
Browse content similar to Food. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:07 | |
-Five magicians go head-to-head to find out who is better than the rest. -Oh, shit! Look! | 0:00:07 | 0:00:10 | |
The stakes are deadly... | 0:00:10 | 0:00:12 | |
..because the loser will face a trick that has killed | 0:00:12 | 0:00:15 | |
or injured magicians in the past. | 0:00:15 | 0:00:17 | |
Shut up. | 0:00:17 | 0:00:19 | |
I feel sick. | 0:00:19 | 0:00:20 | |
This is Killer Magic. | 0:00:20 | 0:00:23 | |
Can we get medical in? | 0:00:23 | 0:00:25 | |
So, let's meet the five magicians battling it out. | 0:00:25 | 0:00:28 | |
First up, it's catalogue model in the making, Ben Hart - "The Gent." | 0:00:28 | 0:00:32 | |
I like to do magic that which is really visual | 0:00:32 | 0:00:34 | |
and I think as magicians we should be able to alter objects. | 0:00:34 | 0:00:37 | |
Cover over the coffee like this and I want you to imagine this coffee | 0:00:37 | 0:00:40 | |
going back in time, when it was just... | 0:00:40 | 0:00:42 | |
-just beans. -What?! | 0:00:42 | 0:00:44 | |
Next is a man you wouldn't want round your house on poker night. | 0:00:44 | 0:00:47 | |
Or ever. It's Damien O'Brien - "The Geezer." | 0:00:47 | 0:00:50 | |
My style is very flashy, showing off. When I perform it's very intimate. | 0:00:50 | 0:00:55 | |
It's kind of, like, in your face, very visual-style magic. | 0:00:55 | 0:00:59 | |
Hanging off them...you can see something you like. | 0:00:59 | 0:01:02 | |
-Oh, my God! -No! | 0:01:02 | 0:01:05 | |
Dee Christopher is "The Goth." | 0:01:05 | 0:01:08 | |
The stuff that really excites me in performance is | 0:01:08 | 0:01:11 | |
when you strike a different kind of a chord with people. | 0:01:11 | 0:01:14 | |
Remember that card. | 0:01:14 | 0:01:16 | |
'Sort of spook them a bit or creep them out.' | 0:01:16 | 0:01:19 | |
SHE LAUGHS | 0:01:19 | 0:01:20 | |
There's Jasz Vegas - "The girl." | 0:01:23 | 0:01:26 | |
It's not very inventive being called The Girl, is it? | 0:01:26 | 0:01:29 | |
Yeah, good point, fair enough. | 0:01:29 | 0:01:30 | |
If you can sign her name in the white bit. | 0:01:30 | 0:01:32 | |
'But just because I'm a girl doesn't mean | 0:01:32 | 0:01:34 | |
'I don't do it as well as the guys.' | 0:01:34 | 0:01:36 | |
Bloody hell! | 0:01:36 | 0:01:38 | |
And then there's sexy Chris Cox - "The Geek." | 0:01:40 | 0:01:43 | |
I do mind reading stuff, influencing - that type of nonsense. | 0:01:43 | 0:01:46 | |
Grab hold of it and show the camera it. Do as I do. | 0:01:46 | 0:01:50 | |
'I like it that people think I can get inside their head.' | 0:01:50 | 0:01:52 | |
And just think of your time. Tell me your time. | 0:01:52 | 0:01:55 | |
4:17. | 0:01:55 | 0:01:56 | |
-Have a look at the clock. -Shit! | 0:01:56 | 0:01:58 | |
Not only will the magicians be competing, they'll also be | 0:02:00 | 0:02:03 | |
scoring each other out of ten, | 0:02:03 | 0:02:05 | |
all of them trying to avoid that Killer Trick, | 0:02:05 | 0:02:07 | |
which this week is... | 0:02:07 | 0:02:10 | |
ALL: Oooh! | 0:02:10 | 0:02:12 | |
Had a text. | 0:02:12 | 0:02:13 | |
"Dear Magicians, | 0:02:13 | 0:02:15 | |
"this weeks' Killer Trick is the infamous Bullet Catch." That's good. | 0:02:15 | 0:02:19 | |
"The winner will fire the gun." That's even better. | 0:02:19 | 0:02:23 | |
"The loser will attempt to catch the bullet in their teeth. | 0:02:23 | 0:02:26 | |
"Over the years, the Bullet Catch has been responsible | 0:02:26 | 0:02:29 | |
-"for the deaths of 12 magicians." -Could be 13. -Unlucky for some. | 0:02:29 | 0:02:33 | |
This trick is so dangerous it's been banned in the UK. | 0:02:33 | 0:02:36 | |
But we've circumvented the law by using paintballs - | 0:02:36 | 0:02:39 | |
travelling at 200mph - to shoot a magician in the face. | 0:02:39 | 0:02:43 | |
Who needs teaspoons, eh? | 0:02:43 | 0:02:46 | |
-Not good, Ben, not good. -Pretty insane, the idea of a Bullet Catch. | 0:02:46 | 0:02:50 | |
What they need now is a theme to base their tricks on. | 0:02:50 | 0:02:53 | |
"Your challenge is to perform magic on the theme of...food." | 0:02:53 | 0:02:57 | |
Get to mix food and magic? That's me sorted. | 0:02:57 | 0:03:01 | |
These brave magicians are performing in front of real people. | 0:03:01 | 0:03:04 | |
No stooges, no camera tricks, no funny business. Just magic. | 0:03:04 | 0:03:08 | |
First up is a man who loves food so much he literally east it every day. | 0:03:12 | 0:03:16 | |
It's Damien. | 0:03:16 | 0:03:17 | |
