Browse content similar to Duchess of Devonshire and Elizabeth McGovern. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:11 | 0:00:12 | |
Thank you. And welcome to My Life In Books, a chance for my guests to share their favourite reads. | 0:00:16 | 0:00:21 | |
Joining me tonight, a real Duchess and a screen Countess. | 0:00:21 | 0:00:25 | |
The Dowager Duchess of Devonshire. The last of the famous Mitford sisters, she's a keen businesswoman | 0:00:25 | 0:00:31 | |
who transformed the fortunes of Chatsworth, one of the great houses of England. | 0:00:31 | 0:00:36 | |
Her Grace has kindly tonight asked me to call her Debo. | 0:00:36 | 0:00:40 | |
And Elizabeth McGovern, the American-born actress | 0:00:40 | 0:00:42 | |
who recently entranced the nation with a wonderful performance as Lady Grantham in Downton Abbey. | 0:00:42 | 0:00:50 | |
I am quite outclassed! Thank you both for joining me. | 0:00:50 | 0:00:53 | |
APPLAUSE | 0:00:53 | 0:00:55 | |
Debo, have you seen Downton Abbey? | 0:00:58 | 0:01:01 | |
No, unfortunately not, because I very stupidly thought that they'd get it all wrong. | 0:01:01 | 0:01:08 | |
-But, of course, they didn't, and I realise now... -I'm not so sure! | 0:01:08 | 0:01:11 | |
-I realise now that I've missed something. But they'll put it on again. -Yes, they will. | 0:01:11 | 0:01:16 | |
-Just for you! -I'll have another look. -Let's take a look at a clip. | 0:01:16 | 0:01:20 | |
Welcome to Downton. | 0:01:24 | 0:01:26 | |
Lady Grantham, this is so kind of you. | 0:01:26 | 0:01:28 | |
Not at all, Duke. We're delighted you could spare the time. | 0:01:28 | 0:01:32 | |
You know my daughter Mary, of course - and Edith - | 0:01:32 | 0:01:35 | |
but I don't believe you've met my youngest, Sybil. | 0:01:35 | 0:01:37 | |
Ah. Lady Sybil. | 0:01:37 | 0:01:39 | |
How do you do? | 0:01:39 | 0:01:41 | |
Come on in, you must be worn out. | 0:01:41 | 0:01:43 | |
Oh - Lady Grantham, I've a confession to make. | 0:01:44 | 0:01:48 | |
My man was taken ill just as I was leaving, so I... | 0:01:48 | 0:01:51 | |
-Well, that won't be a problem, will it, Carson? -Certainly not. | 0:01:51 | 0:01:54 | |
I shall look after His Grace myself. | 0:01:54 | 0:01:56 | |
Oh, no, I wouldn't dream of being such a nuisance. Surely a footman... | 0:01:56 | 0:01:59 | |
Didn't you serve me when I dined with Lady Grantham in London? | 0:02:00 | 0:02:04 | |
I did, Your Grace. | 0:02:04 | 0:02:06 | |
Ah. There we are. We shall do very well together, won't we...? | 0:02:06 | 0:02:09 | |
-Er...Thomas, Your Grace. -Thomas. | 0:02:09 | 0:02:12 | |
If you'd had the chance, before you played Lady Grantham, | 0:02:13 | 0:02:18 | |
would you have liked to have received some advice from Debo? | 0:02:18 | 0:02:23 | |
Well, it did cross my mind on the journey here that I perhaps should | 0:02:23 | 0:02:29 | |
have read your book before embarking on Downton Abbey because your life | 0:02:29 | 0:02:34 | |
is such a parallel... | 0:02:34 | 0:02:37 | |
What struck you most about that sort of life, and the character you were playing? | 0:02:37 | 0:02:42 | |
-I think it takes a very healthy person to survive it. -Yeah... | 0:02:43 | 0:02:47 | |
I really do. | 0:02:47 | 0:02:49 | |
Debo, you ran the great house of Chatsworth for nearly 50 years. | 0:02:49 | 0:02:55 | |
What do you think it is that has | 0:02:55 | 0:02:57 | |
increased people's interest in big houses? | 0:02:57 | 0:03:01 | |
I think there's a fascination... | 0:03:01 | 0:03:03 | |
When these films come on, | 0:03:03 | 0:03:05 | |
they're completely fascinated by it for some reason. | 0:03:05 | 0:03:09 | |
I don't quite know why - because they're just human beings, the same as everybody else. | 0:03:09 | 0:03:14 | |
Chatsworth pre-war, when your father-in-law | 0:03:14 | 0:03:17 | |
and mother-in-law were there... | 0:03:17 | 0:03:19 | |
Was it like that, was there that huge division of upstairs, downstairs? | 0:03:19 | 0:03:23 | |
Oh, there certainly was, but they were, my parents-in-law | 0:03:23 | 0:03:26 | |
were hardly there at all, because the war started when they were just going to make it much easier to run. | 0:03:26 | 0:03:32 | |
But it's such a pull, that house, | 0:03:32 | 0:03:36 | |
that people come back and back and back to see it again, | 0:03:36 | 0:03:41 | |
