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It's MasterChef, and knockout week continues. | 0:00:02 | 0:00:06 | |
Come on! Parfait! Faster! | 0:00:06 | 0:00:09 | |
Last night saw the first group battle it out in a pro kitchen. | 0:00:09 | 0:00:13 | |
Look at those! Nice! | 0:00:13 | 0:00:16 | |
Jacob was sent home. | 0:00:17 | 0:00:20 | |
Tonight, the second six are challenged | 0:00:21 | 0:00:23 | |
to cook for the paying public for the first time. | 0:00:23 | 0:00:26 | |
-We're going to get slammed in a minute. Come on! -Where's the...? | 0:00:28 | 0:00:32 | |
Cooking in the MasterChef kitchen is one thing, | 0:00:33 | 0:00:36 | |
but going to a professional? Nah, different ballgame. | 0:00:36 | 0:00:38 | |
It's going to be seriously tough. | 0:00:38 | 0:00:40 | |
It's incredibly daunting to be cooking for members of the public. | 0:00:40 | 0:00:44 | |
All they're seeing is the food, | 0:00:44 | 0:00:46 | |
and if it's not up to standard they're going to sling it back. | 0:00:46 | 0:00:49 | |
A whole lunch service with just the six of us, | 0:00:49 | 0:00:51 | |
it's an enormous amount of pressure. | 0:00:51 | 0:00:54 | |
-What's the worst that can happen? -HE LAUGHS | 0:00:54 | 0:00:57 | |
Then Marcus Wareing returns. | 0:00:58 | 0:01:01 | |
Oh, my God! | 0:01:01 | 0:01:03 | |
I like the dish, I like the flavours, | 0:01:03 | 0:01:06 | |
and I think you've executed it very, very well. | 0:01:06 | 0:01:08 | |
At the end, for one of them, | 0:01:08 | 0:01:10 | |
their competition will be over. | 0:01:10 | 0:01:13 | |
It's early morning | 0:01:22 | 0:01:24 | |
and the contestants are being sent to their professional kitchen. | 0:01:24 | 0:01:28 | |
Today, they'll be cooking lunch service | 0:01:30 | 0:01:33 | |
at L'Anima in the City of London. | 0:01:33 | 0:01:35 | |
This award-winning modern Italian restaurant | 0:01:37 | 0:01:41 | |
is run by head chef Antonio Favuzzi. | 0:01:41 | 0:01:44 | |
HE SPEAKS IN ITALIAN | 0:01:44 | 0:01:46 | |
ALL CHEER | 0:01:48 | 0:01:50 | |
Antonio started his career | 0:01:50 | 0:01:52 | |
at a luxury five-star hotel in his native Sardinia. | 0:01:52 | 0:01:56 | |
Fregola is ready. | 0:01:56 | 0:01:58 | |
I would describe my food as very rustic, | 0:01:58 | 0:02:02 | |
using southern Italian ingredients with a modern twist. | 0:02:02 | 0:02:05 | |
He arrived in London in 2003, | 0:02:05 | 0:02:08 | |
after perfecting his craft in some of Milan's best kitchens. | 0:02:08 | 0:02:14 | |
Perfect line. | 0:02:14 | 0:02:15 | |
Service. | 0:02:15 | 0:02:17 | |
It's a busy kitchen, I've got 20 chefs. | 0:02:17 | 0:02:21 | |
I've got a bit of military discipline during my service. | 0:02:21 | 0:02:24 | |
Everything has to go out in time. | 0:02:24 | 0:02:27 | |
Service! | 0:02:27 | 0:02:28 | |
I've got big reputation in this part of the city. | 0:02:31 | 0:02:35 | |
I would like to keep it. | 0:02:35 | 0:02:37 | |
-Buongiorno. Good morning. How are you? -ALL: -Buongiorno. | 0:02:44 | 0:02:47 | |
Good. Today, we're expecting a big day, guys. OK? | 0:02:47 | 0:02:51 | |
We've got six different recipes. I want you to listen to me. | 0:02:51 | 0:02:55 | |
Probably today you are going to find a bit of challenge, OK? | 0:02:55 | 0:02:57 | |
So, let's go, guys. Get ready. | 0:02:57 | 0:03:00 | |
The contestants have four hours | 0:03:02 | 0:03:04 | |
to prep each of their dishes for service. | 0:03:04 | 0:03:07 | |
There will be three starters on the menu today. | 0:03:08 | 0:03:12 | |
Jane is in charge of the octopus with smoked aubergine caviar, | 0:03:12 | 0:03:17 | |
charred lettuce, Romano peppers | 0:03:17 | 0:03:20 | |
and ricotta mustia - a Sardinian smoked cheese. | 0:03:20 | 0:03:24 | |
So hot pan, as you can see. | 0:03:25 | 0:03:27 | |
-We want to get aggressive on the octopus, OK? -OK. | 0:03:27 | 0:03:30 | |
-A nice golden colour in it. -Yeah. -OK? | 0:03:30 | 0:03:33 | |
As well as frying the octopus, | 0:03:33 | 0:03:35 | |
mum-of-four Jane will have to fry the ricotta, | 0:03:35 | 0:03:39 | |
heat up her aubergine caviar, | 0:03:39 | 0:03:41 | |
and char the baby gem lettuce. | 0:03:41 | 0:03:44 | |
-Easy. Easy. -SHE LAUGHS | 0:03:45 | 0:03:47 | |
Hola! We ready to go. | 0:03:47 | 0:03:49 | |
Some lovely peppers. | 0:03:51 | 0:03:52 | |
Crumble the cheese on the side. | 0:03:54 | 0:03:55 | |
-OK? -Looks beautiful. It's stunning. | 0:03:59 | 0:04:02 | |
Jane's first job is to cook the octopus, | 0:04:02 | 0:04:06 | |
each one almost a metre long and weighing in at three kilos. | 0:04:06 | 0:04:12 | |
Cooking octopus is not easy. | 0:04:12 | 0:04:15 | |
We don't want to overcook that, but we don't want to undercook, | 0:04:15 | 0:04:18 | |
cos otherwise it's going to taste not right. | 0:04:18 | 0:04:21 | |
-What do you think? -Done. -Done? OK. | 0:04:21 | 0:04:23 | |
I know from experience it can go so rubbery and so...horribly wrong. | 0:04:23 | 0:04:28 | |
Oh! No! | 0:04:28 | 0:04:29 | |
I'm confident...at the moment. | 0:04:30 | 0:04:33 | |
Ask me after. | 0:04:33 | 0:04:35 | |
-OK. -SHE LAUGHS | 0:04:35 | 0:04:37 | |
Actor Annie is making a prawn-filled ravioli | 0:04:40 | 0:04:44 | |
with a spicy lobster broth. | 0:04:44 | 0:04:47 | |
-You're going to start boiling some pasta. -Yep. | 0:04:52 | 0:04:55 | |
They're probably going to take around three minutes. | 0:04:55 | 0:04:57 | |
In the timing, we want the prawns nice and gold | 0:04:57 | 0:05:00 | |
-and not overcooked. -Yep. -It's really important. -Yeah. | 0:05:00 | 0:05:03 | |
-30 seconds each time. -Yep. -OK? | 0:05:03 | 0:05:05 | |
So we've got five in number. | 0:05:09 | 0:05:11 | |
You've got your prawns. | 0:05:11 | 0:05:12 | |
You need to clarify your broth. It's going to take around two hours. | 0:05:15 | 0:05:19 | |
-I've got some ready for you to show you. -Uh-huh. -OK? | 0:05:19 | 0:05:22 | |
-Slightly spicy. -Yeah. -So you need to get the balance | 0:05:22 | 0:05:25 | |
-of the spice-ness, of the chilli. -Yeah. | 0:05:25 | 0:05:28 | |
-It's good. -Lovely, yeah? -Yeah. | 0:05:28 | 0:05:30 | |
Annie's first job is to roll out the pasta to an exact thickness. | 0:05:32 | 0:05:37 | |
Then she must fill and shape her prawn raviolis. | 0:05:39 | 0:05:42 | |
I gave them a little Asian shape but with Italian ingredients. | 0:05:44 | 0:05:48 | |
Quite difficult to do that. | 0:05:48 | 0:05:49 | |
I've just been told about 30 portions, so a lot. | 0:05:51 | 0:05:55 | |
150 pieces of pasta. Yeah. Erm... Ha-ha! | 0:05:55 | 0:05:59 | |
The final starter will be cooked by mortgage adviser Jen - | 0:06:03 | 0:06:08 | |
beetroot tortelli filled with smoked burrata and ricotta cheese, | 0:06:08 | 0:06:12 | |
pickled golden beetroot, | 0:06:12 | 0:06:15 | |
beetroot crouton, and a sage-and-pistachio butter. | 0:06:15 | 0:06:19 | |
You're in charge of one of my signature dish of the menu, | 0:06:21 | 0:06:24 | |
beetroot pasta. We put about 20g of stuffing. OK? | 0:06:24 | 0:06:30 | |
After that, you need to put together, like that. | 0:06:30 | 0:06:33 | |
Actually, it's not bad. | 0:06:33 | 0:06:35 | |
Well done. We're going to blanch them in the water | 0:06:35 | 0:06:38 | |
and we're going cook about three minutes. | 0:06:38 | 0:06:41 | |
-The butter is ready. -Yes, Chef. | 0:06:46 | 0:06:48 | |
Is brown not burnt. OK? And we finish. | 0:06:48 | 0:06:51 | |
Lovely balsamic vinegar on top. | 0:06:51 | 0:06:54 | |
-Looks beautiful. I like it a lot. -Fantastic. | 0:06:55 | 0:06:58 | |
I'm excited. I'm never had beetroot pasta before. | 0:06:59 | 0:07:02 | |
If I can make mine look like that, I'm going to be really happy. | 0:07:02 | 0:07:05 | |
There's a lot of a assembly to do, and it needs to look perfect. | 0:07:05 | 0:07:09 | |
I need to concentrate and make sure I get it right. | 0:07:09 | 0:07:11 | |
