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This programme contains some strong language | 0:00:02 | 0:00:12 | |
Let's party. | 0:00:19 | 0:00:21 | |
This is the brand-new series of Impractical Jokers, | 0:00:21 | 0:00:24 | |
the hidden camera show where four comedians compete | 0:00:24 | 0:00:27 | |
to embarrass each other in everyday situations. | 0:00:27 | 0:00:30 | |
The jokers are - Joel Dommett. | 0:00:30 | 0:00:32 | |
I'm a reputable comedian. | 0:00:32 | 0:00:33 | |
Roisin Conaty. | 0:00:36 | 0:00:37 | |
Come on! | 0:00:37 | 0:00:38 | |
Paul McCaffrey. | 0:00:38 | 0:00:39 | |
-And Marek Larwood. -I can lick myself like a cat. | 0:00:41 | 0:00:43 | |
Pushing each other and their friendships to the limit... | 0:00:44 | 0:00:46 | |
You're making me go large. | 0:00:46 | 0:00:48 | |
..they take turns in awkward and embarrassing challenges. | 0:00:48 | 0:00:51 | |
They've got to do and say everything the other Jokers tell them | 0:00:51 | 0:00:54 | |
via a hidden earpiece... | 0:00:54 | 0:00:55 | |
Proper snog. Keep your lips on each other. | 0:00:55 | 0:00:58 | |
..or they'll face a humiliating forfeit. | 0:00:58 | 0:01:00 | |
They've run out of paper in here. | 0:01:00 | 0:01:01 | |
It's a ruthless fight to the finish, where there's no winner, | 0:01:01 | 0:01:04 | |
just a loser. | 0:01:04 | 0:01:05 | |
Aaah! | 0:01:05 | 0:01:07 | |
Today the Jokers are working at a Glasgow foot spa | 0:01:13 | 0:01:15 | |
as beauty therapists. | 0:01:15 | 0:01:17 | |
It's a... It's a cat shit. | 0:01:17 | 0:01:19 | |
Maggie! | 0:01:19 | 0:01:20 | |
And their challenge is to do and say everything | 0:01:21 | 0:01:24 | |
the other Jokers tell them. | 0:01:24 | 0:01:26 | |
Now get on the floor like a dog and just scratch your bum. | 0:01:26 | 0:01:29 | |
-Because... -If we refuse, we lose. | 0:01:32 | 0:01:34 | |
Footloose. It's a film. | 0:01:34 | 0:01:37 | |
-Let's go touch some people up. -Yes. | 0:01:37 | 0:01:39 | |
First up, it's Joel. | 0:01:42 | 0:01:44 | |
His teeth are so white. | 0:01:46 | 0:01:48 | |
-Have you had them done? -No. -You lying bastard. | 0:01:48 | 0:01:51 | |
-You've definitely had them done. -No. | 0:01:51 | 0:01:53 | |
-Do the teeth again. -Oh, my God! Aah! | 0:01:53 | 0:01:55 | |
Go on, Joel. | 0:01:57 | 0:01:58 | |
Take a seat. You're my first punter of the day. | 0:01:58 | 0:02:02 | |
-Oh, am I? -Yeah. Do you think my teeth are white? | 0:02:02 | 0:02:05 | |
-They're white. -They're very white. People say they're white. | 0:02:05 | 0:02:08 | |
I've had my batty bleached as well. | 0:02:08 | 0:02:10 | |
Say it, Joel. | 0:02:12 | 0:02:13 | |
I've, erm... | 0:02:15 | 0:02:17 | |
I've, er... | 0:02:17 | 0:02:19 | |
I've had my... Had my batty bleached as well. | 0:02:19 | 0:02:21 | |
You've got great feet. Love your feet. | 0:02:25 | 0:02:27 | |
'What do they taste like? Have a little lick, Joel. Lick it.' | 0:02:27 | 0:02:31 | |
Oh, my God. | 0:02:35 | 0:02:37 | |
'Come on, man.' | 0:02:37 | 0:02:38 | |
Lick it! Lick it! | 0:02:40 | 0:02:42 | |
'There we go! There we go!' | 0:02:44 | 0:02:46 | |
Aaah! | 0:02:46 | 0:02:48 | |
Delicious. | 0:02:50 | 0:02:52 | |
Say, "That's a blast from the past! | 0:02:53 | 0:02:55 | |
"Your big toe looks like my cousin's dinkle." | 0:02:55 | 0:02:57 | |
Your erm... | 0:03:01 | 0:03:02 | |
'Come on, man.' | 0:03:03 | 0:03:05 | |
Your, your big... | 0:03:05 | 0:03:06 | |
'Where have you seen that toe before?' | 0:03:08 | 0:03:10 | |
Joel refuses to carry out his instructions, | 0:03:18 | 0:03:20 | |
and in the process gets himself his first fail of the day. | 0:03:20 | 0:03:23 | |
If you just want to put your shoes there and take a seat. | 0:03:26 | 0:03:28 | |
I've got a feeling very soon you're going to be staring | 0:03:28 | 0:03:31 | |
