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-Rising above us -is Craig Cwm Dulyn. | 0:00:38 | 0:00:41 | |
-A hundred yards from its summit... | 0:00:41 | 0:00:43 | |
-..R Williams Parry -saw the fox, "that rare wonder". | 0:00:43 | 0:00:47 | |
-Over there is Talysarn, -where the story begins. | 0:00:47 | 0:00:50 | |
-It's the story -of the Summer Poet, as he's known. | 0:00:50 | 0:00:53 | |
-It's also the story -of the Poet of Fear and Doubt. | 0:00:53 | 0:00:56 | |
-How much do we know -about R Williams Parry himself? | 0:00:57 | 0:01:01 | |
-Why do some sour critics -accuse him of being too sugary? | 0:01:02 | 0:01:05 | |
-Why do so many of his fans -disagree with them? | 0:01:06 | 0:01:09 | |
-He heard "the ocean's roar -on the peninsula of great eternity". | 0:01:09 | 0:01:14 | |
-The ocean's roar -on the peninsula of great eternity. | 0:01:21 | 0:01:25 | |
-On 6th March, 1884, -in this house... | 0:01:37 | 0:01:41 | |
-..R Williams Parry was born. | 0:01:41 | 0:01:43 | |
-From an early age, he experienced -success at both chapel and cymanfa. | 0:01:43 | 0:01:48 | |
-Up the street lived Owen Edwards. | 0:01:48 | 0:01:50 | |
-Anant was his bardic name. | 0:01:51 | 0:01:53 | |
-Young Bob visited him -to learn all about cynghanedd. | 0:01:53 | 0:01:58 | |
-Before long, he competed -at the National Eisteddfod. | 0:01:59 | 0:02:03 | |
-He had no luck in 1907 nor 1909... | 0:02:03 | 0:02:05 | |
-..but in 1910, -he won with his ode to The Summer. | 0:02:05 | 0:02:09 | |
-He stood on this wall -as the village acclaimed him... | 0:02:09 | 0:02:14 | |
-..when he returned -from Colwyn Bay with the Chair. | 0:02:14 | 0:02:17 | |
-Its home was to be -Rhiwafon, 37 Station Road, Talysarn. | 0:02:17 | 0:02:22 | |
-The summer always dies to live. | 0:02:25 | 0:02:29 | |
-It's worth hearing -about the competition. | 0:02:39 | 0:02:42 | |
-He and two friends -stood on this bridge. | 0:02:43 | 0:02:45 | |
-R Williams Parry said... | 0:02:45 | 0:02:47 | |
-..he wasn't going to send -his ode to the Eisteddfod. | 0:02:47 | 0:02:51 | |
-He feared it was too new, -too romantic for the adjudicators. | 0:02:51 | 0:02:57 | |
-His two friends pleaded with him -to change his mind. | 0:02:57 | 0:03:02 | |
-A few days later, he agreed. | 0:03:02 | 0:03:04 | |
-He sent his ode to the Eisteddfod. | 0:03:04 | 0:03:07 | |
-After that, of course, -there was the wait. | 0:03:07 | 0:03:10 | |
-At the time, the victorious bard -wasn't told in advance of his win. | 0:03:10 | 0:03:15 | |
-A spy was needed. | 0:03:16 | 0:03:18 | |
-Owain Llewelyn Owain -was a journalist from Talysarn. | 0:03:18 | 0:03:22 | |
-He sent a telegram -from the Eisteddfod. | 0:03:22 | 0:03:25 | |
-Five past twelve, Wednesday. | 0:03:26 | 0:03:28 | |
-"Nothing definite, -bright weather, wire later." | 0:03:29 | 0:03:34 | |
-In a while, another message. | 0:03:35 | 0:03:37 | |
-"Have found rooms for you." -That was the code. | 0:03:38 | 0:03:42 | |
-R Williams Parry -knew that he had won the Chair. | 0:03:42 | 0:03:46 | |
-From what I remember, -he was an extremely amiable man. | 0:04:06 | 0:04:11 | |
