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This programme contains some strong language and adult humour | 0:00:02 | 0:00:08 | |
Let's party. | 0:00:20 | 0:00:21 | |
This is the brand-new series of Impractical Jokers, | 0:00:21 | 0:00:24 | |
the hidden-camera show where four comedians compete to | 0:00:24 | 0:00:27 | |
embarrass each other in everyday situations. | 0:00:27 | 0:00:30 | |
The jokers are... | 0:00:30 | 0:00:31 | |
-Joel Dommett... -I'm a reputable comedian. | 0:00:31 | 0:00:34 | |
LAUGHTER | 0:00:34 | 0:00:35 | |
..Roisin Conaty... | 0:00:35 | 0:00:37 | |
Come on! | 0:00:37 | 0:00:39 | |
-..Paul McCaffrey... -HE LAUGHS | 0:00:39 | 0:00:41 | |
-..and Marek Larwood. -I can lick myself like a cat. | 0:00:41 | 0:00:43 | |
Pushing each other and their friendships to the limit... | 0:00:43 | 0:00:47 | |
You're making ME go large. | 0:00:47 | 0:00:48 | |
..they take turns in awkward and embarrassing challenges. | 0:00:48 | 0:00:51 | |
They've got to do and say everything the other jokers tell them | 0:00:51 | 0:00:54 | |
via a hidden earpiece. | 0:00:54 | 0:00:56 | |
Proper snog. Keep your lips on each other. | 0:00:56 | 0:00:58 | |
Or they'll face a humiliating forfeit. | 0:00:58 | 0:01:00 | |
They've run out of paper in here. | 0:01:00 | 0:01:02 | |
It's a ruthless fight to the finish, where there is no winner, just a loser. | 0:01:02 | 0:01:05 | |
Ahhhh! | 0:01:05 | 0:01:07 | |
Today, we're working as receptionists in this office building. | 0:01:16 | 0:01:20 | |
I told you to shut up! | 0:01:20 | 0:01:22 | |
And our challenge is to greet people that come in by doing | 0:01:23 | 0:01:26 | |
and saying everything the others tell us to do. | 0:01:26 | 0:01:28 | |
Go over and sniff his seat. | 0:01:28 | 0:01:30 | |
And if we refuse, we lose. | 0:01:30 | 0:01:32 | |
# Conga, conga, conga! # | 0:01:32 | 0:01:34 | |
First up, it's Joel. | 0:01:37 | 0:01:39 | |
-Great shot, Joel. -Fail. | 0:01:41 | 0:01:43 | |
Things are not going well for Joel at the agency. | 0:01:43 | 0:01:46 | |
PHONE RINGS | 0:01:47 | 0:01:49 | |
Someone's at the door. | 0:01:49 | 0:01:51 | |
-I'm panicking. What do I do? -Act like a receptionist. | 0:01:51 | 0:01:54 | |
Hey, guys. How are you doing? Take a seat on the sofa. | 0:01:55 | 0:01:59 | |
Be with you in a few minutes. | 0:01:59 | 0:02:02 | |
-What do you both do for a living? -Students. -You're students. | 0:02:02 | 0:02:05 | |
-What do you study? -Literature. -Literature! Nice! Nice. | 0:02:05 | 0:02:09 | |
-I'm writing a book at the moment. -I'm writing a book at the moment, actually. Yeah, yeah, yeah. | 0:02:09 | 0:02:13 | |
It's about a guy who snaps his own dick and has to work as a receptionist. | 0:02:13 | 0:02:18 | |
It's... It's about this guy... It's... | 0:02:18 | 0:02:21 | |
Um... | 0:02:21 | 0:02:22 | |
About a guy that... | 0:02:22 | 0:02:23 | |
-ROISIN: -'Snaps his own dick.' -He snaps his own dick and then... | 0:02:23 | 0:02:29 | |
becomes a receptionist. | 0:02:29 | 0:02:30 | |
It still hurts, as well. | 0:02:34 | 0:02:36 | |
Trust me. | 0:02:36 | 0:02:38 | |
PHONE RINGS | 0:02:40 | 0:02:41 | |
When you answer it, change your voice to Japanese. | 0:02:41 | 0:02:44 | |
Hello? | 0:02:45 | 0:02:47 | |
TALKS GIBBERISH IN JAPANESE ACCENT | 0:02:47 | 0:02:49 | |
ROISIN: 'Pointing at them, looking really angry.' | 0:02:49 | 0:02:51 | |
TALKS GIBBERISH ANGRILY | 0:02:51 | 0:02:53 | |
Throw stuff on the floor and get really angry. | 0:02:56 | 0:02:58 | |
SHOUTS ANGRILY | 0:02:58 | 0:03:01 | |
And then just point at your groin and say in English, "Snapped dick!" | 0:03:09 | 0:03:13 | |
SHOUTS GIBBERISH | 0:03:13 | 0:03:14 | |
Snapped dick! | 0:03:17 | 0:03:18 | |
'And hang up.' | 0:03:20 | 0:03:22 | |
I think they're ready for you in there now, so you can go on in. | 0:03:23 | 0:03:26 | |