Magic's my first love and food is probably my second love, | 0:03:17 | 0:03:20 | |
so I'm always eating. To combine the two will be great. | 0:03:20 | 0:03:22 | |
I'm sure his girlfriend will be delighted. | 0:03:22 | 0:03:25 | |
I'm really looking forward to the trick I'm going to do. | 0:03:25 | 0:03:27 | |
It's probably safe to say no-one's ever done anything like this. | 0:03:27 | 0:03:31 | |
No-one's going to see this coming. | 0:03:31 | 0:03:33 | |
Big talk. | 0:03:33 | 0:03:34 | |
Cheers, mate, thanks. Appreciate that. | 0:03:34 | 0:03:37 | |
The other four magicians will be watching the whole trick | 0:03:37 | 0:03:40 | |
and will deliver their verdicts afterwards. | 0:03:40 | 0:03:42 | |
Right, come on then, show me the magic. | 0:03:42 | 0:03:44 | |
-Hi, guys, how you doing? I'm Damien. What's' your name? -Kurt. -Kurt? -Yeah. | 0:03:44 | 0:03:47 | |
-And? -I'm Kadim. -I'm going to show you a really cool trick. | 0:03:47 | 0:03:50 | |
Now, I know you want to go and eat and everything. | 0:03:50 | 0:03:53 | |
I'm going to show you something really awesome, OK? | 0:03:53 | 0:03:55 | |
-I've got a deck of cards, OK? -OK. | 0:03:55 | 0:03:57 | |
Just put that card out for a second. | 0:03:59 | 0:04:01 | |
Can you take any card out you like for me? | 0:04:01 | 0:04:05 | |
-I'll take this one. -King of Hearts. -Yes. | 0:04:05 | 0:04:10 | |
Can you sign just your name on that for me? | 0:04:10 | 0:04:12 | |
-You can that as a table. -That's all right. | 0:04:12 | 0:04:14 | |
Make it nice and big and clear. | 0:04:14 | 0:04:16 | |
Just show the card to the camera. | 0:04:18 | 0:04:20 | |
Great. So...King of Hearts. | 0:04:20 | 0:04:23 | |
Place it back in, anywhere you like. | 0:04:23 | 0:04:25 | |
-It's right in there, right? -Yes. | 0:04:30 | 0:04:32 | |
I'll just put them away. Come back to them in just a bit. | 0:04:32 | 0:04:35 | |
Now, today, I was given | 0:04:35 | 0:04:37 | |
a challenge. I was told I had to do magic, combining it with food. | 0:04:37 | 0:04:41 | |
OK? That has been the whole idea of this trick. | 0:04:41 | 0:04:46 | |
You've had your lunch from the very beginning. | 0:04:46 | 0:04:49 | |
It's been in your hands the whole entire time. | 0:04:49 | 0:04:51 | |
Can you slowly open up...? | 0:04:51 | 0:04:53 | |
Open it up. | 0:04:53 | 0:04:54 | |
Check it out. | 0:04:57 | 0:04:58 | |
It's OK, look. Open it right up. OK, you can see it. | 0:04:59 | 0:05:02 | |
-That's looks so tasty. -I tell you what, can you lift up the fish? | 0:05:02 | 0:05:07 | |
Lift it right up. | 0:05:07 | 0:05:08 | |
-Can you break the fish open? -What?! -Break the fish open. -Nah, nah! | 0:05:13 | 0:05:17 | |
-Break it open? -Yeah. | 0:05:19 | 0:05:20 | |
Oh! Shit, look! | 0:05:23 | 0:05:25 | |
-It's inside! -Show it to the camera. | 0:05:25 | 0:05:27 | |
-No, look, look, look, look! -Is that the card? | 0:05:27 | 0:05:29 | |
-Yes, bruv. -Fuck off! | 0:05:29 | 0:05:32 | |
The card's in there! | 0:05:32 | 0:05:33 | |
And it's got my name on it! | 0:05:35 | 0:05:37 | |
What?! | 0:05:37 | 0:05:38 | |
That is the card at the start! | 0:05:38 | 0:05:41 | |
I don't understand it. You never took the box from him. | 0:05:41 | 0:05:44 | |
Forget that! Did he catch the fish and then batter it?! | 0:05:44 | 0:05:49 | |
Bro, it was inside the fish! It's not even like it was in the box. | 0:05:49 | 0:05:52 | |
I don't even know how that could happen. It was inside the fish. | 0:05:52 | 0:05:56 | |
In it! Like the fish had to have eaten this card. | 0:05:56 | 0:06:00 | |
Let's just... | 0:06:00 | 0:06:01 | |
Cheers, guys. I'll leave you be. Thanks a lot. | 0:06:01 | 0:06:05 | |
Bro, it was inside the fish! | 0:06:05 | 0:06:07 | |
It's still got fish on it! | 0:06:07 | 0:06:09 | |
I thought that was absolutely amazing.' | 0:06:09 | 0:06:13 | |
Oh! And it's got my name on it! | 0:06:13 | 0:06:16 | |
-The trick came off absolutely perfect. -I just can't understand how | 0:06:16 | 0:06:19 | |
a fish that ain't broken could have a card written with your name on it. | 0:06:19 | 0:06:23 | |
I even spelt my name wrong, by accident, like an idiot! | 0:06:23 | 0:06:28 | |
I'm just hoping that what I do gets half the reaction that does! | 0:06:28 | 0:06:32 | |
Right, let's get some scores, shall we? | 0:06:36 | 0:06:38 | |
Damien got the card inside a fish, but it was still just a card trick. | 0:06:41 | 0:06:45 | |
So, to stop him fishing for compliments, I'll give him a 7. | 0:06:45 | 0:06:49 | |
