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Over the years, MasterChef has discovered | 0:00:03 | 0:00:06 | |
seven exceptional champions. | 0:00:06 | 0:00:09 | |
Tonight, the hunt for the next one begins. | 0:00:09 | 0:00:13 | |
Let's see what we discover this year. | 0:00:16 | 0:00:19 | |
They're going to have to get through it. As we know, | 0:00:19 | 0:00:22 | |
cooking does not get tougher than this. | 0:00:22 | 0:00:24 | |
Bring it on. | 0:00:24 | 0:00:25 | |
Last summer, MasterChef through thousands of applications | 0:00:41 | 0:00:46 | |
to find the country's most talented amateur cooks. | 0:00:46 | 0:00:49 | |
The short-list were invited to audition | 0:00:49 | 0:00:52 | |
by creating just one dish for John and Gregg. | 0:00:52 | 0:00:55 | |
What on Earth is that? | 0:00:55 | 0:00:58 | |
For me, yuk. | 0:00:58 | 0:01:00 | |
Next. | 0:01:02 | 0:01:03 | |
From this blind tasting, they selected their top 24 cooks. | 0:01:04 | 0:01:09 | |
-Mmm. -That is seriously delicious. | 0:01:09 | 0:01:12 | |
They're in. | 0:01:12 | 0:01:13 | |
Now the competition begins. | 0:01:20 | 0:01:23 | |
Over the next three nights, | 0:01:23 | 0:01:26 | |
the 24 will fight for just 12 MasterChef | 0:01:26 | 0:01:31 | |
Tonight, the first eight commence battle. | 0:01:31 | 0:01:34 | |
This could be life changing for me. | 0:01:38 | 0:01:40 | |
If I didn't believe I could do it, I wouldn't be here. | 0:01:40 | 0:01:44 | |
I have never experienced this level of nerves in my life. | 0:01:46 | 0:01:49 | |
Welcome to MasterChef | 0:02:08 | 0:02:10 | |
We've tasted your food, we think you've got real promise. | 0:02:10 | 0:02:15 | |
Now is your chance to prove it. | 0:02:15 | 0:02:17 | |
This test is an invention test | 0:02:17 | 0:02:21 | |
and you can cook whatever you like | 0:02:21 | 0:02:24 | |
from this wonderful set of ingredients behind us. | 0:02:24 | 0:02:28 | |
The contestants now have ten minutes to choose from a huge array | 0:02:35 | 0:02:40 | |
of ingredients. | 0:02:40 | 0:02:41 | |
From Dover sole and surf clams, | 0:02:43 | 0:02:46 | |
to rabbit and rump steak... | 0:02:46 | 0:02:49 | |
Confident, but nervous. | 0:02:51 | 0:02:53 | |
..as well as selection of vegetables, | 0:02:53 | 0:02:56 | |
larder foods, herbs and spices. | 0:02:56 | 0:02:59 | |
I'm not 100% sure yet. I just need another couple of minutes to figure it out. | 0:03:02 | 0:03:06 | |
Just one minute left, guys. One minute. | 0:03:06 | 0:03:09 | |
I can see it's going to be a tough fight. | 0:03:26 | 0:03:29 | |
But at the end of this, two of you are leaving us. | 0:03:30 | 0:03:34 | |
You know the rules. | 0:03:35 | 0:03:37 | |
One plate of food, one hour 15 minutes. | 0:03:38 | 0:03:42 | |
Ladies and gentlemen... | 0:03:43 | 0:03:45 | |
let's cook. | 0:03:45 | 0:03:47 | |
You can't practise an invention test. | 0:03:54 | 0:03:57 | |
You've either got it or you ain't. | 0:03:57 | 0:03:58 | |
29-year-old Shelina got through the auditions | 0:04:03 | 0:04:06 | |
with her Mauritian street food. | 0:04:06 | 0:04:08 | |
I love it, love it, love it. | 0:04:09 | 0:04:11 | |
For me, it's about changing my career now. | 0:04:11 | 0:04:14 | |
I've given up my job. | 0:04:14 | 0:04:15 | |
Some people would say I've lost the plot, maybe, | 0:04:15 | 0:04:18 | |
but I just know that if you're passionate about something, | 0:04:18 | 0:04:21 | |
It will work out. I've got a good feeling about this. | 0:04:21 | 0:04:24 | |
Shelina, why are you here? | 0:04:25 | 0:04:28 | |
I want to try and bring my Mauritian influences here today. | 0:04:28 | 0:04:31 | |
I honeymooned in Mauritius. | 0:04:31 | 0:04:33 | |
-Really? Did you like the food there? -I loved the food there. | 0:04:33 | 0:04:36 | |
-It's French, it's Dutch, it's Spanish. -They call it a melting pot | 0:04:36 | 0:04:39 | |
of flavours because it covers so many continents. | 0:04:39 | 0:04:43 | |
-OK, you're going to bring the sunshine of the Indian Ocean? -Absolutely. | 0:04:43 | 0:04:47 | |
She's got chillies over there, she's got saffron over there. | 0:04:48 | 0:04:52 | |
If that girl can handle those big flavours, | 0:04:52 | 0:04:55 | |
I'm in for a big yum lunch. | 0:04:55 | 0:04:56 | |
Father of two, Eamonn, | 0:05:03 | 0:05:05 | |
just failed to get through last year's auditions, | 0:05:05 | 0:05:09 | |
but his tarragon chicken with a bread and mussel sauce | 0:05:09 | 0:05:13 | |
has now secured him a place. | 0:05:13 | 0:05:15 | |
There's a classic form to it and a big, bold flavour. | 0:05:15 | 0:05:20 | |
Mmm. | 0:05:20 | 0:05:21 | |
I'm going to be cooking food I love | 0:05:22 | 0:05:25 | |
and crossing everything that John and Gregg agree with me. | 0:05:25 | 0:05:29 | |
Hello, baldy, I recognise you. | 0:05:30 | 0:05:31 | |
Now then, baldy, I recognise you. | 0:05:31 | 0:05:33 | |
Eamonn, how does it feel to be cooking in the MasterChef | 0:05:33 | 0:05:37 | |
It's a real thrill. | 0:05:37 | 0:05:38 | |
What are you going to cook for us? | 0:05:38 | 0:05:40 | |
Pan-fried fish with a fennel sauce with chanterelle mussels | 0:05:40 | 0:05:43 | |
and cockle clams. Very simple. | 0:05:43 | 0:05:46 | |
Doesn't sound at all simple to me, Chef. Sounds lovely. | 0:05:46 | 0:05:49 | |
He's got a very thin piece of bream, very strong and sweet sauce. | 0:05:52 | 0:05:55 | |
I think that balancing act is something he has to make sure | 0:05:55 | 0:05:59 | |
he gets absolutely right. | 0:05:59 | 0:06:02 | |
You've got one hour left. | 0:06:02 | 0:06:04 | |
Tom from Yorkshire's chicken served three ways | 0:06:11 | 0:06:13 | |
was a standout dish of the auditions. | 0:06:13 | 0:06:16 | |
I think this is one of those rare occasions | 0:06:16 | 0:06:19 | |
where we have a natural cook. Some with a natural touch. | 0:06:19 | 0:06:22 | |
All three bits of chicken are perfect. | 0:06:22 | 0:06:24 | |
Tom, can you define your style as a cook? | 0:06:27 | 0:06:30 | |
I get a lot of my inspiration and different skills | 0:06:30 | 0:06:33 | |
-from traditional French cooking. -So are you saying you have aspirations | 0:06:33 | 0:06:37 | |
-to be a fine French chef? -I have aspirations to be a fine chef, full stop. | 0:06:37 | 0:06:41 | |
-What do you do at the moment? -I'm a plasterer. | 0:06:42 | 0:06:45 | |
So you're a Yorkshire plasterer with a taste for fine French food? | 0:06:45 | 0:06:48 | |
That's true, yeah. | 0:06:48 | 0:06:50 | |
Tom, d'you know, I have no idea what you're cooking. | 0:06:50 | 0:06:54 | |
It's a garlic crostini with goat's cheese, mushrooms | 0:06:54 | 0:06:57 | |
and roast sweet potato. | 0:06:57 | 0:06:58 | |
Mushroom crostini, mmm, delicious, but with goat's cheese | 0:07:00 | 0:07:03 | |
