Browse content similar to Episode 148. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
These people are amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:07 | |
Together, they make up the Eggheads, | 0:00:10 | 0:00:12 | |
arguably the most formidable quiz team in the country. | 0:00:12 | 0:00:15 | |
The question is, can they be beaten? | 0:00:17 | 0:00:20 | |
Welcome to Eggheads, the show where a team of five quiz challengers | 0:00:23 | 0:00:27 | |
pit their wits against possibly the greatest quiz team in Britain. | 0:00:27 | 0:00:31 | |
You might recognise them, as they are goliaths | 0:00:31 | 0:00:33 | |
in the world of TV quiz shows. They are the Eggheads. | 0:00:33 | 0:00:36 | |
Taking on the awesome might of our quiz goliaths | 0:00:37 | 0:00:40 | |
are Orwell And Good, from Suffolk. | 0:00:40 | 0:00:42 | |
The team are all related and take their name from the River Orwell, | 0:00:42 | 0:00:46 | |
which runs through their home town of Ipswich. Let's meet them. | 0:00:46 | 0:00:49 | |
Hello, I'm Paul. I'm 34 and I'm a postman. | 0:00:49 | 0:00:53 | |
Hello, I'm Sam, I'm 26 and I'm a deputy home care manager. | 0:00:53 | 0:00:57 | |
Hi, there. I'm Stef. | 0:00:57 | 0:00:58 | |
I'm 48 and I'm a boat fitter. | 0:00:58 | 0:01:01 | |
Hi, I'm Olivia. I'm 40 and I work on boats. | 0:01:01 | 0:01:05 | |
Hello, I'm Stefan. I'm 32 and I'm a delivery driver. | 0:01:05 | 0:01:08 | |
-So, welcome, Orwell And Good. -Thank you. -Good to have you. | 0:01:08 | 0:01:12 | |
Relationships, we must go through here. Paul, you're married to? | 0:01:12 | 0:01:15 | |
Sam, my partner. | 0:01:15 | 0:01:17 | |
-And you're the daughter of? -Stef. | 0:01:17 | 0:01:19 | |
Who is the partner of? | 0:01:19 | 0:01:22 | |
-Olivia. -OK. And on the end, tell us, Stefan, you are the son of Stef? | 0:01:22 | 0:01:27 | |
-Yeah, that's right. -Stef and Stefan. OK. | 0:01:27 | 0:01:29 | |
-So, if it goes wrong who do you blame? -Each other. | 0:01:29 | 0:01:33 | |
-That's the way it normally works, is it? -Yeah. That way. | 0:01:33 | 0:01:36 | |
Every day, there's £1,000 up for grabs for our challengers. | 0:01:36 | 0:01:40 | |
If they fail to defeat the Eggheads, the prize money rolls over. | 0:01:40 | 0:01:43 | |
So, Orwell And Good, the Eggheads have won just the last game, | 0:01:43 | 0:01:47 | |
which means £2,000 says you can't beat them. | 0:01:47 | 0:01:51 | |
The first head to head battle is on the subject of Food And Drink. | 0:01:51 | 0:01:54 | |
Now, which of you wants this? | 0:01:54 | 0:01:56 | |
THEY CONFER | 0:01:56 | 0:02:00 | |
-I'll be happy to do that. -Yeah, Sam? Know your Food And Drink? | 0:02:00 | 0:02:03 | |
-All right. -The first victim! -OK! | 0:02:03 | 0:02:05 | |
-Go on, Sam. -Who shall I go up against? -Um... | 0:02:05 | 0:02:09 | |
Sam against which Egghead? | 0:02:09 | 0:02:11 | |
Who's the non-foodie? | 0:02:11 | 0:02:14 | |
-You're the expert. -Who's only eating burgers? | 0:02:14 | 0:02:17 | |
-Do you want to take Kevin on? -Yeah. | 0:02:17 | 0:02:20 | |
-Yeah? -I'll play Kevin, because he never gets picked. | 0:02:20 | 0:02:22 | |
LAUGHTER | 0:02:22 | 0:02:24 | |
-He does on this! -He does on this. | 0:02:24 | 0:02:26 | |
This is the programme's very badly kept secret, | 0:02:26 | 0:02:29 | |
that this is the category to get Kevin on. | 0:02:29 | 0:02:31 | |
So, Sam from Orwell And Good against Kevin from the Eggheads. | 0:02:31 | 0:02:35 | |
To ensure no conferring, please take your positions in the question room. | 0:02:35 | 0:02:38 | |
All right, Food And Drink, three questions. | 0:02:39 | 0:02:42 | |
Sam, you can choose whether you have the first or second set. | 0:02:42 | 0:02:45 | |
Um, I'd like to go first, please. | 0:02:45 | 0:02:48 | |
Here we go and good luck. | 0:02:50 | 0:02:51 | |
Which bowl-shaped piece of kitchen equipment | 0:02:51 | 0:02:53 | |
is comprised of perforated metal or plastic | 0:02:53 | 0:02:56 | |
and is used to strain liquid off food? | 0:02:56 | 0:02:59 | |
Um, used most days, it's colander. | 0:03:03 | 0:03:08 | |
It is indeed colander. Anyone here got a trivet? | 0:03:08 | 0:03:11 | |
-Yes. -Oh, have you? What, what's, where do you keep it? | 0:03:11 | 0:03:15 | |