to walk in the park, to be alone in the garden... | 0:03:41 | 0:03:44 | |
Those are the things they love. | 0:03:44 | 0:03:46 | |
Heaps of people want their ashes scattered there, they really do. | 0:03:46 | 0:03:49 | |
There must have been plenty of books to choose from, living at Chatsworth. | 0:03:49 | 0:03:53 | |
There were thousands and thousands and thousands of books. | 0:03:53 | 0:03:56 | |
Did you keep account of the books, so that they weren't stolen away by guests? | 0:03:56 | 0:04:01 | |
-No, I'm afraid we didn't, and I'm afraid they were. -Oh! | 0:04:01 | 0:04:04 | |
Let's start with childhood reads. | 0:04:04 | 0:04:06 | |
Debo, you had a very unconventional childhood. | 0:04:06 | 0:04:09 | |
Not much schooling from outside. | 0:04:09 | 0:04:13 | |
No, thank God! | 0:04:13 | 0:04:15 | |
I never went to school. | 0:04:15 | 0:04:17 | |
When I did, it was only for two days and it was so awful. | 0:04:17 | 0:04:21 | |
The early years, you were taught at home, weren't you? | 0:04:21 | 0:04:24 | |
Oh, yes. My mother taught us to read and write before we were five. | 0:04:24 | 0:04:29 | |
And did your father read to you much? | 0:04:29 | 0:04:32 | |
My father? No. | 0:04:32 | 0:04:34 | |
But his turn of phrase was absolutely second to none. | 0:04:34 | 0:04:38 | |
He was so funny. He was the source of all the jokes in our family. | 0:04:38 | 0:04:42 | |
Is it true your father only read one book? | 0:04:42 | 0:04:45 | |
He read one book. | 0:04:45 | 0:04:47 | |
It was called White Fang | 0:04:47 | 0:04:49 | |
and he said it was so good he was never going to read another. | 0:04:49 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:54 | |
And I bought one on the internet the other night thinking they'd never have one, and I got it for £2. | 0:04:54 | 0:05:00 | |
He'd have been so surprised, wouldn't he? | 0:05:00 | 0:05:02 | |
Elizabeth, tell us a bit about your childhood. | 0:05:02 | 0:05:06 | |
You were born in Illinois, and then moved to LA where your father was teaching, as a professor - | 0:05:06 | 0:05:11 | |
-and your mother was a teacher also. -Two teachers. -Yeah. | 0:05:11 | 0:05:15 | |
So, was it a Hollywood childhood or was it a bookish childhood? | 0:05:15 | 0:05:19 | |
It was not an LA upbringing per se, and it was - yes, given that both | 0:05:19 | 0:05:25 | |
parents were teachers, there were books everywhere. It was our life. | 0:05:25 | 0:05:30 | |
Did they read to you? | 0:05:30 | 0:05:32 | |
I don't REMEMBER that, but erm... | 0:05:32 | 0:05:36 | |
I would have thought that it was very likely. | 0:05:36 | 0:05:40 | |
I think often children can't remember a time when they couldn't read, actually. | 0:05:40 | 0:05:44 | |
Debo, your first choice is A Hero Of Our Time by Mikhail Lermontov, | 0:05:44 | 0:05:49 | |
and it's the story of a Russian | 0:05:49 | 0:05:52 | |
military officer called Pechorin. | 0:05:52 | 0:05:55 | |
It's about him travelling through the mountainous region between Europe and Asia. | 0:05:55 | 0:06:00 | |
Can you remember roughly how old you were, when...? | 0:06:00 | 0:06:02 | |
Well, I think I was sort of 17, 18, very impressionable. | 0:06:02 | 0:06:06 | |
It was so moving, and the descriptions of Russia were so wonderful. | 0:06:06 | 0:06:10 | |
Did it give you an idea of a different Russia, or did you have any idea what Russia was like? | 0:06:10 | 0:06:15 | |
Absolutely none. Just that it was too big. | 0:06:15 | 0:06:18 | |
My mother used to say, "Don't let's talk about China, it's too big." | 0:06:18 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:24 | |
-The hero is a sort of antihero, isn't he? -Yes, he is. | 0:06:25 | 0:06:28 | |
He's a sort of Byronic figure, sort of restless and bored by everything. | 0:06:28 | 0:06:32 | |
And he killed a friend in a duel and just thought nothing of it. | 0:06:32 | 0:06:36 | |
I'm going to read a little bit - this is describing him. | 0:06:36 | 0:06:40 | |
"A grand fellow, he was, take it from me, only a bit odd. | 0:06:40 | 0:06:44 | |
"For instance, he'd spend the whole day out hunting in rain or cold. | 0:06:44 | 0:06:48 | |
"Everyone else would be tired and frozen, but he'd think nothing of it. | 0:06:48 | 0:06:52 | |
"Yet another time he'd sit in his room | 0:06:52 | 0:06:55 | |
