Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
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Hello, I'm Robert Webb. | 0:00:12 | 0:00:15 | |
Welcome to Great TV Mistakes. | 0:00:15 | 0:00:18 | |
Now, I know what you're saying - "But people in telly don't make mistakes. | 0:00:18 | 0:00:22 | |
"They're all perfect, like you, Rob." | 0:00:22 | 0:00:24 | |
Not true. Everyone makes mistakes. | 0:00:24 | 0:00:26 | |
You just called me Rob, for instance. | 0:00:26 | 0:00:29 | |
And no-one, but no-one, calls me Rob unless I give them permission. Understand?! | 0:00:29 | 0:00:33 | |
Don't worry. People in telly are just like you. | 0:00:33 | 0:00:36 | |
They mess up. A crew member appears in the back of shot, a prop changes colour, | 0:00:36 | 0:00:40 | |
someone commissions another series of My Family. | 0:00:40 | 0:00:43 | |
Mistakes get made, and that's where we come in. | 0:00:43 | 0:00:45 | |
We find these embarrassing errors and make a show out of them. | 0:00:45 | 0:00:49 | |
Some people might call that schadenfreude. I just call it funny. | 0:00:49 | 0:00:53 | |
Enjoy. | 0:00:53 | 0:00:54 | |
Hey, look, those crafty ancient Greeks are attacking Troy | 0:00:57 | 0:01:00 | |
after sneaking into the city in the belly of the Trojan horse. | 0:01:00 | 0:01:04 | |
There they are, in their rubber helmets. | 0:01:04 | 0:01:07 | |
But, according to this episode of Xena, they weren't alone. | 0:01:07 | 0:01:11 | |
It's your job to fight her first. | 0:01:11 | 0:01:13 | |
Oh, no, cos also stowed away in the horse's bumhole was... | 0:01:13 | 0:01:17 | |
This bloke! There he is, squatting on the battlements. You numpty. | 0:01:17 | 0:01:22 | |
Here's Sarah Michelle Gellar | 0:01:24 | 0:01:26 | |
walking through a creepy wood late at night. | 0:01:26 | 0:01:30 | |
Careful, Buffy, watch out for vampires! | 0:01:30 | 0:01:33 | |
Oh, my God, what's that?! | 0:01:33 | 0:01:35 | |
It's a monster with a huge...! | 0:01:35 | 0:01:37 | |
Microphone. Oh, dear, it's the boom operator. | 0:01:37 | 0:01:40 | |
Thunderbirds, and ignore this foreign baddie. | 0:01:42 | 0:01:46 | |
Damn those Welsh Iraqi pilots. | 0:01:46 | 0:01:49 | |
Watch Tintin, | 0:01:49 | 0:01:50 | |
held in the vice-like grip of this serial killer turned puppeteer. | 0:01:50 | 0:01:54 | |
His nails aren't normally that dirty - | 0:01:54 | 0:01:56 | |
he'd just finished burying another body. | 0:01:56 | 0:01:58 | |
So what did you do that made Dad cut you off? | 0:02:00 | 0:02:03 | |
OK, team, no clues. | 0:02:03 | 0:02:05 | |
See if you can spot the mistake in this clip from Friends. | 0:02:05 | 0:02:09 | |
Yeah, but it wasn't for me, it was for a friend. | 0:02:09 | 0:02:11 | |
Boy, did we make friends with the wrong sister! | 0:02:11 | 0:02:14 | |
You missed it, didn't you? Forget the pretty actors, look at the pretty cameraman. | 0:02:14 | 0:02:19 | |
It's amazing what you miss when you're laughing. And when you're not. | 0:02:19 | 0:02:22 | |
It's gourmet night at Fawlty Towers and a very funny scene featuring | 0:02:26 | 0:02:30 | |
a fine example of the easily missable TV mistake. | 0:02:30 | 0:02:34 | |
Missed it, didn't you? Here it is again. | 0:02:35 | 0:02:38 | |
This time, forget the action and concentrate on the BBC techie bloke | 0:02:38 | 0:02:42 | |
