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It's the MasterChef semifinals. | 0:00:02 | 0:00:04 | |
Only the best five amateurs remain. | 0:00:04 | 0:00:08 | |
I can't imagine life without MasterChef, I just really | 0:00:11 | 0:00:14 | |
hope that it doesn't end today. | 0:00:14 | 0:00:17 | |
I started off, you know, steady upwards | 0:00:18 | 0:00:21 | |
and then it's been all over the place with no seat belts since then. | 0:00:21 | 0:00:24 | |
I must be doing something right. | 0:00:24 | 0:00:26 | |
I'm yet to have a real blunder, so, touch wood, | 0:00:26 | 0:00:28 | |
that won't be the case today. | 0:00:28 | 0:00:31 | |
I'm not competitive in every single aspect of my life | 0:00:31 | 0:00:34 | |
but when I want something, I really, really want to get out and get it. | 0:00:34 | 0:00:39 | |
In terms of winning it, I'd love to win it, but we're still a long | 0:00:39 | 0:00:43 | |
way away from there. | 0:00:43 | 0:00:45 | |
Go, go, go! | 0:00:46 | 0:00:48 | |
Tonight, their cooking will be taken to a level | 0:00:48 | 0:00:51 | |
they have never experienced before. | 0:00:51 | 0:00:53 | |
I think while I taste this, I've died and gone to heaven. | 0:00:56 | 0:01:00 | |
It was absolutely gorgeous! | 0:01:00 | 0:01:02 | |
Today is a day to pull out all the stops. | 0:01:05 | 0:01:08 | |
It's early morning in Kent | 0:01:23 | 0:01:27 | |
and the amateurs have arrived to face their next challenge. | 0:01:27 | 0:01:31 | |
They'll be taking over the kitchens of Hever Castle, built in the | 0:01:34 | 0:01:39 | |
13th century and best known as the grand Tudor home of Anne Boleyn... | 0:01:39 | 0:01:45 | |
..Henry VIII's ill-fated second wife. | 0:01:48 | 0:01:51 | |
Welcome to the picturesque and stunning Hever Castle, | 0:02:04 | 0:02:08 | |
here in Kent. | 0:02:08 | 0:02:09 | |
Henry VIII himself, with a fine reputation for a love of great food, | 0:02:09 | 0:02:14 | |
was a regular visitor here. | 0:02:14 | 0:02:16 | |
There is a very special dinner here tonight, | 0:02:16 | 0:02:18 | |
with three eminent historians. | 0:02:18 | 0:02:20 | |
Your job is to cook a five course tasting menu, | 0:02:20 | 0:02:24 | |
guided by one of Britain's top chefs. | 0:02:24 | 0:02:28 | |
You will have four hours to prepare the food. | 0:02:28 | 0:02:31 | |
Just four hours! | 0:02:31 | 0:02:33 | |
And I say "just four hours" | 0:02:33 | 0:02:35 | |
because you have a huge amount of work to do. | 0:02:35 | 0:02:37 | |
Good luck, we'll see you on the other side. | 0:02:37 | 0:02:40 | |
This is a beautiful, beautiful setting, so I don't suppose | 0:02:45 | 0:02:49 | |
we're cooking spaghetti bolognese and crumble here. | 0:02:49 | 0:02:53 | |
Tonight's menu has been designed by a chef who has held Michelin stars | 0:02:53 | 0:02:58 | |
at three different restaurants... | 0:02:58 | 0:03:01 | |
Service 52, please. | 0:03:01 | 0:03:03 | |
..John Campbell. | 0:03:03 | 0:03:05 | |
What I'd like the guys to take away today is new techniques. | 0:03:05 | 0:03:09 | |
We're taking it to a new level, I think. | 0:03:09 | 0:03:11 | |
And improve on that palate, cos this is priceless. | 0:03:11 | 0:03:15 | |
So, I'm quite excited to see what they can achieve | 0:03:15 | 0:03:18 | |
and I believe they can do it. | 0:03:18 | 0:03:21 | |
Under the expert gaze of John and his sous chef, Chris, each of | 0:03:21 | 0:03:25 | |
the amateurs must take sole charge of one of his intricate dishes. | 0:03:25 | 0:03:30 | |
Welcome to Hever Castle. | 0:03:30 | 0:03:32 | |
It's a great challenge today, I think it's exactly what I need. | 0:03:32 | 0:03:35 | |
I've had a couple of iffy rounds and I'm desperate to learn. | 0:03:35 | 0:03:39 | |
I'm going to learn a lot of new things, | 0:03:39 | 0:03:41 | |
things I've never done before. | 0:03:41 | 0:03:43 | |
Yeah, really, really looking forward to it. | 0:03:43 | 0:03:45 | |
So, are you ready for the challenge? | 0:03:45 | 0:03:47 | |
Let's go. | 0:03:47 | 0:03:49 | |
The bar, I think, has been set high enough for them to stretch for it. | 0:03:49 | 0:03:54 | |
And it will be a challenge for them all today. | 0:03:54 | 0:03:57 | |
So far, Ping's food has been going from strength to strength. | 0:04:01 | 0:04:07 | |
But tonight she'll have to prove herself to John with | 0:04:07 | 0:04:10 | |
the first dish of the evening. | 0:04:10 | 0:04:13 | |
-OK, Ping, you're on the pumpkin soup. -OK. | 0:04:13 | 0:04:16 | |
But this is no ordinary soup starter. | 0:04:16 | 0:04:19 | |
The pumpkin will be prepared two ways, crushed and roasted | 0:04:19 | 0:04:24 | |
and as a velvety, truffled soup. | 0:04:24 | 0:04:27 | |
It will be served with a raviolo, filled with confit rabbit | 0:04:27 | 0:04:32 | |
and chicken mousse, | 0:04:32 | 0:04:34 | |
topped with a warm goat's cheese foam and drops of pumpkin oil. | 0:04:34 | 0:04:38 | |
They key to this dish is nothing should dominate. | 0:04:38 | 0:04:42 | |
So, you shouldn't have this big, loud noise of truffle oil, | 0:04:42 | 0:04:45 | |
or pumpkin, or goat's cheese. | 0:04:45 | 0:04:47 | |
It needs to be balanced. | 0:04:47 | 0:04:49 | |
Huge pressure, I think, to kick off the meal. | 0:04:50 | 0:04:54 | |
Cos, you know, pasta dough is really tricky and the mousse | 0:04:54 | 0:04:57 | |
and rabbit, I don't think it's simple at all! | 0:04:57 | 0:05:01 | |
Ping begins her complex dish by confit-ing | 0:05:04 | 0:05:07 | |
the rabbit for the ravioli stuffing. | 0:05:07 | 0:05:10 | |
The temperature has to be around 80 degrees, | 0:05:12 | 0:05:15 | |
so it's just trying to hold it at that temperature, | 0:05:15 | 0:05:18 | |
so that it cooks nicely and not overcook the rabbit. | 0:05:18 | 0:05:21 | |
Jack's food has shown talent beyond his years, | 0:05:25 | 0:05:28 | |
but there have been mistakes. | 0:05:28 | 0:05:31 | |
Hi, Jack. You're going to do the second starter. | 0:05:31 | 0:05:35 | |
He will not be able to make any with tonight's fish course - | 0:05:35 | 0:05:40 | |
flame-grilled mackerel with textures of beetroot. | 0:05:40 | 0:05:44 | |
He must prepare and cure mackerel fillets, | 0:05:46 | 0:05:49 | |
which will be flame-grilled right at the last minute. | 0:05:49 | 0:05:52 | |
These will be plated alongside different types of beetroot, | 0:05:53 | 0:05:57 | |
salt-baked, marinated and boiled... | 0:05:57 | 0:06:00 | |
..accompanied by an olive oil powder, pine nut puree | 0:06:01 | 0:06:05 | |
and a sweet maple dressing. | 0:06:05 | 0:06:07 | |
I'm guessing the cooking's done at the very last minute. | 0:06:07 | 0:06:10 | |
Last, last minute. This is all about timing. | 0:06:10 | 0:06:13 | |
Get the timing right and it'll be beautiful. | 0:06:13 | 0:06:15 | |
If your timings are out and your fish overcooks...we're gone. | 0:06:15 | 0:06:19 | |
It's not the day you want to mess up, it's really not. | 0:06:21 | 0:06:23 | |
So, I guess that just piles on a bit of additional pressure, really. | 0:06:23 | 0:06:26 | |
So, erm, yeah, it'll just be about coping with that extra stress | 0:06:26 | 0:06:30 | |
and hopefully still delivering his dish. | 0:06:30 | 0:06:32 | |
Before Jack makes a start on anything else, | 0:06:34 | 0:06:36 | |
he needs to make a clean job of filleting his mackerel. | 0:06:36 | 0:06:40 | |
I'm just on the fiddly bit now, which is | 0:06:40 | 0:06:43 | |
getting the pin bones out from the middle. | 0:06:43 | 0:06:45 | |
If Henry VIII got pin bones in his mouth, I think I'd probably | 0:06:45 | 0:06:48 | |
be decapitated, so probably best that I don't do that today. | 0:06:48 | 0:06:54 | |
Michael's last dish was almost his downfall. | 0:06:56 | 0:06:59 | |
He's been given the chance to redeem himself | 0:07:01 | 0:07:04 | |
with the venison main course. | 0:07:04 | 0:07:07 | |
