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Hello, I'm Robert Webb. | 0:00:13 | 0:00:15 | |
Welcome to Great TV Mistakes. | 0:00:15 | 0:00:18 | |
Now, I know what you're saying - "But people in telly don't make mistakes. | 0:00:18 | 0:00:22 | |
"They're all perfect, like you, Rob." | 0:00:22 | 0:00:24 | |
Not true. Everyone makes mistakes. | 0:00:24 | 0:00:26 | |
You just called me Rob, for instance. | 0:00:26 | 0:00:29 | |
And no-one but no-one calls me Rob unless I give them permission. Understand?! | 0:00:29 | 0:00:33 | |
Don't worry. People in telly are just like you. | 0:00:33 | 0:00:36 | |
They mess up. A crew member appears in the back of shot, a prop changes colour, | 0:00:36 | 0:00:40 | |
someone commissions another series of My Family. | 0:00:40 | 0:00:43 | |
Mistakes get made, and that's where we come in. | 0:00:43 | 0:00:45 | |
We find these embarrassing errors and make a show out of them. | 0:00:45 | 0:00:49 | |
Some people might call that schadenfreude. I just call it funny. | 0:00:49 | 0:00:53 | |
Enjoy. | 0:00:53 | 0:00:54 | |
I'm sorry, the party got a little out of hand. | 0:00:56 | 0:00:59 | |
People your age, they have finished college... | 0:00:59 | 0:01:01 | |
Oh, the poor little rich girls of The OC. | 0:01:01 | 0:01:03 | |
Here's Hayley, tidying up after another crazy party. | 0:01:03 | 0:01:08 | |
Well, I say tidying up, but what Amanda Rugetti is actually doing | 0:01:08 | 0:01:12 | |
is picking up tiny pieces of invisible rubbish. | 0:01:12 | 0:01:15 | |
Look, she's dropping little bits of air into that bin bag. | 0:01:15 | 0:01:19 | |
That, ladies and gentlemen, is what you call method acting... | 0:01:20 | 0:01:24 | |
if your method is piss-poor. | 0:01:24 | 0:01:27 | |
You know, this scene was filmed eight years ago | 0:01:27 | 0:01:30 | |
but unsurprisingly, she only finished tidying the room last Thursday. | 0:01:30 | 0:01:34 | |
To Albert Square and that live anniversary episode. | 0:01:34 | 0:01:37 | |
And Stace and Bradley are talkin' abaht 'fings with Max and Scott when Scott forgets his lines. | 0:01:37 | 0:01:45 | |
You held the fact from the pl... Look, it's a motive, you've held it against the public... | 0:01:45 | 0:01:48 | |
-Look, we all have... -Well, I'll explain that. | 0:01:48 | 0:01:51 | |
Oh, dear, no retakes here. | 0:01:51 | 0:01:54 | |
This is live. | 0:01:54 | 0:01:56 | |
Oh, he's gone again. Oh, tricky business this live telly. | 0:01:56 | 0:01:59 | |
Bless him. I'd leave it, Scott, it ain't worth it! | 0:01:59 | 0:02:02 | |
Received and acknowledged, sir. Picard out. | 0:02:04 | 0:02:07 | |
Jean Luc Picard, ever the stern- faced model of professionalism. | 0:02:07 | 0:02:10 | |
Except when he goes through the turbo lift doors and has a quick girn. You missed it, didn't you? | 0:02:10 | 0:02:16 | |
Don't worry, here it is again. | 0:02:16 | 0:02:19 | |
He just boldly girned where no man has girned before. | 0:02:21 | 0:02:26 | |
-More odd goings on in Buffy. -The werewolf! | 0:02:28 | 0:02:31 | |
A werewolf has gone AWOL and they need to find him/it quickly. | 0:02:31 | 0:02:35 | |
But Giles isn't wearing his glasses. | 0:02:35 | 0:02:39 | |
Oh, he is. Problem solved. | 0:02:39 | 0:02:41 | |
Problem unsolved! And solved again. | 0:02:41 | 0:02:44 | |
I think we're sorted. That werewolf is history. My mistake! The glasses are. | 0:02:44 | 0:02:48 | |
Kate must have a tiny vagina. | 0:02:50 | 0:02:53 | |
Here we are in that city where there's all that sex. | 0:02:53 | 0:02:56 | |
And the girls are in the khazi doing lady things. | 0:02:56 | 0:02:59 | |
Sometimes you just know. | 0:02:59 | 0:03:00 | |
