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It's the MasterChef semi-finals | 0:00:04 | 0:00:08 | |
and four outstanding cooks remain. | 0:00:08 | 0:00:11 | |
Winning MasterChef is something that I'm trying not to think about because it just plays on your nerves. | 0:00:11 | 0:00:18 | |
I just know that it's the thing that I want more than anything. | 0:00:18 | 0:00:21 | |
The pressure is a good pressure. You know, it is tough, but at the same time, it pushes you | 0:00:21 | 0:00:27 | |
to be better than what you are. | 0:00:27 | 0:00:29 | |
It's still hard to believe that I'm in the last four, | 0:00:29 | 0:00:32 | |
but now that I'm here, I just don't want to go home. | 0:00:32 | 0:00:36 | |
The final is so close. It just feels like it's within touching distance and yes, you do dare to dream | 0:00:36 | 0:00:43 | |
that maybe I can win it. | 0:00:43 | 0:00:45 | |
And tonight, the battle intensifies | 0:00:48 | 0:00:51 | |
as they enter the world of fine dining. | 0:00:51 | 0:00:55 | |
Today, they've got to understand the balance of doing something which is achievable with real elegance. | 0:00:55 | 0:01:01 | |
First, they have to cook for one of the most demanding Michelin-starred chefs in the country... | 0:01:01 | 0:01:08 | |
I'm absolutely speechless. I think that's appalling. | 0:01:08 | 0:01:12 | |
..and then cook for 12 of the most iconic women in cinematic history. | 0:01:13 | 0:01:18 | |
The Bond girls. | 0:01:22 | 0:01:24 | |
This is the epitome of wonderful food and this is, at the end of the day, what MasterChef is all about. | 0:01:26 | 0:01:32 | |
Welcome back. | 0:01:57 | 0:01:59 | |
We want you to aim for the absolute best you can be. | 0:01:59 | 0:02:05 | |
We want you to try your hand at fine dining. | 0:02:06 | 0:02:09 | |
From this amazing set of ingredients behind us, | 0:02:09 | 0:02:14 | |
two dishes - one sweet, one savoury, | 0:02:14 | 0:02:17 | |
that show us that you understand what fine dining is all about. | 0:02:17 | 0:02:21 | |
Ladies and gentlemen, come and select your ingredients. | 0:02:23 | 0:02:27 | |
The contestants can choose from a selection of meats, | 0:02:31 | 0:02:36 | |
fresh game, seafood, | 0:02:36 | 0:02:39 | |
fruit and veg, and a full larder. | 0:02:39 | 0:02:43 | |
It's all a worry, to be honest. Fine dining is always scary for me. | 0:02:46 | 0:02:50 | |
John and Gregg will be expecting me to come up with something elegant. | 0:02:50 | 0:02:55 | |
There's loads of fantastic ingredients to think about here. | 0:02:55 | 0:02:58 | |
I'll use all the time to make sure I get it right. | 0:02:58 | 0:03:02 | |
It's horrendous. I've got this mental blank with a dessert. | 0:03:02 | 0:03:06 | |
I'm still thinking, to be honest. | 0:03:07 | 0:03:09 | |
I'm quite excited. I've seen some ingredients I quite like. | 0:03:11 | 0:03:15 | |
I've just picked up everything I like and I'll now think it through properly and put together a menu. | 0:03:15 | 0:03:22 | |
Right, that's it. You've chosen your ingredients. | 0:03:26 | 0:03:29 | |
One-and-a-half hours to make us two exquisite dishes. | 0:03:29 | 0:03:34 | |
Off you go. | 0:03:34 | 0:03:36 | |
Today, our four must impress. Not just you and I because we've got a little surprise for them. | 0:03:45 | 0:03:52 | |
They have no idea yet, but they will have to present their food to one of the best chefs in the country. | 0:03:52 | 0:03:58 | |
Fine dining is everything that I do. | 0:04:01 | 0:04:04 | |
I've built my career around fine dining and I run a fine dining restaurant. | 0:04:04 | 0:04:09 | |
You can tell when someone's got it. | 0:04:09 | 0:04:11 | |
There's a look in the eye, there's a passion, there's a way they work. | 0:04:11 | 0:04:16 | |
I'd like to walk away from here today and think, "There's someone who's got something quite special." | 0:04:16 | 0:04:22 | |
Ladies and gentlemen, you have had 20 minutes already. | 0:04:24 | 0:04:28 | |
One hour and ten minutes left. | 0:04:28 | 0:04:31 | |
The competition means everything to me. I don't watch no TV, I don't listen to any more music. | 0:04:35 | 0:04:41 | |
Like, literally, every minute is taken up by food. | 0:04:41 | 0:04:45 | |
You do seem rather relaxed, Natalie. Not like you at all. What's happening? | 0:04:47 | 0:04:52 | |
I saw some ingredients I like. I cook for my grandad quite a lot. | 0:04:52 | 0:04:55 | |
He turns up with all bits and bobs and anything, so you have to stick something together. | 0:04:55 | 0:05:00 | |
-You have to create something there on the spot for your grandad? -Yeah. | 0:05:00 | 0:05:05 | |
He does come home with some strange things - odd bits of fish and it's just full of bone and all gristle. | 0:05:05 | 0:05:11 | |
I had to send him back out to get some proper fish to make him a fish pie. | 0:05:11 | 0:05:16 | |
-What are you going to cook for us? -I'm going to roast the duck, then make a celeriac puree, | 0:05:16 | 0:05:22 | |
little fondants, baby carrots and wild mushrooms, | 0:05:22 | 0:05:25 | |
then I'll make a chocolate fondant with vanilla Chantilly cream. | 0:05:25 | 0:05:28 | |
What is the essence of fine dining food? | 0:05:28 | 0:05:32 | |
It's got to taste good, but it's got to be really refined and look really pretty, like a picture. | 0:05:32 | 0:05:37 | |
Your job today is to cook us something really elegant and sophisticated. | 0:05:37 | 0:05:42 | |
-At the moment, you're going for a fondant. -That's all right. I'll get it right, I promise you. | 0:05:42 | 0:05:47 | |
Natalie decided exactly what she was going to do really quickly | 0:05:49 | 0:05:54 | |
and she's got herself two quite good dishes, I think. | 0:05:54 | 0:05:59 | |
I like the idea of the duck with the celeriac. That sounds absolutely delightful. | 0:05:59 | 0:06:04 | |
You've had 30 minutes. That means just one hour left, one hour. | 0:06:06 | 0:06:10 | |
I think the standards so far in the semi-final have been so high that it does blow me away. | 0:06:18 | 0:06:23 | |
If I'm honest, I think I'm probably fourth out of four at the moment, | 0:06:23 | 0:06:27 | |
so I need to do something special to get up the rankings somehow. | 0:06:27 | 0:06:32 | |
Saira, your bench is absent of any spice. | 0:06:38 | 0:06:41 | |
There's a bit of coriander and a bit of fish sauce, so I'm not completely abandoning my Asian roots. | 0:06:41 | 0:06:47 | |
I'm going to cook a Thai-scented broth with the red mullet, pan-seared, on top, | 0:06:47 | 0:06:53 | |
then I'm going to do a millefeuille type arrangement with creme patissiere and a compote of plums. | 0:06:53 | 0:07:00 | |