-As soon as you see your hand... -Oh, yeah. So that's actually OK? | 0:07:11 | 0:07:14 | |
-Yeah, it's actually done. -OK. -OK? -Lovely. | 0:07:14 | 0:07:16 | |
-Go for it. Well done. -Thank you. | 0:07:16 | 0:07:18 | |
The other three contestants will be on mains. | 0:07:20 | 0:07:24 | |
Voila! | 0:07:24 | 0:07:25 | |
Recent graduate Pedro's dish | 0:07:25 | 0:07:28 | |
is black-ink gnocchetti Sardi with Scottish langoustines, | 0:07:28 | 0:07:31 | |
Romanesco broccoli and bottarga. | 0:07:31 | 0:07:35 | |
The first thing for you to cook is the langoustine. Get the brandy. | 0:07:35 | 0:07:39 | |
We're going to blanch. | 0:07:39 | 0:07:41 | |
Just add a bit of broth to it and let them cook for one minute. | 0:07:42 | 0:07:47 | |
So...pasta ready. | 0:07:47 | 0:07:49 | |
Make sure you grab some liquid, | 0:07:49 | 0:07:52 | |
-and you're going to help to create a lovely sauce. -Yeah. | 0:07:52 | 0:07:56 | |
Full of colour. | 0:08:00 | 0:08:02 | |
This is bottarga, very famous in Sardinia. | 0:08:02 | 0:08:05 | |
-It's like Parmesan for fish, isn't it? -Yes, correct. | 0:08:05 | 0:08:08 | |
PEDRO LAUGHS | 0:08:08 | 0:08:09 | |
A challenging dish. I think it's all about it coming together at the end. | 0:08:09 | 0:08:13 | |
I think a lot of the work's in the prep. | 0:08:13 | 0:08:15 | |
If I get the prep done, it'll all be fine. | 0:08:15 | 0:08:17 | |
So, erm, need to crack on. | 0:08:17 | 0:08:19 | |
Pedro's first task is to roll out and shape the squid-ink pasta. | 0:08:19 | 0:08:24 | |
This is a Sardinian kind of gnocchi. | 0:08:25 | 0:08:27 | |
Very challenging during the preparation, | 0:08:27 | 0:08:30 | |
because they need to use a special board | 0:08:30 | 0:08:32 | |
and they need to create the shape of this pasta. | 0:08:32 | 0:08:34 | |
I'm very proud to have this dish on the menu. | 0:08:36 | 0:08:39 | |
Hopefully, they get the job done. | 0:08:39 | 0:08:41 | |
It's taken ages to get through, there's so much we have to do. | 0:08:43 | 0:08:46 | |
You never see this behind the scenes when you go to eat in a restaurant. | 0:08:46 | 0:08:49 | |
Company director Liz | 0:08:51 | 0:08:53 | |
is making a start trimming the prime Angus fillet | 0:08:53 | 0:08:56 | |
and portioning it to exactly 200g. | 0:08:56 | 0:08:59 | |
Ohh! That needs a bit of trimming. | 0:08:59 | 0:09:03 | |
Her dish is a Scotch beef tagliata, | 0:09:03 | 0:09:06 | |
topped with pickled onions and buffalo blue cheese, | 0:09:06 | 0:09:09 | |
marrow bones and salsa verde. | 0:09:09 | 0:09:12 | |
So we start with the meat in the pan. | 0:09:13 | 0:09:16 | |
Make sure you achieve the cooking requests, OK? | 0:09:16 | 0:09:20 | |
In this case, I'm going to do medium rare, | 0:09:20 | 0:09:22 | |
because that's my recommendation, OK? | 0:09:22 | 0:09:25 | |
I think I would be disappointed, as a customer, | 0:09:25 | 0:09:28 | |
if I ordered my meat rare and I get a medium one. | 0:09:28 | 0:09:31 | |
It has to be right. | 0:09:31 | 0:09:33 | |
So we've got two different marrow here, | 0:09:33 | 0:09:36 | |
one is pure, as it come, | 0:09:36 | 0:09:38 | |
and this one is stuffed with potato and cheese. | 0:09:38 | 0:09:41 | |
Salsa verde. | 0:09:45 | 0:09:47 | |
OK? | 0:09:47 | 0:09:49 | |
I think I'm going to be the busiest. | 0:09:51 | 0:09:52 | |
Steak's always really popular, there's going to be tons of orders. | 0:09:52 | 0:09:56 | |
SHE LAUGHS NERVOUSLY | 0:09:56 | 0:09:57 | |
I'm most worried about different requirements on the beef. | 0:09:57 | 0:10:01 | |
I don't want to burn anything. | 0:10:01 | 0:10:04 | |
Yeah, you know, the whole thing, basically. | 0:10:04 | 0:10:07 | |
The final main on the menu will be cooked by Stuart - | 0:10:08 | 0:10:12 | |
marinated black cod in prosecco and paprika, | 0:10:12 | 0:10:16 | |
served with purple mash potato, | 0:10:16 | 0:10:19 | |
turnip tops and clams. | 0:10:19 | 0:10:21 | |
-You got your cod under the grill? -Mm-hm. | 0:10:23 | 0:10:25 | |
We toast the garlic to open the clams. OK? | 0:10:25 | 0:10:29 | |
A splash of white wine. | 0:10:29 | 0:10:31 | |
Make sure your fish is cooked. | 0:10:31 | 0:10:34 | |
What I want to achieve is a bit of burnt colour to it, OK? | 0:10:34 | 0:10:39 | |
-Paprika bread toasted on top. -Mm-hm. | 0:10:44 | 0:10:47 | |
-Always. -Always. -Olive oil at the end. | 0:10:47 | 0:10:51 | |
-What do you think? -Ah, absolutely beautiful. -Fantastic. | 0:10:52 | 0:10:55 | |
-Good luck. -Thank you. -Enjoy. | 0:10:55 | 0:10:57 | |
All right... | 0:10:58 | 0:11:00 | |
Stuart makes a start on filleting the Alaskan black cod. | 0:11:03 | 0:11:08 | |
It's a hell of a piece of fish. | 0:11:08 | 0:11:10 | |
The biggest difficulty on this dish is the preparation - | 0:11:10 | 0:11:13 | |
when you need to fillet the fish, | 0:11:13 | 0:11:15 | |
when you don't want to have too much waste. | 0:11:15 | 0:11:17 | |
This particular dish, I think, is quite challenging. | 0:11:17 | 0:11:20 | |
I've done a sea bass before, but nothing this sort of size. | 0:11:20 | 0:11:24 | |
It needs to be really neat, | 0:11:24 | 0:11:25 | |
cos obviously that's the bit you see on the plate. | 0:11:25 | 0:11:28 | |
I need to get this...spot on. | 0:11:28 | 0:11:30 | |
There's just one hour of prep time left. | 0:11:38 | 0:11:42 | |
Come on, guys, time is running out. | 0:11:42 | 0:11:45 | |
Annie is still trying to fill and shape 150 prawn ravioli. | 0:11:47 | 0:11:53 | |
-Are they OK? -Be careful on these. -Yeah. -Be careful on these. | 0:11:53 | 0:11:57 | |
-We want to look pretty, huh? -Yeah, of course. | 0:11:57 | 0:11:59 | |
-Like you. Please. -Thank you. | 0:11:59 | 0:12:01 | |
Can't panic, I've just got to carry on doing it. | 0:12:01 | 0:12:04 | |
Pedro is also under pressure to finish off his gnocchetti Sardi. | 0:12:06 | 0:12:11 | |
-How are we doing, man? Make sure you make the nice shape. -OK. | 0:12:12 | 0:12:16 | |
-All like that, all the same, right? -OK. -Thank you. | 0:12:16 | 0:12:19 | |
Got a lot more pasta to do and not a lot of time to do it. | 0:12:19 | 0:12:23 | |
On the other side of the kitchen, | 0:12:25 | 0:12:27 | |
Stuart is struggling to fillet the Alaskan black cod. | 0:12:27 | 0:12:31 | |
Ah, I'm making a right hash of it. Sorry. | 0:12:32 | 0:12:35 | |
-Stuart, please, don't push the knife, slice it. -OK. | 0:12:35 | 0:12:39 | |
There's loads of bones all along here. | 0:12:41 | 0:12:44 | |
You don't want anybody to find a bit of bone in theirs, | 0:12:44 | 0:12:47 | |
get it sent back. Nobody wants that. | 0:12:47 | 0:12:49 | |
After wrestling with her octopus, | 0:12:52 | 0:12:55 | |
Jane has finally moved on to prepping her veg. | 0:12:55 | 0:12:57 | |
It's horrendous how quick that time goes by. | 0:12:59 | 0:13:01 | |
I'm just desperate to get everything finished, | 0:13:01 | 0:13:04 | |
so that I'm ready to go and I'm not trying to do this during service. | 0:13:04 | 0:13:08 | |
It's going to get mental, isn't it, the minute service starts and... | 0:13:10 | 0:13:13 | |
and everything gets going. | 0:13:13 | 0:13:16 | |
In just a few minutes the amateurs | 0:13:23 | 0:13:26 | |
will have their first experience of service in a professional kitchen. | 0:13:26 | 0:13:31 | |
First customer is coming in. | 0:13:32 | 0:13:34 | |
Make sure you are in place and ready to go. | 0:13:34 | 0:13:37 | |
-OK? Let's go. -ALL: -Yes, Chef. | 0:13:37 | 0:13:39 | |
We've got big pressure, we've got a busy restaurant today. | 0:13:42 | 0:13:45 | |
I hope nothing goes wrong and, you know, everyone will be happy. | 0:13:46 | 0:13:51 | |
This restaurant is full. | 0:13:53 | 0:13:55 | |
All our guys in there are good cooks, we know that, | 0:13:55 | 0:13:58 | |
but they won't be used to this sort of pace. | 0:13:58 | 0:13:59 | |