and sweet potato and a white wine sauce? | 0:07:03 | 0:07:06 | |
Really? | 0:07:06 | 0:07:07 | |
29-year-old Emma impressed | 0:07:16 | 0:07:19 | |
in the audition with her unusual lamb dish. | 0:07:19 | 0:07:22 | |
Making a eucalyptus foam in place of mint sauce. | 0:07:22 | 0:07:26 | |
Decent design, clarity, technique, | 0:07:26 | 0:07:29 | |
yeah, I think you've got to see more of a cook like that. | 0:07:29 | 0:07:32 | |
I think I'm good at cooking, I just need some other people to see it | 0:07:32 | 0:07:36 | |
rather than just me and my mum. | 0:07:36 | 0:07:38 | |
-Where have you leant to cook, Emma? -My dad wasn't a very good cook, | 0:07:40 | 0:07:44 | |
in fact, I still remember the frozen fish fingers even though they'd been in the oven. | 0:07:44 | 0:07:49 | |
So he encouraged me in the kitchen and together we learnt to cook. | 0:07:49 | 0:07:52 | |
What are you making for us? | 0:07:52 | 0:07:54 | |
-A lemon tart. -That's brave. | 0:07:54 | 0:07:56 | |
-It is brave, isn't it? -Are you confident in your cooking? | 0:07:56 | 0:07:59 | |
-Can I answer that later on today? -Sure you can. | 0:07:59 | 0:08:04 | |
Emma, I think, is the bravest cook in the room. | 0:08:04 | 0:08:07 | |
She is giving herself a classic lemon tart. | 0:08:07 | 0:08:10 | |
And she's only got one hour and ten minutes, that's pushing it. | 0:08:10 | 0:08:13 | |
Ladies and gentlemen, you have got half an hour left. | 0:08:15 | 0:08:18 | |
Alec, from Stevenage, showed promise in the auditions | 0:08:24 | 0:08:27 | |
with a roast rack of lamb and a risotto | 0:08:27 | 0:08:29 | |
made from potatoes and vegetables. | 0:08:29 | 0:08:31 | |
It's all the flavour of a roast dinner | 0:08:33 | 0:08:34 | |
just delivered in a different texture. I really like it. | 0:08:34 | 0:08:38 | |
Hopefully it's the start of something bigger. | 0:08:39 | 0:08:42 | |
First thing I've got to do is get a hold of my nerves. | 0:08:42 | 0:08:45 | |
Keep calm and carry on. | 0:08:45 | 0:08:47 | |
What sort of cook are you besides, right now, being a very nervous cook? | 0:08:50 | 0:08:54 | |
Erm, I was born is Switzerland, my mum was English, | 0:08:54 | 0:08:58 | |
-I was brought up on meat, cabbage and potatoes. -Brilliant! | 0:08:58 | 0:09:02 | |
What are you going to cook? | 0:09:02 | 0:09:03 | |
I've got a steak, port and wild mushroom sauce | 0:09:03 | 0:09:06 | |
in a very simple plate of food. | 0:09:06 | 0:09:08 | |
I've just got to make sure I don't murder it. | 0:09:08 | 0:09:11 | |
I'm not worried. If he does it well and it's seasoned well, fantastic. | 0:09:13 | 0:09:17 | |
But he's worried about it. | 0:09:17 | 0:09:18 | |
Christine, from Durham, impressed in the auditions | 0:09:24 | 0:09:27 | |
with her goat's cheese ravioli | 0:09:27 | 0:09:29 | |
served with a basil foam on a chilli tomato salsa. | 0:09:29 | 0:09:33 | |
It's beautiful and, technically, it's wonderful. | 0:09:33 | 0:09:37 | |
I so would love to see this cook again. | 0:09:37 | 0:09:41 | |
I've got a slight obsession with food, kind of. | 0:09:44 | 0:09:47 | |
Eating and feeding people | 0:09:48 | 0:09:51 | |
is the thing that I want to do for the rest of my life. | 0:09:51 | 0:09:54 | |
What are you going to cook to make us smile? | 0:09:58 | 0:10:00 | |
It's pan-fried plaice - I hope it's plaice, anyway - | 0:10:00 | 0:10:03 | |
with crushed potatoes with a parsley and butter sauce. | 0:10:03 | 0:10:08 | |
Christine is cooking a sole, she thinks it's plaice. | 0:10:09 | 0:10:12 | |
She's never filleted a flat fish before. | 0:10:12 | 0:10:14 | |
She got herself two bits of fish off there and they're very thin indeed. | 0:10:14 | 0:10:18 | |
I just hope she doesn't overcook them. | 0:10:18 | 0:10:21 | |
You have just 15 minutes left. 15 minutes. | 0:10:23 | 0:10:25 | |
London-based Aki shone in the auditions... | 0:10:32 | 0:10:37 | |
Hey! | 0:10:37 | 0:10:38 | |
..with her Japanese bento box including caramelised aubergine | 0:10:38 | 0:10:44 | |
with miso and five spice. | 0:10:44 | 0:10:46 | |
That aubergine may be the best thing I've tasted today. | 0:10:46 | 0:10:50 | |
Tell you what, if there's not room for this cook, I'm leaving. | 0:10:50 | 0:10:53 | |
Being an experimental physicist, | 0:10:58 | 0:11:00 | |
every time I cook, I calculate what I do | 0:11:00 | 0:11:04 | |
and it's all very premeditated. | 0:11:04 | 0:11:07 | |
So, I don't know what's going to happen on an invention test. | 0:11:07 | 0:11:10 | |
I think it's going to go bonkers. | 0:11:10 | 0:11:12 | |
Erm, Aki, amongst this terror of a bench of yours, | 0:11:13 | 0:11:17 | |
this absolutely frightening mess you have everywhere... | 0:11:17 | 0:11:21 | |
-You haven't seen my room! -I'm probably never going to, I think. | 0:11:21 | 0:11:25 | |
-That is not going to get you in to the next round. -Definitely not. | 0:11:25 | 0:11:29 | |
It was worth a try. | 0:11:29 | 0:11:30 | |
Aki, erm, what are you cooking for us? | 0:11:30 | 0:11:33 | |
I'm doing a trifle. | 0:11:33 | 0:11:35 | |
Usually I cook traditional Japanese | 0:11:35 | 0:11:38 | |
because that's what my mum taught me how to cook, however | 0:11:38 | 0:11:41 | |
I think British puddings are the best puddings in the world, | 0:11:41 | 0:11:46 | |
so I thought I'd give it a try | 0:11:46 | 0:11:47 | |
and show that I can do something different. | 0:11:47 | 0:11:50 | |
-Aki, I've got to go, I'm feeling dizzy. -See you later. | 0:11:50 | 0:11:54 | |
Finally it's Ross from East Lothian in Scotland. | 0:12:03 | 0:12:07 | |
He survived the audition process with roast loin of pork, | 0:12:07 | 0:12:10 | |
served with sweet and sour toffee apple sauce. | 0:12:10 | 0:12:13 | |
I see food like that and I get really excited. | 0:12:13 | 0:12:17 | |
I think that's clever. | 0:12:17 | 0:12:19 | |
Cooking, I just adore. | 0:12:20 | 0:12:22 | |
It's a bit showy-offy. | 0:12:22 | 0:12:24 | |
Saying to people, "Ta-da, this is what I've done." | 0:12:24 | 0:12:27 | |
Just seeing the reaction is a huge ego thing. It's brilliant. | 0:12:27 | 0:12:30 | |
What are you going to cook to impress us? | 0:12:32 | 0:12:34 | |
It's a riff on fish and ratatouille. | 0:12:34 | 0:12:37 | |
But...I'm terrified. | 0:12:38 | 0:12:40 | |
I don't think, for one minute, you cook this nervously at home. | 0:12:40 | 0:12:43 | |
No, no, I've got AC/DC cranked up in the background | 0:12:43 | 0:12:47 | |
and, erm, just rocking on. | 0:12:47 | 0:12:49 | |
-This obviously means quite a bit to you? -Oh, yeah. | 0:12:49 | 0:12:51 | |
Life-changing, hopefully. | 0:12:51 | 0:12:53 | |
I think Ross knows exactly what he's doing. | 0:12:55 | 0:12:58 | |
It's sounds really, really good as long as you can taste | 0:12:58 | 0:13:01 | |