-He was very gentle, -and was, of course, easily hurt. | 0:04:11 | 0:04:16 | |
-He didn't like the night. | 0:04:16 | 0:04:19 | |
-He didn't care much for driving, -believe it or not. | 0:04:20 | 0:04:24 | |
-As a driver, -he wasn't especially committed. | 0:04:24 | 0:04:28 | |
-Such are the stories -about him anyway. | 0:04:28 | 0:04:31 | |
-Nantlle Valley is best enjoyed -on foot, not by car. | 0:04:33 | 0:04:38 | |
-This was the boyhood home -of R Williams Parry. | 0:04:39 | 0:04:42 | |
-That ancient dale -stimulates this, my song. | 0:04:53 | 0:04:56 | |
-One lake alone in Baladeulyn now. | 0:04:58 | 0:05:01 | |
-This valley abounds with tales -from the Mabinogi. | 0:05:04 | 0:05:08 | |
-As the name Baladeulyn suggests, -there were two lakes here once. | 0:05:08 | 0:05:13 | |
-Those same two lakes -feature in the story of Blodeuwedd. | 0:05:13 | 0:05:17 | |
-On an oak branch by the lakes, -Gwydion turned Lleu into an eagle. | 0:05:18 | 0:05:23 | |
-Lleu will return not -to Nantlleu Valley. | 0:05:26 | 0:05:29 | |
-Here's the place itself, -the valley of Nantlleu. | 0:05:30 | 0:05:33 | |
-It was named after that same Lleu, -Lleu Llaw Gyffes. | 0:05:33 | 0:05:37 | |
-At the mouth of the River Llyfni... | 0:05:38 | 0:05:40 | |
-..you can see the submerged ruins -of the old Caer Arianrhod. | 0:05:40 | 0:05:44 | |
-In my view, it's no surprise -that a place so rich in history... | 0:05:45 | 0:05:49 | |
-..produced such a great poet. | 0:05:49 | 0:05:51 | |
-When Williams Parry -started to write his poems... | 0:05:56 | 0:05:59 | |
-..he wrote in a style -that was popular at that time. | 0:06:00 | 0:06:03 | |
-It was the romantic style. | 0:06:04 | 0:06:06 | |
-He continued in this vein -until his ode to The Summer. | 0:06:07 | 0:06:10 | |
-Then, a change happened. | 0:06:11 | 0:06:13 | |
-In a sonnet home, he vows -to turn his back on such themes. | 0:06:13 | 0:06:17 | |
-He would write -about the things all around him. | 0:06:18 | 0:06:21 | |
-The quiet valley -of the Mabinogi was no more. | 0:06:31 | 0:06:34 | |
-Some 200 years ago... | 0:06:36 | 0:06:38 | |
-..the quarries arrived. | 0:06:38 | 0:06:40 | |
-Villages such as Llanllyfni, -Cesarea, Carmel and Talysarn grew. | 0:06:40 | 0:06:46 | |
-The population trebled -from 4,000 to 12,000. | 0:06:46 | 0:06:51 | |
-Who fall down narrow ladders -o'er frightful Dorothea quarry? | 0:06:56 | 0:07:01 | |
-Inevitably, -industrial accidents occurred. | 0:07:07 | 0:07:11 | |
-An early englyn by Williams Parry -was written in memory of a friend. | 0:07:12 | 0:07:17 | |
-David Williams -was killed in the quarry. | 0:07:18 | 0:07:21 | |
-The loss of young men -became a painful theme in his work. | 0:07:22 | 0:07:26 | |
-Dear Dafydd in your lonely grave, -You grieve so many broken hearts. | 0:07:30 | 0:07:35 | |
-But the marshland will shed -Its sadness and blossom again anew. | 0:07:36 | 0:07:41 | |
-Strangely enough, he only wrote -two poems about his own valley. | 0:07:42 | 0:07:48 | |
-Y Ddol A Aeth O'r Golwg -and Dyffryn Nantlle Ddoe A Heddiw. | 0:07:49 | 0:07:53 | |