There's a lot of intricate, small pieces of ingredient. | 0:07:07 | 0:07:10 | |
They need to be done properly, cos when you combine them | 0:07:10 | 0:07:13 | |
all together, they make an exceptional dish. | 0:07:13 | 0:07:16 | |
Not only does his venison loin need to be seared off | 0:07:16 | 0:07:20 | |
and slow-cooked in a water-bath, | 0:07:20 | 0:07:22 | |
his selection of six vegetables will be cooked in five different ways. | 0:07:22 | 0:07:27 | |
The dish will be finished with a bacon vinaigrette | 0:07:27 | 0:07:30 | |
and a complex venison sauce. | 0:07:30 | 0:07:34 | |
Sauce is key with any dish. | 0:07:34 | 0:07:37 | |
It's the foundation, | 0:07:37 | 0:07:38 | |
as you know - the foundation of all kitchens is the sauces and stocks. | 0:07:38 | 0:07:42 | |
First job is getting the sauce on, so the bones are already | 0:07:46 | 0:07:49 | |
roasting and I'm just going to sweat down the vegetables. | 0:07:49 | 0:07:52 | |
It's a familiar process, | 0:07:52 | 0:07:54 | |
I've made a few sauces throughout the competition | 0:07:54 | 0:07:56 | |
so far, but this one's got more ingredients, more aromatics, | 0:07:56 | 0:07:59 | |
there's a lot of depth of flavour in the sauce. | 0:07:59 | 0:08:02 | |
So, hence it being job number one, got to get on straightaway. | 0:08:02 | 0:08:06 | |
Angela's food has triumphed in flavour | 0:08:07 | 0:08:10 | |
but she struggles to make it look good. | 0:08:10 | 0:08:13 | |
She will be in charge of the first dessert. | 0:08:14 | 0:08:17 | |
That's delicious! | 0:08:22 | 0:08:24 | |
She must expertly execute a salt | 0:08:24 | 0:08:26 | |
and almond ice cream with aerated chocolate foam, | 0:08:26 | 0:08:30 | |
a cardamom caramel, chocolate cookie crumbs | 0:08:30 | 0:08:33 | |
and a chocolate, caramel pull. | 0:08:33 | 0:08:36 | |
Three or four, maybe, five elements onto the plate, that's all, | 0:08:36 | 0:08:39 | |
but each one of them is crucial to get right. | 0:08:39 | 0:08:41 | |
You know, the texture of the ice cream's important, the balance | 0:08:41 | 0:08:44 | |
-of cardamom in the caramel, erm, and the pull is important. -Yeah. | 0:08:44 | 0:08:49 | |
-Really important. -I don't even know where to start with that. | 0:08:49 | 0:08:54 | |
That's like, wow! | 0:08:54 | 0:08:57 | |
-I can help you with that. -OK. | 0:08:57 | 0:08:59 | |
Angela's most pressing task is to start her salt and almond ice cream. | 0:08:59 | 0:09:04 | |
When you put salt into the ice cream, | 0:09:04 | 0:09:06 | |
make sure you taste it as it's infusing. | 0:09:06 | 0:09:08 | |
Cos it'll get stronger and stronger and stronger | 0:09:08 | 0:09:11 | |
and if you let it get too strong, it'll be too salty | 0:09:11 | 0:09:13 | |
and it'll over-dominate. | 0:09:13 | 0:09:15 | |
-OK. -A bit like having too much salt on nuts. Yeah. | 0:09:15 | 0:09:18 | |
-Too much is not good. -Yeah. -Good luck. -Thank you. | 0:09:18 | 0:09:21 | |
Everything worries me, yeah, the whole thing. | 0:09:23 | 0:09:27 | |
You know, dessert is not my strength. | 0:09:27 | 0:09:31 | |
Luke's imagination can create standout dishes | 0:09:33 | 0:09:37 | |
but his last plate wasn't one of them! | 0:09:37 | 0:09:40 | |
OK, Luke, you're on our last dessert. | 0:09:41 | 0:09:43 | |
It's going to close the show, so quite an important dish. | 0:09:43 | 0:09:46 | |
It's a classic tatin flavour but not in preparation. | 0:09:46 | 0:09:51 | |
He's been given John's deconstructed apple tatin. | 0:09:51 | 0:09:55 | |
He will need to caramelise the apple topping | 0:09:55 | 0:09:58 | |
and create an ice cream perfectly infused with vanilla and bay leaf. | 0:09:58 | 0:10:03 | |
These sweet elements are balanced with roasted chestnuts | 0:10:03 | 0:10:07 | |
and a sauce gastrique, made from chardonnay vinegar and sugar. | 0:10:07 | 0:10:12 | |
That bay ice cream's important for flavour. | 0:10:12 | 0:10:14 | |
Too much, it's too perfumey. | 0:10:14 | 0:10:16 | |
Not enough, you're not going to taste it. | 0:10:16 | 0:10:18 | |
So, it's that balance. | 0:10:18 | 0:10:20 | |
Like Angela, Luke's first priority is to crack on with | 0:10:20 | 0:10:23 | |
the custard for his bay leaf ice cream, | 0:10:23 | 0:10:26 | |
so it will freeze in time for service. | 0:10:26 | 0:10:28 | |
I like to learn new things, you know, | 0:10:28 | 0:10:30 | |
that's exactly what I wanted today. | 0:10:30 | 0:10:32 | |
If I was cooking something that I cook all the time, | 0:10:32 | 0:10:35 | |
where's the fun in that? | 0:10:35 | 0:10:36 | |
Hever Castle has a centuries-old tradition of providing lavish | 0:10:38 | 0:10:42 | |
fare for royalty and important visitors. | 0:10:42 | 0:10:46 | |
And tonight's dinner will be hosted by the man | 0:10:46 | 0:10:49 | |
now in charge of this legacy. | 0:10:49 | 0:10:52 | |
In Tudor times, the countryside around here was a massive forest. | 0:10:52 | 0:10:56 | |
Henry VIII would have been associated with this area | 0:10:56 | 0:10:58 | |
because he loved to hunt. | 0:10:58 | 0:11:00 | |
And this was prime hunting country. | 0:11:00 | 0:11:02 | |
Not far from London, there were nice places to stay, | 0:11:02 | 0:11:05 | |
nice women to see on the way around. | 0:11:05 | 0:11:08 | |
And so they would have probably been feasting on game dishes, | 0:11:09 | 0:11:12 | |
you know, venison would have been right up there. | 0:11:12 | 0:11:15 | |
I dare say, in days gone past, it wouldn't be unheard of to cut | 0:11:15 | 0:11:18 | |
someone's head off if they didn't quite get it right. | 0:11:18 | 0:11:20 | |
Hopefully, we can avoid the gallows tonight, | 0:11:20 | 0:11:23 | |
maybe that's the incentive they need to deliver well. | 0:11:23 | 0:11:26 | |
With half an hour gone, Angela and Luke have got | 0:11:31 | 0:11:34 | |
the custard for both their ice creams thickening on the stove. | 0:11:34 | 0:11:38 | |
82's your ceiling. | 0:11:38 | 0:11:40 | |
-If it goes too much, you get scrambled egg. -OK. | 0:11:40 | 0:11:43 | |
But in the rush to get it started, one of them | 0:11:43 | 0:11:46 | |
has missed a vital ingredient. | 0:11:46 | 0:11:48 | |
Where's Luke? | 0:11:48 | 0:11:50 | |
Luke! | 0:11:50 | 0:11:51 | |
-Yup. -Did you need to put any vanilla in this? -Yeah, I think I did. | 0:11:51 | 0:11:55 | |
You didn't, did you? Quick, quick, quick. | 0:11:55 | 0:11:57 | |
Just while I was separating my eggs, | 0:11:59 | 0:12:01 | |
my cream got to boil a bit quicker than I was expecting...erm, | 0:12:01 | 0:12:05 | |
it's difficult to keep an eye on it from here. | 0:12:05 | 0:12:08 | |
-Do three pods, Luke. -Three pods? | 0:12:09 | 0:12:12 | |
I feel like Obi-Wan Kenobi. | 0:12:12 | 0:12:14 | |
While Luke rescues his ice cream... | 0:12:14 | 0:12:17 | |
..Ping is struggling with her pasta dough for the confit rabbit | 0:12:19 | 0:12:22 | |
and chicken mousse ravioli. | 0:12:22 | 0:12:25 | |
This is a good workout, this. | 0:12:25 | 0:12:26 | |
Do you think it's a bit too wet? | 0:12:29 | 0:12:31 | |
No, I just think it needs to be worked. | 0:12:31 | 0:12:35 | |
We're going to do it in the pasta machine. | 0:12:35 | 0:12:37 | |
So, we'll work it through the pasta machine | 0:12:37 | 0:12:39 | |
and it forces all that liquid into the flour, | 0:12:39 | 0:12:42 | |
opens up the gluten and the gluten can work properly. | 0:12:42 | 0:12:45 | |
-Right. -OK? -OK. | 0:12:45 | 0:12:47 | |
Cunning, haven't seen that one before. | 0:12:51 | 0:12:53 | |
Stop. | 0:12:59 | 0:13:00 | |
Jack's challenge is now to perfect the salt | 0:13:00 | 0:13:03 | |
and sugar curing of his mackerel fillets. | 0:13:03 | 0:13:07 | |
The most important thing is not to put too much on. | 0:13:07 | 0:13:10 | |
Too much salt on and you'll end up overpowering it and you'll end up | 0:13:10 | 0:13:14 | |