"and at the least puff of wind reckon he'd caught a chill, | 0:06:55 | 0:06:58 | |
"or a shutter might bang and he'd shiver and turn pale. | 0:06:58 | 0:07:02 | |
"Yet I've seen him go for a wild boar single-handed. | 0:07:02 | 0:07:06 | |
"Sometimes you wouldn't get a word out of him for hours on end, | 0:07:06 | 0:07:09 | |
"but another time he would tell you stories that made you double up with laughter." | 0:07:09 | 0:07:15 | |
The denouement was that this man became suddenly and unexpectedly | 0:07:15 | 0:07:20 | |
very rich, and he could buy anything he wanted, and did. | 0:07:20 | 0:07:24 | |
And as soon as he'd got the things, he didn't want them any more. | 0:07:24 | 0:07:28 | |
-Did he remind you of anybody in your own life? -Oh, he certainly did. | 0:07:28 | 0:07:31 | |
The thing about very rich people | 0:07:31 | 0:07:35 | |
wanting to buy something desperately, and then of course... | 0:07:35 | 0:07:40 | |
But it must have been a lesson that you took to heart, because you are somebody whose... | 0:07:40 | 0:07:44 | |
circle was the rich and the privileged - and yet you knew how to survive it | 0:07:44 | 0:07:51 | |
and create a very, very happy, fulfilling life. | 0:07:51 | 0:07:55 | |
-So it must have been a lesson that implanted on your brain very early on. -Well, maybe yes. Maybe it was. | 0:07:55 | 0:08:02 | |
Elizabeth, your first choice | 0:08:02 | 0:08:04 | |
is The Black Stallion | 0:08:04 | 0:08:05 | |
by Walter Farley. | 0:08:05 | 0:08:07 | |
Now, how old were you | 0:08:07 | 0:08:08 | |
when you were reading this? | 0:08:08 | 0:08:10 | |
-Eight or nine, probably. Or ten. -Tell us what it's about. | 0:08:10 | 0:08:13 | |
It's a series of books about this wonderful relationship | 0:08:13 | 0:08:18 | |
between a boy and a horse on an island. | 0:08:18 | 0:08:23 | |
So I think it was a sort of romantic fantasy for me to have this | 0:08:24 | 0:08:29 | |
marvellous communication that was beyond words with this beautiful black stallion. | 0:08:29 | 0:08:36 | |
Is it a boys' book, really? | 0:08:36 | 0:08:37 | |
Er, I don't know statistically if more boys read it than girls. Probably... | 0:08:37 | 0:08:43 | |
Can you read us a little bit? | 0:08:43 | 0:08:45 | |
"Alec turned to the Black" - the horse... | 0:08:48 | 0:08:51 | |
"'This is our chance, Black,' he said, 'Don't let me down'. | 0:08:51 | 0:08:55 | |
"He could see the stallion was nervous. | 0:08:55 | 0:08:57 | |
"The horse had learned to trust him, but his natural instinct still warned him against the others. | 0:08:57 | 0:09:03 | |
"Soothingly, Alec spoke to him. | 0:09:03 | 0:09:05 | |
"Slowly he backed away. | 0:09:05 | 0:09:08 | |
"The Black raised his head nervously, then followed. | 0:09:08 | 0:09:11 | |
"As the boy neared the boat, the stallion stopped." | 0:09:11 | 0:09:16 | |
Lovely. | 0:09:17 | 0:09:18 | |
Debo, you're a famous rider - | 0:09:18 | 0:09:21 | |
I mean, you've hunted for many years. | 0:09:21 | 0:09:23 | |
Well, I lived for fox hunting and really nothing else. | 0:09:23 | 0:09:27 | |
What is it about hunting that excites you? | 0:09:27 | 0:09:29 | |
Oh, it's absolutely the most exciting thing in the world, I suppose. | 0:09:29 | 0:09:34 | |
There's something about fox hunting which is just...makes your hair go like that at the back of your neck. | 0:09:34 | 0:09:41 | |
Your next choice is called Rio Grande's Last Race | 0:09:41 | 0:09:44 | |
And Other Verses, | 0:09:44 | 0:09:46 | |
it's Andrew Barton Paterson. | 0:09:46 | 0:09:47 | |
Why did you choose this? | 0:09:47 | 0:09:49 | |
Well, somebody read it to me, and it's so tragic I rather wish I hadn't ever read it. | 0:09:49 | 0:09:55 | |
It was a very famous racehorse in the story, and a famous rider on it, and they were going round Aintree, | 0:09:55 | 0:10:03 | |
and there was a stone wall, and they jumped it perfectly the first time. | 0:10:03 | 0:10:08 | |
And the next time, they all crowded round him | 0:10:08 | 0:10:11 | |
and somebody shouted, "Give Rio Grande a chance, give him a chance." And er... | 0:10:11 | 0:10:17 | |
they pushed him into the side and he went through the wall and was killed, and so was his rider. | 0:10:17 | 0:10:24 | |
And it's just somehow so tragic, cos he had been such a wonderful horse. | 0:10:24 | 0:10:29 | |