every individual part. It's all about flavour. | 0:13:01 | 0:13:04 | |
Guys, last two minutes. | 0:13:05 | 0:13:07 | |
No added pressure. | 0:13:10 | 0:13:12 | |
Guys, you've got just 60 seconds left. | 0:13:17 | 0:13:20 | |
Stop. | 0:13:31 | 0:13:32 | |
Time's up. | 0:13:32 | 0:13:33 | |
First to face the judges is Shelina. | 0:13:46 | 0:13:49 | |
She chose the chicken and stuck to her Mauritian roots | 0:13:59 | 0:14:02 | |
by making a spicy ladob | 0:14:02 | 0:14:04 | |
with saffron and coriander rice | 0:14:04 | 0:14:07 | |
and a pineapple salsa. | 0:14:07 | 0:14:09 | |
May I? | 0:14:11 | 0:14:12 | |
I do like the little bit of heat and the fruitiness that you get | 0:14:19 | 0:14:24 | |
from the salsa. | 0:14:24 | 0:14:25 | |
It's not very smart looking, but I like it. | 0:14:25 | 0:14:29 | |
I think it tastes good, it's got sophisticated spicing to it. | 0:14:34 | 0:14:38 | |
Doing street food is a wonderful thing, but it always looks | 0:14:38 | 0:14:41 | |
a little bit shambolic because that's what it is. | 0:14:41 | 0:14:44 | |
I want this. I want this more than you can imagine. | 0:14:44 | 0:14:47 | |
The challenge for me is going to be making my food | 0:14:47 | 0:14:52 | |
look like restaurant-standard food. | 0:14:52 | 0:14:54 | |
Eamonn used the sea bream | 0:15:12 | 0:15:13 | |
and pan-fried it with wild mushrooms | 0:15:13 | 0:15:17 | |
and clams, served with a marsala and fennel sauce. | 0:15:17 | 0:15:19 | |
For me, very tasty, well cooked, well thought out, well delivered | 0:15:29 | 0:15:35 | |
-and a very pretty plate of food. -Thank you. | 0:15:35 | 0:15:37 | |
That tastes every bit as good as it looks, and that's a good-looking dish. | 0:15:42 | 0:15:46 | |
Wow! Where were you hiding last year, Eamonn? | 0:15:46 | 0:15:49 | |
You a bit choked up, Eamonn? | 0:15:54 | 0:15:57 | |
Yeah! | 0:15:57 | 0:15:58 | |
There is a man who has worked hard for the last 12 months, and it shows. | 0:16:03 | 0:16:06 | |
Yorkshire plasterer Tom has invented a goat's cheese, garlic | 0:16:16 | 0:16:21 | |
and mushroom crostini, served with roasted sweet potatoes, | 0:16:21 | 0:16:26 | |
pancetta and a white wine sauce. | 0:16:26 | 0:16:30 | |
Let's have a look at this. | 0:16:30 | 0:16:33 | |
When you first told me what you were going to cook, I thought, really? | 0:16:43 | 0:16:47 | |
It shouldn't work. But it does. It's very, very, very clever. | 0:16:47 | 0:16:54 | |
After this nervous plasterer explained to me what he was cooking, | 0:16:59 | 0:17:03 | |
I came away and I thought, that's it, he's out. | 0:17:03 | 0:17:05 | |
I am gobsmacked at the dish I've got in front of me. | 0:17:05 | 0:17:09 | |
Tom... | 0:17:11 | 0:17:12 | |
..this is fantastic. | 0:17:14 | 0:17:15 | |
Thank you very much. I don't know what to say. | 0:17:15 | 0:17:18 | |
So, as you are sort of plastering away, is this what you think about? | 0:17:18 | 0:17:22 | |
Well, yeah, exactly. There is no creativity in what I do. | 0:17:22 | 0:17:25 | |
Many hours of many days to think of what I'm going to cook. | 0:17:25 | 0:17:28 | |
-Plastering's loss, eh? -Hopefully! | 0:17:28 | 0:17:32 | |
He is very, very exciting. | 0:17:35 | 0:17:37 | |
Oh, yeah! | 0:17:37 | 0:17:40 | |
Emma has made a lemon curd tart, served with a raspberry coulis. | 0:17:45 | 0:17:50 | |
It's a pretty looking thing. | 0:17:52 | 0:17:54 | |
You have crisp pastry and you have a nice texture with the filling. | 0:18:00 | 0:18:04 | |
However, it is not quite brilliant, | 0:18:04 | 0:18:07 | |
-because it doesn't give you the... -SHARP INTAKE OF BREATH | 0:18:07 | 0:18:11 | |
It's not a classic lemon tart, | 0:18:17 | 0:18:18 | |
but in the amount of time you had, good on you. | 0:18:18 | 0:18:21 | |
-John, she cooks. -Oh, yeah. | 0:18:26 | 0:18:29 | |
Unfortunately, so does everybody whose food we've eaten so far. | 0:18:29 | 0:18:34 | |
Engineer Alec has pan fried rump steak and served it with carrots, | 0:18:43 | 0:18:48 | |
new potatoes and a port and wild mushroom sauce. | 0:18:48 | 0:18:53 | |
You've cooked that large piece of steak very, very well. | 0:18:58 | 0:19:04 | |
It's as tender as you like. | 0:19:04 | 0:19:06 | |
However, we could do with a little more fruity flavour in the sauce. | 0:19:06 | 0:19:11 | |
It's a good dish, a comforting dish. It makes you feel really at home. | 0:19:16 | 0:19:20 | |
It is quite basic. | 0:19:20 | 0:19:24 | |
I tried to be honest and do something that I like. | 0:19:28 | 0:19:31 | |
HE SNIFFLES | 0:19:31 | 0:19:34 | |
I don't normally even cry at funerals! | 0:19:34 | 0:19:37 | |
I don't know why I'm crying for a bit of food, | 0:19:37 | 0:19:40 | |
but it means a little bit to me. | 0:19:40 | 0:19:43 | |
-Sure, Alec. -You've done a lot better than most people do at home, mate. | 0:19:43 | 0:19:48 | |
-You do a lot better than most people do in restaurants! -Absolutely true. | 0:19:48 | 0:19:52 | |
Now, Alec, | 0:19:52 | 0:19:54 | |
do you have the repertoire | 0:19:54 | 0:19:55 | |
to produce food which is more sophisticated? | 0:19:55 | 0:19:59 | |
Yes. | 0:19:59 | 0:20:00 | |
Christine chose the sole, thinking it was plaice, and served it | 0:20:09 | 0:20:13 | |
on crushed new potatoes with roasted cherry tomatoes and parsley sauce. | 0:20:13 | 0:20:19 | |
The fish, because of the way it's been filleted, is dry and overcooked. | 0:20:28 | 0:20:32 | |
Very highly seasoned, very strong on herbs, | 0:20:32 | 0:20:35 | |
-and that means that I've lost the fish. -Mm-hm. | 0:20:35 | 0:20:38 | |
I think the potatoes with butter and spring onions | 0:20:39 | 0:20:43 | |
and sweet tomatoes is a lovely thing. | 0:20:43 | 0:20:45 | |
-Unfortunately, not with that fish. -Yes. | 0:20:45 | 0:20:49 | |
Quantum physicist Aki has veered away from her Japanese style | 0:20:56 | 0:21:00 | |
to make a fig and orange jam trifle, | 0:21:00 | 0:21:03 | |
layered with a ginger-infused custard and brandy syrup, | 0:21:03 | 0:21:07 | |
served with cinnamon dark chocolate and cinnamon bark. | 0:21:07 | 0:21:12 | |
What we have here, Aki, is not a classic trifle. | 0:21:24 | 0:21:27 | |
But what we do have is promise of a very good cook. | 0:21:27 | 0:21:30 | |
You made your own sponge, you made fig jam, you made orange jam. | 0:21:30 | 0:21:34 | |
Then you made your own creme Anglaise. | 0:21:34 | 0:21:36 | |
You are intriguing as a cook. Your mind is obviously | 0:21:36 | 0:21:39 | |
all over the place, | 0:21:39 | 0:21:41 | |
and there is definitely skill in your hands. | 0:21:41 | 0:21:45 | |
She has the makings of a brilliant cook. | 0:21:53 | 0:21:55 | |
Finally, it's Ross. | 0:21:58 | 0:22:00 | |
He chose to pan fry the sea bream and serve it with ratatouille, | 0:22:00 | 0:22:07 | |
