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-"Woe to us, Adam's feeble progeny | 0:00:42 | 0:00:44 | |
-"(Upsurge of grace), -how short is the summer. | 0:00:45 | 0:00:48 | |
-"Between me and God, -it's true that most vexatious | 0:00:49 | 0:00:53 | |
-"(As it ends) is summer's coming. | 0:00:53 | 0:00:55 | |
-From the old earth cometh summer | 0:00:56 | 0:01:01 | |
-"And a gentle most cloudless sky | 0:01:01 | 0:01:04 | |
-"And a merry sun -and its colour in summer | 0:01:04 | 0:01:07 | |
-"And a pleasant evening air | 0:01:08 | 0:01:10 | |
-"And the world joyful in summer." | 0:01:11 | 0:01:14 | |
-It's such a pity that a mere shell -remains of this beautiful abbey. | 0:01:22 | 0:01:26 | |
-Yet there's just enough -for us to imagine... | 0:01:27 | 0:01:30 | |
-..what a beautiful building it was. | 0:01:30 | 0:01:32 | |
-We can imagine Dafydd ap Gwilym -worshipping here. | 0:01:33 | 0:01:36 | |
-Maybe he stayed here -on one of his amorous tours. | 0:01:36 | 0:01:39 | |
-Maybe, but here's the odd thing. | 0:01:40 | 0:01:42 | |
-Something as solid as stone -from that time has disappeared... | 0:01:42 | 0:01:47 | |
-..and yet things as soft as words -have lasted. | 0:01:47 | 0:01:50 | |
-To Paradise, I sing in praise | 0:01:53 | 0:01:57 | |
-Dafydd ap Gwilym is surely -the most famous of all Welsh poets. | 0:02:11 | 0:02:15 | |
-In his day, he was probably -the greatest poet in Europe. | 0:02:16 | 0:02:20 | |
-Who exactly was he? | 0:02:20 | 0:02:22 | |
-Facts are few and far between. | 0:02:22 | 0:02:25 | |
-For example, we aren't certain -where he was buried. | 0:02:25 | 0:02:29 | |
-Some think his grave -is here in Talley. | 0:02:29 | 0:02:32 | |
-Others say -it's in Strata Florida Abbey. | 0:02:32 | 0:02:36 | |
-Whatever the truth, -we know that he was from Dyfed. | 0:02:37 | 0:02:41 | |
-His mother's family came from north -Pembrokeshire and south Ceredigion. | 0:02:41 | 0:02:46 | |
-Another fact -is almost universally accepted. | 0:02:46 | 0:02:50 | |
-He was born at Brogynin, -not far from Aberystwyth. | 0:02:50 | 0:02:53 | |
-Born was the bard in Brogynin | 0:03:03 | 0:03:05 | |
-He whose cywydd was like wine | 0:03:07 | 0:03:09 | |
-We can be fairly sure -that it was here... | 0:03:14 | 0:03:17 | |
-..about 700 years ago, -that Dafydd ap Gwilym was born. | 0:03:17 | 0:03:22 | |
-Most people accept these -to be the ruins of the poet's home. | 0:03:22 | 0:03:26 | |
-The building still stood -until about a century ago. | 0:03:27 | 0:03:31 | |
-It was known as Ty Dafydd -- Dafydd's house. | 0:03:31 | 0:03:35 | |
-A mile or two from his birthplace... | 0:03:46 | 0:03:49 | |
-..are places named in his poem -Taith I Garu - journey for love. | 0:03:49 | 0:03:54 | |
-One is Eleirch or Elerch, -a mile or so that way. | 0:03:56 | 0:04:00 | |
-Bwlch Meibion Dafydd -is this very crossroads. | 0:04:00 | 0:04:04 | |
-All these places remain -and can still be seen today. | 0:04:04 | 0:04:08 | |
-Dafydd ap Gwilym is a symbol. | 0:04:15 | 0:04:17 | |
-He's a clear and very strong symbol -of Welshness. | 0:04:18 | 0:04:21 | |
-Just as Owain Glyndwr -is a political figurehead... | 0:04:22 | 0:04:25 | |
-..Dafydd ap Gwilym -is literature's icon. | 0:04:26 | 0:04:28 | |
-He represents something much more -than just himself - what a man! | 0:04:29 | 0:04:33 | |
-As we can well imagine... | 0:04:39 | 0:04:41 | |
-..Dafydd ap Gwilym -had many ancestors who were poets. | 0:04:41 | 0:04:45 | |