-with a salty piece of fish. -OK. | 0:13:14 | 0:13:16 | |
He must now focus on the various preparations for his four | 0:13:16 | 0:13:20 | |
different types of beetroot, starting with boiling them. | 0:13:20 | 0:13:24 | |
You don't want to put red beetroots in with | 0:13:24 | 0:13:26 | |
yellow beetroots, otherwise the colours will dye each other. | 0:13:26 | 0:13:29 | |
The red being more dominant, it will dye the yellow. | 0:13:29 | 0:13:32 | |
A bit like putting your clothes in the, er, a black sock in with | 0:13:32 | 0:13:35 | |
the white washing. | 0:13:35 | 0:13:37 | |
-Mum won't like that. -No, she won't be happy about that. | 0:13:37 | 0:13:39 | |
-Don't do it with your beetroots, then. -All right. | 0:13:39 | 0:13:41 | |
Thanks, Chris. | 0:13:41 | 0:13:43 | |
On the other side of the kitchen, | 0:13:43 | 0:13:45 | |
Michael has spent a long time making the venison sauce for his main. | 0:13:45 | 0:13:51 | |
Now, the pressure's on to get his six different vegetables prepped. | 0:13:51 | 0:13:56 | |
It's just the volume of work, really. | 0:13:56 | 0:13:59 | |
The processes are - how do you say? - simple...they're not simple, | 0:13:59 | 0:14:04 | |
there's just a lot of them, there's a lot to get done. | 0:14:04 | 0:14:07 | |
Having infused her ice cream with almond and salt, | 0:14:14 | 0:14:17 | |
Angela now needs to get it cooled down as fast as possible. | 0:14:17 | 0:14:21 | |
In the chill blaster or the freezer? | 0:14:21 | 0:14:23 | |
In the freezer. | 0:14:23 | 0:14:25 | |
-I'm worried about putting it on something. -Come on, I'll help you. | 0:14:25 | 0:14:29 | |
OK, guys, you've got two hours for service, | 0:14:31 | 0:14:33 | |
two hours for the first plate. | 0:14:33 | 0:14:36 | |
That's you, Ping. Yes, Chef! | 0:14:36 | 0:14:38 | |
Some are really making good headway into the mise en place, | 0:14:44 | 0:14:47 | |
the preparation. | 0:14:47 | 0:14:49 | |
Some, I think, are just a bit flustered. | 0:14:49 | 0:14:52 | |
With the ice cream, most important thing - needs to be in, cooked, | 0:14:52 | 0:14:56 | |
chilled and then churned to be ready for service. | 0:14:56 | 0:14:59 | |
So, I'd say they're 20-30 minutes behind on both ice creams. | 0:14:59 | 0:15:02 | |
Angela, have I seen a dessert from you? | 0:15:04 | 0:15:06 | |
I do like eating them, I just don't cook many of them, really. | 0:15:06 | 0:15:09 | |
-Yeah. -Yeah! | 0:15:12 | 0:15:14 | |
-I do today. -Well, you'd better! | 0:15:14 | 0:15:17 | |
-Or I know one chef who's going to be very angry with you. -Yeah, yeah. | 0:15:17 | 0:15:20 | |
I... | 0:15:20 | 0:15:21 | |
It'll be all right. | 0:15:21 | 0:15:23 | |
With her pasta finally resting, | 0:15:26 | 0:15:29 | |
Ping starts work on the two pumpkin elements - | 0:15:29 | 0:15:32 | |
the roasted, crushed pumpkin that her ravioli will sit on, | 0:15:32 | 0:15:36 | |
and the pumpkin and truffle soup that will surround it. | 0:15:36 | 0:15:39 | |
How is that? | 0:15:49 | 0:15:50 | |
I don't want it to be too salty. | 0:15:50 | 0:15:53 | |
Beautiful. | 0:15:56 | 0:15:57 | |
Really, really beautiful. | 0:15:57 | 0:15:59 | |
Over at the stove, | 0:16:01 | 0:16:02 | |
Michael's next urgent job | 0:16:02 | 0:16:04 | |
is to get his venison loin centrepiece perfectly cooked. | 0:16:04 | 0:16:07 | |
You're done. | 0:16:09 | 0:16:11 | |
After sealing it in the pan, it has to be cooked in a water-bath | 0:16:11 | 0:16:14 | |
for an hour before service. | 0:16:14 | 0:16:17 | |
It's very process-heavy dish. | 0:16:17 | 0:16:19 | |
There's a lot of components | 0:16:19 | 0:16:20 | |
and each of those components have a lot of processes within them. | 0:16:20 | 0:16:23 | |
So it's a case of working through them as quickly as you can, | 0:16:23 | 0:16:27 | |
especially the ones that need time. | 0:16:27 | 0:16:29 | |
Jack is still prepping his beetroot. | 0:16:31 | 0:16:34 | |
-Are you panicking, Jack? -Eh? | 0:16:34 | 0:16:36 | |
Are you panicking? | 0:16:36 | 0:16:38 | |
I'm not panicking, I've just got a lot to do, John. | 0:16:38 | 0:16:40 | |
-Looks like panic to me. -JACK LAUGHS | 0:16:40 | 0:16:43 | |
He's two processes down, | 0:16:43 | 0:16:45 | |
but there's still another to go. | 0:16:45 | 0:16:48 | |
I'm currently doing the compressed beetroot, | 0:16:48 | 0:16:50 | |
which is basically beetroot discs, | 0:16:50 | 0:16:52 | |
which are then put into a vacuum pack and sealed and compressed | 0:16:52 | 0:16:56 | |
with a little bit of a vinaigrette. | 0:16:56 | 0:16:58 | |
I've got some roasted beets in there. Loads of little beetroot. | 0:16:58 | 0:17:01 | |
My fish is going to come out in five minutes, so... | 0:17:01 | 0:17:03 | |
Lots of things going on right now. | 0:17:03 | 0:17:05 | |
Over in the pastry section, | 0:17:07 | 0:17:09 | |
the pressure is just as intense. | 0:17:09 | 0:17:11 | |
I'm just starting to make my first apple tatin. | 0:17:12 | 0:17:16 | |
So, erm... Yeah. | 0:17:16 | 0:17:18 | |
Peeling and grating - manual task. | 0:17:18 | 0:17:20 | |
Just going to do everything as fast as I can | 0:17:22 | 0:17:24 | |
and, yeah, hopefully, we'll be OK. | 0:17:24 | 0:17:26 | |
Angela's salt and almond ice cream is finally churning, | 0:17:36 | 0:17:40 | |
but she now has to make the four other elements - | 0:17:40 | 0:17:43 | |
starting with the cardamom caramel. | 0:17:43 | 0:17:45 | |
So, cook to a light caramel. | 0:17:47 | 0:17:49 | |
-It's too light, isn't it? It's not caramel. -Not caramel. -No. | 0:17:49 | 0:17:54 | |
I know, a watched pot never boils, or whatever. | 0:17:54 | 0:17:56 | |
But you need to watch that. | 0:17:56 | 0:17:58 | |
-Yeah. I don't think want that to... -Watch that one. Watch that one. | 0:17:58 | 0:18:01 | |
Angela is a great, great cook, | 0:18:03 | 0:18:05 | |
who just needs a large injection of confidence. | 0:18:05 | 0:18:08 | |
Because every stage of the recipe, she's turning around and asking, | 0:18:08 | 0:18:11 | |
is she doing something right? | 0:18:11 | 0:18:13 | |
May I ask a question? Another one? | 0:18:13 | 0:18:15 | |
It says a quantity in the recipe, and she's asking is it right? | 0:18:15 | 0:18:18 | |
A light toffee, or a light caramel, | 0:18:18 | 0:18:20 | |
and she's asking is that light enough or too dark? | 0:18:20 | 0:18:22 | |
I mean, Angela, trust your instincts. | 0:18:22 | 0:18:25 | |
After three hours, Ping's confit rabbit leg | 0:18:30 | 0:18:33 | |
is cooked, cooled and ready to chop for her ravioli stuffing. | 0:18:33 | 0:18:37 | |
Ping? How do you feel at the pressure of kicking the whole thing off? | 0:18:38 | 0:18:42 | |
Er...I try not to think about it. | 0:18:42 | 0:18:45 | |
I only have...an hour. | 0:18:45 | 0:18:47 | |
So, yes. Immense pressure, but I'm just going to crack on. | 0:18:47 | 0:18:52 | |
You see, the quality of your dish, | 0:18:52 | 0:18:54 | |
is going to be an indicator towards the rest of the evening. | 0:18:54 | 0:18:57 | |
Yes. | 0:18:57 | 0:18:58 | |
You're like a foodie cheerleader. | 0:18:58 | 0:19:00 | |
SHE CHUCKLES | 0:19:00 | 0:19:01 | |
I haven't got my pompoms today, though. | 0:19:01 | 0:19:04 | |
Tonight's guests have arrived. | 0:19:09 | 0:19:12 | |
All three have a deep passion for the past. | 0:19:13 | 0:19:17 | |
ALL: Cheers! | 0:19:17 | 0:19:18 | |
Eminent historian Mary Beard | 0:19:19 | 0:19:21 | |
is Professor of Classics at the University of Cambridge. | 0:19:21 | 0:19:25 | |
If I was really powerful, I'd have six wives! | 0:19:25 | 0:19:27 | |
Author Terry Deary is best known for the gruesome detail | 0:19:27 | 0:19:32 | |
in his Horrible Histories tales. | 0:19:32 | 0:19:34 | |
Henry said, "I want him boiled alive." | 0:19:34 | 0:19:37 | |