It's, you put it on the surface, the kitchen surface | 0:03:15 | 0:03:18 | |
that you don't want to burn and put hot pans on it. | 0:03:18 | 0:03:21 | |
Ah, so it's to keep... | 0:03:21 | 0:03:22 | |
So you don't get rings on your very nice wooden worktop. | 0:03:22 | 0:03:27 | |
OK. That's what a trivet is. | 0:03:27 | 0:03:29 | |
We'll remember that for the future. | 0:03:29 | 0:03:31 | |
Kevin, what type of food | 0:03:31 | 0:03:33 | |
is traditionally sold jellied, from a pie and mash shop? | 0:03:33 | 0:03:37 | |
And you can keep them! Eels. | 0:03:41 | 0:03:43 | |
Eels, it is. Have you ever had that? | 0:03:45 | 0:03:47 | |
I think I did once, in a moment of bravado, I think I may have tried. | 0:03:47 | 0:03:52 | |
-Ha! -But, um, no, not for me. Not for me. | 0:03:52 | 0:03:56 | |
So, other people go parachuting | 0:03:56 | 0:03:58 | |
and bungy jumping and you go out and buy eel pie? | 0:03:58 | 0:04:02 | |
I mean, in terms of danger, I suspect it's just about the same. | 0:04:02 | 0:04:06 | |
Yeah, you're probably right. | 0:04:06 | 0:04:08 | |
One point each. Sam, your question. | 0:04:10 | 0:04:12 | |
What type of dish is the South-East Asian speciality, satay? | 0:04:12 | 0:04:16 | |
Is it kebab, stew or bread? | 0:04:16 | 0:04:20 | |
Um, we was only talking about this other day | 0:04:20 | 0:04:24 | |
whilst preparing barbeques. | 0:04:24 | 0:04:25 | |
It's kebab. | 0:04:25 | 0:04:27 | |
Kebab is right, with a little wooden skewer. That's right. | 0:04:27 | 0:04:31 | |
Kevin, over to you. | 0:04:33 | 0:04:35 | |
Emmental cheese, from the Swiss canton of Berne, | 0:04:35 | 0:04:39 | |
is traditionally made from the milk of which creature? | 0:04:39 | 0:04:42 | |
Well, as far as I know...as far as I know, that is the obvious one, | 0:04:45 | 0:04:48 | |
which is cow. | 0:04:48 | 0:04:50 | |
I don't think emmental is made from either sheep or goat. | 0:04:50 | 0:04:53 | |
Um, no, I'm sure it's cow. Cow. | 0:04:53 | 0:04:57 | |
Yeah, you're right, it is. | 0:04:57 | 0:04:59 | |
Could have led you astray that one, but it didn't. | 0:04:59 | 0:05:02 | |
Sam, to keep the pressure on Kevin. | 0:05:02 | 0:05:04 | |
If a dish is prepared a la boulangere, how is it cooked? | 0:05:04 | 0:05:08 | |
And boulangere is spelt B-O-U-L-A-N-G-E accent-R-E. | 0:05:11 | 0:05:17 | |
Um, I haven't heard of that before. | 0:05:17 | 0:05:21 | |
Um... | 0:05:21 | 0:05:24 | |
I don't think it would be fried, | 0:05:24 | 0:05:26 | |
so I'm toying between steamed and baked | 0:05:26 | 0:05:29 | |
and I think I'm just going to have to hazard a guess, um, at baked. | 0:05:29 | 0:05:35 | |
Let me go to Judith, cos she lives in France | 0:05:36 | 0:05:39 | |
some of the time and you can tell us. | 0:05:39 | 0:05:41 | |
-Well, a la boulangere means "at the baker". -At the baker. -Mmm. | 0:05:41 | 0:05:45 | |
-The boulangerie is the bakery -Exactly. | 0:05:45 | 0:05:47 | |
You're right, Sam. Well done. | 0:05:47 | 0:05:49 | |
Kevin, get this wrong, you're not in the final | 0:05:51 | 0:05:53 | |
and they will feel very, very excited by that. | 0:05:53 | 0:05:56 | |
The French dish galantine consists of boned white meat or fish | 0:05:56 | 0:06:03 | |
cooked, pressed and served cold in what? | 0:06:03 | 0:06:05 | |
That's, erm, it's a variety of aspic. | 0:06:09 | 0:06:12 | |
It's a kind of phrase that springs to mind of a calf's head jelly, really. | 0:06:12 | 0:06:17 | |
But aspic is what I would go for there. | 0:06:17 | 0:06:21 | |
Is that another one you've tried in a moment of bravado? | 0:06:21 | 0:06:24 | |
Even I'm not that brave. | 0:06:24 | 0:06:25 | |
So, it's a jellied bit of boned white meat, | 0:06:25 | 0:06:30 | |
-you can see through the jelly and there it is? -Yeah. | 0:06:30 | 0:06:33 | |
Ooh, oh, dear. Well, you're right. | 0:06:33 | 0:06:35 | |
I'm just saying, "Ooh, dear," because I don't fancy it. | 0:06:35 | 0:06:38 | |
Have you, Judith? | 0:06:38 | 0:06:39 | |
-It's delicious. -You've had that? -Yes. | 0:06:39 | 0:06:41 | |
What's it like? | 0:06:41 | 0:06:43 | |
It's delicious. It's just cold meat really with, erm, jelly round it, | 0:06:43 | 0:06:47 | |