-They came from Nevern -in north Pembrokeshire. | 0:04:45 | 0:04:48 | |
-Dafydd would have probably -known all their names. | 0:04:49 | 0:04:52 | |
-Names such as... | 0:04:53 | 0:04:54 | |
-..Gwilym ap Gwrwared -ap Cuhelyn Fardd ap Gwynfardd Dyfed. | 0:04:54 | 0:04:59 | |
-As well as being poets, -they were also noblemen. | 0:04:59 | 0:05:03 | |
-Some of them -worked alongside the King's men... | 0:05:03 | 0:05:08 | |
-..who settled here after the killing -of Llywelyn the Last... | 0:05:08 | 0:05:13 | |
-..some 50 years -before Dafydd's time. | 0:05:13 | 0:05:16 | |
-Not far from Nevern -lies Newcastle Emlyn. | 0:05:19 | 0:05:23 | |
-Young Dafydd ap Gwilym came here -as his uncle's apprentice. | 0:05:24 | 0:05:29 | |
-His uncle was Llywelyn ap Gwilym, -the constable of the castle. | 0:05:29 | 0:05:35 | |
-He probably taught Dafydd Latin, -as well as the family history. | 0:05:35 | 0:05:40 | |
-He also taught him -how to write poetry. | 0:05:40 | 0:05:43 | |
-This would explain... | 0:05:44 | 0:05:46 | |
-..how Dafydd was familiar -with foreign literature. | 0:05:46 | 0:05:50 | |
-He knew the conventions -of French literature, for instance. | 0:05:50 | 0:05:54 | |
-His ancestors -would have spoken French. | 0:05:55 | 0:05:58 | |
-He may have inherited -this knowledge from his uncle. | 0:05:58 | 0:06:01 | |
-As a rule, poets of this period -earned their living in only one way. | 0:06:09 | 0:06:14 | |
-They had to sing the praises -of the nobility. | 0:06:15 | 0:06:18 | |
-But Dafydd ap Gwilym -was himself a nobleman. | 0:06:18 | 0:06:21 | |
-He was free to write poems -about anything he chose. | 0:06:22 | 0:06:25 | |
-In one of his poems, -he makes reference to this place. | 0:06:29 | 0:06:33 | |
-He sings of the waterfall -tripping over these very rocks. | 0:06:34 | 0:06:38 | |
-He calls it the place -where the Teifi boils over. | 0:06:38 | 0:06:41 | |
-The Teifi boils over to this day. | 0:06:47 | 0:06:50 | |
-He enjoys life, -even in his intense poems. | 0:06:55 | 0:06:59 | |
-He assumes a very positive attitude. | 0:06:59 | 0:07:03 | |
-He views everything positively. | 0:07:03 | 0:07:06 | |
-Even the holy saints wear a smile -in Dafydd ap Gwilym's work. | 0:07:06 | 0:07:11 | |
-I respect the vivacity -that permeates his work. | 0:07:13 | 0:07:16 | |
-I had the chance -to portray Dafydd ap Gwilym... | 0:07:22 | 0:07:25 | |
-..in one of Cwmni Theatr Cymru's -early productions. | 0:07:26 | 0:07:30 | |
-It was a most enjoyable play, -Pan Ddel Mai - when May comes. | 0:07:30 | 0:07:34 | |
-It emphasized -Dafydd's humour and joie de vivre. | 0:07:34 | 0:07:38 | |
-Companion of love and birds -Memory of lovers and their friend | 0:07:40 | 0:07:44 | |
-Rather than being a poet -in a dusty old cell... | 0:07:45 | 0:07:49 | |
-..the outdoors -attracts Dafydd ap Gwilym. | 0:07:49 | 0:07:52 | |
-"A room is better if it grows", -he sang. | 0:07:52 | 0:07:55 | |
-He prefers to be -where trees and flowers grow. | 0:07:55 | 0:08:00 | |
-One poem that shows -his love of nature... | 0:08:00 | 0:08:03 | |
-..is Mis Mai A Mis Tachwedd -- May and November. | 0:08:03 | 0:08:06 | |
-In it, he praises the month of May. | 0:08:06 | 0:08:08 | |
-It allows him -to visit his girlfriends. | 0:08:09 | 0:08:11 | |
-May And November | 0:08:16 | 0:08:19 | |
-"Hail to thee, -Fair chancel of the greenwood | 0:08:20 | 0:08:23 | |