To which they said, "Sorry, the law allows us to hang him, | 0:19:37 | 0:19:41 | |
the law doesn't allow us to boil anyone alive." | 0:19:41 | 0:19:44 | |
He said, "Change the law!" And he did. | 0:19:44 | 0:19:46 | |
And Dr Lucy Worsley is curator of Britain's historic royal palaces. | 0:19:46 | 0:19:52 | |
Her knowledge of the food served in Henry VIII's court | 0:19:52 | 0:19:55 | |
is second to none. | 0:19:55 | 0:19:58 | |
You don't want any vegetables, | 0:19:58 | 0:20:00 | |
because vegetables are for Tudor peasants. | 0:20:00 | 0:20:02 | |
They will be joining Duncan Lesley | 0:20:02 | 0:20:04 | |
and his wife Celine in Hever's grand dining room. | 0:20:04 | 0:20:09 | |
I don't know what the menu is, so... | 0:20:09 | 0:20:12 | |
-With Anne Boleyn, it's got to be a chop. -It could be a chop. | 0:20:12 | 0:20:15 | |
It could be a chop. | 0:20:15 | 0:20:17 | |
What time is it? | 0:20:26 | 0:20:27 | |
45 minutes to go, and as service rapidly approaches, | 0:20:27 | 0:20:31 | |
the pressure is beginning to show. | 0:20:31 | 0:20:33 | |
This is more stress than ever! | 0:20:36 | 0:20:38 | |
In the rush to get everything done, | 0:20:40 | 0:20:42 | |
Michael has left a vital component next to the washing-up. | 0:20:42 | 0:20:46 | |
Michael, your sauce, I believe. | 0:20:47 | 0:20:49 | |
Yes. | 0:20:49 | 0:20:51 | |
With the dirty pans. | 0:20:51 | 0:20:53 | |
This is two hours in the making. | 0:20:53 | 0:20:54 | |
Yeah. | 0:20:54 | 0:20:56 | |
Don't let her throw it away. | 0:20:56 | 0:20:57 | |
Thanks, Chef. | 0:20:57 | 0:20:59 | |
-So, you're in infusion mode, now. -OK. | 0:21:00 | 0:21:05 | |
Having succeeded in making her caramel, | 0:21:05 | 0:21:08 | |
Angela must carefully infuse it with cardamom. | 0:21:08 | 0:21:11 | |
-He said to keep tasting it before I pass it... -That's it. | 0:21:13 | 0:21:17 | |
-..to make sure the cardamom flavour gets in. -Put your cream in? | 0:21:17 | 0:21:20 | |
-I put the cream in. -Perfect. | 0:21:20 | 0:21:23 | |
Across the bench, | 0:21:25 | 0:21:26 | |
Luke is preparing the puff pastry bottom for his tatin... | 0:21:26 | 0:21:31 | |
Luke? | 0:21:31 | 0:21:33 | |
..but he's forgotten to check the grated apple, | 0:21:33 | 0:21:35 | |
caramelising in the oven. | 0:21:35 | 0:21:38 | |
-What d'you think? -It is, erm... | 0:21:40 | 0:21:42 | |
-It's looking quite dry. -OK... It's scorched. | 0:21:42 | 0:21:45 | |
That...is five minutes away from getting ruined. | 0:21:45 | 0:21:48 | |
You ruin this, it's over. | 0:21:48 | 0:21:50 | |
Really, you have not got time to do this again. | 0:21:50 | 0:21:52 | |
-And I am deadly serious. -Yes. | 0:21:52 | 0:21:54 | |
-All right? -I'll put it into another tray. | 0:21:54 | 0:21:57 | |
-It's all right. -I'll just get the pastry in. | 0:21:57 | 0:22:00 | |
-How does it feel to have me as your commis? -It's great! | 0:22:00 | 0:22:03 | |
The apple slipped my mind. | 0:22:08 | 0:22:11 | |
I was having to concentrate on a lot of things. | 0:22:11 | 0:22:13 | |
Yeah, it was a mistake. | 0:22:13 | 0:22:15 | |
Hopefully, I won't make any more. | 0:22:15 | 0:22:16 | |
-Wow. -Smells amazing. | 0:22:19 | 0:22:20 | |
Brilliant. Wah-hey! We've got ice cream! | 0:22:20 | 0:22:23 | |
Come this way. | 0:22:23 | 0:22:25 | |
Just need to do this ravioli and then we are...we're good. | 0:22:25 | 0:22:28 | |
Ping now has 25 minutes till service. | 0:22:30 | 0:22:32 | |
This is the silkiest I've ever had it, ever! | 0:22:33 | 0:22:36 | |
-While we're doing that, walk me through - soup? -Soup done. | 0:22:53 | 0:22:55 | |
-Foam, done. -Done. | 0:22:55 | 0:22:57 | |
-Crushed pumpkin? -Done. | 0:22:57 | 0:22:58 | |
-Pan on for these ravioli? -Er, pan on... Yes. | 0:22:58 | 0:23:01 | |
Perfect. | 0:23:01 | 0:23:02 | |
-This is beautiful. -Thank you. -This looks great. | 0:23:02 | 0:23:05 | |
Well done. | 0:23:07 | 0:23:08 | |
The first course is pumpkin soup, raviolo of rabbit, | 0:23:14 | 0:23:18 | |
and goat's cheese foam. | 0:23:18 | 0:23:21 | |
-So you have the six ravioli. -Yeah. | 0:23:21 | 0:23:24 | |
-None of them can break. -Yeah. | 0:23:24 | 0:23:27 | |
All right. | 0:23:27 | 0:23:28 | |
-OK, here goes. -Go. Go. | 0:23:30 | 0:23:32 | |
-Are you confident? -Yep. | 0:23:33 | 0:23:35 | |
-You should be. -Yep. | 0:23:35 | 0:23:36 | |
Raviolo is very posh. | 0:23:43 | 0:23:45 | |
It's the singular of ravioli. | 0:23:45 | 0:23:47 | |
You just get the one. | 0:23:47 | 0:23:49 | |
Just case you're hoping for more. | 0:23:49 | 0:23:51 | |
Way-hey-hey! | 0:23:53 | 0:23:55 | |
-Happy? -Yes. | 0:23:55 | 0:23:57 | |
Happy. | 0:23:57 | 0:23:58 | |
Really, really happy. | 0:23:58 | 0:23:59 | |
-What's next now? -Goat's cheese foam. | 0:24:05 | 0:24:08 | |
-Argh! -Sorry...! | 0:24:08 | 0:24:10 | |
Do you know, Ping? | 0:24:10 | 0:24:12 | |
Before this, I had to you earmarked for a place in the next round. | 0:24:12 | 0:24:15 | |
Stop. | 0:24:17 | 0:24:18 | |
Stop. Pumpkin oil, quickly. | 0:24:19 | 0:24:21 | |
Pumpkin oil. Pumpkin oil. | 0:24:21 | 0:24:23 | |
GREGG LAUGHS | 0:24:25 | 0:24:26 | |
Last one! | 0:24:26 | 0:24:28 | |
-Well done. -Good job, Ping. | 0:24:29 | 0:24:32 | |
Well done. How did you find it? | 0:24:37 | 0:24:39 | |
It was good. | 0:24:39 | 0:24:40 | |
It was very good. | 0:24:40 | 0:24:42 | |
-Well done. -Thank you. -Well done. | 0:24:42 | 0:24:44 | |
Pumpkin's a beautiful colour. | 0:24:58 | 0:25:00 | |
Presentation seems to be everything these days, | 0:25:00 | 0:25:02 | |
and this one they've got absolutely right, I think. | 0:25:02 | 0:25:05 | |
My soup has got drops of blood in it, I think. | 0:25:05 | 0:25:08 | |
Do you think that's the blood of Anne Boleyn? | 0:25:08 | 0:25:10 | |
I think it's very yummy. Mm. | 0:25:15 | 0:25:18 | |
Well, I haven't eaten rabbit for 60 years, | 0:25:19 | 0:25:23 | |
because my dad used to sell them in his butcher's shop | 0:25:23 | 0:25:26 | |
and I just think of rabbits and bones - endless bones. | 0:25:26 | 0:25:29 | |
This is perfection. | 0:25:29 | 0:25:31 | |
I'm converted to eating rabbits again. | 0:25:31 | 0:25:34 | |
The goat's cheese foam is quite salty, | 0:25:35 | 0:25:38 | |
but I think it's very clever the way it's been balanced | 0:25:38 | 0:25:42 | |
with other flavours, like very-sweet with the pumpkin... | 0:25:42 | 0:25:45 | |
Well, I think this is jolly good. | 0:25:45 | 0:25:47 | |
The thing you can do with ravioli, is you can have the outside | 0:25:47 | 0:25:51 | |
pasta being a complete mush | 0:25:51 | 0:25:53 | |
and actually it still had a bit of texture, | 0:25:53 | 0:25:55 | |
it was still very nice. | 0:25:55 | 0:25:56 | |
If I'd cooked this, I would be delighted. | 0:25:56 | 0:25:59 | |
Absolutely awesome. | 0:26:01 | 0:26:03 | |
I'll do it again. | 0:26:03 | 0:26:05 | |
Do it again now! | 0:26:05 | 0:26:06 | |
You know, it's that great, so... | 0:26:07 | 0:26:10 | |
Great, great, great. Great day. | 0:26:10 | 0:26:12 | |
Next up is Jack. | 0:26:16 | 0:26:18 | |
Quick as you can, Jack. | 0:26:18 | 0:26:20 | |
Oop. | 0:26:20 | 0:26:21 | |
He has just minutes to get all eight elements on the plate. | 0:26:21 | 0:26:26 | |
We've got flamed-grilled mackerel, | 0:26:26 | 0:26:29 | |
textures of beetroot, | 0:26:29 | 0:26:32 | |
and maple dressing. | 0:26:32 | 0:26:34 | |
Maple dressing. Sounds a bit sweet, but I shall look forward to it. | 0:26:34 | 0:26:37 | |
You're four minutes. | 0:26:40 | 0:26:42 | |
-That's going to take three. -Yeah. | 0:26:42 | 0:26:44 | |
So, this needs to be dressed for that to come out. | 0:26:44 | 0:26:46 | |
-What goes first? -Puree. | 0:26:46 | 0:26:49 | |
-Beautiful! -Is that all right? | 0:26:50 | 0:26:52 | |
Beautiful. You've got to be quick, eh? In. | 0:26:52 | 0:26:55 | |
