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Welcome to Hair. It's the grand final. | 0:00:02 | 0:00:03 | |
We started with eight stylists and now we're down to our final three. | 0:00:03 | 0:00:07 | |
Over the past five weeks, the competition has been fierce. | 0:00:09 | 0:00:12 | |
-Are you not happy with this? -It's not what I wanted. | 0:00:12 | 0:00:15 | |
The amateurs have had to cut and style to the limits of their ability | 0:00:15 | 0:00:19 | |
to stay in the running. | 0:00:19 | 0:00:20 | |
Got a feeling I'm not going to get it finished. | 0:00:20 | 0:00:22 | |
Now there's just three. Dominika. | 0:00:22 | 0:00:25 | |
It could headline a major fashion show. | 0:00:25 | 0:00:27 | |
Marvin. | 0:00:29 | 0:00:30 | |
I absolutely love what you've done with the hairline. | 0:00:30 | 0:00:33 | |
And Katie. | 0:00:33 | 0:00:34 | |
It's the best Mad Hatter made out of hair I've ever seen. | 0:00:34 | 0:00:38 | |
They've shone the brightest | 0:00:38 | 0:00:39 | |
and secured themselves a place in the final. | 0:00:39 | 0:00:42 | |
My strategy would be keeping an eye on them and seeing | 0:00:42 | 0:00:45 | |
what they're doing, and just beat them. | 0:00:45 | 0:00:47 | |
This time, the judges, royal hairdresser Denise McAdam | 0:00:47 | 0:00:51 | |
and celebrity stylist Alain Pichon, | 0:00:51 | 0:00:53 | |
are setting their toughest challenges yet. | 0:00:53 | 0:00:56 | |
-Are your hands shaking? -Yeah! | 0:00:56 | 0:00:58 | |
A vintage wartime favourite | 0:00:58 | 0:01:00 | |
and the most difficult haircut of all. | 0:01:00 | 0:01:03 | |
No idea what I'm doing! | 0:01:03 | 0:01:05 | |
And there's a rather special surprise for our stylists | 0:01:05 | 0:01:08 | |
in the final freestyle round. | 0:01:08 | 0:01:09 | |
Oh, no! | 0:01:09 | 0:01:12 | |
Three people remain but there can be only one winner. | 0:01:12 | 0:01:16 | |
Who will it be? | 0:01:16 | 0:01:18 | |
It's time to find out. Let's go to work on Hair. | 0:01:18 | 0:01:20 | |
Good morning! | 0:01:33 | 0:01:34 | |
Welcome to the grand final. | 0:01:35 | 0:01:37 | |
Hoo-hoo! Huge congratulations for making it this far. | 0:01:37 | 0:01:41 | |
Of course, the question is - which one of you can win this thing? | 0:01:41 | 0:01:46 | |
As always, in the first round, the judges want to see you | 0:01:46 | 0:01:50 | |
incorporate a set element into your hairstyles. | 0:01:50 | 0:01:53 | |
This week, the vintage classic, the victory roll. | 0:01:53 | 0:01:57 | |
The judges want to see two victory rolls. | 0:01:57 | 0:02:00 | |
What else do they need to know? | 0:02:00 | 0:02:01 | |
The victory rolls must be clearly defined, | 0:02:01 | 0:02:04 | |
not baggy and hanging at the sides, just strong and secure | 0:02:04 | 0:02:07 | |
and, of course, no pins and grips on show. | 0:02:07 | 0:02:11 | |
This is a glamorous look | 0:02:11 | 0:02:12 | |
so make sure it's an extremely clean and sharp finish. | 0:02:12 | 0:02:17 | |
Also, we want to see the shine all the way down each roll. | 0:02:17 | 0:02:21 | |
Your models await. There is one hour and 30 minutes on the clock. | 0:02:21 | 0:02:26 | |
It begins. Get to it. | 0:02:26 | 0:02:27 | |
Good luck, guys! | 0:02:30 | 0:02:32 | |
LAUGHTER | 0:02:32 | 0:02:34 | |
Hi! | 0:02:34 | 0:02:35 | |
Good luck! | 0:02:35 | 0:02:36 | |
Thank you very much. | 0:02:36 | 0:02:38 | |
In this challenge, the stylists have each chosen a model | 0:02:39 | 0:02:43 | |
with the hair type they want to work with. | 0:02:43 | 0:02:45 | |
RIP to the curl in the back of your head, boy! | 0:02:46 | 0:02:48 | |
That blow-dryer just knocked it out real fast! | 0:02:48 | 0:02:51 | |
-Have they told you I'm cutting your fringe? -Yeah. | 0:02:51 | 0:02:54 | |
Don't worry! | 0:02:54 | 0:02:56 | |
SHE LAUGHS | 0:02:56 | 0:02:57 | |
I think I'm going to go for, | 0:02:57 | 0:02:59 | |
like, in the middle, two big victory rolls. | 0:02:59 | 0:03:02 | |
Symmetrical. | 0:03:02 | 0:03:03 | |
So what is a victory roll? | 0:03:04 | 0:03:07 | |
It's an iconic vintage hairstyle with rolls at the front | 0:03:07 | 0:03:10 | |
which became famous during the War. | 0:03:10 | 0:03:13 | |
As the fighter pilots came back from missions, they would do a roll. | 0:03:13 | 0:03:16 | |
The two went together. The victory roll. | 0:03:16 | 0:03:18 | |
Why is the victory roll a suitable challenge for the grand final? | 0:03:18 | 0:03:22 | |
This is a classic technique, how to shape a roll itself. | 0:03:22 | 0:03:26 | |
You have to use drawn-back combing, get a nice sculpture of the roll. | 0:03:26 | 0:03:30 | |
Just think of that line of shine that you create. | 0:03:30 | 0:03:33 | |
Talk me through that. What does that mean? | 0:03:33 | 0:03:35 | |
It's how someone finishes the hair. | 0:03:35 | 0:03:37 | |
You get a lovely, sharp reflection. | 0:03:37 | 0:03:39 | |
The hair's lovely and clean and it goes round like a cylinder. | 0:03:39 | 0:03:43 | |
The line of shine can only happen when you really smooth the hair, | 0:03:43 | 0:03:47 | |
like silk, and make sure each hair, | 0:03:47 | 0:03:48 | |
with the tail of the comb, is in place, | 0:03:48 | 0:03:51 | |
and that's going to make a true reflection to create line. | 0:03:51 | 0:03:55 | |
I picked chemically relaxed African hair for my victory rolls. | 0:04:02 | 0:04:07 | |
For the last couple of challenges | 0:04:07 | 0:04:09 | |
I stepped out of the box with European hair, mostly. | 0:04:09 | 0:04:12 | |
I'm just going to keep it real, cos this is the final. | 0:04:12 | 0:04:14 | |
I stuck with what I knew. Hopefully it can help me win! | 0:04:14 | 0:04:18 | |
Marvin's been doing hair from the age of 12. | 0:04:21 | 0:04:23 | |
He used to practise on his sister | 0:04:23 | 0:04:26 | |
because I used to give his sister a bad hair day. | 0:04:26 | 0:04:29 | |
My mum used to give me doo-doo plaits! | 0:04:29 | 0:04:31 | |
No, seriously! Two big doo-doo cane rows and... No. | 0:04:31 | 0:04:35 | |
He done mine and my friends' hair | 0:04:35 | 0:04:38 | |
and from there it just picked off. | 0:04:38 | 0:04:40 | |
My guinea pig! | 0:04:40 | 0:04:42 | |
He knows he's good | 0:04:42 | 0:04:43 | |
but I don't think he knows how good he actually is. | 0:04:43 | 0:04:46 | |
Marvin's come in the top three of every single blockhead round. | 0:04:48 | 0:04:52 | |
Look at that, it's pretty perfect. | 0:04:52 | 0:04:55 | |
But despite producing amazing creations in the freestyle round... | 0:04:55 | 0:04:59 | |
I definitely feel I'm in the 1920s. | 0:04:59 | 0:05:01 | |
..he's always been pipped at the post. | 0:05:01 | 0:05:04 | |
My main criticism I have always been getting is just my finishing. | 0:05:04 | 0:05:08 | |
Not refined as much as we would like to see, you know? | 0:05:08 | 0:05:11 | |
Their feedback was definitely useful. | 0:05:11 | 0:05:12 | |
It's my finishing I'm really going to work on for the final. | 0:05:12 | 0:05:16 | |
Marvin's going for two large symmetrical victory rolls | 0:05:16 | 0:05:20 | |
on the top of the head, with the rest of the hair down and curled. | 0:05:20 | 0:05:23 | |
So right now you are straightening it? | 0:05:25 | 0:05:27 | |
Yeah, it's a little bit easier to work with | 0:05:27 | 0:05:30 | |
if I straighten out the individual strands | 0:05:30 | 0:05:33 | |
-and I just use the straighteners to smooth it out a bit. -OK. | 0:05:33 | 0:05:36 | |
Marvin made his choice because he's used to working | 0:05:37 | 0:05:40 | |
with Afro-Caribbean hair. | 0:05:40 | 0:05:42 | |
He's not making himself an easy task. | 0:05:43 | 0:05:45 | |
Blow-dry it, straighten it and curl it after, | 0:05:45 | 0:05:48 | |
there can be a lot of work to it. | 0:05:48 | 0:05:51 | |
Now, this is perfect, man. | 0:05:51 | 0:05:53 | |
-Now smooth out them edges, boy! -Yeah! | 0:05:53 | 0:05:56 | |
I wanted to do something I hadn't done before. | 0:05:58 | 0:06:01 | |
I hadn't cut in this challenge so I thought I best had. | 0:06:01 | 0:06:03 | |
Katie's been interested in hairdressing for a long time, | 0:06:05 | 0:06:10 | |
really, since she was quite young. | 0:06:10 | 0:06:13 | |
She's got a lot more confident in the last six weeks, | 0:06:13 | 0:06:15 | |
-since she's been doing this competition. -Yeah. | 0:06:15 | 0:06:18 | |
It's really brought her out of herself. | 0:06:18 | 0:06:21 | |
-OK! -Lovely. | 0:06:21 | 0:06:23 | |
