a ukulele in this round. | 0:06:29 | 0:06:33 | |
Yeah, disappointing. | 0:06:33 | 0:06:35 | |
I know that's at the centre of your life? | 0:06:35 | 0:06:37 | |
I was tempted to bring it with me as well! | 0:06:37 | 0:06:39 | |
How long have you been playing? | 0:06:39 | 0:06:41 | |
Since uni, so three, four years. | 0:06:41 | 0:06:43 | |
Why the ukulele and not the guitar? | 0:06:43 | 0:06:45 | |
Well, I play the guitar as well, but when I first got to uni, | 0:06:45 | 0:06:48 | |
I was at one of the society days, and I started a load of them. | 0:06:48 | 0:06:52 | |
And the ukulele was the only one that stuck. So, yeah. | 0:06:52 | 0:06:55 | |
And you play with other people, or...? | 0:06:55 | 0:06:56 | |
Yeah, there was about 30 of us total. | 0:06:56 | 0:06:59 | |
And I was the treasurer of the society as one point as well. | 0:06:59 | 0:07:01 | |
-Really? -Yeah! -All right, so, Science we're on. | 0:07:01 | 0:07:04 | |
We're in, I think, a ukelele-free zone, Dan, | 0:07:04 | 0:07:07 | |
but one can never be sure. | 0:07:07 | 0:07:08 | |
-Would you like to go first or second? -I'll go first. | 0:07:08 | 0:07:11 | |
Here we go. | 0:07:14 | 0:07:16 | |
Dextrose is an example of what substance? | 0:07:16 | 0:07:18 | |
I don't think it's a sugar or a fat. | 0:07:22 | 0:07:25 | |
Dextrose, actually...? | 0:07:27 | 0:07:28 | |
Actually, I'm going to go back on that one, I think... | 0:07:28 | 0:07:31 | |
(Dextrose...) I think sugar. | 0:07:31 | 0:07:33 | |
Sugar is your answer. | 0:07:33 | 0:07:34 | |
Let me see whether your team-mates... Team-mates? | 0:07:34 | 0:07:37 | |
We originally thought sugar. | 0:07:37 | 0:07:40 | |
-You did a sudden reverse there. -Yeah. | 0:07:40 | 0:07:42 | |
You were right to. Sugar's the correct answer. | 0:07:42 | 0:07:45 | |
Well done. | 0:07:45 | 0:07:46 | |
I was worried for you for a second. | 0:07:46 | 0:07:48 | |
OK, Dave. | 0:07:49 | 0:07:50 | |
The carpus is the scientific name for which part of the body? | 0:07:50 | 0:07:55 | |
That's carpus, C-A-R-P-U-S? | 0:07:57 | 0:07:59 | |
-Yes. -Wrist. | 0:07:59 | 0:08:01 | |
-Yeah, I guess that's where we get carpal tunnel syndrome from. -Yes. | 0:08:01 | 0:08:04 | |
Wrist is the right answer. Back to you, Dan. | 0:08:04 | 0:08:08 | |
On the 18th of March 1965, the Russian cosmonaut Alexey Leonov | 0:08:08 | 0:08:14 | |
became the first person to perform what feat? | 0:08:14 | 0:08:18 | |
I think, in 1965... | 0:08:23 | 0:08:25 | |
I don't think they played golf on the moon. | 0:08:25 | 0:08:27 | |
I don't think it would have been him. | 0:08:27 | 0:08:29 | |
I'm going to go for space walk. | 0:08:29 | 0:08:32 | |
-Let's see if the Eggheads know this. Is he right? -Yeah. | 0:08:32 | 0:08:34 | |
Yes, you are correct. Space walk it is. | 0:08:34 | 0:08:37 | |
Golf on the moon, it wouldn't have been, because I think | 0:08:37 | 0:08:39 | |
-Apollo was '69, wasn't it? -Yes. -So, the first person on the moon. | 0:08:39 | 0:08:43 | |
Dave, second question now. One second | 0:08:43 | 0:08:45 | |
is made up of a million what? | 0:08:45 | 0:08:47 | |
Oh, I should know this straightaway. Let me have a think. | 0:08:52 | 0:08:57 | |
So, milliseconds is 1,000. | 0:08:57 | 0:09:00 | |
Yeah, I'm going to have to go microseconds, please. | 0:09:00 | 0:09:03 | |
Microseconds is right. HE CHUCKLES | 0:09:03 | 0:09:06 | |
So, Dan, get this right, put Dave under some pressure. | 0:09:06 | 0:09:09 | |
I don't know, but it looks like he's wobbling. | 0:09:09 | 0:09:11 | |
Which of the following is a common type of duck? | 0:09:11 | 0:09:14 | |
I think this one is going to be a difficult one. | 0:09:17 | 0:09:20 | |
Erm, it's going to be a complete guess here, but in my mind, | 0:09:20 | 0:09:23 | |
a gadwall and a caracara - | 0:09:23 | 0:09:25 | |
I'm not sure if those would be ducks. | 0:09:25 | 0:09:27 | |