Joel successfully carries out his instructions | 0:03:30 | 0:03:32 | |
and scores his first pass of the day. | 0:03:32 | 0:03:34 | |
Next up is Marek. | 0:03:36 | 0:03:37 | |
-Hello, Marek. -I'm just trying to write my to-do list. | 0:03:39 | 0:03:42 | |
KNOCK ON DOOR | 0:03:42 | 0:03:44 | |
Hello? | 0:03:44 | 0:03:45 | |
-What's your name, please? -Omar. -Omar. | 0:03:47 | 0:03:50 | |
-O-M-A-R. -OK, if you'd come up to the desk now, please. | 0:03:50 | 0:03:53 | |
Come to the desk now, please. | 0:03:53 | 0:03:55 | |
Just take a seat for a second. Sorry, just take a seat. Sorry. | 0:03:58 | 0:04:01 | |
Sorry. | 0:04:03 | 0:04:04 | |
OK, if you could just come over to the desk now, please. | 0:04:06 | 0:04:09 | |
OK, come to the desk now, please. | 0:04:09 | 0:04:11 | |
Just take a seat and we'll be ready for you in a second. | 0:04:13 | 0:04:16 | |
We'll be ready for you in a second if you just take a seat. | 0:04:16 | 0:04:18 | |
'Do it again.' | 0:04:20 | 0:04:21 | |
OK, mate, if you'd like to come over to the desk now, please. | 0:04:24 | 0:04:27 | |
-'Are you going to do it? Go on, Marek! -You can do it.' | 0:04:29 | 0:04:33 | |
'OK, if you'd like to come over to the desk now, please.' | 0:04:33 | 0:04:36 | |
Would you like to come over to the desk, please? | 0:04:36 | 0:04:39 | |
-OK... -I'm guessing you want me to go back. | 0:04:42 | 0:04:44 | |
-Yeah, sit down. -'Yeah, that's it!' | 0:04:47 | 0:04:48 | |
'One more, and this time I want you to keep him at the desk.' | 0:04:51 | 0:04:54 | |
Last time, please - come to the desk, please. Thank you. | 0:04:57 | 0:05:01 | |
PHONE RINGS | 0:05:03 | 0:05:05 | |
'Get that, Marek.' | 0:05:05 | 0:05:06 | |
-Hello, reception. -'Say, "I've got my dick out behind the desk."' | 0:05:06 | 0:05:11 | |
LAUGHTER | 0:05:11 | 0:05:13 | |
"I've got my wanger out." | 0:05:13 | 0:05:14 | |
Mm-hm. | 0:05:18 | 0:05:20 | |
Take a seat, actually. | 0:05:20 | 0:05:21 | |
-CRIES OF DERISION, -'Come on, Marek!' | 0:05:21 | 0:05:23 | |
Marek's refusal gets him his first fail of the day. | 0:05:25 | 0:05:29 | |
Next up is Paul. | 0:05:29 | 0:05:32 | |
He looks like he thought to himself, | 0:05:32 | 0:05:34 | |
"I can get another 20 years out of this school uniform." | 0:05:34 | 0:05:37 | |
HE LAUGHS | 0:05:37 | 0:05:38 | |
Paul, your sideburns have gone all curly. | 0:05:39 | 0:05:43 | |
You tosser! | 0:05:43 | 0:05:44 | |
That's... That's... Please! | 0:05:44 | 0:05:46 | |
Hi, there. How are you doing? | 0:05:48 | 0:05:49 | |
Would you like to take a seat on the sofa or one of these two chairs? | 0:05:49 | 0:05:53 | |
You're going to turn around and give yourself a bit of a pep talk. | 0:05:53 | 0:05:57 | |
'Come on, Paul. | 0:05:57 | 0:05:59 | |
'I've been to reception school.' | 0:05:59 | 0:06:01 | |
OK, you've been to reception school. Just come on, OK? | 0:06:01 | 0:06:05 | |
-You were born to be a secretary. -You were born to be a secretary. | 0:06:05 | 0:06:08 | |
Just do this, OK? Come on. | 0:06:08 | 0:06:10 | |
Just take the name. Don't be nervous about it. Everything is fine. | 0:06:10 | 0:06:13 | |
Sorry, could I just take your name, please? | 0:06:13 | 0:06:16 | |
Turn around and say, "I don't know how to spell it." | 0:06:16 | 0:06:18 | |
I don't know how to spell it. | 0:06:18 | 0:06:20 | |
Just ask for the spelling. It's fine. | 0:06:21 | 0:06:24 | |
You can do this. | 0:06:24 | 0:06:26 | |
OK, sorry, how do I spell that? | 0:06:26 | 0:06:28 | |
S-L-E-P... | 0:06:31 | 0:06:34 | |
-E-Y. -E-Y. Sorry. | 0:06:34 | 0:06:36 | |
You idiot. | 0:06:36 | 0:06:38 | |
You idiot! | 0:06:38 | 0:06:40 | |
You've really embarrassed yourself. You're the best in the business... | 0:06:40 | 0:06:43 | |
You got out of hairdressing for a reason. | 0:06:43 | 0:06:45 | |