-Oh! -I love the idea of a millefeuille type of arrangement. | 0:07:00 | 0:07:04 | |
Have you worked out how this type of arrangement will possibly look like a millefeuille? | 0:07:04 | 0:07:09 | |
I'm not entirely sure. | 0:07:09 | 0:07:11 | |
It's not the natural place for my food, fine dining, and it scares me a lot. | 0:07:11 | 0:07:16 | |
This sort of challenge frightens me the most | 0:07:16 | 0:07:19 | |
and I have to restrain my urges to put pounds of food on the plate. | 0:07:19 | 0:07:23 | |
-That's interesting. So does fine dining for you mean not enough food? -Absolutely. | 0:07:23 | 0:07:29 | |
Exactly what it means. If I look at a plate and think I could eat two of those, that's probably about right. | 0:07:29 | 0:07:35 | |
What is interesting about Saira today is she is not going down the Indian route. | 0:07:38 | 0:07:44 | |
She wants to prove she can cook food from all around the world | 0:07:44 | 0:07:47 | |
and I wonder if that's the right idea today. I wonder. | 0:07:47 | 0:07:51 | |
My issue is her dessert. She said a millefeuille type of affair. She's not even sure what it's going to be. | 0:07:51 | 0:07:58 | |
Looking at how she's baked that puff pastry, she is in danger of making a fruity eclair. | 0:07:58 | 0:08:03 | |
I think at the moment I've still been trying to find what my identity is in the kitchen. | 0:08:12 | 0:08:17 | |
I don't want to just re-create the classics. | 0:08:17 | 0:08:20 | |
I want to put my own personality on to the plate. That's perhaps the thing I need to do now. | 0:08:20 | 0:08:26 | |
Dale, you have that look of intent, but at the same time, a nervous disposition. | 0:08:30 | 0:08:36 | |
A look of intent cos I mean business and nervous because I'm attempting two things I've never attempted. | 0:08:36 | 0:08:41 | |
-Two things you've never cooked before? -Yeah. I've never touched razor clams. | 0:08:41 | 0:08:47 | |
And the langoustines as well, so it'll be interesting to see what I do with them. | 0:08:47 | 0:08:52 | |
Then I'll do a white chocolate tart with cardamom seeds and a blackberry and vanilla coulis with almonds. | 0:08:52 | 0:08:58 | |
-What do these two dishes say about you as a cook? -I'm trying to do things I wouldn't normally do. | 0:08:58 | 0:09:04 | |
It could be a big mistake, depending on how it turns out. | 0:09:04 | 0:09:07 | |
Do you have any idea of how to prepare a razor clam? | 0:09:07 | 0:09:10 | |
I've got an idea, just a common sense idea. | 0:09:10 | 0:09:13 | |
-OK. -I might... I might call on you in a minute. | 0:09:13 | 0:09:17 | |
Good luck, Dale. | 0:09:17 | 0:09:19 | |
Cheers. | 0:09:19 | 0:09:21 | |
I think Dale has got a very risky strategy here | 0:09:23 | 0:09:28 | |
because he's cooking razor clams with langoustines that he's never, ever cooked before. | 0:09:28 | 0:09:33 | |
Nice if he can master cooking a razor clam for the first time ever. | 0:09:33 | 0:09:38 | |
Whatever he does, at the moment, I think he's playing with fire. | 0:09:38 | 0:09:42 | |
I feel the semi-finals have gone really well so far. | 0:09:47 | 0:09:51 | |
I can't really complain with the feedback. | 0:09:51 | 0:09:54 | |
But I just dread doing any sort of dessert | 0:09:55 | 0:09:59 | |
because it's going to be the end of me. | 0:09:59 | 0:10:02 | |
-What are you making? -I'm doing a razor-clammy type of salad thing. | 0:10:05 | 0:10:10 | |
I'll put some dumplings on there. | 0:10:10 | 0:10:12 | |
-And dessert? -And dessert, I'm going to do a white chocolate souffle, | 0:10:12 | 0:10:16 | |
but I'll use the mango as the souffle thing, so it souffles out of the mango. | 0:10:16 | 0:10:21 | |
-You'll serve a souffle in a mango? -Yeah. It probably won't work, but I'll give it a go. | 0:10:21 | 0:10:26 | |
-You've got to make the mango sit up... -I've already done that. I'll serve it in that. | 0:10:26 | 0:10:31 | |
-There's a hole in the bottom. -It won't come out. | 0:10:31 | 0:10:34 | |
Larkin, this is invention at its most risky, isn't it? | 0:10:34 | 0:10:38 | |
-Yeah. -We are heading towards the time when we'll lose one of you guys. Is it worth the risk? | 0:10:38 | 0:10:43 | |
The brief was fine dining, so you have to push the boat out a bit. | 0:10:43 | 0:10:47 | |
Larkin's menu at the moment is pretty out there. | 0:10:52 | 0:10:55 | |
The reason it's out there is because he himself doesn't really know what his dish is going to end up like. | 0:10:55 | 0:11:01 | |
I'm not sure he's actually thought this out, but all credit to him | 0:11:01 | 0:11:05 | |
because I can't wait to see souffle in a mango skin. I can't wait to see it. | 0:11:05 | 0:11:10 | |
You've got ten minutes left. Just ten minutes. | 0:11:13 | 0:11:16 | |
Oh, no! | 0:11:33 | 0:11:35 | |
Oh, no. | 0:11:36 | 0:11:38 | |
No, Larkin, no! | 0:11:38 | 0:11:41 | |
Last 90 seconds. | 0:11:44 | 0:11:46 | |
That's it. You have to stop. | 0:12:01 | 0:12:03 | |
You have to stop. | 0:12:03 | 0:12:06 | |
At this stage of the competition, we have called on some expert help in judging. | 0:12:14 | 0:12:19 | |
Someone who truly understands the meaning | 0:12:23 | 0:12:26 | |
of the finest of dining - | 0:12:26 | 0:12:29 | |
Marcus Wareing. | 0:12:29 | 0:12:31 | |
- Good afternoon, everybody. - Good afternoon. | 0:12:45 | 0:12:49 | |
I've come here today to taste your food and your concept of fine dining. | 0:12:49 | 0:12:55 | |
And I hope that you've taken some great ingredients to create a fantastic dish. | 0:12:55 | 0:13:00 | |
I can't wait to taste it. | 0:13:00 | 0:13:03 | |
Saira's red mullet and langoustine tails have been served in a ginger and chilli Thai broth | 0:13:20 | 0:13:26 | |
with broad beans and coriander cress. | 0:13:26 | 0:13:29 | |
The fish was beautifully cooked. The langoustine was delicious. | 0:13:42 | 0:13:46 | |
I like the flavour. A little bit on the warm side, but that's just for me personally. | 0:13:46 | 0:13:51 | |
OK. | 0:13:51 | 0:13:52 | |
It's a shame there's no vegetables or potatoes. | 0:13:52 | 0:13:56 | |
What bits you have got in there, for me, is not enough as a main course. | 0:13:56 | 0:14:00 | |
I really like the look of it and I really like the taste of it. | 0:14:01 | 0:14:05 | |
Actually, it's very delicate for you. | 0:14:05 | 0:14:08 | |
Very delicate. Well done. | 0:14:08 | 0:14:10 | |
As far as presentation is concerned, it's actually a revelation for you. | 0:14:10 | 0:14:15 | |
-And I applaud you for it. Good on you. -Thank you. | 0:14:15 | 0:14:18 | |
Saira's dessert is a millefeuille pastry, | 0:14:20 | 0:14:23 | |