A whimbrel sounds more likely, so I'm going to go for a whimbrel. | 0:09:27 | 0:09:31 | |
OK, the noise of the quacking whimbrel - | 0:09:31 | 0:09:34 | |
is it the right answer? Any Eggheads here know a whimbrel? | 0:09:34 | 0:09:37 | |
Got any whimbrel among your personal friends? | 0:09:37 | 0:09:39 | |
A whimbrel is a little seashore bird. | 0:09:39 | 0:09:42 | |
-It's a seashore bird. -Yeah. The duck is the gadwall. | 0:09:42 | 0:09:45 | |
-Yeah, Kevin's right. Duck is the gadwall. -Ah. | 0:09:45 | 0:09:48 | |
OK. Dave, your question. | 0:09:48 | 0:09:50 | |
Get this right, you will be the final. | 0:09:50 | 0:09:53 | |
The Italian scientist Marcello Malpighi | 0:09:53 | 0:09:56 | |
is credited with being a pioneer, | 0:09:56 | 0:09:58 | |
Dave, in the use of what scientific instrument? | 0:09:58 | 0:10:02 | |
Right. I don't know why I'm being drawn to microscope. | 0:10:06 | 0:10:10 | |
For stethoscope, I've got somebody else in my head. | 0:10:10 | 0:10:13 | |
Gyroscope, I've got somebody else. I'll go with microscope, please. | 0:10:13 | 0:10:16 | |
OK, microscope is your answer. This for the round. | 0:10:16 | 0:10:19 | |
Anyone know who stethoscope was, or was it Mr Malpighi, Eggheads? | 0:10:19 | 0:10:22 | |
-Laennec for the stethoscope. -Laennec. | 0:10:22 | 0:10:24 | |
Laennec is the stethoscope. Gyroscope? | 0:10:24 | 0:10:26 | |
Foucault was involved with that, | 0:10:26 | 0:10:28 | |
but there was somebody else with a bigger name. | 0:10:28 | 0:10:31 | |
-Anyway... -OK, well, we might come back to the gyroscope. | 0:10:31 | 0:10:34 | |
I can tell you microscope is right, though, Dave. Well done. | 0:10:34 | 0:10:36 | |
You've taken the round. Three out of three. Sorry, Dan. | 0:10:36 | 0:10:39 | |
Went the same way as the other Dan. Not in the final. | 0:10:39 | 0:10:42 | |
Not a crisis yet, but getting close for our Challengers. | 0:10:42 | 0:10:45 | |
Rejoin your teams and we will play the next round. | 0:10:45 | 0:10:48 | |
Gyroscope, we were just conjuring with. | 0:10:49 | 0:10:51 | |
Kevin, have you got a name for us? | 0:10:51 | 0:10:53 | |
-Well, a bit late, but I came up with the name Elmer Sperry. -Yeah. | 0:10:53 | 0:10:56 | |
Elmer Sperry - that's very good. | 0:10:56 | 0:10:58 | |
-Elmer Sperry is... -He's not the only one. | 0:10:58 | 0:11:00 | |
Yes, he's associated. It's quite a complicated development. | 0:11:00 | 0:11:03 | |
-The other one is John Serson. -Oh, right. -The gyroscope. | 0:11:03 | 0:11:06 | |
So, we're learning stuff all the time here. | 0:11:06 | 0:11:08 | |
Blaggards, it's not a crisis yet. Any change of tactics? | 0:11:08 | 0:11:11 | |
We're going to stick to what we think is good, | 0:11:11 | 0:11:14 | |
-which, at the moment, hasn't proven too good, but... -No. | 0:11:14 | 0:11:17 | |
Well, sometimes this is the turning point. | 0:11:17 | 0:11:19 | |
-Just keeping on with the same approach... -Exactly, yeah. | 0:11:19 | 0:11:21 | |
..does work wonders sometimes. | 0:11:21 | 0:11:23 | |
You've lost two brains from the final round. | 0:11:23 | 0:11:25 | |
The Eggheads have not lost any so far | 0:11:25 | 0:11:26 | |
and they are on this colossal run, so we know they're playing well. | 0:11:26 | 0:11:29 | |
So, there's no shame in any of this, | 0:11:29 | 0:11:31 | |
but you can still take them down and win the money. | 0:11:31 | 0:11:33 | |
There's no question. The next subject is Arts & Books. | 0:11:33 | 0:11:35 | |
-Who would like this? -I think that's me, isn't it? | 0:11:35 | 0:11:38 | |
-Ben's going to take that one, I think. -OK. | 0:11:38 | 0:11:40 | |
Ben, our business analyst. | 0:11:40 | 0:11:42 | |
-And who are you taking on? -Maybe Beth? -Yeah? | 0:11:42 | 0:11:45 | |
-Yeah. -We're going to go for Beth, I think, if that's OK. -Fine. | 0:11:45 | 0:11:49 | |
So, we've had Dan and Dan, and Ben and Beth. This is all... | 0:11:49 | 0:11:52 | |