Mum-of-two Katie came top in two of the blockhead rounds | 0:06:23 | 0:06:26 | |
and impressed the judges with some highly creative freestyle work. | 0:06:26 | 0:06:30 | |
I'm speechless, to be honest, on that, it's superb. | 0:06:31 | 0:06:34 | |
Week by week, I've thought, "Oh, actually, yeah, | 0:06:34 | 0:06:36 | |
"I'm doing quite well here, I'm getting further than I thought." | 0:06:36 | 0:06:39 | |
Bold and brave, you really took it on. | 0:06:39 | 0:06:42 | |
I obviously am quite good at what I do, so I think | 0:06:42 | 0:06:45 | |
it'll make me go for whatever I want to go for now. | 0:06:45 | 0:06:48 | |
Katie is the only stylist cutting in this round, | 0:06:48 | 0:06:51 | |
a short blunt fringe with one tight roll on either side of the head. | 0:06:51 | 0:06:56 | |
The plan is I'm going to cut | 0:06:56 | 0:06:58 | |
a short, straight fringe, blunt fringe, | 0:06:58 | 0:07:00 | |
bring the victory rolls up to meet at the centre, | 0:07:00 | 0:07:03 | |
and then hopefully curl it all so it's a nice, soft, like set pearl. | 0:07:03 | 0:07:07 | |
And if that goes wrong, I'll be putting it up! | 0:07:08 | 0:07:11 | |
Right, so you have two versions in the end, if things go wrong. | 0:07:11 | 0:07:13 | |
-We'll see how the curls are sitting. -We never know what could happen. | 0:07:13 | 0:07:17 | |
She's flexible, like she always does, which is good to do, but | 0:07:19 | 0:07:23 | |
you need to have a strong plan at this level of the competition. | 0:07:23 | 0:07:27 | |
For her fringe, Katie first cuts a guide, then pulls down | 0:07:27 | 0:07:32 | |
narrow sections of hair, cutting them to exactly the same length. | 0:07:32 | 0:07:36 | |
She tidies up any stray hairs | 0:07:37 | 0:07:39 | |
to give her a '50s-style, razor-sharp edge. | 0:07:39 | 0:07:42 | |
That would have been easier without him stood there! | 0:07:44 | 0:07:47 | |
SHE LAUGHS | 0:07:47 | 0:07:48 | |
Victory rolls depend on face shape. | 0:07:48 | 0:07:50 | |
Like, sometimes it suits you, small one, | 0:07:50 | 0:07:53 | |
sometimes you can do a big one, and it's about how wide they are. | 0:07:53 | 0:07:56 | |
Dominika moved to the UK from Poland eight years ago | 0:07:58 | 0:08:01 | |
but she's still really close to her mum and sister. | 0:08:01 | 0:08:04 | |
SHE SPEAKS POLISH | 0:08:06 | 0:08:08 | |
LAUGHTER | 0:08:08 | 0:08:10 | |
The 29-year-old photographer's assistant has been | 0:08:10 | 0:08:13 | |
a strong contender throughout the competition... | 0:08:13 | 0:08:16 | |
Technique was really well applied. | 0:08:16 | 0:08:18 | |
I can't see turns, I can't fault it. | 0:08:18 | 0:08:21 | |
..coming first or second in every single blockhead round. | 0:08:21 | 0:08:24 | |
-Yeah, really good. -Really good. | 0:08:24 | 0:08:26 | |
And she came top in two of the freestyle challenges. | 0:08:26 | 0:08:29 | |
It could headline a major fashion show. | 0:08:29 | 0:08:31 | |
But the judges would like to see a little more restraint. | 0:08:31 | 0:08:35 | |
Denise and Alain, they've told me to calm down a bit. | 0:08:35 | 0:08:39 | |
There's a lot of flowers in there, maybe one or two too many. | 0:08:39 | 0:08:42 | |
I have to master the simplicity. | 0:08:42 | 0:08:44 | |
Dominika's victory rolls will sit either side of a centre parting | 0:08:46 | 0:08:50 | |
with the rest of the hair down to frame the face. | 0:08:50 | 0:08:54 | |
You're getting a nice, smooth finish. | 0:08:54 | 0:08:55 | |
You're getting that shine that Alain is desperate to see? | 0:08:55 | 0:08:58 | |
Let's please Alain! | 0:09:00 | 0:09:01 | |
Let's please you with this one! | 0:09:01 | 0:09:04 | |
Well, look, you're already on a winner because, you know, | 0:09:04 | 0:09:07 | |
in the '40s and during the War, | 0:09:07 | 0:09:08 | |
they'd have loved to have had those clips. | 0:09:08 | 0:09:10 | |
-They didn't have the clips? -No, no, no. | 0:09:10 | 0:09:12 | |
There was no money for metal, not for hair. | 0:09:12 | 0:09:15 | |
To make victory rolls, the hair is first set into curls. | 0:09:15 | 0:09:19 | |
These will then be used to form the cylinders. | 0:09:19 | 0:09:22 | |
I'm going to set it in pin curls to cool, | 0:09:22 | 0:09:24 | |
get it all out, then do the victory rolls! | 0:09:24 | 0:09:27 | |
Katie's opted for tongs | 0:09:27 | 0:09:29 | |
but Dominika is wrapping the hair around a styling wand | 0:09:29 | 0:09:32 | |
to make her curls. | 0:09:32 | 0:09:33 | |
I love the wand. You just wind it up | 0:09:33 | 0:09:36 | |
and you don't have to worry about creased ends. | 0:09:36 | 0:09:39 | |
Marvin is using a different tool. | 0:09:41 | 0:09:44 | |
I use the shapers for everything, really. To crimp, to curl, to wave. | 0:09:44 | 0:09:50 | |
The method the stylists use to prepare the hair | 0:09:50 | 0:09:53 | |
will ultimately determine how much shine they create. | 0:09:53 | 0:09:57 | |
The straightener will create the shine right away. | 0:09:57 | 0:09:59 | |
It's a good idea. | 0:09:59 | 0:10:01 | |
The best way to use it is by using fine-ish sections, | 0:10:01 | 0:10:05 | |
just two fingers maximum. One or two fingers. | 0:10:05 | 0:10:09 | |
If you use it too thick, you won't catch the roots perfectly. | 0:10:09 | 0:10:11 | |
I'm going to do the victory rolls, now. | 0:10:17 | 0:10:20 | |
To create a great victory roll, you start shaping it by backcombing, | 0:10:21 | 0:10:25 | |
to keep the consistency. | 0:10:25 | 0:10:28 | |
You can roll it in-between your fingers. | 0:10:28 | 0:10:30 | |
Take off your fingers, rearrange the shape, | 0:10:30 | 0:10:33 | |
a few pins all the way through. | 0:10:33 | 0:10:35 | |
Actually, you don't see them. | 0:10:35 | 0:10:37 | |
And then you rearrange the front to be very even and very round. | 0:10:37 | 0:10:42 | |
This one's coming along. | 0:10:47 | 0:10:49 | |
The plan was to get them done earlier. | 0:10:49 | 0:10:51 | |
But nothing's kind of going to plan. | 0:10:51 | 0:10:53 | |
At this stage, it tends to look like a building site. | 0:10:53 | 0:10:55 | |
When I go away, come back five minutes later | 0:10:55 | 0:10:58 | |
and it's, you know, The Shard. | 0:10:58 | 0:11:00 | |
-Is that going to happen again? -Oh, I've no idea. | 0:11:00 | 0:11:04 | |
Ugh, Marvin, you get on my nerves! Jeez! | 0:11:04 | 0:11:07 | |
Can't remember where I got this technique from, but thank God! | 0:11:09 | 0:11:13 | |
The rolls must be tightly pinned to keep them secure | 0:11:14 | 0:11:18 | |
but all pins and grips must be hidden in the finished hairstyles. | 0:11:18 | 0:11:22 | |
Marvin. | 0:11:24 | 0:11:25 | |
How you doing, brother? You good? | 0:11:25 | 0:11:28 | |
I'm very good. | 0:11:28 | 0:11:29 | |
I'm going to point it out. Are your hands shaking? | 0:11:29 | 0:11:34 | |
-Yeah. -Why? | 0:11:34 | 0:11:36 | |
I think I'm a bit nervous! | 0:11:36 | 0:11:38 | |
I think it's just knowing in the back of my head that it's the final. | 0:11:38 | 0:11:42 | |
What I'm really trying to work on is in the finishing | 0:11:42 | 0:11:44 | |
and hiding the pins. | 0:11:44 | 0:11:45 | |
I'm trying to play hide-and-seek with the pins this week! | 0:11:45 | 0:11:49 | |
-She does love to find a pin, our Denise. -Yep. | 0:11:49 | 0:11:52 | |
-Look, I'll leave you to it. -All right. | 0:11:52 | 0:11:54 | |
I can see you're a bit... | 0:11:54 | 0:11:56 | |
MARVIN LAUGHS | 0:11:56 | 0:11:57 | |
-I'll let you get on with your hair. -Thanks, man. | 0:11:57 | 0:11:59 | |
Half an hour left, guys. Half an hour. | 0:12:02 | 0:12:05 | |
With the rolls made, the stylists must make sure | 0:12:09 | 0:12:12 | |
they achieve the line of shine that the judges are looking for. | 0:12:12 | 0:12:16 | |
To get that line of shine it's about preparation. | 0:12:16 | 0:12:19 | |
If you look at Dominika, she brushes and brushes until it's like silk. | 0:12:19 | 0:12:23 | |
And then she knows that she's already on her way to the shine. | 0:12:23 | 0:12:27 | |
I see my line of shine! | 0:12:28 | 0:12:31 | |
The victory rolls are looking nice. | 0:12:31 | 0:12:33 | |
It's like this hair's going to fall out now. I'll try and do it. | 0:12:33 | 0:12:36 | |
Let's get these down. | 0:12:36 | 0:12:37 | |
I'm brushing through the curls with a paddle brush | 0:12:39 | 0:12:42 | |
because I don't really want it as curls, | 0:12:42 | 0:12:44 | |
I want kind of just the movement and the waves. | 0:12:44 | 0:12:48 | |
Three minutes left, guys. Three minutes left. | 0:12:48 | 0:12:51 | |
