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Welcome to Hair. It's the quarter final, | 0:00:02 | 0:00:03 | |
where there are just five contestants left in the battle | 0:00:03 | 0:00:06 | |
to be crowned Britain's best amateur hairstylist. | 0:00:06 | 0:00:08 | |
Last time, the stylists took on beehives... | 0:00:08 | 0:00:12 | |
Definitely is a beehive. | 0:00:12 | 0:00:13 | |
..bowl cuts... | 0:00:13 | 0:00:14 | |
One side is definitely longer. | 0:00:14 | 0:00:16 | |
Perhaps one side is curling under more than the other? I don't know. | 0:00:16 | 0:00:19 | |
..and created historical hair dos on their best friends. | 0:00:19 | 0:00:22 | |
-Oh, my God! -Did you have any idea? -No idea! | 0:00:22 | 0:00:25 | |
Dominika's Roman hairstyle saw her reign supreme. | 0:00:25 | 0:00:28 | |
I can see her standing in Caesar's palace, that's for sure. | 0:00:28 | 0:00:31 | |
Whilst Laura's war-time creation left her far from victorious. | 0:00:31 | 0:00:35 | |
When I go to Laura, | 0:00:35 | 0:00:37 | |
I feel I'm seeing pin curls, rolls with every brief. | 0:00:37 | 0:00:40 | |
And she had to leave. | 0:00:40 | 0:00:42 | |
This time on Hair, it's the quarter final | 0:00:42 | 0:00:45 | |
and under the watchful gaze of judges, Denise and Alain... | 0:00:45 | 0:00:48 | |
So how brave do you feel? | 0:00:48 | 0:00:49 | |
..the stylists will have to create perfectly coiffured chignons. | 0:00:49 | 0:00:52 | |
Its my birthday obviously! It's absolutely stunning. | 0:00:52 | 0:00:55 | |
A one-length round layer... | 0:00:55 | 0:00:57 | |
I would say this is going quite badly. | 0:00:57 | 0:00:59 | |
..and go intergalactic in the freestyle challenge. | 0:00:59 | 0:01:03 | |
I'm doing half-ram, half-man... | 0:01:03 | 0:01:06 | |
Alien-like, I suppose, brain... | 0:01:06 | 0:01:08 | |
-Extra terrestrial. -Action man. | 0:01:08 | 0:01:09 | |
../robot. | 0:01:09 | 0:01:10 | |
Whatever happens at the end of tomorrow, one person will be leaving | 0:01:10 | 0:01:14 | |
the competition. The contestants are ready, | 0:01:14 | 0:01:16 | |
the judges are ready, I'm definitely ready - let's get to work on Hair. | 0:01:16 | 0:01:20 | |
-Yes, yes, yes! Good morning. -Morning. | 0:01:32 | 0:01:36 | |
-How are you doing? -I'm good. | 0:01:36 | 0:01:38 | |
Congratulations! Welcome to the quarter final. | 0:01:38 | 0:01:42 | |
It's an exciting time, you've all done brilliantly to get this far, | 0:01:42 | 0:01:45 | |
-you should be proud of yourselves. You really, really should. Ready for more hair? -Yeah. | 0:01:45 | 0:01:49 | |
Then let us begin. | 0:01:49 | 0:01:50 | |
As you know, in the first round the judges want to see you | 0:01:50 | 0:01:53 | |
incorporate a set element into your hairstyles. | 0:01:53 | 0:01:56 | |
This week's set element is...the chignon. | 0:01:56 | 0:01:59 | |
The judges want to see intricate and immaculately polished finishes. | 0:01:59 | 0:02:04 | |
Denise, what are you thinking? | 0:02:04 | 0:02:06 | |
The chignon is one of the most sophisticated up-dos, | 0:02:06 | 0:02:09 | |
one of my most famous being Grace Kelly. | 0:02:09 | 0:02:11 | |
Wait a minute - you did Grace Kelly's hair? | 0:02:11 | 0:02:13 | |
-I certainly did. -Check you out! | 0:02:13 | 0:02:15 | |
A little while ago obviously but it was an iconic, as the chignon is, | 0:02:15 | 0:02:19 | |
an iconic do. I don't want to see messy, | 0:02:19 | 0:02:21 | |
deconstructed hair. It's got to be elegant and a defined shape. | 0:02:21 | 0:02:26 | |
Make sure that you don't use any padding. | 0:02:26 | 0:02:28 | |
You can use pins and grips but make sure they're completely hidden. | 0:02:28 | 0:02:32 | |
It's a very luxurious finish, and it's got to look very expensive. | 0:02:32 | 0:02:38 | |
Taken all that on board? | 0:02:38 | 0:02:39 | |
You always look so nervous, you guys! | 0:02:42 | 0:02:44 | |
All right, you know what the judges want, | 0:02:44 | 0:02:46 | |
you have one hour and 15 minutes. Get to it. Good luck! | 0:02:46 | 0:02:50 | |
-So, have you done the hair modelling before? -No, my first time. | 0:02:55 | 0:02:59 | |
-Excited? -Yeah. | 0:02:59 | 0:03:02 | |
The stylists have each chosen a model with the type of hair | 0:03:02 | 0:03:04 | |
they'd like to work with for this challenge. | 0:03:04 | 0:03:07 | |
I chose blonde European hair, | 0:03:07 | 0:03:10 | |
mid-length, | 0:03:10 | 0:03:12 | |
just for the sheer fact that the kind of definition | 0:03:12 | 0:03:15 | |
in the colour helps you see what you're doing a little bit better. | 0:03:15 | 0:03:18 | |
The model's got really thick, really straight, sleek hair, which is | 0:03:18 | 0:03:22 | |
what I've asked for because they want a high shine and a nice | 0:03:22 | 0:03:26 | |
sleek look. The hair's perfect for it because it's just so shiny. | 0:03:26 | 0:03:30 | |
So, guys, what's a chignon? | 0:03:30 | 0:03:32 | |
So, from the French expression, chignon du cou is where the hair | 0:03:32 | 0:03:35 | |
is placed on the back of the nape. | 0:03:35 | 0:03:37 | |
-OK. -OK? You can knot it, you can make a roll of it, | 0:03:37 | 0:03:41 | |
you can make a bun, | 0:03:41 | 0:03:43 | |
as long as it's attached neatly without seeing any grips. | 0:03:43 | 0:03:47 | |
-A chignon also is all the hair up. -Hair up. | 0:03:47 | 0:03:50 | |
Yeah, so it's all within the back of the head of the hair. | 0:03:50 | 0:03:52 | |
You don't see it from above, | 0:03:52 | 0:03:54 | |
you don't see the work or the twists. | 0:03:54 | 0:03:57 | |
You can get a little bit of profile on the side chignon or something. | 0:03:57 | 0:04:00 | |
-It's a very sharp work of art. -OK. | 0:04:00 | 0:04:02 | |
The only tool they've got is their combs and the only fabric | 0:04:02 | 0:04:05 | |
-they've got is the hair on the model's head. -OK. | 0:04:05 | 0:04:08 | |
True craftsmanship for this one. | 0:04:08 | 0:04:10 | |
OK. Thanks, guys. | 0:04:10 | 0:04:11 | |
The stylists begin by preparing the hair | 0:04:11 | 0:04:14 | |
so it's the texture they want for their chignon. | 0:04:14 | 0:04:17 | |
I've done like a volume mousse round the roots and then drying it | 0:04:17 | 0:04:20 | |
with volume at the top so I can get a bit of height to the style | 0:04:20 | 0:04:22 | |
and then blow drying it straight | 0:04:22 | 0:04:26 | |
so I've got that nice, sleek, shiny finish. | 0:04:26 | 0:04:28 | |
I want it to be a really classic bun. | 0:04:29 | 0:04:31 | |
Kobi, the youngest stylist in the competition, takes hair, | 0:04:33 | 0:04:37 | |
fashion and shopping very seriously. | 0:04:37 | 0:04:40 | |
His model's hair will be swept into a side parting at the front, and | 0:04:40 | 0:04:44 | |
at the back two strands of hair will criss-cross above a full chignon. | 0:04:44 | 0:04:49 | |
So, Kobi, this looks interesting. What style have you got in mind? | 0:04:49 | 0:04:52 | |
I wanted my chignon to be really clean, really polished | 0:04:52 | 0:04:55 | |
so I'm just going to dry it now. | 0:04:55 | 0:04:57 | |
I've got some thickening creme in to give it some hold and some texture. | 0:04:57 | 0:05:00 | |
I'm going to blow dry it into how I'm going to finish styling | 0:05:00 | 0:05:03 | |
this front bit because I want it to be really, really tight. | 0:05:03 | 0:05:07 | |
I notice that you're using a comb to blow dry, why is that? | 0:05:07 | 0:05:11 | |
I just wanted to make sure all the little hairs are completely... | 0:05:11 | 0:05:14 | |
-Completely flat. -Yes, really, really sleek. | 0:05:14 | 0:05:17 | |
It was interesting watching Kobi | 0:05:18 | 0:05:20 | |
because he really was using a proper technique. | 0:05:20 | 0:05:22 | |
He roughed the hair through and then he was using the comb to do | 0:05:22 | 0:05:26 | |
what he was saying - keep that shine, it was really important. | 0:05:26 | 0:05:29 | |
Before I was doing this I'd have been fine with a chignon, | 0:05:29 | 0:05:32 | |
but because I'm doing it here I'm thinking, is it too simple? | 0:05:32 | 0:05:35 | |
Is it too detailed? I don't know. | 0:05:35 | 0:05:36 | |
You kind of lose everything you know! | 0:05:36 | 0:05:38 | |
30-year-old Katie is a busy mum who takes every opportunity to | 0:05:39 | 0:05:43 | |
practice on her daughters. | 0:05:43 | 0:05:45 | |
She's planning on creating a flower-shaped chignon | 0:05:46 | 0:05:49 | |
made out of plaits. | 0:05:49 | 0:05:50 | |
The front of the hair will be swept into it | 0:05:50 | 0:05:52 | |
and it will be placed to the side of the neck. | 0:05:52 | 0:05:54 | |
Mm, Katie, Katie, how are you doing? | 0:05:54 | 0:05:57 | |
I'm all right. | 0:05:57 | 0:05:58 | |
You're positioning the chignon in a special place? | 0:05:58 | 0:06:01 | |
Down here so you can see it slightly from the front, | 0:06:01 | 0:06:04 | |
-so it's still low but it'll be like a circle-type shape. -OK. | 0:06:04 | 0:06:07 | |
I'm doing quite a few plaits and making it into a flower shape | 0:06:07 | 0:06:10 | |
so it'll stay nice and shiny rather than bits falling out. | 0:06:10 | 0:06:13 | |