surf clams and a caper and white wine reduction. | 0:22:07 | 0:22:10 | |
I like it, it's moist, flavoursome, slightly fruity, well-cooked fish. | 0:22:17 | 0:22:22 | |
-I like it, Ross. -Thank you. | 0:22:22 | 0:22:25 | |
Your fish is nicely cooked. I like the saltiness | 0:22:28 | 0:22:31 | |
of the clams with the sweetness of your pepper sauce. | 0:22:31 | 0:22:35 | |
It is tasty. It just seems to be a little bit flat. | 0:22:35 | 0:22:40 | |
Next time, I'll make a tapenade and dress it with that. | 0:22:40 | 0:22:43 | |
-You're getting a next time, are you? -Certainly hope so. | 0:22:43 | 0:22:49 | |
You've done your bit, we've got our bit of judging to do. | 0:22:54 | 0:22:59 | |
Need to remind you that two of you will be leaving us today. | 0:22:59 | 0:23:03 | |
Thank you very much. | 0:23:05 | 0:23:07 | |
-I don't like waiting. -No, it's the worst bit. | 0:23:19 | 0:23:23 | |
If today is the benchmark of MasterChef in the first round, | 0:23:27 | 0:23:31 | |
we are in for a great competition. | 0:23:31 | 0:23:34 | |
True, that! | 0:23:34 | 0:23:35 | |
12 months ago, we could see | 0:23:35 | 0:23:37 | |
that Eamonn had issues. He's come back in here, | 0:23:37 | 0:23:40 | |
he has fought his way to make sure he's got a place on MasterChef | 0:23:40 | 0:23:45 | |
A proper, grown-up, sophisticated dish. Looked like a restaurant dish. | 0:23:45 | 0:23:49 | |
It's not language that a 47-year-old uses, but I'm psyched! | 0:23:49 | 0:23:52 | |
Eamonn's in. | 0:23:52 | 0:23:55 | |
-For me, the dish today that made my heart thump was Tom's. -Yeah. | 0:23:55 | 0:24:00 | |
Because I didn't expect it to work, and it did. | 0:24:00 | 0:24:03 | |
-That was heart-stopping stuff. -It's everything to me | 0:24:03 | 0:24:05 | |
and I just hope I've done enough today to take it further. | 0:24:05 | 0:24:08 | |
Good lad. | 0:24:08 | 0:24:10 | |
Little Aki, I can't think that anybody else actually | 0:24:10 | 0:24:13 | |
went through more processes than Aki. | 0:24:13 | 0:24:16 | |
She is one well worth having another look at. | 0:24:16 | 0:24:19 | |
I desperately want to go to the next stage! | 0:24:19 | 0:24:23 | |
I can't... You know, I really want to. | 0:24:23 | 0:24:25 | |
It's so much fun, I don't want this to stop yet. | 0:24:25 | 0:24:28 | |
Technically, Ross is very, very competent indeed. | 0:24:28 | 0:24:32 | |
The way the dish looked was modern, it was exciting, | 0:24:32 | 0:24:35 | |
it was thought-provoking. | 0:24:35 | 0:24:36 | |
It can't stop here. It can't. I've got too much to prove. | 0:24:36 | 0:24:40 | |
Shelina, we both agreed it tasted good, but I just | 0:24:40 | 0:24:43 | |
couldn't think it looked very smart. | 0:24:43 | 0:24:45 | |
She doesn't have the finesse, I agree. But her seasoning, perfect. | 0:24:45 | 0:24:50 | |
The way her food tastes, for me, delicious. | 0:24:50 | 0:24:53 | |
Considering what I had in front of me, I was able to stay to my roots, really. | 0:24:53 | 0:24:57 | |
But it's still nerve-wracking! | 0:24:57 | 0:24:59 | |
Now that leaves us with Christine, Alec and Emma. | 0:24:59 | 0:25:04 | |
Christine had some nice flavours on that dish, | 0:25:04 | 0:25:07 | |
but a question mark over her palate. | 0:25:07 | 0:25:09 | |
It was all a little bit over the top. | 0:25:10 | 0:25:12 | |
I've not come on this competition thinking I know everything, | 0:25:12 | 0:25:16 | |
because I really don't. | 0:25:16 | 0:25:17 | |
I want to learn and improve and do better. | 0:25:17 | 0:25:20 | |
Alec, cooked a beautiful piece of meat. | 0:25:20 | 0:25:24 | |
Is a piece of steak enough to get you through MasterChef | 0:25:24 | 0:25:28 | |
That steak was superb, just didn't expect to be emotional about it. | 0:25:28 | 0:25:34 | |
Emma promised me a lemon tart. | 0:25:34 | 0:25:37 | |
Tart au citron. | 0:25:37 | 0:25:39 | |
The danger of promising a classic dish, | 0:25:39 | 0:25:42 | |
if it's not delivered as a classic, | 0:25:42 | 0:25:43 | |
then it becomes very difficult to judge. | 0:25:43 | 0:25:46 | |
It's just whether John and Gregg give me the chance to do that again. | 0:25:46 | 0:25:52 | |
The reason we debated these three like we are, | 0:25:52 | 0:25:54 | |
is because there's been five very good cooks before them. | 0:25:54 | 0:25:57 | |
We have to lose two. | 0:25:57 | 0:25:59 | |
I have to say, if this is the quality of food | 0:26:16 | 0:26:22 | |
that we're going to see throughout this competition, | 0:26:22 | 0:26:25 | |
we are in for an absolute beauty. | 0:26:25 | 0:26:28 | |
Eamonn. | 0:26:32 | 0:26:33 | |
Tom. | 0:26:37 | 0:26:39 | |
Aki. | 0:26:42 | 0:26:44 | |
You're staying. | 0:26:47 | 0:26:49 | |
Alec. | 0:26:55 | 0:26:57 | |
Unfortunately today, Alec, the dish wasn't enough. | 0:26:59 | 0:27:02 | |
I'm really sorry, mate. | 0:27:02 | 0:27:04 | |
Thank you. | 0:27:04 | 0:27:06 | |
Ross. | 0:27:12 | 0:27:14 | |
Shelina. | 0:27:16 | 0:27:18 | |
You're through. | 0:27:20 | 0:27:22 | |
That leaves Christine or Emma. | 0:27:29 | 0:27:35 | |
The second person to leave the competition... | 0:27:38 | 0:27:42 | |
..is Christine. I'm sorry. | 0:27:48 | 0:27:50 | |
-Congratulations. -Well done. | 0:27:59 | 0:28:01 | |
You may have thought that was tough, you've got no idea. | 0:28:11 | 0:28:14 | |
It's going to get tougher, a lot tougher. | 0:28:14 | 0:28:17 | |
Now, we're sending you to the absolute pressure | 0:28:18 | 0:28:23 | |
of a professional kitchen at lunchtime service. | 0:28:23 | 0:28:25 | |
Nothing more ferocious you've ever, ever seen. | 0:28:25 | 0:28:29 | |
You're going to have to work with people like him. | 0:28:29 | 0:28:32 | |
Learn, listen, because when you come back in here next time, | 0:28:32 | 0:28:35 | |
it has to be fault free. | 0:28:35 | 0:28:39 | |
How would you feel if someone sent your plate back? | 0:28:49 | 0:28:52 | |
Shelina, Tom and Emma will be working at The Living Room, | 0:29:01 | 0:29:05 | |
where head chef, Mark Dransfield, | 0:29:05 | 0:29:07 | |
has been honing his modern British menu for the last ten years. | 0:29:07 | 0:29:12 | |
You need a cool head, concentration, | 0:29:12 | 0:29:14 | |
attention to detail and very good time management. | 0:29:14 | 0:29:18 | |
OK, Tom, you're doing our haddock dish today. | 0:29:18 | 0:29:20 | |
Yorkshire plasterer, Tom, will be in charge of the pan-roasted haddock | 0:29:20 | 0:29:24 | |
with clams in a cider, parsley and ham broth. | 0:29:24 | 0:29:28 | |
The haddock, it needs crisp skin on the one side. | 0:29:29 | 0:29:32 | |
If it goes overcooked, you'll have to start again. | 0:29:32 | 0:29:35 | |
29 year-old Shelina is responsible for the roast rump of lamb | 0:29:35 | 0:29:41 | |