I have to make sure that my finishing is somewhat immaculate. | 0:12:56 | 0:13:00 | |
Thank you, guys. | 0:13:04 | 0:13:05 | |
If your rolls are not victorious at this stage, | 0:13:05 | 0:13:09 | |
then I am afraid it's too late. | 0:13:09 | 0:13:11 | |
Time's up, here come the judges. | 0:13:11 | 0:13:13 | |
Let's start with Katie. | 0:13:13 | 0:13:15 | |
Very cool interpretation of the shape. | 0:13:22 | 0:13:26 | |
Quite modern, in fact. I like the fringe definition. | 0:13:26 | 0:13:29 | |
Much more contemporary. | 0:13:29 | 0:13:32 | |
The fringe was brave. Well done. You've done it beautifully. | 0:13:32 | 0:13:36 | |
It's definitely got that cuteness. Shine's great. | 0:13:36 | 0:13:38 | |
Got a nice shine coming through here. | 0:13:38 | 0:13:40 | |
The pin works nice here because it's very natural. | 0:13:40 | 0:13:43 | |
Kind of flows in nicely. | 0:13:43 | 0:13:46 | |
Maybe with your waves here, I mean, the waves are nice, | 0:13:46 | 0:13:48 | |
but they could've been a wee bit tighter, | 0:13:48 | 0:13:51 | |
because they'll fall quite quickly. | 0:13:51 | 0:13:53 | |
That would be the only insecure area. | 0:13:53 | 0:13:55 | |
One thing which I've just seen now | 0:13:55 | 0:13:56 | |
that your rolls are fairly short, you know? | 0:13:56 | 0:13:59 | |
They could have been a little bit longer, | 0:13:59 | 0:14:01 | |
as far as building up the shape into it, | 0:14:01 | 0:14:04 | |
and then we could have made even more of a statement. | 0:14:04 | 0:14:08 | |
Let's go see Dominika. | 0:14:09 | 0:14:10 | |
The classic victory rolls. | 0:14:20 | 0:14:22 | |
Beautifully made. | 0:14:23 | 0:14:24 | |
I love the profile, how it builds up and really gets a nice height. | 0:14:24 | 0:14:29 | |
And it suits your model really beautifully. | 0:14:30 | 0:14:33 | |
-Looks fabulous. -Thank you. | 0:14:33 | 0:14:35 | |
And you definitely have got a fantastic shine, | 0:14:35 | 0:14:37 | |
especially blonde hair, because blonde hair | 0:14:37 | 0:14:39 | |
sometimes doesn't get as sharp a reflection. | 0:14:39 | 0:14:42 | |
She worked it beautifully and enhanced the shine. | 0:14:42 | 0:14:45 | |
Very slightly off-centre, kind of want to pull that side in, | 0:14:45 | 0:14:48 | |
just a little bit, it just goes a wee bit baggy, just there. | 0:14:48 | 0:14:52 | |
-Great stuff. -Thank you, Dominika. -Thank you. | 0:14:52 | 0:14:55 | |
Well, this is a great interpretation of the victory roll. | 0:15:09 | 0:15:14 | |
Proportions are pretty good. | 0:15:14 | 0:15:16 | |
Love the shine, you've treated it really well | 0:15:16 | 0:15:19 | |
and, being dark, it comes out really well. | 0:15:19 | 0:15:22 | |
-Very shiny. -Thank you. | 0:15:22 | 0:15:24 | |
-I have to say, well done in how you've handled that hair. -Thank you. | 0:15:24 | 0:15:27 | |
It's shiny way over there, it's shiny here, it's wonderful. | 0:15:27 | 0:15:30 | |
-And it's definitely very secure. -Thank you. | 0:15:30 | 0:15:33 | |
Couple of little pins in there. | 0:15:33 | 0:15:35 | |
A little one hiding itself. | 0:15:35 | 0:15:37 | |
I mean, we can't see it here and we can't see it here, | 0:15:37 | 0:15:41 | |
but we can definitely see it here. | 0:15:41 | 0:15:43 | |
These guys are going to be difficult to separate. | 0:15:43 | 0:15:45 | |
-Very difficult! -Thank you. | 0:15:45 | 0:15:47 | |
Well, that's the first round of the grand final over and done with | 0:15:51 | 0:15:54 | |
and the good news is, you were brilliant. | 0:15:54 | 0:15:56 | |
Help yourself to tea and biccies, guys. Well done. | 0:15:56 | 0:15:58 | |
Goodness me, that was very impressive. | 0:16:00 | 0:16:02 | |
I enjoyed that. That was really good. | 0:16:02 | 0:16:04 | |
I think we've all picked up our game now. Like, we mean business. | 0:16:06 | 0:16:10 | |
Clearly the right three people are in the final. | 0:16:10 | 0:16:12 | |
Oh, 100%. I feel quite proud, actually. | 0:16:12 | 0:16:14 | |
I can't see anyone completely stronger at this stage. | 0:16:14 | 0:16:17 | |
The standard is high now. | 0:16:17 | 0:16:19 | |
We're in the final, so no surprise, really. It's high. | 0:16:19 | 0:16:22 | |
And it's going to get harder and harder. | 0:16:22 | 0:16:25 | |
I'm trying to think which one we're going to choose | 0:16:25 | 0:16:28 | |
because right now, it's impossible. | 0:16:28 | 0:16:30 | |
I think with the next two challenges, | 0:16:30 | 0:16:32 | |
that's when it's going to start getting real tough. | 0:16:32 | 0:16:37 | |
Next up, it's the blockhead round, | 0:16:40 | 0:16:41 | |
which is all about precision cutting and, as it's the final, | 0:16:41 | 0:16:45 | |
the stylists are about to get to work on a cut that leaves | 0:16:45 | 0:16:47 | |
even qualified hairdressers quaking in their boots. | 0:16:47 | 0:16:51 | |
Deep breath, guys. | 0:16:54 | 0:16:56 | |
It's the final time you'll come face to face with the blockheads | 0:16:56 | 0:17:01 | |
in the precision cutting round. | 0:17:01 | 0:17:03 | |
This is your last chance to convince the judges you can cut, | 0:17:03 | 0:17:09 | |
and this week, it's the hardest cut of them all. | 0:17:09 | 0:17:12 | |
The graduated bob. | 0:17:12 | 0:17:14 | |
We can see there's two parts to the haircut. | 0:17:14 | 0:17:18 | |
The bottom part of the graduation. | 0:17:18 | 0:17:20 | |
And how to join the top part into it. | 0:17:20 | 0:17:23 | |
When you finish your blow-dry | 0:17:23 | 0:17:25 | |
and you've got the all-over face shape of your bob, | 0:17:25 | 0:17:27 | |
then, to soften it, take any little bits of bulk out of the ends, | 0:17:27 | 0:17:30 | |
use a technique called pointing. | 0:17:30 | 0:17:32 | |
Use the points of the scissors, into the hair, | 0:17:32 | 0:17:34 | |
so you just blend the graduation and the bob. | 0:17:34 | 0:17:38 | |
You have one hour and 40 minutes in which to complete this challenge. | 0:17:38 | 0:17:41 | |
You will be ranked on your efforts. | 0:17:41 | 0:17:43 | |
Grab your blockheads, off you go. Good luck! | 0:17:43 | 0:17:46 | |
Although none of the stylists are qualified, | 0:17:51 | 0:17:54 | |
they've all shown natural flair, | 0:17:54 | 0:17:56 | |
but this is the cut that will really challenge them. | 0:17:56 | 0:17:59 | |
Oh, gosh. OK. | 0:18:00 | 0:18:01 | |
They've been given a sectioning map | 0:18:01 | 0:18:03 | |
to help guide them through the first few stages. | 0:18:03 | 0:18:07 | |
Just how I thought. | 0:18:07 | 0:18:08 | |
I just copy the sectioning first. | 0:18:10 | 0:18:12 | |
Once that's done, I can start cutting. | 0:18:12 | 0:18:15 | |
This has got so many levels. | 0:18:17 | 0:18:19 | |
No idea what I'm doing! | 0:18:19 | 0:18:20 | |
Let's talk theory. What is a graduated bob? | 0:18:22 | 0:18:25 | |
A graduated bob is an iconic, sharp shape. | 0:18:25 | 0:18:28 | |
It's almost a combination of two, | 0:18:28 | 0:18:30 | |
where you've got the deep graduation, | 0:18:30 | 0:18:32 | |
from the nape of the neck, up into the occipital bone, | 0:18:32 | 0:18:35 | |
and then you've got the heaviness of the bob. | 0:18:35 | 0:18:37 | |
-Occipital bone? -Just this little bone in here. | 0:18:37 | 0:18:40 | |
That freaky lump at the back, there? | 0:18:40 | 0:18:41 | |
Which gives you that wonderful line coming down, | 0:18:41 | 0:18:44 | |
just hitting onto the chin. | 0:18:44 | 0:18:45 | |
-Why have you chosen this? -It's a technically very challenging haircut. | 0:18:45 | 0:18:50 | |
Will they be able to do this cut? | 0:18:50 | 0:18:51 | |
This is a challenge for any stylist. | 0:18:51 | 0:18:54 | |
We've got three brilliant contestants for this final, | 0:18:54 | 0:18:57 | |
but they're not hairdressers, you know, they're amateur hairdressers. | 0:18:57 | 0:19:00 | |
It is very easy to change the angle of the graduation | 0:19:00 | 0:19:03 | |
and go slightly too tight to the head, | 0:19:03 | 0:19:06 | |
which makes the graduation go way too high. | 0:19:06 | 0:19:08 | |
-It's finding the right balance so the shape flows really beautifully. -OK! | 0:19:08 | 0:19:13 | |
I have to do the good job. | 0:19:19 | 0:19:21 | |
Have to. | 0:19:23 | 0:19:24 | |
The graduated bob is divided into two distinct parts, | 0:19:25 | 0:19:29 | |
the one-length bob, and below it, the cut is sloped, | 0:19:29 | 0:19:32 | |
following the shape of the head, | 0:19:32 | 0:19:34 | |
getting shorter into the nape of the neck. | 0:19:34 | 0:19:37 | |