I'm going to give him a 9. | 0:06:49 | 0:06:53 | |
I think Damien's trick was incredible, So I'll give him a... | 0:06:53 | 0:06:57 | |
..7. | 0:07:00 | 0:07:01 | |
COUGHS | 0:07:01 | 0:07:02 | |
I'm giving it a 9. | 0:07:02 | 0:07:05 | |
So, maths fans, it's a strong start for Damien, with 32 points. | 0:07:06 | 0:07:10 | |
Let's see how Ben, The Gent, measures up with his food trick. | 0:07:11 | 0:07:15 | |
I'm going to do something which is food-related and does use food, | 0:07:15 | 0:07:18 | |
but I don't think that's enough. Maybe I'll do something different | 0:07:18 | 0:07:21 | |
with the way I present it. Maybe, shed the image of a magician. | 0:07:21 | 0:07:24 | |
-Hello. -Hello. -How are you? -Good, thank you. How are you? -OK. | 0:07:26 | 0:07:30 | |
-My name's Ben, what's your name? -Emily. -And? -Dominique. | 0:07:30 | 0:07:35 | |
Nice to meet you. | 0:07:35 | 0:07:36 | |
Smooth. Now, when Ben said he'd shed the image of a magician... | 0:07:36 | 0:07:39 | |
-Keep going! -..it appears what he meant was shed his clothes. | 0:07:39 | 0:07:45 | |
Follow me. Come on. | 0:07:49 | 0:07:51 | |
Ben has asked me to remind you that it's minus five degrees in here. | 0:07:51 | 0:07:55 | |
-It's a bit cold in here. -Oh, my goodness! | 0:07:55 | 0:07:57 | |
-Try and ignore those guys over there. -OK. -It's absolutely freezing. | 0:07:57 | 0:08:02 | |
-He has got nipples like coat hooks. -The reason I brought you here | 0:08:02 | 0:08:05 | |
into this freezing cold environment is so you know nothing's going in | 0:08:05 | 0:08:09 | |
or out of my sleeves and it's so cold I can hardly move my hands. | 0:08:09 | 0:08:12 | |
So, my hands will definitely not going to be going faster | 0:08:12 | 0:08:15 | |
than your eyes can see. I've got a box of eggs here. | 0:08:15 | 0:08:18 | |
I need you to choose one at random. Take out your favourite egg. | 0:08:18 | 0:08:23 | |
Don't drop it. So, that means that you do not want this egg? | 0:08:23 | 0:08:28 | |
-No. -You do not want this egg? -No. | 0:08:28 | 0:08:31 | |
You do not want this egg? | 0:08:32 | 0:08:33 | |
You do not want this egg? And you do not want this egg. | 0:08:33 | 0:08:36 | |
-You are happy with that egg? -Yes! | 0:08:36 | 0:08:40 | |
Now you have an egg, we need somewhere to cook it. | 0:08:40 | 0:08:44 | |
-Yeah, be great. -Yeah. In an ice bath. | 0:08:44 | 0:08:46 | |
-No! -Yes. -You're not normal. | 0:08:48 | 0:08:51 | |
I need you to check there is nothing in my sleeves. | 0:08:51 | 0:08:53 | |
We believe you! | 0:08:53 | 0:08:55 | |
And I need you to check I am not hiding anything in my pants, | 0:08:55 | 0:08:58 | |
especially not anything egg-shaped. | 0:08:58 | 0:09:00 | |
Have a look. Have a rummage. | 0:09:00 | 0:09:02 | |
Oh, she's going in! | 0:09:03 | 0:09:05 | |
-So, I am not hiding anything in there? -Definitely not hiding! | 0:09:05 | 0:09:09 | |
At temperatures like this, I am not hiding much down there! | 0:09:09 | 0:09:12 | |
Would you drop the egg in there. | 0:09:12 | 0:09:14 | |
OK. Now, we turn the timer... and just wait. | 0:09:14 | 0:09:17 | |
I can just summon up all this heat in my crotch. | 0:09:19 | 0:09:22 | |
It's getting really warm. Can you feel that. Don't touch, | 0:09:22 | 0:09:25 | |
but can you feel it's getting warm? | 0:09:25 | 0:09:28 | |
-Yeah. -It's getting really hot. It's quite an enjoyable sensation. | 0:09:28 | 0:09:32 | |
Do you like it medium or hard? | 0:09:32 | 0:09:34 | |
-Hard-boiled egg. -Hard-boiled, great. | 0:09:34 | 0:09:36 | |
TIMER RINGS | 0:09:36 | 0:09:39 | |
There we go. It's done. You will not believe me, | 0:09:39 | 0:09:42 | |
but inside my pants I've summoned up | 0:09:42 | 0:09:46 | |
the power - it's very hot, actually - | 0:09:46 | 0:09:48 | |
to turn this egg... | 0:09:48 | 0:09:50 | |
..into a hard-boiled one. | 0:09:51 | 0:09:53 | |
THEY SCREAM | 0:09:53 | 0:09:54 | |
It's really cooked. | 0:09:57 | 0:09:58 | |
-It's exactly how you like it. -It's really cooked! | 0:09:58 | 0:10:01 | |
Do you want it? You can eat it. | 0:10:01 | 0:10:03 | |
-I'm good, thank you! -What do you keep in your pants?! | 0:10:03 | 0:10:06 | |
You couldn't eat it without something to go with it. | 0:10:06 | 0:10:09 | |
So...I have some plates here. Would you have a look at that plate. | 0:10:09 | 0:10:12 | |
Do not drop it. Gave a look at that plate for me. Happy? | 0:10:12 | 0:10:15 | |
-Yeah. -I've also got some bread. | 0:10:15 | 0:10:17 | |
I need you to pick a slice, any slice. | 0:10:19 | 0:10:21 | |