-"Summer month of May, -since it is this I long for | 0:08:23 | 0:08:27 | |
-"Mighty knight, lover's boon | 0:08:27 | 0:08:29 | |
-"Green-chained master -of the wild forests | 0:08:29 | 0:08:32 | |
-"Companion of love and birds | 0:08:32 | 0:08:34 | |
-"Memory of lovers and their friend. | 0:08:35 | 0:08:38 | |
-"Memory of Morfudd, my golden girl | 0:08:38 | 0:08:41 | |
-"And the thrill -of all the escapades of love." | 0:08:41 | 0:08:45 | |
-He then berates November -for being a black, angry month. | 0:08:47 | 0:08:51 | |
-"It forbids all from making love." | 0:08:51 | 0:08:54 | |
-"It causes grim rain and short days | 0:08:59 | 0:09:02 | |
-"And wind to strip the trees | 0:09:02 | 0:09:04 | |
-"And sluggishness, dreadful frailty | 0:09:04 | 0:09:07 | |
-"And a trailing cloak and hail | 0:09:07 | 0:09:10 | |
-"And incites floods and colds | 0:09:10 | 0:09:12 | |
-"And brown torrents in streams | 0:09:12 | 0:09:15 | |
-"And roaring in rivers | 0:09:15 | 0:09:18 | |
-"And daylight inflamed and darkening | 0:09:18 | 0:09:21 | |
-"And a heavy cold sky | 0:09:21 | 0:09:23 | |
-"Whose colour blots out the moon. | 0:09:23 | 0:09:26 | |
-"May it suffer, it's an easy threat | 0:09:27 | 0:09:29 | |
-"Two misfortunes -for its discourtesy." | 0:09:30 | 0:09:32 | |
-He wishes on November -a double dose of bad luck. | 0:09:38 | 0:09:41 | |
-It's a month lacking in manners! | 0:09:41 | 0:09:44 | |
-We may not be familiar today -with all the words of the poem... | 0:09:44 | 0:09:48 | |
-..but Dafydd ap Gwilym -clearly prefers summer to winter. | 0:09:48 | 0:09:53 | |
-Dafydd had obviously set out -to portray nature in his poetry. | 0:09:54 | 0:10:01 | |
-The poems are full of detailed -and vivid descriptions. | 0:10:01 | 0:10:05 | |
-He describes scenes in forests. | 0:10:05 | 0:10:09 | |
-He sings of springtime, nature -reawakening, and of creatures. | 0:10:09 | 0:10:13 | |
-He often uses the image -of birds as poets singing. | 0:10:14 | 0:10:17 | |
-He identified with them. | 0:10:17 | 0:10:19 | |
-"Fair gull on the tide, indeed | 0:10:25 | 0:10:28 | |
-"Of the same hue as snow -or the white moon | 0:10:28 | 0:10:31 | |
-"Your beauty is without blemish | 0:10:31 | 0:10:34 | |
-"A piece like the sun, -gauntlet of the brine." | 0:10:35 | 0:10:38 | |
-Words from the famous poem -Yr Wylan - the seagull. | 0:10:39 | 0:10:43 | |
-The best way to get to know the poet -is probably through his poems. | 0:10:43 | 0:10:49 | |
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-By reading the poems... | 0:11:19 | 0:11:21 | |
-..we discover things -about the poet's character... | 0:11:21 | 0:11:24 | |
-..but we must examine the clues, -like a detective. | 0:11:25 | 0:11:28 | |
-He somehow conceals -more about himself... | 0:11:28 | 0:11:32 | |
-..than he actually reveals. | 0:11:32 | 0:11:34 | |
-I would not entice you by trickery -From your house, fine bright tower | 0:11:35 | 0:11:39 | |
-Not only are we impressed with -the subject variety in his poetry... | 0:11:44 | 0:11:48 | |
-..with its strength of cynghanedd, -but also his spirit. | 0:11:48 | 0:11:52 | |
-He believes that life -is to be lived to the limits. | 0:11:53 | 0:11:57 | |
-The world of nature -is to be praised and enjoyed too. | 0:11:57 | 0:12:00 | |
-Pretty girls -are to be loved to the limits. | 0:12:01 | 0:12:04 | |
-But one event in his life -struck him down with sadness. | 0:12:07 | 0:12:11 | |