With the right match, its fate. | 0:03:00 | 0:03:02 | |
Sarah Jessica Parker's sorting her hair out. | 0:03:02 | 0:03:05 | |
She's tying it out in a scrunchie, but that's SJP hair, so it'll need special restraints. | 0:03:05 | 0:03:11 | |
So she straps it down twice with the same scrunchie. | 0:03:11 | 0:03:15 | |
But spin on, cos it was all worth it. | 0:03:15 | 0:03:17 | |
Now she looks lovely | 0:03:17 | 0:03:18 | |
and not at all like a Yorkshire terrier with a Croydon facelift. Super. | 0:03:18 | 0:03:22 | |
Oh, look, it's only 10. How nice. | 0:03:24 | 0:03:26 | |
-There's no coffee. -The Gilmore Girls, and Lorelai is chatting to | 0:03:26 | 0:03:29 | |
Luke as he tries to fix a toaster by shoving a screwdriver into it. | 0:03:29 | 0:03:32 | |
In a minute, he's going to try and fix the waste disposal | 0:03:32 | 0:03:36 | |
by sticking his winkie into it. | 0:03:36 | 0:03:38 | |
See how he goes to get coffee, leaving the screwdriver in the hole, | 0:03:38 | 0:03:42 | |
and when he returns, screwdriver gone. | 0:03:42 | 0:03:45 | |
Oh, there it is by the side of the toaster. | 0:03:45 | 0:03:48 | |
Right, where's that waste disposal? | 0:03:48 | 0:03:52 | |
-Anyway, I just wanted to say how wonderful... -Back to Friends, and a special guest appearance | 0:03:52 | 0:03:56 | |
by Susan Sarandon, the thinking person's MILF, playing a hard drinking, chain smoking actress. | 0:03:56 | 0:04:02 | |
Ever the pro, Susan manages to cram both into this scene. | 0:04:02 | 0:04:06 | |
Chain smoker. | 0:04:06 | 0:04:07 | |
Hard drinker. | 0:04:07 | 0:04:10 | |
Chain smoker. | 0:04:10 | 0:04:12 | |
I hope my fingers are that nimble when I'm 80. | 0:04:12 | 0:04:14 | |
All great telly starts with a script. | 0:04:16 | 0:04:19 | |
You need writers who can really write words good comma, | 0:04:19 | 0:04:22 | |
and make the things we actors and presenters say in their mouths have, like, pizzazz and that. | 0:04:22 | 0:04:27 | |
Yes, script and story are crucial. | 0:04:27 | 0:04:29 | |
Confused story lines and dialogue, and character errors can spoil an entire series in seconds. | 0:04:29 | 0:04:35 | |
That's why broadcasters spend enormous amounts of money hiring professional writers and executives | 0:04:35 | 0:04:40 | |
to ensure this doesn't happen and why they get so disappointed when it still does. | 0:04:40 | 0:04:44 | |
Take a look at this little lot. | 0:04:44 | 0:04:46 | |
24, and here's Jack Bauer giving his exact location to headquarters. | 0:04:48 | 0:04:53 | |
We're at 21408 Kipling, North Hollywood. | 0:04:53 | 0:04:57 | |
That's 21408 Kipling, North Hollywood. 21408. Now, spin on, | 0:04:57 | 0:05:05 | |
and the car is here. But spin on again, and we can see they've pulled up outside 21048. | 0:05:05 | 0:05:13 | |
Well, that's no good. Kiefer's at 21408. | 0:05:13 | 0:05:16 | |
But hang on, he is here, at 21048, | 0:05:16 | 0:05:21 | |
-and not... -21408 Kipling, North Hollywood. | 0:05:21 | 0:05:24 | |
Where he said he was a moment ago. | 0:05:24 | 0:05:26 | |
Still, it's only the Secret Service in a race against time to save lives, | 0:05:26 | 0:05:30 | |
nothing important, like a pizza delivery. | 0:05:30 | 0:05:32 | |
Here's Ashes To Ashes, | 0:05:34 | 0:05:36 | |
the disappointing follow-up to Life On Mars. | 0:05:36 | 0:05:38 | |
It's July 1981. | 0:05:38 | 0:05:40 | |
And a shocked Keeley Hawes | 0:05:40 | 0:05:41 | |
has just found herself mysteriously back in the 1980s. | 0:05:41 | 0:05:44 | |
She's trying to find out the date from Gene Hunt's steam-driven computer. | 0:05:44 | 0:05:48 | |
Let's check it. 17th July 1981. | 0:05:48 | 0:05:51 | |
