Episode 2 Great TV Mistakes


Episode 2

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Transcript


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Hello, I'm Robert Webb.

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Welcome to Great TV Mistakes.

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Now, I know what you're saying - "But people in telly don't make mistakes.

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"They're all perfect, like you, Rob."

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Not true. Everyone makes mistakes.

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You just called me Rob, for instance.

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And no-one but no-one calls me Rob unless I give them permission. Understand?!

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Over the next hour, we'll be revealing the worst howlers ever broadcast.

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Mistakes my crack team of square-eyed, OCD numpties

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refused to rest until they have managed to show you the foul-ups they didn't want you to see.

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"They" meaning "them", not you.

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Enjoy!

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Coming up - mistakes from...

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..and many more!

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In TV, we have a nickname for special effects.

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We call them special "FX".

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Aren't we brilliant?

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These days, the effects on TV are so special,

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they can often leave you, the viewer, wide-eyed, slack-jawed and dumbstruck.

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Even more than usual. Yes, thanks to computer technology,

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the only limit to modern SFX is the producer's imagination.

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Which is a shame, because most producers' imaginations are limited to saying,

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"Hey, why don't we just get Ant and Dec to do it?" and then ordering sushi.

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Which sadly means every now and again, the "special" effects are anything but.

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A high-speed chase in Knight Rider

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and Michael is in pursuit of two blokes who have kidnapped a lady.

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Oh, she's a terrible back-seat driver.

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That car is all over the shop.

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Three drivers, one steering wheel, that's asking for trouble.

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Oh, no, no, no, no, leave it.

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Sit down, you silly cow! Oh, too late, she's jumped.

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Well, somebody did.

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-Crazy broad jumped out!

-I'm afraid that was your unconscious female.

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No, it wasn't, KITT, you're talking out of your tailpipe.

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That's her stunt double in an ill-fitting blonde wig.

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She's less lookalike and more look nothing like.

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It's 24 and look out, the guy in the car is about to get all shooty.

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But when he discharges his weapon....

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Through the car window, the glass all falls inwards, in defiance of all the laws of physics.

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Let's see that again. Take that, Newton.

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Look, he's got Stagler.

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Here we are, back in that brilliant episode of Wonder Woman,

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and Gargantua the Gorilla is making his escape

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carrying that bloke from Magnum.

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But he's made a terrible error.

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In the confusion, he's grabbed a poorly constructed dummy instead.

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See it flailing in the breeze just like human bodies don't.

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Look, his legs have gone all trembly, something, something, Wembley.

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That doesn't make any sense, and neither does this episode of Wonder Woman.

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Yes, it's high time Lynda Carter twirled into her crime fighting boob tube and hot pants.

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Bad news for bad guys, good news for randy 14-year-old boys.

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But look how this spectacular metamorphosis also has the power to

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change this humble biro into thin air.

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Yeah, it's probably just rolled under the desk.

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The Doctor again, and this is what I call thrilling stuff.

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There again, I'm quite easily thrilled.

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Oh, look, the Doctor is climbing up that giant television aerial,

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trying to stop Maureen Lipman being transmitted.

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You cannot stop the wire. Soon I shall become...

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Then, as Dave's a-dangling from the pylon, his foot suddenly disappears.

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Here it is, here it isn't.

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Yes, the BBC's blue screen is no larger than a tea towel.

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Mac and Guy from Green Wing are heading for a very literal end-of-series cliff-hanger.

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Ever wonder how they do stunts like this? Well, the clues are here

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and here. That is a safety harness and that is a dirty great support cable.

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Less Italian Job, more bodged job.

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OK, no argument, the Hulk has always been incredible.

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But on the '70s TV show, the effects were anything but.

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Here, a couple of local thugs have unwisely locked David Banner in the steam room.

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He gets angry, goes green, and picks them and half the wall up using the strength of 100 men.

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Or should that be by making them stand on a hidden trolley

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and pushing them back using the strength of three caterpillars.

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You decide.

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The friends from Friends are on holiday and,

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oh, dear, it's chucking it down.

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But what's worser, their lovely beach house is full of wet sand.

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What's with all this sand?

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Oh, yeah, Bob said there might be flood damage.

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Either that or he has a really big cat.

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But now it's dry.

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They must have under-sand heating.

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A clip from classic Dr Who episode Genesis Of The Daleks,

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and keep your eyes on the Dalek chatting with Davros

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and the light bulb flashing on his head.

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That's how deaf people know that a Dalek is talking, by the way, it's a courtesy thing.

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Hold on a sec, his light's gone out.

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Maybe he forgot to pay the Da-lecky bill.

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But then, between takes, while Davros practises his shouting...

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You will obey me!

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..there's a chance to unscrew the bulb and pop a new one in.

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We are the superior beings.

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On with the serious business of mass extermination and sink plunging.

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Exterminate!

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More from Genesis Of The Daleks now,

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and the Thals are about to detonate a bomb

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using this rickety old plunger.

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But even before that happens, some smoke wafts through the doors.

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That bomb has either detonated itself, or one of those Daleks is having a crafty fag.

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This is X-Files rain, heavy and persistent, like Mulder,

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apart for the heavy bit.

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Dana and Fox are in hot pursuit of a woman doing some top-notch driving-in-heavy-rain acting.

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Moving the steering wheel about, frowning at rain...

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and then she hits a cloudy ghost. Bosh!

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But when Mulder and Scully pull over seconds later, all the rain has gone. Spooky.

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# Da-da-da-doo, da-da-da-doo... # Sorry, that's The Twilight Zone, sorry.

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-I can see her.

-Michelle!

-Help!

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Considering it was made in the '60s, the effects on Thunderbirds are pretty FAB.

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Of course, every now and again, they were less than perfect.

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Look what happens when the aircraft explodes.

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This bit of debris flies off and bounces off the back projection screen. Boing.

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For some reason, at that moment, in that half-finished foxhole,

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all I could think about was the Fourth of July.

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Band Of Brothers now, and those German mortars are really doing some damage.

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Thank God they're only aiming at the trees. Yeah, Nazis hate trees.

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Especially these ones. They're birch trees, they make Nazis furious.

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Boom! Take that. Hold on a minute, it did.

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A bomb that only causes minimal bark damage. Let's have another look.

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Yeah, that must have been a smart bomb.

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They only destroy certain trees. If that had been a willow, it would be dead.

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A thrilling FX scene from Blake's 7,

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the doddery senile grandad of the TV sci-fi family.

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Once again, the audience at home are on the edge of their seats, getting up to leave the room.

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But gasp as the bad guy is sucked into space.

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Although, he's not so much being sucked as dangled by that highly visible safety harness.

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Wheeee!

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Clothes.

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Clothes can go seriously wrong.

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Just look at Lady Gaga or anyone from Germany.

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If there's one department in telly that gets overlooked, it's wardrobe.

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It's very rare to see wardrobes taking a leading role,

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except in The Lion, The Witch And The Wardrobe, of course.

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Though frankly, the lion and the witch got all the best lines.

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Consequently, every now and again, the wardrobe department fights back.

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It's Henry VII in a scene from rollicking royal soap The Tudors.

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Here's Henry's (divorced, beheaded, died, divorced, beheaded, survived),

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first wife Catherine of Aragon, looking moody, and who can blame her?

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Getting a rousing reception from this crowd of 16th century peasants.

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Although, for a bunch of proles,

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they're doing pretty well for themselves, cos, look again.

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Verily, sire, that's a nice wrist watch.

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He made that himself out of straw and bits of the plague.

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Lovely Buffy. Not only is she sexy, fun, and good at killing vampires,

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she can swap shoes in a microsecond.