de-feet in de-face. Get it? Staring de-feet in de-face? | 0:03:31 | 0:03:35 | |
So, say erm... "Sitting in these seats is a bit like potty training." | 0:03:39 | 0:03:43 | |
Sitting in these seats... | 0:03:45 | 0:03:47 | |
It's so funny when you sit in these seats, it's like... | 0:03:47 | 0:03:49 | |
Feels a bit like potty training. | 0:03:49 | 0:03:51 | |
Now in a baby's voice say, "Daddy, I done a poo-poo." | 0:03:51 | 0:03:54 | |
-'Come on.' -'Come on, Roisin.' | 0:04:02 | 0:04:03 | |
BABY'S VOICE: Daddy, I done a poo-poo. | 0:04:06 | 0:04:08 | |
"I've left a brown trail in the bath again" | 0:04:12 | 0:04:14 | |
BABY'S VOICE: I've left a brown trail in the bath again. | 0:04:20 | 0:04:22 | |
Roisin, tell him to not worry if he gets an erection, | 0:04:25 | 0:04:28 | |
it's perfectly natural. | 0:04:28 | 0:04:29 | |
'Say it.' | 0:04:32 | 0:04:33 | |
Go on, Roisin, you can do this. You can do this. | 0:04:33 | 0:04:36 | |
If you feel... If you... | 0:04:38 | 0:04:40 | |
-Is she going to say it? -Is she going to do it? No. | 0:04:41 | 0:04:44 | |
Roisin refuses, so she loses and gets herself a fail. | 0:04:47 | 0:04:51 | |
Next up it's Paul. | 0:04:51 | 0:04:53 | |
Let's get this show on the road, Tara, OK? Total feet. | 0:04:53 | 0:04:57 | |
Total feet. | 0:04:57 | 0:04:59 | |
-It really is a nice smell, isn't it, that? -It is. | 0:04:59 | 0:05:03 | |
Start smelling her feet. | 0:05:03 | 0:05:04 | |
-Mmm. -'Closer.' | 0:05:06 | 0:05:08 | |
'Closer.' | 0:05:09 | 0:05:12 | |
'Work your way up the leg.' | 0:05:12 | 0:05:13 | |
'Come on, Paul, you can do it.' | 0:05:13 | 0:05:15 | |
Mmm. | 0:05:19 | 0:05:20 | |
'Keep going. Work your way up.' | 0:05:20 | 0:05:22 | |
Mmm! | 0:05:22 | 0:05:24 | |
'Come on, Paul!' | 0:05:24 | 0:05:25 | |
Mmm... | 0:05:25 | 0:05:26 | |
Oh, no! No, no, no! No way. | 0:05:26 | 0:05:28 | |
'Edinburgh's where I did my training.' | 0:05:29 | 0:05:31 | |
Edinburgh's where I did my training. | 0:05:31 | 0:05:33 | |
'Chin massage. The Chinese technique.' | 0:05:33 | 0:05:35 | |
That's where I learned to chin massage. | 0:05:35 | 0:05:38 | |
It's a Chinese technique. Do you know about the chin massage? | 0:05:38 | 0:05:40 | |
Now, you'll feel this. My chin massages the key areas. | 0:05:47 | 0:05:51 | |
Is that good? | 0:05:54 | 0:05:55 | |
Erm... | 0:05:56 | 0:05:57 | |
Is that good? | 0:05:59 | 0:06:01 | |
-It's... It's strange. -This is three years of training. | 0:06:01 | 0:06:04 | |
Chinny, chinny, chinny! | 0:06:04 | 0:06:05 | |
So Paul delivers the goods and gets a pass. Finally, it's Marek. | 0:06:08 | 0:06:12 | |
Go on, then, Marek. Let's massage these fucking feet. | 0:06:12 | 0:06:15 | |
Say it. | 0:06:15 | 0:06:17 | |
Get the water and let's massage these fucking feet. | 0:06:17 | 0:06:19 | |
-Just do a bit of exfoliation first. -Don't do... | 0:06:24 | 0:06:27 | |
-You need cream to exfoliate, you'll hurt her. -OK. | 0:06:27 | 0:06:29 | |
I'll put the cream on first. I forgot. OK. | 0:06:29 | 0:06:33 | |
'Raw feet! | 0:06:33 | 0:06:34 | |
'Put loads on your hand until it's such a big pile. | 0:06:34 | 0:06:37 | |
'don't stop until we say stop. | 0:06:37 | 0:06:39 | |
'Keep your eyes on her. | 0:06:39 | 0:06:40 | |
'Just be looking at her while you're doing it.' | 0:06:40 | 0:06:42 | |
Now speed up. Speed up. Pump harder. | 0:06:46 | 0:06:49 | |
'Looking at her. Eye contact.' | 0:06:49 | 0:06:51 | |
OK. | 0:06:54 | 0:06:56 | |
Keep looking at her, looking at her. | 0:06:56 | 0:06:57 | |
'Looking at her. | 0:06:57 | 0:06:59 | |
'Keep looking at her.' | 0:06:59 | 0:07:01 | |
'Look up. Look up.' | 0:07:01 | 0:07:02 | |
Don't know if that's the right one, actually. | 0:07:15 | 0:07:19 | |
You've got some cream on your nose. | 0:07:19 | 0:07:20 | |
Wipe it with your hand. | 0:07:20 | 0:07:22 | |
Have I got it? | 0:07:24 | 0:07:25 | |