-That one? You happy with that one? -Yes. -You don't want to change | 0:10:23 | 0:10:26 | |
-your mind? You're happy with it? -It's beautiful. | 0:10:26 | 0:10:29 | |
I'm going to pop that on there. Would you hold on to that plate. | 0:10:29 | 0:10:33 | |
-I'm going to put this one on top. Is that fair? -Yes. | 0:10:33 | 0:10:35 | |
-Now, will you take my hand for me? -Yeah. -Hold on here and here. | 0:10:35 | 0:10:39 | |
In a moment, something very peculiar is going to happen | 0:10:39 | 0:10:42 | |
between your hands. You will feel it. It's going to be so weird. Get ready. | 0:10:42 | 0:10:46 | |
-Can you feel that? -What?! Oh, my God! -Watch closely. | 0:10:46 | 0:10:49 | |
-It's starting to get really... quite warm. -Very warm. | 0:10:49 | 0:10:55 | |
In fact, better take it off. It's got so hot that that piece of bread | 0:10:55 | 0:11:01 | |
has now become... | 0:11:01 | 0:11:04 | |
toast. | 0:11:04 | 0:11:05 | |
Do you want to have a look at it? Check it's just toast. | 0:11:06 | 0:11:10 | |
-That's the weirdest thing I've seen in my life. -Very impressive. | 0:11:10 | 0:11:14 | |
Second weirdest! | 0:11:14 | 0:11:15 | |
-That was insane. -I don't really know what to say! | 0:11:18 | 0:11:21 | |
Much colder than I thought it would be. I completely lost control | 0:11:23 | 0:11:27 | |
of my hands and also of my brain. | 0:11:27 | 0:11:29 | |
I have no idea how he did it, | 0:11:29 | 0:11:30 | |
both in terms of magically, but how he actually stood on here for | 0:11:30 | 0:11:34 | |
that long in his pants. | 0:11:34 | 0:11:36 | |
So, it's voting time... | 0:11:37 | 0:11:38 | |
Ben's conditions in the ice bowl were pretty brutal, | 0:11:38 | 0:11:41 | |
but yet he still managed to cook an egg inside his pants, | 0:11:41 | 0:11:45 | |
so I'm going to give him a 9. | 0:11:45 | 0:11:47 | |
He put himself through pain for a proper bit of magic. | 0:11:47 | 0:11:50 | |
I'll give Ben an 8. | 0:11:50 | 0:11:51 | |
I give Ben...8. | 0:11:51 | 0:11:53 | |
It was an amazing demonstration of skill, but more so of stamina. | 0:11:53 | 0:11:58 | |
So, for this, I am going to give Ben an 8. | 0:11:58 | 0:12:01 | |
That puts Ben in the lead and safe from the killer trick, with 33. | 0:12:01 | 0:12:06 | |
But for the rest, it's all to play for. | 0:12:09 | 0:12:11 | |
-Next up, geeky mind-reader Chris. -Come and join me. -This is Stacy. | 0:12:11 | 0:12:16 | |
Today, Chris has promised her a dream date.. | 0:12:16 | 0:12:18 | |
-in a dilapidated building. -Very romantic(!) | 0:12:18 | 0:12:21 | |
-Stacy, we are in a restaurant. -Right. -As part of this imaginary restaurant, | 0:12:21 | 0:12:28 | |
you are going to imagine going on a dream date and you get to think | 0:12:28 | 0:12:32 | |
of a dream meal and all sorts of stuff. I'm your waiter. | 0:12:32 | 0:12:35 | |
Normally, I would take your order, but I know what you'll have. | 0:12:35 | 0:12:38 | |
You start to think of your dream meal. Imagine seeing your food. | 0:12:38 | 0:12:42 | |
Look down and see your favourite meal there, your dream meal. | 0:12:42 | 0:12:46 | |
Then, look at me. Then, look at your dream meal. | 0:12:46 | 0:12:49 | |
Then, look at me. Then, look at your dream meal. | 0:12:49 | 0:12:51 | |
Then, look at me... | 0:12:51 | 0:12:52 | |
I think that's it. | 0:12:53 | 0:12:55 | |
We're going to go with that. | 0:12:55 | 0:12:57 | |
There is three different cloches here, with plates under them. | 0:12:57 | 0:13:00 | |
One, two and three. Which one would you like? | 0:13:00 | 0:13:04 | |
-Three. -Number three. All the way round. Here we are. Perfect. | 0:13:04 | 0:13:09 | |
Put this in front of you. | 0:13:11 | 0:13:14 | |
Stacy, for the first time, will you tell everyone what | 0:13:16 | 0:13:19 | |
-your dream meal is. -Spaghetti Bolognese. -Spaghetti Bolognese. -Yes. | 0:13:19 | 0:13:23 | |
Your dream meal is spaghetti Bolognese. | 0:13:23 | 0:13:26 | |
So, if I were to lift up that lid and you saw your dream meal, | 0:13:26 | 0:13:30 | |
-would you be impressed? -Very. | 0:13:30 | 0:13:32 | |
Your dream meal! | 0:13:38 | 0:13:40 | |
No. | 0:13:40 | 0:13:41 | |
Yeah, she not impressed. | 0:13:41 | 0:13:43 | |
Your dream meal. You said you'd be impressed if you saw your dream meal. | 0:13:43 | 0:13:48 | |
OK, fine, fine. I've got something else, don't worry. | 0:13:49 | 0:13:53 | |
Part of your dream date is, you've got your dream meal, but then you | 0:13:53 | 0:13:57 | |
need the dream person you are going to go on a date with. | 0:13:57 | 0:14:00 | |