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See, as she attacks the vampire wearing white party pumps...

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Then, alley-oop, suddenly swaps them for a pair of

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black boots when required to kick him in his undead nuts.

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That is my kind of woman.

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Where are your jibes now?

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We want to swim and you can't stop us!

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It's Desperate Housewives,

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and another wardrobe-related oversight is about to kick off

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thanks to these cheeky kids who are refusing to get out of the water.

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In you go, Mum, sort them out.

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She walks into the pool in heels,

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wades through the water in heels,

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walks out again in heels, but then, having done the hard part,

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she's suddenly barefoot.

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It's confusing. No wonder her kids are a nightmare.

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No parental consistency.

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Paul, we have to leave now.

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24, and watch this woman exiting the loo, or rather, her shoes.

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A pair of good old-fashioned all-American sneakers.

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Nothing wrong there. In fact, everything right.

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But spin on,

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and during a simple walk to her desk, they've been changed,

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switched, perverted, into high heels.

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Free-world flatties wiped off the face of the earth,

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replaced by high-heeled extremism.

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And where's Jack Bauer?

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Running a minicab firm.

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"51 to base, passenger POB, Rog."

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James Corden is a bit of a quick-change artist on the side.

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Oh, yeah, look.

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One minute he's wearing his dinner jacket, and the next, he's lost it.

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The jacket, not his temper.

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Although it's a wedding, there's always one fight.

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Here's classic '70s drama Hawaii Five-0,

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as in five acting expressions, oh,dear.

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Steve McGarrett is on the case and there's no time to lose.

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Except to change his suit on the way up the stairs.

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Mr Dennison, please.

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Never mind all that, what have you done with your grey suit?

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Look, he gets out of the car in the grey one, and walks into the office wearing the blue.

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Mr Dennison, please.

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Actually, good work, Steve.

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No-one wants to be arrested by a man in a sweaty suit.

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A fun run along a canal side for the Ashes to Ashes team,

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and Alex looks all French - scarf, stripy T-shirt.

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I'm not sure about the red belt, though. Nah, get rid of it, Keeley.

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That's better. Does it come back?

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No.

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Under normal circumstances, the last person I'd want to see frolicking in a wet T-shirt is Hurley from Lost.

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Unless, of course, he was dancing around a pole, and even then only maybe.

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Here he is teaching Charlie to fish and how to be both sopping wet...

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..and dry at the same time.

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Maybe he's just really hot.

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Hot warm, not hot sexy. Unless he was dancing around a pole. Phwoar!

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The poacher, I heard him fishing only a few nights ago.

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What, with all his sartorial eccentricities,

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Doctor Who has always been a strain on the wardrobe department, in whichever incarnation.

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In this clip, Tom Baker's jaunty hat is the problem.

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He leaves it on the chair and exits, and then in the next scene,

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he's walking through the woods wearing it.

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Maybe they'd shot a scene where he remembered, thought "huh" and went back for it, but then didn't use it.

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Yeah, better check the director's cut.

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Little Britain, famous for its comedy characters.

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Here's Matt Lucas as Bubbles DeVere.

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Bubbles dives under the tanning machine, naked,

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but if we spin forward,

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she emerges some time later burnt to a crisp and now mysteriously wearing a pair of blue goggles.

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Will you excuse me for a moment, please, Mr Hutton, I'm a little bit on fire.

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How....

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you...a doing?

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I love Friends. I could watch it all day.

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And thanks to E4, I can.

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Here's Joey chatting up a girl in the apartment opposite.

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He can't wait to get over there and introduce himself.

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And yet, he still has time to miraculously change his black shirt on the way over.

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Sweaty black shirt morphs into clean purple one.

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But as he knocks on the door,

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it's back to black.

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Black, purple and black. The three colours of the bad continuity flag.

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This is your place?

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Another moment of drama in Gray's Anatomy.

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Sandra Oh rips off her surgical topcoat and exits the operating theatre.

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Meanwhile, out in the corridor, there's a bomb scare.

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These doctors can't go faster than .000003 miles an hour

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or they'll blow up or something.

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Then, just as you thought this scene couldn't get any more confusing, out pops Sandra with her coat on again.

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It's a bit like the film Speed but with less speed and more mistakes.

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We're moving to an OR further away from the oxygen line.

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Hey, David Banner is rescuing a bit-part actress from a cliff.

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Spin on, and sure enough, he turns into The Incredible Hulk.

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And as usual, his massive green muscles completely tear the shirt from his back.

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But seconds later, the shirt reappears,

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then disappears, then finally reappears again,

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having mounted its curious green host once more.

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All right, come on, come on!

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Well, there was a lady present.

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But sadly, no continuity person.

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All great telly starts with a script.

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You need writers who can really write words good comma

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and make the things we actors and presenters say in their mouths have, like, pizzazz and that.

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Yes, script and story are crucial.

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Confused story lines and dialogue, and character errors can spoil an entire series in seconds.

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That's why broadcasters spend enormous amounts of money hiring professional writers and executives

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to ensure this doesn't happen and why they get so disappointed when it still does.

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Take a look at this little lot.

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24, and here's Jack Bauer giving his exact location to headquarters.

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We're at 21408 Kipling, North Hollywood.

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That's 21408 Kipling, North Hollywood. 21408.

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Now, spin on,

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and the car is here.

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But spin on again, and we can see they've pulled up outside 21048.

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Well, that's no good. Kiefer's at 21408.

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But hang on, he is here, at 21048,

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-and not...

-21408 Kipling, North Hollywood.

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Where he said he was a moment ago.

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Still, it's only the Secret Service in a desperate race against time to save lives,

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nothing important, like a pizza delivery.

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Here's Ashes To Ashes,

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the disappointing follow-up to Life On Mars.

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It's July 1981.

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And a shocked Keeley Hawes

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has just found herself mysteriously back in the 1980s.

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She's trying to find out the date from Gene Hunt's steam-driven computer.

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Let's check it. 17th July 1981.

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There's nothing on this hard drive but the time and date.

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Spin on, and later, in her new '80s flat, we see that she's marked her arrival date as July 20th.

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She's lost three days.

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There are easier ways to lose three days, Keeley.

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Try drinking five pints of gin.

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Works for me.

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Here's an IT blunder from serial-killing drama, Dexter.

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As Rudy Cooper opens an e-mail from [email protected]...

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..presses reply,

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and suddenly he's writing back to [email protected].

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Don't worry, though, thanks to the confusing power of telly,

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Frozen Barbie still gets the e-mail anyway.

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All's well that ends well. Except for the fact that he kills her and cuts her into tiny pieces.

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Here's an early clip from Star Trek: The Next Generation

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and new Number One, Will Riker, is looking for the holodeck.

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The computer tells him it's...

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'The next hatchway on your right.'

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-You mean left, surely?

-Thank you.

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-He's bluffing. Riker knows that the new Enterprise computer is an idiot.

-I do.

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And goes left instead.

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In the future, many things will be different, but apparently, men still don't trust directions from a woman.

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US drama Fringe, and this bonkers boffin has invented a camera

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that can photograph a corpse

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and capture the last image seen by a person before their death.

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-Ready?

-I know, it's rubbish, but go with it.

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Let's listen to the doc's advice.

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Goggles, all of you. Do not look directly into the light.

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-MIMICS:

-"Goggles, all of you. Do not look directly into the light."

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Got it. Camera, dangerous. Goggles, essential.

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But spin on through the rubbish, and see what happens.

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They've taken them off. Oi! And you! Put them back on.

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The doctor said keep the goggles on while the camera is still flashing.