a bit of jelly round, which you see all the time. | 0:06:47 | 0:06:49 | |
I mean, it's not unusual. | 0:06:49 | 0:06:51 | |
You're playing a storming game, Judith, | 0:06:51 | 0:06:53 | |
and you haven't even gone into the booth. You know everything! | 0:06:53 | 0:06:56 | |
So, three each and we move off multiple choice and to sudden death. | 0:06:57 | 0:07:02 | |
-Sam, are you ready? -Yes. -Here's your question. | 0:07:02 | 0:07:05 | |
What name is given to the thin, liquid food of oatmeal or other meal | 0:07:05 | 0:07:10 | |
boiled in milk or water, featured in the Dickens novel, Oliver Twist? | 0:07:10 | 0:07:16 | |
I don't make this regularly, I would if I had time, | 0:07:16 | 0:07:20 | |
but I think that's porridge. | 0:07:20 | 0:07:23 | |
-Porridge is the wrong answer. -Oh. | 0:07:25 | 0:07:27 | |
Because it's gruel and the word gruel comes obviously from the book. | 0:07:27 | 0:07:32 | |
Are gruel and porridge different? | 0:07:32 | 0:07:34 | |
I think gruel is kind of watery soup, isn't it? | 0:07:34 | 0:07:37 | |
-Gruel's much thinner and cheaper to make. -Thinner and cheaper? | 0:07:37 | 0:07:41 | |
Yes, exactly. Porridge is...thicker. | 0:07:41 | 0:07:45 | |
Over to you, Kevin. | 0:07:45 | 0:07:47 | |
What name is given to the bowl used to grind foods to a paste or powder, | 0:07:47 | 0:07:52 | |
that is the traditional partner of a pestle? | 0:07:52 | 0:07:55 | |
-The traditional partner of a pestle? -Yeah. | 0:07:55 | 0:07:58 | |
Well, the phrase is, I may be doing something very silly here, | 0:07:58 | 0:08:02 | |
but I can't think of anything else, the phrase is pestle and mortar. | 0:08:02 | 0:08:06 | |
-So, the word is? -Mortar. | 0:08:06 | 0:08:08 | |
And that's right, yeah. | 0:08:08 | 0:08:10 | |
-Did we confuse you there? -Yes. | 0:08:10 | 0:08:12 | |
It's easily done though, don't worry. | 0:08:12 | 0:08:15 | |
Kevin, that gives you the round. | 0:08:15 | 0:08:18 | |
Sam, you won't be in the final | 0:08:18 | 0:08:20 | |
but good strategy to try and pick Kevin off with this subject. | 0:08:20 | 0:08:24 | |
Do, both of you, come back to the studio. | 0:08:24 | 0:08:26 | |
As it stands, the challengers have lost one brain from the final round, | 0:08:27 | 0:08:31 | |
the Eggheads have not lost any brains so far. Our next subject is Music. | 0:08:31 | 0:08:36 | |
Maybe this will be better for you. Who wants Music? | 0:08:36 | 0:08:40 | |
-Who is confident with music? Paul? -No, not at all. | 0:08:40 | 0:08:43 | |
I think probably Olivia or Stefan. | 0:08:43 | 0:08:46 | |
-Do you want to do it? -OK. -Yeah? -All right. | 0:08:46 | 0:08:48 | |
-OK. -Olivia. Music? -Yes. | 0:08:48 | 0:08:51 | |
What's your strongest musical area? | 0:08:51 | 0:08:53 | |
-Probably about the '80s. -The '80s? -I really enjoyed the '80s. | 0:08:53 | 0:08:57 | |
Which Egghead is weak on the '80s? | 0:08:57 | 0:09:01 | |
Chris looks a bit of an old hippy. | 0:09:01 | 0:09:03 | |
- He might know a bit. - Yeah, definitely, definitely. | 0:09:03 | 0:09:06 | |
-Shall we try it? Or Daphne. -Try Daphne. | 0:09:06 | 0:09:08 | |
Can I play against Daphne, please? | 0:09:08 | 0:09:10 | |
Yes, you can. So, Olivia from Orwell And Good | 0:09:10 | 0:09:14 | |
versus Daphne from the Eggheads. | 0:09:14 | 0:09:16 | |
And to ensure there's no conferring, please take your positions. | 0:09:16 | 0:09:20 | |
Olivia, Music now. | 0:09:20 | 0:09:21 | |
Three questions in turn, multiple choice. | 0:09:21 | 0:09:25 | |
Do you want the first or second set? | 0:09:25 | 0:09:27 | |
I'll go for the first one, please. | 0:09:27 | 0:09:29 | |
Your first question on music, Olivia. | 0:09:32 | 0:09:34 | |
In 2008, Warwick Avenue was a UK top five hit single for which singer? | 0:09:34 | 0:09:39 | |
Oh, my gosh. | 0:09:42 | 0:09:45 | |
I was hoping that the first one was going to be one I knew. | 0:09:45 | 0:09:48 | |
Adele, Duffy, Rihanna. | 0:09:48 | 0:09:49 | |
I'm actually quite embarrassed to say that I'm stumped on this one | 0:09:52 | 0:09:56 | |
and it's only the first one. Adele, Duffy or Rihanna. | 0:09:56 | 0:09:59 | |
This is very embarrassing, but I think I'm going to go for Rihanna. | 0:09:59 | 0:10:02 | |
Rihanna is your answer. | 0:10:02 | 0:10:05 | |