Put your olive oil powder on. | 0:26:55 | 0:26:56 | |
Beautiful. | 0:27:03 | 0:27:04 | |
Perfect. | 0:27:08 | 0:27:09 | |
I can smell that, Jack. It's lovely. | 0:27:12 | 0:27:14 | |
It's looking good, Jack. | 0:27:17 | 0:27:19 | |
-Yep. -Nice, Jack. | 0:27:23 | 0:27:25 | |
GREGG LAUGHS Oh! | 0:27:27 | 0:27:29 | |
-I can breathe now. -Well done. | 0:27:29 | 0:27:32 | |
-How was that? -Yeah, it was good. | 0:27:32 | 0:27:36 | |
-Well done. -Cheers. | 0:27:37 | 0:27:38 | |
-Tasty. Really tasty. -Thank you. | 0:27:38 | 0:27:40 | |
"Textures of beetroot" - they look like sweets, almost, some of them. | 0:27:49 | 0:27:53 | |
I wasn't very excited about the idea of beetroot, | 0:27:59 | 0:28:03 | |
but that's about as good as beetroot gets. | 0:28:03 | 0:28:07 | |
I'm finding the pickled beetroot goes wonderfully with the mackerel. | 0:28:08 | 0:28:13 | |
Absolutely delicious. | 0:28:13 | 0:28:14 | |
I think I could, to be honest, do without the maple. | 0:28:14 | 0:28:17 | |
It is very, very, very sticky. | 0:28:17 | 0:28:20 | |
I think it probably sings on its own. | 0:28:20 | 0:28:22 | |
-"Sings"? -Sings on its own, Terry. | 0:28:22 | 0:28:24 | |
My overriding emotion is probably a bit of a relief. | 0:28:30 | 0:28:33 | |
That was incredibly tough. | 0:28:33 | 0:28:35 | |
but do you know what? I am so pleased | 0:28:35 | 0:28:37 | |
because I feel like I've learned a massive amount. | 0:28:37 | 0:28:40 | |
And that's what I wanted to get out of today. | 0:28:40 | 0:28:42 | |
Venison saddle? We're in good shape. Sauce? We're in good shape. | 0:28:43 | 0:28:46 | |
-Purple carrots... -They're on over there. -They're on. | 0:28:46 | 0:28:49 | |
-Bacon vinaigrette? -Done. -Done. | 0:28:49 | 0:28:51 | |
What's your problem? What are you flapping for? | 0:28:51 | 0:28:54 | |
-What are you flapping for? -Because I want to get it right. | 0:28:54 | 0:28:57 | |
The next course is roast saddle of venison with parsnip, | 0:28:57 | 0:29:02 | |
purple carrot and bacon vinaigrette. | 0:29:02 | 0:29:05 | |
Oh, yes! This is proper Tudor meats, this is! | 0:29:05 | 0:29:07 | |
And it's very good to serve venison | 0:29:07 | 0:29:09 | |
because it implies that you have your own deer park. | 0:29:09 | 0:29:11 | |
I suspect that Duncan maybe went out earlier today and hunted for it. | 0:29:14 | 0:29:18 | |
Of course, the servants would get the guts. | 0:29:18 | 0:29:20 | |
They were called umbles. | 0:29:20 | 0:29:23 | |
-U-M-B-L-E-S. Umbles. -Right. | 0:29:23 | 0:29:25 | |
And they made it into a pie - hence "umble" pie. And that is true. | 0:29:25 | 0:29:29 | |
Come on, mate. It's your time now. Time to shine. | 0:29:30 | 0:29:33 | |
Beautiful. | 0:29:42 | 0:29:43 | |
Sauce. Over the top. One around. | 0:29:46 | 0:29:48 | |
Nice. | 0:29:50 | 0:29:51 | |
Go. | 0:29:56 | 0:29:58 | |
Michael, well done, son. | 0:29:58 | 0:30:00 | |
Top that. | 0:30:02 | 0:30:03 | |
-It's a good job. -Chef. | 0:30:05 | 0:30:07 | |
Good job. | 0:30:07 | 0:30:09 | |
Great smell. | 0:30:20 | 0:30:21 | |
I think it looks beautiful. | 0:30:21 | 0:30:24 | |
Some lovely colours. | 0:30:24 | 0:30:26 | |
The venison looks pretty rare. | 0:30:26 | 0:30:29 | |
Tudor style? | 0:30:29 | 0:30:30 | |
Uncooked, bleeding meat. | 0:30:30 | 0:30:33 | |
That is the best Brussels sprout I have ever tasted. | 0:30:38 | 0:30:42 | |
And the venison is pretty good, too. | 0:30:42 | 0:30:45 | |
I'm flagging with this one, just a bit. | 0:30:45 | 0:30:48 | |
Because it's so rich. | 0:30:48 | 0:30:49 | |
-Pass the port. -Yes! | 0:30:49 | 0:30:52 | |
Pass the port and harden the arteries. | 0:30:52 | 0:30:55 | |
It is very filling and it's very rich, | 0:30:55 | 0:30:58 | |
but it's actually a very modest, 21st-century kind of small portion. | 0:30:58 | 0:31:03 | |
Oh, what an idiot. | 0:31:07 | 0:31:08 | |
HE SNIFFS | 0:31:08 | 0:31:11 | |
Kind of mixed emotions, really. | 0:31:11 | 0:31:13 | |
And I'm not really sure why, because... | 0:31:13 | 0:31:16 | |
what went out was pretty good. | 0:31:16 | 0:31:18 | |
But it was just... | 0:31:18 | 0:31:20 | |
Hard push, | 0:31:20 | 0:31:22 | |
a lot to do, a lot to plate up. | 0:31:22 | 0:31:24 | |
So... | 0:31:24 | 0:31:25 | |
We're all tired. | 0:31:25 | 0:31:27 | |
And elated at the same time. | 0:31:27 | 0:31:29 | |
So, yeah, tough day. | 0:31:29 | 0:31:31 | |
Angela has never made a dessert with so many components before. | 0:31:34 | 0:31:39 | |
Creating the caramel pulls will be her biggest challenge. | 0:31:42 | 0:31:45 | |
-Ready? -Yeah. | 0:31:49 | 0:31:50 | |
Go on, keep going. | 0:32:01 | 0:32:02 | |
-It's a bit thick. -No, it's fine. | 0:32:05 | 0:32:06 | |
I've never done anything like this before. It's amazing. | 0:32:08 | 0:32:11 | |
Yep, that's fine. | 0:32:14 | 0:32:15 | |
Salt and almond ice cream. Yummy. | 0:32:24 | 0:32:28 | |
With aerated chocolate and cardamom caramel. Yummy. | 0:32:28 | 0:32:31 | |
Cookie crumbs. Sounds promising. | 0:32:31 | 0:32:33 | |
OK, righto. | 0:32:35 | 0:32:36 | |
Come on, what's the matter with you? | 0:32:38 | 0:32:40 | |
We've seen you do beautiful presentation before, haven't we? | 0:32:40 | 0:32:43 | |
-No. -No. -Bit more, bit more. Good, stop. | 0:32:43 | 0:32:46 | |
-Mm. -Yep. I love a bit of goo. | 0:32:53 | 0:32:55 | |
HISSING | 0:32:57 | 0:32:58 | |
JOHN: Sounds like an angry pirate. | 0:33:00 | 0:33:01 | |
Look at that. | 0:33:04 | 0:33:05 | |
-Done? -Done. | 0:33:06 | 0:33:08 | |
-Well done. -Thank you. -Well done. | 0:33:09 | 0:33:11 | |
This reminds me of a Salvador Dali work of art. | 0:33:20 | 0:33:24 | |
I'm almost reluctant to eat it. | 0:33:24 | 0:33:28 | |
I want to eat it cos it looks very tasty. | 0:33:28 | 0:33:29 | |
I was dubious. I was slightly full | 0:33:36 | 0:33:38 | |
and I thought this was going to be a heavy nut to crack. | 0:33:38 | 0:33:42 | |
But it wasn't. It was absolutely gorgeous. | 0:33:42 | 0:33:44 | |
It sounds a bit pretentious to use the word regarding food, | 0:33:44 | 0:33:47 | |
but it was quite exciting. | 0:33:47 | 0:33:49 | |
The more that I think about it, now that I've finished it, sadly, | 0:33:50 | 0:33:53 | |
I rather wish there was some more. | 0:33:53 | 0:33:55 | |
I've eaten wonderfully tonight. | 0:33:55 | 0:33:57 | |
But this is the one that I want the recipe for. | 0:33:57 | 0:34:00 | |
I think while I taste this I've died and gone to heaven. Gorgeous. | 0:34:00 | 0:34:05 | |
Absolutely gorgeous. | 0:34:05 | 0:34:06 | |
I was way out of my comfort zone. Way out of it. | 0:34:13 | 0:34:16 | |
So it feels like an enormous achievement, | 0:34:19 | 0:34:22 | |
and I feel like I've learnt heaps. | 0:34:22 | 0:34:26 | |
Last up is Luke with the second dessert. | 0:34:28 | 0:34:30 | |
Tatin of apples with chestnuts and vanilla | 0:34:32 | 0:34:35 | |
and bay leaf ice cream. | 0:34:35 | 0:34:38 | |
Bay leaf ice cream. That's savoury, isn't it? | 0:34:38 | 0:34:40 | |
Savoury and sweet. | 0:34:40 | 0:34:41 | |
The ice cream tastes good. Mm, yeah. | 0:34:43 | 0:34:45 | |
I think that looks dodgy to me. | 0:34:46 | 0:34:48 | |
It's probably the only thing I'm slightly concerned about on the menu. | 0:34:48 | 0:34:52 | |
That's it. Back...down. | 0:34:56 | 0:34:58 | |
Ice cream. | 0:35:08 | 0:35:09 | |
Quick. You've got to be quick. That ice cream is going to melt. | 0:35:12 | 0:35:14 | |
That's lovely, Luke. That is so nice. Come on, mate. Go on. | 0:35:14 | 0:35:18 | |
-Oooh. -Ah. | 0:35:23 | 0:35:25 | |
Just dress that one. | 0:35:27 | 0:35:28 | |
-Yep. -Quick, quick, quick. | 0:35:28 | 0:35:30 | |
OK. Good. | 0:35:31 | 0:35:33 | |
HE SIGHS | 0:35:33 | 0:35:34 | |
How do you feel? | 0:35:38 | 0:35:39 | |
Yeah, exhausted. But it was exhilarating. | 0:35:39 | 0:35:42 | |