You got out of hairdressing for a reason. | 0:06:45 | 0:06:47 | |
'She's not staring at your sideburns.' | 0:06:47 | 0:06:49 | |
She's not staring at your sideburns. They're straight. | 0:06:49 | 0:06:51 | |
Don't get paranoid. | 0:06:51 | 0:06:53 | |
Say, "Do you think my sideburns have gone curly?" | 0:06:53 | 0:06:55 | |
Sorry, have my sideburns gone curly? | 0:06:57 | 0:06:59 | |
Not really, no. | 0:06:59 | 0:07:00 | |
Paul does as he is told and earns himself a pass. | 0:07:05 | 0:07:09 | |
Finally, it's Roisin. | 0:07:10 | 0:07:12 | |
-Do some typing practice. -I'm really good at typing. | 0:07:13 | 0:07:16 | |
Come in. | 0:07:17 | 0:07:18 | |
Hello, if you'd like to take a seat. | 0:07:20 | 0:07:23 | |
Now, Roisin, I want you to slide off your chair onto your back, | 0:07:23 | 0:07:27 | |
then slide yourself along the floor past him, | 0:07:27 | 0:07:29 | |
and as you pass him look up and ask him if he wants a cup of tea. | 0:07:29 | 0:07:33 | |
'Come on, Roisin. | 0:07:35 | 0:07:37 | |
'You can do this.' | 0:07:37 | 0:07:38 | |
This is so weird. | 0:07:40 | 0:07:41 | |
Go for it. | 0:07:47 | 0:07:48 | |
'Come on.' | 0:07:49 | 0:07:51 | |
-Come on, Rosin. -Don't be a stroppy-moppy. | 0:07:51 | 0:07:53 | |
-'She's going to do it. -Oh, what?! Oh, my God!' | 0:07:57 | 0:08:00 | |
'That's not laying on your back!' | 0:08:02 | 0:08:05 | |
-Would you like a cup of tea? -No, I'm OK, thank you. -Sure? | 0:08:06 | 0:08:09 | |
-Coffee? -No, thank you. -Water? | 0:08:09 | 0:08:12 | |
'Back to the desk. Watch the edge of the desk!' | 0:08:23 | 0:08:27 | |
'Nice!' | 0:08:28 | 0:08:30 | |
Do you want to go through the door? They'll see you now. | 0:08:34 | 0:08:37 | |
Roisin successfully follows her instructions and gets a pass. | 0:08:38 | 0:08:43 | |
Meaning that after the first challenge, | 0:08:45 | 0:08:47 | |
Marek is losing with one fail. | 0:08:47 | 0:08:49 | |
We are here in Glasgow's Botanical Gardens | 0:08:54 | 0:08:56 | |
and we've got to get people's attention by going, "Psst!" | 0:08:56 | 0:09:00 | |
"Psst! Come here! | 0:09:00 | 0:09:02 | |
"I've got a secret." | 0:09:02 | 0:09:04 | |
But we don't know what it is until the other jokers tell us. | 0:09:04 | 0:09:08 | |
The challenge is, that when we share the secret, they have to share a secret in return. | 0:09:08 | 0:09:11 | |
-Anything you want to tell me? -And if we don't get one in return... | 0:09:11 | 0:09:15 | |
Not really. | 0:09:15 | 0:09:16 | |
..we fail. | 0:09:16 | 0:09:17 | |
First up, it's Joel. | 0:09:21 | 0:09:24 | |
Psst! | 0:09:24 | 0:09:25 | |
Psst! | 0:09:25 | 0:09:27 | |
I've got a secret. | 0:09:27 | 0:09:28 | |
'Oh, poor old Pink Pocket.' | 0:09:28 | 0:09:31 | |
-He wasn't interested. -This guy walking down, run over to him. | 0:09:33 | 0:09:37 | |
Psst! | 0:09:41 | 0:09:43 | |
-What are you doing, Joel? -Just getting in the bushes. | 0:09:47 | 0:09:50 | |
-That's not going to work. -Bad idea, Joel. I've tried that many times. | 0:09:50 | 0:09:53 | |
-ROISIN: -If they're not stopping for you walking, | 0:09:53 | 0:09:55 | |
they won't stop for you in a bush. | 0:09:55 | 0:09:57 | |
Yeah, good luck, mate. | 0:09:57 | 0:09:59 | |
Psst! | 0:09:59 | 0:10:01 | |
Hey, psst! | 0:10:01 | 0:10:03 | |
-Are you talking to me? -I've got a secret! -Yeah? What's your secret? | 0:10:03 | 0:10:07 | |
'I like it when I find hair in food.' | 0:10:07 | 0:10:09 | |
'I love it when I find hair in food.' | 0:10:09 | 0:10:11 | |
That's a very lovely thing to do! | 0:10:11 | 0:10:13 | |
Have you got any secrets you want to share with me? | 0:10:13 | 0:10:15 | |
I have a lot of hair on my asshole. | 0:10:15 | 0:10:17 | |
'That was a great secret, man.' | 0:10:17 | 0:10:19 | |
