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Hello, I'm Robert Webb. | 0:00:13 | 0:00:15 | |
Welcome to Great TV Mistakes. | 0:00:15 | 0:00:18 | |
Now, I know what you're saying - "But people in telly don't make mistakes. | 0:00:18 | 0:00:22 | |
"They're all perfect, like you, Rob." | 0:00:22 | 0:00:24 | |
Not true. Everyone makes mistakes. | 0:00:24 | 0:00:26 | |
You just called me Rob, for instance. | 0:00:26 | 0:00:29 | |
And no-one but no-one calls me Rob unless I give them permission. Understand?! | 0:00:29 | 0:00:33 | |
Don't worry. People in telly are just like you. | 0:00:33 | 0:00:36 | |
They mess up. A crew member appears in the back of shot, a prop changes colour, | 0:00:36 | 0:00:40 | |
someone commissions another series of My Family. | 0:00:40 | 0:00:43 | |
Mistakes get made, and that's where we come in. | 0:00:43 | 0:00:45 | |
We find these embarrassing errors and make a show out of them. | 0:00:45 | 0:00:49 | |
Some people might call that schadenfreude. I just call it funny. | 0:00:49 | 0:00:53 | |
Enjoy. | 0:00:53 | 0:00:54 | |
Here's a clip from American series Bones, and the perennial question, | 0:00:57 | 0:01:01 | |
how do you pass the time on a long trip through the desert? | 0:01:01 | 0:01:05 | |
I know. How about looking at the back projection and trying to spot | 0:01:05 | 0:01:09 | |
when the cyclorama suddenly changes from flat scrub to mountainscape in a split second. Are we there yet? | 0:01:09 | 0:01:15 | |
There we are. Your turn. | 0:01:15 | 0:01:19 | |
And...cut. | 0:01:19 | 0:01:20 | |
Great work, everybody. Who wants to play I-spy? | 0:01:20 | 0:01:24 | |
I spy with my little eye something beginning with C. | 0:01:24 | 0:01:28 | |
It's Crap FX, isn't it? | 0:01:28 | 0:01:30 | |
It's Skins, and lovely Tony | 0:01:33 | 0:01:35 | |
is about to tuck into a delicious tuna sandwich. | 0:01:35 | 0:01:38 | |
Mmm, I love sandwiches. Conversely, most directors hate them. | 0:01:38 | 0:01:41 | |
They're a continuity nightmare. | 0:01:41 | 0:01:45 | |
And we're off. Bite one to the left. | 0:01:45 | 0:01:49 | |
Which is now two bites big. | 0:01:49 | 0:01:50 | |
That'd really put a dampener on your day. | 0:01:50 | 0:01:53 | |
And whole again. First bite again to the left. | 0:01:53 | 0:01:55 | |
Look what you're doing to your mate. | 0:01:55 | 0:01:57 | |
He doesn't know what day it is. | 0:01:57 | 0:01:59 | |
-But now multiple bites to left and right. -Have some tuna sandwich. | 0:01:59 | 0:02:02 | |
-It'll make you feel better. -Are you sure? I'm feeling a bit dizzy. | 0:02:02 | 0:02:06 | |
No, no, no, leave it. | 0:02:06 | 0:02:07 | |
Leave it. He's at it as well. | 0:02:07 | 0:02:09 | |
Tony is back to a one-bite sandwich. Two bites. | 0:02:09 | 0:02:13 | |
Bites right and left. | 0:02:13 | 0:02:15 | |
No, two bites to the left. | 0:02:15 | 0:02:17 | |
-Hi, Tony. -Oh, beat it, kids, I'm trying to concentrate. | 0:02:17 | 0:02:22 | |
Multiple bites again right and left. | 0:02:22 | 0:02:24 | |
Oh, I've changed my mind, I hate tuna sandwiches. | 0:02:24 | 0:02:26 | |
You got a whacking lot of doughnuts. | 0:02:28 | 0:02:31 | |
Yes, food is a continuity nightmare, especially on Skins. | 0:02:31 | 0:02:35 | |
Look, Pandora dives into this bag of doughnuts and grabs one with yellow icing. | 0:02:35 | 0:02:40 | |
Takes a couple of bites, one, two. | 0:02:40 | 0:02:42 | |
Now it's half-gone. | 0:02:42 | 0:02:44 | |
Suddenly, it's all gone. | 0:02:44 | 0:02:47 | |
Takes a pink one. | 0:02:47 | 0:02:48 | |
Which is now yellow. | 0:02:48 | 0:02:51 | |
