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Hello, I'm Robert Webb. | 0:00:12 | 0:00:15 | |
Welcome to Great TV Mistakes. | 0:00:15 | 0:00:18 | |
Now, I know what you're saying - "But people in telly don't make mistakes. | 0:00:18 | 0:00:22 | |
"They're all perfect, like you, Rob." | 0:00:22 | 0:00:24 | |
Not true. Everyone makes mistakes. | 0:00:24 | 0:00:26 | |
You just called me Rob, for instance. | 0:00:26 | 0:00:29 | |
And no-one but no-one calls me Rob unless I give them permission. Understand?! | 0:00:29 | 0:00:33 | |
Don't worry. People in telly are just like you. | 0:00:33 | 0:00:36 | |
They mess up. A crew member appears in the back of shot, a prop changes colour, | 0:00:36 | 0:00:40 | |
someone commissions another series of My Family. | 0:00:40 | 0:00:43 | |
Mistakes get made, and that's where we come in. | 0:00:43 | 0:00:45 | |
We find these embarrassing errors and make a show out of them. | 0:00:45 | 0:00:49 | |
Some people might call that schadenfreude. I just call it funny. | 0:00:49 | 0:00:52 | |
Enjoy. | 0:00:52 | 0:00:54 | |
This is X-Files rain, heavy and persistent, like Mulder, | 0:00:56 | 0:01:01 | |
apart for the heavy bit. | 0:01:01 | 0:01:03 | |
Dana and Fox are in hot pursuit of a woman doing some top-notch driving-in-heavy-rain acting. | 0:01:03 | 0:01:08 | |
Moving the steering wheel about, frowning at rain... | 0:01:11 | 0:01:14 | |
and then she hits a cloudy ghost. Bosh! | 0:01:14 | 0:01:17 | |
But when Mulder and Scully pull over seconds later, all the rain has gone. Spooky. | 0:01:21 | 0:01:26 | |
# Da-da-da-doo, da-da-da-doo... # Sorry, that's The Twilight Zone, sorry. | 0:01:26 | 0:01:31 | |
-I can see her. -Michelle! -Help! | 0:01:31 | 0:01:33 | |
A high-speed chase | 0:01:38 | 0:01:40 | |
in Knight Rider and Michael is in pursuit | 0:01:40 | 0:01:42 | |
of two blokes who have kidnapped a lady. | 0:01:42 | 0:01:44 | |
Oh, she's a terrible back-seat driver. | 0:01:44 | 0:01:46 | |
That car is all over the shop. | 0:01:46 | 0:01:48 | |
Three drivers, one steering wheel, that's asking for trouble. | 0:01:48 | 0:01:51 | |
Oh, no, no, no, no, leave it. | 0:01:53 | 0:01:56 | |
Sit down, you silly cow! Oh, too late, she's jumped. | 0:01:56 | 0:01:59 | |
Well, somebody did. | 0:01:59 | 0:02:01 | |
-Crazy broad jumped out! -I'm afraid that was your unconscious female. | 0:02:01 | 0:02:05 | |
No it wasn't, KITT, you're talking out of your tailpipe. | 0:02:05 | 0:02:08 | |
That's her stunt double in an ill-fitting blonde wig. | 0:02:08 | 0:02:12 | |
She's less lookalike and more look nothing like. | 0:02:12 | 0:02:16 | |
A clip from classic Dr Who episode Genesis Of The Daleks, | 0:02:18 | 0:02:21 | |
and keep your eyes on the Dalek chatting with Davros | 0:02:21 | 0:02:25 | |
and the light bulb flashing on his head. | 0:02:25 | 0:02:27 | |
That's how deaf people know that a Dalek is talking, by the way, it's a courtesy thing. | 0:02:27 | 0:02:31 | |
Hold on a sec, his light's gone out. | 0:02:31 | 0:02:34 | |
Maybe he forgot to pay the Da-lecky bill. | 0:02:34 | 0:02:37 | |
But then, between takes, while Davros practises his shouting... | 0:02:37 | 0:02:41 | |
You will obey me! | 0:02:41 | 0:02:44 | |
..there's a chance to unscrew the bulb and pop a new one in. | 0:02:44 | 0:02:48 | |
We are the superior beings. | 0:02:48 | 0:02:50 | |
On with the serious business of mass extermination and sink plunging. | 0:02:50 | 0:02:54 | |