That could be anyone. They could be dead or they could be alive. | 0:14:00 | 0:14:02 | |
The choice is yours. Who would your dream date be? | 0:14:02 | 0:14:06 | |
Simon Webbe, from Blue. | 0:14:06 | 0:14:07 | |
-Simon Webbe, from Blue. -Yeah. -She's aiming high(!) | 0:14:07 | 0:14:12 | |
Would you be impressed if I lifted off this and you saw your dream date? | 0:14:12 | 0:14:15 | |
Yeah. | 0:14:15 | 0:14:17 | |
Hey! Yeah, come on! It's your dream date! Yeah! | 0:14:19 | 0:14:23 | |
It's your dream date! Come on! Pep it up a bit. | 0:14:23 | 0:14:26 | |
-It doesn't look like Simon Webbe. -She has got a point. | 0:14:27 | 0:14:30 | |
-This hasn't gone as well as I'd hoped. -No. -I thought that would... | 0:14:30 | 0:14:34 | |
What would a magician do? | 0:14:34 | 0:14:35 | |
I know what a magician would do. | 0:14:35 | 0:14:38 | |
I'll try this. | 0:14:38 | 0:14:40 | |
One, two... | 0:14:40 | 0:14:41 | |
All right. In retrospect. I should have done it quicker, shouldn't I? | 0:14:52 | 0:14:56 | |
-You shouldn't have done it at all. -Not as impressive as I'd hoped. | 0:14:56 | 0:14:59 | |
That's not bad, though, is it? | 0:15:01 | 0:15:03 | |
Is that it, your dream date? | 0:15:03 | 0:15:04 | |
-Simon Webbe? Spaghetti Bolognese, your dream meal? -Yeah. -Yeah? | 0:15:04 | 0:15:08 | |
What do you think of that? Couldn't see his reaction cos of the bag. | 0:15:08 | 0:15:13 | |
What do you think of that, Simon Webbe, from Blue? | 0:15:13 | 0:15:16 | |
Shut up! | 0:15:16 | 0:15:17 | |
Simon Webbe from Blue! Stacy! | 0:15:17 | 0:15:19 | |
-What did you want to eat on your dream date? -Spaghetti Bolognese. | 0:15:19 | 0:15:23 | |
Spaghetti Bolognese? | 0:15:23 | 0:15:24 | |
Enjoy! See you later! | 0:15:24 | 0:15:26 | |
APPLAUSE | 0:15:35 | 0:15:36 | |
I think that went pretty good. I really liked that she had | 0:15:38 | 0:15:40 | |
that moment about halfway through where her face dropped a little | 0:15:40 | 0:15:44 | |
and her basic thought process was, "This guy is shit!" | 0:15:44 | 0:15:47 | |
As soon as she saw Simon... Aw, it blew her away. | 0:15:47 | 0:15:51 | |
Bit shocked. | 0:15:51 | 0:15:52 | |
I don't know how he did it. | 0:15:52 | 0:15:54 | |
Literally, I don't know how he did it. | 0:15:54 | 0:15:56 | |
It's good to give the illusion that you've made a mistake, | 0:15:56 | 0:16:00 | |
but there can be too many of those fake mistakes, | 0:16:00 | 0:16:02 | |
-so that the ending is not as powerful as it could be. -Anti-climactic. | 0:16:02 | 0:16:06 | |
-Maybe, I don't know. -Let's get the scores... | 0:16:06 | 0:16:09 | |
I think Chris was great, but I like little chat and more action. A 6. | 0:16:09 | 0:16:12 | |
I'm going to give him a... | 0:16:13 | 0:16:14 | |
..8. | 0:16:16 | 0:16:17 | |
It didn't light my fire as much as the others, so I'm going to | 0:16:17 | 0:16:21 | |
give him... | 0:16:21 | 0:16:22 | |
..a 7. | 0:16:22 | 0:16:25 | |
I'm going to give it an... | 0:16:25 | 0:16:27 | |
..8. | 0:16:29 | 0:16:30 | |
Not even the muscular presence of the almighty Simon Webbe from Blue | 0:16:30 | 0:16:34 | |
could save Chris. He's been awarded a less-than-generous 29. | 0:16:34 | 0:16:37 | |
He is now, literally, in the line of fire for the bullet catch | 0:16:37 | 0:16:41 | |
killer magic trick, with only two magicians to go. | 0:16:41 | 0:16:42 | |
Next up, it's hat shop botherer...Dee. | 0:16:49 | 0:16:53 | |
He has recruited a special guest to be on the receiving | 0:16:54 | 0:16:57 | |
end of his magic, TV personality, model | 0:16:57 | 0:16:59 | |
and semi-professional hair flicker, Imogen Thomas. | 0:16:59 | 0:17:03 | |
Hello, Imogen, my name is Dee. It is very nice to meet you. | 0:17:04 | 0:17:07 | |
Nice to meet you too. | 0:17:07 | 0:17:08 | |
What I have opted for is to do something | 0:17:08 | 0:17:11 | |
-based around my favourite dish which is toad in the hole. -Right. | 0:17:11 | 0:17:14 | |
You will notice we have five blenders here. We have also got our toad. | 0:17:14 | 0:17:18 | |
Please don't tell me you're going to put that in the blender. | 0:17:18 | 0:17:22 | |
-Please don't do it. -Do you want to say hello? | 0:17:22 | 0:17:25 | |
Before we go any further, we will give her a little tag. | 0:17:25 | 0:17:29 | |
-I hope she's going to be OK. -She will be fine, no doubt. | 0:17:29 | 0:17:33 | |
Dee is going to use his powers of psychological persuasion to | 0:17:33 | 0:17:36 | |
control Imogen's decision making... | 0:17:36 | 0:17:38 | |
hopefully. | 0:17:38 | 0:17:40 | |