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Doc, tell them to... not you, as well. I give up. This programme is stupid.

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The OC crowd are in a nightclub

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when one of our old friends

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leaves an urgent message for his mate. Let's listen in.

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Luke, it's me. I want to make sure you took care of it.

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OK. Ryan said, "Luke, it's me.

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"I want to make sure you took care of it." And there was lots of noise in the background.

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Does Luke get the message? Yes. But not that one.

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-WITHOUT BACKGROUND NOISE:

-Luke, it's me. I'm just calling to make sure you took care of it.

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"Luke, it's me. I'm just CALLING to make sure you took care of it."

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Different words and no background noise. Probably a network problem.

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There's a joke here somewhere about Orange County, but where are the good times?

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Writing a long-running show like Frasier is tricky,

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having to remember the characters' likes and dislikes

0:19:430:19:46

and relatives. They're a nightmare, even when they're not real.

0:19:460:19:50

Just listen to Frasier's dad Martin in series one.

0:19:500:19:53

I never had a brother.

0:19:530:19:54

Marty Crane never had a brother.

0:19:540:19:56

-Oh, I've got the feeling he would have liked one, though, and by series five, he did.

-There he is!

0:19:560:20:02

Well! This is so exciting! You two must have so much to talk about. Uncle Walt, hello!

0:20:020:20:06

That's either a mistake or someone needs a psychiatrist.

0:20:060:20:10

-Marty.

-Walt.

0:20:120:20:14

SOUND problems are very common in television,

0:20:160:20:20

partly because it would be impossible to control all the sounds around us

0:20:200:20:24

and partly because most sound men are tone-deaf alcoholics whose only hope of noticing a pin drop

0:20:240:20:28

is if you pull it out of a live grenade in front of them and throw it in their stupid faces.

0:20:280:20:33

We in telly call the process of replacing sounds "dubbing" or "ADR",

0:20:330:20:37

which stands for automatic dialogue replacement.

0:20:370:20:40

Mind you, looking at these next clips, you'd think it stood for awful dialogue replacement!

0:20:400:20:45

HE GUFFAWS EXAGGERATEDLY

0:20:450:20:47

It's Doctor Izzie Stevens in Grey's Anatomy,

0:20:520:20:55

who can say "ooh" without moving her lips.

0:20:550:20:59

No really, she can. Look.

0:20:590:21:01

Oh, ooh!

0:21:010:21:02

Oh, I like that. Again?

0:21:020:21:05

-Ooh!

-Oh, go on then. Once more!

0:21:050:21:08

-Ooh!

-Ooh!

0:21:080:21:10

Are you allowed to eat a cupcake in a sterile environment?

0:21:100:21:13

Are you still working with Meredith?

0:21:130:21:16

Ah, yes. Meredith, AKA Dr Grey herself.

0:21:160:21:20

But don't stand on ceremony, she hates that.

0:21:200:21:22

Dr Grey.

0:21:220:21:24

-Meredith.

-Meredith.

0:21:240:21:26

We heard it but we didn't see it.

0:21:260:21:28

That man did not say "Meredith".

0:21:280:21:31

-Or did he?

-Meredith.

-No, he did not.

0:21:310:21:34

At least not at the time.

0:21:340:21:36

Maybe he hates the name Meredith and refused to say it.

0:21:360:21:39

"Ah," they thought, "We'll just stick that on later in the edit."

0:21:390:21:42

And they did. Badly.

0:21:420:21:44

-Because I stayed in the OR to save a life.

-Meredith.

0:21:440:21:47

-Very good.

-What have you go there?

0:21:490:21:52

Pride and Prejudice, and keep your eyes and ears

0:21:520:21:55

on that fine actress Alison Steadman.

0:21:550:21:57

There she is, famous for her performance in Abigail's Party

0:21:570:22:00

and loads of other parts that have been quite similar.

0:22:000:22:04

But hark, only an actress with Alison's vocal skills could say different words than her own mouth.

0:22:040:22:09

Lord knows I have no desire to be always going here and there at night.

0:22:090:22:13

Oi, Steadman! Your mouth's writing cheques your voice can't cash! That doesn't make any sense.

0:22:130:22:18

I have no desire to be always going here and there at night.

0:22:180:22:21

But neither does poor-quality dubbing.

0:22:210:22:23

# For Jesus Christ our saviour... #

0:22:250:22:28

More Pride and Prejudice, and Mary's depressing everyone

0:22:280:22:31

with her piano playing like some 19th-century Dido.

0:22:310:22:34

But look, there in the back of shot, Maria's singing without moving her lips.

0:22:340:22:39

-Maybe she's singing out of her...

-HE WHISTLES

0:22:390:22:42

-Now, you might call that a mistake but I call it some of the finest...

-HE WHISTLES

0:22:420:22:47

..singing I've ever heard.

0:22:470:22:48

Everyone, I just wanted to say it really means a lot to me

0:22:500:22:54

-that all of you came.

-In this episode of Desperate Housewives,

0:22:540:22:58

Carlos is giving a speech to friends about leaving to go to jail.

0:22:580:23:01

But when they cut to a shot of Susan and Julie listening,

0:23:010:23:05

we see Carlos isn't talking despite the fact we can still hear him.

0:23:050:23:09

And when a man goes away to jail...

0:23:090:23:11

-Now, he hasn't got a...

-HE WHISTLES

0:23:110:23:13

-..so maybe he's talking out of his "ah-huh-huh". In which case, respect.

-So, thanks.

0:23:130:23:18

Look, everyone. It's Rachel off Friends, venting her spleen.

0:23:200:23:24

So I was with Joshua for an hour today and he has not asked me out.

0:23:240:23:29

Just so frustrating.

0:23:290:23:30

I know, bad dubbing is very frustrating and I'll tell you what else is frustrating.

0:23:300:23:35

Having Brad Pitt stolen away from you by Angelina Jolie.

0:23:350:23:39

Curse you, Bradley Pitt.

0:23:390:23:42

Just so frustrating.

0:23:420:23:43

I know, but don't go on about it.

0:23:430:23:45

I wondered what it'd be like to be a dude,

0:23:470:23:50

walking through the halls in jeans and a ratty T-shirt...

0:23:500:23:53

It's One Tree Hill, another one of those American shows full of cute people

0:23:530:23:57

who've got everything they need. Except a good slap in the face!

0:23:570:24:01

Maybe I'm into girls.

0:24:010:24:03

SILENCE

0:24:030:24:04

Whoa! Rachel just said that last line twice. No, really. Look.

0:24:040:24:07

Maybe I'm into girls.

0:24:070:24:09

-MIMICS:

-Maybe I'm into girls.

0:24:090:24:12

I think it's time for that slap in the face.

0:24:120:24:14

Just give me a straight yes or no.

0:24:160:24:18

Why should I give you...

0:24:180:24:20

It's Only Fools and would you Adam and Eve it,

0:24:200:24:23

Del Boy is about to put his plates of meat

0:24:230:24:25

right in it and say something a bit apples and bassist, or whatever racist is in Cockney.

0:24:250:24:31

What are the odds on you picking the only genuine weight watcher in London?

0:24:310:24:36

Del's original line was "the only Provo weight watcher in London".

0:24:360:24:40

-By the time the show aired, "Provo" had been overdubbed with the word...

-Genuine...

0:24:400:24:44

..which wouldn't be offensive to the people of Ireland or the IRA.

0:24:440:24:48

Believe me, it doesn't take much to get THEM writing in to Points Of View.

0:24:480:24:51

Most people in TV will tell you that actors can be difficult to work with.