LAUGHTER ..very alliterative. | 0:11:52 | 0:11:54 | |
Ben from The Blaggards versus Beth from the Eggheads. | 0:11:54 | 0:11:57 | |
To ensure there's no conferring, please go to our Question Room. | 0:11:57 | 0:12:00 | |
So, Beth, any reading you can recommend at the moment? | 0:12:01 | 0:12:04 | |
I just read a wonderful book - it's not a novel, | 0:12:04 | 0:12:07 | |
it's factual - called The Joy Of Quiz. | 0:12:07 | 0:12:10 | |
And did you find, every page, you were finding out stuff, | 0:12:10 | 0:12:12 | |
or did you know most of it already? | 0:12:12 | 0:12:14 | |
No, I was finding out stuff during it. | 0:12:14 | 0:12:15 | |
Yeah, every opportunity for some learning. | 0:12:15 | 0:12:18 | |
I suppose it's a bit late to pick the book up now, Ben, | 0:12:18 | 0:12:21 | |
-at this precise moment. -Yeah. | 0:12:21 | 0:12:23 | |
-No, I'll get it next week, I think. -JEREMY CHUCKLES | 0:12:23 | 0:12:26 | |
Are you prepped on Arts & Books? | 0:12:26 | 0:12:27 | |
-I saw you go for that with a bit of alacrity. -Yeah, I think I'm good. | 0:12:27 | 0:12:32 | |
I think I'll be good, but it depends what questions, obviously. | 0:12:32 | 0:12:35 | |
Hopefully, I'll know them, but only time will tell now. | 0:12:35 | 0:12:38 | |
Would you like to go first or second, Ben? | 0:12:38 | 0:12:39 | |
Could I go first, please, Jeremy? | 0:12:39 | 0:12:41 | |
And here is your question. | 0:12:45 | 0:12:46 | |
Which of these is a type of poem consisting of five lines? | 0:12:46 | 0:12:51 | |
Yeah, before the options came up, | 0:12:55 | 0:12:57 | |
I feel like limerick and couplet can be a bit longer. | 0:12:57 | 0:13:01 | |
I feel fairly confident that it might be a haiku, please, Jeremy. | 0:13:01 | 0:13:05 | |
I see why you've done that. I think a haiku is very, very short. | 0:13:05 | 0:13:08 | |
-It might almost be a line and a half. -Ah. | 0:13:08 | 0:13:11 | |
Limerick is the one. | 0:13:11 | 0:13:13 | |
They would have done some limericks in that Blaggards pub, | 0:13:13 | 0:13:16 | |
-wouldn't they, Ben? -They might have done. | 0:13:16 | 0:13:19 | |
The Long Islands were quite strong, though, so... | 0:13:19 | 0:13:22 | |
-Well, maybe they were doing haikus by the end of the night. -Yeah! | 0:13:22 | 0:13:25 | |
-Definitely felt like it. -OK, Beth, your question. | 0:13:25 | 0:13:27 | |
The publisher Mills & Boon | 0:13:27 | 0:13:29 | |
is most associated with which literary genre? | 0:13:29 | 0:13:32 | |
Well, it's not a literary genre I read very often, | 0:13:35 | 0:13:38 | |
but they are publishers of romance novels. | 0:13:38 | 0:13:42 | |
Some would say horror, but... THEY LAUGH | 0:13:42 | 0:13:44 | |
..romance is right. | 0:13:44 | 0:13:46 | |
OK, Ben, to catch up - who would be | 0:13:46 | 0:13:48 | |
most likely to use gouache in their daily work? | 0:13:48 | 0:13:52 | |
Gouache. | 0:13:52 | 0:13:53 | |
I really don't know, Jeremy. | 0:13:56 | 0:13:59 | |
Gouache feels like a material that would be maybe more connected | 0:14:00 | 0:14:04 | |
to a painter. It's a stab in the dark. | 0:14:04 | 0:14:09 | |
I'm going to go for painter, please, Jeremy. | 0:14:09 | 0:14:11 | |
Painter is correct. | 0:14:11 | 0:14:13 | |
Well done. | 0:14:13 | 0:14:15 | |
Beth. | 0:14:15 | 0:14:16 | |
What term is used in literature to mean an episodic novel | 0:14:16 | 0:14:20 | |
that follows a rogue or lowborn adventurer | 0:14:20 | 0:14:24 | |
drifting from place to place in an effort to survive? | 0:14:24 | 0:14:27 | |
Ooh. This isn't something that I've come across at all. | 0:14:33 | 0:14:38 | |
Erm, Grand Guignol sounds like it should be a sort of grand adventure. | 0:14:38 | 0:14:43 | |
I hate to do it, | 0:14:43 | 0:14:44 | |
but I'm going to have to go down the middle with Grand Guignol | 0:14:44 | 0:14:47 | |