It was actually Duffy, who is kind of new, | 0:10:05 | 0:10:08 | |
so you have definitely an alibi there. | 0:10:08 | 0:10:11 | |
You, Daphne? | 0:10:12 | 0:10:13 | |
I would. You see, I know the latest results, | 0:10:13 | 0:10:19 | |
I'm just no good on the '60s, '70s, '80s and '90s. | 0:10:19 | 0:10:23 | |
You just know the charts, now? | 0:10:23 | 0:10:25 | |
-Yes! -OK, well, let's take you to the '80s. -Oh, no. -Here's your question. | 0:10:25 | 0:10:30 | |
In the '80s, Daphne, Annie Lennox became part of which group? | 0:10:30 | 0:10:34 | |
Oh, I'm all right with this one. | 0:10:38 | 0:10:40 | |
Eurythmics. | 0:10:40 | 0:10:41 | |
I thought you didn't know about the '80s. | 0:10:41 | 0:10:44 | |
I don't know the songs that were in the '80s, but I know the performers. | 0:10:44 | 0:10:48 | |
-I see. -There is a difference. -OK. | 0:10:48 | 0:10:51 | |
Eurythmics is right. | 0:10:51 | 0:10:53 | |
Hiding your light under a bushel, again. | 0:10:53 | 0:10:57 | |
Here we go, Olivia. | 0:10:57 | 0:10:58 | |
Second question, plenty of time. | 0:10:58 | 0:11:01 | |
The jazz musician and composer, Bix Beiderbecke, | 0:11:01 | 0:11:04 | |
who played with Louis Armstrong in 1920s Chicago, | 0:11:04 | 0:11:07 | |
was most famous for playing which instrument? | 0:11:07 | 0:11:10 | |
I'm tending to think it's a clarinet, or possibly a double bass. | 0:11:16 | 0:11:21 | |
I think I'll go with the clarinet. | 0:11:23 | 0:11:25 | |
Clarinet is wrong. It was cornet. | 0:11:27 | 0:11:29 | |
Cornet. Tough one, that. | 0:11:29 | 0:11:32 | |
Daphne, if you get this right, you've taken the round. | 0:11:32 | 0:11:35 | |
Who had UK top 40 hits during the 1950s | 0:11:35 | 0:11:39 | |
with Magic Moments and Papa Loves Mambo? | 0:11:39 | 0:11:42 | |
I know it's either Perry Como or Andy Williams | 0:11:51 | 0:11:54 | |
and I can hear the song, but they've got very similar voices. | 0:11:54 | 0:11:59 | |
I'm hoping it's Perry Como. | 0:12:04 | 0:12:06 | |
You got it right, well done. | 0:12:08 | 0:12:10 | |
You see, the '50s we're all right. | 0:12:10 | 0:12:14 | |
Well done, Daphne. | 0:12:15 | 0:12:16 | |
You have taken the round. Olivia can't get back from this position. | 0:12:16 | 0:12:19 | |
Olivia, sorry, you were beaten | 0:12:19 | 0:12:22 | |
and can't take part in the final. Please both rejoin your teams. | 0:12:22 | 0:12:25 | |
So, the challengers have | 0:12:26 | 0:12:27 | |
lost two brains from the final round, Eggheads have not lost any. | 0:12:27 | 0:12:31 | |
Doing well, Eggheads. | 0:12:31 | 0:12:33 | |
It's Arts And Books next. Which of you wants this? | 0:12:33 | 0:12:36 | |
It's Stef or Stefan or Paul. | 0:12:36 | 0:12:39 | |
-Do you want to try it? -Stef? Yeah, do you want to have a go? | 0:12:39 | 0:12:43 | |
-I think so. -All right. I'll have a go, then. I'll have a crack. | 0:12:43 | 0:12:47 | |
I don't think I'll go for CJ, he seems quite well versed | 0:12:47 | 0:12:50 | |
with his arts and literature and stuff. Who have we got left? | 0:12:50 | 0:12:55 | |
You've got either Judith or Chris. | 0:12:55 | 0:12:57 | |
I'll have go with Chris. I'll have a stab. | 0:12:57 | 0:13:00 | |
OK, fair enough. | 0:13:00 | 0:13:02 | |
Fine, so it is Stef from Orwell And Good against Chris from the Eggheads | 0:13:02 | 0:13:05 | |
and to ensure no conferring, please take your positions. | 0:13:05 | 0:13:08 | |
Arts And Books is the category. | 0:13:09 | 0:13:12 | |
Three questions and you can choose | 0:13:12 | 0:13:14 | |
the first or second set. | 0:13:14 | 0:13:15 | |
Erm, I think I'll go first, also. | 0:13:15 | 0:13:17 | |
By what Italian name is the text of an opera known? | 0:13:20 | 0:13:24 | |
Oh, blimey. | 0:13:28 | 0:13:31 | |
The text of an opera? | 0:13:31 | 0:13:32 | |
Well, I don't think it's castrato. | 0:13:35 | 0:13:37 | |
I've got a vague idea and it might be wrong, | 0:13:39 | 0:13:41 | |
that that's a very high-pitched type of singing. | 0:13:41 | 0:13:46 | |
Libretto, librafree, erm... | 0:13:46 | 0:13:52 | |
I would say it's going to be libretto, because that's | 0:13:52 | 0:13:55 | |
text and a library and etcetera etcetera and I think libra | 0:13:55 | 0:14:01 | |