with a carrot puree, fondant potato and a port and redcurrant jus. | 0:29:41 | 0:29:47 | |
Emma will be cooking the spiced pork fillet with turmeric risotto, | 0:29:47 | 0:29:52 | |
apple puree and crispy crackling. | 0:29:52 | 0:29:55 | |
It'll be hard to get the timings right and not get it all messed up. | 0:29:55 | 0:30:00 | |
Fingers crossed. | 0:30:00 | 0:30:02 | |
A couple of miles north in Camden, Ross, Aki and Eamonn, | 0:30:03 | 0:30:07 | |
are about to discover their culinary destination. | 0:30:07 | 0:30:10 | |
-Gilgamesh! -Oh, my God! -No way. | 0:30:10 | 0:30:14 | |
We're going to get our ass kicked. | 0:30:15 | 0:30:17 | |
This 300-cover restaurant, | 0:30:21 | 0:30:23 | |
is owned by infamous head chef, Ian Pengelley, | 0:30:23 | 0:30:27 | |
whose menu reflects his fiery passion | 0:30:27 | 0:30:29 | |
for the very best of South East Asian dishes. | 0:30:29 | 0:30:33 | |
Put it like this, they're coming into my kitchen, | 0:30:33 | 0:30:36 | |
they're going to be cooking for my guests. | 0:30:36 | 0:30:38 | |
I want them to do what I tell them. | 0:30:38 | 0:30:39 | |
If they don't do it, they can bugger off. | 0:30:39 | 0:30:43 | |
OK, so here we go. Stir, stir. | 0:30:43 | 0:30:45 | |
Today, Ross will be cooking spiced lamb served with new potatoes, | 0:30:45 | 0:30:49 | |
creamed spinach, shiitake mushrooms and a kohlrabi puree. | 0:30:49 | 0:30:54 | |
This is one of my favourite dishes and also one of the tastiest. | 0:30:54 | 0:30:57 | |
If you don't do it right, I'll be down on you like a ton of bricks. | 0:30:57 | 0:31:00 | |
I swear to God. | 0:31:00 | 0:31:02 | |
Aki will be in charge of the tea smoked trout | 0:31:05 | 0:31:07 | |
and sour green mango salad. | 0:31:07 | 0:31:09 | |
-Make sure there's no fingerprints on the bowl. -Yes, Chef | 0:31:09 | 0:31:13 | |
Fingerprints, I hate fingerprints. | 0:31:13 | 0:31:16 | |
Eamonn will be cooking the Beef Bulgogi, | 0:31:16 | 0:31:19 | |
with a sweet soy glaze and served with chive mash or chips. | 0:31:19 | 0:31:23 | |
I'm trying very hard to remain calm. I really don't want to let Chef down. | 0:31:24 | 0:31:28 | |
It's midday and both restaurants are booked to capacity. | 0:31:32 | 0:31:35 | |
Bloody hell, see how many people are out there? | 0:31:35 | 0:31:38 | |
The six amateurs are about to get their first taste | 0:31:38 | 0:31:42 | |
of what life as a pro is really like. | 0:31:42 | 0:31:44 | |
I've just heard that we're doing between 80 and 100 covers today. | 0:31:44 | 0:31:48 | |
I'm absolutely petrified. | 0:31:48 | 0:31:51 | |
-Are we ready? -Yes, Chef. -Are we ready? -YES, CHEF! | 0:31:51 | 0:31:55 | |
-First check on. Two haddock special. -Yes, Chef. | 0:31:56 | 0:31:59 | |
-Lamb, Bulgogi, trout, second course. -Yes, Chef. | 0:31:59 | 0:32:04 | |
Pressure, pressure my friend. | 0:32:04 | 0:32:07 | |
Aki's trout starter will be the first dish to go out. | 0:32:07 | 0:32:10 | |
Aki, trout salad. Coming? | 0:32:10 | 0:32:12 | |
Aki, come here. | 0:32:16 | 0:32:18 | |
Look at your hands, look at your hands. | 0:32:18 | 0:32:20 | |
The plate must be clean. | 0:32:20 | 0:32:23 | |
Go and wash your hands, now. | 0:32:23 | 0:32:25 | |
Don't ever come to the pass again with hands like that, | 0:32:25 | 0:32:28 | |
otherwise you'll be out, understand? | 0:32:28 | 0:32:30 | |
I can't believe I'm telling a grown woman to wash her hands. | 0:32:30 | 0:32:33 | |
On the opposite side of the kitchen, | 0:32:33 | 0:32:36 | |
Ross is struggling to juggle speed and perfection. | 0:32:36 | 0:32:40 | |
-How long for the lamb, please? -Coming now, Chef. -Hurry up. | 0:32:40 | 0:32:44 | |
-Come on, quickly. -Coming now, Chef. | 0:32:48 | 0:32:51 | |
OK, listen, it looks like someone's barfed on the plate. | 0:32:55 | 0:32:58 | |
Redress it, go back. | 0:32:58 | 0:33:00 | |
You need a nice little line. | 0:33:00 | 0:33:03 | |
Made a bit of a mess. | 0:33:03 | 0:33:05 | |
Redressing now to Chef's standards. | 0:33:05 | 0:33:08 | |
Both Aki and Ross have failed to impress. | 0:33:08 | 0:33:12 | |
Now, it's Eamonn's turn. | 0:33:12 | 0:33:14 | |
-On the pass, please. -Yes, Chef. | 0:33:14 | 0:33:16 | |
You've got to get it right. | 0:33:16 | 0:33:17 | |
If you don't get it right, you're toast. | 0:33:17 | 0:33:20 | |
Beef, Chef. | 0:33:20 | 0:33:22 | |
-Where's the salt? Where's the salt? -The salt is on the beef, Chef. | 0:33:22 | 0:33:26 | |
Service here please. | 0:33:26 | 0:33:28 | |
Eamonn seems on top of it. A bit nervous though, he scares me. | 0:33:28 | 0:33:32 | |
In central London, service is ramping up at The Living Room. | 0:33:34 | 0:33:39 | |
-One pork, one dauphinoise. -Yes, Chef. | 0:33:39 | 0:33:43 | |
Emma's feeling the pressure to get all three elements of her pork dish | 0:33:43 | 0:33:47 | |
cooked perfectly and ready at the same time. | 0:33:47 | 0:33:50 | |
I think I know what I'm doing. | 0:33:50 | 0:33:51 | |
It's getting the right consistency of the risotto. | 0:33:51 | 0:33:54 | |
We need that next pork fillet up the window now, please. | 0:33:54 | 0:33:57 | |
Where's my crackling? | 0:33:57 | 0:33:59 | |
-Crackling is there, keeping warm. -All right. | 0:33:59 | 0:34:02 | |
There's far too much liquid on that plate. | 0:34:05 | 0:34:07 | |
We need to get a new plate and start again. | 0:34:07 | 0:34:09 | |
If you're not happy, don't serve it. | 0:34:09 | 0:34:13 | |
-Check on. One lamb, medium. -Yes, Chef. | 0:34:13 | 0:34:15 | |
You've got a lamb well done on order. Two pink on order. | 0:34:15 | 0:34:18 | |
Yes, Chef. | 0:34:18 | 0:34:20 | |
-How long on that first lamb? -For the first lamb, one minute. | 0:34:23 | 0:34:27 | |
Third lamb is in the oven now. | 0:34:27 | 0:34:30 | |
-Plating up on the lamb. -Beautiful. | 0:34:33 | 0:34:36 | |
Just a little bit more around the edges. That's enough. | 0:34:37 | 0:34:41 | |
Thank you. | 0:34:41 | 0:34:42 | |
Same again for the next dish. | 0:34:42 | 0:34:44 | |
She seems to be holding it. | 0:34:44 | 0:34:46 | |
We'll see how we go if a few more come in. | 0:34:46 | 0:34:48 | |
72, go, 72. | 0:34:55 | 0:34:56 | |
Back in Camden, the heat is well and truly on at Gilgamesh. | 0:34:56 | 0:35:01 | |
-Aki, how long for trout salad? -Two minutes. | 0:35:01 | 0:35:05 | |
Come on, move those little legs. | 0:35:05 | 0:35:07 | |
I have to do two in, like, negative ten seconds. | 0:35:07 | 0:35:11 | |
Aki, come on, sweetheart. | 0:35:11 | 0:35:14 | |
Why is that one big and that one's not? That looks bigger than that. | 0:35:15 | 0:35:19 | |
-Yes, Chef. -OK, well, fix that one. | 0:35:19 | 0:35:23 | |
It's so obvious when I gave it to him... They're different sizes! | 0:35:23 | 0:35:27 | |
Looks a little bit more majestic, I'd say. | 0:35:27 | 0:35:30 | |