Perfect. We will put that label right on to her belly. | 0:17:40 | 0:17:44 | |
So, what I'm going to do is place her into this hole. | 0:17:44 | 0:17:48 | |
This is the toad in the hole reference. | 0:17:48 | 0:17:50 | |
-As long as you don't put that blender on. -Dee would never do that. | 0:17:50 | 0:17:54 | |
He's leaving it to you, Imogen. | 0:17:54 | 0:17:56 | |
Wonderful. | 0:17:56 | 0:17:57 | |
Imogen, we are going to play a game that is very similar to | 0:17:57 | 0:17:59 | |
Russian roulette using five blenders. | 0:17:59 | 0:18:02 | |
You will notice they are all plugged in and there is a mess, | 0:18:02 | 0:18:05 | |
a blue spaghetti if you will, leading up to five plugs there. | 0:18:05 | 0:18:09 | |
Not with the toad in there, all right? | 0:18:10 | 0:18:12 | |
-Harley is going to be our precious collateral. -Oh, no. | 0:18:12 | 0:18:15 | |
I am going to ask you to plug plugs in one by one. | 0:18:15 | 0:18:19 | |
Now, I must stress no animal has been | 0:18:19 | 0:18:21 | |
harmed in the making of this programme. So far. | 0:18:21 | 0:18:24 | |
OK, Imogen, I'm going to ask you to pick up one of the plugs for me | 0:18:24 | 0:18:28 | |
and just hold it over the first plug socket. | 0:18:28 | 0:18:31 | |
Imogen is picking these plugs at random | 0:18:31 | 0:18:34 | |
and they really are directly connected to the blenders. | 0:18:34 | 0:18:38 | |
One, two, three, go. | 0:18:39 | 0:18:42 | |
BLENDER WHIRS | 0:18:42 | 0:18:43 | |
-The toad is safe. -We are good. One down, three to go. | 0:18:45 | 0:18:50 | |
Can you choose one of the other plugs for me? | 0:18:51 | 0:18:53 | |
-I will go for this one. -Perfect. Hold that over the plug again. | 0:18:53 | 0:18:58 | |
On the count of three, two, one, plug it in. | 0:19:00 | 0:19:04 | |
OK, we're good. Two more decisions to be made. | 0:19:06 | 0:19:09 | |
Can you pick up one of the other plugs for me? | 0:19:09 | 0:19:11 | |
Again, hold it over the third socket and on the count of three, | 0:19:11 | 0:19:15 | |
we will go one, two, three. | 0:19:15 | 0:19:19 | |
-Oh! -OK, we're good, we are good. -Thankfully still no toad smoothie. | 0:19:21 | 0:19:25 | |
One more decision to be made. | 0:19:25 | 0:19:28 | |
This is the deciding factor as to | 0:19:28 | 0:19:29 | |
whether our little Harley lives or dies. | 0:19:29 | 0:19:34 | |
I don't want to do it. | 0:19:34 | 0:19:35 | |
It'll be fine, Imogen, what could possibly go wrong? | 0:19:35 | 0:19:38 | |
-I'm nervous. -On the count of three, we're going to go one, two, three. | 0:19:39 | 0:19:46 | |
SHE SCREAMS | 0:19:46 | 0:19:48 | |
Cut the power, cut the power. | 0:19:50 | 0:19:52 | |
-Are you fucking kidding me? -I can't believe that. | 0:19:54 | 0:19:58 | |
-I am really sorry about this. -Have I just killed that frog? -It is a toad. | 0:19:58 | 0:20:04 | |
-Toad in the hole? -Oh, God. | 0:20:04 | 0:20:07 | |
Erm, Imogen, let's try this. Can you just... Can you just come over to me? | 0:20:07 | 0:20:12 | |
I'm shaking. | 0:20:12 | 0:20:13 | |
Oh, no. Oh! | 0:20:16 | 0:20:18 | |
Our little Harley, safe and sound. Back where she belongs. | 0:20:21 | 0:20:26 | |
It was a typical Dee trick, gore, blood | 0:20:28 | 0:20:30 | |
and terrifying the life out of a poor woman and all of us as well. | 0:20:30 | 0:20:36 | |
Does it fulfil the food group, though? | 0:20:36 | 0:20:38 | |
Well, there were blenders in it. He used blenders in the kitchen. | 0:20:38 | 0:20:41 | |
And there was a pun with toad in the hole. | 0:20:41 | 0:20:43 | |
So, how will our magicians vote? | 0:20:43 | 0:20:46 | |
I felt really sorry for that toad so for that reason, I'm going | 0:20:46 | 0:20:50 | |
to give it a six. | 0:20:50 | 0:20:52 | |
-I like the gore in Dee's trick. But that poor frog. -Toad. | 0:20:52 | 0:20:56 | |
So I will give him seven. | 0:20:57 | 0:20:59 | |
-He gets a seven. -Dee, I'm going to give you a seven. | 0:21:01 | 0:21:07 | |
So it is all change at the bottom with a disappointing 27 for Dee. | 0:21:07 | 0:21:11 | |
Only Jasz to go but will she do enough to steer clear of this | 0:21:13 | 0:21:16 | |
week's Killer Magic trick? | 0:21:16 | 0:21:19 | |
I plan to do magic to someone who doesn't know | 0:21:19 | 0:21:21 | |
I am doing magic to them. | 0:21:21 | 0:21:23 | |
A bit mischievous, a bit edgy and I'm hoping to get some really | 0:21:23 | 0:21:27 | |
genuine reactions to more of a social situation which will be good fun. | 0:21:27 | 0:21:32 | |
This eligible young man called Adam thinks | 0:21:37 | 0:21:39 | |