Elizabeth, would you read us a little from...? It's the first poem in the book. | 0:10:29 | 0:10:33 | |
And this is his sad end, this bit? | 0:10:34 | 0:10:37 | |
So sorry... So sorry, I can't read. | 0:10:37 | 0:10:40 | |
His tragic end. | 0:10:40 | 0:10:41 | |
"He looked to left and looked to right, as though men rode beside, | 0:10:41 | 0:10:47 | |
"And Rio Grande with foam flecks white | 0:10:47 | 0:10:51 | |
"Raced at his jumps in headlong flight | 0:10:51 | 0:10:53 | |
"and cleared them in his stride. | 0:10:53 | 0:10:57 | |
"But when they reached the big stone wall, down went the bridle hand. | 0:10:57 | 0:11:02 | |
"And loud we heard Macpherson call, | 0:11:02 | 0:11:05 | |
"'Make room or half the field will fall, | 0:11:05 | 0:11:08 | |
"'Make room for Rio Grande!' | 0:11:08 | 0:11:11 | |
"'He's down! He's down!' | 0:11:11 | 0:11:13 | |
"And horse and man lay quiet, side by side, | 0:11:13 | 0:11:18 | |
"no need the pallid face to scan. | 0:11:18 | 0:11:21 | |
"We knew with Rio Grande he ran, | 0:11:21 | 0:11:25 | |
"The race that dead men ride." | 0:11:25 | 0:11:27 | |
-Oh! Did it make you cry? -Well, of course. Floods. Floods. | 0:11:27 | 0:11:33 | |
Are you a crier, generally? | 0:11:33 | 0:11:35 | |
Well, I am at that sort of thing. | 0:11:35 | 0:11:37 | |
-Animals? -Well, sort of, when they've been so wonderful. | 0:11:37 | 0:11:42 | |
-There's something about the beauty of a horse too, that is beyond all words, isn't it? -It is. | 0:11:42 | 0:11:48 | |
-Did you learn poetry off by heart? -Yes, we had to. | 0:11:48 | 0:11:51 | |
My mother followed something called the Parents' National Education Union. | 0:11:51 | 0:11:56 | |
So there was a curriculum that she was following when she was teaching you at home? | 0:11:56 | 0:12:00 | |
Yes, there was. | 0:12:00 | 0:12:02 | |
Before we move on from childhood - Debo, did you read to YOUR children when they were small? | 0:12:02 | 0:12:07 | |
No, because we had a nanny who was far better at it than me | 0:12:07 | 0:12:09 | |
and she taught them botany, she taught them all kinds of things, took them camping... | 0:12:09 | 0:12:15 | |
And the badgers used to come round and, you know, | 0:12:15 | 0:12:17 | |
it was just a marvellous childhood when she was there. | 0:12:17 | 0:12:20 | |
Far, far better than I ever could have been. | 0:12:20 | 0:12:23 | |
There's a picture, here, of you when the children were young | 0:12:23 | 0:12:27 | |
with Chatsworth in the background. | 0:12:27 | 0:12:29 | |
Had you moved in there recently, at that time? | 0:12:29 | 0:12:33 | |
Yes, we had. We moved in 1959, | 0:12:33 | 0:12:38 | |
and I was there for 46 years and a month. | 0:12:38 | 0:12:41 | |
Elizabeth, you married an Englishman. Your life was transformed. | 0:12:41 | 0:12:45 | |
You moved over here and your children were brought up over here. Did you read to them when they were young? | 0:12:45 | 0:12:51 | |
Oh, yes. | 0:12:51 | 0:12:52 | |
They won't remember! | 0:12:52 | 0:12:54 | |
Did they choose, or did you? | 0:12:54 | 0:12:56 | |
I did. | 0:12:57 | 0:12:59 | |
Well, I was forced to read the Harry Potters of course, but erm... | 0:12:59 | 0:13:03 | |
..but aside from that, we read a lot. | 0:13:04 | 0:13:07 | |
Your next book - James Joyce, A Portrait of the Artist | 0:13:07 | 0:13:11 | |
As A Young Man. | 0:13:11 | 0:13:13 | |
You were 15 when you read this. | 0:13:13 | 0:13:15 | |
Could you give us the plot in ten seconds? | 0:13:15 | 0:13:18 | |
Irish boy finds his true nature | 0:13:20 | 0:13:23 | |
growing up in...religious Dublin. | 0:13:23 | 0:13:27 | |
So it's er... | 0:13:28 | 0:13:30 | |
him discovering who he is. | 0:13:30 | 0:13:33 | |
OK, would you like to read us a passage from it? | 0:13:33 | 0:13:37 | |
"A wild angel had appeared to him, the angel of mortal youth and beauty. | 0:13:42 | 0:13:47 | |
"An envoy from the fair courts of life, to throw open before him in an | 0:13:47 | 0:13:53 | |
"instant of ecstasy the gates of all the ways of error and glory. | 0:13:53 | 0:13:58 | |
"On, and on, and on, and on. | 0:13:58 | 0:14:03 | |
"He halted suddenly, and heard his heart in the silence. | 0:14:03 | 0:14:08 | |
"How far had he walked, what hour was it?" | 0:14:08 | 0:14:12 | |