Look at her face! | 0:07:27 | 0:07:29 | |
Just sit back and relax. | 0:07:29 | 0:07:30 | |
So Marek successfully follows all his instructions | 0:07:31 | 0:07:34 | |
and gets a pass, too. | 0:07:34 | 0:07:36 | |
Meaning that after the first challenge Roisin and Joel | 0:07:36 | 0:07:38 | |
are joint losers with one fail each. | 0:07:38 | 0:07:41 | |
Remember, the Joker with the most fails at the end of the show | 0:07:41 | 0:07:44 | |
will face a humiliating forfeit. | 0:07:44 | 0:07:46 | |
We're here in sunny Scotland and we're going to be making some | 0:07:53 | 0:07:56 | |
pretty public announcements with this megaphone. | 0:07:56 | 0:07:59 | |
I am looking for an open relationship. | 0:07:59 | 0:08:04 | |
The thing is, we have absolutely no control over what we're going to say, | 0:08:04 | 0:08:07 | |
as it won't be our own voices coming through the megaphone, | 0:08:07 | 0:08:10 | |
it will be the voices of the other Jokers. | 0:08:10 | 0:08:12 | |
My name's Joel Dommett. | 0:08:12 | 0:08:13 | |
But if we pull the megaphone away before the finish, we lose. | 0:08:14 | 0:08:18 | |
First up with the megaphone, it's Roisin. | 0:08:21 | 0:08:24 | |
Hi Roisin, how you feeling? | 0:08:24 | 0:08:26 | |
OK, Roisin, if you can just get the megaphone up to your mouth, | 0:08:27 | 0:08:29 | |
please, that'd be fantastic. | 0:08:29 | 0:08:31 | |
Thank you so much. | 0:08:31 | 0:08:32 | |
'Hello, everybody! | 0:08:32 | 0:08:34 | |
'My name's Roisin. | 0:08:36 | 0:08:39 | |
'Is this a bloody wind-up? | 0:08:39 | 0:08:41 | |
'I'm a star, I've worked the cruise ships, | 0:08:41 | 0:08:44 | |
'I've done the holiday camps and now look what I've been resorted to. | 0:08:44 | 0:08:47 | |
'I'm out here selling chicken!' | 0:08:47 | 0:08:49 | |
CLUCKS LIKE A CHICKEN | 0:08:49 | 0:08:52 | |
'I was going to be the king! | 0:08:54 | 0:08:56 | |
'The king of Cunnilingus City. | 0:08:56 | 0:08:59 | |
'I am currently urinating down my upper thigh. | 0:09:06 | 0:09:10 | |
'Please, someone help me. | 0:09:10 | 0:09:12 | |
'And it comes out at an incredible volume. | 0:09:14 | 0:09:17 | |
'Upper calf now. | 0:09:17 | 0:09:19 | |
'Ankle. Socks. Trainers. | 0:09:19 | 0:09:22 | |
'It's OK, it's OK. I'm finished. | 0:09:22 | 0:09:25 | |
'Thank you very much for not helping.' | 0:09:25 | 0:09:27 | |
Well done, Roisin. | 0:09:29 | 0:09:30 | |
Well done! I'm crying! | 0:09:30 | 0:09:31 | |
So by keeping the megaphone up for the whole announcement, | 0:09:34 | 0:09:37 | |
Roisin gets a pass. | 0:09:37 | 0:09:39 | |
Next up, it's Joel. | 0:09:39 | 0:09:40 | |
-Are you nervous, Joel? -Very nervous. | 0:09:42 | 0:09:43 | |
-You should be nervous. -Don't let anyone punch me in the face. | 0:09:43 | 0:09:46 | |
-He looks like a little model out there. -I'm not a model. | 0:09:46 | 0:09:49 | |
I'm a reputable comedian. | 0:09:49 | 0:09:50 | |
What voice should I do for Joel, do you think? | 0:09:53 | 0:09:55 | |
Ray Winstone. Ray Winstone. | 0:09:55 | 0:09:56 | |
-JOEL: -No, people are going to... We're in Scotland. | 0:09:56 | 0:09:58 | |
Shut up and put the megaphone up. | 0:09:58 | 0:10:01 | |
''Scuse me, everyone, my name's Joel Dommett. | 0:10:01 | 0:10:04 | |
'I'm just about to take a souvenir photo | 0:10:04 | 0:10:06 | |
'and I'd really appreciate it if you could clear the immediate area. | 0:10:06 | 0:10:10 | |
'I really like this place, but I just think that a lot | 0:10:10 | 0:10:12 | |
'of your faces don't fit in with the beautiful buildings and architecture. | 0:10:12 | 0:10:16 | |
'It's like a load of ugly aliens have invaded. | 0:10:16 | 0:10:20 | |
'I'm not angry with you, I pity you. | 0:10:20 | 0:10:22 | |
'You probably spend most of your life being sick in bins. | 0:10:22 | 0:10:27 | |
'Just please, please move or look away. | 0:10:27 | 0:10:30 | |