0:24:530:24:58

But take it from me, those people are LIARS.

0:24:580:25:00

I wouldn't wee on them if they were on fire.

0:25:000:25:03

No, CARS are difficult to work with.

0:25:030:25:05

My old friend Ross Kemp now refuses to work with cars

0:25:050:25:09

following a nasty incident with a dodgy 1974 Hillman Imp which very nearly acted him off the screen.

0:25:090:25:16

A thrilling scene from Lost,

0:25:180:25:21

the show about invisible polar bears on a desert island.

0:25:210:25:25

Based on a true story.

0:25:250:25:26

Here, the truck without the tailgate runs off the road.

0:25:260:25:30

Oh, dear. There goes the truck. There goes the tailgate flying off that it didn't have a second ago.

0:25:330:25:38

But luckily in the next shot, it's back on again.

0:25:380:25:42

Look on the bright side, she's lost a truck but gained a tailgate.

0:25:420:25:46

That might come in handy later, polar bears hate car parts.

0:25:460:25:50

I hate continuity errors.

0:25:500:25:52

Nip/Tuck now and watch these two teenagers.

0:25:550:25:59

Oh, dear.

0:25:590:26:00

Who'd have thought an argument between a pair of stoners in a speeding car could end so badly?

0:26:000:26:06

These lads have left a nasty pair of skid marks.

0:26:060:26:09

But when they go and check out the damage, the skid marks have disappeared.

0:26:100:26:14

Well, the ones on the road have!

0:26:140:26:17

GUFFAWS EXAGGERATEDLY

0:26:170:26:19

I mean, you know, the ones in their pants are still there, yeah?

0:26:190:26:22

Nice one! The woman's dead, by the way.

0:26:220:26:24

I think we hit a bird.

0:26:240:26:26

It's Bo and Luke Duke doing what they do well, driving fast

0:26:280:26:31

and talking nonsense.

0:26:310:26:32

But what's that strange appendage fastened to the right rear wheel?

0:26:320:26:36

It couldn't be a camera, could it? To film them flying through the air? Yes, it could.

0:26:360:26:42

SHE SCREAMS

0:26:450:26:47

Buffy The Vampire Slayer, a show that attracts geeks

0:26:470:26:50

like dog poo attracts new trainers.

0:26:500:26:52

Here, the Buffster's mate, Cordelia, is having a driving lesson and not a moment too soon.

0:26:520:26:59

Wahoo!

0:26:590:27:01

If we spin on, we can see and hear...

0:27:030:27:06

her slam the car door shut.

0:27:060:27:08

But in the next shot it's open.

0:27:080:27:11

So that this oncoming truck can smash into it, as per the script.

0:27:110:27:15

CORDELIA SCREAMS

0:27:150:27:17

Crisis averted. In the circumstances, the best option. Either that or reshoot it properly.

0:27:200:27:25

-Nah.

-What's happening? I can't see anything.

0:27:250:27:28

Dozy cow.

0:27:280:27:29

Hawaii Five-0 and Steve McGarrett is off to the scene of a crime

0:27:310:27:36

in his beloved Ford.

0:27:360:27:38

But what crime exactly? Grand theft auto, that's what.

0:27:380:27:41

Cos when Steve pulls up at the crime scene, his car has grown a couple more doors.

0:27:410:27:47

Yep, he pulls away in a two-door coupe

0:27:470:27:50

and arrives in a four-door sedan.

0:27:500:27:53

Book him, Danno, for crimes against continuity.

0:27:530:27:56

One part of every show normally immune from TV mistakes

0:27:590:28:03

is the titles.

0:28:030:28:05

Not the famous opening title sequence from Sex And The City, though. Oh, no.

0:28:050:28:09

We all know what's coming next.

0:28:090:28:11

SJP gets splashed by a bus full of commuters

0:28:110:28:14

but look what happens when the same bus turns left moments later.

0:28:140:28:18

It's deserted. Maybe they all fainted.

0:28:180:28:20

It's not every day you see a Yorkshire terrier in a Tutu.

0:28:200:28:23

When visiting LA, there are two things you simply MUST do.

0:28:250:28:28

One is rent a fabulous car.

0:28:280:28:30

The Sex And The City girls have gone west.

0:28:300:28:33

Hey, bet you don't know what the most popular car in LA is?

0:28:330:28:36

It's the green four-door sedan.

0:28:360:28:39

Look, there's one going past now.

0:28:390:28:41

And going past again.

0:28:410:28:43

That's very distracting.

0:28:430:28:45

Spin on, and almost enough to make the girls crash into another car...

0:28:450:28:49

SCREAMING, HORN HONKS

0:28:490:28:52

..that's not there any more.

0:28:520:28:54

-OK, that's enough!

-Phew, that was close. Did I say close?

0:28:540:28:58

I meant badly filmed.

0:28:580:28:59

I'm not going to die in this tin can. I have a date with a dildo.

0:28:590:29:03

Here's one of those FREAKS from Heroes now,

0:29:050:29:07

using his superpower to defrost a car.

0:29:070:29:10

Finally, a superpower with a practical use.

0:29:100:29:13

What does it say on that car windscreen? "Automatic."

0:29:130:29:16

I wasn't looking for an automatic. It's a nice car though. I'm definitely interested.

0:29:160:29:20

Actually, it's almost exactly what I'm looking for. I like the colour, the make, the price,

0:29:200:29:25

it's just if only instead of being automatic it was say, low-mileage.

0:29:250:29:30

He-hey, now it is!

0:29:300:29:32

That's what I call superpower.

0:29:320:29:34

And art department incompetence.

0:29:340:29:36

BEEPING

0:29:380:29:40

Ashes To Ashes, and a chance to enjoy

0:29:400:29:43

all that painstakingly-recreated '80s period detail.

0:29:430:29:48

Everything exactly as it would have been 30 years ago.

0:29:480:29:52

Except for that N-reg 1993 Rover 600,

0:29:520:29:54

which didn't go into production for another 12 years.

0:29:540:29:58

-..before the turns to the high street, copy that.

-Who cares?

0:29:580:30:01

-COCKNEY ACCENT:

-We're remaking The Sweeney and we haven't had any dinner!

0:30:010:30:06

Here's a clip from 24, and Jack Bauer is under surveillance.

0:30:060:30:09

See, there's the minicam, at the front left of the windscreen.

0:30:090:30:13

His every move is being watched, except by the remaining audience. They fell asleep hours ago.

0:30:130:30:18

Now, look as we see the window from the inside of the car.

0:30:180:30:22

The minicam's gone! A mistake?

0:30:220:30:24

Well, yes, but these people are saving the world.

0:30:240:30:26

They can't remember everything!

0:30:260:30:29

Here's Knight Rider, David Hasselhoff, telling KITT

0:30:310:30:35

to round up some other cars,

0:30:350:30:37

a bit like a two-tonne metal sheepdog,

0:30:370:30:39

with an engine and bumpers.

0:30:390:30:41

Talking of bumpers, why are all those covered in plastic?

0:30:410:30:45

It's almost as if they've been fitted with protective guards

0:30:450:30:48

to prevent scratches.

0:30:480:30:50

No, they wouldn't do that. That'd be almost as bad as letting us see

0:30:500:30:54

the stuntman that really drives KITT, slumped in the front seat.

0:30:540:30:58

Well, his arm.

0:31:010:31:03

At least he didn't pull a moonie!

0:31:030:31:05

The great thing about animals is the fact that they will literally work for peanuts.

0:31:070:31:12

Over the years, animals have given us some classic TV moments.