squatting behind the double doors. | 0:02:42 | 0:02:44 | |
A classic mistake from a classic comedy that just got funnier with age. | 0:02:44 | 0:02:48 | |
If only the same could be said for John Cleese. | 0:02:48 | 0:02:51 | |
-I mean, look at that! -Can I help? -Yes, go and kill yourself! | 0:02:51 | 0:02:54 | |
Its Charmed, the series about a bunch of friendly witches. | 0:02:57 | 0:03:00 | |
Or am I thinking of Loose Women? | 0:03:00 | 0:03:02 | |
Anyway, ignore this trespasser and instead feast your eyes on | 0:03:02 | 0:03:06 | |
the director sitting in the next room listening to his iPod. | 0:03:06 | 0:03:10 | |
You're supposed to sit behind the camera, not in front of the pointy end. | 0:03:10 | 0:03:14 | |
See that book? As soon as they turn the camera off, they're going to hit him with that. | 0:03:14 | 0:03:18 | |
Its Doctor Who from 1975, back when children everywhere | 0:03:20 | 0:03:24 | |
could be found hiding behind the sofa, avoiding gaffes like this. | 0:03:24 | 0:03:28 | |
Keep your eyes on the baddie's bottom, or rather what's under it. | 0:03:28 | 0:03:33 | |
I can move! Oh, dear. | 0:03:33 | 0:03:35 | |
That floor assistant's thinking, | 0:03:37 | 0:03:39 | |
"If I move my hand away slowly, no-one will see a thing." | 0:03:39 | 0:03:42 | |
But we did. | 0:03:42 | 0:03:43 | |
The maybe of Mike Delphino. | 0:03:45 | 0:03:47 | |
It's Desperate Housewives, | 0:03:47 | 0:03:49 | |
and Susan's just broken into a neighbour's house | 0:03:49 | 0:03:52 | |
to return a Pyrex jug, but finds time to take a moment alone with just her thoughts for company. | 0:03:52 | 0:03:58 | |
And that bloke crawling behind the sofa. | 0:03:58 | 0:04:02 | |
Yes, it's the guy who just set fire to the curtains, | 0:04:02 | 0:04:04 | |
whose idea of keeping out of shot is crawling across the screen on his hands and knees. | 0:04:04 | 0:04:10 | |
Wait for it. You're...f-f-fired! | 0:04:10 | 0:04:13 | |
Ha-ha! Sorry. | 0:04:13 | 0:04:15 | |
An emotional farewell scene in Lost as Charlie says goodbye to Hurley. | 0:04:17 | 0:04:22 | |
That's uncool, man. | 0:04:22 | 0:04:23 | |
But for once, try to keep your eyes off the unfolding drama and Hurley's boobs, | 0:04:23 | 0:04:28 | |
and on the cameraman clearly visible to the left of shot. | 0:04:28 | 0:04:31 | |
You can see his sandals, his camera and, if you really squint, his P45. | 0:04:31 | 0:04:36 | |
Wait! | 0:04:36 | 0:04:38 | |
Its 24, and everything, as always, is very, very tense. | 0:04:40 | 0:04:44 | |
A tense Tony is ignoring a call from a tense Nina. | 0:04:44 | 0:04:47 | |
Pick up. | 0:04:47 | 0:04:49 | |
Unbeknown to tense Nina, there's someone else in the barn with her. | 0:04:49 | 0:04:53 | |
And here he comes, wandering in from the right. | 0:04:53 | 0:04:56 | |
A cameraman. | 0:04:56 | 0:04:58 | |
And if you want to know how he's feeling, I'll tell you. Tense. | 0:04:58 | 0:05:02 | |
Clothes. | 0:05:04 | 0:05:06 | |
Clothes can go seriously wrong. | 0:05:06 | 0:05:08 | |
Just look at Lady Gaga or anyone from Germany. | 0:05:08 | 0:05:11 | |
If there's one department in telly that gets overlooked, it's wardrobe. | 0:05:11 | 0:05:15 | |
It's rare to see wardrobe taking a leading role - | 0:05:15 | 0:05:17 | |