layered with creme patissiere and plums. | 0:14:23 | 0:14:27 | |
From a presentation point of view, this dessert was very nice. | 0:14:37 | 0:14:41 | |
From an execution point of view, it's a bit sloppy | 0:14:41 | 0:14:44 | |
in the sense that the pastry should be cooked flat between two trays, | 0:14:44 | 0:14:49 | |
it should be nice and crisp and very dry. | 0:14:49 | 0:14:52 | |
The plums taste raw, not cooked. | 0:14:52 | 0:14:55 | |
I was trying to keep the shape, so it would look prettier when it was on the plate. | 0:14:55 | 0:15:00 | |
Pretty is nice, but it's all about the flavour. | 0:15:00 | 0:15:02 | |
Hmm. Yeah. | 0:15:02 | 0:15:05 | |
What it's missing is the juice of a fruit. That plum is too hard. | 0:15:05 | 0:15:09 | |
But I love the crispy, sweet puff pastry. | 0:15:09 | 0:15:13 | |
I love the cream, the vanilla and slightly sweet. That is lovely. | 0:15:13 | 0:15:17 | |
Thank you. | 0:15:17 | 0:15:19 | |
I'm glad that challenge is over. That was always going to be a tough one for me. | 0:15:24 | 0:15:29 | |
And I'm relieved that I came out of it relatively unscathed. | 0:15:32 | 0:15:36 | |
-How are you feeling, Natalie? -Quite nervous...because Marcus is here. | 0:15:50 | 0:15:56 | |
Natalie's main course is teal with celeriac puree, | 0:15:59 | 0:16:04 | |
celeriac fondant, baby carrots, | 0:16:04 | 0:16:07 | |
wild mushrooms and a blackberry reduction. | 0:16:07 | 0:16:10 | |
The presentation, from a fine dining point of view, is lovely. | 0:16:12 | 0:16:16 | |
Thank you. | 0:16:16 | 0:16:18 | |
The teal was cooked beautifully well. I love the fruit with it. It really works. | 0:16:26 | 0:16:31 | |
The puree was delicious. It's silky smooth, great flavour. | 0:16:31 | 0:16:35 | |
Thank you. | 0:16:35 | 0:16:37 | |
The detail is what will get you through to the next stages. | 0:16:37 | 0:16:41 | |
If you just put a little bit of jus, you've got yourself an amazing plate of food. Well done. | 0:16:41 | 0:16:46 | |
Thank you. | 0:16:46 | 0:16:48 | |
Your issue is your sauce because what you've got is like raspberry cordial. | 0:16:50 | 0:16:55 | |
There needs to be something sticky, thick and reduced that goes with it, that links the whole thing together. | 0:16:55 | 0:17:02 | |
-Otherwise, Natalie, I think it's a pretty good job for an invention test. -Thank you, John. | 0:17:02 | 0:17:07 | |
For dessert, Natalie has made a chocolate fondant | 0:17:07 | 0:17:11 | |
with vanilla Chantilly cream. | 0:17:11 | 0:17:13 | |
That appears at first sight to be a pretty decent chocolate fondant. | 0:17:16 | 0:17:20 | |
Once you've decided to do that, you needed to come up | 0:17:20 | 0:17:23 | |
with something that was going to make it prettier and smarter, | 0:17:23 | 0:17:27 | |
-possibly a little bit of sugarwork, but it needs something else. -OK. | 0:17:27 | 0:17:32 | |
For me, a chocolate fondant is about great chocolate and fantastic execution. | 0:17:33 | 0:17:38 | |
- If you get it right, it's perfect. You don't need to add anything. - Thank you. | 0:17:38 | 0:17:43 | |
-Would you serve the chocolate fondant on its own completely? -On its own. | 0:17:43 | 0:17:47 | |
What I like about this particular dish is that it's a very, very difficult dish to get right. | 0:18:00 | 0:18:06 | |
You've got the flavour right, the texture's right. If anything, it doesn't need the Chantilly. | 0:18:07 | 0:18:12 | |
When it comes out of the oven and it's beautifully cooked, it's perfection. Well done. | 0:18:12 | 0:18:17 | |
Thank you. | 0:18:17 | 0:18:19 | |
-Natalie, not bad. How are you feeling? -I'm pretty happy with the comments from all three of you. | 0:18:19 | 0:18:25 | |
-What would your grandad think of your cooking now? -He'd like it. He likes a chocolate fondant. | 0:18:25 | 0:18:30 | |
I do practise on him sometimes. That's one of his favourite things. | 0:18:30 | 0:18:34 | |
-Natalie, I think you should be really proud of it. -Thank you very much. | 0:18:34 | 0:18:39 | |
To get comments from Marcus, obviously, who holds Michelin stars, it's just mind-blowing. | 0:18:44 | 0:18:50 | |
You couldn't ask for more. | 0:18:50 | 0:18:53 | |
Dale's main course is razor clams and langoustine salad | 0:19:11 | 0:19:16 | |
with pickled carrots, turnips, nashi pear, radishes | 0:19:16 | 0:19:20 | |
and a ginger and chilli Thai dressing. | 0:19:20 | 0:19:23 | |
There's not enough on there for that to be a main course. | 0:19:23 | 0:19:26 | |
It almost needs a bowl of rice. | 0:19:26 | 0:19:29 | |
I totally agree. I think if you take away the shells, I don't think there's anything there. | 0:19:29 | 0:19:35 | |
MARCUS COUGHS | 0:19:46 | 0:19:48 | |
Are you OK? Do you want a glass of water? | 0:19:48 | 0:19:52 | |
I think I need a fire extinguisher. | 0:19:52 | 0:19:54 | |
Today, Dale, you attempted something you've never done before which was to cook a razor clam. | 0:19:54 | 0:20:00 | |
I will say you've cooked the razor clam pretty well. | 0:20:00 | 0:20:04 | |
But the issue you've got in that is the prominent flavours are ginger, | 0:20:05 | 0:20:10 | |
sesame oil, vinegar from your pickle and chilli. | 0:20:10 | 0:20:15 | |
You can't taste the langoustine or the razor clam. | 0:20:15 | 0:20:18 | |
Yeah, that's the issue you've got. You have killed the fish. | 0:20:18 | 0:20:23 | |
For me, you need to be thinking of doing what is right by you | 0:20:24 | 0:20:29 | |
and what you understand of food and, for me, there's quite clearly no understanding. I'll tell you why. | 0:20:29 | 0:20:35 | |
And that is that these two ingredients are the most stunning things you can get, | 0:20:35 | 0:20:40 | |
nectar from the gods, and you've just completely obliterated them | 0:20:40 | 0:20:44 | |
with chilli. | 0:20:44 | 0:20:46 | |
It's as far away from fine dining as North Pole, South Pole. | 0:20:49 | 0:20:54 | |
For dessert, Dale has served a white chocolate and cardamom tart | 0:20:58 | 0:21:02 | |
with toasted almonds and a blackberry and vanilla sauce. | 0:21:02 | 0:21:06 | |
As soon as I started to pour the sauce around the outside, you could see the dish has come to life. | 0:21:06 | 0:21:12 | |
Now it's got some serious colour. It looks fantastic. | 0:21:12 | 0:21:15 | |
Hmm, it does look good. | 0:21:15 | 0:21:17 | |
White chocolate is so sweet, so rich, it should be used sparingly. | 0:21:29 | 0:21:33 | |
It's a little bit too sticky and sweet for me to finish. | 0:21:33 | 0:21:37 | |
I don't think the tart's great. | 0:21:37 | 0:21:40 | |
The pastry is undercooked. It's too thick. | 0:21:40 | 0:21:43 | |