-You've got a plan then? -Yeah! | 0:06:13 | 0:06:14 | |
I'm just curling the top to prepare it really, so it's like | 0:06:17 | 0:06:20 | |
an old school Hollywood kind of glamour. You see it on people like | 0:06:20 | 0:06:23 | |
Kim Kardashian and Kate Winslet, so I'm just hoping it looks as cool. | 0:06:23 | 0:06:27 | |
To add texture to the hair, Dominika and Annie are creating pin curls, | 0:06:30 | 0:06:35 | |
which involves curling the hair around a hot wand and pinning it. | 0:06:35 | 0:06:39 | |
All I'm doing now is taking these out, these are cooled, | 0:06:40 | 0:06:44 | |
and hopefully they're going to brush out really nice. | 0:06:44 | 0:06:48 | |
Critical care nurse Annie lives in Leeds with her boyfriend. | 0:06:50 | 0:06:53 | |
She is planning on rolling the hair along the nape of the neck, | 0:06:55 | 0:06:59 | |
creating a wave at the side. | 0:06:59 | 0:07:01 | |
When I was researching the chignon, | 0:07:01 | 0:07:05 | |
it originated like with your old, like, movie stars. | 0:07:05 | 0:07:09 | |
One of Denise's most famous clients | 0:07:09 | 0:07:11 | |
was the woman who popularised the chignon. | 0:07:11 | 0:07:14 | |
Grace Kelly was a Hollywood star and real-life princess, | 0:07:16 | 0:07:19 | |
whose style was copied around the world in the 1950s. | 0:07:19 | 0:07:22 | |
Elegant and sophisticated, the chignon remains to this day | 0:07:24 | 0:07:28 | |
the hairstyle of choice for actresses on the red carpet. | 0:07:28 | 0:07:31 | |
With a chignon you have to keep it sleek and clean. | 0:07:32 | 0:07:35 | |
Like, a couple of hairs out of place can totally mess up the whole look. | 0:07:35 | 0:07:39 | |
Londoner Marvin loves to work with wigs, weaves, and hair extensions. | 0:07:42 | 0:07:46 | |
He is planning on pulling the hair into a chignon, which | 0:07:48 | 0:07:51 | |
will have a plait in the centre and be trimmed with a small braid. | 0:07:51 | 0:07:54 | |
I kind of thought that if I kept the top | 0:07:54 | 0:07:58 | |
probably about 90% dry, then it will be | 0:07:58 | 0:08:00 | |
easier to keep smooth, once I put the products in it | 0:08:00 | 0:08:03 | |
and it can dry it so it will just stay where it needs to stay. | 0:08:03 | 0:08:06 | |
I am definitely prepared but I'm definitely winging at the same time! | 0:08:06 | 0:08:11 | |
Later on when the hairstyle is almost finished | 0:08:15 | 0:08:18 | |
I will backcomb a bit | 0:08:18 | 0:08:21 | |
and try and get a bit of volume on the front, a nice wave. | 0:08:21 | 0:08:24 | |
Polish born Dominika loves to scour markets to find | 0:08:26 | 0:08:30 | |
accessories for her hairstyles. | 0:08:30 | 0:08:32 | |
Throughout the competition her style has been flamboyant. | 0:08:33 | 0:08:37 | |
She's creating a chignon overlaid with curls with | 0:08:38 | 0:08:42 | |
a quiff at the front, and braiding at the sides. | 0:08:42 | 0:08:45 | |
First of all I sprayed it with some setting spray | 0:08:45 | 0:08:48 | |
and the hairspray, pull it back, pin it | 0:08:48 | 0:08:50 | |
and blow dry it to get solid finish and then on the top of it I'm | 0:08:50 | 0:08:55 | |
getting this French plait which still shows the slick bits. | 0:08:55 | 0:09:00 | |
With just 40 minutes left, | 0:09:01 | 0:09:04 | |
the stylists start to assemble their chignons. | 0:09:04 | 0:09:07 | |
I'm thinking about how many plaits I need to do | 0:09:07 | 0:09:10 | |
because she's got that thick hair that it might be nice to have | 0:09:10 | 0:09:13 | |
two thicker plaits brought round | 0:09:13 | 0:09:14 | |
but I don't know, I'm making it up. | 0:09:14 | 0:09:17 | |
Katie has got a plan of doing braids that is going to shape | 0:09:17 | 0:09:21 | |
the chignon itself. | 0:09:21 | 0:09:22 | |
I'm not 100% sure about it, | 0:09:22 | 0:09:24 | |
if its too tight or too compact it won't look as effective, really, | 0:09:24 | 0:09:28 | |
and you'll se the braid, like a normal kind of effect to it. | 0:09:28 | 0:09:32 | |
Let's see what she comes up with. | 0:09:32 | 0:09:34 | |
A classic chignon is voluminous in shape which helps to create | 0:09:34 | 0:09:38 | |
an elegant profile. | 0:09:38 | 0:09:39 | |
As they can't use any padding, there's two ways around it. | 0:09:39 | 0:09:42 | |
First with the thickness, if you have enough hair you can just | 0:09:42 | 0:09:45 | |
use the hair mass and twirl with it within the shape you want to create. | 0:09:45 | 0:09:50 | |
If not possible you have a ponytail, you backcomb on the inside of it, | 0:09:50 | 0:09:54 | |
clean on the outside, bring back the ends onto the elastic bands | 0:09:54 | 0:09:58 | |
and then start shaping your chignon. | 0:09:58 | 0:10:00 | |
It's easy enough if you | 0:10:00 | 0:10:02 | |
a good base, with the right amount of product and the right amount | 0:10:02 | 0:10:05 | |
of thickness or backcombing inside it, its pretty straightforward. | 0:10:05 | 0:10:10 | |
I have practised this a lot at home, I have practised sleek, | 0:10:10 | 0:10:13 | |
clean, up-dos but not so much on real people, | 0:10:13 | 0:10:16 | |
they are more on blockheads rather than... | 0:10:16 | 0:10:19 | |
real clients. | 0:10:19 | 0:10:20 | |
I'm going to section off my ponytail into two sections | 0:10:20 | 0:10:23 | |
and I'm going to backcomb the top part | 0:10:23 | 0:10:25 | |
and that's going to be my padding. | 0:10:25 | 0:10:28 | |
I'm just rolling that back bit up... | 0:10:28 | 0:10:30 | |
that's how I want it to sit. | 0:10:30 | 0:10:31 | |
I just think it's a really difficult one to create | 0:10:33 | 0:10:36 | |
to be honest with you, I've never really worn it myself, | 0:10:36 | 0:10:40 | |
It's quite like an elegant... something you'd | 0:10:40 | 0:10:43 | |
have for somewhere quite posh. | 0:10:43 | 0:10:45 | |
And, as you can tell, I'm not posh. | 0:10:46 | 0:10:48 | |
To create his chignon, Kobi puts hairspray on | 0:10:54 | 0:10:57 | |
one side of the hair and wraps it over the hair band. | 0:10:57 | 0:11:01 | |
To allow the hairspray time to set, he temporarily pins it into place. | 0:11:01 | 0:11:06 | |
The ends of the hair are then tucked smoothly into the chignon | 0:11:06 | 0:11:10 | |
on both sides. | 0:11:10 | 0:11:12 | |
-STEVE: -15 minutes! 15 minutes! | 0:11:12 | 0:11:15 | |
Chignons formed, the stylists move onto create the | 0:11:15 | 0:11:18 | |
highly-polished finish Alain and Denise are expecting. | 0:11:18 | 0:11:21 | |
Let's get the shine. | 0:11:21 | 0:11:23 | |
The mistake that people make they just think product's going to | 0:11:23 | 0:11:26 | |
solve all the problems and create the shape | 0:11:26 | 0:11:28 | |
but overall I don't use a lot of product, I use hairspray to finish | 0:11:28 | 0:11:32 | |
so I then I've always got the shine and I've always got the flow. | 0:11:32 | 0:11:36 | |
I'm using hairspray, shine spray | 0:11:36 | 0:11:38 | |
and finishing spray just to get a really smooth and elegant look. | 0:11:38 | 0:11:42 | |
So, my tip for the hairspray is to keep the nozzle very far away | 0:11:42 | 0:11:45 | |
so you don't make the hair wet at all, | 0:11:45 | 0:11:47 | |
so you can reapply again and again if you want to. | 0:11:47 | 0:11:50 | |
Nice chignon(!) | 0:11:51 | 0:11:53 | |
CHUCKLING | 0:11:53 | 0:11:54 | |
Going well? | 0:11:54 | 0:11:55 | |
Yeah, it's going well, just trying to fix up on the finishing. | 0:11:55 | 0:11:59 | |
I'm just trying to rescue some of these bits here. | 0:12:02 | 0:12:06 | |
Wow, there are two hairstyles worthy of comment here. | 0:12:06 | 0:12:11 | |
-Obviously your model's. -Uh-huh. -And this. -Oh. | 0:12:11 | 0:12:15 | |
-How do you do this? Did somebody do it for you? -No. | 0:12:15 | 0:12:17 | |
-I did it myself. -What time do you get up? | 0:12:17 | 0:12:20 | |
-That's my sweet secret! -Come on! Level with me. | 0:12:20 | 0:12:23 | |
-Do you sleep with it in? -No. -Do you sleep upside down like a bat? | 0:12:23 | 0:12:26 | |
-I'm going to tell you my secret but you can't tell anyone. -Go on... | 0:12:26 | 0:12:30 | |
-I unscrew my head. -You unscrew your head?! | 0:12:30 | 0:12:34 | |
All right, yeah, stop poking fun! | 0:12:34 | 0:12:36 | |
It looks good, it looks great. | 0:12:47 | 0:12:49 | |
What I will state is that it looks very different from everybody else's. | 0:12:49 | 0:12:52 | |
-Oh, don't say that... -I'm just saying, is this a chignon? | 0:12:52 | 0:12:56 | |
-I hope so cos it's below the neck... -You hope so! | 0:12:56 | 0:12:59 | |
-It's a roll, it's sleek. -It comes up? -It comes up. | 0:12:59 | 0:13:03 | |
You can't see it above the front. | 0:13:03 | 0:13:04 | |
What am I going to do for 12 minutes?! | 0:13:04 | 0:13:07 | |
-CHUCKLING: -I'm finished. | 0:13:07 | 0:13:09 | |
How are you doing, Kobi? | 0:13:09 | 0:13:10 | |
-All right, thank you. -Are we there? -Nearly. -It looks fab. | 0:13:10 | 0:13:15 | |
Tight, intricate, immaculate. There's not a hair out of place there. | 0:13:15 | 0:13:19 | |
-No meltdowns this week? -We haven't got there yet. | 0:13:19 | 0:13:22 | |
LAUGHTER | 0:13:22 | 0:13:24 | |