They've never done anything like this before. | 0:13:59 | 0:14:01 | |
-OK, guys, first check coming in. Octopus brodo tortelli. -Si, Chef. | 0:14:06 | 0:14:10 | |
Communication, guys. | 0:14:10 | 0:14:12 | |
First orders are in for Jen and Jane's starters. | 0:14:12 | 0:14:17 | |
Service is all about precision and coordination. | 0:14:17 | 0:14:21 | |
Erm, three minutes, Chef. | 0:14:21 | 0:14:23 | |
-Three minutes, Jane, for two octopus? -Yes. | 0:14:23 | 0:14:25 | |
Three minutes you've got. | 0:14:25 | 0:14:27 | |
They must make sure they get their starters to the pass | 0:14:27 | 0:14:30 | |
at the same time. | 0:14:30 | 0:14:31 | |
Jane has to cook the octopus until it's golden... | 0:14:31 | 0:14:35 | |
while heating the smoked aubergine | 0:14:35 | 0:14:38 | |
and charring the ricotta and the lettuce, | 0:14:38 | 0:14:42 | |
while Jen has to fill, shape and cook her tortelli to order. | 0:14:42 | 0:14:46 | |
Char-griller. Where's the...? Where's the blowtorch? | 0:14:48 | 0:14:52 | |
OK. How are you doing with your octopus, Jane? | 0:14:52 | 0:14:56 | |
-Jane? -Yes? -How long table 20? | 0:14:56 | 0:14:58 | |
-Two minutes. -Quick, quick, though. | 0:14:58 | 0:15:00 | |
Quick, quick. | 0:15:00 | 0:15:01 | |
Jen's pasta is ready to plate, but Jane's behind. | 0:15:03 | 0:15:09 | |
All done. All done, my dear. She's not ready. One sec. | 0:15:12 | 0:15:14 | |
-Do you want it under the hot light? -No, you're going to blanch again. | 0:15:14 | 0:15:17 | |
-Blanch it again? -She's not ready. One sec. -Si, Chef. | 0:15:17 | 0:15:20 | |
You need to communicate, guys, otherwise it's a mess, OK? | 0:15:20 | 0:15:23 | |
-Si, Chef. -Thank you. | 0:15:23 | 0:15:25 | |
Jen must now make another batch of tortelli from scratch. | 0:15:25 | 0:15:30 | |
I was ready on my last order, but I've had to start it again | 0:15:32 | 0:15:34 | |
because another starter wasn't ready, which has set me back a bit, | 0:15:34 | 0:15:37 | |
but it's all right. I'm going to get it together and it'll be fine. | 0:15:37 | 0:15:41 | |
-Is that OK, Chef? -I'm sure the flavour is there, it's good, | 0:15:48 | 0:15:52 | |
-we need to work on the presentation. -OK. -The next has to look prettier. | 0:15:52 | 0:15:55 | |
-OK. -OK? -Sorry, Chef. | 0:15:55 | 0:15:57 | |
With Jane's starter plated, it's now Jen holding up the pass. | 0:15:57 | 0:16:02 | |
One tortelli at the pass when you're ready. Now. | 0:16:02 | 0:16:04 | |
One of them's split. I'm just going to do it again. | 0:16:04 | 0:16:07 | |
-I was ready on the other one and now I'm having to do it again. -Don't worry. | 0:16:07 | 0:16:11 | |
You need to be at the pass. Jen, please, go with the tortelli. | 0:16:11 | 0:16:14 | |
Well done. Well done. | 0:16:14 | 0:16:17 | |
Just make sure you put this equally, | 0:16:17 | 0:16:21 | |
-so there is some space between them. -Si, Chef. | 0:16:21 | 0:16:24 | |
Come on. A bit more. A bit more. | 0:16:24 | 0:16:26 | |
-Don't be shy. Are you missing something in this dish? -Oh. | 0:16:26 | 0:16:30 | |
Don't forget to put all the ingredients. It's very important. | 0:16:30 | 0:16:33 | |
-Si, Chef. -Thank you. Be focused. | 0:16:33 | 0:16:36 | |
Service. Out. | 0:16:36 | 0:16:37 | |
I think I need to get a bit more of a rhythm. | 0:16:39 | 0:16:41 | |
And it's just communicating with the others | 0:16:41 | 0:16:44 | |
so I know how long they need... would be helpful. | 0:16:44 | 0:16:47 | |
The tortelli was really well cooked, | 0:16:56 | 0:16:58 | |
the filling was really well seasoned | 0:16:58 | 0:17:00 | |
and it was just a really combination of flavours. | 0:17:00 | 0:17:03 | |
-Mmm. -The pasta's made really nicely, lots of filling, | 0:17:03 | 0:17:06 | |
and I like the sharp sourness of that balsamic vinegar. | 0:17:06 | 0:17:09 | |
I think Jen's done amazingly well with this. | 0:17:09 | 0:17:12 | |
New check, guys. Four minutes, I want two octopus | 0:17:14 | 0:17:18 | |
two tortelli and two broth. | 0:17:18 | 0:17:19 | |
-Si, Chef. -OK? | 0:17:19 | 0:17:21 | |
-Three section, yeah. Communication, guys, please. -Si, Chef. | 0:17:21 | 0:17:24 | |
-Annie? -Yes? -Table 31, four minutes? | 0:17:24 | 0:17:27 | |
-Four minutes? Yes, fine. -Are you sure? Do you need longer? | 0:17:27 | 0:17:30 | |
No, four minutes is fine. | 0:17:30 | 0:17:33 | |
Annie's is first order is in for her ravioli in spicy lobster broth. | 0:17:33 | 0:17:38 | |
-So I've got ten pieces of ravioli but only two plates? -Yes. -Yes. | 0:17:38 | 0:17:41 | |
I've got plates ready for you there. | 0:17:41 | 0:17:43 | |
-Make sure you don't forget the brunoise. -OK. -Good luck. | 0:17:43 | 0:17:46 | |
Quick, quick! | 0:17:54 | 0:17:55 | |
Her dish relies on every element | 0:17:55 | 0:17:57 | |
meeting Antonio's exacting standards. | 0:17:57 | 0:18:00 | |
Yeah. One, two, three. | 0:18:04 | 0:18:06 | |
-Have you tasted your broth? -I have, yes. -Yeah? | 0:18:06 | 0:18:10 | |
-I think it's missing a bit of salt. -Yeah. | 0:18:12 | 0:18:15 | |
-Quick, quick, because it's going to get cold, yeah? -Yeah. | 0:18:15 | 0:18:18 | |
He said the broth maybe needed a little bit more salt, | 0:18:18 | 0:18:21 | |
-so I've just added a bit and tasted. -Annie, I need those two broth. | 0:18:21 | 0:18:24 | |
-Coming now, Chef. -Right now. Right now. | 0:18:24 | 0:18:27 | |
-Well done. -Yeah? | 0:18:29 | 0:18:31 | |
-So this is all going in one, for two people, yes? -Yes. | 0:18:31 | 0:18:34 | |
-Go on. Come on. That's it. Perfect. Well done. -Thank you. | 0:18:34 | 0:18:37 | |
-That looks good to me. -Yeah. -Service. | 0:18:37 | 0:18:40 | |
Out. | 0:18:40 | 0:18:41 | |
-Phew! -SHE LAUGHS | 0:18:42 | 0:18:44 | |
Oh, grazie. | 0:18:50 | 0:18:52 | |
The broth was fantastic. | 0:18:54 | 0:18:56 | |
Very clean tasting, very light, very delicate touch. | 0:18:56 | 0:18:59 | |
Really impressed. | 0:18:59 | 0:19:01 | |
Look how clear that broth is. | 0:19:03 | 0:19:05 | |
Look how beautiful those ravioli are. | 0:19:05 | 0:19:08 | |
Annie's done a good job. Pasta, filling, broth, | 0:19:08 | 0:19:12 | |
little brunoise of vegetables. A lot of work in here. | 0:19:12 | 0:19:15 | |
Guys, four octopus. | 0:19:20 | 0:19:23 | |
With the kitchen in full swing, | 0:19:23 | 0:19:26 | |
Jane has another chance to master the presentation of her octopus. | 0:19:26 | 0:19:30 | |
Very, very, very busy and a bit scary. | 0:19:34 | 0:19:37 | |
SHE GASPS | 0:19:37 | 0:19:39 | |
-That's the colour you need to achieve, yeah? -OK. | 0:19:39 | 0:19:42 | |
-Please, all the time. -Yep. | 0:19:42 | 0:19:45 | |
So make sure your plates looks similar. Yeah? | 0:19:45 | 0:19:48 | |
Especially when they go on the same table. | 0:19:48 | 0:19:51 | |
Put a bit of dressing on top of the octopus as well. | 0:19:51 | 0:19:54 | |
Yes, correct. Well done. | 0:19:56 | 0:19:58 | |
-You're making better presentation now. -Thank you very much. -Thank you. | 0:19:58 | 0:20:01 | |
It's non stop from the minute you get in the kitchen. I - silly - | 0:20:04 | 0:20:07 | |
thought we might have a little break in between, but, no, | 0:20:07 | 0:20:10 | |
just - boom! - from one to the other. | 0:20:10 | 0:20:12 | |
I had the octopus. It was fantastic. | 0:20:22 | 0:20:24 | |
And it was very well presented. I really enjoyed it. | 0:20:24 | 0:20:27 | |
Get in there, Jane. | 0:20:30 | 0:20:31 | |
I like the smoked ricotta with the aubergines, | 0:20:31 | 0:20:34 | |
and the octopus is cooked beautifully. | 0:20:34 | 0:20:36 | |
Guys, how are we doing with main course? You're going to be next. | 0:20:36 | 0:20:39 | |
-ALL: -Si, Chef. | 0:20:39 | 0:20:41 | |
Be ready, yeah? We're going to start very soon. | 0:20:41 | 0:20:44 | |
Guys, new check coming up. New check. | 0:20:47 | 0:20:50 | |
I need one cod and one gnocchi. | 0:20:52 | 0:20:54 | |