-That was an absolutely great secret. -Not many people like hair in their food. | 0:10:19 | 0:10:24 | |
My food, your arsehole - perfect! | 0:10:24 | 0:10:26 | |
-ROISIN: -'Amazing.' | 0:10:28 | 0:10:29 | |
So Joel bags himself a secret and a pass. | 0:10:32 | 0:10:35 | |
Next up, it's Roisin. | 0:10:38 | 0:10:40 | |
-'Come on, Roisin! You look the most approachable of all of us. -Absolutely.' | 0:10:40 | 0:10:44 | |
Once we get to know you, you're the LEAST approachable! | 0:10:44 | 0:10:47 | |
Approach THAT! | 0:10:50 | 0:10:51 | |
'Here you go, this guy.' | 0:10:51 | 0:10:53 | |
Psst! | 0:10:53 | 0:10:54 | |
-Can I tell you a secret? -'I've got level 3 bot-rot.' | 0:10:54 | 0:10:57 | |
I've got level 3 bot-rot. | 0:10:58 | 0:11:00 | |
I've got level 3 bot-rot. | 0:11:01 | 0:11:02 | |
-Have you got a secret? Anything you want to share? -None today! -Not today. | 0:11:05 | 0:11:11 | |
Psst! | 0:11:12 | 0:11:14 | |
I've got a secret. | 0:11:14 | 0:11:16 | |
-What? -I've got a secret. | 0:11:16 | 0:11:17 | |
Everything I'm wearing is stolen. | 0:11:17 | 0:11:20 | |
Everything I'm wearing is stolen. | 0:11:20 | 0:11:22 | |
-That's a good secret! -It's a good secret? Have you got a secret? | 0:11:22 | 0:11:25 | |
'Come on!' | 0:11:25 | 0:11:27 | |
He's going to do it. | 0:11:27 | 0:11:28 | |
You're also wearing a stolen jacket? | 0:11:30 | 0:11:32 | |
So Roisin gets a secret, and in the process earns herself a pass. | 0:11:34 | 0:11:39 | |
Next up it's Marek. | 0:11:40 | 0:11:41 | |
'Oh, look, he's got his slide on. | 0:11:43 | 0:11:45 | |
'Look at him go!' | 0:11:46 | 0:11:47 | |
Confident! | 0:11:47 | 0:11:49 | |
What do you think, flies up or down? | 0:11:49 | 0:11:52 | |
Psst! Psst! | 0:11:54 | 0:11:55 | |
Psst! Psst! I've got a secret! | 0:11:55 | 0:11:57 | |
It's really important I tell you. | 0:11:57 | 0:11:59 | |
-'My real name is Frank 'n' Cense.' -My real name is Frank 'n' Cense. | 0:11:59 | 0:12:03 | |
Have you got any secrets? | 0:12:03 | 0:12:05 | |
No? None at all? | 0:12:06 | 0:12:07 | |
What about you? Any secrets? | 0:12:07 | 0:12:09 | |
-'I've got another secret.' -I've got another secret. | 0:12:09 | 0:12:11 | |
I once texted the Queen a picture of my nuts. | 0:12:11 | 0:12:14 | |
I once texted the Queen a picture of my nuts. | 0:12:16 | 0:12:19 | |
-Go on! Have you got any secrets? -Like these nuts? -Similar... | 0:12:19 | 0:12:23 | |
There weren't as many as there. | 0:12:23 | 0:12:25 | |
Psst! Psst! | 0:12:28 | 0:12:32 | |
-I've got a secret. -Yeah? -My shits are completely transparent. | 0:12:32 | 0:12:36 | |
-My shits are completely transparent. -Right, good! | 0:12:37 | 0:12:40 | |
-Have you got any secrets? -No! -You can't even see them! | 0:12:40 | 0:12:44 | |
It's a nightmare for me! Watch out! You're standing on one now! | 0:12:44 | 0:12:48 | |
So Marek doesn't get a secret from a stranger, so gets himself a fail. | 0:12:51 | 0:12:56 | |
Finally, it's Paul. | 0:12:56 | 0:12:59 | |
Excuse me. | 0:12:59 | 0:13:00 | |
I've got a secret. | 0:13:02 | 0:13:03 | |
-ROISIN: -'I nicked your car.' -I nicked your car. -What kind is it? | 0:13:03 | 0:13:07 | |
A Toyota. | 0:13:07 | 0:13:09 | |
Wrong. | 0:13:09 | 0:13:10 | |
Siesta? That's not even a car, is it? | 0:13:10 | 0:13:12 | |
Psst! | 0:13:19 | 0:13:20 | |
I've got a secret. | 0:13:21 | 0:13:23 | |
My hands are glued to my junk. | 0:13:23 | 0:13:25 | |
My hands are glued to my junk. | 0:13:26 | 0:13:28 | |
-Have you got any secrets? -No. -Nothing? -Nothing of interest. | 0:13:30 | 0:13:34 | |
It doesn't have to be interesting, just any secret. | 0:13:34 | 0:13:36 | |
-CRIES OF DERISION -He failed! | 0:13:37 | 0:13:39 | |
So no secret for Paul, and as a result he gets himself a fail. | 0:13:42 | 0:13:48 | |
Meaning that after two challenges, Paul has one fail | 0:13:48 | 0:13:51 | |