-This is looking pretty tight as well, I mean, I'm expecting big things from this. -Hopefully so. | 0:13:24 | 0:13:28 | |
I'll leave you to it with one minute to go, that's one minute to go, | 0:13:28 | 0:13:32 | |
60 seconds. | 0:13:32 | 0:13:33 | |
Oh, just... | 0:13:43 | 0:13:45 | |
I plan to do basically the same shape but have like a braided trim | 0:13:50 | 0:13:55 | |
just around the edge. | 0:13:55 | 0:13:57 | |
-Yep, I forgot. -No, I'm not messing with it. | 0:13:58 | 0:14:02 | |
Time's up guys, please stop coiffeuring your chignons. | 0:14:02 | 0:14:08 | |
Step away from the model. | 0:14:08 | 0:14:11 | |
Let's take a look at Annie's work. | 0:14:14 | 0:14:16 | |
Alain, first off, is the chignon below the crown? | 0:14:16 | 0:14:20 | |
It takes quite a wide... | 0:14:20 | 0:14:23 | |
place around the back, even reaching, a little bit, the sides | 0:14:23 | 0:14:27 | |
so it's on the edge of being a chignon. | 0:14:27 | 0:14:30 | |
Yeah, you've got a lovely elegance here, you've got a great line | 0:14:30 | 0:14:32 | |
coming down, just could have been a little bit tighter in at the sides. | 0:14:32 | 0:14:36 | |
I feel, but there's an element of over hairspraying... | 0:14:36 | 0:14:38 | |
Yeah, I know and I didn't want to do that! | 0:14:38 | 0:14:40 | |
THEY TALK OVER EACH OTHER | 0:14:40 | 0:14:41 | |
A little bit too much hairspray. | 0:14:41 | 0:14:43 | |
A bit untidy around here, if you are going to do a roll | 0:14:43 | 0:14:45 | |
it could be a little bit tidier. | 0:14:45 | 0:14:47 | |
-How's this positioning, Alain? -It's not exactly in the middle | 0:14:54 | 0:14:57 | |
you put it slightly on the side. Don't know if you wanted to do that? | 0:14:57 | 0:15:00 | |
-A bit of flair! -I think that was a bit of an accident. -Flair! | 0:15:00 | 0:15:03 | |
A bit of an accident. | 0:15:03 | 0:15:06 | |
Erm, the way it is going feels more like... | 0:15:06 | 0:15:09 | |
out of the swimming pool and it just slides itself, | 0:15:09 | 0:15:12 | |
there is no combing in a straight direction. | 0:15:12 | 0:15:15 | |
It's making sure that all the lines are in the same direction | 0:15:15 | 0:15:20 | |
and reaching the same element. | 0:15:20 | 0:15:22 | |
-What do you think, Denise? -Yeah, it's very glossy finished | 0:15:22 | 0:15:25 | |
and it doesn't feel too hairsprayed | 0:15:25 | 0:15:28 | |
and I definitely can't see a pin, I see you working hard on that, | 0:15:28 | 0:15:31 | |
you've done a great job on the pinning and it is very secure. | 0:15:31 | 0:15:35 | |
You can see that this hairline is low and quite shaggy so | 0:15:35 | 0:15:37 | |
this chignon wanted to come down lower it was sort of telling | 0:15:37 | 0:15:40 | |
you to take it down lower. | 0:15:40 | 0:15:42 | |
I really like the hair colour as well, I think the blonde works | 0:15:42 | 0:15:45 | |
-really well. -Oh, it's beautiful. -With the shine. | 0:15:45 | 0:15:47 | |
-Very wraparound type of style. -Yeah... | 0:15:47 | 0:15:50 | |
-Kobi, Kobi, Kobi, Alain...? -Yeah. | 0:15:56 | 0:15:58 | |
-Is this a chignon? -It has beautiful positioning right on | 0:15:58 | 0:16:02 | |
the bottom of the nape. | 0:16:02 | 0:16:05 | |
And the design itself is quite immaculate, working that front piece. | 0:16:05 | 0:16:10 | |
Into the chignon itself twirling around and | 0:16:10 | 0:16:13 | |
I love the cross-crossing of both of them underneath, | 0:16:13 | 0:16:16 | |
it's very clean. | 0:16:16 | 0:16:19 | |
-Good proportion. -Wow. | 0:16:19 | 0:16:22 | |
It's my birthday, obviously! It's perfect. I have to say. | 0:16:22 | 0:16:26 | |
It's absolutely stunning. A beautiful shine, perfect high gloss. | 0:16:26 | 0:16:30 | |
It's exactly what we asked for | 0:16:30 | 0:16:32 | |
and, of course, you got that by using your comb and your dryer. | 0:16:32 | 0:16:35 | |
The twist is secure, there's no visible signs of pinning. | 0:16:35 | 0:16:39 | |
It doesn't look oversprayed, it just looks beautifully shiny. | 0:16:39 | 0:16:42 | |
It doesn't look over-producted | 0:16:42 | 0:16:44 | |
It's tight, it's neat. | 0:16:44 | 0:16:46 | |
Jackpot. | 0:16:46 | 0:16:47 | |
So, Alain, does this Chignon pass the placement test? | 0:16:51 | 0:16:54 | |
It's placed right in the nape, it's nice you put it at the side, actually. | 0:16:54 | 0:16:58 | |
It's the braiding, you know around the bun... | 0:16:58 | 0:17:00 | |
you can see that you've done it very well, don't get me wrong, | 0:17:00 | 0:17:03 | |
you don't see the ends, you don't see the pins | 0:17:03 | 0:17:05 | |
but it feels a little blocky. | 0:17:05 | 0:17:07 | |
-Feels it needs to pop out a little bit. -Yeah. | 0:17:07 | 0:17:09 | |
-What do you think? -It's a little bit heavy, it's almost like you've just done that. | 0:17:09 | 0:17:13 | |
But overall it's lovely and shiny, it's a lovely shape, it's a nice line. | 0:17:13 | 0:17:17 | |
There's a few little hairs, especially with the plait, | 0:17:17 | 0:17:19 | |
you could have just held them down and sprayed them. | 0:17:19 | 0:17:21 | |
You still created a really good finish. | 0:17:21 | 0:17:24 | |
Love the positioning, it works really well within the neck position. | 0:17:28 | 0:17:32 | |
Love the volume that you created, the proportions are beautiful. | 0:17:32 | 0:17:35 | |
Even from the front it's very symmetrical. | 0:17:35 | 0:17:38 | |
The intricate design of the braid works, | 0:17:40 | 0:17:43 | |
I really think that it's simple enough. | 0:17:43 | 0:17:45 | |
I'm not sure about the pink curl on the back. | 0:17:45 | 0:17:47 | |
Let's see what Denise thinks about the design of it. | 0:17:47 | 0:17:50 | |
I like the intricacy but I just feel there's too much hairspray on it. | 0:17:50 | 0:17:54 | |
It's gone a little bit brittle. | 0:17:54 | 0:17:56 | |
Your pins are really nice and neat and it's very, very secure | 0:17:56 | 0:17:59 | |
-and tight. -Still... remarkable work, you know. | 0:17:59 | 0:18:01 | |
Let's leave on remarkable work... | 0:18:01 | 0:18:03 | |
LAUGHTER | 0:18:03 | 0:18:05 | |
-Thank you, Dominika. -Lovely. | 0:18:05 | 0:18:07 | |
OK, thank you guys for all your chignon work, | 0:18:07 | 0:18:10 | |
go take well-deserved break in the prep room. | 0:18:10 | 0:18:12 | |
Thank you. | 0:18:12 | 0:18:13 | |
They did say "perfect" at one point which I was really, | 0:18:17 | 0:18:20 | |
really pleased about but... erm | 0:18:20 | 0:18:22 | |
it's good to hear that I actually got out what I put in. | 0:18:22 | 0:18:27 | |
I felt like I was a little bit winging it, me personally, | 0:18:27 | 0:18:29 | |
I would have liked it a little more polished, a little bit more secure. | 0:18:29 | 0:18:32 | |
I think I could have done better. | 0:18:32 | 0:18:35 | |
Everyone's done really well so I... I've not done the best in the set element but | 0:18:35 | 0:18:39 | |
the fact that I got through it and I didn't mess up is good. | 0:18:39 | 0:18:42 | |
Now it's time for the challenge the stylists love to hate - | 0:18:46 | 0:18:50 | |
the blockhead round, which is all about precision cutting. | 0:18:50 | 0:18:53 | |
This week the judges are tasking them with cutting every single | 0:18:53 | 0:18:56 | |
hair on the head to exactly the same length, it sounds easy, but is it? | 0:18:56 | 0:19:01 | |
So... the blockhead round, which is where the judges | 0:19:04 | 0:19:07 | |
would like you to showcase your cutting skills. | 0:19:07 | 0:19:09 | |
This week they'd like you to pull off this lovely hairdo, | 0:19:09 | 0:19:14 | |
a round layer. | 0:19:14 | 0:19:15 | |
It's called a round layer. Not a mullet. | 0:19:15 | 0:19:18 | |
Think not Martina Navratilova in '86 at Wimbledon, think Hilary Clinton | 0:19:18 | 0:19:23 | |
cos she's awesome. | 0:19:23 | 0:19:25 | |
-Denise...? -Ta-da! Round layer is a really important hair curt | 0:19:25 | 0:19:28 | |
and every single hair is exactly the same length. | 0:19:28 | 0:19:31 | |
And then I want you to do a flick out blow dry, you know | 0:19:31 | 0:19:35 | |
what I mean by that? I hope so... | 0:19:35 | 0:19:39 | |
Of course you'll be ranked on this round, you have one hour | 0:19:39 | 0:19:42 | |
and ten minutes, grab a blockhead, let's do it, | 0:19:42 | 0:19:44 | |
off you go, good luck. | 0:19:44 | 0:19:46 | |
The round layer is the most difficult cut the stylists | 0:19:49 | 0:19:52 | |
have been asked to do so far. | 0:19:52 | 0:19:54 | |
I'm just trying to work out how much to cut! | 0:19:54 | 0:19:57 | |
It's a flattering cut because it adds volume | 0:19:57 | 0:19:59 | |
and movement to the hair. | 0:19:59 | 0:20:01 | |
I don't know what the hell I'm doing. | 0:20:03 | 0:20:06 | |
Why a round layer? | 0:20:06 | 0:20:08 | |
It's fundamental to long shapes, | 0:20:08 | 0:20:10 | |
short shapes, it's one of the most important haircuts you'll learn. | 0:20:10 | 0:20:13 | |
Each hair is evenly cut the same length all the way through. | 0:20:13 | 0:20:17 | |
So, you're telling me | 0:20:17 | 0:20:18 | |
every single hair on this head will be the same length? | 0:20:18 | 0:20:22 | |