Exterminate! | 0:02:54 | 0:02:56 | |
The Doctor again, and this is what I call thrilling stuff. | 0:03:00 | 0:03:03 | |
There again, I'm quite easily thrilled. | 0:03:03 | 0:03:06 | |
Oh, look, the Doctor is climbing up that giant television aerial, | 0:03:06 | 0:03:08 | |
trying to stop Maureen Lipman being transmitted. | 0:03:08 | 0:03:12 | |
You cannot stop the wire. Soon I shall become... | 0:03:12 | 0:03:16 | |
Then, as Dave's a-dangling from the pylon, his foot suddenly disappears. | 0:03:16 | 0:03:20 | |
Here it is, here it isn't. | 0:03:23 | 0:03:25 | |
Yes, the BBC's blue screen is no larger than a tea towel. | 0:03:25 | 0:03:29 | |
A thrilling FX scene from Blake's 7, | 0:03:33 | 0:03:37 | |
the doddery senile granddad of the TV sci-fi family. | 0:03:37 | 0:03:41 | |
Once again, the audience at home are on the edge of their seats, getting up to leave the room. | 0:03:41 | 0:03:45 | |
But gasp as the bad guy is sucked into space. | 0:03:45 | 0:03:49 | |
Although, he's not so much being sucked as dangled by that highly visible safety harness. | 0:03:49 | 0:03:54 | |
Wheeee! | 0:03:54 | 0:03:56 | |
TV shows are a huge investment of time, money and effort, | 0:03:58 | 0:04:02 | |
but you can spend months and months getting something right, | 0:04:02 | 0:04:05 | |
hiring the very best actors, camera persons, writers and crew, | 0:04:05 | 0:04:09 | |
only to have the whole thing ruined by some extra in the background being a tit. | 0:04:09 | 0:04:14 | |
These people are a menace, wandering in and out of the back of every shot, | 0:04:14 | 0:04:18 | |
trying to be ordinary members of the public, who are the only things worse than extras. | 0:04:18 | 0:04:22 | |
Nothing causes more trouble on set than members of the public. | 0:04:22 | 0:04:26 | |
I hate them all. Apart from you, obviously. | 0:04:26 | 0:04:30 | |
Some classic muscle Mary slow mo running now from legendary | 0:04:33 | 0:04:36 | |
beachfront twaddle merchants Baywatch. | 0:04:36 | 0:04:39 | |
See their toned torsos as they pound along the sand, | 0:04:39 | 0:04:43 | |
see their hair blown by the gentle Pacific breeze, | 0:04:43 | 0:04:46 | |
see the kid in the background pulling a moonie. | 0:04:46 | 0:04:49 | |
That's worth a second look. | 0:04:49 | 0:04:51 | |
Everyone's a critic. | 0:04:53 | 0:04:55 | |
You don't even have to. I'm sure you were pretty freaked out. | 0:04:57 | 0:04:59 | |
Totally. | 0:04:59 | 0:05:01 | |
See this woman with the tartan top? | 0:05:01 | 0:05:03 | |
Now remember her, cos this lady is about to take the art | 0:05:03 | 0:05:06 | |
of the attention-seeking TV extra to a whole new dimension. | 0:05:06 | 0:05:10 | |
This is Buffy's high school, of course, and she is presumably the most mature student. | 0:05:10 | 0:05:15 | |
I...think you're the coolest. | 0:05:15 | 0:05:17 | |
There she is again, drawing attention to herself with that big red bag. | 0:05:17 | 0:05:21 | |
Now, spin on. And there she is again, walking in the opposite direction. | 0:05:21 | 0:05:26 | |
No, she's not. She's over there, walking up some stairs, | 0:05:26 | 0:05:29 | |
drawing attention to herself just like those extras aren't supposed to. | 0:05:29 | 0:05:33 | |
Back for more stair climbing, this time without the bag. Clever. | 0:05:33 | 0:05:37 | |
Still going up the stairs. | 0:05:37 | 0:05:39 | |
Mind you, at least we know where she is. No we don't. | 0:05:39 | 0:05:42 | |