First they must tackle the lower part of the haircut. | 0:19:39 | 0:19:42 | |
They section the hair from ear to ear, | 0:19:43 | 0:19:45 | |
pinning the top half up and out of the way. | 0:19:45 | 0:19:48 | |
That seems like a cut all of its own. And I've got to try | 0:19:48 | 0:19:50 | |
and blend that with the top, while starting here. | 0:19:50 | 0:19:53 | |
To create the graduated bottom section, | 0:19:55 | 0:19:57 | |
the hair is pulled directly away from the head | 0:19:57 | 0:20:00 | |
and cut at an angle, getting shorter towards the nape of the neck. | 0:20:00 | 0:20:04 | |
Literally pulling it out from the head | 0:20:04 | 0:20:06 | |
and holding my fingers at that angle, | 0:20:06 | 0:20:09 | |
which I'm hoping is 45 degrees! | 0:20:09 | 0:20:11 | |
And cutting it, so that's how you get the graduation. | 0:20:11 | 0:20:15 | |
If angled correctly, | 0:20:15 | 0:20:17 | |
the hair will be longer at the top, getting shorter towards the bottom. | 0:20:17 | 0:20:21 | |
Now I've got to do the rest of the hair like that. | 0:20:21 | 0:20:23 | |
If the sectioning and cutting angle is wrong at the beginning, | 0:20:25 | 0:20:28 | |
the entire haircut will be affected. | 0:20:28 | 0:20:31 | |
It's quite difficult to know how far it should go, the graduation. | 0:20:31 | 0:20:35 | |
Dominika is being cowardly about cutting the hair. | 0:20:44 | 0:20:47 | |
She's not going in sharp enough. | 0:20:47 | 0:20:49 | |
The graduation won't go deep into the nape of the neck. | 0:20:49 | 0:20:52 | |
It will stay a little bit heavier. | 0:20:52 | 0:20:55 | |
She's a good inch and a half away from the neck. | 0:20:55 | 0:20:58 | |
And you really only want to be a finger away. | 0:20:58 | 0:21:00 | |
It could be a little bit long at the bottom. | 0:21:00 | 0:21:02 | |
It just has to be symmetrical. Everything is wrong. | 0:21:02 | 0:21:04 | |
It has to be symmetrical, it has to have a fringe, | 0:21:04 | 0:21:07 | |
it has to blend, like the blending...everything! | 0:21:07 | 0:21:10 | |
SHE BREATHES IN SHARPLY | 0:21:10 | 0:21:12 | |
Marvin, he's gone way too short. | 0:21:17 | 0:21:19 | |
Way too high in his graduation. | 0:21:19 | 0:21:22 | |
He needs a little bit more of an angle. | 0:21:22 | 0:21:25 | |
Longer on the top, shorter on the bottom. | 0:21:25 | 0:21:28 | |
He's gone same length, all the way through. | 0:21:28 | 0:21:31 | |
It's going to be difficult for him to reduce that angle. | 0:21:31 | 0:21:35 | |
Eventually, it's going to go higher and higher, | 0:21:35 | 0:21:38 | |
reaching too high on the top. | 0:21:38 | 0:21:40 | |
It is possible to save it by point cutting, but | 0:21:42 | 0:21:44 | |
he's going to have to do a lot to diffuse it. | 0:21:44 | 0:21:46 | |
Once they've finished cutting the back section, | 0:21:52 | 0:21:55 | |
they move on to cutting the bob. | 0:21:55 | 0:21:57 | |
Now, I'm getting the sides cut to length. | 0:21:57 | 0:22:01 | |
First, a guide is cut, which is then used as a template to match to, | 0:22:04 | 0:22:08 | |
ensuring all of the hair ends up the same length. | 0:22:08 | 0:22:11 | |
How's it going? | 0:22:13 | 0:22:16 | |
It's going. | 0:22:16 | 0:22:17 | |
You've got that whole laser-like focus on this bob, now. | 0:22:17 | 0:22:21 | |
You're like The Terminator of cutting hair! | 0:22:21 | 0:22:25 | |
"Terminator"! Yeah, yeah. | 0:22:25 | 0:22:26 | |
I have to get it right. | 0:22:27 | 0:22:29 | |
Is that your way of telling me I'm holding you up? To get lost... | 0:22:30 | 0:22:34 | |
And they say men don't have intuition(!) | 0:22:34 | 0:22:37 | |
LAUGHTER | 0:22:37 | 0:22:38 | |
OK, on that note! Ha-ha! | 0:22:38 | 0:22:39 | |
Now the fringe. | 0:22:55 | 0:22:56 | |
It's quite a lot to ask us to do! | 0:22:59 | 0:23:00 | |
The fringe needs to be cut perfectly horizontal, | 0:23:03 | 0:23:06 | |
just touching the eyebrows, and precision is paramount. | 0:23:06 | 0:23:10 | |
Why the left side is always longer? | 0:23:11 | 0:23:13 | |
30 minutes left! | 0:23:16 | 0:23:17 | |
-30 minutes left. -Thanks for that(!) | 0:23:19 | 0:23:21 | |
Drying the hair will help the stylists to spot any harsh lines, | 0:23:22 | 0:23:26 | |
which they can correct using the point-cutting technique. | 0:23:26 | 0:23:30 | |
I don't know how to do it! | 0:23:30 | 0:23:32 | |
I really don't! | 0:23:32 | 0:23:35 | |
I don't round-brush. I don't know how to do it. | 0:23:35 | 0:23:38 | |
Oh, my gosh! | 0:23:40 | 0:23:42 | |
It's looking OK. | 0:23:44 | 0:23:45 | |
I obviously need to do my pointing up, whatever they call it. | 0:23:45 | 0:23:48 | |
SHE LAUGHS | 0:23:48 | 0:23:50 | |
Point cutting is when you use | 0:23:50 | 0:23:51 | |
the points of your scissors into the hair. | 0:23:51 | 0:23:54 | |
The best technique is to go in, lift the hair, | 0:23:54 | 0:23:56 | |
catch it with the comb and literally point. | 0:23:56 | 0:23:58 | |
Where you get the blend between the graduation and the bob, | 0:23:58 | 0:24:02 | |
you can sometimes get a sharper line, | 0:24:02 | 0:24:04 | |
so you need to break that line up, so you get a complete flow. | 0:24:04 | 0:24:08 | |
I've never done point cutting before. | 0:24:09 | 0:24:11 | |
I think, if you look at that, it looks quite harsh and jagged, | 0:24:11 | 0:24:15 | |
I think the point is to soften that bit there, | 0:24:15 | 0:24:18 | |
so it kind of blends down. I think. | 0:24:18 | 0:24:21 | |
What does your sister think about you being in the final? | 0:24:22 | 0:24:24 | |
I remember you telling me | 0:24:24 | 0:24:25 | |
one of the first haircuts you ever did was on your sister. | 0:24:25 | 0:24:28 | |
What does she think of this? | 0:24:28 | 0:24:29 | |
She's very happy for me. She's very proud of me as well. | 0:24:29 | 0:24:32 | |
Like, me and my sister don't really say too much to each other, when it | 0:24:34 | 0:24:37 | |
comes to things like that, like, "I love you" and things like that, | 0:24:37 | 0:24:41 | |
but I could tell that she was definitely proud of me. | 0:24:41 | 0:24:44 | |
Definitely. It felt nice. | 0:24:44 | 0:24:46 | |
Yeah, she should be. She should be. | 0:24:46 | 0:24:48 | |
-I'll let you focus on this. -Thank you, Steve. | 0:24:49 | 0:24:52 | |
Five minutes, guys. | 0:24:52 | 0:24:54 | |
Five minutes left. | 0:24:54 | 0:24:56 | |
It's a bit shorter than I wanted | 0:25:01 | 0:25:03 | |
and that's a bit straight, but...I'm happy. | 0:25:03 | 0:25:06 | |
It's too much. I should stop here. | 0:25:10 | 0:25:13 | |
I've gone up too high. I should stop here with my graduating, | 0:25:13 | 0:25:16 | |
and then the bob should sit there. | 0:25:16 | 0:25:18 | |
Thank you, guys! Time's up! | 0:25:25 | 0:25:28 | |
I'm sure you'll be overjoyed to say goodbye to those pesky blockheads. | 0:25:28 | 0:25:33 | |
Here come the judges. Let's check out Dominika's handiwork. | 0:25:34 | 0:25:38 | |
-Yeah, you've just gone a bit high on your graduation. -Yeah. | 0:25:43 | 0:25:46 | |
You just went a little bit too much above the occipital bone. | 0:25:46 | 0:25:50 | |
Yes, it's just that edge should be nice and square here, | 0:25:50 | 0:25:53 | |
and then the angle comes up. | 0:25:53 | 0:25:55 | |
You can see how steep it is. | 0:25:55 | 0:25:57 | |
And, at the bottom, you've just left it a bit heavy. | 0:25:57 | 0:26:01 | |
You've almost left a little skirt at the bottom. | 0:26:01 | 0:26:03 | |
No, doesn't quite meet the requirements, | 0:26:04 | 0:26:07 | |
but a lovely cut all the same. Nice one, Dominika. | 0:26:07 | 0:26:10 | |
Overall you've got a great little bob here. | 0:26:20 | 0:26:22 | |
She's really cute. Loving that. | 0:26:22 | 0:26:24 | |
Just, the graduation's a bit steep. | 0:26:24 | 0:26:27 | |
You've gone a little bit above the occipital bone. | 0:26:27 | 0:26:30 | |
So, if I turn my head, you can see the angle really high. | 0:26:30 | 0:26:33 | |
It's the symmetry. We want exact lengths on both sides. Pretty good. | 0:26:34 | 0:26:40 | |
The fringe. | 0:26:40 | 0:26:42 | |
Seems like you've bounced it up a little bit too much | 0:26:42 | 0:26:46 | |
with the blow-dry. | 0:26:46 | 0:26:47 | |
I'd still be proud of it. | 0:26:49 | 0:26:50 | |
It's just a bit too sharp, you know, but overall, well done. | 0:26:50 | 0:26:54 | |
-Thank you. -Nice. Well done, Marvin. | 0:26:54 | 0:26:57 | |
Has Katie done a graduated bob? | 0:26:57 | 0:27:01 | |