-Exact. -That's bonkers. | 0:20:22 | 0:20:23 | |
All the same length pulled at a 90-degree angle. | 0:20:23 | 0:20:26 | |
Why 90 degrees? | 0:20:26 | 0:20:27 | |
You're following the head shape, it's round, the layers is round, | 0:20:27 | 0:20:30 | |
-that's the 90-degrees angle, to follow. -Okey-dokey, | 0:20:30 | 0:20:33 | |
well, easier said than done but let's see how our guys do, shall we? | 0:20:33 | 0:20:36 | |
-Absolutely. -Yeah, can't wait. | 0:20:36 | 0:20:39 | |
As with all haircuts the hair should be sectioned before it's cut | 0:20:39 | 0:20:43 | |
and the round layer has a sectioning map all of its own. | 0:20:43 | 0:20:46 | |
What do you think of the sectioning map? | 0:20:46 | 0:20:48 | |
It looks a little bit complicated but I'm trying to get my head | 0:20:48 | 0:20:51 | |
around it and trying to be systematic | 0:20:51 | 0:20:53 | |
and quite logical in my approach but... | 0:20:53 | 0:20:56 | |
So, you're going to work... mainly following the map? | 0:20:56 | 0:20:58 | |
-I'm trying because I've not done this before. -OK. | 0:20:58 | 0:21:01 | |
The best place for beginners to start is along the central section. | 0:21:01 | 0:21:06 | |
Working along this line they should cut the hair at | 0:21:07 | 0:21:10 | |
90 degrees away from the head. | 0:21:10 | 0:21:13 | |
If the hair were to stick up it would resemble a Mohican. | 0:21:13 | 0:21:16 | |
The hardest bit is getting your angles right | 0:21:16 | 0:21:18 | |
because you start with your first one which is always easy bringing | 0:21:18 | 0:21:21 | |
it up and then you've got to get it around the head in the right angle. | 0:21:21 | 0:21:24 | |
To me this is 90... | 0:21:24 | 0:21:26 | |
and even though this is at the front of the head | 0:21:26 | 0:21:29 | |
I don't know if that will be classed as a 90 as well? | 0:21:29 | 0:21:32 | |
And that classed as 45. | 0:21:32 | 0:21:35 | |
So, I'm a bit confused. | 0:21:35 | 0:21:37 | |
Lately I tend to cut it too short. | 0:21:38 | 0:21:41 | |
The first cut the stylists make determines the length of the overall hairstyle | 0:21:44 | 0:21:49 | |
because every cut made after it should be the same length. | 0:21:49 | 0:21:53 | |
I don't want to make the first cut, I don't want to do it. | 0:21:53 | 0:21:57 | |
Just in case I get it wrong! | 0:21:59 | 0:22:01 | |
Kobi, just arriving at the right time, | 0:22:04 | 0:22:06 | |
you were about to cut your first section? | 0:22:06 | 0:22:09 | |
-I think so. -You don't sound very sure of yourself? -No. | 0:22:09 | 0:22:12 | |
I just... I... | 0:22:12 | 0:22:14 | |
What do you think is the difficult part of it? | 0:22:14 | 0:22:17 | |
Just making sure that I don't cut it too short. | 0:22:17 | 0:22:19 | |
-That's the length, huh? -Yeah. | 0:22:20 | 0:22:22 | |
-The length which is going to guide you all the way through? -Yeah. | 0:22:22 | 0:22:26 | |
Oh, what the hell... | 0:22:26 | 0:22:28 | |
It's not... oh, what the hell... | 0:22:29 | 0:22:31 | |
So, how brave do you feel? | 0:22:40 | 0:22:42 | |
-Erm... -Are you ready to do it in front of me? | 0:22:42 | 0:22:44 | |
The first section...? | 0:22:44 | 0:22:46 | |
-I think so. -I think you can too. | 0:22:47 | 0:22:50 | |
CHUCKLING | 0:22:50 | 0:22:51 | |
Come on... | 0:22:51 | 0:22:52 | |
Well done... I thought you'd never do it! | 0:23:14 | 0:23:17 | |
I've got it. I got it. I think I've got it. | 0:23:21 | 0:23:24 | |
-Hiya. -Hi, love. | 0:23:42 | 0:23:43 | |
You've got... | 0:23:45 | 0:23:46 | |
-CHUCKLING -You've got your... | 0:23:46 | 0:23:48 | |
-"What the hell am I doing?" face on. -Yeah. -Yeah. | 0:23:49 | 0:23:53 | |
I've no idea what I'm doing to be honest with you. | 0:23:53 | 0:23:56 | |
-I'm trying. -Are all these hairs the same length do you think? -I don't know, hopefully. | 0:23:56 | 0:24:00 | |
Have you glanced across at anybody else's creation? | 0:24:00 | 0:24:03 | |
No, not yet, I'm just trying to concentrate on not cutting myself. | 0:24:03 | 0:24:07 | |
Now the stylists make a cross section from ear to ear. | 0:24:07 | 0:24:12 | |
Using the guide set by the first cut they move along this line | 0:24:12 | 0:24:15 | |
cutting at 90 degrees, which creates a halo effect. | 0:24:15 | 0:24:19 | |
This and the previous line have created a guide length | 0:24:19 | 0:24:22 | |
across the head. | 0:24:22 | 0:24:24 | |
I've started... where you split | 0:24:24 | 0:24:26 | |
it in the middle, middle part and then down the, the... halo! | 0:24:26 | 0:24:29 | |
Dominika, how's it going? | 0:24:31 | 0:24:33 | |
It's going... I don't know! | 0:24:33 | 0:24:34 | |
-LAUGHTER -Have you practised this haircut before? | 0:24:34 | 0:24:37 | |
I've done once this haircut but it wasn't under the pressure of time. | 0:24:37 | 0:24:41 | |
How you finding the sectioning map? | 0:24:41 | 0:24:42 | |
-I love it, yeah, it's just a lifesaver... -It gives you a good...? | 0:24:42 | 0:24:45 | |
-..because, probably, I would have messed up. -Right. -You know... | 0:24:45 | 0:24:48 | |
Each section should be cut with the hair pulled | 0:24:48 | 0:24:51 | |
tight away from the head, | 0:24:51 | 0:24:53 | |
at maximum tension. So, the length remains consistent. | 0:24:53 | 0:24:57 | |
Once the hair has been cut along the central section | 0:24:58 | 0:25:01 | |
and from ear to ear, the remainder is then cut to the same | 0:25:01 | 0:25:04 | |
length as the guide by dividing it into small orange-like segments. | 0:25:04 | 0:25:09 | |
I'm just trying to find my guide. I'm just trying to follow that | 0:25:09 | 0:25:12 | |
just so that it's the same length all the way round, | 0:25:12 | 0:25:15 | |
like they want it to be. | 0:25:15 | 0:25:17 | |
I'm just quickly checking | 0:25:17 | 0:25:19 | |
if all my length's OK. | 0:25:19 | 0:25:21 | |
I think this side might be a tad longer. | 0:25:21 | 0:25:23 | |
I going to make a brave decision... | 0:25:25 | 0:25:28 | |
..and just cut. | 0:25:31 | 0:25:32 | |
I just want to get this cut right, and hopefully | 0:25:33 | 0:25:38 | |
just spend not as much time on the finish, | 0:25:38 | 0:25:40 | |
although I know it's important, but... | 0:25:40 | 0:25:43 | |
I'm trying my best to concentrate on this first. | 0:25:43 | 0:25:46 | |
Throughout the competition, | 0:25:46 | 0:25:48 | |
Annie has struggled in the blockhead round. | 0:25:48 | 0:25:50 | |
I feel more confident holding the scissors and comb, | 0:25:50 | 0:25:53 | |
but that's probably the only thing that I've got a little bit better at. | 0:25:53 | 0:25:56 | |
I just watch my mum. | 0:25:58 | 0:26:00 | |
My mum's really good at cutting hair. | 0:26:00 | 0:26:02 | |
She's just got no patience to teach me. | 0:26:02 | 0:26:04 | |
"You just do this, Annie." That's what she does. | 0:26:04 | 0:26:07 | |
I would say this is going quite badly. | 0:26:07 | 0:26:09 | |
I've no idea what I've done so far, absolutely no clue. | 0:26:09 | 0:26:13 | |
I've tried to follow the guide to make sure | 0:26:13 | 0:26:15 | |
it's the same length all over, | 0:26:15 | 0:26:16 | |
but whether or not I've cut it too short I don't know yet. | 0:26:16 | 0:26:20 | |
I'm behind as well. I need to hurry up. | 0:26:20 | 0:26:22 | |
15 minutes remain in the blockhead challenge, and everyone | 0:26:27 | 0:26:30 | |
but Kobi is at the final, blow-drying stage. | 0:26:30 | 0:26:35 | |
The judges have specified a blow-dry which creates | 0:26:35 | 0:26:38 | |
volume at the roots and an outward flick at the ends. | 0:26:38 | 0:26:42 | |
This is best achieved by applying thickening cream whilst wet | 0:26:42 | 0:26:45 | |
and using a small, round brush to dry. | 0:26:45 | 0:26:47 | |
How you doing? | 0:26:47 | 0:26:48 | |
Badly. I'm behind by a lot. | 0:26:48 | 0:26:52 | |
Oh, yeah. Can you hear that, like, whirring noise? | 0:26:52 | 0:26:56 | |
-I can. -Do you know what those are? -I can hear it. | 0:26:56 | 0:26:58 | |
How close are you to... | 0:26:58 | 0:27:00 | |
THE SPEAK OVER EACH OTHER | 0:27:00 | 0:27:01 | |
-Well... -How long is it going to take to finish? | 0:27:01 | 0:27:04 | |
About half an hour? | 0:27:04 | 0:27:06 | |
So you're telling me THIS is what you're going to | 0:27:06 | 0:27:08 | |
put in front of Alain and Denise? This? | 0:27:08 | 0:27:10 | |
-I'm going to have to. -No! | 0:27:10 | 0:27:12 | |
I don't know how to do it, but I'm trying to... | 0:27:15 | 0:27:17 | |
just keep... The hairdryer's blowing all over the place. | 0:27:17 | 0:27:20 | |
One minute remaining! | 0:27:21 | 0:27:23 | |
SHE LAUGHS | 0:27:39 | 0:27:41 | |
Gosh, she looks so like my mum. | 0:27:50 | 0:27:53 | |
It's a bit long. It's a bit long! | 0:27:54 | 0:27:57 | |
That's it, guys! Time's up! | 0:28:01 | 0:28:05 | |
No more zhuzhing. Time for judging. | 0:28:05 | 0:28:08 | |
Ooh... This is ridiculous. | 0:28:08 | 0:28:11 | |
'The judges will be checking that all the hair is the same length | 0:28:13 | 0:28:17 | |
'and that the blow-dry has been properly executed.' | 0:28:17 | 0:28:20 | |
Let's have a look at Dominika. | 0:28:20 | 0:28:22 | |