for no other reason that it could be sort of to do with grand adventures. | 0:14:47 | 0:14:51 | |
Mm. Chris is shaking his head. Chris, why? | 0:14:51 | 0:14:53 | |
Well, Grand Guignol is basically sort of blood and thunder. | 0:14:53 | 0:14:56 | |
What we're talking about here is picaresque. | 0:14:56 | 0:14:58 | |
Yes, picaresque is the right answer. | 0:14:58 | 0:14:59 | |
That would have been the one I wouldn't have picked. | 0:14:59 | 0:15:01 | |
-Grand Guignol is blood and thunder? -Basically, yeah. -Horror. | 0:15:01 | 0:15:05 | |
-Lovely(!) -Yeah. -OK. | 0:15:05 | 0:15:07 | |
Interesting question. So, level. | 0:15:07 | 0:15:09 | |
How about that, Ben? Get this right, you could be in the final round. | 0:15:09 | 0:15:13 | |
Which character in Shakespeare's The Merchant Of Venice | 0:15:13 | 0:15:16 | |
has a daughter named Jessica? | 0:15:16 | 0:15:18 | |
I actually haven't watched | 0:15:23 | 0:15:25 | |
The Merchant Of Venice, unfortunately, | 0:15:25 | 0:15:28 | |
but something's telling me it's Shylock, | 0:15:28 | 0:15:30 | |
based on almost nothing. | 0:15:30 | 0:15:34 | |
Just got to go with my gut by this point, I think, | 0:15:34 | 0:15:36 | |
so I'm going to go with Shylock, please, if that's OK? | 0:15:36 | 0:15:39 | |
He's certainly the most famous character in the play. | 0:15:39 | 0:15:41 | |
The question is whether he is the one with the daughter named Jessica. | 0:15:41 | 0:15:44 | |
Yes, he is. Shylock is right. | 0:15:44 | 0:15:47 | |
You're in the lead. Let's see if you're in the final. | 0:15:47 | 0:15:49 | |
Beth, your question to stay in. | 0:15:49 | 0:15:51 | |
Published in 2016, | 0:15:51 | 0:15:53 | |
Keeping On Keeping On is a volume of diaries by which writer? | 0:15:53 | 0:15:58 | |
Now, I don't think it was Bill Bryson. | 0:16:01 | 0:16:06 | |
That sounds more of an Alan Bennett sort of... | 0:16:06 | 0:16:13 | |
How he would describe something than Pam Ayers. | 0:16:13 | 0:16:16 | |
Yeah, let's just stick with my first thought, with Alan Bennett. | 0:16:16 | 0:16:19 | |
Alan Bennett is correct. You're still in, Beth. Well done. | 0:16:19 | 0:16:22 | |
So, we go to Sudden Death here, Ben. | 0:16:22 | 0:16:25 | |
-OK? Gets a bit harder. I don't give you alternatives. -Mm-hm. | 0:16:25 | 0:16:29 | |
In the traditional fairy story Hansel and Gretel, | 0:16:29 | 0:16:32 | |
where does the woodcutter abandon the two children? | 0:16:32 | 0:16:37 | |
Sounds like fairly irresponsible parenting. | 0:16:37 | 0:16:41 | |
I would imagine it's the woods is what I've got to guess. The woods? | 0:16:41 | 0:16:45 | |
Yeah, perfect. I was sort of willing you to get that cos I think, | 0:16:45 | 0:16:48 | |
-not getting it, you'd really kick yourself. -Yeah. | 0:16:48 | 0:16:50 | |
Beth, to stay in. In the title of the 19th-century story | 0:16:50 | 0:16:55 | |
The Swiss Family Robinson, the Robinson part | 0:16:55 | 0:16:58 | |
is a reference to which character from a Daniel Defoe novel? | 0:16:58 | 0:17:02 | |
-That would be Robinson Crusoe. -Robinson Crusoe is right. | 0:17:02 | 0:17:06 | |
Back to you, Ben. In which futuristic novel | 0:17:06 | 0:17:08 | |
by Aldous Huxley are years marked as AF, | 0:17:08 | 0:17:12 | |
standing for "after Ford"? | 0:17:12 | 0:17:15 | |
Erm, I believe that's Brave New World. | 0:17:15 | 0:17:18 | |
It is Brave New World. Well done. Good quizzing. | 0:17:18 | 0:17:21 | |
Back to you, Beth. Sudden Death, we're on. | 0:17:21 | 0:17:23 | |
In Charles Dickens's novel Oliver Twist, | 0:17:23 | 0:17:26 | |
Nancy is the girlfriend of, | 0:17:26 | 0:17:29 | |
and is eventually killed by, which character? | 0:17:29 | 0:17:32 | |
Bill Sykes. | 0:17:32 | 0:17:34 | |
Bill Sykes is right. You're both playing well. | 0:17:34 | 0:17:37 | |
Sudden Death. Ben, back to you. | 0:17:37 | 0:17:39 | |
Michael Dean, Anthea Hamilton, Helen Marten and Josephine Pryde | 0:17:39 | 0:17:44 | |