0:31:120:31:16

Who can forget the infamous Blue Peter elephant, who for

0:31:160:31:19

years carried the blame for Peter Purves's violent bout of diarrhoea.

0:31:190:31:22

The following clips might be less well-known, but they are sure

0:31:220:31:26

to delight fans of TV mistakes and mild animal cruelty alike.

0:31:260:31:30

A humorous little set piece

0:31:330:31:34

from Grey's Anatomy now, following doctors Burke and Yang's

0:31:340:31:38

street chat, George's bagel gets pooed on by a bird

0:31:380:31:41

and, devastated, he throws it to the pavement,

0:31:410:31:45

where it's immediately pounced upon

0:31:450:31:46

by a grateful pigeon, just like in the script.

0:31:460:31:49

How do they do that? Was it a stunt pigeon?

0:31:490:31:52

No, it was a plain old ordinary pigeon, tied to a length of wire.

0:31:520:31:57

Time to give the man responsible the push.

0:31:570:31:59

Too late, he jumped.

0:32:010:32:03

This horrible 19th-century singing is upsetting me and the dog.

0:32:050:32:09

-HOWLING

-Hark at him howling!

0:32:090:32:12

Well, not so much "howling", more "looking", silently looking up at

0:32:120:32:17

the doggy treat being waved by his handler off-camera.

0:32:170:32:20

"But we need him to howl," said the director.

0:32:200:32:23

"It'll be fine," said the sound man,

0:32:230:32:25

"we'll just stick some howling effects on later,

0:32:250:32:27

"and no-one'll notice."

0:32:270:32:29

Well, we did. Oh,shut up, dear!

0:32:290:32:31

How DO they train dumb animals to act?

0:32:330:32:35

I'm talking about the dog!

0:32:350:32:37

They use handlers, of course.

0:32:370:32:40

Handlers like him.

0:32:400:32:42

I've always wanted to see

0:32:420:32:43

what the top of a dog handler's head looks like. Hairy.

0:32:430:32:46

At the top of the show, what you might call "the beginning", we saw a clip montage,

0:32:480:32:54

what you might call a "collection",

0:32:540:32:56

in which the camera crew accidentally found themselves in shot.

0:32:560:33:00

What you might call "shocking unprofessionalism".

0:33:000:33:03

Not all such unscheduled on-screen appearances are easy to spot.

0:33:030:33:07

Shop windows, car doors, and poorly-placed mirrors are all catnip to the careless cameraman.

0:33:070:33:13

Yes, nothing has the power to confuse and confound

0:33:130:33:16

these highly-trained industry professionals

0:33:160:33:19

like a reflection, or their own shadows!

0:33:190:33:22

Which don't do that.

0:33:220:33:23

You know what Eurisko means?

0:33:250:33:27

Back on those X Files,

0:33:270:33:29

Dave and Gill are about to be shown a mysterious video tape,

0:33:290:33:32

which is what people in the past had instead of DVDs.

0:33:320:33:36

It was like a roll of black ribbon in a box. Trust me, it was rubbish.

0:33:360:33:39

Anyway, look what happens before it starts to play.

0:33:390:33:43

Oh,dear, once more, the mysterious effect

0:33:430:33:45

of what some people call "a reflection"

0:33:450:33:47

catches out another entire telly crew.

0:33:470:33:50

-Let me show you something.

-We've seen enough, thank you.

0:33:500:33:53

'80s classic Knight Rider will always be remembered

0:33:550:33:58

less for its high production standards

0:33:580:34:00

and more for being a pile of arse.

0:34:000:34:02

How's that for a shadow? Not the best shot in the series, but if you

0:34:020:34:06

look carefully, you can see one of the soundmen doing a shadow puppet

0:34:060:34:09

of a crocodile eating a sausage.

0:34:090:34:11

So not a complete disaster.

0:34:110:34:14

-No, but can you?

-Two Pints Of Lager.

0:34:160:34:18

Here's Gaz and Donna on their way to visit Donna's mum,

0:34:180:34:21

but they're not the only visitors.

0:34:210:34:24

Keep your eye on the bay window.

0:34:240:34:26

Peepo! That's either a cameraman or Will Mellor's stalker.

0:34:260:34:29

SHE LAUGHS

0:34:290:34:31

Don't laugh. They don't always follow celebrities.

0:34:310:34:34

..party, not a shareholders' meeting.

0:34:360:34:38

I love Arrested Development.

0:34:380:34:40

Although, admittedly, this isn't the best bit.

0:34:400:34:43

Watch Jeffrey Tambor's fetching shades.

0:34:430:34:45

Because, you know what sunglasses do? They reflect.

0:34:450:34:48

I knew it was against the law!

0:34:480:34:50

Ooh! There's the entire Arrested Development crew!

0:34:500:34:53

Hi guys, great show, bad shot!

0:34:530:34:56

It's Thunderbirds, and as the cameraman

0:34:580:35:01

moves into spy on this puppet lady,

0:35:010:35:03

which is itself a bit wrong,

0:35:030:35:05

we catch sight of him in the window.

0:35:050:35:07

There he is, holding the camera, lowering the camera... Pervert.

0:35:070:35:11

We're just getting a breath of fresh air.

0:35:130:35:15

Now, who wants to see

0:35:150:35:17

what the third assistant director on Skins looks like?

0:35:170:35:20

Ready? There he is!

0:35:200:35:23

Bless! There's his little face reflected in the taxi window.

0:35:230:35:26

Bet he got into trouble for that one.

0:35:260:35:28

Don't worry, though, he's still working in the TV industry,

0:35:280:35:31

putting up satellite dishes in the Solihull area.

0:35:310:35:34

Now, who wants to see what the rest of the Skins crew looks like?

0:35:360:35:40

There they are, merrily dollying along the pavement,

0:35:400:35:43

reflected in the bay windows.

0:35:430:35:44

Didn't even wave!

0:35:440:35:46

Vicky Pollard is thrown out of a shop,

0:35:500:35:53

and oh, there's the reflection of the camera crew.

0:35:530:35:57

Standing around, wondering what's about to happen next.

0:35:570:36:01

Is it that? Yes, it was that.

0:36:010:36:04

More crew caught out by cars in 24.

0:36:080:36:11

Cooee, Mr Cameraman.

0:36:110:36:14

Whose stupid idea was it to polish that vehicle?

0:36:140:36:17

Don't worry, Jack Bauer's got 24 hours to find them.

0:36:170:36:20

And some more consonants for his surname.

0:36:200:36:22

Is that you?

0:36:250:36:27

Here's a heart-rending scene

0:36:270:36:29

from Dr Who, as Mickey has an emotional reunion with his grandma.

0:36:290:36:33

And the boom mic operator, reflected in Granny's sunglasses.

0:36:330:36:37

A lovely moment.

0:36:370:36:40

This is a cracker. The housewives are desperate,

0:36:430:36:45

but when it comes to reflections,

0:36:450:36:48

the crew are just plain stupid. OK, fair play.

0:36:480:36:51

This shot's all right, no reflections in the car window there.

0:36:510:36:54

But just look what happens when Susan pulls away.

0:36:540:36:58

Ooh! That is one dirty great camera, and one dirty great cameraman.

0:36:580:37:03

Time for a Twinkie!

0:37:030:37:05

Back on Wisteria Lane, Gaby's Maserati is about to be repossessed,

0:37:100:37:14

but oh,dear, whenever I see a shiny object on a TV show, I always fear the worst.

0:37:140:37:19

And here's why.

0:37:190:37:21

Where there's a boom pole, there's a sound man.

0:37:210:37:24

Eva Longoria has been in 128 episodes of Desperate Housewives. And the crew have been in about 12!