'Anyone who's attractive, and by that I mean if you look like me, | 0:10:30 | 0:10:33 | |
'you can stay and maybe you can come back to mine afterwards, | 0:10:33 | 0:10:36 | |
'cos we need to repopulate this place with normal looking people. | 0:10:36 | 0:10:39 | |
'That is all. Good night.' | 0:10:43 | 0:10:45 | |
-Wow! -Can't believe he held it there. | 0:10:46 | 0:10:48 | |
With Joel seeing it out to the end, he avoids a fail. | 0:10:51 | 0:10:54 | |
Next up, it's Marek. | 0:10:54 | 0:10:56 | |
-It's actually really scary, isn't it? -Yeah. | 0:10:57 | 0:11:00 | |
-You feel quite vulnerable, don't you? -Yeah. | 0:11:00 | 0:11:02 | |
Put it to your mouth. | 0:11:02 | 0:11:04 | |
Here we go. | 0:11:04 | 0:11:05 | |
'Ladies and gentlemen. | 0:11:06 | 0:11:08 | |
'My name is Marek Larwood. | 0:11:11 | 0:11:13 | |
'I have come with a message. Please listen to me. | 0:11:13 | 0:11:15 | |
'It is very, very important. | 0:11:15 | 0:11:17 | |
'I am the first man to get pregnant with a child. | 0:11:17 | 0:11:22 | |
'Look at my belly. In here is a child. | 0:11:23 | 0:11:27 | |
'I had sex with an Alsatian. | 0:11:27 | 0:11:30 | |
'Today I have chosen your town to give birth to this child, | 0:11:31 | 0:11:36 | |
'as I hear you are a friendly people. | 0:11:36 | 0:11:38 | |
'I am now going to squeeze baby out of my wiener. | 0:11:38 | 0:11:44 | |
'Please look after my baby if I die. | 0:11:47 | 0:11:51 | |
'Please clap your hands if you will look after my baby Alsatian. | 0:11:52 | 0:11:56 | |
PEOPLE CLAP AND CHEER | 0:11:58 | 0:12:01 | |
'Thank you. | 0:12:02 | 0:12:04 | |
'That is all I have to say.' | 0:12:04 | 0:12:05 | |
So Marek joins the others with a pass. | 0:12:11 | 0:12:14 | |
Finally, it's Paul. | 0:12:14 | 0:12:16 | |
Is there anything in particular you don't want us to talk about, Paul? | 0:12:16 | 0:12:19 | |
Oh, whatever, man, just get it over and done with. | 0:12:19 | 0:12:22 | |
-Who's your favourite football team, Paul? Southampton, right? -Yeah. | 0:12:22 | 0:12:25 | |
Southampton. So you definitely don't like Portsmouth. | 0:12:25 | 0:12:27 | |
Mate, let's just not go there, please. | 0:12:27 | 0:12:30 | |
How would you feel if we talked about your favourite football club | 0:12:30 | 0:12:33 | |
Portsmouth, Paul? | 0:12:33 | 0:12:34 | |
Joel, seriously, let's talk about something else. | 0:12:34 | 0:12:37 | |
Ready, Paul? | 0:12:37 | 0:12:38 | |
'Hello. | 0:12:40 | 0:12:42 | |
'My name is Paul and I am looking for an open relationship. | 0:12:42 | 0:12:48 | |
'I do not know my arse from my elbow, | 0:12:49 | 0:12:51 | |
but last night I think I put my finger in my elbow. | 0:12:51 | 0:12:55 | |
'I still live with my parents | 0:12:59 | 0:13:00 | |
'and they are fully supportive of my fetish for men that look | 0:13:00 | 0:13:03 | |
'just like me, but with better hair, a bigger dong and a deeper elbow. | 0:13:03 | 0:13:08 | |
'Please! Someone love me! | 0:13:09 | 0:13:12 | |
'There must be someone there for me. | 0:13:12 | 0:13:14 | |
'I love everybody. | 0:13:15 | 0:13:16 | |
'Especially people from my favourite town and football club | 0:13:16 | 0:13:21 | |
'Portsm... | 0:13:21 | 0:13:22 | |
-Oh, he's out! He's out. Aww! -We spoke about this. | 0:13:24 | 0:13:27 | |
Show's over. | 0:13:28 | 0:13:30 | |
So Paul removes the megaphone from his mouth early | 0:13:31 | 0:13:33 | |
and in return gets himself a big fail. | 0:13:33 | 0:13:36 | |
-That was terrifying. -"Oh, I'm so scared!" | 0:13:36 | 0:13:40 | |
-Yeah, well, I was. -Why are you scared of everything? -Because... | 0:13:40 | 0:13:43 | |
Who's this? "Oh! Oh!" | 0:13:43 | 0:13:45 | |
Well, a man who knows danger when he sees it. | 0:13:45 | 0:13:48 | |
"This is the scariest street I've ever walked down." | 0:13:48 | 0:13:50 | |