The centre of the tart is very sickly and very heavy. | 0:21:43 | 0:21:46 | |
And if you took the sauce out of the equation, it's not very good. | 0:21:46 | 0:21:51 | |
White chocolate and cream mixed together and set in a tart, you've got a truffle. | 0:21:51 | 0:21:56 | |
I've got little seeds of cardamom in there. I don't really want to find seeds stuck in between my teeth. | 0:21:56 | 0:22:02 | |
I think that what you've done today, Dale, is try to go too far left-field. | 0:22:02 | 0:22:08 | |
You can't keep on reinventing the wheel, Dale. | 0:22:08 | 0:22:11 | |
OK. Don't worry, mate. Don't worry. Don't worry. You're all right. | 0:22:14 | 0:22:18 | |
The problem is, unless you're honest at this stage of the competition, nobody is going to move forward. | 0:22:25 | 0:22:31 | |
Not only that, he's full of passion and he's disappointed. That's all right. It happens. | 0:22:31 | 0:22:36 | |
There you are, shake my hand. You're all right. | 0:22:37 | 0:22:40 | |
-Sorry. I can't believe I'm crying. -It's OK. | 0:22:40 | 0:22:43 | |
It's all right, it's all right. | 0:22:43 | 0:22:46 | |
Take a breath. | 0:22:47 | 0:22:50 | |
One of the nice things about this, all of this, is that there's a lesson here. | 0:22:53 | 0:22:59 | |
The fact that it has affected you the way it has affected you, it shows passion. | 0:22:59 | 0:23:04 | |
Dale, you can't buy passion. You've either got it or you haven't. | 0:23:04 | 0:23:08 | |
I just feel like I've taken a massive step back | 0:23:22 | 0:23:26 | |
because that was my worst round by a mile. | 0:23:26 | 0:23:30 | |
I'm so sorry about this. | 0:23:43 | 0:23:45 | |
Why are you apologising? | 0:23:46 | 0:23:48 | |
Because it's horrendous. | 0:23:48 | 0:23:51 | |
Anyway... | 0:23:51 | 0:23:53 | |
Larkin's main course is razor clam salad | 0:23:56 | 0:24:00 | |
with spring onions and radishes, | 0:24:00 | 0:24:02 | |
alongside pork and langoustine dumplings, | 0:24:02 | 0:24:06 | |
and a coriander and ginger dressing. | 0:24:06 | 0:24:09 | |
Your razor clam and dumpling dish just looks weird. | 0:24:10 | 0:24:13 | |
There is a lightness to your clam | 0:24:26 | 0:24:28 | |
and a hint of sesame and crunch of spring onion that I like, | 0:24:28 | 0:24:32 | |
but your dumpling is very thick | 0:24:32 | 0:24:35 | |
and tastes really quite strongly of sesame oil. | 0:24:35 | 0:24:39 | |
Larkin, there's not a great deal going on. | 0:24:39 | 0:24:42 | |
I'm speechless. | 0:24:48 | 0:24:50 | |
I'm absolutely speechless. | 0:24:50 | 0:24:52 | |
I think that's appalling. | 0:24:52 | 0:24:54 | |
In every way. | 0:24:56 | 0:24:58 | |
I don't understand this. You know what's really difficult for me? | 0:24:59 | 0:25:04 | |
I'm here with Marcus Wareing standing next to me, questioning my ability to judge you as a competitor | 0:25:04 | 0:25:11 | |
because he's looking at that and thinking, "How has he got here? Are you foolish, John? What the hell!" | 0:25:11 | 0:25:17 | |
I wish Marcus could see some of your past work. I really do. | 0:25:17 | 0:25:21 | |
Larkin's dessert is a white chocolate souffle served in a mango shell, | 0:25:22 | 0:25:27 | |
accompanied by a mango and vanilla ice cream. | 0:25:27 | 0:25:32 | |
Oh, my word! | 0:25:40 | 0:25:43 | |
We have two different flavoured sludges, | 0:25:43 | 0:25:47 | |
one flavoured with white chocolate and another sludge flavoured with mango. It's a disaster. | 0:25:47 | 0:25:52 | |
I'm sorry, Larkin, but I'm not going to taste that. It's just not good enough. | 0:25:52 | 0:25:58 | |
Larkin, you've had a really bad day. We're allowed a bad day at the office. | 0:26:01 | 0:26:05 | |
However, Larkin, if you do this again, I'm going to send you home. | 0:26:05 | 0:26:09 | |
I'm feeling incredibly deflated, devastated and just embarrassed more than anything else. | 0:26:30 | 0:26:36 | |
Yeah, just... I've felt better. | 0:26:37 | 0:26:39 | |
Thank you very much. Off you go. | 0:26:53 | 0:26:55 | |
SAIRA: That was harsh. | 0:27:11 | 0:27:13 | |
Really harsh. | 0:27:14 | 0:27:16 | |
NATALIE: Are you boys all right? | 0:27:16 | 0:27:19 | |
I'm deeply saddened by what's happened today and shocked. | 0:27:21 | 0:27:25 | |
I wanted Marcus to see how good our semi-finalists were. | 0:27:25 | 0:27:29 | |
The ups and downs of MasterChef, but I think from our contestants' point of view, | 0:27:29 | 0:27:35 | |
they have to pick themselves up and understand what they've done wrong. | 0:27:35 | 0:27:39 | |
Natalie, today, did really well, a strong round, a brave round and Marcus thought she did well. | 0:27:39 | 0:27:45 | |
Saira...? | 0:27:45 | 0:27:47 | |
Presentation great, flavours a little bit off, but she's up and she's flying. | 0:27:47 | 0:27:53 | |
I think the ladies did really well and those boys were terrible. | 0:27:53 | 0:27:57 | |
Dale was trying to be different. He was trying to show you and I | 0:27:57 | 0:28:01 | |
that he had a bigger repertoire and he could be daring. | 0:28:01 | 0:28:04 | |
Larkin was just full of self-belief and thought he could wing it | 0:28:04 | 0:28:08 | |
and they both came crashing down to earth with a big bump. | 0:28:08 | 0:28:12 | |
It's not the end of Dale or Larkin's competition. It's what they do now that is vitally important. | 0:28:12 | 0:28:17 | |
I'm just trying to pick myself out of the gutter. | 0:28:30 | 0:28:33 | |
I'll just have to go out there and show Gregg and John why they put me in this position in the first place. | 0:28:33 | 0:28:39 | |
I need to remember all the rounds that have gone well for me and try and get back into that head space. | 0:28:39 | 0:28:45 | |
The contestants are travelling to one of London's most exclusive addresses. | 0:28:48 | 0:28:54 | |
Opened in 1889, the Savoy Hotel is the epitome of style and sophistication. | 0:28:59 | 0:29:06 | |
This imposing London landmark is most famous | 0:29:08 | 0:29:11 | |
for its association with Ian Fleming | 0:29:11 | 0:29:14 | |
who was inspired to use the hotel as a backdrop for many of his James Bond novels. | 0:29:14 | 0:29:20 | |
And tonight, to celebrate this historic collaboration, | 0:29:23 | 0:29:27 | |
preparations are under way for an opulent dinner. | 0:29:27 | 0:29:31 | |
Tonight, you four are preparing dinner for 12 Bond girls. | 0:29:45 | 0:29:50 | |
Gregg will be hosting the dinner and I'll be running the pass. | 0:29:54 | 0:29:58 | |
Tonight, your food has to be glamorous, it has to be sophisticated. | 0:29:59 | 0:30:04 | |
If it's not right, I'm not sending it. | 0:30:04 | 0:30:07 | |
Three hours, guys. Let's move it. Let's go. | 0:30:10 | 0:30:12 | |