were the four contenders for which major arts prize in 2016? | 0:17:44 | 0:17:48 | |
It's not the Booker, I don't think, cos Paul Beatty won that, I believe. | 0:17:48 | 0:17:52 | |
I think Helen Marten might be the sculptor | 0:17:52 | 0:17:55 | |
who won the Turner Prize, | 0:17:55 | 0:17:57 | |
and they were all willing one of the architectural ideas to win. | 0:17:57 | 0:18:02 | |
I think I've got to... Helen Marten rings a bell to some degree. | 0:18:02 | 0:18:05 | |
I'm going to say the Turner Prize. | 0:18:05 | 0:18:07 | |
Yes, Turner Prize is right. Brilliant play. | 0:18:07 | 0:18:11 | |
Beth, to stay in. | 0:18:11 | 0:18:13 | |
Enjambement is a technique used | 0:18:13 | 0:18:16 | |
specifically in what form of literature? | 0:18:16 | 0:18:19 | |
So, to spell it, it's E-N-J-A-M-B-E-M-E-N-T. | 0:18:19 | 0:18:24 | |
It looks like en-jam-bement. | 0:18:24 | 0:18:26 | |
I haven't a clue, Jeremy. I am REALLY struggling. | 0:18:26 | 0:18:31 | |
Really, really struggling with this question. Erm... | 0:18:31 | 0:18:35 | |
So, I'm going to have to hand it to Ben and say comedic literature. | 0:18:35 | 0:18:40 | |
Erm, no. Lisa, I think you've got it, have you? | 0:18:40 | 0:18:43 | |
I think it's a poetry thing | 0:18:43 | 0:18:46 | |
where an enjambement is basically making two lines of your poem | 0:18:46 | 0:18:49 | |
cover, like, one sentence. Is that sort of close? | 0:18:49 | 0:18:51 | |
Two lines of your poem, what, almost they curl round the page? | 0:18:51 | 0:18:54 | |
Well, so that the one idea is not contained in the line. | 0:18:54 | 0:18:57 | |
So, I don't know... | 0:18:57 | 0:18:58 | |
There once was a quiz host called Vine | 0:18:58 | 0:19:00 | |
Who thought his broadcasting was fine. | 0:19:00 | 0:19:01 | |
-Oh, I see. -It's two lines of a limerick, but one sentence. | 0:19:01 | 0:19:04 | |
-I think that's what it means. -I see. | 0:19:04 | 0:19:05 | |
-It's carrying on the sense of one line into the next line... -OK. | 0:19:05 | 0:19:08 | |
-..so they're not self-contained units. -OK. | 0:19:08 | 0:19:11 | |
-It's poetry, Beth. -Oh, OK. | 0:19:11 | 0:19:13 | |
And we've had a little explanation here of exactly why and what. | 0:19:13 | 0:19:17 | |
That's great news, Ben! | 0:19:17 | 0:19:19 | |
-You're in the final round. -Yeah. -You held steady. | 0:19:19 | 0:19:21 | |
The skipper stayed with the secret plan, | 0:19:21 | 0:19:24 | |
and it started to work. | 0:19:24 | 0:19:25 | |
So, Beth has been knocked out. Please, both of you, return. | 0:19:25 | 0:19:28 | |
Rejoin your teams and we'll play one more round before the final. | 0:19:28 | 0:19:31 | |
All right, maybe The Blaggards have turned it around now. | 0:19:33 | 0:19:35 | |
They have lost two brains from the final round, | 0:19:35 | 0:19:38 | |
but they've taken an Egghead out now. | 0:19:38 | 0:19:40 | |
And one more subject before the final. It's Politics. | 0:19:40 | 0:19:43 | |
Who would like this? | 0:19:43 | 0:19:45 | |
-I think you've got to do this, haven't you, Tom? -Tom. | 0:19:45 | 0:19:47 | |
-Yeah, I think that's me. -Tom? OK. Our sales and marketing officer. | 0:19:47 | 0:19:50 | |
And you can have either Kevin or Lisa. | 0:19:50 | 0:19:52 | |
-I think it's going to have to be Lisa, isn't it? -Yeah, I think so. | 0:19:52 | 0:19:56 | |
Yeah, we'll go with Lisa, I think. Yeah. | 0:19:56 | 0:19:59 | |
There's no way of avoiding Kevin. | 0:19:59 | 0:20:00 | |
He will be there at some point. THEY LAUGH | 0:20:00 | 0:20:03 | |
All right, Tom from The Blaggards, Lisa from the Eggheads, | 0:20:03 | 0:20:06 | |
please go to the Question Room. | 0:20:06 | 0:20:08 | |
So, Tom, Politics - would you like to go first or second? | 0:20:09 | 0:20:12 | |
I'll go first, please, Jeremy. | 0:20:12 | 0:20:14 | |
And here we go. | 0:20:17 | 0:20:19 | |
Which of the following is customarily provided | 0:20:19 | 0:20:21 | |