-Absolutely exhilarating. -Good. -Thanks so much. | 0:35:42 | 0:35:45 | |
-My pleasure, buddy. My pleasure. -Thanks a lot. Thanks a lot. | 0:35:45 | 0:35:49 | |
Mine looks absolutely gorgeous. Terry's... | 0:35:58 | 0:36:02 | |
Mine's died. | 0:36:02 | 0:36:04 | |
It's died. | 0:36:04 | 0:36:06 | |
Actually you don't get the bay leaf until towards the end, I think. | 0:36:06 | 0:36:10 | |
-It's almost like an aftertaste. -It is, yeah. | 0:36:12 | 0:36:14 | |
I think there's an absolutely fantastic taste here of the apple | 0:36:14 | 0:36:18 | |
and the chestnut together. I think it's heavenly. | 0:36:18 | 0:36:22 | |
But the ice cream is pretty sweet. Pretty sweet. | 0:36:22 | 0:36:25 | |
But the apple is so perfect with the chestnut. | 0:36:25 | 0:36:28 | |
The ice cream balances it. | 0:36:28 | 0:36:31 | |
If you have the apple cream and the ice cream together, | 0:36:31 | 0:36:34 | |
then it sort of works. | 0:36:34 | 0:36:36 | |
-Yes, it's when you go into them separately. -Yes. | 0:36:36 | 0:36:39 | |
It's a well-balanced sweet. And I could eat another portion. | 0:36:39 | 0:36:44 | |
So if Lucy's going to leave hers... | 0:36:44 | 0:36:46 | |
That was... Yeah, it was amazing. | 0:36:48 | 0:36:50 | |
It was, like, a really intense experience. | 0:36:50 | 0:36:53 | |
There was urgency, there was excitement, there's terror. | 0:36:54 | 0:36:59 | |
But in the end it was just wholly satisfying. | 0:36:59 | 0:37:02 | |
It was a very pleasing day. | 0:37:02 | 0:37:04 | |
I came in here tonight saying, | 0:37:15 | 0:37:17 | |
"I'm a food Philistine." I thought I had no taste buds. | 0:37:17 | 0:37:21 | |
But you lot somehow awoke taste buds I didn't even know I had. | 0:37:21 | 0:37:26 | |
I have to say by about course three, I thought, | 0:37:26 | 0:37:31 | |
"Mm, can I eat any more?" | 0:37:31 | 0:37:33 | |
But actually, I got my second appetite and I did. | 0:37:33 | 0:37:38 | |
I really enjoyed every single course. | 0:37:38 | 0:37:41 | |
Hats off to you. It's an incredible effort. | 0:37:41 | 0:37:43 | |
You're all so talented. I hope you all win. | 0:37:43 | 0:37:46 | |
Five courses with so many processes, with so much skill. | 0:37:56 | 0:38:00 | |
John was brilliant with them. | 0:38:00 | 0:38:03 | |
Hugely impressed with all of them today. | 0:38:04 | 0:38:06 | |
Really great to see all five of them grow. | 0:38:06 | 0:38:08 | |
To replicate that food, the flavours from scratch, | 0:38:10 | 0:38:15 | |
I am super impressed. | 0:38:15 | 0:38:16 | |
Super impressed. | 0:38:16 | 0:38:18 | |
Today, I'm really feeling the pressure. | 0:38:35 | 0:38:38 | |
The next challenge is always the biggest you've had so far, | 0:38:38 | 0:38:40 | |
but it really feels like that today. | 0:38:40 | 0:38:42 | |
I don't know what's in store for us, | 0:38:44 | 0:38:46 | |
but whatever it is, | 0:38:46 | 0:38:48 | |
I'm going to give it my absolute everything. | 0:38:48 | 0:38:51 | |
Welcome back. | 0:39:05 | 0:39:06 | |
You had a fabulous experience with John Campbell. | 0:39:07 | 0:39:11 | |
Now we've got for you an invention test. | 0:39:12 | 0:39:16 | |
An invention test like no other. | 0:39:16 | 0:39:19 | |
Have a look, please, at your ingredients. | 0:39:20 | 0:39:23 | |
HE LAUGHS | 0:39:27 | 0:39:29 | |
What you have in front of you are leftovers and some scraps. | 0:39:29 | 0:39:36 | |
To be a great cook, it's not just about a prime piece of meat | 0:39:36 | 0:39:40 | |
and a truffle, or a fillet steak or a lobster, | 0:39:40 | 0:39:44 | |
it's about everything - | 0:39:44 | 0:39:46 | |
utilising the bones, the textures, the skin, the flavours. | 0:39:46 | 0:39:52 | |
That makes a great cook. | 0:39:52 | 0:39:53 | |
So you'll have one hour and ten minutes to cook for us one dish. | 0:39:55 | 0:40:00 | |
In the meantime, we're going to give you 15 minutes... | 0:40:00 | 0:40:03 | |
SHE MOUTHS ..to gather your thoughts, | 0:40:03 | 0:40:06 | |
work out what you're going to cook. | 0:40:06 | 0:40:08 | |
Your time starts now. | 0:40:08 | 0:40:10 | |
The scraps include a meat tray with venison and rabbit trimmings, | 0:40:12 | 0:40:17 | |
a chicken's giblets and its skin, stock bones, | 0:40:17 | 0:40:21 | |
pork fat and a pig's ear. | 0:40:21 | 0:40:24 | |
It's delicious, isn't it? | 0:40:24 | 0:40:26 | |
And fish trimmings, including cod and salmon heads, bones | 0:40:26 | 0:40:30 | |
and skin, and scallop roe. | 0:40:30 | 0:40:33 | |
Obviously it's a... It's a mixed bag. | 0:40:33 | 0:40:36 | |
The vegetables include potato peelings, fennel tops, | 0:40:36 | 0:40:40 | |
and offcuts of pumpkin, cauliflower, mushrooms and tomatoes. | 0:40:40 | 0:40:46 | |
I am quite daunted about it, because at this point I'm like, | 0:40:46 | 0:40:49 | |
"Mm, I'm not sure." | 0:40:49 | 0:40:50 | |
There is leftover rice, stale bread and croissant, Parmesan rind, | 0:40:51 | 0:40:57 | |
overripe fruit, apple cores and orange peel. | 0:40:57 | 0:41:01 | |
This is crazy. | 0:41:01 | 0:41:03 | |
They also have a limited larder to help create their dishes, | 0:41:03 | 0:41:07 | |
and a small selection of spices. | 0:41:07 | 0:41:10 | |
I think it'll be all right as long | 0:41:10 | 0:41:11 | |
as you don't make a pig's ear out of it. | 0:41:11 | 0:41:14 | |
HE CHUCKLES | 0:41:14 | 0:41:15 | |
One dish, one hour and ten minutes. Good luck, guys. Let's cook. | 0:41:17 | 0:41:21 | |
I think I've reached this stage in the competition | 0:41:37 | 0:41:39 | |
because I've been quite solid throughout, I feel. | 0:41:39 | 0:41:42 | |
But it's so easy to panic, and when you panic, you make mistakes. | 0:41:42 | 0:41:46 | |
So I think staying calm | 0:41:46 | 0:41:47 | |
and level-headed is really quite a key thing. | 0:41:47 | 0:41:49 | |
Is this the way you shopped and cooked at university, Jack? | 0:41:54 | 0:41:57 | |
-Sober up and think, "What have I got left?" -Yeah, pretty much. | 0:41:57 | 0:42:00 | |
You have to think on your feet at uni a bit. | 0:42:00 | 0:42:02 | |
Using scraps is something that I have done. | 0:42:02 | 0:42:04 | |
I'm going to use the cod cheeks, just pan roasted. | 0:42:05 | 0:42:08 | |
I'm going to make a ravioli of pumpkin with fennel, | 0:42:08 | 0:42:13 | |
and I'm serving it with a chicken jus. | 0:42:13 | 0:42:16 | |
-Mm. -And crispy chicken skin. | 0:42:17 | 0:42:19 | |
Have you got enough hair gel to go further in the competition? | 0:42:19 | 0:42:21 | |
I hope so. I'm running low at the moment, though. | 0:42:21 | 0:42:24 | |
Do you mind if I borrow some of yours? | 0:42:24 | 0:42:26 | |
Make a note of that, could you, John? | 0:42:26 | 0:42:29 | |
Jack's going out in the next round. | 0:42:29 | 0:42:30 | |
As clever as he is and as natural cook as he is, I'm not convinced by | 0:42:36 | 0:42:40 | |
a tortellini, a pasta, with squash and cod cheek in a chicken sauce. | 0:42:40 | 0:42:45 | |
But I love the fact that he's never taken a cod head apart before | 0:42:48 | 0:42:50 | |
and he's bold enough to do it. He's using his skills. | 0:42:50 | 0:42:54 | |
We know he can make great pasta. He's making a really good sauce. | 0:42:54 | 0:42:58 | |
Before I went in for the previous invention test, | 0:43:03 | 0:43:05 | |
I was a nervous wreck. | 0:43:05 | 0:43:07 | |
I'm a woman, I cannot make up my mind. | 0:43:07 | 0:43:10 | |
I cannot go in and just choose one thing. | 0:43:10 | 0:43:12 | |
So...I'll do my best. | 0:43:13 | 0:43:15 | |
I'm going to attempt noodles with a spicy beef broth, | 0:43:21 | 0:43:26 | |
with pickled giblets, crispy chicken skin and roast pumpkins. | 0:43:26 | 0:43:30 | |
Whoa, Ping! | 0:43:33 | 0:43:34 | |
That is not a spice that I would normally use, | 0:43:34 | 0:43:36 | |
but I'll roast some cinnamon off with some fennel seeds, | 0:43:36 | 0:43:39 | |