I'm a huge Bond fan, so I'm really excited by this. | 0:30:25 | 0:30:29 | |
It's just an amazing, amazing event. | 0:30:29 | 0:30:32 | |
I've been blown away by the surroundings. | 0:30:32 | 0:30:36 | |
It's where a lot of the top chefs started out. It's great to be here. | 0:30:36 | 0:30:40 | |
I'm equally as pressurised and nervous about the situation as I am excited. | 0:30:40 | 0:30:45 | |
Today, it will have to be 12 of the best plates of food I've plated. | 0:30:45 | 0:30:49 | |
These girls have been to Hollywood, probably all four corners of the world. | 0:30:51 | 0:30:56 | |
They've probably eaten in the best restaurants, so we've got to meet their expectations. | 0:30:56 | 0:31:01 | |
They've probably had chefs at home. | 0:31:01 | 0:31:03 | |
Natalie has designed the starter. | 0:31:05 | 0:31:09 | |
Natalie, tell us what you're going to cook. | 0:31:10 | 0:31:13 | |
Today, I'm doing a ballotine of quail, | 0:31:13 | 0:31:16 | |
a confit leg, a crispy quail's egg, wild mushrooms and parsnip puree. | 0:31:16 | 0:31:21 | |
-Why this dish? -It's different things that I've never tried before. It's pushing me out of my comfort zone. | 0:31:21 | 0:31:27 | |
-How are you feeling about cooking for the Bond girls? -Excited, but nervous. I don't want to screw it up. | 0:31:27 | 0:31:33 | |
The weight's on my shoulders now. It's a big night. | 0:31:33 | 0:31:36 | |
I just want to give them something nice to eat for their starter. | 0:31:36 | 0:31:40 | |
Natalie starts by preparing the quail legs to confit | 0:31:45 | 0:31:48 | |
and then boils the carcass to make a stock. | 0:31:48 | 0:31:51 | |
Better bring it to the boil first, then scrape the bottom. You've got colour already. | 0:31:52 | 0:31:58 | |
Yeah! | 0:31:58 | 0:32:00 | |
She then gets on with making her mushroom and chicken mousse which will fill her ballotines. | 0:32:00 | 0:32:06 | |
It does your arms in, don't it? | 0:32:07 | 0:32:10 | |
Oh, mate, we're up against it here! There's so much to do. | 0:32:10 | 0:32:14 | |
There's a lot of elements to it. Some of it is precise. | 0:32:14 | 0:32:17 | |
Hopefully, I will pull it off. | 0:32:17 | 0:32:20 | |
Dale has created the fish course. | 0:32:29 | 0:32:32 | |
The last time you cooked for us, things went a bit wrong. | 0:32:36 | 0:32:39 | |
Things aren't always going to go your way. I know I'm good enough to be here and to win. | 0:32:39 | 0:32:45 | |
I'm focusing that positive energy on today. I've put together a mackerel dish, cured mackerel, | 0:32:45 | 0:32:50 | |
a pate, some cucumber, a nice pomegranate vinaigrette. | 0:32:50 | 0:32:54 | |
It's quite eye-catching. It tastes good. It's a pleasant dish and nice to eat. | 0:32:54 | 0:32:58 | |
-Not too many different things on the plate? -There were, but I stripped it back and got it right | 0:32:58 | 0:33:03 | |
-through tasting and practising. -You're serving it with bread? | 0:33:03 | 0:33:07 | |
Yeah, I'm making French baguettes and crostinis on a griddle. | 0:33:07 | 0:33:11 | |
So you've got to make bread, prove it, bake it, | 0:33:11 | 0:33:14 | |
-slice it and toast it. -Exactly. -You've got to get that done. | 0:33:14 | 0:33:19 | |
The bread is my main concern. I've got to get it in the oven. | 0:33:27 | 0:33:31 | |
I think Dale's given himself a bit of a challenge. | 0:33:37 | 0:33:40 | |
Strong, oily mackerel | 0:33:41 | 0:33:44 | |
and then pomegranate, | 0:33:44 | 0:33:46 | |
really rich, almost rose-water pomegranate. | 0:33:46 | 0:33:49 | |
That's the weird one for me - fruit and fish. | 0:33:49 | 0:33:53 | |
If he pulls it off, I'll be really proud of him. | 0:33:53 | 0:33:57 | |
Saira has designed the main course. | 0:34:01 | 0:34:05 | |
Saira, what are we doing? 12 Bond girls! | 0:34:10 | 0:34:14 | |
I'm cooking them a chicken makhani with a variety of cauliflower - | 0:34:14 | 0:34:18 | |
cauliflower puree, cauliflower aloo gobi and cauliflower pickle. | 0:34:18 | 0:34:23 | |
-Tell me what "makhani" means. -It's like a butter chicken sauce. It's fairly mild, but very rich. | 0:34:23 | 0:34:29 | |
They'll want the very best, but I'm very excited about having the chance to do it. | 0:34:29 | 0:34:34 | |
-I need to tell you one small thing. -Yes. -There is somebody who doesn't like cauliflower. -You're kidding me! | 0:34:34 | 0:34:40 | |
-I'm not. Her name is Britt Ekland. -Oh, really? -Yeah. -Oh, wow! | 0:34:40 | 0:34:44 | |
-What are you going to do instead? -I'll have to raid the larder. -You'll work something out. -OK. | 0:34:44 | 0:34:50 | |
I'm confident in my dish. It's a great dish, one of my dad's favourites. | 0:34:53 | 0:34:58 | |
I'm more worried about what my dad'll say, actually! | 0:34:58 | 0:35:01 | |
Oh, God, if I muck this up... | 0:35:01 | 0:35:04 | |
Larkin is making a dessert of lemon tart with raspberry coulis and a chocolate tuile. | 0:35:14 | 0:35:21 | |
They're looking all right. I need to do a bit of repair work on them, but they're looking OK. | 0:35:21 | 0:35:27 | |
Let's talk about the last time you cooked. | 0:35:32 | 0:35:36 | |
-It went wrong. -I think I was trying too hard to impress you. | 0:35:37 | 0:35:41 | |
Because of all the feedback, I think it got to my head a bit and I forgot that I am an amateur cook. | 0:35:41 | 0:35:47 | |
-Did you get a little bit over-confident, Larkin? -I think I got a little over-confident. | 0:35:47 | 0:35:52 | |
So I've reined it in, I'm just back to basics. | 0:35:52 | 0:35:55 | |
It's going to be hard to impress these girls. I'm doing a very simple lemon tart. | 0:35:57 | 0:36:02 | |
I'm hoping the simplicity of it will be the thing that blows them away, though. | 0:36:02 | 0:36:08 | |
In a way, tonight, I wish he was doing some sort of bombe of ice cream | 0:36:09 | 0:36:14 | |
which was exploding in the air like an Aston Martin, | 0:36:14 | 0:36:17 | |
disappearing into a gun chamber and blowing up the Universe! | 0:36:17 | 0:36:22 | |
Today, instead, we've got a lemon tart. | 0:36:22 | 0:36:25 | |
MUSIC: "James Bond Theme" | 0:36:32 | 0:36:35 | |
I think James would fit into these surroundings very well. | 0:37:11 | 0:37:15 | |
Roger will always have a place in my heart because he was my Bond, | 0:37:15 | 0:37:20 | |
even though he did try and kill me. Actually, he did kill me! Sorry. | 0:37:20 | 0:37:25 | |
I had to squeeze myself into a wetsuit, | 0:37:26 | 0:37:28 | |
wade my way out of the San Francisco Bay | 0:37:28 | 0:37:32 | |
and then seconds later, I'm in the jacuzzi snogging James Bond. | 0:37:32 | 0:37:38 | |