"These are the scariest trousers I've ever put on." | 0:13:50 | 0:13:52 | |
"This is the scariest day of my life." | 0:13:52 | 0:13:54 | |
Yeah, I've actually got a sensitive... | 0:13:54 | 0:13:56 | |
BABY CRIES | 0:13:56 | 0:13:57 | |
-There's someone as scared as Joel! -Oh, my God! | 0:13:57 | 0:13:59 | |
At the end of the second challenge, Roisin, Paul | 0:14:03 | 0:14:05 | |
and Joel are level with one fail each. | 0:14:05 | 0:14:07 | |
Now we're here in Alloa working in a bakery. | 0:14:12 | 0:14:14 | |
There's going to be all kinds of cake-based japes. | 0:14:14 | 0:14:16 | |
No-one wants to hear about me buns! Word! | 0:14:16 | 0:14:20 | |
In this challenge the Jokers behind the counter have to do | 0:14:20 | 0:14:23 | |
and say everything we tell them. | 0:14:23 | 0:14:25 | |
-Big kiss. -Lovely to meet you. | 0:14:25 | 0:14:28 | |
And if we refuse, we lose. | 0:14:29 | 0:14:31 | |
First up, it's Paul. | 0:14:34 | 0:14:36 | |
-'Oh, my God, look at him.' -'Look at him go. | 0:14:36 | 0:14:38 | |
'Turns out that the same person who ate all the pies, | 0:14:38 | 0:14:41 | |
'baked all the pies.' | 0:14:41 | 0:14:42 | |
Whatever they ask you for, say, "They're mine." | 0:14:48 | 0:14:50 | |
Oh, they're mine. | 0:14:50 | 0:14:51 | |
I didn't mean to leave those out. Sorry, can I get you something else? | 0:14:53 | 0:14:56 | |
Oh, they're mine, though...I'm afraid. | 0:14:56 | 0:14:59 | |
I didn't think I'd put those out. | 0:14:59 | 0:15:01 | |
I'm really sorry. They're for my lunch. | 0:15:05 | 0:15:07 | |
You can buy these and these. That's pretty much it I'm afraid today. | 0:15:12 | 0:15:16 | |
The rest are mine. | 0:15:19 | 0:15:20 | |
So, what do you want? One of these? | 0:15:23 | 0:15:25 | |
You would like a French Fancy, OK. | 0:15:26 | 0:15:28 | |
And have a bite of it as well. | 0:15:28 | 0:15:30 | |
Oh, can I just have the corner of that? | 0:15:32 | 0:15:33 | |
Say, "You're going to enjoy that." | 0:15:36 | 0:15:37 | |
You're going to love that. | 0:15:37 | 0:15:38 | |
What? | 0:15:40 | 0:15:42 | |
I just tested it for you. | 0:15:42 | 0:15:44 | |
Anything else? | 0:15:44 | 0:15:45 | |
Another French Fancy. | 0:15:48 | 0:15:49 | |
'Same thing again, please.' | 0:15:49 | 0:15:51 | |
OK, one more French Fancy. | 0:15:51 | 0:15:53 | |
I'd stick with that one if I were you. | 0:15:56 | 0:15:58 | |
Paul successfully completes his challenge, earning himself a pass. | 0:16:03 | 0:16:07 | |
Next up behind the counter, it's Roisin. | 0:16:09 | 0:16:12 | |
Have I only got one apple pie left? Yeah. | 0:16:15 | 0:16:17 | |
Now shout, "Brian! Get some apples!" | 0:16:17 | 0:16:20 | |
Brian, get some apples! | 0:16:20 | 0:16:22 | |
There's only one apple pie left. | 0:16:22 | 0:16:24 | |
'I can't believe this.' | 0:16:24 | 0:16:25 | |
I can't believe this. | 0:16:25 | 0:16:27 | |
I've never been so embarrassed in my life. | 0:16:27 | 0:16:29 | |
Can someone get some apples? | 0:16:29 | 0:16:31 | |
'Someone call someone.' | 0:16:31 | 0:16:32 | |
Someone call someone! | 0:16:32 | 0:16:34 | |
Brian, we need some apples! | 0:16:36 | 0:16:38 | |
'This happened yesterday!' Get cross about it. Apples! | 0:16:38 | 0:16:41 | |
It's apples! | 0:16:41 | 0:16:42 | |
Apples! | 0:16:43 | 0:16:45 | |
'There's only one left!' | 0:16:45 | 0:16:47 | |
There's only one left! Apples! | 0:16:47 | 0:16:49 | |
Is anyone even listening to me? | 0:16:49 | 0:16:50 | |
I'm so sorry, sir. I'm so sorry. | 0:16:52 | 0:16:55 | |
£1.79, please. There you go. | 0:16:55 | 0:16:57 | |
-Thanks very much. -Thank you very much. | 0:16:57 | 0:16:59 | |
-Really big one this time. -Really big. -"Brian!" | 0:16:59 | 0:17:01 | |
BRIAN! APPLES! | 0:17:01 | 0:17:03 | |
That is fucking fantastic. | 0:17:05 | 0:17:07 | |
Roisin liked their apples and joins Paul with a pass. | 0:17:10 | 0:17:13 | |