but Marek is the current loser with two. | 0:13:51 | 0:13:54 | |
Hello, there. | 0:13:54 | 0:13:55 | |
Today, we've been paired off to give a Sensitivity In The Workplace presentation. | 0:13:55 | 0:13:59 | |
You're sacked, sexy. | 0:13:59 | 0:14:01 | |
Problem is, we've written the presentations for each other. | 0:14:01 | 0:14:03 | |
So we have absolutely no idea what's in them. Let's get going. | 0:14:03 | 0:14:08 | |
At the end we'll ask the group to rate our presentations, | 0:14:08 | 0:14:12 | |
and the pair with the lowest score loses. | 0:14:12 | 0:14:15 | |
First up...are Joel and Paul. | 0:14:18 | 0:14:22 | |
HE READS SLOGAN | 0:14:23 | 0:14:27 | |
What we're going to do now, we're going to | 0:14:31 | 0:14:33 | |
resolve the following sensitive scenarios via role-play. OK? | 0:14:33 | 0:14:36 | |
MAREK LAUGHS | 0:14:39 | 0:14:41 | |
-Go on, just make it up, guys. -It's very dark. Joel... | 0:14:43 | 0:14:47 | |
I'll pretend I'm sat down, yep. | 0:14:47 | 0:14:51 | |
I had done my business thinking that I was just... | 0:14:51 | 0:14:54 | |
..on the toilet. | 0:14:56 | 0:14:58 | |
Pffrt, pffrt! | 0:14:58 | 0:15:00 | |
-And I'm like, "Well..." -Oh! | 0:15:00 | 0:15:02 | |
"I'm already in the disabled toilet." | 0:15:02 | 0:15:04 | |
I'm so sorry, Joel, I really didn't know you were in here, | 0:15:04 | 0:15:07 | |
obviously the lights aren't working. | 0:15:07 | 0:15:09 | |
Please, if you'd like to send me | 0:15:09 | 0:15:11 | |
a receipt for the dry cleaning, I'm happy to reimburse you. | 0:15:11 | 0:15:14 | |
Erm, you know what? We all make mistakes. We all make mistakes. | 0:15:14 | 0:15:18 | |
-Let's see how they get out of this one. -Let's just play this. | 0:15:23 | 0:15:26 | |
-Hello. -That's Joel's mum, Paul. | 0:15:28 | 0:15:31 | |
You look really lovely today. | 0:15:31 | 0:15:33 | |
-Thank you. -I mean...REALLY lovely. -Thank you! | 0:15:33 | 0:15:38 | |
-I'd just like to congratulate you on your new promotion. -Thank you. | 0:15:39 | 0:15:43 | |
Well done. But I wanted to say, REALLY well done. | 0:15:44 | 0:15:49 | |
LAUGHTER AND SEDUCTIVE MUSIC | 0:15:51 | 0:15:53 | |
Not well done! | 0:15:59 | 0:16:01 | |
-ROISIN: -I can't believe you're snogging Joel's mum. | 0:16:01 | 0:16:04 | |
Eugh! | 0:16:07 | 0:16:08 | |
Well done. | 0:16:09 | 0:16:11 | |
-He looks like he's going to cry! -He looks what? He looks seedy? | 0:16:11 | 0:16:16 | |
How you feeling, Joel? | 0:16:16 | 0:16:18 | |
Yeah, that's, eh, it's an interesting scene. | 0:16:19 | 0:16:22 | |
An interesting scene there with, you know... Cos that... | 0:16:23 | 0:16:29 | |
HE STUMBLES OVER HIS WORDS | 0:16:29 | 0:16:30 | |
I mean, wow, that really happened, didn't it? That really happened. | 0:16:32 | 0:16:37 | |
That really is graphic. Thank you for listening. | 0:16:37 | 0:16:40 | |
And just give us a rating based on what you | 0:16:40 | 0:16:42 | |
-feel like you've learnt today. -They blind-sided them. | 0:16:42 | 0:16:45 | |
-They'll get a two. -Four fours and a three - 19. | 0:16:45 | 0:16:48 | |
Paul and Joel score 19 points, so Marek and Roisin | 0:16:52 | 0:16:54 | |
will have to score higher to avoid a fail. | 0:16:54 | 0:16:57 | |
-All right, Marek? -Yeah, I'm fine, mate, just... | 0:16:58 | 0:17:00 | |
-How's it going, Marek, all right? -Yeah, yeah... | 0:17:00 | 0:17:04 | |
-Yeah? -Yeah, all right, thanks. -You all right? -Yeah, not too bad. | 0:17:04 | 0:17:07 | |
Yeah, nice one. | 0:17:07 | 0:17:09 | |
Next up...are Marek and Roisin, | 0:17:09 | 0:17:11 | |
who need to score more than 19 to beat Joel and Paul. | 0:17:11 | 0:17:15 | |
-A happy workplace is a productive workplace. -I agree with that, do you? | 0:17:15 | 0:17:19 | |
Yeah, I agree with that, I'm really happy right now. | 0:17:19 | 0:17:21 | |