So, it's tough, | 0:37:38 | 0:37:40 | |
but somebody has to do it. | 0:37:40 | 0:37:42 | |
A Bond girl has to be adventurous, would like to try anything. | 0:37:47 | 0:37:50 | |
I eat everything. If anyone has any leftovers, I will eat the leftovers. | 0:37:50 | 0:37:56 | |
I've even eaten tarantula in Cambodia. | 0:37:56 | 0:37:59 | |
I'm really looking forward to some wonderful food tonight. | 0:38:03 | 0:38:06 | |
I had porridge for my breakfast, but I'm not going to have porridge for my supper! | 0:38:06 | 0:38:11 | |
Nat, you've got an hour and ten before you've got to be ready to go. | 0:38:17 | 0:38:21 | |
-Yes, chef. -Legs are on? -Yeah, the legs are in the oven. | 0:38:21 | 0:38:24 | |
-Right, quails to do, sauce to do, then what? -Then we need to make the crispy quail eggs. | 0:38:24 | 0:38:30 | |
-Mushrooms for the garnish? -Yeah, fry them off in butter and parsley. | 0:38:30 | 0:38:34 | |
With the clock ticking, Natalie is behind boning the quail for her ballotines. | 0:38:41 | 0:38:46 | |
I've got to get these done in five minutes. John's going to kill me. | 0:38:46 | 0:38:50 | |
I'm not going to get it done. It's not going to go out on time. I'm getting really stressed about this. | 0:38:50 | 0:38:57 | |
45 minutes until our first course, please. | 0:38:57 | 0:39:00 | |
-Are you all right? -No, I'm really worried. -Why? | 0:39:05 | 0:39:08 | |
Natalie's running really behind. We are 45 minutes off service. She's still doing her quail. | 0:39:08 | 0:39:13 | |
It needs 25 minutes to poach. She's going to have to really push. | 0:39:13 | 0:39:17 | |
If Natalie doesn't get that first course out, there's a knock-on effect for the rest of the night. | 0:39:17 | 0:39:23 | |
You look shaken. Not stirred. | 0:39:23 | 0:39:25 | |
But shaken. | 0:39:25 | 0:39:27 | |
Across the kitchen, all the elements for Dale's mackerel course are coming together. | 0:39:28 | 0:39:34 | |
It's going OK at the moment. | 0:39:36 | 0:39:39 | |
I'm focusing on all the fiddly jobs like the garnishes at the moment. | 0:39:39 | 0:39:43 | |
I'm char-grilling some delicate cucumber. | 0:39:43 | 0:39:46 | |
Dale, talk to me. | 0:39:47 | 0:39:49 | |
The bread needs another ten minutes. The pate's being cooled down and the garnishes are pretty much there. | 0:39:49 | 0:39:55 | |
-Good. You've got a smile on your face. -Yeah. -Hey, well done! Saira, how are you getting on? | 0:39:55 | 0:40:00 | |
-Not too bad. -Don't say, "Not too bad." | 0:40:00 | 0:40:03 | |
-Very well, thanks. -Good. Let's go. Come on. | 0:40:03 | 0:40:06 | |
Saira has to consider her clientele | 0:40:11 | 0:40:14 | |
because these ladies are going to eat a starter, a fish course, the main course and fit in a dessert. | 0:40:14 | 0:40:20 | |
-12 Bond girls... -Yeah. -Are you really going to give them a whole chicken breast each? | 0:40:22 | 0:40:27 | |
They're not very big, though perhaps too big. | 0:40:27 | 0:40:30 | |
-Just cut the middle out. Your pakora have to be small. -They'll be tiny. | 0:40:30 | 0:40:34 | |
-Your aloo gobi's small? -Yeah. -A small amount of puree. | 0:40:34 | 0:40:37 | |
-Look how much puree you've got. -They don't need that much. -There's enough there for 37 Bond girls, not 12! | 0:40:37 | 0:40:44 | |
-Think about the dish a little bit. OK? -OK. | 0:40:44 | 0:40:47 | |
Size is important and bigger is not necessarily better. | 0:40:48 | 0:40:52 | |
Over on dessert, Larkin has decided to drop one of the elements of his dish. | 0:40:53 | 0:40:59 | |
I might scrap the chocolate tuiles. I don't think it needs it. | 0:40:59 | 0:41:03 | |
I don't even know where the blast-chiller is, so I might just scrap it for the time being. | 0:41:03 | 0:41:08 | |
He then checks on his lemon tarts, | 0:41:09 | 0:41:12 | |
but the oven wasn't on and they're raw. | 0:41:12 | 0:41:16 | |
You've got an hour to service. You've got to cook them for half an hour, they've got to cool, | 0:41:19 | 0:41:25 | |
and you've got to cut them and get them on a plate. | 0:41:25 | 0:41:28 | |
Regardless of whether you think something is really easy, you push yourself to the limit. | 0:41:31 | 0:41:37 | |
If you've got time at the end, that's fine, but don't run out of time like this, not on a lemon tart! | 0:41:37 | 0:41:43 | |
Good evening, ladies. | 0:41:45 | 0:41:47 | |
Would you like to take a seat? We've put place names for all of you. | 0:41:47 | 0:41:52 | |
I've done many things on MasterChef, but this is by far my favourite occasion and it hasn't even started. | 0:41:57 | 0:42:04 | |
-Cheers, everybody. -Cheers. -Cheers. | 0:42:05 | 0:42:07 | |
-Good to see you. -Lovely to see you. -Good to see you. | 0:42:07 | 0:42:11 | |
Natalie has still not poached her stuffed quail ballotines. | 0:42:13 | 0:42:17 | |
-Natalie, we're supposed to be leaving the kitchen in 20, yeah? -OK. -Is that the last one? | 0:42:17 | 0:42:23 | |
-I've just got to tie this... -Come on, let's go. Get them in. | 0:42:23 | 0:42:27 | |
Right now, we're going to be serving a bit late. | 0:42:27 | 0:42:30 | |
It looks like we're running out of time and John's going to kill me if these quails don't go in. | 0:42:30 | 0:42:35 | |
I have quail at least, like, once a week, but they're teeny. | 0:42:43 | 0:42:48 | |
I don't know how you're going to take a confit of the little foot. | 0:42:48 | 0:42:52 | |
How much could you get out of a tiny bird? | 0:42:52 | 0:42:55 | |
It's quail after quail after quail! | 0:42:55 | 0:42:58 | |
LAUGHTER | 0:42:58 | 0:43:00 | |
I'll help you do your parsnip puree. Tell me where you want it to go, then you do the quails. Let's go. | 0:43:00 | 0:43:07 | |
Come on, you, let's go! | 0:43:09 | 0:43:12 | |
Quail on every single one, then your mushrooms go after, then your pea shoots. | 0:43:13 | 0:43:19 | |
-Natalie, we're running four minutes behind. -I'll speed up. -Let's go. | 0:43:20 | 0:43:24 | |
OK, last three. | 0:43:24 | 0:43:26 | |
-Your mushrooms now, please, and then your sauce, yeah? -Yes, John. | 0:43:26 | 0:43:31 | |
Thank you. Let's go. First four. Very good, Natalie. | 0:43:33 | 0:43:38 | |
Next two, please. Thank you very much. | 0:43:38 | 0:43:42 | |
This is the last one. | 0:43:42 | 0:43:44 | |
That was hard work. | 0:43:48 | 0:43:50 | |
Thanks, John. | 0:43:50 | 0:43:52 | |
Next time, don't give yourself so much to do. | 0:43:52 | 0:43:56 | |
You've done a lot of work. You've just done it, OK? | 0:43:56 | 0:44:00 | |
Well done. Welcome to the real world of catering. | 0:44:00 | 0:44:03 | |
-If you don't push yourself... You know what I mean? -Well done. | 0:44:03 | 0:44:06 | |