-Si, Chef. -Yay! Thank you. | 0:20:54 | 0:20:56 | |
Pedro needs to fry off and blanch the langoustines in brandy... | 0:21:00 | 0:21:05 | |
..then cook the gnocchetti, | 0:21:07 | 0:21:08 | |
before adding it to a broth to create the sauce. | 0:21:08 | 0:21:12 | |
-Are you OK with three minutes, Pedro? -Yes, sir. | 0:21:12 | 0:21:15 | |
First pasta. Come on, hurry up! | 0:21:15 | 0:21:17 | |
As one of Antonio's favourite dishes, | 0:21:17 | 0:21:20 | |
the pressure is on for Pedro to get the gnocchetti right. | 0:21:20 | 0:21:23 | |
A much bigger challenge than I expected. | 0:21:23 | 0:21:26 | |
But I don't know what I expected, to be fair, so... | 0:21:26 | 0:21:29 | |
-It is what it is. -Pedro, coming! | 0:21:29 | 0:21:32 | |
You've got one at the pass now. | 0:21:34 | 0:21:36 | |
Let's do it, man. | 0:21:36 | 0:21:38 | |
-Not too much sauce, yeah? -Not too much sauce. | 0:21:40 | 0:21:42 | |
-It's slightly a bit too much sauce, OK? -OK. -Get back to the pan, | 0:21:42 | 0:21:46 | |
-cook and heat it. -Yeah. -Make sure you get less sauce. It's too much. | 0:21:46 | 0:21:49 | |
-We specialise on pasta in this restaurant, yeah? -OK. -Please. | 0:21:49 | 0:21:53 | |
-I give you one minute, yeah? -Yes, sir. -I want you at the pass. | 0:21:53 | 0:21:56 | |
Quick, quick. | 0:21:56 | 0:21:57 | |
-You OK? -Yeah. -Burnt? -Too much sauce. | 0:21:59 | 0:22:03 | |
-Coming, Chef. -Hurry up! -Ten seconds. | 0:22:03 | 0:22:06 | |
-Chef? -Yes. | 0:22:13 | 0:22:15 | |
Much better. | 0:22:15 | 0:22:17 | |
Go on. Go on. Go on. Quick. | 0:22:19 | 0:22:21 | |
Make sure you clean the plate. Put the langoustine on top | 0:22:21 | 0:22:24 | |
-and don't forget the bottarga. Come on, Pedro. -Yes, Chef. | 0:22:24 | 0:22:26 | |
I know you can do it. Come on. | 0:22:26 | 0:22:28 | |
Service. | 0:22:31 | 0:22:32 | |
It took about a minute to remedy, so it's not a problem. | 0:22:33 | 0:22:36 | |
I've got this, it's all good. Loving it. Absolutely buzzing. | 0:22:36 | 0:22:40 | |
I had the gnocchi. | 0:22:49 | 0:22:51 | |
I like the texture, I like it was extremely...mouthful, | 0:22:51 | 0:22:55 | |
and very, very, you know, pleasant. | 0:22:55 | 0:22:58 | |
Very well-made gnocchi. | 0:23:00 | 0:23:01 | |
Lovely sauce. | 0:23:01 | 0:23:03 | |
Langoustine very well cooked. Good work. | 0:23:03 | 0:23:06 | |
Very good work from Pedro. | 0:23:06 | 0:23:08 | |
We've got two cod, plus one gnocchetti. | 0:23:09 | 0:23:13 | |
Right. | 0:23:13 | 0:23:15 | |
Stuart's first orders of black cod are in, | 0:23:15 | 0:23:18 | |
but he's struggling to find his feet. | 0:23:18 | 0:23:22 | |
I'm lost. I've a very difficult... | 0:23:24 | 0:23:27 | |
Oh, I'm so lost. | 0:23:27 | 0:23:30 | |
-Wey... -With time ticking, | 0:23:32 | 0:23:34 | |
Stuart must fry off his clams, | 0:23:34 | 0:23:37 | |
his turnip tops, | 0:23:37 | 0:23:40 | |
and cook the cod to perfection. | 0:23:40 | 0:23:43 | |
Stuart, are you coming to the pass in one minute? | 0:23:44 | 0:23:47 | |
Er, yes, Chef. | 0:23:47 | 0:23:49 | |
Off! Off! | 0:23:50 | 0:23:51 | |
Stuart, hurry up. Come on. | 0:23:53 | 0:23:55 | |
-Now! -Now? Yes, Chef. -Right now! -Yes, Chef. | 0:23:55 | 0:23:59 | |
-Sorry, Chef. Yes, Chef. -In the middle. | 0:23:59 | 0:24:02 | |
Good. Good. Hurry up. | 0:24:02 | 0:24:05 | |
This one around. Come on. | 0:24:06 | 0:24:08 | |
Go for it. | 0:24:08 | 0:24:10 | |
-Not too much mess on the plate, yeah? -Hmm. | 0:24:11 | 0:24:14 | |
-Fennel pollen? -Fennel pollen you should put already in the pan. | 0:24:14 | 0:24:17 | |
-OK. Yes, Chef. -Yeah? | 0:24:17 | 0:24:19 | |
Looks good, but, please, be less messy. OK? | 0:24:19 | 0:24:23 | |
-Look at that. Please. -Yes, Chef. -Service. Quick, quick. | 0:24:23 | 0:24:26 | |
It was all right. I missed a couple of little...little touches on that | 0:24:26 | 0:24:31 | |
that I can't afford to miss again this time. | 0:24:31 | 0:24:33 | |
Table 40! Table 3! | 0:24:35 | 0:24:38 | |
We're going to get slammed in a minute. Come on. | 0:24:38 | 0:24:40 | |
Liz's main is also proving popular. | 0:24:41 | 0:24:45 | |
She needs to leave plenty of time for the beef to rest before serving. | 0:24:47 | 0:24:52 | |
-Are you OK with two tagliata to come? -Two tagliata? Si, Chef. | 0:24:54 | 0:24:57 | |
-Now. -Now? Yep. -Let's go. Come on. | 0:24:57 | 0:25:00 | |
-Are you ready one minute? -No. -How long you need? -Four minutes. | 0:25:06 | 0:25:10 | |
-Why four minutes, my dear? It's ready. -Just to collect... | 0:25:10 | 0:25:12 | |
No, you've got one minute. Trust me. | 0:25:12 | 0:25:14 | |
One minute, yeah? Ready at the pass. Come on. | 0:25:14 | 0:25:17 | |
They need to rest. | 0:25:18 | 0:25:20 | |
Having not allowed enough time to rest her beef, | 0:25:20 | 0:25:23 | |
Liz is now running behind. | 0:25:23 | 0:25:26 | |
-You late. -I'm late, yeah. -Too late. Crazy. | 0:25:26 | 0:25:30 | |
We go out in three minutes, OK? | 0:25:31 | 0:25:33 | |
It's as full on as I expected, but a little bit more on top. | 0:25:33 | 0:25:38 | |
Hurry up! We need to be more fast now. | 0:25:38 | 0:25:42 | |
Service is slow. Come on. | 0:25:42 | 0:25:44 | |
One on top, one on the bottom. Fantastic. | 0:25:44 | 0:25:47 | |
-You're missing something. Focus. -Erm... | 0:25:52 | 0:25:55 | |
-Onion. -Oh! -Come on. | 0:25:55 | 0:25:58 | |
Service. | 0:26:00 | 0:26:02 | |
Thank you. | 0:26:05 | 0:26:06 | |
I had the beef with the blue cheese and the marrow bone. | 0:26:12 | 0:26:14 | |
The steak was really, really tender, really easy to eat, | 0:26:14 | 0:26:17 | |
the blue cheese was really, really, subtle as well. | 0:26:17 | 0:26:20 | |
Yeah, lovely dish. | 0:26:20 | 0:26:22 | |
There's a sweet sauce, hint of blue cheese, | 0:26:23 | 0:26:26 | |
giving me a little bit of salty tang, | 0:26:26 | 0:26:28 | |
and that beef is succulent and juicy. | 0:26:28 | 0:26:31 | |
Favourite of the day. Well done, Liz. | 0:26:31 | 0:26:33 | |
With service going at full tilt, | 0:26:34 | 0:26:37 | |
Pedro and Stuart are struggling to keep up with their orders | 0:26:37 | 0:26:41 | |
and each other. | 0:26:41 | 0:26:42 | |
Me and you got the same table, yeah? One black cod, isn't it? | 0:26:42 | 0:26:46 | |
I need two portion in total. How long you got? | 0:26:47 | 0:26:50 | |
-I've got two minutes, Chef. -Two minutes - too much, yeah? | 0:26:50 | 0:26:53 | |
-Please, hurry up. -How long, Stuart? | 0:26:53 | 0:26:55 | |
Stuart, how long on the cods? | 0:26:56 | 0:26:59 | |
With communication breaking down, | 0:27:00 | 0:27:03 | |
Pedro decides to assemble his dish, | 0:27:03 | 0:27:05 | |
but in the heat of the moment forgets one crucial element. | 0:27:05 | 0:27:10 | |
Are you going to finish this or you want me to send it? | 0:27:10 | 0:27:14 | |
-Sorry, sorry, sorry. -You need to finish your dish. -Sorry. | 0:27:14 | 0:27:17 | |
Come on. Quick, quick. | 0:27:19 | 0:27:21 | |
Quick, quick. | 0:27:21 | 0:27:23 | |
Stuart is finally to the pass, but is still making mistakes. | 0:27:25 | 0:27:29 | |
-Don't put too much sauce. -OK. | 0:27:29 | 0:27:31 | |
-Yeah? -So this is too much sauce on that one? -Yes. | 0:27:31 | 0:27:33 | |
-Please, can you re-plate. -Yes, certainly, sir. | 0:27:33 | 0:27:36 | |
Service. | 0:27:43 | 0:27:45 | |
-STUART SIGHS -Hectic. It's the most hectic thing I've ever done, I think. | 0:27:47 | 0:27:51 | |
You've got to listen to the time counts. It's really intense. | 0:27:51 | 0:27:54 | |
Really intense. | 0:27:54 | 0:27:55 | |
I had the black cod. It was fantastic. The paprika really came through and was quite spicy. | 0:28:01 | 0:28:06 | |
I mean, I like a bit of that, so it was very nice. | 0:28:06 | 0:28:09 | |
That black cod is dense, but cooked very, very well. | 0:28:11 | 0:28:14 | |
I like the salty clams and then bitter leaves. | 0:28:14 | 0:28:17 | |