Aki, Aki, at least the plate's clean! | 0:35:32 | 0:35:35 | |
SHE LAUGHS | 0:35:35 | 0:35:37 | |
-OK, waiting on that lamb, please, Ross. Ross? -Chef. | 0:35:37 | 0:35:41 | |
Come on, Ross. Come on. The customer's waiting. | 0:35:46 | 0:35:49 | |
One lamb, behind. | 0:35:50 | 0:35:53 | |
Look at it! It's supposed to be in a nice line and neat and tidy. | 0:35:54 | 0:35:58 | |
That's embarrassing. I'm going to have to help you, man. | 0:35:58 | 0:36:01 | |
OK. You see how neat that is? | 0:36:01 | 0:36:04 | |
It's not that difficult. You've just got to slow down, calm down and focus. Door. | 0:36:04 | 0:36:11 | |
Carnage. It's great though, isn't it? | 0:36:11 | 0:36:13 | |
OK, listen. One, two, three, four beef, five beef. Pick up now. | 0:36:15 | 0:36:20 | |
Eamonn, I need five beef, right? | 0:36:20 | 0:36:22 | |
Erm, I've got some under the heater there. | 0:36:22 | 0:36:25 | |
Listen, if you leave it under there, it's going to overcook, so put it underneath the shelf, all right? | 0:36:25 | 0:36:31 | |
Table 64, been on 20 minutes. | 0:36:31 | 0:36:34 | |
It goes on like this, I'm going to have to take you off the section. | 0:36:34 | 0:36:38 | |
-Yes, Chef. -The customers are waiting. I don't want complaints in my restaurant. | 0:36:38 | 0:36:42 | |
Come on. | 0:36:44 | 0:36:47 | |
Help, Chef. The steaks are well done, totally my fault. | 0:36:47 | 0:36:50 | |
Schoolboy error, under the heater. | 0:36:50 | 0:36:52 | |
You mucked up, you overcooked the beef, I didn't. | 0:36:58 | 0:37:00 | |
I have to go out now and apologise to the customer. | 0:37:00 | 0:37:03 | |
Just get them on, Eamonn. Get them on. Come on. | 0:37:03 | 0:37:06 | |
So, the beef that we're going to use is going to take another 20 minutes. | 0:37:06 | 0:37:10 | |
The customers will wait 40 minutes. | 0:37:10 | 0:37:13 | |
Table 29, they say if the main course is not ready, they prefer to cancel. | 0:37:14 | 0:37:19 | |
OK, guys. Listen up. | 0:37:19 | 0:37:22 | |
Cancel the beef, cancel the lamb, the customer doesn't want it. | 0:37:22 | 0:37:26 | |
What a nightmare. | 0:37:28 | 0:37:31 | |
-These are your last plates, OK? So let's finish on a good note. Make it nice, all right? -Yes, Chef! | 0:37:35 | 0:37:40 | |
Let's go. | 0:37:42 | 0:37:45 | |
The last two salads are the best salads you've made. Well done. | 0:37:45 | 0:37:48 | |
Thank you! Thank you! | 0:37:48 | 0:37:49 | |
Let's have a look. | 0:37:49 | 0:37:53 | |
-You eventually got there. -Thank you, Chef. -It's not easy, is it? -No, Chef. | 0:37:53 | 0:37:56 | |
-Beef on the pass, Chef. -Listen, look at that. | 0:37:59 | 0:38:02 | |
Beautiful. Why couldn't you have done them all like that? | 0:38:02 | 0:38:05 | |
-Another two or three services, you'll be all right. -I look forward to it. | 0:38:05 | 0:38:09 | |
Back in the heart of London, lunch service at The Living Room is no less frantic. | 0:38:09 | 0:38:14 | |
-Mains away on the four pork. -Yes, Chef. | 0:38:14 | 0:38:17 | |
I'm trying to get the risotto just perfect this time. | 0:38:21 | 0:38:24 | |
Is that all right? | 0:38:29 | 0:38:31 | |
All four, perfect. | 0:38:33 | 0:38:35 | |
OK, guys. The next table is mains away. Two haddock. | 0:38:36 | 0:38:40 | |
Yes, chef. | 0:38:40 | 0:38:42 | |
Need to be a little bit quicker on these. | 0:38:49 | 0:38:52 | |
The fish is really well cooked, brilliantly presented, | 0:38:52 | 0:38:55 | |
-just a little bit more speed on the actual plating. -Done, Chef. | 0:38:55 | 0:38:59 | |
-New check on. Seven lamb pink. -Yes, Chef. | 0:39:01 | 0:39:06 | |
Shelina has had more orders than any other contestant today. | 0:39:06 | 0:39:11 | |
This is pretty much as frantic as I thought it would be, | 0:39:11 | 0:39:14 | |
but I wasn't expecting seven lambs all in one go. All pink. Now. | 0:39:14 | 0:39:18 | |
Seven we're looking to get up now. And she's still got another four on order. | 0:39:18 | 0:39:22 | |
So if she gets these seven up, she'll have done really well. | 0:39:22 | 0:39:26 | |
I'm plating up on the seven lambs. | 0:39:29 | 0:39:32 | |
-Right Chef, they're ready to go. -OK, that's really well done, yeah. | 0:39:39 | 0:39:42 | |
To be honest, I don't know how I've managed to plate the food to time. | 0:39:46 | 0:39:49 | |
Maybe it was a miraculous moment of madness, | 0:39:49 | 0:39:52 | |
or it's actually part of my character, which is surprising. | 0:39:52 | 0:39:55 | |
The first time in a professional kitchen in this environment, it's exhilarating. | 0:39:55 | 0:40:00 | |
What I've learned today is never, ever take your eye off the ball. | 0:40:00 | 0:40:04 | |
cos you'll get kicked for it. | 0:40:04 | 0:40:07 | |
I ripped my hands to shreds, but bizarrely, I think this has made me hungry for more. | 0:40:07 | 0:40:11 | |
Right now, this test is about your own food. | 0:40:50 | 0:40:54 | |
We have just 12 MasterChef aprons to fight for. | 0:40:54 | 0:40:59 | |
And we will only take the best cooks with us. | 0:40:59 | 0:41:04 | |
Ladies and gentlemen, one hour and 10 minutes, one plate of food. | 0:41:04 | 0:41:09 | |
And it's going to have to be brilliant. | 0:41:09 | 0:41:12 | |
Let's cook. | 0:41:12 | 0:41:16 | |
If I was given a MasterChef apron today, it's mine to lose. | 0:41:27 | 0:41:31 | |
So once I've got that apron it will be getting tied on tight. | 0:41:31 | 0:41:35 | |
I am going to do a spiced salmon fillet, | 0:41:37 | 0:41:40 | |
mash made from kidney beans, green pesto, an avocado mousse, | 0:41:40 | 0:41:43 | |
lime jelly and chorizo butter sauce. | 0:41:43 | 0:41:46 | |
-That's a bit nuts, all that Tom, isn't it? -A little, yeah. | 0:41:46 | 0:41:49 | |
My whole future is resting on it. | 0:41:49 | 0:41:51 | |
Now that I have got this opportunity I don't intend letting it go. | 0:41:51 | 0:41:55 | |
-Guacamole, fried beans and a margarita. -With the fish! | 0:41:57 | 0:42:00 | |
Yes! Hot, cold, sweet, sour - it's so exciting! | 0:42:00 | 0:42:05 | |
I've never cared more about something. | 0:42:09 | 0:42:14 | |
I really want the apron. I really do. | 0:42:14 | 0:42:18 | |
I will show you today that I can cook well. | 0:42:21 | 0:42:24 | |
Really, really classic, elegant, restaurant Japanese food. | 0:42:24 | 0:42:29 | |
-How should it taste? -It should taste complicated but fresh, | 0:42:29 | 0:42:34 | |
and healthy and clean. Even when there are so many things going on. | 0:42:34 | 0:42:38 | |
That's the beauty and Zen of Japanese food. | 0:42:38 | 0:42:40 | |
35 minutes left. | 0:42:45 | 0:42:47 | |
If I'm sent home now, it's going to be wholly down to my food. | 0:42:56 | 0:43:00 | |
That's terrifying. | 0:43:00 | 0:43:02 | |
But it's also so exhilarating. | 0:43:02 | 0:43:04 | |