Tell you what - | 0:28:26 | 0:28:27 | |
if I was Bill Clinton, | 0:28:27 | 0:28:29 | |
I'd be all over that. | 0:28:29 | 0:28:30 | |
THEY LAUGH | 0:28:30 | 0:28:31 | |
I really would. | 0:28:31 | 0:28:32 | |
The length, overall, as you visually look at it is looking good. | 0:28:32 | 0:28:35 | |
It looks a tiny bit shorter than the block. | 0:28:35 | 0:28:38 | |
The fringe looks lovely. | 0:28:38 | 0:28:40 | |
Feels it's got a nice movement in it. | 0:28:40 | 0:28:42 | |
Yeah, I think you've understood the technique pretty well. | 0:28:42 | 0:28:45 | |
You can see that the shape is very close to the model we had. | 0:28:45 | 0:28:51 | |
Ah, let's be precise here, because the length is really close. | 0:28:51 | 0:28:55 | |
It's really good. | 0:28:55 | 0:28:56 | |
Oh, a little shorter! | 0:28:56 | 0:28:58 | |
A third of the length's shorter on the nape. | 0:28:58 | 0:29:01 | |
Overall, it's very even | 0:29:01 | 0:29:03 | |
and you've understood the shape that you were creating. | 0:29:03 | 0:29:05 | |
Let's have a look at Kobi. | 0:29:05 | 0:29:07 | |
-So you ran out of time with the blow-dry? -Yeah. | 0:29:11 | 0:29:13 | |
So there isn't really a blow-dry. | 0:29:13 | 0:29:16 | |
I feel if you'd been able to blow-dry it, | 0:29:16 | 0:29:18 | |
I would have seen something quite good. | 0:29:18 | 0:29:20 | |
Bit longer than we... The block was. | 0:29:20 | 0:29:23 | |
The shape feels quite even. Looks quite even, anyway. | 0:29:23 | 0:29:27 | |
You reached the right length, and then you're working through the front | 0:29:27 | 0:29:30 | |
and see if it's the same. It's the same, you know? | 0:29:30 | 0:29:33 | |
That's a good point. | 0:29:33 | 0:29:34 | |
Can you tell if he's been cutting at the right angle? | 0:29:34 | 0:29:37 | |
Absolutely. This is 90 degrees. | 0:29:37 | 0:29:40 | |
As you can see, if the hair's the same length on the front and... | 0:29:40 | 0:29:44 | |
On the top or on the front, all the way through the line, | 0:29:44 | 0:29:47 | |
we have reached the goal. | 0:29:47 | 0:29:48 | |
You sacrificed the time of the blow-dry to be a lot more accurate | 0:29:48 | 0:29:55 | |
into your hair cutting, and I think it's a risk you took and why not? | 0:29:55 | 0:30:00 | |
Slightly too long again, but... | 0:30:00 | 0:30:03 | |
-Yeah. -..you're very close. | 0:30:03 | 0:30:04 | |
What do we think of Katie's blow-dry? | 0:30:04 | 0:30:07 | |
You've got a really nice flick. It's nice and shiny. | 0:30:13 | 0:30:15 | |
You were tight on time, so you've actually done a very nice job. | 0:30:15 | 0:30:18 | |
-It's feeling quite heavy at the front. -Yeah. | 0:30:18 | 0:30:20 | |
Yeah, I believe it's about... | 0:30:20 | 0:30:23 | |
Yeah, I'd say a third too long to what our model was. | 0:30:24 | 0:30:27 | |
The front needs to be revised as far as having... You know, that side's | 0:30:27 | 0:30:32 | |
definitely longer. To me, a little bit too long. Slightly off-balance. | 0:30:32 | 0:30:37 | |
It's a good attempt. It's not an easy haircut. Thank you. | 0:30:37 | 0:30:39 | |
So, Annie... | 0:30:47 | 0:30:49 | |
-You've had a hard time with it, have you? -Yeah. | 0:30:49 | 0:30:54 | |
-First of all, you're much longer than the model we showed. -Yeah, yeah. | 0:30:54 | 0:30:57 | |
-You're agreeing on that. -Yes. | 0:30:57 | 0:30:58 | |
-You've gone at least twice the length that we had. -Yeah, yeah. | 0:30:58 | 0:31:01 | |
You started well. It took you a long time to get the technique right. | 0:31:01 | 0:31:06 | |
Eventually, yeah, it's not precise. | 0:31:06 | 0:31:09 | |
-The blow-dry wasn't great. -No. -Let's get it right. | 0:31:10 | 0:31:14 | |
Straightaway, I can actually see that the front | 0:31:14 | 0:31:16 | |
-and the back are a lot different. -Yes. -You know, it's not quite. | 0:31:16 | 0:31:19 | |
That's a good guideline on the lengths there. | 0:31:19 | 0:31:21 | |
In fact, if these two had been more balanced, | 0:31:21 | 0:31:24 | |
overall we'd have been presented with a better haircut. | 0:31:24 | 0:31:27 | |
I think Annie's angles were slightly a little bit all over the place. | 0:31:27 | 0:31:31 | |
Let's have a look at Marvin's work. | 0:31:31 | 0:31:33 | |
-What about the blow-dry? -I think it looks lovely, actually. | 0:31:38 | 0:31:41 | |
There we go, straightaway. A little bit shiny. | 0:31:41 | 0:31:43 | |
-A little bit flat on the crown. -The effect is coming out. | 0:31:43 | 0:31:47 | |
Just a bit longer in this corner here. | 0:31:47 | 0:31:48 | |
But I'm going to let Alain check it. | 0:31:48 | 0:31:50 | |
I really like the length you've worked on. | 0:31:50 | 0:31:53 | |
You've gone straight and then the angle is coming down. | 0:31:55 | 0:31:58 | |
I think you understood the technique pretty well because, visually, | 0:31:58 | 0:32:01 | |
it looks really good. | 0:32:01 | 0:32:03 | |
Overall, really good attempt. | 0:32:03 | 0:32:05 | |
Balance within the shape. You worked your 90 degrees pretty well. | 0:32:05 | 0:32:09 | |
-He came pretty close there. -All right. | 0:32:09 | 0:32:12 | |
Well, you've all heard what the judges think but, obviously, | 0:32:12 | 0:32:15 | |
they'd rather talk about you behind your backs | 0:32:15 | 0:32:17 | |
so go put your feet up in the prep room. | 0:32:17 | 0:32:19 | |
Too long. Not really the shape we were looking for. | 0:32:23 | 0:32:27 | |
I hope they see it as just, like, "At least she's tried and it's not | 0:32:27 | 0:32:30 | |
"because she's rubbish, | 0:32:30 | 0:32:32 | |
"it's because she's not as experienced as everybody else." | 0:32:32 | 0:32:35 | |
-The shape is good. I think it's got good balance. -Is just heavy. | 0:32:37 | 0:32:41 | |
-A little heavy. -To here. | 0:32:41 | 0:32:43 | |
I don't want to be, like... | 0:32:43 | 0:32:44 | |
I don't want to be third. At least I have to be second. Sweet. | 0:32:44 | 0:32:50 | |
It's got really good proportion. | 0:32:50 | 0:32:52 | |
The hair's falling beautifully around. | 0:32:52 | 0:32:55 | |
-Yeah, it's got good shape. -I like it. | 0:32:55 | 0:32:58 | |
I'm very happy. I'm just glad that I got | 0:32:58 | 0:33:01 | |
the feedback that I needed over the past | 0:33:01 | 0:33:04 | |
three weeks about my finishing and things like that so, yeah, I'm... | 0:33:04 | 0:33:09 | |
I'm happy. | 0:33:09 | 0:33:10 | |
Hey, guys. | 0:33:19 | 0:33:21 | |
Hi. | 0:33:21 | 0:33:22 | |
The judges have ranked your efforts in the Blockhead Challenge. | 0:33:22 | 0:33:26 | |
This week, in last place is... | 0:33:26 | 0:33:29 | |
Annie. | 0:33:29 | 0:33:30 | |
It is every week. | 0:33:30 | 0:33:32 | |
-You're still here, though. -I know. | 0:33:32 | 0:33:35 | |
In fourth place is Katie and Kobi's in third. | 0:33:35 | 0:33:38 | |
Taking the silver is | 0:33:38 | 0:33:41 | |
Dominika. | 0:33:41 | 0:33:42 | |
-Which means this week's gold medal goes to Marvin. -Yes. | 0:33:42 | 0:33:47 | |
Congratulations. | 0:33:47 | 0:33:49 | |
APPLAUSE | 0:33:49 | 0:33:50 | |
-Good for you. Feel good? -Yeah, I feel very good. Very, very good. | 0:33:50 | 0:33:56 | |
Join me at the board. Come on, guys. | 0:33:56 | 0:33:58 | |
The stylists will now pick their models for tomorrow's | 0:33:58 | 0:34:01 | |
Freestyle Challenge. | 0:34:01 | 0:34:03 | |
So, what's unusual about these five is... | 0:34:03 | 0:34:08 | |
-The same thing we have in common. -They're all men. Yes, they're men. | 0:34:08 | 0:34:12 | |
Let me tell you that the theme of tomorrow's Freestyle Challenge is | 0:34:12 | 0:34:18 | |
sci-fi. We're going to see some pretty unusual stuff tomorrow, | 0:34:18 | 0:34:22 | |
I'm hoping, anyway. So, Marvin, step forward. Pick a chap. | 0:34:22 | 0:34:27 | |
I'm just going to keep it real. | 0:34:27 | 0:34:29 | |
I don't normally work on men's hair but with my style that I've | 0:34:29 | 0:34:33 | |
got tomorrow it could even work on a woman or a man. | 0:34:33 | 0:34:36 | |
-hair type A, you're thinking. -Yeah, let's go for it. | 0:34:36 | 0:34:39 | |
I'm quite looking forward to the theme, actually. | 0:34:39 | 0:34:43 | |
So many ideas and pull a few things together and I hope that they | 0:34:43 | 0:34:47 | |
can see that I've worked really hard | 0:34:47 | 0:34:48 | |
on thinking about what I'm wanting to achieve. | 0:34:48 | 0:34:51 | |
Day two and its the freestyle round which is | 0:34:57 | 0:35:00 | |
the stylists' opportunity to shine | 0:35:00 | 0:35:01 | |
and create truly memorable hairstyles. | 0:35:01 | 0:35:05 | |
Let's talk about yesterday, quickly. Who impressed you? | 0:35:05 | 0:35:08 | |
Dominika is still there. You know, she really knows the shape. | 0:35:08 | 0:35:11 | |
She knows how to deliver every week. | 0:35:11 | 0:35:14 | |
She can see exactly how to make hairstyles look beautiful. | 0:35:14 | 0:35:17 | |
I'm also excited to see what Marvin's going to do. | 0:35:17 | 0:35:19 | |
-He's a man on a mission. -Yeah, he did a great job on the cut. | 0:35:19 | 0:35:21 | |
He's definitely listening and progressing with what we've | 0:35:21 | 0:35:24 | |