in UK polling booths for marking ballot papers? | 0:20:21 | 0:20:25 | |
Well, I think, obviously, in the past, many years ago, | 0:20:28 | 0:20:31 | |
they used to have problems with people | 0:20:31 | 0:20:34 | |
erasing other people's votes and perhaps changing them, | 0:20:34 | 0:20:37 | |
so I think it's standard to have a ballpoint pen now. | 0:20:37 | 0:20:40 | |
No, the answer is pencil. | 0:20:40 | 0:20:42 | |
HE LAUGHS It is just... | 0:20:42 | 0:20:44 | |
Yeah, and it's a good point you make there. | 0:20:44 | 0:20:47 | |
How have we stayed with the pencil, Lisa? | 0:20:47 | 0:20:49 | |
Is it cos it's cheaper or what? | 0:20:49 | 0:20:50 | |
I think it is actually something to do with | 0:20:50 | 0:20:53 | |
the erasability of it, quite possibly - | 0:20:53 | 0:20:56 | |
so that you make sure you put the right thing on it | 0:20:56 | 0:20:58 | |
because, otherwise, if you scribble on it, | 0:20:58 | 0:21:00 | |
it looks like a spoiled paper. | 0:21:00 | 0:21:01 | |
OK, Lisa, to take the lead. | 0:21:01 | 0:21:03 | |
How long did Diane James | 0:21:03 | 0:21:06 | |
serve as leader of Ukip? | 0:21:06 | 0:21:08 | |
It's always very dangerous when the first thing | 0:21:11 | 0:21:14 | |
that pops into my head comes up, | 0:21:14 | 0:21:17 | |
but my first thought WAS 18 days, so I better go with 18 days. | 0:21:17 | 0:21:22 | |
Yeah, famously was. | 0:21:22 | 0:21:24 | |
It was short of three weeks. 18 days is right. | 0:21:24 | 0:21:28 | |
Tom, you need this to catch up. | 0:21:28 | 0:21:30 | |
Which of these politicians served as US Secretary of State | 0:21:30 | 0:21:34 | |
under Ronald Reagan? | 0:21:34 | 0:21:35 | |
Erm, I'm not too sure about this. | 0:21:40 | 0:21:44 | |
I can't remember there being too many female Secretary of States | 0:21:44 | 0:21:46 | |
across the years, to be quite honest, | 0:21:46 | 0:21:48 | |
so I'll rule out Madeleine Albright. | 0:21:48 | 0:21:51 | |
Erm, I'll go down the middle with Lawrence Eagleburger, | 0:21:51 | 0:21:55 | |
but that's a complete guess. | 0:21:55 | 0:21:56 | |
He was definitely in an American administration, | 0:21:56 | 0:22:01 | |
but it was George Shultz, this answer, | 0:22:01 | 0:22:04 | |
which gives Lisa a chance now to take the round | 0:22:04 | 0:22:06 | |
with her second question. | 0:22:06 | 0:22:07 | |
Lisa, which of these politicians worked as a GP | 0:22:07 | 0:22:10 | |
before being elected to Parliament? | 0:22:10 | 0:22:12 | |
Now, I had an idea that Liam Fox was actually, like, | 0:22:16 | 0:22:21 | |
a proper doctor, and he's referred to as Dr Fox. | 0:22:21 | 0:22:26 | |
I'll try Liam Fox. | 0:22:26 | 0:22:28 | |
On the basis that Dr Fox is a thing? | 0:22:28 | 0:22:30 | |
I think he is known as Dr Fox on occasion. | 0:22:30 | 0:22:33 | |
Liam Fox is the right answer. | 0:22:33 | 0:22:35 | |
-He was indeed not just a doctor, but a GP doctor. -Hmm. | 0:22:35 | 0:22:39 | |
So, well done, Lisa. Two out of two. | 0:22:39 | 0:22:41 | |
-Sorry there, Tom. -Yeah. | 0:22:41 | 0:22:43 | |
-That didn't go too well, did it? -THEY LAUGH | 0:22:43 | 0:22:45 | |
It was just maybe the momentum from the last round. | 0:22:45 | 0:22:48 | |
-That must have been it. -Something happened there. | 0:22:48 | 0:22:50 | |
-I'll blame Ben for that one. -THEY LAUGH | 0:22:50 | 0:22:52 | |
So, the Challengers have lost their captain. | 0:22:52 | 0:22:54 | |
Now what is going to happen? Rejoin us. | 0:22:54 | 0:22:56 | |
We will play the final for £25,000. | 0:22:56 | 0:22:59 | |
OK, this is what we have been playing towards. | 0:23:01 | 0:23:03 | |
It is time for the final round, | 0:23:03 | 0:23:05 | |
which, as always, is General Knowledge. | 0:23:05 | 0:23:07 | |
But I'm afraid those of you who lost your head-to-heads | 0:23:07 | 0:23:10 | |
won't be allowed to take part in this round. | 0:23:10 | 0:23:12 | |