I feel relieved that it's all over. | 0:44:09 | 0:44:12 | |
There were moments where I thought I wasn't going to make it, | 0:44:12 | 0:44:16 | |
but yeah, I'm pleased with the way it looked and it went out. | 0:44:16 | 0:44:20 | |
Natalie has served her quail four ways - | 0:44:23 | 0:44:27 | |
a ballotine of the breast filled with chicken mousse, | 0:44:27 | 0:44:30 | |
confit of the leg, | 0:44:30 | 0:44:32 | |
a jus made from the wings and a deep-fried egg. | 0:44:32 | 0:44:36 | |
These are accompanied by a parsnip puree and wild mushrooms coated in truffle oil. | 0:44:36 | 0:44:42 | |
I think it looks beautifully presented | 0:44:45 | 0:44:47 | |
and quite delicate which is nice for a starter, so, yeah, I'm excited. | 0:44:47 | 0:44:52 | |
What's that? | 0:44:52 | 0:44:54 | |
-This is the leg. -A leg of quail? -Yeah. -Aw! | 0:44:54 | 0:44:58 | |
The ballotine of the quail is really, really gorgeous. | 0:45:04 | 0:45:07 | |
The mushrooms are absolutely wonderful. | 0:45:07 | 0:45:11 | |
I've never had these before. Beautiful. | 0:45:11 | 0:45:14 | |
Oh, it's lovely. Whatever that's called, it's lovely. | 0:45:16 | 0:45:20 | |
But my favourite, as you can see, | 0:45:21 | 0:45:24 | |
was the crispy quail. | 0:45:24 | 0:45:27 | |
Now, that had a personality all of its own. | 0:45:27 | 0:45:30 | |
LAUGHTER | 0:45:30 | 0:45:32 | |
Well, it did. I'm telling you. | 0:45:32 | 0:45:35 | |
Good flavours. The meat was cooked very well. And the mushrooms were superb. | 0:45:35 | 0:45:39 | |
I feel a bit more relieved now the first plate's come out and the ladies are still smiling. | 0:45:39 | 0:45:45 | |
-Dale, you're on the pass in 20 minutes. -Yes, chef. | 0:45:47 | 0:45:50 | |
Dale is frying his cured fish, but the skin has stuck to the pan. | 0:45:51 | 0:45:56 | |
Don't panic now. Something's gone wrong. Let's go. You've just got to adjust the dish. | 0:45:58 | 0:46:04 | |
-I can serve the pinker side. -That's fine. That's all right. | 0:46:04 | 0:46:07 | |
Turn them over and then drop them into the salamander. I'll show you. | 0:46:07 | 0:46:12 | |
Next time you do mackerel in one of these things, tray, oil, boom! It'll take two seconds to cook. | 0:46:13 | 0:46:19 | |
Hmm, I love mackerel! I think it sounds absolutely delicious. | 0:46:22 | 0:46:26 | |
I had some cucumber on my eyes before I came out. I love cucumber. | 0:46:26 | 0:46:31 | |
Pomegranate vinaigrette... I'm intrigued. | 0:46:31 | 0:46:34 | |
OK, guys, the table's been cleared. That means the next course is ready to go out, please. | 0:46:37 | 0:46:43 | |
Hey, your bread. Well done, you! | 0:46:44 | 0:46:47 | |
Very nice. | 0:46:47 | 0:46:49 | |
Nice, Dale. | 0:47:00 | 0:47:02 | |
Looking good. Let's go, last lot. | 0:47:02 | 0:47:05 | |
-Yeah. -Service on these three. | 0:47:12 | 0:47:15 | |
Are you happy with that? | 0:47:17 | 0:47:19 | |
-Yes, chef. -Yeah? -Service! | 0:47:19 | 0:47:21 | |
Good. | 0:47:21 | 0:47:22 | |
Clean down. Sort yourself out. Well done. Thank you very much. | 0:47:24 | 0:47:28 | |
Oh! | 0:47:28 | 0:47:30 | |
I'm happy, to be fair. I had to prove something today, I felt. | 0:47:32 | 0:47:36 | |
I'm just pleased that every plate went out looking quite similar and it was on time. | 0:47:36 | 0:47:41 | |
I can't say fairer than that. | 0:47:41 | 0:47:43 | |
Dale's fish course is cured mackerel, | 0:47:46 | 0:47:51 | |
served with mackerel pate rolled in cucumber, | 0:47:51 | 0:47:54 | |
pickled cucumber, pickled mushrooms, | 0:47:54 | 0:47:58 | |
pomegranate vinaigrette, coriander cress and crostinis, | 0:47:58 | 0:48:01 | |
made from his hand-made French baguettes. | 0:48:01 | 0:48:05 | |
Five different ways to use a cucumber. | 0:48:07 | 0:48:10 | |
LAUGHTER | 0:48:10 | 0:48:13 | |
It's a work of art on the plate and I adore the smell. | 0:48:13 | 0:48:17 | |
It's the pickly smell. | 0:48:17 | 0:48:20 | |
Absolutely beautiful. Britt and I said at the same time unrehearsed, | 0:48:20 | 0:48:24 | |
"It looks like a stairway to heaven." | 0:48:24 | 0:48:28 | |
I'm really ready to dig in. | 0:48:28 | 0:48:30 | |
Hmm! | 0:48:38 | 0:48:40 | |
Oh, this is so good. Everything. | 0:48:40 | 0:48:43 | |
The cured mackerel was delicious. | 0:48:43 | 0:48:46 | |
It goes very well with the pomegranate, a kind of kick. | 0:48:46 | 0:48:49 | |
The mackerel was quite delicious. That was cooked with delicacy and feeling for the fish, | 0:48:49 | 0:48:56 | |
which I thought was quite charming and very, very enjoyable. | 0:48:56 | 0:49:00 | |
I'm a fan, absolutely 100%, and I'm savouring all of it. | 0:49:00 | 0:49:04 | |
I wouldn't dream of putting a pomegranate with a fish, | 0:49:04 | 0:49:08 | |
but it brought unusual sweetness to a sharp vinaigrette that I thought was stunning. I loved it. | 0:49:08 | 0:49:14 | |
I absolutely loved it. | 0:49:14 | 0:49:16 | |
Saira, your chicken is not cooked yet. You've got 20 minutes to go. | 0:49:19 | 0:49:24 | |
-How long have they been in there for? -Nine minutes. | 0:49:24 | 0:49:27 | |
-They're not very moist because they've got no skin on them, have they? -No. -So what can you do? | 0:49:27 | 0:49:33 | |
-Put a bit of stock under them maybe? -Yeah. | 0:49:33 | 0:49:36 | |
Chicken and cauliflower, both of which I love. I'm intrigued by the makhani. | 0:49:40 | 0:49:45 | |
My mother spent many years in India, so I was very spoilt as a child with curries. | 0:49:45 | 0:49:52 | |
I'm so used to the best. | 0:49:52 | 0:49:54 | |
-Do you think this is going to be hot or creamy? -No, it won't be too hot. | 0:49:54 | 0:49:58 | |
Now leave the oven door shut for ten minutes and get everything else ready on the pass for me. | 0:49:58 | 0:50:04 | |
I won't know if I've rescued it until just before service, so that's panicking me a bit. | 0:50:05 | 0:50:10 | |
Tongs... | 0:50:13 | 0:50:14 | |
Thank you. | 0:50:14 | 0:50:16 | |
Take one out, cut it in half. Let's have a look. | 0:50:19 | 0:50:22 | |
Great. It looks nicely cooked. Beautiful. | 0:50:23 | 0:50:26 | |
-Right, let's go. I'll put the dollop on the plate for you. -Thanks. -You'll cut the chicken. Let's go. | 0:50:26 | 0:50:31 | |
It's really interesting how your food suddenly comes alive on these beautiful plates. | 0:50:36 | 0:50:41 | |
-Maybe you've got to go with something more ornate. It's pretty. -Yeah. -Clear that last course. | 0:50:41 | 0:50:47 | |
-You've got to push it now. -OK, John. Service, please! | 0:50:47 | 0:50:50 | |
Got it? Right. | 0:50:53 | 0:50:55 | |
It's beautiful. | 0:51:05 | 0:51:07 | |
Saira's roast chicken has been served with a makhani curry sauce, | 0:51:11 | 0:51:17 | |