-asked him to do from the previous challenges. -Who is in big trouble? | 0:35:24 | 0:35:29 | |
Annie and Katie. They've really got to work hard today. | 0:35:29 | 0:35:31 | |
Annie had a very bad day yesterday and Katie's was quite floaty | 0:35:31 | 0:35:35 | |
so they've really got to bring it out of the bag today. | 0:35:35 | 0:35:38 | |
Good morning. | 0:35:38 | 0:35:39 | |
Today's the big one, it's the Freestyle Challenge. | 0:35:41 | 0:35:44 | |
You have to throw everything at this one, guys, | 0:35:44 | 0:35:46 | |
if you want to progress in the competition. | 0:35:46 | 0:35:48 | |
As long as it screams science fiction. Denise? | 0:35:48 | 0:35:52 | |
As always, it must be absolutely secure and be able to walk well. | 0:35:52 | 0:35:57 | |
It's 360 degrees so we can see it from all angles. | 0:35:57 | 0:36:00 | |
You have to be brave, yeah? It's out there with the innovative hairstyle. | 0:36:00 | 0:36:05 | |
Push it as much as you can. It's science fiction. | 0:36:05 | 0:36:08 | |
So, think laser beams, think killer robots from the future. | 0:36:08 | 0:36:12 | |
You have two and half hours in which to do it. Time starts now. | 0:36:12 | 0:36:17 | |
May the force be with you. | 0:36:17 | 0:36:18 | |
-How are you? -Good. Thank you. | 0:36:22 | 0:36:24 | |
-Looking forward to your crazy hair? -Yeah. | 0:36:24 | 0:36:26 | |
I'm going to make you look a little and mental as well. | 0:36:26 | 0:36:29 | |
I'm already halfway there, to be fair. | 0:36:29 | 0:36:31 | |
Right. Let's get started. | 0:36:31 | 0:36:33 | |
In the freestyle round, the stylists can use anything | 0:36:33 | 0:36:36 | |
available in the prep room to achieve the look they're going for. | 0:36:36 | 0:36:40 | |
Whoa, look at that. | 0:36:40 | 0:36:41 | |
That's 60 inches of My Little Pony. | 0:36:43 | 0:36:45 | |
What about working with men's hair? Will there be an advantage? | 0:36:46 | 0:36:49 | |
Is there going to be a disadvantage? A challenge? | 0:36:49 | 0:36:51 | |
Men's hair and women's hair is exactly the same. | 0:36:51 | 0:36:53 | |
The only differences will be the hairline pattern. | 0:36:53 | 0:36:56 | |
What are they going to do with the hair, though, to make it sci-fi? | 0:36:56 | 0:36:58 | |
Wrap their head in tinfoil? What are they going to do? | 0:36:58 | 0:37:01 | |
You can use anything you want to build shape. | 0:37:01 | 0:37:04 | |
Just think of all the science-fiction films you've | 0:37:04 | 0:37:06 | |
seen and just think of some of the hairstyles. | 0:37:06 | 0:37:08 | |
-We're looking for the "beam me up, Scotty" factor, yes? -Absolutely. | 0:37:08 | 0:37:11 | |
You'd be a good Scotty. A good female Scotty. | 0:37:11 | 0:37:14 | |
I cannae give it no more, captain! | 0:37:14 | 0:37:16 | |
That's good. That's really good. | 0:37:16 | 0:37:17 | |
So, what science-fiction theme are going to give us? | 0:37:26 | 0:37:30 | |
So, I'm going to go for almost like an exposed brain using | 0:37:30 | 0:37:34 | |
braiding from probably the back of the head here right to the front. | 0:37:34 | 0:37:40 | |
I want that kind of bulbous-looking brain. | 0:37:40 | 0:37:43 | |
How are you finding this hair? | 0:37:43 | 0:37:44 | |
The fact that it's got some texture, I think the plaits will really hold. | 0:37:44 | 0:37:48 | |
-And the hairline? You're happy with it? -I love this. | 0:37:48 | 0:37:50 | |
-It's like, yeah. -It's already there, isn't it? -Yeah. | 0:37:50 | 0:37:53 | |
-So you've got a head start. -Yeah, I'm happy with that. | 0:37:53 | 0:37:56 | |
So, Annie wants to make a brain. | 0:37:56 | 0:37:58 | |
That's a difficult thing to achieve cos even some of the top | 0:37:58 | 0:38:00 | |
prosthetic artists in the world struggle with that one. | 0:38:00 | 0:38:04 | |
But, you know, she's a nurse. Let's see what she does. | 0:38:04 | 0:38:07 | |
-Can I use your head real quick? -Yeah. -Thank you. | 0:38:14 | 0:38:17 | |
-I have a rather large head, though. -That's fine. So does he. | 0:38:17 | 0:38:21 | |
What I want to create is a weird sort of alien, | 0:38:21 | 0:38:24 | |
extra-terrestrial hairstyle. Basically, I'm going | 0:38:24 | 0:38:27 | |
to create couple of horns starting with French plaiting it down. | 0:38:27 | 0:38:30 | |
I'm going to add extensions to the ends and fold them | 0:38:30 | 0:38:33 | |
against each other on top to make these really sculpted horns. | 0:38:33 | 0:38:37 | |
I'll be pinning the braid on top of each other rather than | 0:38:37 | 0:38:41 | |
putting wire in it. | 0:38:41 | 0:38:42 | |
Kobi's absolutely adamant there is no wire going in, | 0:38:42 | 0:38:45 | |
so he's really sticking to raw hairdressing techniques. | 0:38:45 | 0:38:48 | |
Using doughnut-shaped padding and wire, Marvin is constructing | 0:38:50 | 0:38:54 | |
a frame for his design, covering it in synthetic hair extensions. | 0:38:54 | 0:38:58 | |
What you building? | 0:38:58 | 0:38:59 | |
I'm doing a | 0:38:59 | 0:39:01 | |
-kind of half ram, half man/robot at the same time. -Right. | 0:39:01 | 0:39:08 | |
He lost one of his horns in kind of a galactic war. | 0:39:08 | 0:39:10 | |
You've got a story behind. Sounds great. | 0:39:10 | 0:39:14 | |
I'm just trying to build the padding around my ram's horn. | 0:39:14 | 0:39:18 | |
I'm going to use his hair to wrap round the majority of it | 0:39:18 | 0:39:21 | |
-cos he's got really long hair. -This is the base, kind of. | 0:39:21 | 0:39:25 | |
Yeah, this will be the base. | 0:39:25 | 0:39:27 | |
My concern is about how he made the horn itself. | 0:39:27 | 0:39:31 | |
He used doughnuts and wiring to put it all together. | 0:39:31 | 0:39:34 | |
Personally, I'm not sure it's going to hold. | 0:39:34 | 0:39:37 | |
This could flop quite quickly. | 0:39:37 | 0:39:39 | |
And also, the consistency is not going to be as nice. | 0:39:39 | 0:39:41 | |
Personally, I would have used chicken wire. | 0:39:41 | 0:39:44 | |
He's covered again and again and again. | 0:39:44 | 0:39:47 | |
Somehow you can see the Sellotape. I'm not sure, really. | 0:39:47 | 0:39:51 | |
He's going to be like a proper warrior. | 0:40:01 | 0:40:03 | |
Someone who's going to fight | 0:40:03 | 0:40:04 | |
and have, like, really dynamic hairstyle. | 0:40:04 | 0:40:07 | |
Action man. With some lights. | 0:40:07 | 0:40:09 | |
-So we can switch him on. -Oh. | 0:40:09 | 0:40:11 | |
How are you finding the hairline? | 0:40:11 | 0:40:14 | |
Cos it's obviously a little further back and quite fine. | 0:40:14 | 0:40:17 | |
Yeah, I was struggling a bit with this. | 0:40:17 | 0:40:19 | |
I was hoping for a slightly thicker but I'm happy. It's fine. | 0:40:19 | 0:40:23 | |
The interesting thing with Dominika is her male model has got a | 0:40:23 | 0:40:27 | |
very fine receding hairline. | 0:40:27 | 0:40:29 | |
When she was plaiting it, you've got less hair coming into the plait | 0:40:29 | 0:40:32 | |
but I think, in fact, that's a positive. | 0:40:32 | 0:40:34 | |
If she'd had one with a squarer hairline, | 0:40:34 | 0:40:36 | |
it wouldn't have defined as much. | 0:40:36 | 0:40:38 | |
I'm making... Or attempting to make some kind of... | 0:40:45 | 0:40:47 | |
I'm calling them fins. | 0:40:47 | 0:40:49 | |
They're going to kind of like go down the back of his head | 0:40:49 | 0:40:51 | |
-in different sizes. -How many have you got? -Six. -Six. | 0:40:51 | 0:40:55 | |
-Yeah, bigger going into slightly smaller... -Right. -..that go across. | 0:40:55 | 0:40:58 | |
And then sculpting the front of the hair, kind of like into it. | 0:40:58 | 0:41:01 | |
-A bit alien-like. -Sounds good. Really good. | 0:41:01 | 0:41:04 | |
-Are you planning to hide all this? -Yeah, I'll hide all this. | 0:41:04 | 0:41:07 | |
I'm bringing his hair in to it so hopefully they will get covered. | 0:41:07 | 0:41:10 | |
Katie is making the fins that she's going to place onto | 0:41:10 | 0:41:13 | |
the back of the head. They seemed a little bit small. | 0:41:13 | 0:41:15 | |
I'd like them big and bold just to make a strong statement out of it. | 0:41:15 | 0:41:19 | |
Right now, I'm not sure what it's going to look like. | 0:41:19 | 0:41:22 | |
-These braids have taken you quite some time to do, haven't they? -Yeah. | 0:41:23 | 0:41:26 | |
-You've been here for about an hour or so. -Yeah. | 0:41:26 | 0:41:29 | |
Where we're going at the moment, this isn't saying sci-fi to me. | 0:41:29 | 0:41:33 | |
No, it won't yet. | 0:41:33 | 0:41:34 | |
So, we're going for, like, an exposed brain. | 0:41:34 | 0:41:37 | |
-So you've got the two sides of the... -Yes. -You get me? | 0:41:37 | 0:41:41 | |
I mean, this is more like it. | 0:41:41 | 0:41:42 | |
I'm talking to people and no-one is saying, "Exposed brain." | 0:41:42 | 0:41:45 | |
You can tell I work in a hospital. | 0:41:45 | 0:41:46 | |
We've got a little bit of a chip here that I'm going to do | 0:41:46 | 0:41:49 | |
Matrix-style and put that at the back. | 0:41:49 | 0:41:50 | |
-He's half man, half machine. -Yeah! | 0:41:50 | 0:41:53 | |
This is going to be awesome. You're going to look like a total freak. | 0:41:53 | 0:41:56 | |