Buffy, now she's behind you. | 0:05:42 | 0:05:45 | |
"Right, I've had enough of this," said the director, "Get that woman out of my sight. | 0:05:45 | 0:05:50 | |
"Nobody lets her back on this set." | 0:05:50 | 0:05:54 | |
Whoa, how did that happen? | 0:05:54 | 0:05:55 | |
Crafty cow, she's taken off her horrible tartan jacket and given the red bag to someone else. | 0:05:55 | 0:06:00 | |
Damn you, nightmare tartan extra lady! | 0:06:00 | 0:06:04 | |
Still, the jacket's gone, the bag's gone, and, finally, so is she. | 0:06:04 | 0:06:09 | |
Or not. | 0:06:09 | 0:06:10 | |
Sex And The City, a show about four single young women. | 0:06:12 | 0:06:17 | |
Well, three young women and the one who plays Samantha. | 0:06:17 | 0:06:20 | |
But let's rewind and look at those two extras on the left of picture sitting side by side. | 0:06:20 | 0:06:25 | |
Now, spin on and clearly one of them has dropped a massive guff | 0:06:25 | 0:06:30 | |
because next time we see them, they're sitting miles away from each other in separate rows. | 0:06:30 | 0:06:35 | |
Poor Sam. Must have been a pretty serious guff. Someone open a window! | 0:06:35 | 0:06:39 | |
The X-Files, and Scully has a mysterious dead body to investigate. | 0:06:41 | 0:06:47 | |
In this case, the mystery is why they chose the most fidgety man in North America to play the corpse. | 0:06:47 | 0:06:53 | |
See how the faintest prod from Scully makes the big wuss blink. | 0:06:53 | 0:06:57 | |
Not so much dead man's body, more big girl's blouse. | 0:06:57 | 0:07:01 | |
But just in case anyone missed that, moments later, | 0:07:01 | 0:07:05 | |
he leaves everyone at home in no doubt that this is just acting as Scully unwisely decides to | 0:07:05 | 0:07:10 | |
balance this heavy plastic ruler on his tummy-wummy. "Ow, it's cold!" | 0:07:10 | 0:07:16 | |
We've got a breather! | 0:07:16 | 0:07:17 | |
I love Lost. It's top-notch | 0:07:21 | 0:07:23 | |
allegorical surrealist drama with a satirical subtext. | 0:07:23 | 0:07:27 | |
Plus, it's got that funny fat bloke with a beard in it. | 0:07:27 | 0:07:30 | |
Yeah, he's got boobs like a lady. | 0:07:30 | 0:07:33 | |
In fact, the only problem with this show is that it makes no sense. | 0:07:33 | 0:07:38 | |
That, and their decision to use an extra with chronic asthma | 0:07:38 | 0:07:40 | |
to play a corpse and then put him in the front of shot. | 0:07:40 | 0:07:43 | |
Just look at this. | 0:07:43 | 0:07:44 | |
ROBERT BREATHES HEAVILY | 0:07:44 | 0:07:47 | |
Mind you, that fat bloke's funny. Oh, dear... | 0:07:52 | 0:07:56 | |
I mean, dogs can find pot and bombs so... | 0:07:58 | 0:08:00 | |
Time for more weird goings on in Lost, and look out for the lovely | 0:08:00 | 0:08:05 | |
couple walking past in the background. There they go. | 0:08:05 | 0:08:07 | |
Probably off to catch some fish. | 0:08:07 | 0:08:09 | |
Wish they'd walk past again. Oh, lovely. | 0:08:09 | 0:08:11 | |
That's the trouble with being marooned on a desert island, nothing to do but walk round in circles. | 0:08:11 | 0:08:16 | |
Thanks to all our contributors for being so sloppy. | 0:08:18 | 0:08:21 | |
It's a good job it's telly and nothing more important | 0:08:21 | 0:08:24 | |
like a paper round, otherwise you'd have been fired. Bye-bye! | 0:08:24 | 0:08:28 | |
Subtitles by Red Bee Media Ltd | 0:08:37 | 0:08:40 | |
E-mail [email protected] | 0:08:40 | 0:08:43 |