This is much more of a graduation, | 0:27:08 | 0:27:11 | |
as you can see from the back, | 0:27:11 | 0:27:13 | |
working from shorter to longer, | 0:27:13 | 0:27:16 | |
flows really well. | 0:27:16 | 0:27:17 | |
So, it's right where we said, below the occipital bone. | 0:27:17 | 0:27:21 | |
We can see the strong bob going into the graduation. | 0:27:21 | 0:27:25 | |
It's almost shorter on this side and longer here. | 0:27:25 | 0:27:27 | |
-It's got a slight angle. -It can come from the blow-dry. | 0:27:27 | 0:27:30 | |
And you can see that you are the right length, | 0:27:30 | 0:27:33 | |
but you can ruin your length by blow-drying it too high. | 0:27:33 | 0:27:36 | |
Overall, this is a really great little bob, | 0:27:36 | 0:27:39 | |
and it looks very much like the block that we did. | 0:27:39 | 0:27:43 | |
-Yeah. -Nice work, Katie. Brilliant. | 0:27:43 | 0:27:45 | |
-Well done. Thank you so much. -Thank you! | 0:27:45 | 0:27:47 | |
Congratulations. | 0:27:50 | 0:27:51 | |
You have now completed the grand final blockhead challenge. | 0:27:51 | 0:27:55 | |
The judges will now rank your efforts | 0:27:55 | 0:27:58 | |
whilst you chill out in the prep room, so off you go, guys. | 0:27:58 | 0:28:00 | |
Well done, good work. | 0:28:00 | 0:28:02 | |
It's not perfect, but at least it's got a good balance. | 0:28:07 | 0:28:10 | |
It's all coming down, though. | 0:28:10 | 0:28:11 | |
Katie and Dominika's cuts were very good. | 0:28:11 | 0:28:14 | |
I just hope there's that little thing that pushes mine | 0:28:14 | 0:28:18 | |
over both of theirs. | 0:28:18 | 0:28:19 | |
Graduation's pretty perfect. That's what we're looking for. | 0:28:19 | 0:28:23 | |
It definitely feels like the final today. | 0:28:23 | 0:28:25 | |
Everyone's a lot more serious. And everyone wants it a bit more. | 0:28:25 | 0:28:29 | |
That's not graduation anywhere. It's a different haircut. | 0:28:29 | 0:28:32 | |
I just want to come second, at least. | 0:28:32 | 0:28:35 | |
I don't think I want to come first. Second would be amazing. | 0:28:35 | 0:28:39 | |
SHE SQUEAKS | 0:28:39 | 0:28:40 | |
-Right? So we know what we're doing? -Yeah, mm-hm. -Cool. | 0:28:40 | 0:28:43 | |
Dominika, Marvin, Katie, the judges have ranked your efforts | 0:28:46 | 0:28:51 | |
in your final blockhead challenge, and they are as follows. | 0:28:51 | 0:28:55 | |
In last place is... | 0:28:57 | 0:28:59 | |
..Dominika. | 0:29:02 | 0:29:03 | |
SHE GROANS | 0:29:03 | 0:29:04 | |
A bit annoyed. | 0:29:04 | 0:29:06 | |
In second place... | 0:29:06 | 0:29:08 | |
..Marvin, | 0:29:10 | 0:29:11 | |
which means, Katie, first place in the last blockhead challenge. | 0:29:11 | 0:29:18 | |
Congratulations. | 0:29:18 | 0:29:20 | |
How does that feel? | 0:29:20 | 0:29:22 | |
That's good! | 0:29:22 | 0:29:23 | |
Say goodbye to our judges, we'll see you tomorrow. | 0:29:23 | 0:29:26 | |
Now, as you know, usually your ranking has a direct | 0:29:26 | 0:29:32 | |
impact on the model you'll choose for tomorrow's freestyle challenge. | 0:29:32 | 0:29:35 | |
Not today. | 0:29:35 | 0:29:36 | |
THEY LAUGH | 0:29:36 | 0:29:39 | |
It's the grand final, so we've decided to up the ante. | 0:29:39 | 0:29:43 | |
We will choose your model for you. | 0:29:43 | 0:29:46 | |
Now, I just want you to know the theme for tomorrow's | 0:29:46 | 0:29:49 | |
freestyle challenge is...Hollywood glamour. | 0:29:49 | 0:29:53 | |
It's a difficult topic, obviously, so we've decided, | 0:29:55 | 0:29:58 | |
in order to give you the best possible chance of success, | 0:29:58 | 0:30:01 | |
we've decided to introduce you to your models today. | 0:30:01 | 0:30:03 | |
Don't look so worried! | 0:30:03 | 0:30:05 | |
'What the stylists don't know is that the models they'll be transforming | 0:30:05 | 0:30:09 | |
'have the most challenging hair they've taken on so far.' | 0:30:09 | 0:30:11 | |
Bring on the hair! | 0:30:11 | 0:30:12 | |
'It's their mums.' | 0:30:12 | 0:30:14 | |
It'll be a really big shock, she won't be expecting it at all. | 0:30:14 | 0:30:18 | |
Marvin tries to do things to my hair | 0:30:20 | 0:30:21 | |
but I am one of those mothers who's "No, no, no, no, no." | 0:30:21 | 0:30:25 | |
He wants to do... "No!" | 0:30:25 | 0:30:26 | |
Oh, no! | 0:30:36 | 0:30:38 | |
Go and say hi. | 0:30:40 | 0:30:41 | |
You kept that quiet, didn't you? | 0:30:46 | 0:30:48 | |
I've worked on my mum's hair before. She normally wears | 0:30:51 | 0:30:55 | |
single plaits, extensions. | 0:30:55 | 0:30:58 | |
Yeah, she'll be getting something completely different! | 0:30:58 | 0:31:03 | |
HE LAUGHS | 0:31:03 | 0:31:05 | |
Yeah. I don't think Marvin would do anything that would... | 0:31:07 | 0:31:10 | |
Oh, no, no, no, no, no, no. | 0:31:10 | 0:31:11 | |
You wouldn't dare cut my hair! | 0:31:11 | 0:31:14 | |
It's a totally different plan than I had. | 0:31:14 | 0:31:17 | |
It's just now I probably need to put some extensions in. | 0:31:17 | 0:31:21 | |
And blend it properly. | 0:31:21 | 0:31:23 | |
-Bonding glue. -SHE LAUGHS | 0:31:23 | 0:31:25 | |
She doesn't know about it yet. | 0:31:25 | 0:31:28 | |
Usually my mum doesn't let me do her hair. | 0:31:28 | 0:31:30 | |
No, we've done it for special occasions. | 0:31:30 | 0:31:32 | |
But my hair's quite fine and dry. | 0:31:32 | 0:31:35 | |
-And frizzy. -And frizzy and fluffy, so it's... | 0:31:35 | 0:31:39 | |
Doing Hollywood glamour on my mum's hair is going to be a challenge. | 0:31:39 | 0:31:43 | |
I'm proud of him, really proud of him. | 0:31:43 | 0:31:46 | |
Don't you dare. | 0:31:50 | 0:31:52 | |
Don't you dare! | 0:31:54 | 0:31:56 | |
It's the final day of the competition. | 0:32:02 | 0:32:04 | |
Today we find out who is worthy of being named Britain's best | 0:32:04 | 0:32:08 | |
amateur hairstylist. | 0:32:08 | 0:32:09 | |
But first, Dominika, Katie and Marvin have one final challenge to face. | 0:32:09 | 0:32:13 | |
It's the freestyle round. | 0:32:13 | 0:32:16 | |
The hair belongs to their mums and the theme is Hollywood glamour. | 0:32:16 | 0:32:20 | |
This is going to be epic. | 0:32:20 | 0:32:23 | |
The only two things standing in my way is Dominika and Katie. | 0:32:23 | 0:32:27 | |
Dominika's probably going to win it. She has been consistently | 0:32:27 | 0:32:30 | |
good all the way through. I don't think she's ever had a bad one. | 0:32:30 | 0:32:33 | |
We know Katie, she always likes to pull off something that's just like, "Whoa..." | 0:32:33 | 0:32:38 | |
And then Marvin, I'm sure he's going to come with full | 0:32:38 | 0:32:41 | |
head of extension today. | 0:32:41 | 0:32:43 | |
Good morning. | 0:32:43 | 0:32:46 | |
ALL: Good morning. | 0:32:46 | 0:32:48 | |
It's your very last chance to prove to the judges that you | 0:32:48 | 0:32:52 | |
deserve to be crowned Britain's best amateur hairstylist. | 0:32:52 | 0:32:56 | |
The theme is Hollywood glamour. | 0:32:56 | 0:32:58 | |
You can interpret that how you like, as long as your lovely mums | 0:32:58 | 0:33:02 | |
end up sporting a hairdo that a star of the silver screen | 0:33:02 | 0:33:06 | |
would choose to wear to the latest Hollywood premiere. | 0:33:06 | 0:33:09 | |
Remember your model. | 0:33:09 | 0:33:11 | |
The style you choose must be suitable. | 0:33:11 | 0:33:13 | |
So elegance is the word. | 0:33:13 | 0:33:15 | |
It's not about being cool this time. | 0:33:15 | 0:33:17 | |
It's about looking beautiful. | 0:33:17 | 0:33:19 | |
Make the hair shiny, I want to see some | 0:33:19 | 0:33:21 | |
movement, shine, quality into the hair. | 0:33:21 | 0:33:24 | |
Your mothers await, you have 2½ hours. | 0:33:24 | 0:33:28 | |
Best of luck, guys. Go get 'em. | 0:33:28 | 0:33:30 | |
-Hello! -Hello! | 0:33:34 | 0:33:37 | |
Let's do this quick. | 0:33:37 | 0:33:39 | |
Right, I'm going to pump you up here. | 0:33:40 | 0:33:44 | |
In previous weeks, the amateurs have had models' hair to work | 0:33:44 | 0:33:48 | |
with in this round, but, as hair can get thinner with age, | 0:33:48 | 0:33:51 | |
tackling their mums' hair will pose a real challenge for the three finalists. | 0:33:51 | 0:33:56 | |
All possible products. | 0:33:56 | 0:33:58 | |
I've never had to do this. | 0:33:58 | 0:34:00 | |
Well, you're doing it now, innit? | 0:34:03 | 0:34:05 | |
The stylists can use anything available in the prep room, | 0:34:08 | 0:34:11 | |
including a vast array of extensions. | 0:34:11 | 0:34:13 | |