-OK, erm... -It's good to laugh. -All agree? | 0:17:21 | 0:17:25 | |
ALL: Yes. | 0:17:25 | 0:17:26 | |
-Everyone feel happy? Good. -Sometimes it's not good to laugh. | 0:17:26 | 0:17:31 | |
Eg... | 0:17:31 | 0:17:32 | |
I went for a job recently, I didn't get the promotion, | 0:17:38 | 0:17:41 | |
I felt quite upset, I didn't want to hear jokes, | 0:17:41 | 0:17:43 | |
sometimes you don't want to laugh. | 0:17:43 | 0:17:45 | |
What's the third one, Marek? | 0:17:45 | 0:17:47 | |
At your boss's...eh, your boss's... | 0:17:47 | 0:17:51 | |
giant gonads. | 0:17:51 | 0:17:52 | |
BOTH: Yes! | 0:18:00 | 0:18:01 | |
Well, sometimes, it's... People... | 0:18:01 | 0:18:06 | |
It's very difficult and very sensitive. | 0:18:07 | 0:18:09 | |
Yeah, but we need to know why though. | 0:18:09 | 0:18:11 | |
Because... | 0:18:11 | 0:18:14 | |
Some people, it gives them confidence. | 0:18:14 | 0:18:17 | |
Because they think, "I wish people would stare." | 0:18:17 | 0:18:22 | |
-Do you sometimes feel like that? -No. | 0:18:22 | 0:18:25 | |
-JOEL: -'Ah, here's something sensitive for you guys to explain.' | 0:18:29 | 0:18:32 | |
SHEEP BLEATS | 0:18:34 | 0:18:36 | |
-Uh... -Oh, my God. | 0:18:37 | 0:18:41 | |
-That is, uh... -What is that, Marek? | 0:18:41 | 0:18:44 | |
-'Mmm, good music.' -I don't know what... | 0:18:45 | 0:18:48 | |
MUSIC: "Don't stop (Wiggle Wiggle)" by the Outhere Brothers | 0:18:48 | 0:18:50 | |
That's a goat coming out of, erm... I mean, it looks terrific, but... | 0:18:50 | 0:18:55 | |
Quite a beautiful, beautiful moment. | 0:18:55 | 0:18:58 | |
Think Roisin was actually just sick in her mouth. | 0:18:58 | 0:19:00 | |
JOEL LAUGHS LOUDLY | 0:19:00 | 0:19:02 | |
-OK? -Yes. | 0:19:02 | 0:19:04 | |
-PAUL: -Oh, my God. Oh, my God. -Let's move on to the next one. | 0:19:06 | 0:19:10 | |
So, in conclusion, Roisin, do you want to just take everyone through the conclusions for today? | 0:19:10 | 0:19:14 | |
-Sensitivity. It makes sense... -Itivity. | 0:19:14 | 0:19:19 | |
-That's beautiful. -It's amazing. | 0:19:22 | 0:19:24 | |
That's a great sentiment, really nice. | 0:19:24 | 0:19:26 | |
If you could just mark us on what you thought | 0:19:26 | 0:19:28 | |
so we can report back to our colleagues. | 0:19:28 | 0:19:31 | |
Just mark out of five at the bottom, that's the most important thing. | 0:19:33 | 0:19:36 | |
I think they'll be lucky to get five from all, like, added together. | 0:19:36 | 0:19:40 | |
-Two fives. -BOTH: What?! | 0:19:40 | 0:19:43 | |
-Your final score please, gents. -Another five, that's 18. | 0:19:43 | 0:19:46 | |
This is unbelievable! | 0:19:46 | 0:19:49 | |
22, thank you very much. | 0:19:49 | 0:19:51 | |
-Unbelievable, unbelievable. -22 points. | 0:19:51 | 0:19:54 | |
So Marek and Roisin beat Joel and Paul, | 0:19:56 | 0:19:59 | |
earning them a pass...and the other two a fail. | 0:19:59 | 0:20:03 | |
Meaning that after the third challenge, | 0:20:04 | 0:20:06 | |
Marek and Paul are level on two fails each, and should | 0:20:06 | 0:20:10 | |
either of them fail the final challenge, they'll face the forfeit. | 0:20:10 | 0:20:13 | |
You can never find a pencil when you need one. | 0:20:18 | 0:20:20 | |
MAREK: That is why, out of the goodness of our own hearts, | 0:20:20 | 0:20:23 | |
we're planting pencils on complete strangers. | 0:20:23 | 0:20:26 | |
The challenge is to stick as many as we can on one single stranger | 0:20:26 | 0:20:30 | |
without getting caught. | 0:20:30 | 0:20:32 | |
-And the Joker who sticks the fewest pencils loses. -Aww. | 0:20:32 | 0:20:35 | |
-First up, it's Roisin. -So terrifying. | 0:20:40 | 0:20:43 | |
It is. | 0:20:43 | 0:20:44 | |
Which one of these people do you reckon will be easily LEAD(?) | 0:20:44 | 0:20:46 | |
Ah. Great one. | 0:20:46 | 0:20:49 | |