-It's good to be amazing. Good luck. -Thank you, love. | 0:41:56 | 0:41:59 | |
Right, I can leave you now. Going to make a ponytail. | 0:42:04 | 0:42:08 | |
One hour and 20 minutes left, guys. | 0:42:11 | 0:42:14 | |
I'm sort of pushed for time, so I know I've got to be fast with this. | 0:42:14 | 0:42:20 | |
-How is it going? -Oh. -Oh, OK. | 0:42:20 | 0:42:23 | |
My model's fell asleep. | 0:42:25 | 0:42:27 | |
I think mine had. Men, eh? | 0:42:27 | 0:42:31 | |
Dominika's space warrior design involves adding lights | 0:42:32 | 0:42:36 | |
which need to fit into black plastic casings. | 0:42:36 | 0:42:40 | |
I just need to think how I'm going to attach that. | 0:42:40 | 0:42:44 | |
Cos I did not work that out yet. | 0:42:44 | 0:42:47 | |
I'm basically beginning to braid the extensions into my model's hair. | 0:42:47 | 0:42:53 | |
Kobi is using synthetic hair extensions as part of his design. | 0:42:53 | 0:42:57 | |
I did want to actually incorporate them | 0:42:57 | 0:42:59 | |
in the actual braid but the model's hair is shorter than I expected. | 0:42:59 | 0:43:04 | |
At the minute, just literally pinned it on the end of the braid. | 0:43:04 | 0:43:07 | |
One of the things that's challenging with hair extensions is the join. | 0:43:07 | 0:43:12 | |
You know, how you incorporate that fake hair to the real hair. | 0:43:12 | 0:43:16 | |
And that is an art in its own. | 0:43:16 | 0:43:18 | |
And you can see with Kobi, that's what he's wanting to make sure. | 0:43:18 | 0:43:22 | |
It's not properly attached yet. | 0:43:22 | 0:43:24 | |
I'm going to actually incorporate it in a minute after I've plaited it. | 0:43:24 | 0:43:28 | |
It's funny how, like, you can start off with something and be like, | 0:43:28 | 0:43:31 | |
-"What? I don't understand." -Yeah. | 0:43:31 | 0:43:33 | |
Annie is also using braids made out of extensions. | 0:43:33 | 0:43:36 | |
She's pinning hers onto the model's head. | 0:43:36 | 0:43:40 | |
-This is looking more like it. -A brain? -Yeah. -Are you sure? -Yeah. | 0:43:40 | 0:43:46 | |
I love the cable ties. | 0:43:47 | 0:43:49 | |
Dominika's found a solution for securing the lights | 0:43:49 | 0:43:52 | |
and their casings to the head. | 0:43:52 | 0:43:54 | |
-Does it feel more secure now? -Yeah. | 0:43:54 | 0:43:57 | |
-It doesn't hurt or anything? -Hurt. -Hurts a bit? Where does it hurt? | 0:43:57 | 0:44:03 | |
-Is it bearable? -Mmmm. | 0:44:04 | 0:44:07 | |
Have you seen the lady who's supposed to be doing your hair? | 0:44:13 | 0:44:16 | |
Briefly. | 0:44:16 | 0:44:17 | |
With only an hour left, Katie has yet to touch her model's hair. | 0:44:17 | 0:44:22 | |
-Hi. -Hi. You do know your model's head is in there. -I know, yeah. | 0:44:22 | 0:44:26 | |
-I've kind of deserted him, haven't I? -What's going on? | 0:44:26 | 0:44:29 | |
-I'm making fins, which aren't really going very well. -You're making fins? | 0:44:29 | 0:44:32 | |
-Yeah. -How long are you going to be an year before you start getting | 0:44:32 | 0:44:35 | |
stuck into Thor's head out there? | 0:44:35 | 0:44:37 | |
-Well, I've got one more fin to make then I'm over there. -OK, cool. | 0:44:37 | 0:44:41 | |
I'm about to put a pin in your head. I'm sorry. | 0:44:48 | 0:44:51 | |
I need to hurry up. | 0:44:54 | 0:44:56 | |
I keep adding my plaits now. It's supposed to be just a ponytail | 0:44:56 | 0:44:59 | |
but now it's a plait. | 0:44:59 | 0:45:00 | |
Dominika has added a string of fairy lights to her design | 0:45:00 | 0:45:04 | |
but is struggling to hide the wire. | 0:45:04 | 0:45:06 | |
Now I'm making pom-poms cos pom-poms are a good resolution | 0:45:06 | 0:45:09 | |
to anything if you want to hide something. | 0:45:09 | 0:45:11 | |
So we're just going to do the pom-pom. | 0:45:11 | 0:45:14 | |
Katie has finally pinned her fins to the model's head... | 0:45:14 | 0:45:18 | |
I'm attempting to sculpt with not a lot of time left. | 0:45:18 | 0:45:22 | |
..and now has just 30 minutes to work the natural hair around them | 0:45:22 | 0:45:26 | |
and complete her design. | 0:45:26 | 0:45:28 | |
I'm kind of rushing it. It's a holy show of a mess. | 0:45:29 | 0:45:32 | |
Oh, wow. This is awesome. | 0:45:34 | 0:45:36 | |
Pff. Really? | 0:45:36 | 0:45:38 | |
-Really. You're not happy with this? -No. It's not what I wanted. | 0:45:38 | 0:45:41 | |
You said a warrior from the future | 0:45:41 | 0:45:42 | |
and there is no mistaking this guy's clearly from the year 3000. | 0:45:42 | 0:45:47 | |
OK, yeah, so later on we need to push this one up. | 0:45:47 | 0:45:50 | |
Oh, man. Forget year 3000. This guy's from the year 3,000,000! | 0:45:51 | 0:45:58 | |
-How are you feeling about this? You loving it? -Yeah. | 0:45:58 | 0:46:02 | |
Marvin has attached his horn and is now making a mask | 0:46:02 | 0:46:06 | |
for his half man, half ram/robot sci-fi design. | 0:46:06 | 0:46:10 | |
I'm putting these stones, like, gravel, | 0:46:11 | 0:46:13 | |
from when he had his horn torn off his head and left to die in | 0:46:13 | 0:46:18 | |
the middle of the galactic floor, so he's got a face full of gravel. | 0:46:18 | 0:46:22 | |
With ten minutes remaining, all of the models' hair is changing colour. | 0:46:26 | 0:46:31 | |
It's more silver than grey. | 0:46:31 | 0:46:32 | |
I'm trying to disguise everything with spray. It's not working. | 0:46:35 | 0:46:40 | |
They're using a wash-out spray that colours the surface of the hair. | 0:46:40 | 0:46:45 | |
Just hide everything, all the mess, with pot scrubs. | 0:46:45 | 0:46:48 | |
Yes. Yes 1,000 times. | 0:46:50 | 0:46:54 | |
You had me with the horn of plenty not now you're adding | 0:46:54 | 0:46:59 | |
the smashed-in metal skull with the red eyeball. | 0:46:59 | 0:47:02 | |
That's the future, baby. | 0:47:03 | 0:47:05 | |
What's this at the front here? Like a big kiss? | 0:47:09 | 0:47:12 | |
-A smudge. -Wait a minute, are you joking? | 0:47:12 | 0:47:14 | |
-Is that a smudge or did you really mean it? -It's a smudge. -Really? | 0:47:14 | 0:47:17 | |
-It's a smudge. -Well, wipe it off. You've got about two minutes. | 0:47:17 | 0:47:20 | |
-I'm trying to get it off with a wet wipe. -All right. | 0:47:20 | 0:47:22 | |
One minute remaining. | 0:47:27 | 0:47:28 | |
What have I got left to do? | 0:47:34 | 0:47:36 | |
Hide all the pins, make it look less of a disaster. | 0:47:36 | 0:47:38 | |
Time's up, guys. | 0:47:53 | 0:47:56 | |
Come back from the future to the present. | 0:47:56 | 0:48:00 | |
Yeah, all right, Kobi. | 0:48:00 | 0:48:02 | |
You want to try writing these things? They're not easy. | 0:48:02 | 0:48:04 | |
It judgment day. Terminator 2. | 0:48:04 | 0:48:06 | |
Let's go and see Dominika's efforts here. Mix it up a bit. | 0:48:06 | 0:48:09 | |
Yeah. | 0:48:09 | 0:48:11 | |
MUSIC: "Also Sprach Zarathustra" by Richard Strauss (2001 Theme) | 0:48:11 | 0:48:15 | |
Big pimpin'. Big daddy pimp. | 0:48:23 | 0:48:25 | |
-Does this scream sci-fi? -Yeah, I believe so. -One. -Definitely. -Two. | 0:48:31 | 0:48:39 | |
-Beautiful. -Warrior king. -Full house. A warrior king from where? -Space. | 0:48:39 | 0:48:43 | |
Yes. Vague, but it works. | 0:48:43 | 0:48:45 | |
There's definitely all the elements are there. | 0:48:45 | 0:48:48 | |
There's a big construction. | 0:48:48 | 0:48:49 | |
The whole Mohican element to it cut out into a ponytail | 0:48:49 | 0:48:53 | |
element at the back. It's really even. | 0:48:53 | 0:48:56 | |
The light itself is quite a fun aspect of it. | 0:48:56 | 0:48:59 | |
I do like the cut-out on the front. What do you think, Denise? | 0:48:59 | 0:49:03 | |
It looks incredible. | 0:49:03 | 0:49:05 | |
It's very clean and you've got that nice diamond shape that you | 0:49:05 | 0:49:08 | |
wanted to create. And the textures are good. | 0:49:08 | 0:49:11 | |
And I think the whole profile looks stunning. | 0:49:11 | 0:49:13 | |
So, overall, we are saying she's completed the brief | 0:49:13 | 0:49:16 | |
and transported us to a galaxy far, far away. | 0:49:16 | 0:49:18 | |
-Definitely a galaxy far away. -Oh. | 0:49:18 | 0:49:21 | |
MUSIC: "Out Of Space" by The Prodigy | 0:49:21 | 0:49:23 | |
# I'm gonna send him to outer space | 0:49:23 | 0:49:26 | |
# To find another race | 0:49:27 | 0:49:30 | |
# I'm gonna send him to outer space. # | 0:49:30 | 0:49:34 | |
Does it scream sci-fi? That's what we want to know. | 0:49:34 | 0:49:37 | |
Not sure if it screams it but there's definitely strong elements there. | 0:49:37 | 0:49:40 | |
It could have been refined a lot more as far as building up | 0:49:40 | 0:49:43 | |
its shape of what you wanted to do. | 0:49:43 | 0:49:45 | |
You were getting a fabulous movement through here | 0:49:45 | 0:49:48 | |
but these ridges didn't stay up and strong. | 0:49:48 | 0:49:51 | |
You spent a lot of time building those frames | 0:49:51 | 0:49:53 | |
and actually you hadn't worked the hair first. | 0:49:53 | 0:49:55 | |
I'd have worked those shapes in first cos then while you were | 0:49:55 | 0:49:58 | |