accompanied by cauliflower prepared four ways, | 0:51:17 | 0:51:20 | |
stir-fried potato and broad bean aloo gobi, | 0:51:20 | 0:51:24 | |
deep-fried pakora fritters, | 0:51:24 | 0:51:26 | |
cauliflower puree and pickle. | 0:51:26 | 0:51:29 | |
Now, look at me. | 0:51:31 | 0:51:33 | |
-See what you can do? -Yeah, it's pretty. -By just taking it down. | 0:51:33 | 0:51:37 | |
It's really different. Look at that. | 0:51:37 | 0:51:39 | |
-Imagine that three weeks ago! -I can't imagine... I've never done anything like that in my life. | 0:51:39 | 0:51:45 | |
-Thank you. -Well done. -Thanks for all your help. | 0:51:45 | 0:51:48 | |
I think this looks really nice. | 0:51:48 | 0:51:50 | |
Really... Really rather beautiful. | 0:51:50 | 0:51:54 | |
It looks like a very subtle, interesting curry. | 0:51:54 | 0:51:57 | |
The chicken is perfect. Very tender and delicious. | 0:52:03 | 0:52:07 | |
The curry sauce was not too hot, not too bland, | 0:52:07 | 0:52:12 | |
which is perfect for the English palate. | 0:52:12 | 0:52:16 | |
Whatever it is, it's got a heat to it, a depth. It stays. I'm enjoying it. | 0:52:16 | 0:52:22 | |
I think this is my favourite so far. | 0:52:22 | 0:52:24 | |
I'm not a big girl, but I would have liked it a bit bigger. | 0:52:24 | 0:52:27 | |
I'm being greedy now, but that's me. | 0:52:27 | 0:52:32 | |
The flavours and the cooking of the chicken was fantastic. | 0:52:32 | 0:52:36 | |
That dish went down well, very, very well. | 0:52:36 | 0:52:39 | |
Larkin, 25 minutes, my friend. | 0:52:41 | 0:52:44 | |
I think I might have just rescued it. | 0:52:47 | 0:52:50 | |
I had to cook the tarts quicker, so not as light as I'd want them to be, but at least I'll have service. | 0:52:50 | 0:52:57 | |
I do like a bit of lemon and I do like a tart, | 0:52:58 | 0:53:01 | |
-given that I'm a bit of a tart myself. -You said it, darling! | 0:53:01 | 0:53:05 | |
Ladies! | 0:53:06 | 0:53:08 | |
John doesn't know that Larkin decided not to make his tuile. | 0:53:08 | 0:53:12 | |
Where's your white chocolate? | 0:53:12 | 0:53:14 | |
I couldn't get access to... The fridges were all busy. | 0:53:14 | 0:53:18 | |
-So, you've done a lemon tart, mate? -With a raspberry coulis. -Come on! | 0:53:18 | 0:53:22 | |
I expected nice things from you today. | 0:53:22 | 0:53:25 | |
12 Bond girls. How much of a tart do you think they're going to eat? | 0:53:30 | 0:53:34 | |
-Smaller portions. -Half that size. Bang, bang, bang. Let's go! | 0:53:34 | 0:53:39 | |
-I've got about six minutes left, Larkin. -Yes, chef. -Come on! | 0:53:42 | 0:53:46 | |
Count your plates. | 0:53:49 | 0:53:51 | |
-I need one more plate. -Get yourself organised. They're up on the plate wash. | 0:53:53 | 0:53:57 | |
It's really frustrating. Larkin's not organised. | 0:53:57 | 0:54:00 | |
He hasn't done white chocolate for his tart. | 0:54:00 | 0:54:03 | |
His oven wasn't on. Now he doesn't have his plates ready. Really? | 0:54:03 | 0:54:08 | |
-What else should go on the plate? -Raspberry coulis and the flower. | 0:54:14 | 0:54:18 | |
-OK, good. Let's go. -Service, please! | 0:54:24 | 0:54:28 | |
Oh! | 0:54:39 | 0:54:41 | |
HE LAUGHS | 0:54:41 | 0:54:43 | |
I'm really chuffed that's over with and I got the plates out in time. | 0:54:46 | 0:54:50 | |
It was right up to the wire. | 0:54:50 | 0:54:53 | |
At least I've churned out something that's edible. | 0:54:53 | 0:54:56 | |
I love the arrangement of the edible flowers and the rose. | 0:55:03 | 0:55:07 | |
-I've got flowers too. -Mm-hm. | 0:55:10 | 0:55:12 | |
Oh, my God, that's so delicious! | 0:55:19 | 0:55:22 | |
Oh! | 0:55:22 | 0:55:24 | |
This is very light and slightly fluffy. | 0:55:24 | 0:55:27 | |
OK, I'm going to have a bit of sauce. | 0:55:27 | 0:55:29 | |
Hmm! That's like raspberry jam. | 0:55:30 | 0:55:33 | |
That is very, very raspberry-ish. | 0:55:33 | 0:55:36 | |
That is absolutely beautiful. | 0:55:36 | 0:55:38 | |
It's gorgeous. Whoever made this gets a medal. | 0:55:38 | 0:55:42 | |
The jus is simply gorgeous, but the pastry needed more finesse. | 0:55:42 | 0:55:46 | |
I agree with the thing about the pastry which is why it's the one thing I've left this evening. | 0:55:46 | 0:55:51 | |
There's a couple of issues with it. The pastry could be crumblier and it could be sharper. | 0:55:51 | 0:55:57 | |
Although it's perfectly acceptable, it's not brilliant. | 0:55:57 | 0:56:01 | |
APPLAUSE | 0:56:02 | 0:56:05 | |
Very, very, very well done. | 0:56:14 | 0:56:17 | |
We just want to say how impressed we were with your talent. | 0:56:17 | 0:56:22 | |
The passion that you young people have, and you're all young... | 0:56:22 | 0:56:29 | |
You are. And to have got to this stage, well done. | 0:56:29 | 0:56:33 | |
Well done! | 0:56:33 | 0:56:35 | |
Thank you very much. APPLAUSE | 0:56:35 | 0:56:38 | |
That was all very good. | 0:56:45 | 0:56:47 | |
Oh, my goodness! | 0:56:47 | 0:56:49 | |
Today was amazing and to see the Bond girls as well, really surreal, but really amazing. | 0:56:53 | 0:56:59 | |
There were tears, there was sweat, there was nearly blood. There was everything today. | 0:56:59 | 0:57:04 | |
It was great to see them all smiles. They seemed to genuinely enjoy the day and enjoy the food. | 0:57:06 | 0:57:11 | |
Today, I'm back positive and feel like I've had a good go of it. | 0:57:11 | 0:57:15 | |
That was amazing. That was a fantastic evening. | 0:57:16 | 0:57:19 | |
I love it. I don't want to go home. I just want to carry on right to the end. | 0:57:19 | 0:57:24 | |
I think our four did brilliantly well. | 0:57:24 | 0:57:27 | |
When you consider the last round, they have really turned it around. | 0:57:27 | 0:57:31 | |
They think they were playing with danger here with the Bond girls? Wait till what comes up next. | 0:57:31 | 0:57:37 | |
Tomorrow night, it's the challenge to decide | 0:57:41 | 0:57:45 | |
who will become the final three in this year's competition. | 0:57:45 | 0:57:50 | |
The critics are arriving. | 0:57:50 | 0:57:52 | |
-We've never done anything like this ever before. -Because it's crazy. | 0:57:52 | 0:57:57 | |
I don't think anyone's ever been up against most of Britain's toughest critics in one room. | 0:57:58 | 0:58:04 | |
I almost feel sorry for them. But I don't. Just bring me good food! | 0:58:04 | 0:58:09 | |
Guys, I should be seeing this stuff now. | 0:58:09 | 0:58:12 | |
I've got to send these plates, otherwise I am stuffed. | 0:58:13 | 0:58:16 | |
Oh! | 0:58:18 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 |