Why was it so special to you, that book, at 15? | 0:14:12 | 0:14:17 | |
I think it gave me a licence to believe that | 0:14:17 | 0:14:24 | |
the interior monologue that was within me | 0:14:24 | 0:14:29 | |
was important and relevant and...worth expressing. | 0:14:29 | 0:14:33 | |
In the same way that this boy discovers | 0:14:33 | 0:14:38 | |
that his calling in life will be to express the nature of life through his work in art. | 0:14:38 | 0:14:45 | |
Were you already on the path to becoming an actress by then? | 0:14:45 | 0:14:49 | |
No, this was long before that. | 0:14:49 | 0:14:51 | |
Debo, your next choice is an autobiography, | 0:14:51 | 0:14:53 | |
it was published in 1966. | 0:14:53 | 0:14:55 | |
It's called A Late Beginner | 0:14:55 | 0:14:58 | |
by Priscilla Napier. | 0:14:58 | 0:14:59 | |
Can you tell us about this? | 0:14:59 | 0:15:01 | |
Well, it's about Priscilla Napier's | 0:15:01 | 0:15:03 | |
childhood in Egypt, | 0:15:03 | 0:15:04 | |
and the extraordinary things she noticed. | 0:15:04 | 0:15:08 | |
Her father was working in Egypt, advising the government | 0:15:08 | 0:15:14 | |
on matters financial and all that. | 0:15:14 | 0:15:16 | |
-She wrote it towards the end of her life, didn't she? -Yes. | 0:15:16 | 0:15:19 | |
She goes back and describes her childhood as if she was still a child... | 0:15:19 | 0:15:24 | |
And she precipitated herself into wonderful descriptions | 0:15:24 | 0:15:31 | |
of Egypt and the people there and er... | 0:15:31 | 0:15:34 | |
it's just so extraordinary to be able to do that and then pretend you're only three. | 0:15:34 | 0:15:39 | |
Which couldn't have been quite true! | 0:15:39 | 0:15:41 | |
There's a little bit here... | 0:15:41 | 0:15:43 | |
"My mother and her sisters were true Victorians. | 0:15:43 | 0:15:47 | |
"Not in a general way - frightened of battle, murder and sudden death - but perfectly terrified of insects. | 0:15:47 | 0:15:54 | |
"The discovery of a scorpion in the nursery toy cupboard was, I think, kept from her. | 0:15:54 | 0:15:59 | |
"'Come and look, Daddy, what there is! | 0:15:59 | 0:16:02 | |
"'A tiny little lobster, in one of the dolls' teacups.'" | 0:16:02 | 0:16:06 | |
LAUGHTER | 0:16:06 | 0:16:08 | |
In your own book, Wait For Me, published last year, | 0:16:08 | 0:16:10 | |
there are some wonderful descriptions of you and your sisters. | 0:16:10 | 0:16:14 | |
Nancy was your older sister, and she was 16 years older than you. | 0:16:14 | 0:16:20 | |
Yes, she was grown up | 0:16:20 | 0:16:22 | |
and she'd gone to London to go to balls and all the rest of it, you know, | 0:16:22 | 0:16:26 | |
so she was very, very... Came back with these amazing tales of what she'd been doing in London. | 0:16:26 | 0:16:33 | |
-Hugely embroidered, like all her tales... -Yeah. | 0:16:33 | 0:16:36 | |
..but very funny. | 0:16:36 | 0:16:38 | |
Did it mean that you were a late beginner, being the youngest? | 0:16:38 | 0:16:41 | |
Yes, it did, because I wasn't the least bit interested in politics and all the others were. | 0:16:41 | 0:16:47 | |
And there were such rows at the dinner table, and people used to | 0:16:47 | 0:16:51 | |
go out and bang the door, you know - | 0:16:51 | 0:16:53 | |
but an absolute blind spot to me, I couldn't be interested in it. | 0:16:53 | 0:16:58 | |
Elizabeth, your next choice comes at a time when you were going through a big life change. | 0:16:58 | 0:17:03 | |
It's Middlemarch by George Eliot. | 0:17:03 | 0:17:05 | |
Well, it was a time in my life | 0:17:05 | 0:17:08 | |
of much tumult, because I had left America where I'd worked very hard to carve a career, | 0:17:08 | 0:17:15 | |
and I had made this decision to have a baby in England | 0:17:15 | 0:17:20 | |
so I was grappling with a lot of life changes, and... | 0:17:20 | 0:17:25 | |
really to kill time | 0:17:25 | 0:17:27 | |
I found what looked like the fattest book on the shelf, | 0:17:27 | 0:17:30 | |
and what I found in it was writing of such great wisdom about | 0:17:30 | 0:17:37 | |
human interaction and the repercussions of the decisions people make in their life. | 0:17:37 | 0:17:43 | |
And so much of it has to do with... | 0:17:43 | 0:17:46 | |
..people making choices about who they marry, | 0:17:47 | 0:17:50 | |
and er... | 0:17:50 | 0:17:52 | |