And back to pink with two bites out of it. | 0:02:51 | 0:02:55 | |
Then just one bite. | 0:02:55 | 0:02:57 | |
And now it's gone. | 0:02:57 | 0:02:58 | |
Hello. | 0:02:58 | 0:03:00 | |
And back again! | 0:03:00 | 0:03:02 | |
-That's doughnut madness. -Effie. So glad to meet you. | 0:03:02 | 0:03:06 | |
Go on, my son, go on, go on! | 0:03:08 | 0:03:10 | |
Classic comedy from Only Fools And Horses, with some less-than-classic | 0:03:10 | 0:03:14 | |
"standing around waiting for a cue" work from actor Lennard Pearce. | 0:03:14 | 0:03:18 | |
Here it comes. Wait for it, Lennard. | 0:03:18 | 0:03:22 | |
Oh, Lennard! | 0:03:22 | 0:03:24 | |
I blame the director. It's not really Grandad's fault. | 0:03:24 | 0:03:28 | |
He's so old. He's probably just stuck to the lino. | 0:03:28 | 0:03:30 | |
It's Friends in Vegas. | 0:03:33 | 0:03:36 | |
Here comes Chandler. He sees Monica having fun with another fellow, | 0:03:36 | 0:03:40 | |
and all melancholy, he turns to leave. | 0:03:40 | 0:03:43 | |
And leave again. You might think they just used the same shot twice, and you'd be right. | 0:03:43 | 0:03:49 | |
You will not be better until they've... | 0:03:51 | 0:03:54 | |
In this clip from the first series of Red Dwarf, Craig Charles | 0:03:54 | 0:03:57 | |
is enjoying Craig Ferguson's lines and big acting so much, he joins in. | 0:03:57 | 0:04:02 | |
I don't know, is it some place near Uruguay? | 0:04:02 | 0:04:05 | |
Oh, you missed it, didn't you? | 0:04:05 | 0:04:06 | |
Try again and keep your eyes on little Craig. | 0:04:06 | 0:04:09 | |
-HIGH-PITCHED: -"I don't know, is it some place near Uruguay?" | 0:04:09 | 0:04:13 | |
Lovely bit of close-harmony acting. | 0:04:13 | 0:04:15 | |
Just let her go. | 0:04:17 | 0:04:19 | |
-Go ahead, shoot. -Agent Mulder is in a stand off with a villain. | 0:04:19 | 0:04:23 | |
He's probably an alien in disguise, they usually are. | 0:04:23 | 0:04:26 | |
Like all good FBI agents, though, he's got his earpiece in so that | 0:04:26 | 0:04:30 | |
he can listen to Chris Moyles and fight the alien hordes. | 0:04:30 | 0:04:33 | |
Which is harder? You decide. | 0:04:33 | 0:04:35 | |
This scene is crying out for a close-up of Mulder wrestling with his conscience | 0:04:35 | 0:04:39 | |
and finally shooting the baddie. | 0:04:39 | 0:04:40 | |
Unfortunately, they didn't get one, so they'd to film it later | 0:04:40 | 0:04:44 | |
when he wasn't wearing an earpiece. | 0:04:44 | 0:04:47 | |
Embarrassed in front of millions. | 0:04:47 | 0:04:49 | |
Sorry, Dave. | 0:04:49 | 0:04:50 | |
Here's the lovely Jennifer Ehle | 0:04:55 | 0:04:57 | |
in Pride And Prejudice, playing the piano. | 0:04:57 | 0:05:00 | |
Except she isn't, because when we see inside, | 0:05:00 | 0:05:02 | |
none of the hammers are moving. | 0:05:02 | 0:05:04 | |
Although, she's definitely got my hammers moving, | 0:05:04 | 0:05:07 | |
if you know what I mean. | 0:05:07 | 0:05:08 | |
Actually, I'm not sure if even I know what that means. | 0:05:08 | 0:05:12 | |
He had it shipped over from Scotland. | 0:05:14 | 0:05:16 | |
Ever wondered what Superman's teenage years were like? | 0:05:16 | 0:05:19 | |
Me neither, but that didn't stop them making Smallville. | 0:05:19 | 0:05:22 | |
In between popping zits and shouting at his parents, Clark has found time to visit young Lex Luthor. | 0:05:22 | 0:05:28 | |
Nice house. | 0:05:28 | 0:05:29 | |
Shame you can see those two pieces of white tape on the parquet floor, | 0:05:29 | 0:05:33 | |
put there by the crew to let Lex know where to stand. | 0:05:33 | 0:05:36 | |