-Around the year 1346, -his uncle Llywelyn was murdered... | 0:12:13 | 0:12:18 | |
-..by Norman soldiers, -who by then ruled Newcastle Emlyn. | 0:12:19 | 0:12:23 | |
-Dafydd's sadness is obvious -in his elegy to his uncle. | 0:12:24 | 0:12:27 | |
-"Llywelyn was, in truth, a wise man -Before earth was laid about him." | 0:12:28 | 0:12:34 | |
-His mourning -may possibly explain something. | 0:12:35 | 0:12:38 | |
-Dafydd ap Gwilym -moved far away from Dyfed. | 0:12:38 | 0:12:41 | |
-He went to the court -of a fellow nobleman. | 0:12:42 | 0:12:44 | |
-He was Ifor Hael of Gwern y Cleppa. | 0:12:45 | 0:12:47 | |
-Look at all those people -passing by along the M4. | 0:12:52 | 0:12:55 | |
-We're between Cardiff and Newport. | 0:12:56 | 0:12:58 | |
-Do they know they're so close -to the Court of Ifor Hael? | 0:12:59 | 0:13:03 | |
-It was here that Dafydd encountered -troubadours from Provence in France. | 0:13:03 | 0:13:09 | |
-There were also other influences -in this once grand location. | 0:13:09 | 0:13:14 | |
-Yes, but it has been a ruin -for a long time. | 0:13:14 | 0:13:18 | |
-Two centuries have passed since -Ieuan Brydydd Hir's famous poem. | 0:13:18 | 0:13:23 | |
-"Thorns and blight of thistle own it -Briars, where once was greatness." | 0:13:24 | 0:13:28 | |
-Here it is, the Court of Ifor Hael. | 0:13:55 | 0:13:58 | |
-Among these ruins was once a poet -who was ahead of his time. | 0:14:02 | 0:14:05 | |
-He was an adventurous poet. | 0:14:06 | 0:14:08 | |
-He would use French -and English words when necessary. | 0:14:08 | 0:14:11 | |
-Codarmur was used for coat armour. | 0:14:12 | 0:14:14 | |
-He rhymed "Fleur de Lis" with "mis". | 0:14:14 | 0:14:16 | |
-He'd refer to the new coin, -the florin. | 0:14:17 | 0:14:21 | |
-Glamorgan was very receptive -to external influences. | 0:14:22 | 0:14:28 | |
-The Normans had been there -for a long time. | 0:14:28 | 0:14:32 | |
-Possibly, Dafydd's awareness -of foreign literature grew... | 0:14:32 | 0:14:36 | |
-..on account of his connection -with Ifor Hael in Glamorgan. | 0:14:36 | 0:14:41 | |
-Dafydd would use -the new words of his time. | 0:14:43 | 0:14:46 | |
-The poems show his familiarity -with other cultures... | 0:14:46 | 0:14:52 | |
-..but they were also -wholly Welsh in essence. | 0:14:52 | 0:14:55 | |
-I have a copy -of a Welsh and Latin dictionary. | 0:14:56 | 0:14:59 | |
-It was published in 1632 -by John Davies, Mallwyd. | 0:15:00 | 0:15:03 | |
-There are examples -on practically every page... | 0:15:04 | 0:15:08 | |
-..of words that were first used -in Dafydd's work. | 0:15:08 | 0:15:12 | |
-He quotes lines from Dafydd's work. | 0:15:12 | 0:15:14 | |
-We often think of Dafydd ap Gwilym -as the romantic lover. | 0:15:28 | 0:15:33 | |
-But I wonder whether -he was a good-looking fellow? | 0:15:33 | 0:15:36 | |
-We only have one description of him. | 0:15:37 | 0:15:39 | |
-It was written in 1572 -by a man called David Johns. | 0:15:40 | 0:15:44 | |
-"I met an old woman, -who had met another... | 0:15:46 | 0:15:49 | |
-..who had conversed -with Dafydd ap Gwilym. | 0:15:49 | 0:15:52 | |
-"Tall was he, with long blonde hair, -full of ringlets and silver rings." | 0:15:52 | 0:16:00 | |
-So he had seen someone, -who had seen someone else... | 0:16:02 | 0:16:05 | |
-..who had seen Dafydd ap Gwilym. | 0:16:06 | 0:16:08 | |
-She had recalled him -being a tall, slender man... | 0:16:08 | 0:16:11 | |
-..with long blonde hair. | 0:16:12 | 0:16:14 | |