..the great importance of that, for any woman. | 0:17:53 | 0:17:56 | |
So it gave me a sort of a wise strength at that time. | 0:17:56 | 0:18:02 | |
Has Downton Abbey made up for the years when | 0:18:02 | 0:18:06 | |
you had to put your career on hold because of children? | 0:18:06 | 0:18:10 | |
I would say so, yes. | 0:18:10 | 0:18:12 | |
I feel very, very happy and proud to be a part of it. | 0:18:12 | 0:18:15 | |
Debo, your next book | 0:18:15 | 0:18:17 | |
is a very modern book, but it'll probably be | 0:18:17 | 0:18:21 | |
classed as a classic very soon. | 0:18:21 | 0:18:23 | |
It's Alan Bennett's | 0:18:23 | 0:18:24 | |
The Uncommon Reader. | 0:18:24 | 0:18:25 | |
He's been to stay, has he? | 0:18:25 | 0:18:27 | |
No! He wouldn't come to stay - | 0:18:27 | 0:18:29 | |
I said "Alan, do spend the night here, please do." | 0:18:29 | 0:18:32 | |
So he said, "No, no. I don't want to do that, I'll go to a crummy 'otel." | 0:18:32 | 0:18:38 | |
LAUGHTER | 0:18:38 | 0:18:39 | |
He's so nice and so charming and all that. | 0:18:39 | 0:18:43 | |
And he somehow has got this completely right, this book about | 0:18:43 | 0:18:48 | |
the Queen going unexpectedly to the back quarters of Buckingham Palace. | 0:18:48 | 0:18:53 | |
The travelling library happened to be there, and there was one or two people very interested in looking | 0:18:53 | 0:18:59 | |
so she'd climbed up the steps, and she went in to look and see what there was. | 0:18:59 | 0:19:05 | |
And having ploughed through a very heavy book that she was told was going to be wonderful, | 0:19:05 | 0:19:12 | |
her eye alit I'm glad to say on The Pursuit of Love by Nancy Mitford. | 0:19:12 | 0:19:18 | |
We've got a little of Alan Bennett here, reading from The Uncommon Reader. | 0:19:18 | 0:19:22 | |
'Books did not defer. All readers were equal. | 0:19:22 | 0:19:27 | |
'And this took her back to the beginning of her life. | 0:19:27 | 0:19:31 | |
'As a girl, one of her greatest thrills had been on VE night, when she and her sister had slipped | 0:19:31 | 0:19:37 | |
'out of the gates and mingled unrecognised with the crowds. | 0:19:37 | 0:19:42 | |
'There was something of that, she felt, to reading. | 0:19:42 | 0:19:45 | |
'It was anonymous. It was shared. | 0:19:45 | 0:19:48 | |
'It was common. | 0:19:48 | 0:19:50 | |
'And she, who had led a life apart, now found that she craved it. | 0:19:50 | 0:19:55 | |
'Here in these pages and between these covers, she could go unrecognised.' | 0:19:55 | 0:20:01 | |
-Is it a good portrait of the Queen? -I should say, very good. | 0:20:01 | 0:20:05 | |
Very good, because she's so extraordinarily down to earth, | 0:20:05 | 0:20:08 | |
and that's just how she would have reacted to the idea | 0:20:08 | 0:20:12 | |
of all those books round her - which of course she's got far, far more than that of her own. | 0:20:12 | 0:20:17 | |
I love Alan Bennett, he's... | 0:20:17 | 0:20:20 | |
That's the best description of reading I've ever heard. | 0:20:20 | 0:20:23 | |
"It's anonymous. It's shared." That's why it's so beautiful. | 0:20:23 | 0:20:27 | |
That's it, it's lovely. | 0:20:27 | 0:20:29 | |
You can leave yourself at the door, and yet you're sharing with other people. | 0:20:29 | 0:20:33 | |
And Elizabeth, your next choice | 0:20:33 | 0:20:36 | |
is The Remains Of The Day by Kazuo Ishiguro. | 0:20:36 | 0:20:40 | |
What happened | 0:20:40 | 0:20:41 | |
when you were reading this? | 0:20:41 | 0:20:43 | |
I was in a production | 0:20:43 | 0:20:45 | |
in New Jersey of Twelfth Night, | 0:20:45 | 0:20:48 | |
and driving back and forth in the car with the cast we would all carpool together, and... | 0:20:48 | 0:20:53 | |
it was a group idea to read passages of a book just to make the journey go faster. | 0:20:53 | 0:20:58 | |
So we all read this to one another. So it was a happy memory, that. | 0:20:58 | 0:21:03 | |
But at the time I felt that it crystallised my idea of a perfect book. | 0:21:03 | 0:21:09 | |
Not one passage is extraneous or not beautifully written. | 0:21:09 | 0:21:16 | |
It's about a butler in service, Stevens, who towards the end of | 0:21:16 | 0:21:21 | |
his life, doesn't he, sort of looks back and clearly regrets the missed opportunities. | 0:21:21 | 0:21:27 | |
The story is it dawning on him that he's missed his chance for love, | 0:21:27 | 0:21:32 | |