Next up, Joel. | 0:17:14 | 0:17:16 | |
Hi there, sir, can I help? | 0:17:16 | 0:17:18 | |
-Four of those. -Anything else for the beard? | 0:17:20 | 0:17:22 | |
Is there anything else for the beard? | 0:17:22 | 0:17:24 | |
Four morning rolls. | 0:17:27 | 0:17:28 | |
See if you can try and touch his beard. | 0:17:28 | 0:17:30 | |
Grab the beard. | 0:17:33 | 0:17:34 | |
That's two morning rolls in that one. That's two beard touches. | 0:17:34 | 0:17:38 | |
Boop boop! | 0:17:38 | 0:17:40 | |
Whisper to him, "In the woods." | 0:17:43 | 0:17:45 | |
-In the woods. -Oh. | 0:17:46 | 0:17:48 | |
Two more morning rolls. There we go. Boop boop! | 0:17:50 | 0:17:53 | |
Thank you. | 0:17:53 | 0:17:54 | |
Joel is also successful and joins the other two with a pass. | 0:17:57 | 0:18:02 | |
Last up, it's Marek, looking for his third pass in a row. | 0:18:04 | 0:18:07 | |
Hello, sir, how can I help you? | 0:18:08 | 0:18:10 | |
I beg your pardon? | 0:18:11 | 0:18:12 | |
Act really camp, Marek, and make everything an innuendo. | 0:18:12 | 0:18:15 | |
Three morning rolls, get you. | 0:18:17 | 0:18:19 | |
Three, is it? | 0:18:21 | 0:18:23 | |
I bet it is. | 0:18:23 | 0:18:24 | |
There we go. Three tight buns. | 0:18:26 | 0:18:28 | |
They're nice and warm. OK, 81 pence. Stop it. | 0:18:30 | 0:18:34 | |
There's two... | 0:18:35 | 0:18:38 | |
Four, stop it. Five. Ten. | 0:18:38 | 0:18:42 | |
Super, thank you. | 0:18:42 | 0:18:45 | |
Don't think he liked me. | 0:18:45 | 0:18:47 | |
Hello, how may I help you? | 0:18:48 | 0:18:50 | |
OK. | 0:18:52 | 0:18:53 | |
'Down underneath the counter there is some caster sugar. | 0:18:53 | 0:18:55 | |
'Put it all on your face and then pop back up.' | 0:18:55 | 0:18:57 | |
Two doughnuts. | 0:19:07 | 0:19:08 | |
Thank you. How much is that all together? | 0:19:08 | 0:19:10 | |
Marek successfully carries out his instructions and earns another pass. | 0:19:12 | 0:19:17 | |
So going into the final challenge, Roisin, Paul and Joel are level, | 0:19:20 | 0:19:24 | |
and if any of them fail the next hit, | 0:19:24 | 0:19:26 | |
they'll face a humiliating forfeit. | 0:19:26 | 0:19:28 | |
We Jokers have a few things in common. | 0:19:30 | 0:19:32 | |
One of those is that we all have noses. | 0:19:32 | 0:19:34 | |
Now, we're going to put them to good use by planting them | 0:19:34 | 0:19:37 | |
on complete strangers, a bit like this. | 0:19:37 | 0:19:39 | |
The challenge is to nose one member of the public as many | 0:19:41 | 0:19:44 | |
times as possible. | 0:19:44 | 0:19:45 | |
Wee... | 0:19:47 | 0:19:48 | |
And the least number of nosings loses. | 0:19:48 | 0:19:52 | |
First up to nose a stranger is Marek. | 0:19:52 | 0:19:55 | |
This is going to be so uncomfortable to watch. | 0:19:57 | 0:19:59 | |
-Is this the front or the back? -Front I think. | 0:19:59 | 0:20:03 | |
Oh, nose! Oh, nose! Oh, nose! | 0:20:05 | 0:20:09 | |
Oh, nose! | 0:20:09 | 0:20:12 | |
Oh, no! | 0:20:13 | 0:20:15 | |
Don't stand on them! | 0:20:15 | 0:20:17 | |
Oh, nose! This is all... | 0:20:18 | 0:20:21 | |
This is always happening. | 0:20:23 | 0:20:25 | |
Get another one, Mark. Go back in. | 0:20:26 | 0:20:29 | |
Oh, nose. | 0:20:29 | 0:20:31 | |
'Go back in! Go back in! | 0:20:31 | 0:20:33 | |
'Go back in. Do it.' | 0:20:33 | 0:20:36 | |
-'Softly.' -'Softly does it.' | 0:20:37 | 0:20:40 | |
Oh... Nose. | 0:20:40 | 0:20:42 | |
Sorry. Sorry about that. | 0:20:44 | 0:20:47 | |
-It's all right. -It's nice to meet you. | 0:20:47 | 0:20:49 | |
Marek manages to nose someone four times, | 0:20:52 | 0:20:54 | |
meaning that's the score to beat to avoid getting a fail. | 0:20:54 | 0:20:57 | |
Next up, Paul. He must beat Marek's score to avoid this week's forfeit. | 0:20:58 | 0:21:03 | |
Fantastic. | 0:21:03 | 0:21:05 | |
Ah, mate, where did you get that from? | 0:21:06 | 0:21:08 | |