There's nothing on this hard drive but the time and date. | 0:05:51 | 0:05:54 | |
Spin on, and later, in her new '80s flat, we see that she's marked her arrival date as July 20th. | 0:05:54 | 0:06:01 | |
She's lost three days. | 0:06:01 | 0:06:03 | |
There are easier ways to lose three days, Keeley. | 0:06:03 | 0:06:06 | |
Try drinking five pints of gin. | 0:06:06 | 0:06:08 | |
Works for me. | 0:06:08 | 0:06:10 | |
Here's an IT blunder from serial-killing drama, Dexter. | 0:06:12 | 0:06:16 | |
As Rudy Cooper opens an e-mail from [email protected]... | 0:06:16 | 0:06:22 | |
..presses reply, | 0:06:24 | 0:06:26 | |
and suddenly he's writing back to [email protected]. | 0:06:26 | 0:06:30 | |
Don't worry, though, thanks to the confusing power of telly, | 0:06:30 | 0:06:34 | |
Frozen Barbie still gets the e-mail anyway. | 0:06:34 | 0:06:37 | |
All's well that ends well. Except for the fact that he kills her and cuts her into tiny pieces. | 0:06:37 | 0:06:42 | |
Here's an early clip from Star Trek: The Next Generation | 0:06:44 | 0:06:48 | |
and new Number One, Will Riker, is looking for the holodeck. | 0:06:48 | 0:06:53 | |
The computer tells him it's... | 0:06:53 | 0:06:55 | |
'The next hatchway on your right.' | 0:06:55 | 0:06:57 | |
-You mean left, surely? -Thank you. | 0:06:57 | 0:06:59 | |
-He's bluffing. Riker knows that the new Enterprise computer is an idiot. -I do. | 0:06:59 | 0:07:03 | |
And goes left instead. | 0:07:03 | 0:07:05 | |
In the future, many things will be different, but apparently, men still don't trust directions from a woman. | 0:07:05 | 0:07:11 | |
Writing a long-running show like Frasier is tricky, | 0:07:13 | 0:07:16 | |
having to remember the characters' likes and dislikes | 0:07:16 | 0:07:19 | |
and relatives. They're a nightmare, even when they're not real. | 0:07:19 | 0:07:22 | |
Just listen to Frasier's dad Martin in series one. | 0:07:22 | 0:07:25 | |
I never had a brother. | 0:07:25 | 0:07:26 | |
Marty Crane never had a brother. | 0:07:26 | 0:07:29 | |
-Oh, I've got the feeling he would have liked one, though, and by series five, he did. -There he is! | 0:07:29 | 0:07:34 | |
Well! This is so exciting! You two must have so much to talk about. Uncle Walt, hello! | 0:07:34 | 0:07:39 | |
That's either a mistake or someone needs a psychiatrist. | 0:07:39 | 0:07:43 | |
-Marty. -Walt. | 0:07:45 | 0:07:47 | |
US drama Fringe, and this bonkers boffin has invented a camera | 0:07:49 | 0:07:52 | |
that can photograph a corpse | 0:07:52 | 0:07:55 | |
and capture the last image seen by a person before their death. | 0:07:55 | 0:08:00 | |
-Ready? -I know, it's rubbish, but go with it. | 0:08:00 | 0:08:03 | |
Let's listen to the doc's advice. | 0:08:03 | 0:08:07 | |
Goggles, all of you. Do not look directly into the light. | 0:08:07 | 0:08:11 | |
-MIMICS: -"Goggles, all of you. Do not look directly into the light." | 0:08:11 | 0:08:14 | |
Got it. Camera, dangerous. Goggles, essential. | 0:08:14 | 0:08:18 | |
But spin on through the rubbish, and see what happens. | 0:08:18 | 0:08:22 | |
They've taken them off. Oi! And you! Put them back on. | 0:08:22 | 0:08:25 | |
The doctor said keep the goggles on while the camera is still flashing. | 0:08:25 | 0:08:29 | |
Doc, tell them to... not you, as well. I give up. This programme is stupid. | 0:08:29 | 0:08:33 | |
Thanks to all of our contributors for being so sloppy. | 0:08:35 | 0:08:38 | |
It's a good job it's telly and nothing more important | 0:08:38 | 0:08:41 | |
like a paper round, otherwise you'd have been fired. | 0:08:41 | 0:08:43 | |
Bye-bye. | 0:08:43 | 0:08:45 | |
Subtitles by RED BEE MEDIA LTD | 0:09:09 | 0:09:11 |