Cannon of lamb that I'm cooking sous vide, confit pumpkin, | 0:43:05 | 0:43:09 | |
pickled Asian pear, pea and pear puree, | 0:43:09 | 0:43:11 | |
a roasted garlic puree and some barley risotto. | 0:43:11 | 0:43:14 | |
Why all this trickery? | 0:43:14 | 0:43:16 | |
I want you to look at the plate I give you and say, "I'd be happy paying for that in a restaurant." | 0:43:16 | 0:43:21 | |
I've worked for a long time to get to this stage. | 0:43:31 | 0:43:33 | |
And I'm not going to blow it by letting emotions get in the way. | 0:43:33 | 0:43:37 | |
I'm going to let my emotion come out on the plate. | 0:43:37 | 0:43:39 | |
Eamonn, you were in the waiting to go in a professional kitchen. What was it like? | 0:43:39 | 0:43:44 | |
It was just full on. | 0:43:44 | 0:43:46 | |
I really did want to see if I could hack it. At 47 and never having been in a professional kitchen before, | 0:43:46 | 0:43:51 | |
there was a worry that I may have gone, "My word, I can't do it." | 0:43:51 | 0:43:55 | |
-But I can. -Nice stuff. Tell me what your dish is. | 0:43:55 | 0:43:58 | |
Lincolnshire red fillet of beef with a horseradish pommes puree and bone marrow dumpling. | 0:43:58 | 0:44:03 | |
Mmmm... | 0:44:03 | 0:44:04 | |
Just 12 minutes left. | 0:44:08 | 0:44:10 | |
I'm going to try and please you and wow you with the presentation. | 0:44:20 | 0:44:23 | |
So I'm really having to think about how it's going to look on a plate, thinking about colours, | 0:44:23 | 0:44:29 | |
I'm thinking differently about this now, trying to be creative. | 0:44:29 | 0:44:32 | |
-You're thinking about this competition a lot. -I am. | 0:44:32 | 0:44:34 | |
Being in a professional kitchen was one of the most amazing experiences I've ever had. | 0:44:34 | 0:44:38 | |
I've never felt anything like it, so it's confirmed to me that this is what I want, | 0:44:38 | 0:44:42 | |
and I'm going to do whatever I can to impress you | 0:44:42 | 0:44:46 | |
and make sure that my food is damn good. | 0:44:46 | 0:44:49 | |
I think it's impressive that she's pushing herself, | 0:44:49 | 0:44:52 | |
but I'm worried that the presentation's the concentration, | 0:44:52 | 0:44:55 | |
and actually not the dish itself. | 0:44:55 | 0:44:58 | |
You invest so much into it that your emotions go all over the place. | 0:45:03 | 0:45:08 | |
Excited, nervous, scared, | 0:45:08 | 0:45:11 | |
all rolled into one, right in my gut. | 0:45:11 | 0:45:15 | |
Emma, what are you making for us? | 0:45:16 | 0:45:18 | |
Scallops, cauliflower puree, spicy caramel and a cumin sauce. | 0:45:18 | 0:45:23 | |
Do you have a really sweet tooth, Emma? | 0:45:23 | 0:45:26 | |
Do you know, I wouldn't say I have a sweet tooth, but I just... | 0:45:26 | 0:45:30 | |
Maybe I do! | 0:45:30 | 0:45:32 | |
I think what Emma's doing is actually really dangerous. | 0:45:32 | 0:45:36 | |
That dish is going to be really sweet. | 0:45:36 | 0:45:38 | |
There has to be an edge somewhere, and I can't see where that edge is. | 0:45:38 | 0:45:42 | |
Two-and-a-half minutes left. | 0:45:42 | 0:45:44 | |
This is your final 60 seconds. | 0:46:06 | 0:46:08 | |
That's it, guys, stop. | 0:46:20 | 0:46:21 | |
Shelina is hoping to impress with another dish influenced by her Mauritian roots - | 0:46:39 | 0:46:44 | |
pan-fried yellowtail snapper served with drops of coconut curry, | 0:46:44 | 0:46:48 | |
coriander foam and a mango kulcha or pickle. | 0:46:48 | 0:46:54 | |
I'm really, really, really, disappointed that I didn't put enough curry sauce on. | 0:46:54 | 0:46:58 | |
I wish I could just get my pot and bring you my coconut curry, | 0:46:58 | 0:47:01 | |
but obviously I can't. | 0:47:01 | 0:47:02 | |
I actually really like the way your dish looks. | 0:47:02 | 0:47:05 | |
The flavours of that dish, I think, are simply stunning. | 0:47:11 | 0:47:14 | |
It is rich and it's vibrant. | 0:47:14 | 0:47:17 | |
But I want my curry sauce that's in your pot. | 0:47:18 | 0:47:21 | |
Mmmm... Mmmm, those flavours are lovely. | 0:47:26 | 0:47:30 | |
I would like some more, but you've got rid of them | 0:47:30 | 0:47:33 | |
in trying to dainty your plate up. | 0:47:33 | 0:47:36 | |
Tom has cooked a spicy salmon fillet, | 0:47:50 | 0:47:52 | |
served on a red kidney bean and potato mash | 0:47:52 | 0:47:56 | |
with avocado mousse, a lime jelly, green pesto and tomato salsa. | 0:47:56 | 0:48:04 | |
He failed to serve his chorizo butter because he ran out of time. | 0:48:04 | 0:48:08 | |
I like what you've demonstrated, it's a really interesting dish, | 0:48:13 | 0:48:16 | |
I think your mind works in a really interesting way, | 0:48:16 | 0:48:19 | |
but for me, the dish is missing something which should be joining it up, | 0:48:19 | 0:48:22 | |
and that has to be that chorizo and the butter sauce. | 0:48:22 | 0:48:26 | |
Bugger. | 0:48:26 | 0:48:28 | |
Tom, this is good cooking. | 0:48:31 | 0:48:33 | |
I don't want you to stop experimenting, | 0:48:33 | 0:48:35 | |
-but today, you failed to deliver the flavours you said you were going to. -(Yeah.) | 0:48:35 | 0:48:39 | |
'If I go back to the day job tomorrow, | 0:48:39 | 0:48:41 | |
'then that'll be it for the next, you know, 15 years.' | 0:48:41 | 0:48:45 | |
It all rides on the judges' decision. | 0:48:45 | 0:48:48 | |
-Do you want to unstack Pandora's Box for us? -Sure. | 0:48:53 | 0:48:56 | |
Aki is offering a bento box | 0:48:58 | 0:49:00 | |
filled with tempura kara-age, or fried beef, a dashi poached egg, | 0:49:00 | 0:49:05 | |
handmade udon noodles and a selection of Japanese herbs and pickles, | 0:49:05 | 0:49:12 | |
served with a jug of dashi sauce. | 0:49:12 | 0:49:15 | |
Listen, I think this is wonderful. | 0:49:19 | 0:49:21 | |
It's so precise, it's so clean, it's so elegant, look at it. | 0:49:21 | 0:49:25 | |
It's lovely, you could sleep in it. | 0:49:25 | 0:49:27 | |
Mmmm...Mmm. | 0:49:32 | 0:49:34 | |
Mmmm. | 0:49:34 | 0:49:36 | |
The flavours are quite sensational. | 0:49:36 | 0:49:38 | |
It's like a beef consomme, like an oxtail soup, | 0:49:38 | 0:49:42 | |
but cleaner, sharper, with some Eastern spicing. | 0:49:42 | 0:49:46 | |
What I do love is the detail and the precision | 0:49:47 | 0:49:51 | |
of everything that you're doing. | 0:49:51 | 0:49:54 | |
Aki... | 0:49:54 | 0:49:56 | |
You can cook. | 0:49:56 | 0:49:58 | |
Ross has made cannon of lamb, served with pickled Asian pear, | 0:50:08 | 0:50:13 | |
breaded sweetbreads, pearl barley risotto, | 0:50:13 | 0:50:16 | |
a green pea and pear puree, | 0:50:16 | 0:50:20 | |
sous vide confit pumpkin and a Manchego and onion cheese crisp. | 0:50:20 | 0:50:24 | |
You know, lamb and lamb sweetbreads, they just need | 0:50:29 | 0:50:33 | |