is maybe "to read", in French or Italian, I'm not sure, | 0:14:01 | 0:14:05 | |
I'm going to go for libretto. | 0:14:05 | 0:14:06 | |
Superb, you're right, well done. | 0:14:06 | 0:14:08 | |
Chris, "As flies to wanton boys are we to the gods, | 0:14:12 | 0:14:17 | |
"they kill us for their sport," | 0:14:17 | 0:14:19 | |
is a quote from which Shakespeare play? | 0:14:19 | 0:14:22 | |
I don't think... It's not Macbeth. | 0:14:29 | 0:14:31 | |
I don't think it's Hamlet. | 0:14:34 | 0:14:36 | |
I think it's from the great speech of King Lear in King Lear. | 0:14:36 | 0:14:40 | |
So, I'll say King Lear. | 0:14:40 | 0:14:41 | |
You're right, Chris. Well done! | 0:14:43 | 0:14:45 | |
OK, over to you, Stef. Who wrote the novels, A Handful Of Dust and Scoop? | 0:14:45 | 0:14:50 | |
A Handful Of Dust and Scoop? | 0:14:54 | 0:14:57 | |
Well, none of those are authors I've read. A Handful of Dust and Scoop? | 0:14:57 | 0:15:03 | |
I've got a couple of Graham Greene titles at the back of my head, | 0:15:04 | 0:15:08 | |
but they're not coming to the sort of fore, | 0:15:08 | 0:15:10 | |
but Scoop and A Handful Of Dust doesn't seem to be among them. | 0:15:10 | 0:15:14 | |
I think I'm just going to take a punt | 0:15:14 | 0:15:16 | |
between Evelyn Waugh and Iris Murdoch. | 0:15:16 | 0:15:18 | |
A Handful Of Dust... I'm going to go for Iris Murdoch. | 0:15:18 | 0:15:22 | |
I really haven't any idea, but I will try Iris Murdoch. | 0:15:22 | 0:15:26 | |
No, I'm sorry, it was Evelyn Waugh. | 0:15:26 | 0:15:28 | |
Chris, which artist painted Derby Day, | 0:15:32 | 0:15:34 | |
which proved so popular when it was first exhibited | 0:15:34 | 0:15:37 | |
at the Royal Academy in 1858, | 0:15:37 | 0:15:39 | |
it needed crash barriers to keep the crowds at a safe distance? | 0:15:39 | 0:15:42 | |
The same person who painted the railway station of Paddington. | 0:15:50 | 0:15:54 | |
That was William Powell Frith. | 0:15:54 | 0:15:56 | |
You're right, it was. | 0:15:57 | 0:15:59 | |
You need this next one, Stef, | 0:16:01 | 0:16:03 | |
and you have to hope that Chris gets his one wrong. | 0:16:03 | 0:16:07 | |
Stay in by getting this. | 0:16:07 | 0:16:09 | |
Which metaphysical poet wrote, The Collar and The Pulley? | 0:16:09 | 0:16:12 | |
The only one I've vaguely heard of is John Donne, there, | 0:16:19 | 0:16:22 | |
so really I would just, I would have to have a stab at John Donne, | 0:16:22 | 0:16:27 | |
I really don't know. I really don't know, I think I'll try John Donne. | 0:16:27 | 0:16:32 | |
John Donne is the wrong answer. | 0:16:32 | 0:16:34 | |
He was metaphysical, but it was George Herbert | 0:16:34 | 0:16:38 | |
who wrote The Collar and The Pulley. | 0:16:38 | 0:16:41 | |
Which means it's well done to Chris, | 0:16:41 | 0:16:43 | |
because you have won the round. No way back for Stef. | 0:16:43 | 0:16:45 | |
You were beaten by our Egghead. | 0:16:45 | 0:16:47 | |
Do please both of you come back and rejoin your teams. | 0:16:47 | 0:16:50 | |
The challengers have lost three brains from the final round | 0:16:52 | 0:16:55 | |
whilst the Eggheads have not lost any. | 0:16:55 | 0:16:58 | |
Our last subject is Film And Television. | 0:16:58 | 0:17:00 | |
Which of you challengers wants this? | 0:17:00 | 0:17:02 | |
And, of course, we are left now | 0:17:02 | 0:17:04 | |
-with Stefan and Paul. Stefan? -Yep. | 0:17:04 | 0:17:06 | |
Stefan against which Egghead? | 0:17:06 | 0:17:08 | |
-Which Egghead? -Judith, do you reckon? -Yeah. | 0:17:08 | 0:17:11 | |
Yeah, Judith, please. | 0:17:11 | 0:17:13 | |
Judith! | 0:17:13 | 0:17:15 | |
-You flinched then, as if you were struck by something. -Yes! | 0:17:15 | 0:17:18 | |
Stefan from Orwell And Good versus Judith from the Eggheads. | 0:17:18 | 0:17:22 | |
Here we go. | 0:17:22 | 0:17:23 | |
I'm going to ask three questions on Film And Television | 0:17:24 | 0:17:27 | |
Stefan, choose the first or second set of questions. | 0:17:27 | 0:17:30 | |
Erm, could I go first, please? | 0:17:30 | 0:17:32 | |
Playing for a place in the final, Stefan, and your team needs you. | 0:17:35 | 0:17:38 | |
What was the title of the long-running British TV series | 0:17:38 | 0:17:41 | |