crush them, make a spice bag and infuse the flavours in the broth. | 0:43:39 | 0:43:44 | |
Are you used to cooking like this, with bits and pieces? | 0:43:44 | 0:43:47 | |
I am used to it, but not as bits and pieces as this. | 0:43:47 | 0:43:50 | |
It's a lot of bits and pieces. | 0:43:51 | 0:43:54 | |
I've never seen you anything else but calm. Do you ever get flustered? | 0:43:54 | 0:43:58 | |
Now. | 0:43:58 | 0:43:59 | |
I'm flustered now because I'm running out of time. | 0:43:59 | 0:44:03 | |
-All right, Ping. -Thanks, Ping. | 0:44:03 | 0:44:05 | |
Ping is promising me a bowl of noodles in a beef flavoured broth | 0:44:07 | 0:44:11 | |
with little delights like pickled giblet and crispy chicken skin. | 0:44:11 | 0:44:17 | |
Happy days. | 0:44:17 | 0:44:18 | |
I'll bet it's delicious. | 0:44:18 | 0:44:20 | |
You've got 30 minutes left. | 0:44:26 | 0:44:28 | |
30 minutes. | 0:44:28 | 0:44:29 | |
Angela, how are you doing? | 0:44:33 | 0:44:35 | |
I'm good, thank you. | 0:44:35 | 0:44:36 | |
What scraps and leftovers are you going to use? | 0:44:36 | 0:44:38 | |
The venison and the rabbit. | 0:44:38 | 0:44:40 | |
I'm going to make a game pie with straw fries. | 0:44:40 | 0:44:44 | |
-Pie and chips. -Basically. -Brilliant! | 0:44:44 | 0:44:47 | |
-Are we getting tomato sauce? -No. -Ah! -Sorry. -Bottom. -Sorry. | 0:44:47 | 0:44:51 | |
If I could pick anyone in the world to make me a quick game pie, | 0:44:54 | 0:44:58 | |
it would be Angela. | 0:44:58 | 0:44:59 | |
I've no doubt if she gets a nice, thick, rich sauce | 0:44:59 | 0:45:02 | |
underneath that pastry, it'll be beautiful. | 0:45:02 | 0:45:04 | |
The issue is going to be getting that real depth of flavour into that pie | 0:45:04 | 0:45:08 | |
and making sure it looks wonderful rather than | 0:45:08 | 0:45:10 | |
looking like a pub pie and chips. | 0:45:10 | 0:45:12 | |
I'm really going to try | 0:45:14 | 0:45:16 | |
and make my plate look good as well as taste good. | 0:45:16 | 0:45:20 | |
If I can make it look like John Campbell's food, I'll be OK. | 0:45:20 | 0:45:25 | |
Oh, God, please don't watch me. | 0:45:28 | 0:45:30 | |
Luke, which pasta did you...? | 0:45:40 | 0:45:43 | |
The one on the top shelf was mine, definitely. | 0:45:43 | 0:45:45 | |
-I put it right in the top corner. -That's where I put mine. | 0:45:45 | 0:45:48 | |
I've got enough if you want to use the rest of this one. | 0:45:48 | 0:45:51 | |
Oh, pasta wars, did you see that? | 0:45:52 | 0:45:54 | |
This is really a lot more liquid-y than mine, | 0:45:54 | 0:45:56 | |
-was that rolling out all right? -Yeah, it's rolling out fine. | 0:45:56 | 0:45:58 | |
-Could I have a little bit more? Well, I've got enough. -Here you go. | 0:45:58 | 0:46:03 | |
-Between the two of them... -Yeah, we'll sort it out. | 0:46:03 | 0:46:06 | |
-Michael, have you figured out who's stolen your pasta? -Pastagate. Erm... | 0:46:07 | 0:46:11 | |
I think we resolved the issue. I've got mine, Luke's got his. | 0:46:12 | 0:46:16 | |
We're back on speaking terms. | 0:46:16 | 0:46:17 | |
What are you making out of our leftovers? | 0:46:17 | 0:46:20 | |
I'm making a rabbit and venison ragout with tagliatelle. | 0:46:20 | 0:46:24 | |
Tell us how special can a ragout be. | 0:46:24 | 0:46:27 | |
Despite the fact that they were scraps, | 0:46:27 | 0:46:29 | |
they're pretty good ingredients. | 0:46:29 | 0:46:31 | |
There's venison there, there's rabbit there, there's red wine. | 0:46:31 | 0:46:34 | |
I think when you love that kind of food, | 0:46:34 | 0:46:35 | |
you look at it and you see it, it's there. | 0:46:35 | 0:46:37 | |
I think that's an amazing set of ingredients and if you can't make | 0:46:37 | 0:46:40 | |
-a dish out of them, you don't belong on MasterChef. -No, I agree. | 0:46:40 | 0:46:43 | |
-Thanks, mate. -Shall I crack on? Thanks, guys. | 0:46:43 | 0:46:45 | |
Michael is making a ragout - | 0:46:50 | 0:46:52 | |
a meaty sauce that he's going to serve with his own | 0:46:52 | 0:46:55 | |
tagliatelle that he's making. | 0:46:55 | 0:46:58 | |
It needs to be delicious because as the competition goes | 0:46:58 | 0:47:01 | |
and skill level goes, it's not the most daring. | 0:47:01 | 0:47:05 | |
My invention test, so far, has been pretty good. | 0:47:08 | 0:47:12 | |
If you can look at a bunch of ingredients | 0:47:12 | 0:47:14 | |
and things jump out at you, then that really helps. | 0:47:14 | 0:47:19 | |
-Luke. -Yes. -What are you going to cook for us? | 0:47:24 | 0:47:27 | |
I'm making tortellini with a pumpkin puree with croutons garnished | 0:47:27 | 0:47:32 | |
with fennel tips. | 0:47:32 | 0:47:34 | |
And what's your filling for your tortellini? | 0:47:34 | 0:47:36 | |
It is mushroom and bacon trimmings. | 0:47:36 | 0:47:38 | |
What about the rest of your competition here, these guys? | 0:47:38 | 0:47:42 | |
They're good, aren't they? | 0:47:42 | 0:47:43 | |
-HE CHUCKLES -Really good. | 0:47:43 | 0:47:45 | |
I knew it was going to be tough but, yeah, | 0:47:45 | 0:47:47 | |
these guys are absolutely fantastic. Everybody's got their sort of niche. | 0:47:47 | 0:47:51 | |
If you put us all together, you might just about have a chef. | 0:47:51 | 0:47:54 | |
-Yes, but it would have 12 arms. -Yeah. | 0:47:54 | 0:47:57 | |
12 arms? Your maths is terrible. It's ten arms, they're five of them! | 0:47:57 | 0:48:01 | |
-Five twos are ten. -That's right. | 0:48:01 | 0:48:03 | |
-Unbelievable. There you go. Good luck, Luke. -Thank you. | 0:48:04 | 0:48:08 | |
Luke is looking very energetic but also a little excitable | 0:48:12 | 0:48:15 | |
and when he gets excitable, we normally get a mistake. | 0:48:15 | 0:48:19 | |
Fingers crossed, Luke. Deep breath, calm down. | 0:48:19 | 0:48:21 | |
So far, I've had one brilliant invention test and one awful | 0:48:24 | 0:48:28 | |
one, so I'm due a brilliant one so let's hope that's the case. | 0:48:28 | 0:48:31 | |
There are 15 minutes left. | 0:48:33 | 0:48:36 | |
A real sense of excitement in here today | 0:48:38 | 0:48:40 | |
and I'm really pleased about it. | 0:48:40 | 0:48:42 | |
All five cooks have risen to the challenge, | 0:48:42 | 0:48:44 | |
they're being inventive, they're drawing on their past experiences. | 0:48:44 | 0:48:47 | |
I have one disappointment and that is we don't have any dessert. | 0:48:47 | 0:48:51 | |
But saying it, I think in here today, it's great. | 0:48:51 | 0:48:55 | |
Don't break it. | 0:48:58 | 0:49:00 | |
-I know, I know! -JOHN LAUGHS | 0:49:00 | 0:49:02 | |
60 seconds left to make your scraps look beautiful. | 0:49:04 | 0:49:08 | |
Time's up. | 0:49:15 | 0:49:16 | |
Jack. | 0:49:24 | 0:49:26 | |
Jack has made roasted pumpkin | 0:49:33 | 0:49:35 | |
and fennel ravioli with pan-roasted cod cheeks, | 0:49:35 | 0:49:39 | |
crispy chicken skin and a red wine jus made from the chicken carcass. | 0:49:39 | 0:49:45 | |
I hope that tastes great | 0:49:45 | 0:49:47 | |
because that is a really good-looking plate of food. | 0:49:47 | 0:49:50 | |
Thanks, John. | 0:49:50 | 0:49:52 | |
Light-as-you-like ravioli. Love the filling. | 0:50:04 | 0:50:07 | |
Sweet pumpkin and then is that a little bit of fennel in there? | 0:50:07 | 0:50:10 | |
-Yeah, fennel seeds. -Really lovely. | 0:50:10 | 0:50:12 | |
You may have been a little heavy-handed with the seasoning. | 0:50:12 | 0:50:14 | |
Right. | 0:50:14 | 0:50:16 | |
Cod cheeks cooked perfectly but they need a little seasoning. | 0:50:16 | 0:50:19 | |
I like that rich red wine sauce made with the chicken, | 0:50:21 | 0:50:24 | |
I think that's wonderful. | 0:50:24 | 0:50:25 | |
I really like the crispy chicken skin on the outside, | 0:50:25 | 0:50:28 | |
that gives a lovely texture. | 0:50:28 | 0:50:30 | |