one or two other little things for it to be beautiful. | 0:50:33 | 0:50:37 | |
They don't need seven, surely. | 0:50:37 | 0:50:39 | |
Those breaded sweetbreads are quite chewy and tough. | 0:50:44 | 0:50:48 | |
The pumpkin's not quite cooked enough, but for me | 0:50:48 | 0:50:51 | |
the big issue is that the pearl barley is still really crunchy. | 0:50:51 | 0:50:54 | |
Was I a bit ambitious, | 0:50:57 | 0:50:59 | |
trying to do something like that in such a pressurised environment? | 0:50:59 | 0:51:03 | |
Possibly. | 0:51:03 | 0:51:05 | |
Eamonn has made pan-fried fillet of Lincolnshire red beef, | 0:51:08 | 0:51:13 | |
horseradish pommes puree, | 0:51:13 | 0:51:16 | |
a bone marrow dumpling and cabbage and bacon, | 0:51:16 | 0:51:19 | |
served with a red wine sauce. | 0:51:19 | 0:51:22 | |
I love the beef. Really enjoy the power and fruitiness of your sauce. | 0:51:27 | 0:51:31 | |
My one disappointment is, | 0:51:31 | 0:51:33 | |
I don't get any of that bone marrow flavour from the dumpling. | 0:51:33 | 0:51:36 | |
OK. | 0:51:36 | 0:51:38 | |
I actually really like it. That sauce is really strong. | 0:51:43 | 0:51:46 | |
Your cabbage and bacon is salty and rich. | 0:51:46 | 0:51:49 | |
But that piece of beef | 0:51:49 | 0:51:50 | |
is not strong enough for the other flavours on the plate. | 0:51:50 | 0:51:53 | |
OK. | 0:51:53 | 0:51:56 | |
Whoa, I'm not too sure. I don't know whether that went well or otherwise. | 0:51:57 | 0:52:01 | |
I really have no idea! | 0:52:01 | 0:52:03 | |
Emma has made seared scallops, served with pureed cauliflower, | 0:52:11 | 0:52:16 | |
a cumin froth, apple shavings and a caramel dressing. | 0:52:16 | 0:52:20 | |
Perfectly delightful. | 0:52:25 | 0:52:26 | |
It's not one of the more complex dishes here, but it tastes perfectly delicious. | 0:52:28 | 0:52:34 | |
For me, it's all too sweet. | 0:52:40 | 0:52:42 | |
I want to taste the sea as well as the sweetness, and the vibrancy | 0:52:42 | 0:52:46 | |
of those scallops is completely lost in all that sweet stickiness. | 0:52:46 | 0:52:50 | |
I didn't think I had a sweet tooth, but it turns out that I do! | 0:52:53 | 0:52:57 | |
I think for us now, we have a really tough decision. | 0:53:02 | 0:53:06 | |
For two of you, | 0:53:06 | 0:53:07 | |
it will mean goodbye. | 0:53:07 | 0:53:09 | |
Thank you. | 0:53:09 | 0:53:11 | |
Our six have come back in here with real energy, | 0:53:25 | 0:53:28 | |
real determination, and their own individual styles. | 0:53:28 | 0:53:32 | |
Aki - love her. That's beautiful food, John. | 0:53:32 | 0:53:36 | |
It's not something you see often on MasterChef. | 0:53:36 | 0:53:39 | |
-Aki's got to stay. -Brilliant. | 0:53:39 | 0:53:41 | |
I don't think Tom quite pulled it off today, | 0:53:41 | 0:53:43 | |
but there is no doubting that guy's skill. | 0:53:43 | 0:53:46 | |
We don't need safe cooks, we need daring cooks, | 0:53:46 | 0:53:49 | |
and that's what Tom is. | 0:53:49 | 0:53:52 | |
There was one cook in this room who is starting to change, | 0:53:52 | 0:53:56 | |
but has an essence of a great cook already. | 0:53:56 | 0:53:59 | |
And that's Shelina. | 0:53:59 | 0:54:01 | |
John, in trying to make the dish looks smart, she got rid | 0:54:01 | 0:54:04 | |
of a beautiful coconut curry sauce. | 0:54:04 | 0:54:07 | |
But I want to see if she can get there. | 0:54:07 | 0:54:09 | |
I think she should stay in the competition. | 0:54:09 | 0:54:11 | |
That means we have to choose one person to go through | 0:54:11 | 0:54:14 | |
-from Emma, Ross and Eamonn. -Whoa. | 0:54:14 | 0:54:19 | |
Ross today gave himself a huge amount of work to do. | 0:54:19 | 0:54:23 | |
He was trying to cook two or three-star Michelin food, | 0:54:23 | 0:54:26 | |
and he is not ready to walk. | 0:54:26 | 0:54:28 | |
I mean, no half-measures, he really did go for it, John. | 0:54:28 | 0:54:32 | |
This is such a great opportunity for me to live the dream. | 0:54:32 | 0:54:38 | |
I've got to do it. I can't go. | 0:54:38 | 0:54:41 | |
I think that Eamonn's flavours were really big and bold. | 0:54:42 | 0:54:46 | |
But you need a hunk of well-flavoured beef | 0:54:46 | 0:54:49 | |
sitting in the middle of the plate. | 0:54:49 | 0:54:51 | |
How much do I want to go through to the next stage? | 0:54:51 | 0:54:54 | |
The room's not wide enough, my arms aren't long enough. | 0:54:54 | 0:54:57 | |
I just hope I don't get judged on a dumping. | 0:54:57 | 0:55:00 | |
Emma completely split you and I. | 0:55:00 | 0:55:02 | |
-Yeah. -I loved the sweetness with the scallop, | 0:55:02 | 0:55:05 | |
but I've got a sweeter palate than you. | 0:55:05 | 0:55:07 | |
It just didn't taste enough of the sea. It was lots of sweet things. | 0:55:07 | 0:55:12 | |
I just hope Gregg wins the argument on this one. | 0:55:12 | 0:55:16 | |
We can only take the best cooks through, but who's it going to be? | 0:55:18 | 0:55:23 | |
That is the big question. | 0:55:23 | 0:55:25 | |
We said right at the start that we can't take you all. | 0:55:41 | 0:55:44 | |
Aki, your food today was stunning. | 0:55:50 | 0:55:53 | |
-You've earned yourself a MasterChef apron. Congratulations. -Well done. | 0:55:53 | 0:56:00 | |
Shelina... | 0:56:04 | 0:56:06 | |
You too have got a MasterChef apron. Congratulations. | 0:56:09 | 0:56:14 | |
-Does it feel nice? -It feels amazing. | 0:56:15 | 0:56:19 | |
Ross... | 0:56:26 | 0:56:28 | |
I'm sorry, but you're leaving us. Thank you very much. | 0:56:29 | 0:56:34 | |
Tom... | 0:56:44 | 0:56:46 | |
Tom, you're staying in the competition. | 0:56:48 | 0:56:50 | |
-You are an exciting cook, Tom. Are you all right? -Yeah. | 0:56:52 | 0:56:56 | |
Emma and Eamonn... | 0:57:06 | 0:57:08 | |
Gregg and I saw weaknesses in your cooking. | 0:57:08 | 0:57:12 | |
But we also saw real potential. | 0:57:12 | 0:57:16 | |
So we've decided... | 0:57:18 | 0:57:21 | |
-You're both staying in the competition. -No! | 0:57:23 | 0:57:26 | |
All right? You OK? | 0:57:32 | 0:57:34 | |
-All right, big fella? -Yeah, cheers. | 0:57:36 | 0:57:39 | |
I'm ecstatic at the moment. I really am. I just... | 0:57:41 | 0:57:45 | |
Last two, again! I've got to sort that out. | 0:57:45 | 0:57:50 | |
Congratulations! | 0:57:50 | 0:57:52 | |
I'm up for anything. Bring it on. Make me cry. Come on! | 0:57:58 | 0:58:02 | |
The first of this week's heats is over. | 0:58:02 | 0:58:06 | |
Only seven aprons remain. | 0:58:07 | 0:58:11 | |
Tomorrow night, the next group take on the battle. | 0:58:13 | 0:58:17 | |
Whoop, whoop. | 0:58:17 | 0:58:18 | |
Who will have what it takes to join the five who've already made it? | 0:58:20 | 0:58:25 | |
Aaagh! | 0:58:31 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 | |
E-mail [email protected] | 0:58:54 | 0:58:58 |