he is here to have dinner with Jasz. | 0:21:39 | 0:21:41 | |
She has told the waiter not to bring any actual food because her trick | 0:21:44 | 0:21:48 | |
is all about eating more unusual things, all of which are real. | 0:21:48 | 0:21:51 | |
-I am so sorry. -It's fine. -I am so hungry. | 0:21:56 | 0:22:00 | |
Is it fine, Adam, | 0:22:00 | 0:22:01 | |
because it looked to me like she just bit the top off a rose. | 0:22:01 | 0:22:04 | |
-Are you single? -Yes. Why, are you interested? | 0:22:06 | 0:22:11 | |
So how much of Jasz's weird and magical behaviour can this | 0:22:11 | 0:22:14 | |
chap stand before he decides she is a psycho and does a runner? | 0:22:14 | 0:22:18 | |
-Please don't eat the glass. -I am really hungry. | 0:22:18 | 0:22:20 | |
If they had brought the food it wouldn't be so bad. | 0:22:20 | 0:22:22 | |
Do you think I will be all right? | 0:22:22 | 0:22:24 | |
Oh, hello. | 0:22:26 | 0:22:27 | |
GLASS CRUNCHES | 0:22:29 | 0:22:31 | |
Sorry. | 0:22:31 | 0:22:32 | |
I just really can't help it. It is one of my little quirks. | 0:22:34 | 0:22:40 | |
-You'll end up cutting your mouth to pieces. -It is all right, actually. | 0:22:40 | 0:22:44 | |
I'll see you in a moment. No checking out my arse! | 0:22:44 | 0:22:47 | |
As Jasz goes off to the ladies', | 0:22:48 | 0:22:50 | |
Adam cannot help but share his concerns with the waiter. | 0:22:50 | 0:22:53 | |
She's eating that. | 0:22:53 | 0:22:55 | |
Oh, what a gent! | 0:23:08 | 0:23:09 | |
Hi. | 0:23:12 | 0:23:14 | |
-You all right? -They took your glass away. -Did they? | 0:23:14 | 0:23:17 | |
This man has nerves of steel or maybe it has just been a while. | 0:23:17 | 0:23:21 | |
Either way, he has stuck it out despite Jasz's unusual behaviour. | 0:23:21 | 0:23:24 | |
Maybe this will put Adam off his charm offensive. | 0:23:24 | 0:23:27 | |
I might do. | 0:23:29 | 0:23:31 | |
I'm just so hungry. I'm just so hungry. | 0:23:34 | 0:23:38 | |
-The craziest thing I have ever seen. -I am so sorry. | 0:23:38 | 0:23:41 | |
I am just really hungry. | 0:23:41 | 0:23:42 | |
Let's hope he has the number of a local cab company on that phone. | 0:23:42 | 0:23:45 | |
-It tastes really bad, actually. -I am not surprised. | 0:23:45 | 0:23:49 | |
That is really not even doing it for me. | 0:23:49 | 0:23:51 | |
Well, she has one more trick planned. | 0:23:51 | 0:23:53 | |
Let's see how he fancies a bit of dinner time levitation. | 0:23:53 | 0:23:57 | |
I'm going to pass out. Fuckin' hell. | 0:23:57 | 0:24:00 | |
I don't know, it just feels so weird. Like, I just can't deal with it. | 0:24:00 | 0:24:03 | |
Just... Oh, my God. | 0:24:03 | 0:24:05 | |
SHE MOANS | 0:24:05 | 0:24:08 | |
-Don't leave. Please don't leave. -And...he's off. | 0:24:13 | 0:24:16 | |
-Fair enough. -Don't leave me! | 0:24:16 | 0:24:20 | |
Lovely girl, she seemed lovely. | 0:24:21 | 0:24:23 | |
There are people who are into things like that | 0:24:23 | 0:24:25 | |
so I thought I would give her a chance. | 0:24:25 | 0:24:27 | |
The flower, the glass and the plate combination, | 0:24:27 | 0:24:29 | |
-I had to leave then, I couldn't take that. -I think he freaked out. | 0:24:29 | 0:24:32 | |
I am not having any of this, this is so weird. What is going on? | 0:24:32 | 0:24:35 | |
It is really difficult to do magic | 0:24:35 | 0:24:37 | |
and actually make it feel like you're not putting on a show. | 0:24:37 | 0:24:39 | |
That is really, really hard. | 0:24:39 | 0:24:41 | |
As magicians, as soon as we pick up any object, everybody can | 0:24:41 | 0:24:44 | |
see that we are used to handling things so she did it very well. | 0:24:44 | 0:24:46 | |
Jasz has certainly impressed the boys | 0:24:48 | 0:24:50 | |
but has she escaped the Killer Magic trick? | 0:24:50 | 0:24:53 | |
I admire Jasz's nerve but I feel sorry for the guy | 0:24:53 | 0:24:55 | |
so she gets a seven. | 0:24:55 | 0:24:58 | |
It was nice to see what actually happens on dates, | 0:25:00 | 0:25:02 | |
I will give it an eight. | 0:25:02 | 0:25:04 | |
She played the absolute date from hell so, Jasz, I'm going | 0:25:04 | 0:25:07 | |
to give you a lucky number...seven. | 0:25:07 | 0:25:10 | |
For me, I think the climax let it down a little. | 0:25:12 | 0:25:14 | |
So for that reason, I'm going to give Jasz a seven. | 0:25:14 | 0:25:17 | |
That gives Jasz 29 and safety. So we have a winner and a loser. | 0:25:19 | 0:25:24 | |
-Time for the magicians to find out. Over to Chris. -The scores are in. | 0:25:24 | 0:25:29 | |