-You want me to take my glasses off? -Please. | 0:34:15 | 0:34:20 | |
Hollywood glamour - what are you expecting? | 0:34:22 | 0:34:24 | |
They've got to look glamorous and beautiful. | 0:34:24 | 0:34:27 | |
They can't look silly. They're not 16, they're more mature. | 0:34:27 | 0:34:31 | |
They can have longer hair. | 0:34:31 | 0:34:32 | |
If the extensions are put in they have to be beautifully done. | 0:34:32 | 0:34:35 | |
That's the trick, exactly. | 0:34:35 | 0:34:36 | |
You've got to believe that it's their own hair. | 0:34:36 | 0:34:38 | |
It will really test them - a very, very strong challenge. | 0:34:38 | 0:34:42 | |
Out of all the mums, whose hair looks like the biggest challenge? | 0:34:42 | 0:34:46 | |
I think all of them have their own challenges. | 0:34:46 | 0:34:48 | |
Marvin's got to put in a lot of work to add on | 0:34:48 | 0:34:51 | |
all the hair, maybe half a wig, maybe weaves into it. | 0:34:51 | 0:34:55 | |
There's whole techniques of making it look real, | 0:34:55 | 0:34:58 | |
blending the hair into it. That's not easy. | 0:34:58 | 0:35:01 | |
Dominika has short hair. How much she's going to create | 0:35:01 | 0:35:04 | |
a piece by keeping it short, | 0:35:04 | 0:35:06 | |
or is she going to bring the extension...how's she going to | 0:35:06 | 0:35:09 | |
blend it into it? | 0:35:09 | 0:35:10 | |
Katie's mum's is quite fine. | 0:35:10 | 0:35:12 | |
And she has a bit of a fringe, so | 0:35:12 | 0:35:14 | |
I personally think Katie's mum could be the hardest. | 0:35:14 | 0:35:17 | |
What's the plan today? | 0:35:22 | 0:35:24 | |
The plan today would be | 0:35:24 | 0:35:26 | |
a touch of an extension, | 0:35:26 | 0:35:29 | |
to give her a bit longer... | 0:35:29 | 0:35:31 | |
-How will you attach them? -I'm going to glue it. | 0:35:31 | 0:35:34 | |
-Have you done that before? -No. | 0:35:34 | 0:35:36 | |
-So you'll put it in a "U" shape round here? -Yeah. | 0:35:36 | 0:35:38 | |
OK, that's good, so you'll get much more volume here. | 0:35:38 | 0:35:41 | |
Going for, like, a Joan Rivers hair... | 0:35:41 | 0:35:44 | |
Oh, fabulous! | 0:35:44 | 0:35:46 | |
I'm going for an up-do. | 0:35:47 | 0:35:49 | |
A chignon at the back with curls and stuff on it. | 0:35:49 | 0:35:52 | |
I'll dry it all and then | 0:35:52 | 0:35:55 | |
sew the extensions in. | 0:35:55 | 0:35:57 | |
Your fingers are just like magic right now. | 0:35:57 | 0:35:59 | |
I'm just watching them. | 0:35:59 | 0:36:01 | |
So what's the plan? | 0:36:01 | 0:36:03 | |
My plan is to do a Veronica Lake-inspired kind of | 0:36:03 | 0:36:07 | |
-hairstyle... -Oh, wow. -..with more of a modern twist | 0:36:07 | 0:36:10 | |
via Katy Perry. | 0:36:10 | 0:36:11 | |
Just the colours... | 0:36:11 | 0:36:14 | |
-Throwing a bit of Katy Perry in? -Yeah. -And how are you doing this? | 0:36:14 | 0:36:17 | |
For this challenge I will be making a "U" part wig, | 0:36:17 | 0:36:19 | |
this section will be left up and I'll incorporate her hair over it. | 0:36:19 | 0:36:23 | |
-Then I'll just work on that. -And you're going to make it? | 0:36:23 | 0:36:26 | |
-Yeah. -Oh! Really?! | 0:36:26 | 0:36:29 | |
I'm very excited to see that. | 0:36:29 | 0:36:30 | |
To get volume into her mum Bourgena's hair, | 0:36:33 | 0:36:36 | |
Dominika begins by blow-drying it with a small, round brush. | 0:36:36 | 0:36:40 | |
Yes, I'm just putting it in the Velcro rollers, | 0:36:40 | 0:36:43 | |
and blast with hot air again and then let it cool. | 0:36:43 | 0:36:46 | |
The longer it sets, the better it's going to look. | 0:36:46 | 0:36:53 | |
Marvin has nearly finished braiding his mum Lorna's hair. | 0:36:53 | 0:36:57 | |
Time to make my wig. | 0:36:57 | 0:37:00 | |
The hairpiece Marvin will be making himself from scratch will | 0:37:00 | 0:37:03 | |
cover his mum's entire head. | 0:37:03 | 0:37:05 | |
It's the first time a hairpiece of this type has been | 0:37:05 | 0:37:08 | |
attempted in the competition. | 0:37:08 | 0:37:10 | |
Marvin's got to put in a lot of work and add on all the hair, | 0:37:10 | 0:37:13 | |
making it look real, blending the hair into it. That's not easy. | 0:37:13 | 0:37:18 | |
With the wig cap, she'll be able to take it off and put it on, | 0:37:18 | 0:37:22 | |
cos my mum doesn't like wearing a weave. | 0:37:22 | 0:37:26 | |
Yeah! That's it, going to be making my wig now! | 0:37:26 | 0:37:30 | |
He measures the size of his mum's head, | 0:37:30 | 0:37:34 | |
marks on the wig cap where the hair extensions need to be glued and | 0:37:34 | 0:37:37 | |
where his mum's natural hair will be pulled through to be blended in. | 0:37:37 | 0:37:41 | |
When you're doing hairpieces, the head size is really important. | 0:37:41 | 0:37:46 | |
It's like a hat. | 0:37:46 | 0:37:47 | |
So the shape would cover the back here, and come round, | 0:37:47 | 0:37:49 | |
so profiling the head. | 0:37:49 | 0:37:51 | |
Marvin glues the wefts of real hair onto | 0:37:51 | 0:37:54 | |
the cap following the shape of the head. | 0:37:54 | 0:37:57 | |
I'm not going to add any layers, I'm going to keep it all long | 0:37:57 | 0:38:00 | |
and just cut the front. | 0:38:00 | 0:38:01 | |
Then I will incorporate it to my mum's head via wig clips. | 0:38:01 | 0:38:07 | |
So I'm proper trying to concentrate, sorry. | 0:38:07 | 0:38:10 | |
Like Marvin, Dominika is also using glue | 0:38:11 | 0:38:15 | |
but she's sticking the extensions directly onto her mum's own hair. | 0:38:15 | 0:38:19 | |
I'm gluing the hair extensions instead of doing the clip-ons | 0:38:19 | 0:38:22 | |
because it's just quicker. I hope it's quicker. | 0:38:22 | 0:38:25 | |
I guess it's slightly like with the eyelashes. | 0:38:25 | 0:38:28 | |
Wait a little bit to get tacky then stick it in. | 0:38:28 | 0:38:32 | |
OK. | 0:38:32 | 0:38:33 | |
Smells like the eyelashes glue. | 0:38:33 | 0:38:36 | |
So there are two techniques. | 0:38:37 | 0:38:39 | |
Either you apply it flat on the scalp or you apply it up onto | 0:38:39 | 0:38:42 | |
the hair, your previous section. | 0:38:42 | 0:38:44 | |
Here, she's applied it on the hair so she can have a bit more | 0:38:44 | 0:38:47 | |
elevation from the roots, which is a very good technique. | 0:38:47 | 0:38:50 | |
The extensions are easily removed | 0:38:50 | 0:38:53 | |
when required using a bond remover which dissolves the glue. | 0:38:53 | 0:38:57 | |
I'm about to sew the extensions in at super speed! | 0:38:58 | 0:39:03 | |
Katie plaits a horizontal corn row into her mum Jeanette's hair | 0:39:03 | 0:39:08 | |
and sews the extensions into it. | 0:39:08 | 0:39:11 | |
-Sorry. -No, it's OK. | 0:39:11 | 0:39:13 | |
It's when I jump out the seat and scream you need to worry. | 0:39:13 | 0:39:16 | |
I know, yeah. | 0:39:16 | 0:39:17 | |
I'm literally doing a blanket stitch. | 0:39:17 | 0:39:19 | |
It's where my sewing skills come in handy. | 0:39:19 | 0:39:22 | |
The blanket stitch... | 0:39:22 | 0:39:24 | |
It's slightly dark but I think we'll get away with it. | 0:39:25 | 0:39:28 | |
Have you fallen asleep there, Mum? | 0:39:31 | 0:39:32 | |
No, I'm awake. I'm watching everything that you're doing. | 0:39:32 | 0:39:37 | |
This is a razor blade. Oop, can't stop shaking. This is dangerous. | 0:39:37 | 0:39:42 | |
To give his hairpiece a layered look, Marvin is cutting | 0:39:44 | 0:39:47 | |
the darker extensions before he glues them to the wig cap. | 0:39:47 | 0:39:51 | |
I'm just trying to make the hair shorter without it being too blunt. | 0:39:51 | 0:39:54 | |
I'm not used to being put under pressure to do something I enjoy. | 0:39:59 | 0:40:03 | |
You haven't got any clingfilm underneath? | 0:40:15 | 0:40:18 | |
To make sure your glue isn't taken through it. | 0:40:18 | 0:40:20 | |
Oh, no, it'll be fine. It's glue, innit? | 0:40:20 | 0:40:24 | |
If I'd been gluing, I'd have clingfilmed | 0:40:24 | 0:40:26 | |
my block first, | 0:40:26 | 0:40:28 | |
then I would have put on my net, | 0:40:28 | 0:40:29 | |
and then started the gluing process, | 0:40:29 | 0:40:31 | |
cos then once it's dry, | 0:40:31 | 0:40:33 | |
it would have all just lifted off nicely. | 0:40:33 | 0:40:36 | |
I've sorted this now, Mum. | 0:40:36 | 0:40:38 | |
-So it's stuck? -Kind of. | 0:40:38 | 0:40:39 | |
Strip this wig head. | 0:40:52 | 0:40:54 | |
Whoops. | 0:40:54 | 0:40:56 | |
-Gendobre, Bourgena. -Gendobre, Steve. | 0:41:01 | 0:41:05 | |