-In both, -he longs for the valley of old. | 0:07:54 | 0:07:57 | |
-It disappeared -when "the old clay quarry spewed". | 0:07:57 | 0:08:01 | |
-Across our virgin meadow -the old clay quarry spewed. | 0:08:09 | 0:08:13 | |
-He also discusses -the area's two new civilizations... | 0:08:24 | 0:08:28 | |
-..the quarry and the chapel. | 0:08:28 | 0:08:31 | |
-His work suggests a difficulty -in his total acceptance of either. | 0:08:32 | 0:08:37 | |
-Two new civilizations -to our two parishes came. | 0:08:41 | 0:08:50 | |
-What came of the oak in the dale? | 0:08:58 | 0:09:02 | |
-The Wooded Way, near Cricieth | 0:09:24 | 0:09:30 | |
-Unsurprisingly, R Williams Parry -had to escape from time to time. | 0:09:32 | 0:09:37 | |
-Visits here, -to see his mother's cousin... | 0:09:37 | 0:09:40 | |
-..at Hendre Cennin farm, -by the Wooded Way... | 0:09:41 | 0:09:45 | |
-..was his happy form of escapism. | 0:09:45 | 0:09:47 | |
-Far from the sight of Progress -On the sad face of the Works | 0:09:56 | 0:09:59 | |
-There's a place -between sea and mountain | 0:09:59 | 0:10:02 | |
-Without any stain or scar | 0:10:02 | 0:10:04 | |
-Except the furrow -on the mountain field | 0:10:04 | 0:10:07 | |
-Where the plough -tore spring from the soil. | 0:10:07 | 0:10:10 | |
-Far from the bitter rat race -Of the spiteful modern world | 0:10:14 | 0:10:18 | |
-The taste of antiquity lingers -Like precious vintage wine. | 0:10:18 | 0:10:23 | |
-Old, old is the murmuring | 0:10:23 | 0:10:27 | |
-Between two rivers in Rhoslan. | 0:10:27 | 0:10:29 | |
-There's perfection in this peace -The peace of the Wooded Way | 0:10:40 | 0:10:44 | |
-From the arch of its latticed roof -To the green grass underfoot | 0:10:45 | 0:10:49 | |
-It's not a road to church or town | 0:10:49 | 0:10:51 | |
-But that doesn't bother me. | 0:10:52 | 0:10:54 | |
-Oh! It's heaven to reach the heart | 0:11:03 | 0:11:05 | |
-Of this quiet neighbourhood | 0:11:05 | 0:11:07 | |
-From my industry-scarred valley -And the ways of the world I know | 0:11:07 | 0:11:11 | |
-To walk its peace all by myself | 0:11:12 | 0:11:14 | |
-Or with a soulmate in sweet accord. | 0:11:15 | 0:11:18 | |
-R Williams Parry wanted his poetry -to be understood by all. | 0:12:04 | 0:12:09 | |
-He wanted people to understand -most of it at first reading. | 0:12:09 | 0:12:13 | |
-He would occasionally -read a poem to some friends. | 0:12:13 | 0:12:17 | |
-If they didn't understand it... | 0:12:17 | 0:12:20 | |
-..he would make some changes. | 0:12:20 | 0:12:22 | |
-This was very important to him. | 0:12:23 | 0:12:26 | |
-His poetry is clear... | 0:12:26 | 0:12:30 | |
-..if you know what the words mean. | 0:12:30 | 0:12:33 | |
-Even so, -there are deeper meanings. | 0:12:34 | 0:12:37 | |
-R Williams Parry -felt very close to nature. | 0:12:37 | 0:12:40 | |
-He loved taking his holidays -in the "great tranquillity". | 0:12:40 | 0:12:44 | |
-Nature instils fear in him, -but is also a source of comfort. | 0:12:44 | 0:12:49 | |
-He knows that death awaits us all. | 0:12:49 | 0:12:51 | |