that was based on the game of charades? | 0:17:41 | 0:17:44 | |
Yeah, I remember that one well and it was Give Us A Clue. | 0:17:51 | 0:17:54 | |
Absolutely right, well done. | 0:17:54 | 0:17:58 | |
Here we are, Judith. "Nasty" Nick Bateman came to fame in 2000, | 0:18:01 | 0:18:05 | |
when he appeared on which TV show? | 0:18:05 | 0:18:07 | |
I remember him. It was Big Brother. It was the first one, wasn't it? | 0:18:11 | 0:18:17 | |
Yes, it was. What do you remember about him? | 0:18:17 | 0:18:19 | |
Being nasty. He was quite nasty, he was very sneaky, wasn't he? | 0:18:19 | 0:18:23 | |
-I think he told a load of fibs. -Yeah. | 0:18:23 | 0:18:26 | |
And I remember he said he was in the SAS or something | 0:18:26 | 0:18:31 | |
and he was doing an assault course and he fell over all the whole time | 0:18:31 | 0:18:35 | |
and one said to another, "Is anything he's told us true?" | 0:18:35 | 0:18:37 | |
It was a great moment. | 0:18:37 | 0:18:39 | |
You're right, Big Brother. | 0:18:39 | 0:18:40 | |
Stefan, back to you. | 0:18:41 | 0:18:42 | |
In 1997, Kevin Costner starred as the title character | 0:18:42 | 0:18:48 | |
in which post-apocalyptic film? | 0:18:48 | 0:18:50 | |
I don't think I've heard of a film called The Milkman before. | 0:18:59 | 0:19:02 | |
Don't think it was The Garbage Man, so, The Postman. | 0:19:04 | 0:19:07 | |
Postman is correct. | 0:19:07 | 0:19:11 | |
And we've got, you're a postman. | 0:19:12 | 0:19:15 | |
And Stef is a... You did work part time as a postman, Stef. | 0:19:16 | 0:19:20 | |
-That's right. -So I'm glad you didn't get that wrong. | 0:19:20 | 0:19:22 | |
Must be not a very good film. | 0:19:22 | 0:19:26 | |
I think it was one of those, it was an overblown thing that it... | 0:19:26 | 0:19:29 | |
I mean, sometimes it gets into the system that something is really bad. | 0:19:29 | 0:19:33 | |
It happened with things like Heaven's Gate as well | 0:19:33 | 0:19:36 | |
and quite often when you see them they're not as bad as it was said. | 0:19:36 | 0:19:39 | |
-I didn't think The Postman was as bad as was made out. -Yeah. | 0:19:39 | 0:19:43 | |
I guess with this question Milkman we can exclude because this country has milkmen, but not many others do. | 0:19:43 | 0:19:49 | |
-No. -People go door to door delivering your pinta. | 0:19:49 | 0:19:52 | |
I like the idea of the Garbage Man though. | 0:19:52 | 0:19:55 | |
The garbage man IS The Garbage Man. | 0:19:55 | 0:19:57 | |
He's been in a lot of garbage. | 0:19:57 | 0:19:59 | |
Judith...in which country was Audrey Hepburn born. Judith? | 0:19:59 | 0:20:03 | |
Oh, I think that was Belgium but I think she was actually, | 0:20:07 | 0:20:11 | |
had some sort of Dutch parentage, didn't she? | 0:20:11 | 0:20:15 | |
But I think she was born, as, I mean out of all those three, | 0:20:15 | 0:20:18 | |
she was born in Belgium. | 0:20:18 | 0:20:19 | |
-So you answer is Belgium? -Yeah. | 0:20:19 | 0:20:22 | |
And you're right. | 0:20:22 | 0:20:24 | |
Question three to you and you're doing well Stefan. | 0:20:24 | 0:20:27 | |
Get this right, put the pressure on Judith, anything can happen. | 0:20:27 | 0:20:30 | |
Confessions Of A Dangerous Mind, released in 2002, | 0:20:30 | 0:20:34 | |
was the feature film directorial debut of which actor? | 0:20:34 | 0:20:38 | |
I'm not too sure about the answer, I'm going to have to have a guess. | 0:20:44 | 0:20:49 | |
I'm going to say Edward Norton. | 0:20:49 | 0:20:52 | |
Edward Norton it wasn't. | 0:20:53 | 0:20:55 | |
It was George Clooney who directed that film, first film he directed. | 0:20:55 | 0:21:00 | |
Judith, this for the round. | 0:21:00 | 0:21:03 | |
Georgia Thomas, Richard Fish and John Cage are characters in which US TV series? | 0:21:03 | 0:21:09 | |
No idea. | 0:21:14 | 0:21:16 | |
I'm sure it's not Cagney And Lacey because the characters in that were | 0:21:16 | 0:21:21 | |
Cagney and Lacey mostly weren't they, regularly? | 0:21:21 | 0:21:25 | |
Um, I don't know about the other two. | 0:21:25 | 0:21:28 | |
What about Quantum Leap? | 0:21:28 | 0:21:30 | |
I'll make a Quantum Leap. | 0:21:30 | 0:21:32 | |
You've made a quantum leap into a road of mud. | 0:21:32 | 0:21:37 | |