This weeks winner is... | 0:25:29 | 0:25:31 | |
Do a little drum roll. | 0:25:32 | 0:25:33 | |
It's Ben! | 0:25:35 | 0:25:37 | |
-Boom! -Congratulations. | 0:25:37 | 0:25:39 | |
So you are firing the gun for the killer trick. | 0:25:39 | 0:25:43 | |
This week's lowest scorer is...Dee! | 0:25:43 | 0:25:45 | |
-You know what this means. -Yes, I know what this means, Ben. | 0:25:48 | 0:25:52 | |
-It means you're going to shoot me in the face. -Correct. | 0:25:52 | 0:25:55 | |
That means, Dee, you have to face the dreaded bullet catch. | 0:25:55 | 0:25:58 | |
-I have got a bag of sweets. -Brilliant. | 0:25:58 | 0:26:00 | |
After a quick trip to the dentist, | 0:26:07 | 0:26:09 | |
Dee has made it to the woods to face his punishment, | 0:26:09 | 0:26:12 | |
a messy load shot directly at his face, | 0:26:12 | 0:26:15 | |
as he takes on the paintball gun in this deadly bullet catch trick. | 0:26:15 | 0:26:18 | |
The idea of a bit of risk and a bit of danger and something that is a bit | 0:26:18 | 0:26:23 | |
more brutal and real, that kind of thing is the thing that excites me. | 0:26:23 | 0:26:27 | |
-Uncomfortable? -Uncomfortable enough. -Perfect. | 0:26:27 | 0:26:30 | |
Dee, 12 magicians have died doing the bullet catch trick. | 0:26:32 | 0:26:35 | |
Even though we are magicians, there is | 0:26:35 | 0:26:37 | |
a slight risk of minor injury and/or death. | 0:26:37 | 0:26:40 | |
For that reason, we have some medical professionals | 0:26:40 | 0:26:43 | |
who are going to check everything's OK. | 0:26:43 | 0:26:45 | |
Hello, nice to meet you. | 0:26:45 | 0:26:46 | |
This is Dee, he is about to get a paintball fired in his mouth. | 0:26:46 | 0:26:50 | |
As medical professionals, can you tell me what is the worst | 0:26:50 | 0:26:53 | |
that can happen in this situation, a paintball in the mouth? | 0:26:53 | 0:26:57 | |
Well, potentially you could fracture his teeth as well as his jaw | 0:26:57 | 0:27:00 | |
and his maxilla mandible. | 0:27:00 | 0:27:02 | |
He will potentially get fatal damage. | 0:27:02 | 0:27:04 | |
Yes, so it is not good. | 0:27:06 | 0:27:07 | |
Before we go any further, | 0:27:09 | 0:27:11 | |
if it is OK I would like you to have a check inside Dee's mouth. | 0:27:11 | 0:27:14 | |
Firstly check he is not hiding anything in there | 0:27:14 | 0:27:16 | |
but also check that his mouth seems to be in a fit state for this! | 0:27:16 | 0:27:19 | |
-No, there is nothing there. -Nothing there? | 0:27:19 | 0:27:22 | |
-So, Dee, could you take your position, please? -Yes. | 0:27:22 | 0:27:26 | |
-Dee looks terrified. -Dead man walking! | 0:27:26 | 0:27:29 | |
From this point onwards Dee is not allowed near the gun or | 0:27:29 | 0:27:32 | |
any of the paint balls. | 0:27:32 | 0:27:34 | |
With your paint ball, could you take the pen and mark it in such | 0:27:35 | 0:27:38 | |
a way that you will recognise it when you see it again? | 0:27:38 | 0:27:41 | |
Initials or squiggle or something like that. | 0:27:41 | 0:27:43 | |
It is not easy to write on. Three little lines. | 0:27:43 | 0:27:45 | |
I will take that off you. | 0:27:47 | 0:27:49 | |
I need you all to get to a safe position | 0:27:49 | 0:27:51 | |
so that is going to be on the bridge. | 0:27:51 | 0:27:53 | |
But do keep your eyes on the ball at all times. Hope you can see that. | 0:27:53 | 0:27:57 | |
Please don't take your eyes off the ball. | 0:27:57 | 0:27:59 | |
I am going to load it into the gun and please try to be | 0:27:59 | 0:28:01 | |
quiet because I'm going to try and take the best aim I can. | 0:28:01 | 0:28:05 | |
It is in. | 0:28:07 | 0:28:08 | |
So, Dee, I am going to count from three to one. | 0:28:10 | 0:28:13 | |
On one, that is when I'm going to fire it, OK? Get ready. | 0:28:13 | 0:28:16 | |
Three, two... | 0:28:19 | 0:28:23 | |
Would you...? | 0:28:23 | 0:28:24 | |
Three, two, one. | 0:28:24 | 0:28:27 | |
SHOT | 0:28:27 | 0:28:29 | |
Guys, will you come over? | 0:28:33 | 0:28:35 | |
-Got it? -Come over quickly. | 0:28:37 | 0:28:39 | |
CHEERING | 0:28:39 | 0:28:41 | |
Quickly, and just check the ball in Dee's mouth. | 0:28:41 | 0:28:43 | |
-You all right, Dee? -He can't answer you, he has a mouth full of ball. | 0:28:46 | 0:28:50 | |
Eugh, saliva! | 0:28:55 | 0:28:58 | |
You OK, Dee? | 0:29:09 | 0:29:11 | |
-Yeah. -Well done! | 0:29:11 | 0:29:13 | |
You didn't die! | 0:29:16 | 0:29:19 | |
Dee has survived the deadly trick. | 0:29:19 | 0:29:21 | |
Next time, someone might not be as lucky on Killer Magic. | 0:29:21 | 0:29:25 |