-But in the world of nature, -he would see the best of everything. | 0:12:52 | 0:12:56 | |
-He saw the fox, "that rare wonder". | 0:12:56 | 0:12:59 | |
-Then again, he knew -that such beauty was short-lived. | 0:12:59 | 0:13:03 | |
-"He came, he went, a shooting star." | 0:13:03 | 0:13:07 | |
-There's perfection in this peace -The peace of the Wooded Way. | 0:13:31 | 0:13:35 | |
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-As a boy in my bed in days of yore | 0:13:54 | 0:13:56 | |
-Restless summer nights had no breeze | 0:13:56 | 0:14:00 | |
-Three things I feared as I lay alone | 0:14:00 | 0:14:03 | |
-Lightning, earthquake -and the end of the world. | 0:14:04 | 0:14:08 | |
-Since childhood, he had been one -of a timid disposition. | 0:14:12 | 0:14:16 | |
-Faith in the eternal life -of a heavenly father... | 0:14:17 | 0:14:20 | |
-..failed to offer him much solace. | 0:14:20 | 0:14:23 | |
-"Death does not die, -More is the pity." | 0:14:23 | 0:14:26 | |
-Death does not die, -More is the pity. | 0:14:30 | 0:14:34 | |
-But the Bible -had been part of his upbringing. | 0:14:34 | 0:14:37 | |
-These agnostic periods -confused him enormously. | 0:14:38 | 0:14:42 | |
-On the one hand, he claimed to be -an unassuming member of the flock. | 0:14:42 | 0:14:46 | |
-On the other hand, he said this. | 0:14:47 | 0:14:49 | |
-"I wish to perform -a worthy deed for Christ... | 0:14:49 | 0:14:52 | |
-"..that he may not look upon me -so sadly." | 0:14:52 | 0:14:55 | |
-Then came the war -to confuse him further. | 0:14:56 | 0:14:59 | |
-Winchester | 0:15:13 | 0:15:18 | |
-In a barracks, here in Winchester... | 0:15:19 | 0:15:22 | |
-..R Williams Parry -trained to be a soldier. | 0:15:23 | 0:15:25 | |
-He described himself -as a pitiful failure. | 0:15:26 | 0:15:29 | |
-But he left behind a notebook. | 0:15:29 | 0:15:31 | |
-This showed -that he took the work seriously. | 0:15:32 | 0:15:35 | |
-Lloyd George visited the soldiers. | 0:15:36 | 0:15:38 | |
-He recognized the Summer Poet, -so the story goes. | 0:15:38 | 0:15:42 | |
-Within a week, R Williams Parry -was no longer on front line duty. | 0:15:42 | 0:15:46 | |
-A coincidence? Well, maybe. | 0:15:46 | 0:15:49 | |
-One not spared was Hedd Wyn. | 0:15:50 | 0:15:53 | |
-During a service at Jewry Street -congregational church... | 0:15:54 | 0:15:58 | |
-..R Williams Parry composed -the famous memorial englynion. | 0:15:58 | 0:16:03 | |
-He claims to have written -all eight verses at one sitting. | 0:16:03 | 0:16:07 | |
-The 'Amen' at the sermon's end -awoke him from his trance. | 0:16:08 | 0:16:13 | |
-The dead bard in a foreign field | 0:16:15 | 0:16:19 | |
-The two hands -that will never again be separate | 0:16:19 | 0:16:23 | |
-The grave eyes under the grave door | 0:16:23 | 0:16:25 | |
-The eyes that cannot open more. | 0:16:26 | 0:16:28 | |
-Your life has been lived | 0:16:30 | 0:16:32 | |
-Your race has been run too. | 0:16:32 | 0:16:35 | |
-The hour has come to become dust | 0:16:35 | 0:16:38 | |
-Travelling the world has ended. | 0:16:39 | 0:16:41 | |
-Gentle is the moon tonight | 0:16:43 | 0:16:46 | |