-Oh. -Because it's the wrong answer. Ally McBeal was the right answer. | 0:21:37 | 0:21:41 | |
-Oh, right. -We were missing Ally. Who was Ally played by? | 0:21:41 | 0:21:45 | |
-Calista Flockhart. -That would have helped, yeah. | 0:21:45 | 0:21:48 | |
So after three questions the scores are level. | 0:21:48 | 0:21:51 | |
We go from multiple choice to sudden death. | 0:21:51 | 0:21:53 | |
It gets harder here because I don't give you options. | 0:21:53 | 0:21:57 | |
Stefan, which French actress won the 2008 Best Actress Oscar for La Vie En Rose? | 0:21:57 | 0:22:04 | |
I've got no idea about that one, I can't think of any French actresses so I'm going to have to pass. | 0:22:06 | 0:22:11 | |
It was someone called Marion Cotillard. | 0:22:11 | 0:22:15 | |
Judith, your question. | 0:22:18 | 0:22:19 | |
If you get this right you're in the final. | 0:22:19 | 0:22:21 | |
Captain Furillo, Officer Renko and Detective Belker were characters in which US TV drama series? | 0:22:21 | 0:22:29 | |
Was it NK...? | 0:22:29 | 0:22:32 | |
What's it called? New York, NYPD... | 0:22:32 | 0:22:36 | |
No, I know, Hill Street Blues. | 0:22:36 | 0:22:38 | |
-Your answer is correct. -Phew. | 0:22:38 | 0:22:41 | |
You seem to be naming a programme called NYPD Hill Street Blues, but anyway... | 0:22:41 | 0:22:46 | |
-No, I changed halfway through. -You just put all the titles together, that's one way of getting it right. | 0:22:46 | 0:22:50 | |
Judith, you got that right, it was Hill Street Blues. Stefan, | 0:22:50 | 0:22:53 | |
you won't be in the final round, I'm sorry to say. There's no easy way to say it. | 0:22:53 | 0:22:57 | |
Please both of you come back, rejoin your teams and we will play that final round. | 0:22:57 | 0:23:02 | |
So Orwell And Good have had a bit of a time of it and we are now playing | 0:23:02 | 0:23:06 | |
the final round which as always is general knowledge. | 0:23:06 | 0:23:10 | |
Those who lost your head to heads will not join us for that round, | 0:23:10 | 0:23:13 | |
so that's Sam, Stef, Olivia and Stefan from Orwell And Good, please leave the studio. | 0:23:13 | 0:23:19 | |
So Paul, good luck. I know you're on your own, but it can happen. | 0:23:22 | 0:23:26 | |
-You're a postman? -Yes, that's right, yes. | 0:23:26 | 0:23:29 | |
-Same round every day or not? -No, it tends to be a bit driving, a bit | 0:23:29 | 0:23:32 | |
delivering in different parts, you know, but I enjoy it, keeps me fit. | 0:23:32 | 0:23:36 | |
And you're walking how many miles a day? | 0:23:36 | 0:23:38 | |
Probably about four to five miles a day. | 0:23:38 | 0:23:40 | |
And you're walking with a weight on your back and quite quickly, so it's quite, you know, | 0:23:40 | 0:23:44 | |
keep fit. | 0:23:44 | 0:23:46 | |
Yeah, well, let's see whether you are fit enough in a quizzing sense to win this. | 0:23:46 | 0:23:52 | |
You're playing for £2,000 for your team, Orwell And Good. | 0:23:52 | 0:23:56 | |
Judith, Kevin, CJ, Daphne and Chris, you're playing | 0:23:56 | 0:23:59 | |
for something that money can't buy which is the Eggheads' reputation. | 0:23:59 | 0:24:02 | |
You're rebuilding that reputation really after what happened a few days ago. | 0:24:02 | 0:24:06 | |
As usual I will ask each team three questions in turn. | 0:24:06 | 0:24:09 | |
This time the questions are all general knowledge and you are allowed to confer. | 0:24:09 | 0:24:13 | |
Paul, the question is, is your one brain better than the Eggheads' five? | 0:24:13 | 0:24:16 | |
I know lots of people watching will be rooting for you here. | 0:24:16 | 0:24:19 | |
So do you want to go first or second? | 0:24:19 | 0:24:21 | |
Um I'll go first please. | 0:24:21 | 0:24:24 | |
Best of luck to you. | 0:24:24 | 0:24:27 | |
According to the nursery rhyme, what does Bobby Shafto have on his knee? | 0:24:28 | 0:24:31 | |
Um... | 0:24:36 | 0:24:37 | |
doesn't really ring a bell. I don't believe it's red buttons. | 0:24:37 | 0:24:41 | |
Um, um I'm going to go for golden bells. | 0:24:44 | 0:24:49 | |
Golden bells is your answer. Any Egghead want to help us with this nursery rhyme? | 0:24:50 | 0:24:54 | |
-Silver buckles. -Silver buckles. But what's the nursery rhyme? | 0:24:54 | 0:24:57 | |