Stuart's done a decent job. | 0:28:17 | 0:28:19 | |
There's almost like a curry-leaf flavour going through that. | 0:28:19 | 0:28:22 | |
I think that's very, very good indeed. | 0:28:22 | 0:28:25 | |
Guys, pay attention, please. | 0:28:30 | 0:28:33 | |
I've got a table of ten. Here's the last check. | 0:28:33 | 0:28:36 | |
Liz, Stuart, Pedro, | 0:28:36 | 0:28:38 | |
you need to communicate. | 0:28:38 | 0:28:40 | |
-Come on, guys. -BOTH: -Si, Chef. | 0:28:40 | 0:28:43 | |
As service draws to a close, | 0:28:43 | 0:28:45 | |
it's their last chance to impress with their dishes. | 0:28:45 | 0:28:49 | |
-Are you checking the meats? -I am. | 0:28:57 | 0:28:59 | |
-Those are medium, medium rare, rare. -OK. Let's go. | 0:28:59 | 0:29:02 | |
Quick, quick. Pedro, well done. Thank you. | 0:29:11 | 0:29:13 | |
Come on, Liz. Last! Last! | 0:29:13 | 0:29:16 | |
Fantastic. | 0:29:16 | 0:29:19 | |
Thank you. | 0:29:19 | 0:29:20 | |
For Stuart, it's his final attempt to perfect his presentation. | 0:29:20 | 0:29:24 | |
Hurry up. | 0:29:24 | 0:29:26 | |
Much better now. | 0:29:26 | 0:29:28 | |
-Stuart, well done. -Yes, Chef. -Thank you. Service. | 0:29:28 | 0:29:31 | |
Well done. We finish. Thank you. | 0:29:34 | 0:29:37 | |
HE SIGHS | 0:29:37 | 0:29:39 | |
After two hours of intense cooking, | 0:29:45 | 0:29:48 | |
service is over. | 0:29:48 | 0:29:50 | |
We put our six cooks into a very, very busy kitchen. | 0:29:53 | 0:29:58 | |
The fact is, they got through service. | 0:29:58 | 0:30:00 | |
And, look, this room was packed. | 0:30:00 | 0:30:03 | |
Six of them, they were really good, | 0:30:04 | 0:30:06 | |
they were struggling with communication, but it was not easy. | 0:30:06 | 0:30:09 | |
So they've done it and they've done it quite well. | 0:30:09 | 0:30:11 | |
So, well done to them. | 0:30:11 | 0:30:13 | |
It was the most stressful thing, | 0:30:13 | 0:30:15 | |
but it was definitely an experience worth remembering. | 0:30:15 | 0:30:18 | |
The first couple of tickets, the communication wasn't quite there, | 0:30:18 | 0:30:21 | |
but I think after that we did really get it together. | 0:30:21 | 0:30:25 | |
It's really surprised me just how much I liked the team hustle. | 0:30:25 | 0:30:29 | |
Today's been amazing. It has boosted my confidence. | 0:30:31 | 0:30:33 | |
To be able to get that food up to those people | 0:30:33 | 0:30:36 | |
was a wonderful experience. | 0:30:36 | 0:30:38 | |
There's nothing like it. | 0:30:39 | 0:30:41 | |
What they do is incredible. | 0:30:41 | 0:30:42 | |
Every day they come and they do this. | 0:30:42 | 0:30:45 | |
Yeah, it's been amazing. | 0:30:45 | 0:30:47 | |
That was intense. I knew it was going to be hard, | 0:30:48 | 0:30:50 | |
but I didn't know it was going to be this hard. | 0:30:50 | 0:30:53 | |
They're back in the MasterChef kitchen next. | 0:30:56 | 0:30:59 | |
They've got one more dish till we make a decision on who leaves. | 0:30:59 | 0:31:02 | |
Welcome back. | 0:31:45 | 0:31:47 | |
We hope you've been inspired. | 0:31:47 | 0:31:49 | |
We hope you've taken on a few lessons, | 0:31:49 | 0:31:52 | |
learned a little bit if not a lot, | 0:31:52 | 0:31:54 | |
because you six are about to do | 0:31:54 | 0:31:58 | |
a MasterChef invention test. | 0:31:58 | 0:32:00 | |
We want from you a plate of food | 0:32:03 | 0:32:05 | |
that could grace the table of a restaurant. | 0:32:05 | 0:32:08 | |
At the end of this, one of you is leaving us. | 0:32:09 | 0:32:13 | |
One hour 20 minutes. Let's cook. | 0:32:14 | 0:32:17 | |
The contestants have a wide range of ingredients to choose from... | 0:32:24 | 0:32:29 | |
..which include game birds - partridge and pigeon - | 0:32:32 | 0:32:36 | |
a selection of seafood - oysters, freshwater prawns and red mullet - | 0:32:36 | 0:32:42 | |
and an array of vegetables. | 0:32:42 | 0:32:45 | |
I think the invention test is probably one of the most scariest tests. | 0:32:49 | 0:32:53 | |
The reason is, they can't practise. | 0:32:53 | 0:32:56 | |
If they can't practise it, they get scared. | 0:32:56 | 0:32:59 | |
But all these six know the basics. | 0:32:59 | 0:33:02 | |
What they've got to do now is build on them. | 0:33:02 | 0:33:05 | |
It's a bit addictive, this whole thing, isn't it? | 0:33:16 | 0:33:19 | |
You want to do it again and you want to do it again. | 0:33:19 | 0:33:22 | |
You return to being a child almost, | 0:33:22 | 0:33:25 | |
looking for somebody to say, "Oh, that's good. Well done." | 0:33:25 | 0:33:28 | |
Pat on the back. | 0:33:28 | 0:33:29 | |
-Big smile, Jane. -Yeah, always. | 0:33:31 | 0:33:33 | |
-You've got to smile when you're in a kitchen. -You haven't done an invention test before? -No. | 0:33:33 | 0:33:37 | |
I'm not a cook that plans every day, I just buy what ingredients I like and then put them together. | 0:33:37 | 0:33:41 | |
How do you feel about the competition now? Cos you had a wobble. | 0:33:41 | 0:33:44 | |
I had a real wobble and I think I've got something to prove to you today. | 0:33:44 | 0:33:47 | |
I didn't present food that I was proud of last time and I hate doing that. | 0:33:47 | 0:33:50 | |
So, therefore, today, I just want to go out and show you what I can do | 0:33:50 | 0:33:53 | |
and give you a really good-tasting plate of food. | 0:33:53 | 0:33:56 | |
Jane's cooking us a piece of red mullet, mashed potato, | 0:33:59 | 0:34:03 | |
lemon-butter parsley sauce, beetroot and baby carrots. | 0:34:03 | 0:34:07 | |
Interesting. Really interesting. | 0:34:07 | 0:34:10 | |
It could be yum. | 0:34:10 | 0:34:11 | |
The stakes are very high today. | 0:34:17 | 0:34:19 | |
You can sense it as well amongst the contestants. | 0:34:19 | 0:34:22 | |
Everyone's a little bit on edge, | 0:34:22 | 0:34:23 | |
everyone's a little bit, you know, nervous. | 0:34:23 | 0:34:26 | |
I don't intend on going home any time soon. | 0:34:26 | 0:34:29 | |
That final's got my name on it. | 0:34:29 | 0:34:31 | |
Pedro, what are you going to make today? | 0:34:33 | 0:34:35 | |
So I'm going be making for you a very simple | 0:34:35 | 0:34:38 | |
wild mushroom fricassee, | 0:34:38 | 0:34:40 | |
smoked duck egg, and mushroom ketchup just adds a bit of acidity, | 0:34:40 | 0:34:43 | |
and some garlic toast. | 0:34:43 | 0:34:46 | |
-You're in knockout week of MasterChef and you're going to do egg on toast? -Yeah. | 0:34:46 | 0:34:50 | |
Yeah, I'm doing egg on toast. | 0:34:50 | 0:34:52 | |
-You cook the egg and then you smoke it? -Yeah. -How do you cook it? | 0:34:52 | 0:34:55 | |
It's in the egg shell. You sous-vide it. | 0:34:55 | 0:34:58 | |
It comes out, you smoke it for maybe 10 to 15 minutes. | 0:34:58 | 0:35:01 | |
-You've never sous-vide'd an egg before, right? -No. | 0:35:01 | 0:35:03 | |
Whoo! Pedro, you scare me. | 0:35:03 | 0:35:06 | |
I love you, but you scare me. | 0:35:06 | 0:35:08 | |
What Pedro is doing is really, really risky. | 0:35:09 | 0:35:12 | |
Pedro has got three elements to his dish - the smoked duck egg, | 0:35:12 | 0:35:15 | |
garlic toast and mushrooms. | 0:35:15 | 0:35:17 | |
If one of those elements doesn't work, we don't have a dish. | 0:35:17 | 0:35:21 | |
I never thought I'd get this far. | 0:35:33 | 0:35:35 | |
I kind of aimed low, so that I would be pleasantly surprised. | 0:35:35 | 0:35:38 | |
Which is amazing, but the further I go, the more I want to stay. | 0:35:38 | 0:35:44 | |
-Annie, are you all right? -Yeah, I'm really good. | 0:35:49 | 0:35:51 | |
-You haven't done an invention test before, have you? -No. No, no. | 0:35:51 | 0:35:54 | |
-I've been practising at home. -How do you that? | 0:35:54 | 0:35:56 | |
I ask my boyfriend to bring back a selection of things from the supermarket | 0:35:56 | 0:36:00 | |
-and then just make something with it. -Has it worked? -It has, yeah! | 0:36:00 | 0:36:04 | |