So, that's Tom, Dan and Daniel from The Blaggards, | 0:23:12 | 0:23:15 | |
and also Beth from the Eggheads. | 0:23:15 | 0:23:17 | |
Would you please leave the studio? | 0:23:17 | 0:23:20 | |
All right, Jordan and Ben, this is the moment. | 0:23:21 | 0:23:23 | |
You're playing to win The Blaggards £25,000, | 0:23:23 | 0:23:26 | |
and they know you can do it | 0:23:26 | 0:23:27 | |
because we've seen people with only one player left do it. | 0:23:27 | 0:23:30 | |
Lisa, Dave, Chris, Kevin, | 0:23:30 | 0:23:31 | |
you're playing for something that money can't really buy. | 0:23:31 | 0:23:34 | |
Firstly, the Eggheads' reputation, | 0:23:34 | 0:23:35 | |
and secondly, the joy of keeping this wonderful run | 0:23:35 | 0:23:38 | |
that you're on going. | 0:23:38 | 0:23:40 | |
As usual, I'm going to ask each team three questions in turn. | 0:23:40 | 0:23:43 | |
They're all General Knowledge. You may confer. | 0:23:43 | 0:23:46 | |
So, Blaggards, the question is can your two brains defeat these four? | 0:23:46 | 0:23:50 | |
Simple as that. Would you like to go first or second? | 0:23:50 | 0:23:53 | |
-First? -Yeah, let's go first. | 0:23:53 | 0:23:55 | |
Jordan and Ben, good luck. Here's your first question. | 0:23:58 | 0:24:01 | |
In terms of accommodation, | 0:24:01 | 0:24:03 | |
what term is used to mean a flat that has two floors? | 0:24:03 | 0:24:07 | |
-Duplex. -Yeah. | 0:24:10 | 0:24:12 | |
That's duplex. | 0:24:12 | 0:24:13 | |
Duplex is right. | 0:24:13 | 0:24:15 | |
Eggheads. | 0:24:15 | 0:24:17 | |
What are normally used to play the game bagatelle? | 0:24:17 | 0:24:19 | |
-Cues and balls? -Cues and balls, yeah. | 0:24:24 | 0:24:26 | |
THEY MUMBLE | 0:24:26 | 0:24:31 | |
-Yeah? OK? -Yeah, try that one. -A table with a round end, isn't it? | 0:24:31 | 0:24:35 | |
-Yeah. -Bagatelle. -Yeah. -Yeah. | 0:24:35 | 0:24:37 | |
It's a game that's played on... | 0:24:37 | 0:24:40 | |
It's sort of not dissimilar, in some respects, | 0:24:40 | 0:24:43 | |
in terms of the way the table looks, | 0:24:43 | 0:24:45 | |
to a kind of a bar billiards set-up, I suppose, in a way. | 0:24:45 | 0:24:48 | |
But it is played with cues and balls. | 0:24:48 | 0:24:50 | |
Cues and balls is correct. | 0:24:50 | 0:24:52 | |
One each. It may get harder. | 0:24:52 | 0:24:55 | |
Here's your question, Challengers. | 0:24:55 | 0:24:57 | |
In classical architecture, | 0:24:57 | 0:24:59 | |
a caryatid was a sculpted female form | 0:24:59 | 0:25:03 | |
that acted as which of the following? | 0:25:03 | 0:25:05 | |
-Column. -Happy with that? | 0:25:07 | 0:25:08 | |
Yeah, I'm pretty sure it's a column on the outside of the buildings. | 0:25:08 | 0:25:11 | |
Yeah, we'll go with column, Jeremy. | 0:25:11 | 0:25:13 | |
Column is right. You jumped at that, | 0:25:13 | 0:25:14 | |
Ben. You know your architecture? | 0:25:14 | 0:25:16 | |
-I did ancient history at university. -Oh, brilliant. | 0:25:16 | 0:25:18 | |
That was a little bit fortuitous there, I think. | 0:25:18 | 0:25:21 | |
-Was I pronouncing it right - caryatid? -Sure. -Yeah? | 0:25:21 | 0:25:23 | |
-Well, could have been. -JEREMY LAUGHS | 0:25:23 | 0:25:25 | |
OK. So, Eggheads are behind, then. | 0:25:25 | 0:25:27 | |
We've got £25,000 on the table here. Your question. | 0:25:27 | 0:25:31 | |
Gomme - G-O-M-M-E - is the French word | 0:25:31 | 0:25:35 | |
for what item that might be found in a pencil case? | 0:25:35 | 0:25:38 | |
-Eraser. -Eraser. -Eraser. -Yeah, it's a rubber. | 0:25:42 | 0:25:44 | |
-Yeah, I thought it was a rubber. -Eraser. -Yeah? -Eraser. | 0:25:44 | 0:25:46 | |
-OK? Happy with that? -Yeah, I'm happy with that. | 0:25:46 | 0:25:48 | |
We think that's the eraser. | 0:25:48 | 0:25:51 | |
Eraser's right, or rubber. | 0:25:51 | 0:25:54 | |
Third question. We're cracking on here. | 0:25:54 | 0:25:56 | |