Bobby Shafto's gone to sea | 0:24:57 | 0:24:58 | |
Silver buckles on his knee He'll come back and marry me... | 0:24:58 | 0:25:02 | |
-Bonny Bobby Shafto. -Right. | 0:25:02 | 0:25:05 | |
You did that all completely in sync. | 0:25:05 | 0:25:07 | |
So it's wrong, I'm sorry, Paul. | 0:25:07 | 0:25:11 | |
It was silver buckles. | 0:25:11 | 0:25:13 | |
Eggheads, in America what term is used | 0:25:13 | 0:25:15 | |
to describe a person crossing a road outside a designated crossing area? | 0:25:15 | 0:25:21 | |
It's Luke Jaywalker. | 0:25:29 | 0:25:30 | |
Oh, that's right. Or whatever his first name is whether it's Luke or anything else. It's jaywalker. | 0:25:30 | 0:25:37 | |
Jaywalker is the correct answer. | 0:25:37 | 0:25:41 | |
Paul, what colour are the berets worn by members of the UN peacekeeping forces? | 0:25:42 | 0:25:47 | |
Um, yeah, I think I know this one. | 0:25:51 | 0:25:52 | |
I don't think they're green or red so I think they're blue. | 0:25:52 | 0:25:56 | |
They are blue. Well, done. Off the blocks. | 0:25:56 | 0:25:58 | |
And your team are pleased. | 0:26:01 | 0:26:03 | |
Eggheads, Velma von Tussle is a character from which stage and film musical? | 0:26:03 | 0:26:09 | |
-Chicago. -That's Velma Kelly. | 0:26:16 | 0:26:19 | |
Sorry, can we have it again, Jeremy, please? | 0:26:19 | 0:26:21 | |
Velma von Tussle is a character from which stage and film musical? | 0:26:21 | 0:26:25 | |
-Because the Velma in Chicago is Velma Kelly. -Yeah. | 0:26:25 | 0:26:28 | |
So I don't recognise this from either Chicago or Grease. | 0:26:28 | 0:26:32 | |
I think it is Hairspray. | 0:26:32 | 0:26:34 | |
Yes. | 0:26:34 | 0:26:36 | |
Um, consensus of opinion, Hairspray. | 0:26:37 | 0:26:41 | |
So you were not taken away from the correct answer by the other Velma. | 0:26:41 | 0:26:47 | |
Hairspray's right, Eggheads. | 0:26:47 | 0:26:49 | |
Paul, this is a tough moment for you. | 0:26:49 | 0:26:51 | |
You need to get this question right or the Eggheads have won, OK? | 0:26:51 | 0:26:55 | |
Here's your question. Which former British prime minister | 0:26:55 | 0:26:58 | |
had a brief and unsuccessful stint as a chat show host? | 0:26:58 | 0:27:02 | |
Um, I don't know this one either. | 0:27:09 | 0:27:12 | |
I don't believe it's Harold Wilson. | 0:27:12 | 0:27:14 | |
Um, Edward Heath for some reason jumped out at me | 0:27:17 | 0:27:21 | |
so I'm going to go for Edward Heath. | 0:27:21 | 0:27:23 | |
Edward Heath is actually wrong and it wasn't Alec Douglas-Home who was | 0:27:23 | 0:27:29 | |
kind of aristocratic and probably wouldn't have been up his street. | 0:27:29 | 0:27:33 | |
-It was Harold Wilson. -Really? | 0:27:33 | 0:27:35 | |
Yeah, it was Harold Wilson who appeared famously | 0:27:35 | 0:27:39 | |
with Mike Yarwood and all of that and obviously got a taste for it. | 0:27:39 | 0:27:42 | |
Yeah, but it didn't last long. | 0:27:42 | 0:27:44 | |
He was always supposed to be so good on the telly, that's why. | 0:27:44 | 0:27:47 | |
-I could never see it. -What went wrong? | 0:27:47 | 0:27:49 | |
-He wasn't any good unfortunately. -He wasn't any good. -No. | 0:27:49 | 0:27:52 | |
I've seen clips of it and it is skin crawlingly bad. | 0:27:52 | 0:27:55 | |
I remember seeing it at the time and it was painful. | 0:27:55 | 0:27:59 | |
Paul, I'm sorry, you got the question wrong. | 0:27:59 | 0:28:02 | |
That means there's no way back in this final round for you | 0:28:02 | 0:28:05 | |
so, Eggheads, congratulations you have won. | 0:28:05 | 0:28:07 | |
So the Eggheads have one what comes naturally to them, | 0:28:13 | 0:28:15 | |
they still reign supreme over quizland and I'm afraid, Paul, | 0:28:15 | 0:28:18 | |
you and the team won't be going home with the £2,000 which means the money rolls over to our next show. | 0:28:18 | 0:28:24 | |
Eggheads, congratulations. Who will ever beat you? | 0:28:24 | 0:28:27 | |
Join us next time to see if a new team of challengers have the brains to beat the Eggheads. | 0:28:27 | 0:28:32 | |
£3,000 says they don't. | 0:28:32 | 0:28:35 | |
Till then, goodbye. | 0:28:35 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:43 | 0:28:45 | |
E-mail [email protected] | 0:28:45 | 0:28:48 |