-Rising over Trawsfynydd's bog. | 0:16:46 | 0:16:48 | |
-And you so sadly in your grave... | 0:16:48 | 0:16:50 | |
-# Gentle is the moon tonight | 0:16:51 | 0:16:57 | |
-# Rising over Trawsfynydd's bog | 0:16:57 | 0:17:02 | |
-# And you so sadly in your grave | 0:17:05 | 0:17:11 | |
-# By the black Trench resting | 0:17:12 | 0:17:17 | |
-# A lonely Chair stands yonder! # | 0:17:21 | 0:17:27 | |
-Its arms as though listening. | 0:17:28 | 0:17:33 | |
-Today, reaching so quietly | 0:17:33 | 0:17:35 | |
-In peace for the one that's gone. | 0:17:36 | 0:17:39 | |
-# Today, reaching so quietly | 0:17:39 | 0:17:43 | |
-# In peace for the one that's gone # | 0:17:43 | 0:17:54 | |
-Inevitably, -the War left its mark on the poet. | 0:17:58 | 0:18:01 | |
-The Nationalist movement -jolted him too. | 0:18:02 | 0:18:05 | |
-The Penyberth Bombing School -arson affected him. | 0:18:05 | 0:18:09 | |
-The tone of his work changed, -from summer to winter poems. | 0:18:09 | 0:18:14 | |
-But wasn't this dark side -present from the very start? | 0:18:14 | 0:18:19 | |
-He wrote this as a young man. | 0:18:19 | 0:18:22 | |
-"Oh, grave, you frighten me today, -I am frightened and tearful." | 0:18:22 | 0:18:27 | |
-Oh, grave, you frighten me today, -I am frightened and tearful. | 0:18:29 | 0:18:34 | |
-He's a truly sensitive bard. | 0:18:51 | 0:18:53 | |
-In his sonnet Dinas Noddfa, -he sees the stars. | 0:18:53 | 0:18:57 | |
-He hears "the sea's sad rhyming" -and he feels the wind. | 0:18:57 | 0:19:02 | |
-After awakening the senses, -he gives advice. | 0:19:02 | 0:19:05 | |
-"Follow the wise." | 0:19:05 | 0:19:07 | |
-Do something! -It's earnest, but difficult. | 0:19:08 | 0:19:11 | |
-Follow the wise, -and build yourself a fort. | 0:19:12 | 0:19:17 | |
-Dolbadarn Castle | 0:19:18 | 0:19:23 | |
-It was 50 years ago, -and I was at the back. | 0:19:28 | 0:19:30 | |
-I was at an evening class. | 0:19:33 | 0:19:35 | |
-There was an evening class -in every village years ago. | 0:19:35 | 0:19:39 | |
-Religion, politics -and social matters were discussed. | 0:19:39 | 0:19:43 | |
-I'd sit at the back, listening. | 0:19:43 | 0:19:45 | |
-I heard these words. | 0:19:46 | 0:19:48 | |
-"When the stars -send shivers through your blood | 0:19:48 | 0:19:51 | |
-"To shake your credo -just like leaves." | 0:19:52 | 0:19:56 | |
-Now, that couplet. | 0:19:56 | 0:19:58 | |
-I thought... wow! | 0:19:58 | 0:20:00 | |
-Over the years, -I've gone back to it. | 0:20:01 | 0:20:04 | |
-I've never recited it aloud. | 0:20:04 | 0:20:06 | |
-In this location today... | 0:20:07 | 0:20:09 | |
-..not far from my home... | 0:20:09 | 0:20:11 | |
-..to tell you the truth... | 0:20:11 | 0:20:13 | |
-..I could get quite emotional. | 0:20:13 | 0:20:16 | |
-I could. | 0:20:17 | 0:20:19 | |
-R Williams Parry's work -affected Kate Roberts too. | 0:20:20 | 0:20:24 | |
-Her novel Tywyll Heno -uses the sonnet Dinas Noddfa. | 0:20:24 | 0:20:28 | |
-Years later, -I played Bet in Tywyll Heno. | 0:20:29 | 0:20:34 | |
-I was really delighted. | 0:20:34 | 0:20:36 | |
-It was an opportunity, a challenge. | 0:20:36 | 0:20:39 | |