0:37:240:37:30

You call this a paint job?

0:37:300:37:33

Only Fools, and here's Del Boy with Mike and Boycie and Trigger

0:37:350:37:39

and the shadow of an enormous camera.

0:37:390:37:42

All together now - "You plonker!"

0:37:420:37:44

When TV crews aren't wandering in, or crawling through, or squatting down in the back of shot,

0:37:460:37:52

ruining the hard work of so many others, they're forgetting to clear away their filthy bits of gear.

0:37:520:37:58

And I'm not just talking about flasks of tea or copies of Warhammer magazine.

0:37:580:38:02

I'd like to say that these next clips were memorable for their excellent dialogue or performances,

0:38:020:38:07

but instead, I'm forced to report that they were all but destroyed

0:38:070:38:11

by the unwanted presence of poorly-positioned TV kit.

0:38:110:38:14

Lights, cameras, are just two of the items you'll see. Here's the clips.

0:38:140:38:18

Years ago, trucker named Bubba.

0:38:200:38:22

Ah, Dawson's Creek. Look, there's tiny Katie Holmes-y,

0:38:220:38:26

back when she was only trapped in a TV soap

0:38:260:38:28

and not in a marriage to Tom Cruise.

0:38:280:38:30

Wait a second! That's either Katie's radio mic

0:38:300:38:33

or the box by which Tom Cruise controls her every movement.

0:38:330:38:36

No, she hadn't met Tom back then.

0:38:360:38:38

She does have one now, though.

0:38:380:38:40

Another clip from Pride And Prejudice,

0:38:440:38:46

starring dishy Colin Firth,

0:38:460:38:48

and a scene oozing with sexual tension. Hardly surprising.

0:38:480:38:51

Look at that dancing! That is hot.

0:38:510:38:54

But hang on a minute, what's that?

0:38:540:38:55

An electric light in the early 19th century?

0:38:550:38:58

Oh, I hate anachronistic errors!

0:38:580:39:00

I daren't think what Jane Austen's going to make of that when she sees it.

0:39:000:39:03

She's the real deal.

0:39:050:39:08

Joey told you about the leg?

0:39:080:39:10

Now as we know, sound men often

0:39:100:39:12

use a boom pole to record sound so the microphone won't get into shot.

0:39:120:39:18

Except sometimes when a sound man has had a very busy morning on set

0:39:180:39:21

or an even busier lunch down the pub, the boom does drop into shot.

0:39:210:39:26

D'oh! There it is, did you see it?

0:39:290:39:33

Oh, wake up you sandal-wearing lush!

0:39:330:39:36

Another clip from Friends and proof that firing the boom operator

0:39:380:39:42

isn't the answer because in all likelihood,

0:39:420:39:45

the next one will be just as bad.

0:39:450:39:47

D'oh, hello!

0:39:470:39:49

Of course.

0:39:520:39:54

Here's a scary scene from Supernatural.

0:39:540:39:56

Two men reading a book?

0:39:560:39:58

Ooh, someone could get a paper cut or an overdue library fine.

0:39:580:40:01

Hey, there's something behind that lampshade. It's a television camera.

0:40:010:40:05

Oh, it doesn't get any more exciting than this.

0:40:050:40:09

Oh, it does.

0:40:100:40:12

Stir up a hornets' nest.

0:40:150:40:17

The Wire. A flawless show in every respect. Well, mostly.

0:40:170:40:22

Look, the cameraman moves back too far and, bang,

0:40:220:40:25

that enormous TV light has just been seen by millions of viewers.

0:40:250:40:29

Well, at least the ones that sit three inches from the screen,

0:40:290:40:32

staring at the extreme right of frame instead of at the action, like me.

0:40:320:40:37

GUNFIRE

0:40:370:40:39

He's in here.

0:40:410:40:42

Two Pints Of Lager, and Donna has dragged Gaz to meet her family.

0:40:450:40:49

And this boom mic.

0:40:490:40:52

Hello, there you go, short and sweet, a bit like me.

0:40:520:40:55

Apart from the short bit, obviously.

0:40:550:40:57

He works away a lot.

0:40:570:40:59

She tastes of lard.

0:41:010:41:04

More pints of light comedy lager,

0:41:040:41:06

and stand by for another brief cameo from the boom mic,

0:41:060:41:09

instantly upstaging Ralf Little, and the other one,

0:41:090:41:13

by being twice as funny.

0:41:130:41:14

Peepo! Peep! Peep!

0:41:160:41:18

Thanks, Mr Boom Mic Operator.

0:41:180:41:20

We owe you a drink.

0:41:200:41:22

No, I just kissed her.

0:41:220:41:23

You have absolutely no sense of humour, do you?

0:41:250:41:28

Fawlty Towers, a truly great sitcom

0:41:280:41:31

that wasn't afraid to break the rules.

0:41:310:41:33

Like the one about not leaving monitor screens lying around in the back of shot.

0:41:330:41:37

There it is. You can even make out the very same shot of Basil running

0:41:370:41:42

into the kitchen on the screen, and if you look at the monitor on the monitor, you can even...

0:41:420:41:47

Actually I'll stop there before or I go mad and start insulting some Germans.

0:41:470:41:51

It's the live EastEnders, and as Bradley lies dying,

0:41:540:41:57

everyone crowds into the Square. Even the boom mic.

0:41:570:42:01

Hell, take my daughter for example.

0:42:030:42:05

The wonderful Arrested Development, and it's time to be

0:42:050:42:09

perfectly honest, of all the "boom mic in shot" shots I've seen, this has to be in my favourite 50.

0:42:090:42:14

A glorious Sunday afternoon. She won't tell me.

0:42:140:42:17

Wotcher. I think you'll agree that was worth waiting for.

0:42:170:42:20

What play?

0:42:200:42:22

Editing is, of course, the simplest of all the jobs

0:42:240:42:27

that people do in television that nobody really cares about.

0:42:270:42:30

All an editor has to do is sit in a room with a producer or director

0:42:300:42:34

and cut out of the stuff that didn't work and stick together all the stuff that did.

0:42:340:42:38

But as we've already seen, mistakes get made, especially in a busy edit suite where teas

0:42:380:42:43

and coffees have to be ordered and lunch menus read from cover to cover.

0:42:430:42:47

Yes, between them, producers, directors and editors can make some

0:42:470:42:50

pretty surprising decisions when it comes to selecting which shots to use and which to throw away.

0:42:500:42:55

Take, for example, the decision to re-shoot all of my links here today

0:42:550:42:59

instead of using the ones I recorded myself yesterday in the shower. Ridiculous.

0:42:590:43:03

Here's a clip from American series Bones, and the perennial question,

0:43:070:43:11

how do you pass the time on a long trip through the desert?

0:43:110:43:14

I know. How about looking at the back projection and trying to spot

0:43:140:43:18

when the cyclorama suddenly changes from flat scrub to mountainscape in a split second. Are we there yet?

0:43:180:43:25

There we are. Your turn.

0:43:250:43:28

And...cut.

0:43:280:43:30

Great work, everybody. Who wants to play I-spy?

0:43:300:43:33

I spy with my little eye something beginning with C.

0:43:330:43:38

It's Crap FX, isn't it?

0:43:380:43:39

It's Skins, and lovely Tony

0:43:430:43:44

is about to tuck into a delicious tuna sandwich.

0:43:440:43:47

Mmm, I love sandwiches. Conversely, most directors hate them.

0:43:470:43:52

They're a continuity nightmare.

0:43:520:43:54

And we're off. Bite one to the left.

0:43:540:43:58

Which is now two bites big.