Have you worked on your mother's hair much over the years? | 0:41:06 | 0:41:10 | |
I would usually do a bit of cutting, blow-drys. | 0:41:10 | 0:41:13 | |
What age were you when you started? | 0:41:13 | 0:41:15 | |
I always remember I was | 0:41:15 | 0:41:17 | |
watching my mum in the bathroom getting ready, | 0:41:17 | 0:41:20 | |
when we were on the way to nursery, | 0:41:20 | 0:41:22 | |
and there would be this motion like... | 0:41:22 | 0:41:24 | |
Hairspray and fingers through, mess it up. | 0:41:24 | 0:41:28 | |
We're thinking about '80s and huge... | 0:41:28 | 0:41:31 | |
That's how I learned to backcomb. | 0:41:31 | 0:41:34 | |
-From my mum. -Your mum's your muse? -Yeah, definitely. | 0:41:34 | 0:41:37 | |
What does your mother do? | 0:41:37 | 0:41:38 | |
My mother is retired now. She used to be a secretary, | 0:41:38 | 0:41:41 | |
she used to work as a telephonist. | 0:41:41 | 0:41:43 | |
-She used to... -I'm not surprised with that voice. | 0:41:43 | 0:41:46 | |
She's got a very sexy voice. | 0:41:46 | 0:41:48 | |
SHE LAUGHS | 0:41:48 | 0:41:49 | |
-No, she has. -Hello! | 0:41:49 | 0:41:51 | |
She should work in voiceovers, you know what I mean? | 0:41:51 | 0:41:54 | |
SHE SPEAKS POLISH | 0:41:54 | 0:41:57 | |
Thank you! | 0:41:59 | 0:42:02 | |
Thank you! | 0:42:02 | 0:42:04 | |
Feels like there's loads coming off. Is there? | 0:42:20 | 0:42:22 | |
No. Right, let's get you curled. | 0:42:22 | 0:42:27 | |
Having created the extra volume, | 0:42:27 | 0:42:29 | |
Dominika now needs to cut the extensions to the correct | 0:42:29 | 0:42:32 | |
length and try to blend them seamlessly into her mum's own hair. | 0:42:32 | 0:42:37 | |
It just feels...look, it just goes in the steps. | 0:42:38 | 0:42:41 | |
I cut too much hair in one go. I did something weird. | 0:42:57 | 0:43:03 | |
Yeah, it looks ridiculous now. | 0:43:03 | 0:43:05 | |
With the hairpiece now made, Marvin is gluing hairclips onto it. | 0:43:15 | 0:43:20 | |
He cuts out the front section that his mum's own hair will be | 0:43:20 | 0:43:24 | |
pulled through, and then attaches it to her head. | 0:43:24 | 0:43:27 | |
-Sorry if this hurts. -Hm? -I said sorry if this hurts. -That's OK, babes. | 0:43:27 | 0:43:32 | |
Beauty comes at a price. If you're putting an accessory into someone's hair, | 0:43:32 | 0:43:35 | |
there's got to be a little bit of pain for a couple of seconds. | 0:43:35 | 0:43:38 | |
He clips the hairpiece to the braids at the bottom of the head, | 0:43:38 | 0:43:42 | |
then pulls it tightly over, clipping it at the top where his mum's | 0:43:42 | 0:43:46 | |
own hair will be blended into it. | 0:43:46 | 0:43:48 | |
Marvin could go wrong with it. It needs to feel fitted, it needs to feel comfortable, | 0:43:48 | 0:43:52 | |
it needs to feel secure and also flow and lie like real hair. | 0:43:52 | 0:43:57 | |
Half an hour left, guys, half an hour. | 0:44:07 | 0:44:10 | |
'Dominika is still struggling to blend the extensions into her | 0:44:10 | 0:44:14 | |
'mum's hair.' | 0:44:14 | 0:44:16 | |
I'm just trying to thin it cos it looks still part of it. | 0:44:16 | 0:44:21 | |
Dominika. | 0:44:27 | 0:44:28 | |
She's using every tool in the world that cuts hair, | 0:44:28 | 0:44:30 | |
she's chipping and cutting all over the place. | 0:44:30 | 0:44:33 | |
So what worries me | 0:44:33 | 0:44:34 | |
is that she's taking out all the volume that she actually put in. | 0:44:34 | 0:44:37 | |
She's reducing the whole thickness, the whole length. | 0:44:37 | 0:44:40 | |
It's going to become next to nothing. | 0:44:40 | 0:44:42 | |
Don't know if it was worth doing it at the end of the day. | 0:44:42 | 0:44:44 | |
Bend your head forward. | 0:44:49 | 0:44:52 | |
With his hairpiece securely in place, | 0:44:52 | 0:44:54 | |
Marvin can finally begin to create his Hollywood-inspired waves. | 0:44:54 | 0:44:59 | |
I'm curling the hair with the curling tongs and then I'm | 0:44:59 | 0:45:01 | |
letting it cool down and set, with it being rolled up and clipped. | 0:45:01 | 0:45:06 | |
I think it's lovely. | 0:45:08 | 0:45:11 | |
When it's finished it's going to be marvellous, it's gorgeous. | 0:45:11 | 0:45:15 | |
I actually think they were a good idea. | 0:45:18 | 0:45:20 | |
-Yeah, they've gone well. -Have they? -Yeah. | 0:45:20 | 0:45:22 | |
Curls finished, Katie moves on to creating her mum's chignon. | 0:45:22 | 0:45:26 | |
I've literally put a bun ring underneath | 0:45:26 | 0:45:30 | |
and I'm placing curls on bit by bit to build up the kind of chignon. | 0:45:30 | 0:45:34 | |
Well, that's the plan anyway. | 0:45:34 | 0:45:37 | |
The problem with Katie is she hasn't used mousse or enough spray | 0:45:37 | 0:45:41 | |
to have enough grip into the hair, | 0:45:41 | 0:45:43 | |
so I'm scared it will flop down within the length of it. | 0:45:43 | 0:45:47 | |
Do you want more height? | 0:45:47 | 0:45:49 | |
Just do what's best for you. | 0:45:49 | 0:45:51 | |
Katie's backcombing | 0:45:51 | 0:45:54 | |
is really weak. She's putting it in and she's kind of taking it out. | 0:45:54 | 0:45:58 | |
I have quite a lot to finish. | 0:46:07 | 0:46:11 | |
I'm still not 100% happy with the shape. | 0:46:11 | 0:46:15 | |
I don't want it to look tacky. | 0:46:15 | 0:46:18 | |
With the challenge almost over, Marvin must make sure | 0:46:20 | 0:46:24 | |
that his mum's own hair and hairline blend seamlessly with the hairpiece. | 0:46:24 | 0:46:29 | |
I am feeling Hollywood at the moment, yes. | 0:46:29 | 0:46:32 | |
Five minutes. | 0:46:34 | 0:46:36 | |
Five minutes till the end of your final challenge | 0:46:36 | 0:46:39 | |
in the grand final. | 0:46:39 | 0:46:40 | |
Do you think I could make something in five minutes? | 0:46:40 | 0:46:43 | |
Do feathers, stick them behind my ears. | 0:46:43 | 0:46:48 | |
I'd just stick the green feathers in, Kate. I need to cover something. | 0:46:50 | 0:46:55 | |
Don't forget you've got clips here. | 0:47:02 | 0:47:04 | |
Three minutes! | 0:47:04 | 0:47:06 | |
Raising her eyebrows is a good sign. | 0:47:11 | 0:47:13 | |
There's clips all over this. | 0:47:19 | 0:47:21 | |
-It doesn't matter, does it? -Yeah, it does. | 0:47:21 | 0:47:23 | |
Every time you're moving forward you're sitting on the curls. | 0:47:23 | 0:47:26 | |
Two minutes! Two minutes remain. | 0:47:27 | 0:47:31 | |
How are you feeling, are you happy? | 0:47:31 | 0:47:33 | |
Yeah, she's happy. | 0:47:33 | 0:47:35 | |
-She thinks the same. -You're happy? | 0:47:35 | 0:47:37 | |
Yeah, definitely. The hair made with love. | 0:47:37 | 0:47:41 | |
I just love it! | 0:47:43 | 0:47:45 | |
-That is fantastic. -Thanks, Mum. | 0:47:45 | 0:47:48 | |
-Leave! -Sorry. | 0:47:48 | 0:47:51 | |
That's it! Time's up! | 0:47:57 | 0:47:59 | |
There will be no more hairdressing in this competition. | 0:47:59 | 0:48:03 | |
Step away from your mums. | 0:48:03 | 0:48:06 | |
-Step away! -All right! | 0:48:06 | 0:48:08 | |
-Thank you. -It's all right, Mum. | 0:48:10 | 0:48:12 | |
'Alain and Denise are looking for luxuriant, | 0:48:12 | 0:48:15 | |
'elegant hairstyles that suit the mums and look good from 360 degrees.' | 0:48:15 | 0:48:21 | |
Here they come. | 0:48:21 | 0:48:23 | |
Let's have a look. | 0:48:34 | 0:48:35 | |
MUSIC: "Glamorous" by Fergie | 0:48:35 | 0:48:37 | |
Thank you, Jeanette, take a seat. | 0:48:48 | 0:48:51 | |
There it is. | 0:48:51 | 0:48:53 | |
How does it feel? | 0:48:53 | 0:48:55 | |
-Feels really nice. -It looks gorgeous, very elegant. | 0:48:55 | 0:48:58 | |
It's so clean and I have to say | 0:48:58 | 0:49:00 | |
I cannot see where | 0:49:00 | 0:49:01 | |
the real hair meets the extensions. | 0:49:01 | 0:49:05 | |
What is really lovely is the shine. | 0:49:05 | 0:49:07 | |
Even your pin curls are really defined. | 0:49:07 | 0:49:10 | |
Maybe one too many. It could have been to reduce | 0:49:10 | 0:49:14 | |
a little bit of it. | 0:49:14 | 0:49:15 | |
It's safe, it's settled and it suits | 0:49:15 | 0:49:19 | |
your mother beautifully. | 0:49:19 | 0:49:21 | |
I would like to have seen a tiny bit more height. | 0:49:21 | 0:49:25 | |
Yeah. | 0:49:25 | 0:49:26 | |
It doesn't take much for the volume | 0:49:26 | 0:49:28 | |
just by putting your tail comb inside, lifting it up, | 0:49:28 | 0:49:31 | |
but those are details - overall, a great effort. | 0:49:31 | 0:49:33 | |
Thank you, Katie, thank you, Jeanette, really good. | 0:49:33 | 0:49:37 | |