That's what we in TV call a mark. | 0:05:36 | 0:05:38 | |
-And a mistake. -What's the matter? | 0:05:38 | 0:05:41 | |
-You don't like it? -No, it very bad. | 0:05:41 | 0:05:44 | |
Three days after my funeral, | 0:05:46 | 0:05:48 | |
Lynette replaced her grief with a much more useful emotion. | 0:05:48 | 0:05:51 | |
In this clip from Desperate Housewives, Lynette is at the mall | 0:05:51 | 0:05:55 | |
with those three naughty sons of hers and the baby, in pink, in the trolley. | 0:05:55 | 0:05:59 | |
I can only imagine. | 0:05:59 | 0:06:02 | |
Uh-oh, two of the boys have done a runner. | 0:06:02 | 0:06:04 | |
But one bad pick-up shot later, and it looks like all four have scarpered. | 0:06:04 | 0:06:08 | |
At least she's still got her pink blanket. | 0:06:08 | 0:06:11 | |
Whichever way you look at it, that is borderline careless. | 0:06:11 | 0:06:14 | |
-Lynette Scavo? -Crap. | 0:06:14 | 0:06:17 | |
With live TV, you just have to go with it. | 0:06:20 | 0:06:23 | |
In this climactic scene in the live 'StEnders episode, | 0:06:23 | 0:06:26 | |
see if you can spot the moment when the cameraman trips. | 0:06:26 | 0:06:29 | |
Oh! | 0:06:33 | 0:06:34 | |
Here is a sequence to make the Avatar team blush and then pat | 0:06:41 | 0:06:44 | |
the Dr Who effects department on the head and say, "Oh, bless." | 0:06:44 | 0:06:48 | |
When this spaceship crashes into the tower of Big Ben, suddenly, the numerals are back-to-front. | 0:06:48 | 0:06:54 | |
Because someone made a boob in the CGI and had to | 0:06:54 | 0:06:57 | |
flip the shot to make it look like the spaceship enters from the right. | 0:06:57 | 0:07:01 | |
The technique of flipping can also be used on your own TV remote every time Simon Cowell comes on. | 0:07:03 | 0:07:08 | |
The king will therefore be requiring a new mistress. | 0:07:10 | 0:07:13 | |
Dr Tennant again, in this clip, | 0:07:13 | 0:07:15 | |
leaning on a balustrade in 18th-century France, | 0:07:15 | 0:07:18 | |
spying on Madame Pompadour. | 0:07:18 | 0:07:20 | |
She senses his presence, turns, but sees nothing. | 0:07:20 | 0:07:23 | |
Not even his hand touching the wall. | 0:07:23 | 0:07:26 | |
Because he isn't. But, in the next shot, he clearly still is. | 0:07:26 | 0:07:30 | |
Maybe he's developed the power of invisibility. | 0:07:30 | 0:07:33 | |
She's in for a surprise at bedtime. | 0:07:33 | 0:07:35 | |
And finally, if it's bad shot choices you're after, | 0:07:37 | 0:07:41 | |
and who isn't, then check this. Here's Buffy, | 0:07:41 | 0:07:43 | |
undertaking a vampires slayer's least onerous of tasks, | 0:07:43 | 0:07:46 | |
picking up and putting down a pair of glasses. | 0:07:46 | 0:07:49 | |
See if you can spot the gaffe. | 0:07:49 | 0:07:51 | |
Yep. | 0:07:52 | 0:07:55 | |
Wearing two pink rings on her fingers, | 0:07:55 | 0:07:58 | |
she places the specs on the table, unfolded, with both hands. | 0:07:58 | 0:08:02 | |
But in the close-up, the glasses have been folded, | 0:08:02 | 0:08:05 | |
and are now put down by a single hand wearing a silver ring | 0:08:05 | 0:08:08 | |
on a completely different table. | 0:08:08 | 0:08:10 | |
-That, with the best will in the world, was really -BLEEP. | 0:08:10 | 0:08:14 | |
Thanks to all of our contributors for being so sloppy. | 0:08:16 | 0:08:19 | |
It's a good job it's telly and nothing more important, like a paper round, | 0:08:19 | 0:08:22 | |
otherwise you'd have been fired. Bye-bye! | 0:08:22 | 0:08:25 | |
Subtitles by Red Bee Media Ltd | 0:08:35 | 0:08:38 | |
E-mail [email protected] | 0:08:38 | 0:08:41 |