Oh, my God. He's on, he's on. | 0:21:08 | 0:21:10 | |
Not the clothes. You're confident! No, this here. | 0:21:10 | 0:21:14 | |
That, right, literally, | 0:21:14 | 0:21:16 | |
I drank six cans of that at a party last week and I was like... | 0:21:16 | 0:21:20 | |
Oh, my God! | 0:21:20 | 0:21:21 | |
What a sight! How many cans have you drunk of that in one night? | 0:21:25 | 0:21:28 | |
I drank six once and I was literally like... | 0:21:28 | 0:21:31 | |
He looks like a mental eagle. | 0:21:33 | 0:21:35 | |
-Get more, Paul. -Oh, my God, he's going! | 0:21:35 | 0:21:38 | |
What film are you going to see? | 0:21:38 | 0:21:40 | |
Er, Alpha Papa.. | 0:21:40 | 0:21:41 | |
It's supposed to be amazing. | 0:21:41 | 0:21:43 | |
Oh, just before you go, do you know where the McDonalds is? | 0:21:44 | 0:21:47 | |
-Is it just...? -You have to go, like... | 0:21:47 | 0:21:51 | |
-Have a good day, guys, yeah? -They left the cinema. | 0:21:51 | 0:21:54 | |
Paul scores a massive 11 nosings, meaning he's safe from the forfeit. | 0:21:57 | 0:22:02 | |
Next up is Roisin. | 0:22:02 | 0:22:03 | |
She must also beat Marek's score of four or face the forfeit. | 0:22:03 | 0:22:07 | |
-What film are you going to see today, Roisin? -The Night I Killed Marek. | 0:22:07 | 0:22:11 | |
-Oh, right. -What rating is that? | 0:22:11 | 0:22:14 | |
PG. No-one cares. | 0:22:14 | 0:22:15 | |
I'm scared. | 0:22:20 | 0:22:22 | |
-'Roisin, you can do this.' -'Come on.' | 0:22:22 | 0:22:25 | |
Your nose would look lovely against that pink jacket. | 0:22:25 | 0:22:27 | |
'Oh, she's doing it. Oh, my gosh.' | 0:22:29 | 0:22:30 | |
Sorry. Have you got Chanel on? | 0:22:30 | 0:22:32 | |
-Er...no. -I like it. | 0:22:32 | 0:22:34 | |
-What perfume is it? -It's er... | 0:22:34 | 0:22:37 | |
'Oh, she's...' | 0:22:37 | 0:22:38 | |
-Great, she's going. Look at this! -It's amazing! | 0:22:38 | 0:22:41 | |
It's er... | 0:22:41 | 0:22:43 | |
-What's it called? -Miss Dior. | 0:22:43 | 0:22:44 | |
Miss Dior, yeah. Oh, I love that one, yeah. | 0:22:44 | 0:22:47 | |
-Wow, you got a proper stride on there, Roisin. -That was good. | 0:22:47 | 0:22:50 | |
-I've never seen you walk so fast in all of my life. -Cos I'm scared. | 0:22:50 | 0:22:53 | |
Roisin scores four and is tied with Marek, | 0:22:57 | 0:23:00 | |
but because she has more fails over all, | 0:23:00 | 0:23:02 | |
she's currently facing this week's forfeit. | 0:23:02 | 0:23:05 | |
Finally, it's Joel, and if he doesn't beat Roisin's score, | 0:23:05 | 0:23:08 | |
then he'll be today's loser and the forfeit's his. | 0:23:08 | 0:23:12 | |
'This is your favourite thing, isn't it, Joel?' | 0:23:12 | 0:23:14 | |
'Looking for a good nose.' | 0:23:14 | 0:23:16 | |
I'm really scared. | 0:23:16 | 0:23:17 | |
-'He's really scared.' -It feels really impolite. | 0:23:17 | 0:23:20 | |
'Oh, my God, he looks so tense.' | 0:23:23 | 0:23:25 | |
'Joel, remember, there's nothing to fear but fear itself.' | 0:23:25 | 0:23:28 | |
And being punched in the face. | 0:23:29 | 0:23:31 | |
'Go on, Joel!' | 0:23:32 | 0:23:33 | |
'How's he going to play this? How's he going to play this? | 0:23:33 | 0:23:36 | |
'Straight in, bang! He didn't even know!' | 0:23:36 | 0:23:39 | |
Come back! | 0:23:39 | 0:23:40 | |
'Oh, God, he's coming back again.' | 0:23:40 | 0:23:42 | |
You've been spotted. | 0:23:45 | 0:23:47 | |
'Joel's got the worst technique. | 0:23:48 | 0:23:49 | |
'You're just going to have to run in at him.' | 0:23:49 | 0:23:52 | |
'Go on, Joel!' | 0:23:52 | 0:23:54 | |
'Touch it. I nose you can do this, Joel.' | 0:23:54 | 0:23:57 | |
'Here we go.' | 0:23:58 | 0:23:59 | |
'He's going in, he's going in, he's going in...' | 0:23:59 | 0:24:02 | |
Good work. Right, here we go. We're done. We're done. | 0:24:02 | 0:24:04 | |