Let's have a chat with Dominika and Bourgena. | 0:49:37 | 0:49:41 | |
# MUSIC: "Atomic" by Blondie | 0:49:41 | 0:49:43 | |
# Magnificent | 0:49:43 | 0:49:46 | |
# Tonight, bright | 0:49:46 | 0:49:54 | |
# Oh, your hair is beautiful | 0:49:54 | 0:49:59 | |
# Oh, tonight | 0:50:01 | 0:50:07 | |
# Atomic. # | 0:50:07 | 0:50:09 | |
Thank you. | 0:50:09 | 0:50:11 | |
The colour works really well. | 0:50:13 | 0:50:15 | |
You feel that it's her own hair. | 0:50:15 | 0:50:17 | |
When you were chopping into it a little bit, | 0:50:18 | 0:50:20 | |
you looked like you were worried about how they were responding. | 0:50:20 | 0:50:24 | |
Yeah, because whilst you chop it, and then because it's dry as well, | 0:50:24 | 0:50:28 | |
we've done all this cutting wet and I really got used to the wet one | 0:50:28 | 0:50:32 | |
and then the chop was just like blunt. | 0:50:32 | 0:50:34 | |
And I think because you didn't understand, | 0:50:34 | 0:50:36 | |
you didn't get that very fine finish. | 0:50:36 | 0:50:38 | |
Just that perfect... | 0:50:38 | 0:50:40 | |
-It was definitely a guessing game this time. -Yeah. | 0:50:40 | 0:50:42 | |
Putting the extension is always daring on short hair. | 0:50:42 | 0:50:46 | |
It's good to cut them before you put them in. | 0:50:46 | 0:50:49 | |
So how do you say, "Do you feel glamorous?" in Polish? | 0:50:49 | 0:50:53 | |
Czujesz glamorous? | 0:50:53 | 0:50:56 | |
That just sounded like English. | 0:50:56 | 0:50:58 | |
SHE SPEAKS POLISH | 0:50:58 | 0:50:59 | |
In full meaning of it. | 0:50:59 | 0:51:01 | |
You feel the full meaning of glamorous. Fabulous. Nice work. | 0:51:01 | 0:51:05 | |
Thank you, guys. | 0:51:05 | 0:51:06 | |
SHIRLEY BASSEY: # Get this party started on a Saturday night | 0:51:10 | 0:51:14 | |
# Everybody's waiting for me to arrive... # | 0:51:15 | 0:51:20 | |
Lorna, if you'd like to take a walk? | 0:51:21 | 0:51:23 | |
# ..I'm coming up so you better get this party started | 0:51:23 | 0:51:30 | |
# I'm coming up... # | 0:51:31 | 0:51:34 | |
Killing it! She's killing it! | 0:51:34 | 0:51:36 | |
Really good. | 0:51:37 | 0:51:39 | |
Thank you, Lorna. | 0:51:40 | 0:51:42 | |
Beautiful, as you can see, ready for a world event. | 0:51:42 | 0:51:45 | |
-Oh, it feels really comfy! Is it comfortable? -It is, yeah. | 0:51:46 | 0:51:49 | |
It doesn't even feel heavy. | 0:51:49 | 0:51:51 | |
You can't see the join between your mum's hair and the weave. | 0:51:51 | 0:51:56 | |
It really is lovely. Yeah, that's beautifully done. | 0:51:56 | 0:51:59 | |
I really like the effect of the pink. | 0:51:59 | 0:52:02 | |
It really...cos you can see the length into it. | 0:52:02 | 0:52:04 | |
-I love the shine. -Thank you. -I love the shimmer through it, | 0:52:04 | 0:52:07 | |
it really is glamour. | 0:52:07 | 0:52:09 | |
If you brushed it a little bit more you could have created | 0:52:09 | 0:52:12 | |
a little bit more...waves, which are also very glossy and glamorous. | 0:52:12 | 0:52:16 | |
Most importantly, how do you feel, Lorna? | 0:52:16 | 0:52:19 | |
-I feel wonderful. -That's all that matters. | 0:52:19 | 0:52:22 | |
-You look wonderful. -Yep, yep. | 0:52:22 | 0:52:24 | |
Well, congratulations on all your hard work, | 0:52:26 | 0:52:29 | |
you should be proud of yourselves. | 0:52:29 | 0:52:30 | |
You've done amazing, amazing work here and we love you for it. | 0:52:30 | 0:52:33 | |
So, for the final time, | 0:52:33 | 0:52:35 | |
I'd like to ask you to relax in the prep room | 0:52:35 | 0:52:38 | |
while our judges decide who is about to be crowned | 0:52:38 | 0:52:42 | |
Britain's best amateur hairstylist. | 0:52:42 | 0:52:45 | |
Off you go. Thank you, guys. | 0:52:45 | 0:52:47 | |
I'm just trying to keep calm right now. | 0:52:56 | 0:52:58 | |
I'm feeling every kind of emotion | 0:52:58 | 0:53:01 | |
but I'm trying to keep it, like, low profile right now. | 0:53:01 | 0:53:05 | |
Overall, I think what the judges said was positive. | 0:53:05 | 0:53:09 | |
It suited my mum well. | 0:53:09 | 0:53:10 | |
It was all good, I was happy. | 0:53:10 | 0:53:13 | |
I hope it's me. | 0:53:13 | 0:53:16 | |
I love hair, and love always wins? | 0:53:16 | 0:53:20 | |
So, yeah, that would be amazing. | 0:53:20 | 0:53:22 | |
The grand final - who wowed you, who disappointed? | 0:53:22 | 0:53:26 | |
I think overall the three of them performed really well. | 0:53:26 | 0:53:28 | |
Who did it for you in the set element? | 0:53:28 | 0:53:31 | |
Overall, I would say Dominika was quite strong in that round. | 0:53:31 | 0:53:35 | |
But Marvin's rolls, with the shine on them, | 0:53:35 | 0:53:37 | |
they were absolutely beautiful. | 0:53:37 | 0:53:39 | |
And what about the blockhead round? | 0:53:39 | 0:53:41 | |
Katie did the best one. | 0:53:41 | 0:53:43 | |
You know, really close to the one we had in mind, | 0:53:43 | 0:53:46 | |
in the length, in the level of the graduation. | 0:53:46 | 0:53:49 | |
What about in the freestyle challenge? | 0:53:49 | 0:53:50 | |
I really like what Marvin did. | 0:53:50 | 0:53:52 | |
Put all the wig base on it, created all the waves, | 0:53:52 | 0:53:56 | |
finishing in curls. | 0:53:56 | 0:53:58 | |
Katie, you know, it was very elegant. | 0:53:58 | 0:54:00 | |
Beautifully done chignon. | 0:54:00 | 0:54:01 | |
-Dominika? -It suited her mum, her mum looked really glamorous. | 0:54:01 | 0:54:05 | |
OK, well, I'll leave you to decide who the winner of Hair 2014 is. | 0:54:05 | 0:54:12 | |
Firstly, congratulations. | 0:54:33 | 0:54:36 | |
You've all created work worthy of a grand final. | 0:54:36 | 0:54:40 | |
Over the last six weeks, you've produced some amazing creations, | 0:54:40 | 0:54:44 | |
but for the grand final, | 0:54:44 | 0:54:47 | |
it's been all about the last two days, for our judges. | 0:54:47 | 0:54:51 | |
I know it's been an incredibly difficult decision, | 0:54:51 | 0:54:55 | |
but that decision has been taken. | 0:54:55 | 0:55:01 | |
The winner of Hair 2014 | 0:55:01 | 0:55:05 | |
and the person who peaked at the exact moment they needed to is... | 0:55:05 | 0:55:14 | |
..Marvin. | 0:55:24 | 0:55:26 | |
APPLAUSE | 0:55:26 | 0:55:28 | |
This is yours. You deserve it. | 0:55:31 | 0:55:35 | |
Well done, Marvin. | 0:55:36 | 0:55:38 | |
Your progress over the last six weeks has been stunning. | 0:55:38 | 0:55:41 | |
Girls, I just want to say as well, | 0:55:44 | 0:55:46 | |
you have just been absolutely brilliant. | 0:55:46 | 0:55:49 | |
We've been blown away by your work, consistently. | 0:55:49 | 0:55:52 | |
-Well done as well. -Thank you. Wonderful work. -Thank you. | 0:55:52 | 0:55:55 | |
That's yours, yes. | 0:55:55 | 0:55:57 | |
All I've ever done is hair, I haven't done anything else. | 0:55:57 | 0:56:00 | |
I never went to college, I never finished school. | 0:56:00 | 0:56:03 | |
And I know it's only an amateur competition, | 0:56:03 | 0:56:06 | |
but it means so much to me that I won, | 0:56:06 | 0:56:08 | |
and I'm so thankful that I won. | 0:56:08 | 0:56:11 | |
Out of all the contestants I think Marvin is the one who listened most. | 0:56:14 | 0:56:17 | |
Really got very serious into all the techniques, | 0:56:17 | 0:56:21 | |
the finishing of his hair, and today was the peak of his work. | 0:56:21 | 0:56:25 | |
He has grown in this competition, he really has. | 0:56:25 | 0:56:28 | |
I mean, from where he started to where he is now is just remarkable. | 0:56:28 | 0:56:31 | |
He just completely got it together, he just nailed it, | 0:56:31 | 0:56:34 | |
his mum was stunning. | 0:56:34 | 0:56:36 | |
I'm happy to get to this point, so winning it would have just | 0:56:36 | 0:56:40 | |
been the edge on it. But no, I'm made up for Marvin. | 0:56:40 | 0:56:42 | |
And his mum's hair was brilliant, so... | 0:56:42 | 0:56:45 | |
I was hoping that I'm going to win, | 0:56:47 | 0:56:49 | |
but he well deserves it. | 0:56:49 | 0:56:51 | |
And you can see his reaction! I think he's pleased. | 0:56:51 | 0:56:56 | |
Chin-chin! | 0:56:57 | 0:57:00 | |
Me as a person, I ain't the most confident, | 0:57:00 | 0:57:02 | |
but I think now with this competition | 0:57:02 | 0:57:05 | |
it's definitely helped me with the confidence, definitely. | 0:57:05 | 0:57:08 | |
People need to watch out. | 0:57:08 | 0:57:10 | |
That's true. | 0:57:10 | 0:57:12 | |
Marvin, everyone. | 0:57:12 | 0:57:13 | |
Cheers! Marvin! | 0:57:13 | 0:57:15 |