and that it was there for him. | 0:21:32 | 0:21:35 | |
So I suppose it began my fascination with the English character, because I think... | 0:21:35 | 0:21:40 | |
..in some respects he's writing about, perhaps not the England of | 0:21:41 | 0:21:45 | |
today, but the England of 40 years ago in which erm... | 0:21:45 | 0:21:51 | |
people were more interested in living lives of duty, et cetera | 0:21:51 | 0:21:58 | |
than in letting their emotions dictate their actions. | 0:21:58 | 0:22:03 | |
And the butler has learned to suffer the damage of that to a certain extent. | 0:22:03 | 0:22:07 | |
We've got a clip here, and this is a flashback. | 0:22:07 | 0:22:10 | |
It goes back to the first time that he meets Miss Kenton, who of course he falls in love with, | 0:22:10 | 0:22:16 | |
and even in this clip, she looks as if she's already in "lurve". | 0:22:16 | 0:22:21 | |
Well, no gentleman callers allowed, of course. | 0:22:21 | 0:22:24 | |
You'll forgive my mentioning it, but we have had problems of that sort | 0:22:24 | 0:22:28 | |
before, from inside the house too. | 0:22:28 | 0:22:30 | |
The previous housekeeper took it into her head to run off with the under butler. | 0:22:30 | 0:22:34 | |
Now, if two members of staff happen to fall in love | 0:22:34 | 0:22:36 | |
and decide to get married, there is nothing one can say, but what I do find a major irritation | 0:22:36 | 0:22:41 | |
are those persons who are simply going from post to post, looking for romance. | 0:22:41 | 0:22:46 | |
Housekeepers are particularly guilty here. | 0:22:47 | 0:22:50 | |
-No offence intended, of course. -None taken. | 0:22:50 | 0:22:53 | |
I know from my own experience how houses are at sixes and sevens once the staff start marrying each other. | 0:22:53 | 0:22:58 | |
Yes, indeed... | 0:22:58 | 0:23:00 | |
-Ahhh! -Ohh. | 0:23:00 | 0:23:02 | |
And the book, of course, won the Booker Prize in 1989. | 0:23:02 | 0:23:06 | |
Possibly becoming a classic like Middlemarch, do you think? | 0:23:06 | 0:23:09 | |
If it were up to me, yes. | 0:23:09 | 0:23:13 | |
We've had childhood and adolescent books, classic novels and some poetry. | 0:23:13 | 0:23:17 | |
We're going to move on to guilty pleasures. | 0:23:17 | 0:23:20 | |
Debo, you go back to your childhood for your final choice. | 0:23:20 | 0:23:25 | |
And you've actually brought with you, your copy of this book, | 0:23:25 | 0:23:29 | |
Struwwelpeter. | 0:23:29 | 0:23:31 | |
It's a German book, | 0:23:31 | 0:23:33 | |
by Heinrich Hoffmann, | 0:23:33 | 0:23:35 | |
and it's a pretty scary children's story, isn't it? | 0:23:35 | 0:23:39 | |
-It certainly is. -Yes. | 0:23:39 | 0:23:41 | |
Why did you choose it? | 0:23:41 | 0:23:42 | |
Well, because it's so frightening, and children love being frightened. | 0:23:42 | 0:23:46 | |
And why is it scary? | 0:23:46 | 0:23:48 | |
Because they cut off their fingers, they burnt the girls because of the matches... | 0:23:48 | 0:23:53 | |
-It's punishment. -Harriet And The Matches - she got burnt because | 0:23:53 | 0:23:59 | |
-she was naughty and did something wrong. -Too right! | 0:23:59 | 0:24:02 | |
There's a terrifying picture of her running, | 0:24:02 | 0:24:04 | |
isn't there? Do you remember? | 0:24:04 | 0:24:05 | |
-Oh, yes. -Really, really frightening. | 0:24:05 | 0:24:08 | |
-How children survived it I don't know. -I apologise for the frightening books. | 0:24:08 | 0:24:13 | |
LAUGHTER | 0:24:13 | 0:24:14 | |
When did you read it, Elizabeth? | 0:24:14 | 0:24:15 | |
It was in my husband's parents' house, so we'd take the kids there | 0:24:15 | 0:24:22 | |
and he used to enact the story of the boy who never drank his soup. | 0:24:22 | 0:24:25 | |
-Do you remember that one? -Yes, I certainly do. | 0:24:25 | 0:24:28 | |
And wasted away until he died, a stick! And they loved that. | 0:24:28 | 0:24:33 | |
Elizabeth, we come on to your final book, which you describe as your guilty pleasure. | 0:24:33 | 0:24:40 | |
Pure enjoyment... | 0:24:40 | 0:24:43 | |
I love reading recipes... | 0:24:46 | 0:24:48 | |
but I don't like a lot of fat - literary fat - | 0:24:48 | 0:24:52 | |
around the recipe itself, I just like reading the recipe. | 0:24:52 | 0:24:55 | |
Do you dream of cooking, or do you actually cook? | 0:24:55 | 0:24:58 | |