-That's a baggy coat. -So many pockets. | 0:20:51 | 0:20:54 | |
If you don't get at least five in there, | 0:20:54 | 0:20:57 | |
your pencil putting in pocket days are over. | 0:20:57 | 0:20:59 | |
PAUL LAUGHS | 0:20:59 | 0:21:00 | |
It's really stressful. | 0:21:00 | 0:21:03 | |
-Go, go, go, go, go! -ALL: Aww! | 0:21:03 | 0:21:05 | |
Come on, there! He's there! | 0:21:05 | 0:21:08 | |
There we go. There's a hood, there's a hood. | 0:21:09 | 0:21:13 | |
I hate it. | 0:21:14 | 0:21:16 | |
-Deep breaths, deep breaths. -Now give her a fucking pencil. | 0:21:17 | 0:21:22 | |
Oh... Thought this one was good, she hasn't clocked you. | 0:21:24 | 0:21:28 | |
Here we go. | 0:21:28 | 0:21:29 | |
ALL: Ohh... | 0:21:31 | 0:21:33 | |
THEY MURMUR AND LAUGH | 0:21:35 | 0:21:39 | |
She's had enough, ugh! | 0:21:41 | 0:21:42 | |
-One pencil! What is that? -That's less than two pencils. | 0:21:44 | 0:21:48 | |
That is actually less than two pencils. | 0:21:48 | 0:21:50 | |
That's less than three pencils. | 0:21:50 | 0:21:53 | |
Nerves get the better of Roisin, but she did get one pencil, | 0:21:53 | 0:21:56 | |
meaning that's the amount to beat to avoid a fail. | 0:21:56 | 0:21:58 | |
-Next up, it's Paul. -You look like some sort of military leader. | 0:22:00 | 0:22:05 | |
Like Napoleon on his day off. | 0:22:05 | 0:22:07 | |
I've listened to all sorts of shit - butchers, dart players... | 0:22:08 | 0:22:13 | |
-Napoleon! -But, Dommett, I have to draw the line at Napoleon, mate. | 0:22:13 | 0:22:16 | |
Come on, Paul, put some pencils in him. | 0:22:18 | 0:22:21 | |
Don't talk to him, just do it, I reckon. | 0:22:21 | 0:22:23 | |
Oh, sorry... | 0:22:25 | 0:22:26 | |
Oh, busted. | 0:22:27 | 0:22:29 | |
-Pencil her up, pencil her up! -See the passion cake? | 0:22:31 | 0:22:35 | |
Ugh, we got carrot cake, is that just along there? | 0:22:35 | 0:22:39 | |
Is it...? Hold on, passion cake. | 0:22:40 | 0:22:45 | |
We got Cinnabon, wait there one second. | 0:22:45 | 0:22:48 | |
Passion fruit cake, Victoria sponge. | 0:22:48 | 0:22:50 | |
Lemon cake there. Are you going to get the carrot cake instead? | 0:22:51 | 0:22:56 | |
-I want the passion one. -You want the passion one, hold on. | 0:22:56 | 0:22:59 | |
-Who's in charge? -Who's in charge, who's in charge of the baking?! | 0:22:59 | 0:23:02 | |
They've all gone home, bloomin' hell. | 0:23:03 | 0:23:07 | |
-Well done, mate, fucking hell. -Absolute skills. | 0:23:07 | 0:23:11 | |
Paul gets five pencils, beating Roisin and earning him | 0:23:12 | 0:23:16 | |
a potential forfeit-avoiding pass. | 0:23:16 | 0:23:18 | |
Next up, it's Joel, | 0:23:18 | 0:23:20 | |
who needs to beat Roisin's total of one pencil to avoid a fail. | 0:23:20 | 0:23:24 | |
Oh, my God, go, go, go. | 0:23:24 | 0:23:26 | |
Two. | 0:23:30 | 0:23:32 | |
Getting too cocky, too cocky, three. | 0:23:33 | 0:23:36 | |
A spin? Do a spin. | 0:23:37 | 0:23:40 | |
THEY LAUGH LOUDLY | 0:23:46 | 0:23:47 | |
Oh, my goodness, look at her bag, look at her bag. | 0:23:55 | 0:23:59 | |
-Half a tree's worth of pencils in her bag. -Amazing. Amazing. | 0:23:59 | 0:24:03 | |
He done that with class. | 0:24:03 | 0:24:05 | |
Joel successfully sticks | 0:24:05 | 0:24:06 | |
20 pencils on his shopper, | 0:24:06 | 0:24:08 | |
beating Roisin and earning | 0:24:08 | 0:24:10 | |
himself his fourth pass of the day. | 0:24:10 | 0:24:12 | |
Marek is up next, | 0:24:12 | 0:24:14 | |
and in order to avoid becoming today's overall loser | 0:24:14 | 0:24:17 | |
and doing the forfeit, he just has to beat Roisin's score | 0:24:17 | 0:24:20 | |
and get more than one pencil on his shopper. | 0:24:20 | 0:24:23 | |
-Easy, right? -Looks like a killer. | 0:24:23 | 0:24:26 | |
HE SINGS TO HIMSELF: Do-do-do, do-do-do. | 0:24:28 | 0:24:30 | |