-All right, what are you cooking now? -I'm making a mushroom ravioli | 0:36:04 | 0:36:07 | |
with a sage-and-butter sauce, | 0:36:07 | 0:36:11 | |
crispy bacon and crispy sage leaves. | 0:36:11 | 0:36:14 | |
I learnt how to make pasta in the restaurant and loved it. | 0:36:14 | 0:36:17 | |
-And it will be good, I hope. -Annie, I don't know why, | 0:36:17 | 0:36:20 | |
-but you make me happy about food. -Cheers. | 0:36:20 | 0:36:23 | |
The great thing about Annie is she's honest to herself | 0:36:27 | 0:36:29 | |
and she keeps to classic combinations of flavour. | 0:36:29 | 0:36:32 | |
It could be delightful, | 0:36:32 | 0:36:34 | |
but it may be conceived as being a little bit too simple. | 0:36:34 | 0:36:38 | |
40 minutes have gone, which makes you six halfway. | 0:36:39 | 0:36:43 | |
The invention test's the unknown. | 0:36:48 | 0:36:51 | |
A bit nervous, but I'm quite confident. | 0:36:51 | 0:36:54 | |
I think I'm quite a creative chef, | 0:36:54 | 0:36:56 | |
so, hopefully, I can show the judges some of that today. | 0:36:56 | 0:36:59 | |
-How did you find the restaurant? -I loved the buzz, I loved the intensity of it, | 0:37:04 | 0:37:08 | |
but it was exhausting. | 0:37:08 | 0:37:09 | |
A whole new respect for people who do that job day in, day out. | 0:37:09 | 0:37:12 | |
What are you making for us today? | 0:37:12 | 0:37:14 | |
Some red mullet with a braised artichoke heart, | 0:37:14 | 0:37:17 | |
a little bit of tomato-and-chilli salsa, | 0:37:17 | 0:37:19 | |
some confit potatoes and a brown shrimp sauce. | 0:37:19 | 0:37:23 | |
-Stuart, I like it. -You can't rest on your laurels, especially at this stage. | 0:37:23 | 0:37:27 | |
-There's so many good cooks... -Oh, yeah. -..that if you mess up, you're going home, I think. | 0:37:27 | 0:37:32 | |
I'm not sure whether a chopped raw tomato salsa from South America | 0:37:35 | 0:37:40 | |
goes with a French dish of red mullet, artichokes and shrimp. | 0:37:40 | 0:37:44 | |
On our last dish, Gregg said to me, "You don't want to be a safe cook." | 0:37:54 | 0:37:57 | |
And I am definitely going to try not to do that today. | 0:37:57 | 0:37:59 | |
I'm going to try to do something maybe they've not had before, | 0:37:59 | 0:38:02 | |
really flavourful, and it is exciting for them to try. | 0:38:02 | 0:38:05 | |
So I'm doing a Nepalese dumpling, which is called a momo, | 0:38:09 | 0:38:12 | |
and I'm making a tomato achar to go with it, which is like a chutney, | 0:38:12 | 0:38:16 | |
and then I'm making a coconut soup to go alongside it. | 0:38:16 | 0:38:20 | |
It's kind of going to be a mix of Thai and Nepalese flavours. | 0:38:20 | 0:38:24 | |
Where have you learnt about Nepalese dumplings? | 0:38:24 | 0:38:26 | |
My little brother went trekking in Nepal for a month | 0:38:26 | 0:38:29 | |
and he came back from Nepal and the thing he was raving about was momos. | 0:38:29 | 0:38:33 | |
So I learned how to make them and I really like them. | 0:38:33 | 0:38:36 | |
OK, Jen. You look happier and more confident than I've ever seen you. | 0:38:36 | 0:38:39 | |
Good. | 0:38:39 | 0:38:41 | |
Jen has decided to go completely left field | 0:38:46 | 0:38:48 | |
and be inspired by the travels of her brother | 0:38:48 | 0:38:51 | |
This could give us the wow factor. | 0:38:51 | 0:38:53 | |
I just hope she hasn't gone too far off piste. | 0:38:53 | 0:38:56 | |
I've been worried about the invention test, | 0:39:04 | 0:39:06 | |
because it's not really playing to my strengths. | 0:39:06 | 0:39:08 | |
I put loads of work into each dish. | 0:39:08 | 0:39:11 | |
I'll do every single one seven, eight, nine times. | 0:39:11 | 0:39:13 | |
Yeah, not having a lot of time to prepare is, erm, a bit of a worry. | 0:39:13 | 0:39:17 | |
-What are you making? -Partridge breast, roasted. | 0:39:21 | 0:39:24 | |
I'm doing a confit leg, | 0:39:24 | 0:39:26 | |
I'm doing potato fondant, roasted sprouts with a little bit of bacon | 0:39:26 | 0:39:30 | |
and a lovely marsala sauce. | 0:39:30 | 0:39:33 | |
-Have you roasted a sprout before? -I have, yeah. | 0:39:33 | 0:39:35 | |
-I've never had a roasted sprout. -Well, you're going to have one in a minute. | 0:39:35 | 0:39:39 | |
-You're a MasterChef first, Liz. -Oh, dear. | 0:39:39 | 0:39:42 | |
Liz is going down the classic route, and it has to be absolutely right. | 0:39:47 | 0:39:50 | |
That partridge breast has to be soft and moist, | 0:39:50 | 0:39:53 | |
the skin's got to be well coloured, loads of butter in the sauce. | 0:39:53 | 0:39:56 | |
The marsala's got to be sharp and sweet, but still rich with game. | 0:39:56 | 0:40:01 | |
I think it's a really risky dish. | 0:40:01 | 0:40:03 | |
You have nine minutes left. Nine! | 0:40:05 | 0:40:08 | |
I'm looking for good cookery, good skill. | 0:40:13 | 0:40:16 | |
A good choice of ingredients is really important for me. | 0:40:16 | 0:40:19 | |
It's a tough environment, | 0:40:22 | 0:40:24 | |
and I just hope that these cooks can cope with this sort of challenge. | 0:40:24 | 0:40:27 | |
I'd like to feel that they'll be delighted to see me. | 0:40:27 | 0:40:31 | |
Oh, no! | 0:40:32 | 0:40:34 | |
HE SIGHS | 0:40:35 | 0:40:37 | |
I don't really know what to say at the moment. | 0:40:38 | 0:40:41 | |
Yeah, this is not ideal, to be honest with you. | 0:40:41 | 0:40:44 | |
I'm kind of freaking out. | 0:40:44 | 0:40:46 | |
You've got 90 seconds, and that's all you've got. | 0:40:48 | 0:40:51 | |
Quick, quick, quick. Come on, last bits. Quick, quick, quick. Come on! | 0:40:55 | 0:40:58 | |
Right, stop. That's it. Stop. | 0:41:00 | 0:41:03 | |
HE EXHALES | 0:41:04 | 0:41:06 | |
-What's wrong with it? -The egg, I didn't smoke it. | 0:41:09 | 0:41:12 | |
-It didn't end up... It didn't work. -Well, it looks good. It looks good. | 0:41:12 | 0:41:15 | |
We're at a very important stage in the competition. | 0:41:19 | 0:41:22 | |
Today, we have somebody joining us | 0:41:22 | 0:41:25 | |
whose food credentials are incredible. | 0:41:25 | 0:41:28 | |
Please say hello | 0:41:32 | 0:41:34 | |
to two-starred Michelin chef Marcus Wareing. | 0:41:34 | 0:41:37 | |
NERVOUS LAUGHTER | 0:41:37 | 0:41:39 | |
Oh! | 0:41:39 | 0:41:40 | |
-Marcus. -Good to see you, Gregg. | 0:41:46 | 0:41:49 | |
Annie, please, up you come. | 0:41:56 | 0:41:58 | |
Inspired by her dish in the restaurant, | 0:42:07 | 0:42:10 | |
Annie has cooked mushroom-and-caper ravioli | 0:42:10 | 0:42:14 | |
with crispy pancetta, sage leaves and a butter sauce. | 0:42:14 | 0:42:18 | |
Annie, I think that is a very well-executed plate of food. | 0:42:31 | 0:42:35 | |
What was fabulous in the centre is that little caper. | 0:42:35 | 0:42:39 | |
That little touch of vinegar | 0:42:39 | 0:42:40 | |
just going through those mushrooms was very good. | 0:42:40 | 0:42:43 | |
Beautifully well-made pasta, butter sauce. | 0:42:43 | 0:42:45 | |
I like the dish, I like the flavours, | 0:42:45 | 0:42:48 | |
-and I think you've executed it very, very well. -Thank you. | 0:42:48 | 0:42:50 | |
Your pasta is thin, | 0:42:50 | 0:42:53 | |
the filling is packed full, | 0:42:53 | 0:42:56 | |
I like the thyme with the mushrooms. | 0:42:56 | 0:42:59 | |
I think it's a really tasty, well-made bowl of pasta. | 0:42:59 | 0:43:03 | |
I think you've absolutely nailed it. | 0:43:03 | 0:43:07 | |
You've got a serious cook on your hands here, gentlemen. Great job. | 0:43:07 | 0:43:10 | |
-Thank you. -Thanks, Annie. -Thank you so much. -Thank you, Annie. | 0:43:10 | 0:43:13 | |
-Well done! -THEY WHISPER | 0:43:13 | 0:43:16 | |
Argh! | 0:43:18 | 0:43:19 | |
That was crazy! | 0:43:19 | 0:43:22 | |
It is like the highest point of my life, | 0:43:22 | 0:43:24 | |
having Marcus say those comments. | 0:43:24 | 0:43:27 | |