-I can't say -if it's an accurate description. | 0:16:14 | 0:16:17 | |
-Yet it's a striking portrayal. | 0:16:18 | 0:16:20 | |
-His image as a romantic poet -has strengthened over the centuries. | 0:16:24 | 0:16:29 | |
-He wrote so many love poems. | 0:16:30 | 0:16:32 | |
-One lady with whom he was -completely smitten was Morfudd. | 0:16:33 | 0:16:38 | |
-But there was a problem. -She was married to someone else. | 0:16:38 | 0:16:42 | |
-"The girl from Eithinfynydd | 0:16:48 | 0:16:50 | |
-"My fair sweetheart, -she will not come to a love tryst. | 0:16:50 | 0:16:54 | |
-"Narrow eyebrows, tender gaze | 0:16:54 | 0:16:57 | |
-"Fine golden hair, -sudden harsh frown | 0:16:57 | 0:17:00 | |
-"My state of blessedness -against sadness about death | 0:17:00 | 0:17:04 | |
-"My shapely young goddess | 0:17:04 | 0:17:06 | |
-"My mirror, -radiance in golden colour | 0:17:06 | 0:17:10 | |
-"She is my share, my golden maiden | 0:17:11 | 0:17:13 | |
-"My jewel -in the shade of the hillside | 0:17:13 | 0:17:17 | |
-"My love for her grows ever greater. | 0:17:17 | 0:17:21 | |
-"I wouldn't wish to live, -my sickness | 0:17:24 | 0:17:26 | |
-"If I couldn't have -the fine modest girl. | 0:17:26 | 0:17:29 | |
-"For that reason I suffer pain. | 0:17:30 | 0:17:32 | |
-"Gentle Morfudd, I will die." | 0:17:33 | 0:17:36 | |
-But one lady alone -wasn't enough for Dafydd ap Gwilym. | 0:17:42 | 0:17:46 | |
-As well as Morfudd, -he also took a fancy to Dyddgu. | 0:17:46 | 0:17:50 | |
-She was a more noble lady. | 0:17:51 | 0:17:53 | |
-Dafydd fell for her completely. | 0:17:53 | 0:17:56 | |
-"Whiter than the snow of spring | 0:17:56 | 0:17:59 | |
-"I am bereft for love -of the gentle girl." | 0:17:59 | 0:18:03 | |
-That's Dafydd at his best, -complaining again. | 0:18:05 | 0:18:10 | |
-He'll die if he doesn't get his way. | 0:18:11 | 0:18:13 | |
-But I think it's done -tongue in cheek. | 0:18:14 | 0:18:17 | |
-This sets Dafydd apart -from all his contemporaries. | 0:18:17 | 0:18:22 | |
-He didn't take himself -too seriously. | 0:18:22 | 0:18:26 | |
-One self-image favoured by him -was that of the fool. | 0:18:27 | 0:18:30 | |
-He was a Charlie Chaplin figure. | 0:18:32 | 0:18:35 | |
-That comparison has been made. | 0:18:35 | 0:18:38 | |
-Calamitous things -were forever happening to him. | 0:18:38 | 0:18:41 | |
-His plans never worked out, -especially with girlfriends. | 0:18:42 | 0:18:46 | |
-A good example -is Trafferth Mewn Tafarn. | 0:18:46 | 0:18:48 | |
-He fancies this girl. -He buys her food and fine wine. | 0:18:49 | 0:18:53 | |
-He says enchanting things to her. | 0:18:53 | 0:18:55 | |
-He decides to seduce her -once everyone's gone to bed. | 0:18:56 | 0:18:59 | |
-He clatters into pots and furniture. -Pandemonium ensues all around. | 0:19:00 | 0:19:05 | |
-Trouble At An Inn | 0:19:05 | 0:19:09 | |
-"I had a nasty fall -making a commotion there | 0:19:10 | 0:19:13 | |
-"There were no good feats. | 0:19:13 | 0:19:16 | |
-"I hit my forehead -on the edge of the table | 0:19:16 | 0:19:19 | |
-"Where there was a loose basin | 0:19:19 | 0:19:21 | |
-"And a noisy brass pan. | 0:19:22 | 0:19:24 | |
-"The table fell, a heavy piece | 0:19:24 | 0:19:27 | |
-"And the two trestles -and all the utensils. | 0:19:27 | 0:19:30 | |
-"I came up (it was a remorseful -tale) - Welshmen love me! | 0:19:31 | 0:19:35 | |
-"By thick walls where there were | 0:19:35 | 0:19:38 | |