making the frames, you'd have known if they were strong enough. | 0:49:58 | 0:50:02 | |
Let's take a look at Marvin's vision of the future. | 0:50:02 | 0:50:06 | |
SCI-FI MUSIC PLAYS | 0:50:06 | 0:50:07 | |
Have you briefed your model to be as robotic as possible? | 0:50:16 | 0:50:19 | |
Jesus, he's a big boy. | 0:50:19 | 0:50:20 | |
I wasn't expecting that. He's up there. | 0:50:21 | 0:50:24 | |
You don't want to mess with that guy. | 0:50:26 | 0:50:28 | |
You wouldn't like to meet him in a dark alley, would you? | 0:50:28 | 0:50:31 | |
-Does this scream sci-fi? -Yes. -Yes. -Oh, yeah. Oh, yeah. | 0:50:31 | 0:50:35 | |
It's got good points of bringing out that magic shape. | 0:50:35 | 0:50:39 | |
It's... You know, it's bulky enough and it comes out. | 0:50:39 | 0:50:42 | |
Even through to the mask is quite a fun idea. | 0:50:42 | 0:50:46 | |
Within your positioning of the horns, to me, | 0:50:46 | 0:50:49 | |
they should have been a little bit forward. You sprayed quite a lot. | 0:50:49 | 0:50:53 | |
Somehow it evens the whole shape out | 0:50:53 | 0:50:56 | |
-but you also feel that it's hiding quite a lot. -It's a great shape. | 0:50:56 | 0:51:00 | |
It was really adventurous, really bold. | 0:51:00 | 0:51:02 | |
It's very large, which is incredible, but this is very messy. | 0:51:02 | 0:51:06 | |
This is very vulnerable at the end | 0:51:06 | 0:51:08 | |
so he really is in risk of having another horn ripped out. | 0:51:08 | 0:51:11 | |
MUSIC: "Spaceman" by Babylon Zoo | 0:51:13 | 0:51:16 | |
# Spaceman, I always wanted you to go into space, man | 0:51:16 | 0:51:21 | |
# Intergalactic Christ. # | 0:51:21 | 0:51:24 | |
-Does it scream sci-fi? -I really think so. -Yeah. | 0:51:27 | 0:51:31 | |
This proves it. On the back we have the little circuit board. | 0:51:31 | 0:51:36 | |
It's a real... Really nice touch. The hair is quite curly. | 0:51:36 | 0:51:40 | |
There's a lot of little hair breaks out as it comes at a little bit. | 0:51:40 | 0:51:44 | |
It came out even more when you started spraying it. | 0:51:44 | 0:51:47 | |
Even through the sides, you've lost little bit more definition within it. | 0:51:47 | 0:51:51 | |
It's a bit of a shame that you weren't able to sleek this out. | 0:51:51 | 0:51:54 | |
I really, really hard, though, like. | 0:51:54 | 0:51:56 | |
-It would have been great to see it a little tidier. -I know. | 0:51:56 | 0:52:00 | |
-I thought a lot tidier. -I know what you mean. -Than what it is. | 0:52:00 | 0:52:04 | |
Let's move on and power him down. Beep, beep, beep. | 0:52:04 | 0:52:07 | |
DENISE LAUGHS | 0:52:07 | 0:52:09 | |
MUSIC: "Star Wars Main Theme" by John Williams | 0:52:09 | 0:52:12 | |
-Does it scream sci-fi? -Absolutely. It screams elegant alien prince. | 0:52:20 | 0:52:26 | |
Yeah, I believe so. A very predator type of elements, shapes | 0:52:26 | 0:52:30 | |
and even through both fins coming into the back. Very even. | 0:52:30 | 0:52:36 | |
The construction is pretty remarkable, I have to say. | 0:52:36 | 0:52:41 | |
I like the way that you evened it all out with a spray. | 0:52:41 | 0:52:44 | |
What happens with nylon hair, it's a bit to shiny | 0:52:44 | 0:52:47 | |
and it looks a little too fake. | 0:52:47 | 0:52:49 | |
It's a really good idea to finish off with that. | 0:52:49 | 0:52:51 | |
It's really immaculate with the braiding. | 0:52:51 | 0:52:54 | |
It's beautifully done, I have to say. Very, very even. | 0:52:54 | 0:52:57 | |
The technique is there. You knew what you wanted and you did it. | 0:52:57 | 0:53:02 | |
Thanks for all your sterling work guys. | 0:53:02 | 0:53:06 | |
The judges will now deliberate, who wins the freestyle round | 0:53:06 | 0:53:10 | |
and who will be going home. | 0:53:10 | 0:53:12 | |
Even though I'd worked out my times and it should've been fine, | 0:53:14 | 0:53:17 | |
I just ran out of time so it was just awful. | 0:53:17 | 0:53:20 | |
I hope that they see that I'm really hard-working and that I really | 0:53:20 | 0:53:23 | |
do try my best and they'll put me through and give me another chance. | 0:53:23 | 0:53:27 | |
I do hope that I'm in the chances of winning the freestyle. | 0:53:27 | 0:53:31 | |
I've not been at this point before. | 0:53:31 | 0:53:32 | |
Normally, it's sort of scared I might be going. | 0:53:32 | 0:53:37 | |
-Who impressed you in the freestyle? -Kobi and Dominika. | 0:53:37 | 0:53:41 | |
We saw two totally different styles there. Totally different results. | 0:53:41 | 0:53:45 | |
The line between the two of them is really tight. | 0:53:45 | 0:53:48 | |
One is sort of colour and spectacular | 0:53:48 | 0:53:51 | |
and the other one is a raw hairdressing. It's beautifully done. | 0:53:51 | 0:53:55 | |
It's immaculate. So it's really tight. | 0:53:55 | 0:53:58 | |
But taking into account all the rounds of the last | 0:53:58 | 0:54:00 | |
-couple of days, who's in trouble? -Katie, she's floundering a bit. | 0:54:00 | 0:54:04 | |
Katie doubts herself quite a lot and she just lost her way. | 0:54:04 | 0:54:07 | |
And Annie... Annie in this freestyle round, | 0:54:07 | 0:54:11 | |
I mean, that's normally her strength. | 0:54:11 | 0:54:13 | |
The things that she's done have been incredible, | 0:54:13 | 0:54:15 | |
but this has really been her weakest. | 0:54:15 | 0:54:17 | |
They have been kind of struggled. | 0:54:17 | 0:54:19 | |
Even something where they don't feel confident about what they're doing. | 0:54:19 | 0:54:23 | |
Well, your job gets harder and harder every week. | 0:54:23 | 0:54:25 | |
This has to be the hardest one yet. | 0:54:25 | 0:54:26 | |
Oh, this is really, really difficult. This is... | 0:54:26 | 0:54:29 | |
I'm overjoyed that it has nothing to do with me. Good luck. | 0:54:29 | 0:54:32 | |
You saw the raw shape, you saw the alien, you saw the sci-fi. | 0:54:34 | 0:54:40 | |
There was a lot going on. | 0:54:40 | 0:54:42 | |
It was maybe overkill. | 0:54:42 | 0:54:45 | |
She's struggling, she's shaking and she knows it. | 0:54:46 | 0:54:50 | |
All right, let's do it. | 0:54:52 | 0:54:53 | |
Thank you so much for all your hard work over the last couple of days. | 0:54:55 | 0:54:59 | |
You just get better and better and better. | 0:54:59 | 0:55:01 | |
But, as you know, there can only be one winner of the freestyle round. | 0:55:01 | 0:55:06 | |
And this week, after much deliberation, | 0:55:06 | 0:55:08 | |
the judges have decided that person is going to be... | 0:55:08 | 0:55:10 | |
..Kobi. | 0:55:14 | 0:55:15 | |
-Oh, my God. -Congratulations. | 0:55:15 | 0:55:17 | |
APPLAUSE | 0:55:17 | 0:55:18 | |
You crushed it. | 0:55:18 | 0:55:19 | |
-How does that feel? -Shocked. But, yeah, pleased. -Well done. | 0:55:20 | 0:55:25 | |
Congratulations. Now it's time for that bit none of us like. | 0:55:25 | 0:55:30 | |
It's horrible because we've become friends, we've become family | 0:55:30 | 0:55:33 | |
but unfortunately we are about to say goodbye to one of you. | 0:55:33 | 0:55:36 | |
And the person they've decided to ask to leave... | 0:55:36 | 0:55:40 | |
is... | 0:55:40 | 0:55:41 | |
..Annie. | 0:55:49 | 0:55:50 | |
-Oh, Annie. You've been amazing. -Thank you. | 0:55:50 | 0:55:54 | |
-Unbelievable work. -Thank you. -Fantastic work. | 0:55:54 | 0:55:56 | |
Annie, we had to send her home. So sad. | 0:55:56 | 0:55:59 | |
But she still has high, high standards. She's got a great flair. | 0:55:59 | 0:56:04 | |
She's got a great vision how to do it. | 0:56:04 | 0:56:06 | |
It's just lacking a little bit in techniques somehow. | 0:56:06 | 0:56:09 | |
Some of this, Annie. | 0:56:09 | 0:56:10 | |
This week it was very weak for her. | 0:56:10 | 0:56:13 | |
I think she's reached her peak in this competition | 0:56:13 | 0:56:16 | |
and I think it was her time to go. | 0:56:16 | 0:56:18 | |
Yeah, so I won the freestyle round. | 0:56:18 | 0:56:21 | |
I did think it was going to be Dominika with her light-up | 0:56:21 | 0:56:23 | |
sci-fi hairstyle. | 0:56:23 | 0:56:25 | |
But I was really pleased it was me. | 0:56:25 | 0:56:27 | |
I love working with people. I love working with hair. | 0:56:29 | 0:56:31 | |
I'm pleased with what I've done and I feel everyone is proud of me | 0:56:31 | 0:56:34 | |
to get this far and I think, you know, | 0:56:34 | 0:56:36 | |
if I can make someone feel better about themselves | 0:56:36 | 0:56:39 | |
and create something inspiring them, you know, that's me, I'm happy. | 0:56:39 | 0:56:43 | |
Next time on Hair... | 0:56:49 | 0:56:52 | |
-This is the anarchist. Oh, mama. -I don't know where it's going on. | 0:56:52 | 0:56:56 | |
I've never seen the like this before. You're properly miffed. | 0:56:56 | 0:56:59 | |
The theme of the Freestyle Challenge is brides. | 0:56:59 | 0:57:01 | |
We want to be blown away. This is your last chance. | 0:57:01 | 0:57:03 | |
I've got a feeling I'm not going to get it finished. | 0:57:03 | 0:57:06 | |
-You'll be all right. -That's beautifully done. | 0:57:06 | 0:57:08 | |
-This is bold and brave. -Avant-garde and exciting. | 0:57:08 | 0:57:10 |