You've done a really good job here, really impressed. | 0:50:30 | 0:50:34 | |
I'm always going to be worried going into an invention test. | 0:50:34 | 0:50:36 | |
When you're using scraps and bits and bobs, it makes it even | 0:50:36 | 0:50:39 | |
harder, so to get those sort of comments, over the moon, so happy. | 0:50:39 | 0:50:42 | |
Angela. | 0:50:47 | 0:50:48 | |
Angela has made a game pie by braising rabbit and venison | 0:50:55 | 0:51:00 | |
trimmings in a stock made from the beef bone and chicken carcass. | 0:51:00 | 0:51:04 | |
It's flavoured with orange peel, cinnamon and mushrooms, | 0:51:04 | 0:51:07 | |
topped with shortcrust pastry, | 0:51:07 | 0:51:09 | |
and served with broccoli and straw fries made from potato peelings. | 0:51:09 | 0:51:15 | |
What do you think of the presentation, Angela? | 0:51:15 | 0:51:18 | |
-Er... -SHE EXHALES | 0:51:18 | 0:51:20 | |
It's not my most artistic piece of work. | 0:51:20 | 0:51:24 | |
-I think it's a bit shabby. -OK. | 0:51:24 | 0:51:26 | |
The flavour in that pie, | 0:51:35 | 0:51:38 | |
with that gravy that you've made around it, is beautiful. | 0:51:38 | 0:51:41 | |
It's everything I thought it would be. | 0:51:41 | 0:51:43 | |
It's deep, it's rich, it's almost sweet. | 0:51:43 | 0:51:45 | |
I'm with Gregg all the way, Angela. Love the flavours. | 0:51:47 | 0:51:51 | |
I love the buttery pastry on top, I think it's wonderful | 0:51:51 | 0:51:53 | |
and it's a lovely accompaniment to that rich venison and rabbit pie. | 0:51:53 | 0:51:57 | |
-It is a bit like a pub lunch. -Yeah, I know. | 0:51:57 | 0:52:01 | |
But... Hold on, Angela. | 0:52:01 | 0:52:03 | |
Angela. You had some scraps and leftovers. | 0:52:03 | 0:52:06 | |
I'm not expecting Michelin star at this stage, | 0:52:06 | 0:52:08 | |
but I do want you to start to think about the end product. | 0:52:08 | 0:52:12 | |
-Just make it a little bit more pretty. -Yep. | 0:52:12 | 0:52:15 | |
I've obviously got no eye. | 0:52:17 | 0:52:19 | |
I felt like I was getting there and then I took a step back. | 0:52:19 | 0:52:23 | |
But I think I can do it because what I'll do is just swallow | 0:52:23 | 0:52:28 | |
a book of pretty pictures and hope that some of them stick. | 0:52:28 | 0:52:31 | |
Ping, please. | 0:52:33 | 0:52:34 | |
Ping has made a spicy noodle broth from the venison | 0:52:41 | 0:52:44 | |
and beef bones and poached the giblets in a stock | 0:52:44 | 0:52:47 | |
made from the chicken carcass before pickling them. | 0:52:47 | 0:52:51 | |
She has garnished the dish with shaved cauliflower florets | 0:52:51 | 0:52:54 | |
and roasted pumpkin, strips of crispy chicken skin | 0:52:54 | 0:52:58 | |
and topped it with an egg yolk. | 0:52:58 | 0:53:00 | |
I think it's a great invention, Ping. | 0:53:00 | 0:53:03 | |
I hope it tastes as clever as it looks. | 0:53:03 | 0:53:06 | |
Your noodles are soft, your broth is meaty and there's pepper in there | 0:53:21 | 0:53:25 | |
and I love that but it's the little treats, | 0:53:25 | 0:53:28 | |
it's the crispy chicken skin that's salted which is just lovely. | 0:53:28 | 0:53:32 | |
The pickled giblet I love because although it's pickled, | 0:53:32 | 0:53:34 | |
it's sweet pickled so it's not sharp. | 0:53:34 | 0:53:36 | |
-Very good, Ping. -Thank you. | 0:53:36 | 0:53:38 | |
I love that cinnamon richness | 0:53:40 | 0:53:43 | |
and the aniseed in the background of the stock, | 0:53:43 | 0:53:45 | |
the little egg yolk on top to thicken the sauce at the end is clever. | 0:53:45 | 0:53:49 | |
Pickled giblets, they're soft, they're smoky. | 0:53:49 | 0:53:52 | |
I think with what you had in an invention test, | 0:53:52 | 0:53:55 | |
that is about as cool as they come, Ping. | 0:53:55 | 0:53:59 | |
Really, I'm seriously impressed. | 0:53:59 | 0:54:02 | |
Yeah, really pleased. | 0:54:02 | 0:54:03 | |
It's joyful tears because I wanted it to be good. | 0:54:05 | 0:54:11 | |
Probably, my mascara's running but, no, I don't care about that. | 0:54:11 | 0:54:15 | |
As long as you liked that. | 0:54:15 | 0:54:16 | |
Wow. | 0:54:22 | 0:54:23 | |
Mr Luke. | 0:54:27 | 0:54:29 | |
Luke has made bacon and mushroom tortellini with a pumpkin puree and | 0:54:35 | 0:54:40 | |
croutons fried in bacon fat, topped with fennel tops and a vinaigrette. | 0:54:40 | 0:54:45 | |
-I think it's a great-looking plate of food, Luke. -Oh, thank you. | 0:54:45 | 0:54:48 | |
Exhibit A. | 0:55:06 | 0:55:07 | |
I love that tortellini. | 0:55:09 | 0:55:11 | |
I love the filling, I think it's wonderful because it's sweet, | 0:55:11 | 0:55:14 | |
it's sharp and it's addictive | 0:55:14 | 0:55:15 | |
and all I want to do is eat loads more of them. | 0:55:15 | 0:55:18 | |
I feel like there should be 12 ravioli on that plate | 0:55:18 | 0:55:21 | |
and I want loads more of them. | 0:55:21 | 0:55:22 | |
The vinaigrette has given it sharp acidity the dish just didn't need. | 0:55:22 | 0:55:27 | |
-The rest of it is solidly, solidly good. -Thank you. | 0:55:27 | 0:55:31 | |
I almost nailed it. The balance of flavours bar the vinaigrette. | 0:55:33 | 0:55:38 | |
If I'd left that out, I would have pretty much got faultless | 0:55:38 | 0:55:42 | |
comments so, yeah, I'm really pleased. | 0:55:42 | 0:55:44 | |
Michael. | 0:55:47 | 0:55:48 | |
Michael has made tagliatelle | 0:55:55 | 0:55:57 | |
and a ragout by mincing the offcuts of venison and rabbit, | 0:55:57 | 0:56:02 | |
flavoured with pork rind, butternut squash, tomatoes and bone marrow. | 0:56:02 | 0:56:07 | |
It's served with garlic bread. | 0:56:07 | 0:56:10 | |
These bits of bread, this stale bread turned into garlic bread, | 0:56:10 | 0:56:13 | |
-I sort of understand the concept but unnecessary. -Yeah. | 0:56:13 | 0:56:16 | |
A good ragout can take half a day to cook so if you've got some | 0:56:17 | 0:56:21 | |
powerful flavour in there, I'm going to be very impressed. | 0:56:21 | 0:56:25 | |
The flavours are dense, are gamey, are peppery, are sweet. | 0:56:32 | 0:56:37 | |
The pasta is light and lovely. Very, very well done. | 0:56:37 | 0:56:41 | |
I like it cos you like it. | 0:56:41 | 0:56:43 | |
And I can tell you like it, you've got a spring in your step | 0:56:43 | 0:56:46 | |
-that's been lacking for the last couple of challenges. -Yeah. | 0:56:46 | 0:56:48 | |
I love the flavour of this dish, I really do. | 0:56:49 | 0:56:52 | |
I think it's sharp with red wine, I think it's sweet with the meat, | 0:56:52 | 0:56:55 | |
I think your pasta's made really well. | 0:56:55 | 0:56:57 | |
I think it's a wonderful thing. | 0:56:57 | 0:56:59 | |
-And it's nice to see you're back. Welcome back, Michael. -Thank you. | 0:56:59 | 0:57:03 | |
-I really enjoyed today. -Good on you. | 0:57:03 | 0:57:05 | |
I haven't felt like this for a good few rounds. | 0:57:08 | 0:57:12 | |
Each time, I've come out thinking, "Oh, I wish I hadn't done this." | 0:57:12 | 0:57:14 | |
I was really pleased with today. | 0:57:14 | 0:57:16 | |
It's been an incredible couple of days. | 0:57:19 | 0:57:22 | |
And we do push you hard because we want you to learn. | 0:57:23 | 0:57:26 | |
Today, no-one is going home. | 0:57:30 | 0:57:33 | |
However, the next time you cook for us, | 0:57:37 | 0:57:41 | |
you'll be fighting for your place in finals week. | 0:57:41 | 0:57:45 | |
-Thank you very much indeed, we'll see you soon. -Cheers. | 0:57:49 | 0:57:53 | |
Tomorrow, the battle to stay in the competition continues when the five | 0:58:13 | 0:58:19 | |
amateurs are pushed to the level they've never experienced before. | 0:58:19 | 0:58:23 | |
You have absolutely nailed it. | 0:58:23 | 0:58:27 | |
Who would want to go home at this stage in the competition? | 0:58:28 | 0:58:32 | |
It's a long way to come to go home now. | 0:58:32 | 0:58:34 |