THEY LAUGH | 0:24:30 | 0:24:31 | |
-PAUL: -Let's lighten it up! | 0:24:31 | 0:24:33 | |
Oh, my God, he's going in, he's going in. | 0:24:36 | 0:24:39 | |
-Look at his face. -Argh! | 0:24:39 | 0:24:41 | |
Go on, mate, you can do it, go on, go on. | 0:24:45 | 0:24:48 | |
You can do this, you can do this. | 0:24:48 | 0:24:50 | |
-Come on, Marek. -Oh, God, a meat prop. | 0:24:51 | 0:24:56 | |
Straight in, straight in, Marek, come on. | 0:24:58 | 0:25:01 | |
You can do it, Marek! I'm with you all the way. | 0:25:03 | 0:25:06 | |
-Five seconds' time, get one in, this is perfect. -Oh, oh, oh... | 0:25:06 | 0:25:10 | |
Sorry. | 0:25:13 | 0:25:14 | |
Yeah, pop it in, pop it in. Do it, do it, do it, do it! | 0:25:15 | 0:25:19 | |
-Oh, damn it! -It fell out, it fell out. | 0:25:21 | 0:25:25 | |
Marek doesn't get a single pencil on his shopper. | 0:25:32 | 0:25:35 | |
Which means, with three fails to his name, Marek is today's loser, | 0:25:38 | 0:25:42 | |
and must now face the consequences. | 0:25:42 | 0:25:44 | |
-Ah. -JOEL AND PAUL: Loser, loser! | 0:25:44 | 0:25:48 | |
Marek, it's your forfeit, but it's a bit different today, | 0:25:48 | 0:25:51 | |
-we're not going to tell you what's actually going on. -What? | 0:25:51 | 0:25:53 | |
You're not going to know until you get there. | 0:25:53 | 0:25:55 | |
-Why do I always get this sort of rough treatment? -Blindfold him. | 0:25:55 | 0:25:58 | |
Not going to see it either, mate, nothing to see here. | 0:25:58 | 0:26:02 | |
Not going to hear or see anything. Turn round, loser. | 0:26:02 | 0:26:04 | |
Unbeknownst to him, he's about to be dumped in front of a | 0:26:08 | 0:26:11 | |
rowdy, intimidating football crowd, | 0:26:11 | 0:26:13 | |
where he'll really have to think on his feet. | 0:26:13 | 0:26:16 | |
-STADIUM ANNOUNCER: -OK, I'd like your full attention. | 0:26:16 | 0:26:20 | |
-Singing his song Referee Lover... -Think I'm going to puke. | 0:26:20 | 0:26:24 | |
-..ladies and gentlemen... -You know Referee Lover, don't you? | 0:26:24 | 0:26:27 | |
..a big hand for Marek. | 0:26:27 | 0:26:28 | |
Wahey! | 0:26:28 | 0:26:31 | |
-JOEL: -We just invented that song title for you, Marek, | 0:26:31 | 0:26:33 | |
so you just have to invent the rest. Go on, mate. | 0:26:33 | 0:26:36 | |
You've got to sing until we tell you to stop. | 0:26:38 | 0:26:40 | |
Hello, my name is Marek Larwood, | 0:26:43 | 0:26:46 | |
and this is a song I've written called Referee Lover. | 0:26:46 | 0:26:50 | |
# It's difficult to find someone to love | 0:26:52 | 0:26:58 | |
# In these troubled times | 0:26:58 | 0:27:01 | |
# I've tried different people | 0:27:02 | 0:27:05 | |
# But the only people I seem to like are guys dressed in black... # | 0:27:09 | 0:27:15 | |
-ROISIN: -The players are actually kicking balls at him now! | 0:27:15 | 0:27:18 | |
# Referee lover, I think they are nice... # | 0:27:18 | 0:27:24 | |
BOOING | 0:27:24 | 0:27:26 | |
# They're not ungrateful, like you lot | 0:27:26 | 0:27:28 | |
# I'm a referee lover, I love them very much | 0:27:28 | 0:27:35 | |
# I want them to be my friend | 0:27:35 | 0:27:37 | |
# I've got... # | 0:27:37 | 0:27:39 | |
Off, off, off! | 0:27:39 | 0:27:42 | |
Thank you. | 0:27:42 | 0:27:43 | |
BOOING | 0:27:43 | 0:27:46 | |
-PAUL: -Booo! | 0:27:46 | 0:27:49 | |
Marek, you got a fan over there. | 0:27:50 | 0:27:52 | |
Bringing out the single next week. I'm going home, I'm going home. | 0:27:52 | 0:27:56 | |
Someone get me out of here fast, how do I get out of here? | 0:27:56 | 0:27:59 | |
That's all from Impractical Jokers this week, next time, | 0:28:03 | 0:28:06 | |
the Jokers become inventors... | 0:28:06 | 0:28:07 | |
-It's a man beak. -..fall asleep in public... | 0:28:07 | 0:28:11 | |
and take over an optician's. | 0:28:11 | 0:28:14 |