0:43:580:43:59

That'd really put a dampener on your day.

0:43:590:44:02

And whole again. First bite again to the left.

0:44:020:44:05

Look what you're doing to your mate.

0:44:050:44:06

He doesn't know what day it is.

0:44:060:44:08

-But now multiple bites to left and right.

-Have some tuna sandwich.

0:44:080:44:11

-It'll make you feel better.

-Are you sure? I'm feeling a bit dizzy.

0:44:110:44:15

No, no, no, leave it.

0:44:150:44:16

Leave it. He's at it as well.

0:44:160:44:19

Tony is back to a one-bite sandwich. Two bites.

0:44:190:44:22

Bites right and left.

0:44:220:44:25

No, two bites to the left.

0:44:250:44:27

-Hi, Tony.

-Oh, beat it, kids, I'm trying to concentrate.

0:44:270:44:31

Multiple bites again right and left.

0:44:310:44:33

Oh, I've changed my mind, I hate tuna sandwiches.

0:44:330:44:36

So the chair's a write-off?

0:44:380:44:40

Miranda and Carrie are in the city taking a break from all that sex

0:44:400:44:44

to enjoy a nice sit-down and... Oh, dear, cupcakes.

0:44:440:44:48

Carrie's cupcake continuity is immaculate, but in a moment,

0:44:480:44:52

Miranda's muffin goes from well-eaten to cake-o intacta.

0:44:520:44:58

Actually, that wasn't too bad.

0:44:580:45:00

Tony from Skins, pay attention.

0:45:000:45:02

You got a whacking lot of doughnuts.

0:45:040:45:06

Yes, food is a continuity nightmare, especially on Skins.

0:45:060:45:11

Look, Pandora dives into this bag of doughnuts and grabs one with yellow icing.

0:45:110:45:15

Takes a couple of bites, one, two.

0:45:150:45:18

Now it's half-gone.

0:45:180:45:20

Suddenly, it's all gone.

0:45:200:45:23

Takes a pink one.

0:45:230:45:24

Which is now yellow.

0:45:240:45:26

And back to pink with two bites out of it.

0:45:260:45:31

Then just one bite.

0:45:310:45:33

And now it's gone.

0:45:330:45:34

Hello.

0:45:340:45:36

And back again!

0:45:360:45:38

-That's doughnut madness.

-Effie. So glad to meet you.

0:45:380:45:42

In telly, one of the jobs of the director, besides shouting

0:45:440:45:47

and drinking coffee, is blocking,

0:45:470:45:49

which means telling the cameras and actors where to stand,

0:45:490:45:53

though not always in the right place.

0:45:530:45:55

Look, as Jenna goes to wake Gan, who's that loitering in the background?

0:45:550:45:59

It's either an alien or Vila, arms folded, looking bored.

0:45:590:46:03

Gan, come on, wake up.

0:46:030:46:05

-What's wrong, Jenna?

-And cue Vila.

0:46:050:46:07

-Something's happened to them.

-Where is he?

0:46:070:46:10

If the future turns out to be anything like Blake's 7,

0:46:100:46:12

-I'm going to be so disappointed.

-What are you up to now?

0:46:120:46:15

Go on, my son, go on, go on!

0:46:170:46:19

Classic comedy from Only Fools And Horses, with some less-than-classic

0:46:190:46:23

"standing around waiting for a cue" work from actor Lennard Pearce.

0:46:230:46:27

Here it comes. Wait for it, Lennard.

0:46:270:46:31

Oh, Lennard!

0:46:310:46:33

I blame the director. It's not really Grandad's fault.

0:46:330:46:37

He's so old. He's probably just stuck to the lino.

0:46:370:46:40

It's Friends in Vegas.

0:46:420:46:45

Here comes Chandler. He sees Monica having fun with another fellow,

0:46:450:46:50

and all melancholy, he turns to leave.

0:46:500:46:53

And leave again. You might think they just used the same shot twice, and you'd be right.

0:46:530:46:59

You will not be better until they've...

0:47:010:47:03

In this clip from the first series of Red Dwarf, Craig Charles

0:47:030:47:07

is enjoying Craig Ferguson's lines and big acting so much, he joins in.

0:47:070:47:12

I don't know, is it some place near Uruguay?

0:47:120:47:14

Oh, you missed it, didn't you?

0:47:140:47:16

Try again and keep your eyes on little Craig.

0:47:160:47:19

-HIGH-PITCHED:

-"I don't know, is it some place near Uruguay?"

0:47:190:47:22

Lovely bit of close-harmony acting.

0:47:220:47:24

Just let her go.

0:47:260:47:29

-Go ahead, shoot.

-Agent Mulder is in a stand off with a villain.

0:47:290:47:33

He's probably an alien in disguise, they usually are.

0:47:330:47:35

Like all good FBI agents, though, he's got his earpiece in so that

0:47:350:47:39

he can listen to Chris Moyles and fight the alien hordes.

0:47:390:47:42

Which is harder? You decide.

0:47:420:47:44

This scene is crying out for a close-up of Mulder wrestling with his conscience

0:47:440:47:48

and finally shooting the baddie.

0:47:480:47:50

Unfortunately, they didn't get one, so they'd to film it later

0:47:500:47:53

when he wasn't wearing an earpiece.

0:47:530:47:56

Embarrassed in front of millions.

0:47:560:47:58

Sorry, Dave.

0:47:580:48:00

Mulder and Scully are pursuing a suspect.

0:48:030:48:07

Either that, or another dissatisfied guest is leaving the FBI hotel

0:48:070:48:11

via this half-open window.

0:48:110:48:13

Oh, it's fallen on him.

0:48:140:48:16

No, it hasn't.

0:48:160:48:18

-Get your hands up!

-Yeah, he will if you sort that window out.

0:48:200:48:23

Max?

0:48:230:48:25

It's Mulder again,

0:48:270:48:28

and he's spotted something odd about this enormous tree trunk.

0:48:280:48:32

Wait a minute, I think I know what it is.

0:48:320:48:35

One minute, it's big with no green and no hand, but in close-up,

0:48:370:48:40

it's suddenly much smaller and gained a pointy hand and some green.

0:48:400:48:45

-I've never seen a ring like that before.

-Me neither. Rubbish, wasn't it?

0:48:450:48:49

Here's the lovely Jennifer Ehle

0:48:530:48:55

in Pride And Prejudice, playing the piano.

0:48:550:48:57

Except she isn't, because when we see inside,

0:48:570:49:00

none of the hammers are moving.

0:49:000:49:02

Although, she's definitely got my hammers moving,

0:49:020:49:05

if you know what I mean.

0:49:050:49:06

Actually, I'm not sure if even I know what that means.

0:49:060:49:09

This party's rocking. That's not tea they're sipping, it's rum.

0:49:110:49:16

Mmm... All off their 19th-century faces.

0:49:160:49:18

The editor certainly had a few.

0:49:180:49:20

Look what happens when he cuts to a wide shot.

0:49:200:49:23

..can't express what we feel about your kindness to our dear Lydia.

0:49:230:49:27

Suddenly, these two blokes are talking to each other and not listening to Alison Steadman,

0:49:270:49:32

who's now chatting to someone sitting beside her, who isn't even there.

0:49:320:49:37

Not so much Pride And Prejudice as Pride And Pretty Poor Wide Shot!

0:49:370:49:41

-HE GUFFAWS

-Oh, dear!

0:49:410:49:43

And let us toast also Dr Soong.

0:49:450:49:48

Star Trek NG, and Good Data and Bad Data are drinking champagne.

0:49:480:49:54

A perfect match for my mind.