Erm, that was an incredible thing to happen. | 0:43:27 | 0:43:31 | |
(Thank you.) | 0:43:31 | 0:43:33 | |
Stuart's dish is red mullet served with confit potatoes, | 0:43:40 | 0:43:45 | |
braised artichoke, tomato salsa, and brown shrimps in butter. | 0:43:45 | 0:43:51 | |
It looks a bit dry. | 0:43:52 | 0:43:54 | |
As far as things that are cooked on the plate, | 0:44:04 | 0:44:07 | |
you can't really fault it. I think your fish is cooked really well. | 0:44:07 | 0:44:10 | |
I like the artichokes, I think they're tasty. | 0:44:10 | 0:44:12 | |
But it doesn't go, "Whoosh! Wow! That's wonderful!" | 0:44:12 | 0:44:17 | |
It's a little bit lacklustre, it's a bit boring, and I just | 0:44:17 | 0:44:20 | |
don't think it packs the punch that these flavours could have. | 0:44:20 | 0:44:24 | |
It's missing something to bring it all together. | 0:44:24 | 0:44:26 | |
It's pleasant enough. You do better than pleasant, my friend. | 0:44:26 | 0:44:31 | |
You often open the door to delicious. Not today. | 0:44:31 | 0:44:35 | |
I guess that's the perils of the invention test - | 0:44:40 | 0:44:43 | |
trying to come up with something on the fly | 0:44:43 | 0:44:45 | |
and sometimes it works, sometimes it doesn't. | 0:44:45 | 0:44:48 | |
I think today it was a little bit of a letdown for me. | 0:44:48 | 0:44:52 | |
Liz, yes, please, up you come. | 0:44:52 | 0:44:54 | |
Liz has roasted partridge breast | 0:45:02 | 0:45:04 | |
and served it with a confit leg wrapped in sprout tops, | 0:45:04 | 0:45:08 | |
potato fondant, potato crisp, | 0:45:08 | 0:45:12 | |
roasted sprouts, | 0:45:12 | 0:45:14 | |
with bacon, mushrooms and a marsala sauce. | 0:45:14 | 0:45:17 | |
I very much like all the ingredients you've put together on that plate. | 0:45:29 | 0:45:33 | |
I think they match brilliantly. I like your soft, buttery potato. | 0:45:33 | 0:45:37 | |
I like the way that your bird is cooked. | 0:45:37 | 0:45:39 | |
However, I want the confit to be softer. | 0:45:39 | 0:45:42 | |
I want the bacon bits to be crispier. | 0:45:42 | 0:45:45 | |
I want the mushrooms to be trimmed. | 0:45:45 | 0:45:47 | |
Liz, I think you need to start | 0:45:47 | 0:45:50 | |
thinking about refining your cookery. | 0:45:50 | 0:45:53 | |
There are errors all over this plate. | 0:45:53 | 0:45:55 | |
This sprout top is not cooked. | 0:45:55 | 0:45:57 | |
The potato is burnt. | 0:45:57 | 0:45:59 | |
We, as chefs, just want it to be sharper, | 0:45:59 | 0:46:04 | |
and it's not, unfortunately. | 0:46:04 | 0:46:06 | |
It's not. | 0:46:06 | 0:46:08 | |
When you present a dish like this, you create expectation. | 0:46:08 | 0:46:13 | |
What you've done here is given us great promise. | 0:46:13 | 0:46:16 | |
And your delivery, unfortunately, is just below expectation. | 0:46:16 | 0:46:20 | |
You're upset because you care. And you can't buy that - it's priceless. | 0:46:23 | 0:46:27 | |
Seriously, in cookery, that's priceless. | 0:46:27 | 0:46:30 | |
Thank you. Thank you. | 0:46:30 | 0:46:32 | |
I think they were right. | 0:46:35 | 0:46:37 | |
You know, I think doing | 0:46:37 | 0:46:38 | |
so much in an hour and 20 minutes was probably a bit of a step too far | 0:46:38 | 0:46:42 | |
and it's really hard to think that today, of all days, | 0:46:42 | 0:46:48 | |
I didn't do it right. | 0:46:48 | 0:46:50 | |
Jane's cooked red mullet served with mashed potato, baby carrots, | 0:46:59 | 0:47:04 | |
a parsley-butter sauce, garnished with gem lettuce and brown shrimp. | 0:47:04 | 0:47:10 | |
Your fish is a little bit overcooked, unfortunately. | 0:47:19 | 0:47:22 | |
Your mashed potato could do with a lot more butter | 0:47:22 | 0:47:24 | |
and a lot more cream. It could be a lot richer. | 0:47:24 | 0:47:26 | |
I think the whole thing needs to be richer. | 0:47:26 | 0:47:28 | |
-The carrots and the mullet just don't seem to work together. -OK. | 0:47:28 | 0:47:33 | |
The dish just lacks a little bit of depth | 0:47:33 | 0:47:37 | |
and it's like you've tried really hard to impress us | 0:47:37 | 0:47:40 | |
with the fabulous decoration, all the decoration. | 0:47:40 | 0:47:43 | |
It doesn't quite work for me. | 0:47:43 | 0:47:44 | |
It doesn't pack the punch that red mullet should have. | 0:47:44 | 0:47:47 | |
And the lettuce, for me, doesn't have a place. | 0:47:47 | 0:47:50 | |
I like your mashed potato. | 0:47:50 | 0:47:52 | |
I like your sauce that's buttery | 0:47:52 | 0:47:54 | |
and it's got loads of parsley and lemon. | 0:47:54 | 0:47:57 | |
I'm really happy about that. I think you've got the heart | 0:47:57 | 0:47:59 | |
and soul of a decent dish there, | 0:47:59 | 0:48:01 | |
and I think you missed the point with what you're adding to it. | 0:48:01 | 0:48:04 | |
OK. | 0:48:04 | 0:48:05 | |
As soon as they said "carrot" and "lettuce", I thought, | 0:48:06 | 0:48:09 | |
"What the hell were you thinking? You wally!" | 0:48:09 | 0:48:12 | |
Oh, anyway... We'll find out. | 0:48:12 | 0:48:15 | |
Pedro, it's your turn. | 0:48:20 | 0:48:22 | |
Pedro has cooked wild mushroom fricassee with mushroom ketchup, | 0:48:29 | 0:48:33 | |
garlic and herb butter on toasted ciabatta, and a duck egg yolk. | 0:48:33 | 0:48:39 | |
Pedro, unfortunately, you haven't executed this very well at all. | 0:48:48 | 0:48:51 | |
And as a result, what I've got, predominantly, is sherry vinegar. | 0:48:51 | 0:48:54 | |
I can't even taste the mushrooms themselves, | 0:48:54 | 0:48:57 | |
and it's just disappointing. I'm sorry. | 0:48:57 | 0:49:00 | |
I actually don't mind the herb butter on toast with salt | 0:49:00 | 0:49:05 | |
and the rich egg yolk and the sweetness of the mushroom ketchup. | 0:49:05 | 0:49:08 | |
My issue is, I look down and I think, where's the cooking? | 0:49:08 | 0:49:11 | |
What's Pedro cooked? And all I can see, really, is some ketchup, mate. | 0:49:11 | 0:49:16 | |
This dish doesn't work because it's in the wrong hands, unfortunately. | 0:49:17 | 0:49:21 | |
What we're missing here is a little bit of knowledge and skill. | 0:49:21 | 0:49:25 | |
When you take these ingredients and you put them | 0:49:25 | 0:49:27 | |
in the right hands, they can become mind-blowing. | 0:49:27 | 0:49:31 | |
You need to focus on just good, hearty cookery that works well. | 0:49:31 | 0:49:35 | |
Cheers. Thank you. | 0:49:35 | 0:49:36 | |
Not only have I had a bad day at the office, | 0:49:42 | 0:49:45 | |
but then a two-Michelin starred chef is going to come | 0:49:45 | 0:49:48 | |
and eat your food, and to not show what I really am capable of, | 0:49:48 | 0:49:52 | |
yeah, not really much else I can say at this point. | 0:49:52 | 0:49:55 | |
Jen, up with your momos, please. | 0:49:56 | 0:49:59 | |
Jen has made spiced Nepalese momos filled with carrot, | 0:50:08 | 0:50:13 | |
cabbage and shallots, served with a tomato achar, pickled carrot | 0:50:13 | 0:50:18 | |
and a Thai coconut soup. | 0:50:18 | 0:50:20 | |
I've never had a momo before. Never in my life before. I really like it! | 0:50:31 | 0:50:36 | |
I'll tell you what, I bite into that, which seemed to be quite heavy dough, | 0:50:36 | 0:50:39 | |
and inside was an absolute powerful big snog of Asian flavours. | 0:50:39 | 0:50:44 | |
I like the pleasantly oily, thick, coconut-based soup | 0:50:44 | 0:50:48 | |
that's got lime in it, as well, and also a bit of heat. | 0:50:48 | 0:50:51 | |
-I find the whole thing very, very flavoursome. -Thank you. | 0:50:51 | 0:50:55 | |
Your momo filling, the flavour of the ginger, | 0:50:55 | 0:50:57 | |
the turmeric and lemon grass, I really like with the tomato. | 0:50:57 | 0:51:02 | |
Big departure for you, Jen. Completely different style of food. | 0:51:02 | 0:51:05 | |
These are not cuisines that I've ever studied, | 0:51:05 | 0:51:08 | |
so as a chef I look at them from a flavour point of view, | 0:51:08 | 0:51:11 | |