With all of this money here, | 0:25:56 | 0:25:57 | |
you haven't spent any time thinking yet. | 0:25:57 | 0:25:59 | |
Don't rush it. Here's your third question. | 0:25:59 | 0:26:01 | |
Get this right, you may have to do no more work today. | 0:26:01 | 0:26:05 | |
St Stephen's Green | 0:26:05 | 0:26:07 | |
is a park located in the centre of which major city? | 0:26:07 | 0:26:12 | |
-St Stephen? I think... -I don't think it's Cardiff. | 0:26:16 | 0:26:19 | |
I'm feeling, then, if you don't think it's Cardiff... | 0:26:19 | 0:26:22 | |
-Well, Cardiff was based on nothing. -HE LAUGHS | 0:26:22 | 0:26:25 | |
David's Cardiff, Patrick's Ireland. What's Scotland, again? | 0:26:25 | 0:26:29 | |
-Andrew. -Andrew. | 0:26:29 | 0:26:31 | |
Well, that was poor logic. Erm... | 0:26:31 | 0:26:34 | |
St Stephen's Green. | 0:26:35 | 0:26:36 | |
I think we're going to go for Edinburgh, aren't we, | 0:26:36 | 0:26:38 | |
-even though we don't know? -Yeah. | 0:26:38 | 0:26:40 | |
What would you have done on your own? | 0:26:40 | 0:26:41 | |
You're on your own, the lights aren't on. | 0:26:41 | 0:26:43 | |
-I'm not on my own, though, am I? -No, you're not. | 0:26:43 | 0:26:45 | |
You're not, unfortunately. | 0:26:45 | 0:26:46 | |
-We're going to go with that. -Yeah, I think so. I think we are. | 0:26:46 | 0:26:49 | |
After a lot of wild deliberation where we don't have a clue, | 0:26:49 | 0:26:53 | |
-it would be Edinburgh. -Edinburgh. OK. | 0:26:53 | 0:26:56 | |
And what was the answer to the question Ben put, Jordan? | 0:26:56 | 0:26:58 | |
What would you have done if you were on your own? | 0:26:58 | 0:27:00 | |
It was a perfectly sensible question. | 0:27:00 | 0:27:02 | |
It was, and I baulked giving an answer. | 0:27:02 | 0:27:04 | |
Erm, I'd maybe have gone Ireland. | 0:27:04 | 0:27:08 | |
-You would have gone for Dublin? -Yeah, Dublin. Yeah. | 0:27:08 | 0:27:10 | |
Anyone know back there what the answer is? | 0:27:10 | 0:27:12 | |
Yeah, we think it's Dublin. | 0:27:12 | 0:27:14 | |
Dublin is the answer. | 0:27:14 | 0:27:15 | |
Eggheads can take the contest with this. | 0:27:17 | 0:27:19 | |
£25,000, we're playing for. Here's your question. | 0:27:19 | 0:27:21 | |
In book design, the right-hand page of an opened book | 0:27:21 | 0:27:25 | |
is known as the recto, | 0:27:25 | 0:27:27 | |
and the left-hand page is known as what? | 0:27:27 | 0:27:31 | |
-Verso. -Verso. -Verso. -Verso. -Verso, yeah. -We'll try verso, yeah. | 0:27:35 | 0:27:39 | |
-That is verso. -Verso is your answer. | 0:27:39 | 0:27:43 | |
If you've got it right, it's the end of the contest. | 0:27:43 | 0:27:45 | |
The correct answer is verso. | 0:27:45 | 0:27:48 | |
We say congratulations, Eggheads. You have won. | 0:27:48 | 0:27:51 | |
Well, the team-mates had the Dublin dimension, but... | 0:27:56 | 0:28:00 | |
-BOTH: -Yeah. -..that's the trouble with losing them earlier. | 0:28:00 | 0:28:03 | |
I'm sorry, guys. You played well. | 0:28:03 | 0:28:04 | |
-Yeah, not good enough, really. -Thank you. -Played well. | 0:28:04 | 0:28:07 | |
Commiserations, Blaggards. | 0:28:07 | 0:28:08 | |
The Eggheads have done what comes, well, naturally. | 0:28:08 | 0:28:11 | |
Doesn't it, Eggheads? JEREMY CHUCKLES | 0:28:11 | 0:28:13 | |
The winning streak continues. Goodness! Will it ever end? | 0:28:13 | 0:28:17 | |
It does mean our Challengers don't go home with the £25,000. | 0:28:17 | 0:28:20 | |
We roll that money over to the next show. | 0:28:20 | 0:28:23 | |
We're building up quite a jackpot here, | 0:28:23 | 0:28:25 | |
thanks to your quizzing. Well done. | 0:28:25 | 0:28:26 | |
Congratulations, Eggs. Who, I wonder, will beat them? | 0:28:26 | 0:28:30 | |
Join us next time to see if a new team of Challengers | 0:28:30 | 0:28:32 | |
have the brains to do it to win £26,000. | 0:28:32 | 0:28:35 | |
Till we quiz again, goodbye. | 0:28:35 | 0:28:38 |