0:49:540:49:57

-My body.

-Good Data has been poisoned by Bad Data.

0:49:570:50:00

Good Data topples backwards and somehow lands on his face.

0:50:000:50:05

It's almost as if they had to redo it because the way he fell the first time was rubbish.

0:50:050:50:10

They're good, these androids. I'm getting one.

0:50:100:50:12

He had it shipped over from Scotland.

0:50:140:50:16

Ever wondered what Superman's teenage years were like?

0:50:160:50:20

Me neither, but that didn't stop them making Smallville.

0:50:200:50:23

In between popping zits and shouting at his parents, Clark has found time to visit young Lex Luthor.

0:50:230:50:28

Nice house.

0:50:280:50:29

Shame you can see those two pieces of white tape on the parquet floor,

0:50:290:50:33

put there by the crew to let Lex know where to stand.

0:50:330:50:36

That's what we in TV call a mark.

0:50:360:50:39

-And a mistake.

-What's the matter?

0:50:390:50:42

-You don't like it?

-No, it very bad.

0:50:420:50:45

The Black Adder, AKA Rowan Atkinson.

0:50:500:50:53

Funny comedian, fine actor, always hits his mark.

0:50:530:50:57

Mainly because it's clearly visible right there under his shoe.

0:50:590:51:03

Three days after my funeral,

0:51:050:51:06

Lynette replaced her grief with a much more useful emotion.

0:51:060:51:10

In this clip from Desperate Housewives, Lynette is at the mall

0:51:100:51:14

with those three naughty sons of hers and the baby, in pink, in the trolley.

0:51:140:51:18

I can only imagine.

0:51:180:51:20

Uh-oh, two of the boys have done a runner.

0:51:200:51:23

But one bad pick-up shot later, and it looks like all four have scarpered.

0:51:230:51:27

At least she's still got her pink blanket.

0:51:270:51:30

Whichever way you look at it, that is borderline careless.

0:51:300:51:33

-Lynette Scavo?

-Crap.

0:51:330:51:36

Classic Tom Baker-era Dr Who and,

0:51:380:51:40

as one of the mummies from the Pyramids of Mars attacks Sarah Jane,

0:51:400:51:43

he smashes this important device,

0:51:430:51:46

known as a Marconiscope, to smithereens.

0:51:460:51:49

Except in the very next shot, he hasn't.

0:51:510:51:53

If you want to find out what a Marconiscope is,

0:51:530:51:56

just go to any Dr Who fan site. They'll know.

0:51:560:51:59

Just don't ask them what day it is.

0:51:590:52:01

With live TV, you just have to go with it.

0:52:040:52:07

In this climactic scene in the live 'StEnders episode,

0:52:070:52:10

see if you can spot the moment when the cameraman trips.

0:52:100:52:13

Oh!

0:52:160:52:18

Dr George, played by TR Knight, is badly let down by the editing

0:52:200:52:24

of this scene from Grey's Anatomy,

0:52:240:52:26

as we see him remove his surgical topcoat not once but twice.

0:52:260:52:31

A sloppy choice of shots in the edit and a great actor's career lies in ruins.

0:52:310:52:36

# Here's what she said... #

0:52:380:52:41

Great, it's The Simpsons,

0:52:410:52:43

and here is Ned Flanders on top of a hill, singing.

0:52:430:52:46

And here comes everyone else.

0:52:460:52:47

That's funny. Wait a minute, so is that.

0:52:470:52:50

Apu's skin is yellow, which in The Simpsons, means white,

0:52:500:52:54

but he's Asian, and usually brown, which in The Simpsons means brown.

0:52:540:52:58

Which he was, but he isn't any more.

0:52:580:53:00

Who does he think he is, Michael Jackson?

0:53:000:53:03

Sorry, shouldn't joke, he's dead. Jacko, I mean, not Apu.

0:53:030:53:06

That would have been horrible.

0:53:060:53:07

# Que sera, se... #

0:53:070:53:10

Run!

0:53:100:53:11

DOOR OPENS Clark!

0:53:130:53:15

Martha from Smallville has sustained a nasty cut.

0:53:150:53:19

There it is, just above her right eye.

0:53:190:53:22

And here it is on her left eye.

0:53:220:53:27

And back to the right.

0:53:270:53:29

Yep, the director had "crossed the line", telly speak for "cocking up the camera position".

0:53:290:53:34

Then he tried to fix it in the edit by flipping the shot.

0:53:340:53:37

You might be able to get gaffes like that past Superman, but not us.

0:53:370:53:41

Here is a sequence to make the Avatar team blush and then pat

0:53:470:53:51

the Dr Who effects department on the head and say, "Oh, bless."

0:53:510:53:55

When this spaceship crashes into the tower of Big Ben, suddenly, the numerals on her back-to-front.

0:53:550:54:01

Because someone made a boob in the CGI and had to

0:54:010:54:04

flip the shot to make it look like the spaceship enters from the right.

0:54:040:54:07

The technique of flipping can also be used on your own TV remote every time Simon Cowell comes on.

0:54:090:54:15

The king will therefore be requiring a new mistress.

0:54:170:54:20

Dr Tennant again, in this clip,

0:54:200:54:22

leaning on a balustrade in 18th-century France,

0:54:220:54:25

spying on Madame Pompadour.

0:54:250:54:27

She senses his presence, turns, but sees nothing.

0:54:270:54:30

Not even his hand clutching the wall.

0:54:300:54:33

Cos he isn't. But, in the next shot, he clearly still is.

0:54:330:54:37

Maybe he's developed the power of invisibility.

0:54:370:54:39

She's in for a surprise at bedtime.

0:54:390:54:42

..on my brand-new camera.

0:54:440:54:46

A less-than-thrilling clip from Dr Who,

0:54:460:54:49

and Mark Warren is being filmed by a mate on his camcorder.

0:54:490:54:52

The producers of the show are making sure we understand we're looking

0:54:520:54:56

through a camcorder or by putting these frame lines on the screen.

0:54:560:55:01

But spin on through the tedium, and the little lines have gone.

0:55:010:55:05

Have dark forces tampered with the fabric of time and space?

0:55:050:55:08

-I still don't know.

-Well, I do.

0:55:080:55:11

No, the editor got distracted by his Facebook page and forgot to put them on.

0:55:110:55:15

And finally, if it's bad shot choices you're after,

0:55:170:55:21

and who isn't, then check this. Here's Buffy,

0:55:210:55:23

undertaking a vampire slayer's least onerous of tasks,

0:55:230:55:27

picking up and putting down a pair of glasses.

0:55:270:55:29

See if you can spot the gaffe.

0:55:290:55:31

Yep.

0:55:330:55:36

Wearing two pink rings on her fingers,

0:55:360:55:38

she places the specs on the table, unfolded, with both hands.

0:55:380:55:42

But in the close-up, the glasses have been folded,

0:55:420:55:45

and are now put down by a single hand wearing a silver ring

0:55:450:55:48

on a completely different table.

0:55:480:55:50

-That, with the best will in the world, was really

-BLEEP.

0:55:500:55:55

Well, there it is, TV's Greatest Mistakes.

0:55:550:55:58

Writers, directors, cameramen, editors, producers, set designers, wardrobe, hair and make-up minions.

0:55:580:56:04

I salute you, albeit in a slack, cack-handed and rather incompetent way.

0:56:040:56:09

You were the best!

0:56:090:56:11

And by the best, of course, I mean the worst!

0:56:110:56:14

-HE LAUGHS

-Bye-bye! Get out of the way.

0:56:140:56:16

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0:56:360:56:39

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