So Joel bottles it and gets only two nosings, the lowest score of all... | 0:24:08 | 0:24:13 | |
..which means, with two fails to his name, | 0:24:14 | 0:24:17 | |
Joel is this week's loser and must now face the consequences. | 0:24:17 | 0:24:20 | |
-Oh! -Why do you look like you've got sexually transmitted diseases? | 0:24:25 | 0:24:29 | |
-I need a wee really badly. -I'm just trying to hold it in! | 0:24:29 | 0:24:31 | |
-Oh, that's what it is. -I'm busting for the toilet but I can't go in | 0:24:31 | 0:24:34 | |
-cos you've gotta go in there. -Is Joel first in the queue? | 0:24:34 | 0:24:36 | |
-Yeah. But you need a number two, right? -What? | 0:24:36 | 0:24:39 | |
Your forfeit is to go into that toilet, pull your trousers down... | 0:24:39 | 0:24:43 | |
-But is there toilet roll? Did you...? -No, there's none left! | 0:24:43 | 0:24:46 | |
You have to open the door and get a member of the public | 0:24:46 | 0:24:48 | |
to give you some toilet roll. You've eaten your veggies, right? | 0:24:48 | 0:24:51 | |
Oh, no. You know how I feel about defecation. | 0:24:51 | 0:24:53 | |
SONG: "Skip To The Good Bit" by Rizzle Kicks | 0:24:53 | 0:24:55 | |
What's it like in there, Joel? Ready? | 0:24:57 | 0:24:59 | |
Erm, the...atmosphere is palpable. | 0:24:59 | 0:25:02 | |
Oh, God, the toilet seat is cold. | 0:25:03 | 0:25:05 | |
'Open the door now, Joel. You need to get some toilet paper. | 0:25:08 | 0:25:11 | |
'You need to have your trousers down and shout out, | 0:25:11 | 0:25:13 | |
'"I need some toilet paper."' | 0:25:13 | 0:25:14 | |
-It feels so weird... -'Yep.' | 0:25:14 | 0:25:16 | |
..to have you talking to me whilst I'm holding my penis. | 0:25:16 | 0:25:19 | |
'Go, go, go!' | 0:25:19 | 0:25:20 | |
-'Open the door!' -'Go, go!' | 0:25:20 | 0:25:22 | |
Sorry... | 0:25:28 | 0:25:30 | |
Erm... | 0:25:30 | 0:25:31 | |
Erm, sorry, has anyone... Er, excuse me, has anyone... | 0:25:33 | 0:25:36 | |
They've run out of paper in here. Has any one got any er...? | 0:25:36 | 0:25:40 | |
Has anyone got any sort of er any paper or tissues? | 0:25:40 | 0:25:43 | |
Newspaper? | 0:25:43 | 0:25:45 | |
Has anyone got anything? | 0:25:45 | 0:25:47 | |
I really need some... | 0:25:51 | 0:25:53 | |
-Yeah, yeah. -You've got some paper? Dude, you're an absolute... | 0:25:53 | 0:25:56 | |
The Financial Times. Only the best. Thank you so much. | 0:25:56 | 0:25:59 | |
Have you read this already? I don't want to give it back. | 0:25:59 | 0:26:01 | |
Thank you so much. Thank you. | 0:26:01 | 0:26:03 | |
Thank you so much, guys. Thank you. | 0:26:03 | 0:26:05 | |
-That is so horrific. -The FT! | 0:26:07 | 0:26:09 | |
-Joel, you can get out, mate. -It's self-cleaning, Joel. Get out. | 0:26:13 | 0:26:17 | |
I'd love it if he was in there when it started... | 0:26:17 | 0:26:19 | |
Oh, no, get out, Joel. Get out. | 0:26:19 | 0:26:20 | |
-Have you washed your hands, Joel? -I actually haven't. | 0:26:23 | 0:26:25 | |
This has been against... This has been against penis. | 0:26:25 | 0:26:28 | |
It's good to know that people were there to help out, though, was it? | 0:26:28 | 0:26:31 | |
Yeah, I mean, it was nice he gave me the Financial Times. | 0:26:31 | 0:26:34 | |
-How would that feel against skin? -Terrible, actually, it was terrible. | 0:26:34 | 0:26:37 | |
I much prefer the Sun. | 0:26:37 | 0:26:38 | |
-Were you scared? -That was... | 0:26:38 | 0:26:40 | |
That's the most scared I think I've been so far. | 0:26:40 | 0:26:42 | |
That's all for Impractical Jokers this week. | 0:26:45 | 0:26:48 | |
Next time, the Jokers do sensitivity training at work... | 0:26:48 | 0:26:52 | |
I think Roisin was actually just sick in her mouth. | 0:26:52 | 0:26:55 | |
..become receptionists and reveal shocking secrets. | 0:26:55 | 0:26:58 | |
My shits are completely transparent. | 0:26:58 | 0:27:00 |