-I never cook. -LAUGHTER | 0:24:58 | 0:25:00 | |
Can you show us one recipe that you dream of, then? | 0:25:00 | 0:25:04 | |
I mean, this to me is just so much fun. | 0:25:04 | 0:25:09 | |
"Souffle... | 0:25:09 | 0:25:11 | |
-"A quarter-ounce softened butter. -CHUCKLING | 0:25:13 | 0:25:16 | |
"Prepare the mould, measure out the ingredients, butter the entire surface of the mould. | 0:25:16 | 0:25:23 | |
"Roll granulated sugar around in it, to coat the sides and bottom evenly." | 0:25:23 | 0:25:27 | |
-I just love reading all that! -LAUGHTER | 0:25:27 | 0:25:31 | |
-Are you a cook, Debo? -I haven't cooked since the war. | 0:25:31 | 0:25:35 | |
LAUGHTER | 0:25:35 | 0:25:36 | |
That's how I started my cookery book. | 0:25:36 | 0:25:38 | |
You wrote a cookery book yourself? | 0:25:38 | 0:25:40 | |
-Yes. -Ah! -I did. And it still sells, strangely enough. | 0:25:40 | 0:25:45 | |
Debo, you're breaking the rules cos you've brought another book. | 0:25:45 | 0:25:48 | |
Well, this is...yes, this is a very strange book. | 0:25:48 | 0:25:51 | |
It's The Life of Ronald Knox | 0:25:51 | 0:25:53 | |
by Evelyn Waugh. | 0:25:53 | 0:25:55 | |
Evelyn was a great friend, and he used to give me all his books as they came out. | 0:25:55 | 0:26:00 | |
And this thing arrived... and it doesn't look very prepossessing, does it? | 0:26:00 | 0:26:06 | |
Horrible colour, and everything perfectly beastly about it. | 0:26:06 | 0:26:09 | |
So I put it on the floor. And a friend of mine was sitting | 0:26:10 | 0:26:13 | |
next to me on the sofa, picked it up and found this written in it. | 0:26:13 | 0:26:17 | |
-Can you read it? -Yes... | 0:26:18 | 0:26:20 | |
"For Darling Debo, with love from Evelyn. | 0:26:21 | 0:26:25 | |
"You won't find a word in this | 0:26:25 | 0:26:28 | |
"to offend your Protestant sympathies"! | 0:26:28 | 0:26:32 | |
Well, that's how it starts. And then, you see, | 0:26:32 | 0:26:35 | |
you're looking for what's happening, | 0:26:35 | 0:26:37 | |
and...there are no words in it. | 0:26:37 | 0:26:40 | |
-LAUGHTER -Isn't that a good book? | 0:26:40 | 0:26:43 | |
But wasn't it nice of him to do it on purpose...? | 0:26:43 | 0:26:47 | |
-Wonderful! -He knew I wouldn't look at it, but it was jolly nice of him. | 0:26:47 | 0:26:52 | |
-So that's my surprise. -That was brilliant. | 0:26:53 | 0:26:56 | |
And, if you had to choose one of the five books to recommend - which one? | 0:26:56 | 0:27:01 | |
-Me? -Yes. -Oh, Lord... | 0:27:01 | 0:27:03 | |
I don't know. | 0:27:03 | 0:27:05 | |
-I suppose A Late Beginner. -A Late Beginner. | 0:27:05 | 0:27:08 | |
-I think so. -Priscilla Napier. That's the autobiography published in 1966. | 0:27:08 | 0:27:13 | |
-Completely wonderful. -Elizabeth, if you had to choose one? | 0:27:13 | 0:27:15 | |
-Middlemarch. -Middlemarch. -It's a book to live your life by. | 0:27:16 | 0:27:19 | |
What do you think your book choices say about you? | 0:27:19 | 0:27:23 | |
I think they...reflect my journey. | 0:27:23 | 0:27:26 | |
Which is, starting out | 0:27:26 | 0:27:30 | |
an enormous ego - James Joyce - | 0:27:30 | 0:27:34 | |
with er... | 0:27:34 | 0:27:36 | |
a penchant for romantic fantasy - Walter Farley - | 0:27:36 | 0:27:41 | |
tempered by the wisdom of middle-age, and | 0:27:41 | 0:27:46 | |
settling into a life of being happily married with kids. | 0:27:46 | 0:27:50 | |
That's been my... | 0:27:50 | 0:27:52 | |
personal journey thus far. | 0:27:52 | 0:27:56 | |
-Debo? -I don't think I can judge that for myself. | 0:27:56 | 0:28:00 | |
If I may say so, I think what your books say about you is that you've got a terrific sense of humour. | 0:28:00 | 0:28:06 | |
-Oh, good. -Yes! -LAUGHTER | 0:28:06 | 0:28:08 | |
That's very nice to hear. | 0:28:09 | 0:28:11 | |
Don't forget, there's more about the Books series on the BBC website. | 0:28:11 | 0:28:15 | |
Thank you to Debo, Dowager Duchess of Devonshire, and Elizabeth McGovern - | 0:28:15 | 0:28:20 | |
thank you for your life in books. | 0:28:20 | 0:28:22 | |
Please join me again tomorrow, same time, same place, for more stories of lives and books. | 0:28:22 | 0:28:27 | |
APPLAUSE | 0:28:27 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:44 | 0:28:46 | |
E-mail [email protected] | 0:28:46 | 0:28:49 |