except in The Lion, The Witch And The Wardrobe, of course. | 0:05:17 | 0:05:20 | |
Though frankly, the lion and the witch got all the best lines. | 0:05:20 | 0:05:23 | |
Consequently, every now and again, the wardrobe department fights back. | 0:05:23 | 0:05:28 | |
It's Henry VIII in a scene from rollicking royal soap The Tudors. | 0:05:31 | 0:05:36 | |
Here's Henry's (divorced, beheaded, died, divorced, beheaded, survived), | 0:05:36 | 0:05:40 | |
first wife Catherine of Aragon - looking moody, and who can blame her? - | 0:05:40 | 0:05:44 | |
getting a rousing reception from this crowd of 16th century peasants. | 0:05:44 | 0:05:48 | |
Although, for a bunch of proles, they're doing pretty well for themselves, cos...look again. | 0:05:48 | 0:05:53 | |
Verily, sire, that's a nice wrist watch. | 0:05:53 | 0:05:55 | |
He made that himself out of straw and bits of the plague. | 0:05:55 | 0:05:59 | |
Lovely Buffy. Not only is she sexy, fun, and good at killing vampires, | 0:06:02 | 0:06:07 | |
she can swap shoes in a microsecond. | 0:06:07 | 0:06:10 | |
See, as she attacks the vampire wearing white party pumps... | 0:06:10 | 0:06:14 | |
Then, alley-oop, suddenly swaps them for a pair of | 0:06:14 | 0:06:16 | |
black boots when required to kick him in his undead nuts. | 0:06:16 | 0:06:20 | |
That is my kind of woman. | 0:06:20 | 0:06:22 | |
Where are your jibes now? | 0:06:22 | 0:06:23 | |
My Mick is open to anything. | 0:06:25 | 0:06:27 | |
James Corden is a bit of a quick-change artist on the side. | 0:06:27 | 0:06:30 | |
Oh, yeah, look. One minute he's wearing his dinner jacket, and the next, he's lost it. | 0:06:30 | 0:06:36 | |
The jacket, not his temper. Although it's a wedding - there's always one fight. | 0:06:36 | 0:06:40 | |
Under normal circumstances, the last person I'd want to see frolicking | 0:06:44 | 0:06:48 | |
in a wet T-shirt is Hurley from Lost. | 0:06:48 | 0:06:50 | |
Unless, of course, he was dancing around a pole - and even then, only maybe. | 0:06:50 | 0:06:54 | |
Here he is teaching Charlie to fish and how to be both sopping wet... | 0:06:54 | 0:06:59 | |
..and dry at the same time. Maybe he's just really hot. | 0:07:00 | 0:07:03 | |
Hot "warm", not hot "sexy". | 0:07:03 | 0:07:05 | |
Unless he was dancing around a pole. Phwoar! | 0:07:05 | 0:07:09 | |
Hey, David Banner is rescuing a bit-part actress from a cliff. | 0:07:12 | 0:07:16 | |
Spin on, and sure enough, he turns into The Incredible Hulk. | 0:07:16 | 0:07:21 | |
And as usual, his massive green muscles completely tear the shirt from his back. | 0:07:22 | 0:07:27 | |
But seconds later, the shirt reappears, | 0:07:27 | 0:07:31 | |
then disappears, then finally reappears again, | 0:07:31 | 0:07:35 | |
having mounted its curious green host once more. | 0:07:35 | 0:07:39 | |
All right, come on, come on! | 0:07:39 | 0:07:40 | |
Well, there WAS a lady present. But sadly, no continuity person. | 0:07:40 | 0:07:44 | |
Thanks to all of our contributors for being so sloppy. | 0:07:47 | 0:07:50 | |
Good job it's telly and nothing more important, | 0:07:50 | 0:07:52 | |
like a paper round, otherwise you'd have been fired. Bye-bye! | 0:07:52 | 0:07:56 | |
Subtitles by Red Bee Media Ltd | 0:08:17 | 0:08:20 |