-"Three Englishmen -in one stinking bed | 0:19:38 | 0:19:41 | |
-"Worrying about their three packs | 0:19:41 | 0:19:44 | |
-"Hickin and Jenkin and Jack." | 0:19:44 | 0:19:46 | |
-He loved poking fun at the English. | 0:19:47 | 0:19:49 | |
-They couldn't find him anywhere. | 0:19:50 | 0:19:52 | |
-He sneaks back to his bed -to lick his wounds. | 0:19:53 | 0:19:56 | |
-He failed to reach the girl's bed -and asks God for forgiveness. | 0:19:57 | 0:20:02 | |
-"I prayed, not in fearless fashion | 0:20:02 | 0:20:04 | |
-"In hiding, like one afraid | 0:20:05 | 0:20:07 | |
-"Through the power -of sincere prayer | 0:20:07 | 0:20:09 | |
-"And through the grace of Jesus | 0:20:09 | 0:20:12 | |
-"I escaped (thank goodness -that saints are close by) | 0:20:12 | 0:20:16 | |
-"I beg to God for forgiveness." | 0:20:16 | 0:20:18 | |
-There's more than one image, -one character in his work. | 0:20:22 | 0:20:26 | |
-Was he a godly man or not? | 0:20:26 | 0:20:28 | |
-He often suggests -that God blesses his romances. | 0:20:28 | 0:20:31 | |
-Yet he's very obviously sinning! | 0:20:32 | 0:20:35 | |
-Therefore, it's difficult to know. | 0:20:35 | 0:20:37 | |
-That uncertainty -is another reason for his appeal. | 0:20:37 | 0:20:42 | |
-Everyone can pick and choose. | 0:20:42 | 0:20:44 | |
-You find the Dafydd ap Gwilym -who appeals to you. | 0:20:44 | 0:20:47 | |
-Not all his poetry -is filled with raucousness. | 0:20:52 | 0:20:56 | |
-Dafydd converses in verse -with the Brother Llwyd. | 0:20:57 | 0:21:01 | |
-He was possibly a local monk. | 0:21:01 | 0:21:03 | |
-The poet is advised to recite -the paternoster and pray... | 0:21:03 | 0:21:08 | |
-..than write endless poems -about women. | 0:21:08 | 0:21:12 | |
-Dafydd begs to differ, of course. | 0:21:14 | 0:21:17 | |
-He answers the old monk like this. | 0:21:17 | 0:21:19 | |
-"God is not as cruel -as old men say." | 0:21:19 | 0:21:22 | |
-He adds his own further opinion. | 0:21:22 | 0:21:24 | |
-"A girl is the fairest thing -in heaven, besides God himself." | 0:21:25 | 0:21:29 | |
-He revels in the beauty -of nature and of love... | 0:21:36 | 0:21:39 | |
-..but Dafydd is also very aware -of the end of life. | 0:21:39 | 0:21:43 | |
-He fears that the pleasures -of this world are transient. | 0:21:43 | 0:21:48 | |
-Woe to us, Adam's feeble progeny | 0:21:49 | 0:21:52 | |
-"(Upsurge of grace) -how short is the summer." | 0:21:52 | 0:21:55 | |
-He realizes that summer is brief -and that winter will come very soon. | 0:21:58 | 0:22:04 | |
-Nobody knows for sure -how Dafydd ap Gwilym died. | 0:22:09 | 0:22:13 | |
-Some believe that he fell victim -to the Black Death. | 0:22:13 | 0:22:17 | |
-We're unsure about the resting place -of this poetic colossus. | 0:22:17 | 0:22:22 | |
-Many people think the grave -is here at Strata Florida. | 0:22:22 | 0:22:26 | |
-"Beneath the sad yew tree -Lies Dafydd, sweet cywydd writer." | 0:22:26 | 0:22:31 | |
-The mystery of Dafydd ap Gwilym. | 0:22:40 | 0:22:42 | |
-It's part of the myth, -and part of the image. | 0:22:42 | 0:22:46 | |
-It gives us scope perhaps -to create this heroic figure. | 0:22:47 | 0:22:51 | |
-He fills that large void -between Llywelyn and Owain Glyndwr. | 0:22:54 | 0:22:58 | |
-He's still with us, -in a way, in his work. | 0:22:59 | 0:23:03 | |
-In his work, he is immortal. | 0:23:03 | 0:23:06 | |
-S4C Subtitles by Adnod Cyf. | 0:23:52 | 0:23:54 | |
-. | 0:23:54 | 0:23:54 |