-It was one of my biggest challenges. | 0:20:39 | 0:20:41 | |
-Bet's health is failing slowly. | 0:20:42 | 0:20:44 | |
-It's a mental illness, -and a loss of faith. | 0:20:44 | 0:20:47 | |
-Losing her faith -leads to her losing her identity. | 0:20:47 | 0:20:52 | |
-She and her husband, -Gruff, go for a picnic. | 0:20:53 | 0:20:56 | |
-It's a fine day and they're happy. | 0:20:57 | 0:21:00 | |
-She asks Gruff to read Dinas Noddfa. | 0:21:00 | 0:21:03 | |
-He has a marvellous voice, -and he reads it well. | 0:21:03 | 0:21:07 | |
-But she couldn't find -her own city of refuge. | 0:21:07 | 0:21:10 | |
-While listening, she realized -that only a black wall faced her. | 0:21:10 | 0:21:15 | |
-When the stars -send shivers through your blood | 0:21:21 | 0:21:25 | |
-To shake your credo -just like leaves. | 0:21:25 | 0:21:28 | |
-When the night tests the clay -from which you're made | 0:21:28 | 0:21:32 | |
-Its fear -searching your being to its core. | 0:21:32 | 0:21:37 | |
-Or when you listen -to the sea's sad rhyming | 0:21:40 | 0:21:42 | |
-Reciting darkly its bewitching moan | 0:21:43 | 0:21:45 | |
-And the wind which comes and goes -about your door | 0:21:45 | 0:21:48 | |
-Hoarse through the woods -and husky through the reeds. | 0:21:49 | 0:21:52 | |
-Follow the wise, -and build yourself a fort | 0:21:57 | 0:22:00 | |
-Where you'll find refuge -from their tyranny. | 0:22:00 | 0:22:03 | |
-Lord of your nothingness, -the architect of your own heaven | 0:22:05 | 0:22:10 | |
-Or will you follow him | 0:22:11 | 0:22:13 | |
-Who built a temple -not made with human hand | 0:22:14 | 0:22:17 | |
-Above the mystery of nature -and beyond? | 0:22:17 | 0:22:21 | |
-Above the mystery of nature -and beyond. | 0:22:36 | 0:22:39 | |
-Williams Parry was a sick man -in his final decade. | 0:22:43 | 0:22:47 | |
-He suffered from what, I suppose... | 0:22:49 | 0:22:51 | |
-..was a condition -that we would call Alzheimer's. | 0:22:51 | 0:22:56 | |
-Very few were allowed to see him. | 0:22:58 | 0:23:00 | |
-Mrs Parry was extremely protective. | 0:23:01 | 0:23:04 | |
-This was particularly so -in his latter years. | 0:23:04 | 0:23:07 | |
-This was probably -one of the last photos taken of him. | 0:23:08 | 0:23:13 | |
-To me, his affectionate nature -shines through. | 0:23:15 | 0:23:19 | |
-But perhaps you can also see... | 0:23:19 | 0:23:22 | |
-..a sign of the condition... | 0:23:22 | 0:23:27 | |
-..that ruined his life... | 0:23:29 | 0:23:31 | |
-..in this photograph. | 0:23:31 | 0:23:33 | |
-R Williams Parry had lived -through a time of great change. | 0:23:44 | 0:23:48 | |
-Industry came and went, -two world wars erupted. | 0:23:48 | 0:23:51 | |
-You're right, -but his poetic legacy... | 0:23:51 | 0:23:55 | |
-..is the voice that he gave -to our constant aspirations. | 0:23:55 | 0:23:59 | |
-He knew that we all inhabit -"a medley of confusion." | 0:24:04 | 0:24:08 | |
-A medley of confusion. | 0:24:15 | 0:24:19 | |
-S4C Subtitles by Adnod Cyf. | 0:24:39 | 0:24:41 | |
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