and I think I would thoroughly enjoy eating both of these dishes | 0:51:11 | 0:51:14 | |
at the same time if I was in a restaurant. | 0:51:14 | 0:51:17 | |
This is the type of dish that normally is something that | 0:51:17 | 0:51:20 | |
you do in your own signature dish, | 0:51:20 | 0:51:21 | |
not in an invention, so ten out of ten for bravery! | 0:51:21 | 0:51:25 | |
Thank you. | 0:51:25 | 0:51:26 | |
I like it. Great job. | 0:51:26 | 0:51:27 | |
Thank you. | 0:51:27 | 0:51:28 | |
-< -Well done, Jen! | 0:51:32 | 0:51:34 | |
'I feel really good.' | 0:51:34 | 0:51:36 | |
Getting such good feedback from Marcus Wareing was absolutely amazing. | 0:51:36 | 0:51:39 | |
It was the highlight of the competition for me. | 0:51:39 | 0:51:41 | |
(It's amazing!) | 0:51:41 | 0:51:43 | |
-(It's Marcus Wareing!) -(Marcus Wareing!) | 0:51:43 | 0:51:46 | |
Thank you very much. Really interesting round. Thank you. | 0:51:48 | 0:51:52 | |
Thank you for your input. | 0:52:00 | 0:52:02 | |
You absolutely terrified our contestants | 0:52:02 | 0:52:04 | |
when you first walked in, | 0:52:04 | 0:52:05 | |
but at the end of it, I think they will thank you for your feedback. | 0:52:05 | 0:52:08 | |
-Thanks, Marcus. -My pleasure. -Thank you. -Thank you. See you soon. | 0:52:08 | 0:52:11 | |
Oh, we had some ups and downs today, didn't we? | 0:52:19 | 0:52:21 | |
Let's remember that every one of these six cooks cooked without | 0:52:21 | 0:52:24 | |
a recipe in an invention test. That's pretty good. | 0:52:24 | 0:52:27 | |
The fact is, we have to make a decision | 0:52:27 | 0:52:30 | |
because one of them is going to leave the competition. | 0:52:30 | 0:52:34 | |
-My favourite cook today is Annie. -Yep. | 0:52:34 | 0:52:37 | |
Annie is not scared of a simple dish, because she is confident | 0:52:37 | 0:52:42 | |
she can cram it full of flavour, and that's what she does. | 0:52:42 | 0:52:45 | |
-She executed the dish very, very well. -Clever Annie. Very good. | 0:52:45 | 0:52:49 | |
Jen's dish, I think the flavours were good. | 0:52:49 | 0:52:52 | |
Her soup - sweet, sour, salty and hot. | 0:52:52 | 0:52:55 | |
I loved the turmeric and the ginger | 0:52:55 | 0:52:57 | |
and lemon grass inside the dumplings. | 0:52:57 | 0:52:59 | |
We said we wanted a dish that people would be happy to pay for in | 0:52:59 | 0:53:03 | |
a restaurant, and that's exactly what Marcus said about Jen's food. | 0:53:03 | 0:53:06 | |
I would like to go through. Obviously, I don't | 0:53:06 | 0:53:08 | |
want any of the others to do badly, but it'd be really nice to stay in. | 0:53:08 | 0:53:11 | |
I really enjoyed Jane's red mullet on mashed potato. That was lovely. | 0:53:11 | 0:53:16 | |
What the carrots and the lettuce leaves were doing on there, | 0:53:16 | 0:53:19 | |
-I don't know. -It was just the fact the dish was confused. | 0:53:19 | 0:53:22 | |
It has no clarity, no real plan. | 0:53:22 | 0:53:24 | |
I just hope they see more than the errors on the plate. | 0:53:24 | 0:53:28 | |
I hope they see the good things about it. | 0:53:28 | 0:53:31 | |
I tried really hard, so that's... that's all I can do. | 0:53:31 | 0:53:35 | |
Liz, we know is ambitious. Liz puts herself under pressure. | 0:53:35 | 0:53:40 | |
Marcus picked up faults, you picked up faults with her dish. | 0:53:40 | 0:53:44 | |
Liz's partridge was cooked really well. | 0:53:44 | 0:53:46 | |
She made a great fondant potato. | 0:53:46 | 0:53:47 | |
But there were all the additions on the side | 0:53:47 | 0:53:49 | |
because she wanted to show so much more. | 0:53:49 | 0:53:52 | |
She wanted to show what she's learnt along the way, | 0:53:52 | 0:53:54 | |
and it didn't quite come off the way she wanted it. | 0:53:54 | 0:53:57 | |
I'm really worried about going home, and if that is how I leave | 0:53:57 | 0:54:00 | |
the competition, on such a low, I think, you know, it will just be... | 0:54:00 | 0:54:03 | |
I'll just be devastated. | 0:54:03 | 0:54:05 | |
You could see where Stuart was going with that dish today. | 0:54:07 | 0:54:11 | |
You could see the experience of the professional kitchen | 0:54:11 | 0:54:13 | |
rubbing off on him. I think he got the presentation right. | 0:54:13 | 0:54:18 | |
Loved the way he cooked the fish. | 0:54:18 | 0:54:20 | |
I don't believe he packed enough flavour into the rest | 0:54:20 | 0:54:23 | |
of the goodies on that dish. | 0:54:23 | 0:54:25 | |
It needed a sauce. There was no glue to hold the dish together. | 0:54:25 | 0:54:28 | |
I've loved my time in the competition here, I've absolutely loved it. | 0:54:28 | 0:54:32 | |
Um... I don't want to go home, but...I hope that I've done enough. | 0:54:32 | 0:54:37 | |
Don't know what happened to Pedro today. | 0:54:38 | 0:54:41 | |
He went off in a direction I've never seen before. | 0:54:41 | 0:54:44 | |
The idea of poaching an egg in a water bath and smoking it - | 0:54:44 | 0:54:49 | |
that's not the sort of food that Pedro's been doing, | 0:54:49 | 0:54:51 | |
and it resulted in a dish that we ALL criticised. | 0:54:51 | 0:54:55 | |
What Pedro tried to do was execute a dish that a professional chef | 0:54:55 | 0:54:59 | |
will have trouble doing, and he tried to do it in an invention test. | 0:54:59 | 0:55:03 | |
I mean, if they look at my overall competition, you know, | 0:55:03 | 0:55:06 | |
I might get a free pass. | 0:55:06 | 0:55:08 | |
If they judge me on that dish, I'm out. | 0:55:08 | 0:55:12 | |
I think it's a tough decision. | 0:55:12 | 0:55:14 | |
Which one of these are you starting to get a little bit nervous about? | 0:55:14 | 0:55:18 | |
You've worked incredibly hard. | 0:55:32 | 0:55:34 | |
We've seen some amazing dishes from all six of you. | 0:55:34 | 0:55:37 | |
That's why you're here. | 0:55:37 | 0:55:39 | |
Sad to see one of you go. | 0:55:40 | 0:55:42 | |
The contestant leaving the competition... | 0:55:50 | 0:55:53 | |
..is Pedro. | 0:55:59 | 0:56:00 | |
-Come here, Pedro. -Cheers. -Great to have met you, mate. -All right. | 0:56:03 | 0:56:06 | |
Good to have met you. | 0:56:06 | 0:56:08 | |
I'm pretty gutted to be going home at this stage. | 0:56:16 | 0:56:18 | |
I feel like I had more to give and more to offer. | 0:56:18 | 0:56:21 | |
But I'm proud of what I've done and what I've produced. | 0:56:23 | 0:56:27 | |
So...que sera sera, as they say. | 0:56:29 | 0:56:31 | |
Very well done! It's getting tougher, isn't it? | 0:56:33 | 0:56:37 | |
I'm relieved to be here. | 0:56:42 | 0:56:44 | |
It was the skin of my teeth, to be honest. | 0:56:44 | 0:56:46 | |
It was a tough day. | 0:56:46 | 0:56:48 | |
Relief that I'm coming back. | 0:56:48 | 0:56:51 | |
I'll go away, lick my wounds, turn it into constructive criticism. | 0:56:51 | 0:56:55 | |
You know, I'm certainly not a quitter. | 0:56:55 | 0:56:58 | |
I think I'm feeling a bit like the cat with nine lives. I'm ecstatic. | 0:56:58 | 0:57:02 | |
I'm just pleased and thrilled to be here. | 0:57:02 | 0:57:04 | |
I really am. I can't tell you. It's a dream. | 0:57:04 | 0:57:07 | |
To get to this point it feels great. There's so few of us left now, | 0:57:09 | 0:57:13 | |
so it does make me feel really good about myself and my cooking ability. | 0:57:13 | 0:57:16 | |
Unbelievable. I can't, like... Yeah. | 0:57:17 | 0:57:20 | |
Not only did I get to meet Marcus Wareing today, but he liked it. | 0:57:20 | 0:57:23 | |
A lot. Which is insane! | 0:57:23 | 0:57:26 | |
Tomorrow night it's the final challenge of Knockout Week. | 0:57:27 | 0:57:31 | |
All that stands between the last nine | 0:57:32 | 0:57:35 | |
and a semifinal place is one exceptional plate of food. | 0:57:35 | 0:57:39 | |
-Excuse me one minute. -FEET STAMP | 0:57:39 | 0:57:42 | |
I think it's really, really very, very good. | 0:57:46 | 0:57:48 |