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Prepare to be amazed by what you see over the next magical half hour. | 0:00:02 | 0:00:06 | |
You'll believe a man can walk on air! | 0:00:07 | 0:00:09 | |
And a dog can sit still. | 0:00:09 | 0:00:11 | |
Ooh, no. Gone. | 0:00:11 | 0:00:12 | |
Oh, God. | 0:00:13 | 0:00:14 | |
Tonight we offer you cats that magically arise. | 0:00:14 | 0:00:17 | |
Doughnut surprise! | 0:00:18 | 0:00:20 | |
And incredible office supplies. | 0:00:20 | 0:00:22 | |
Wow! | 0:00:22 | 0:00:24 | |
-Oh! -Yeah! | 0:00:24 | 0:00:25 | |
We've got great magic, amazing stunts | 0:00:25 | 0:00:27 | |
and earth-shatteringly weird stuff. | 0:00:27 | 0:00:30 | |
Ugh! Scary. | 0:00:30 | 0:00:32 | |
Welcome to Now You See It. | 0:00:32 | 0:00:34 | |
Tinted sunglasses are magic - they can turn | 0:00:48 | 0:00:50 | |
the grimmest of settings into something beautiful and exotic. | 0:00:50 | 0:00:54 | |
HAWAIIAN MUSIC | 0:00:54 | 0:00:55 | |
Cheers. | 0:00:58 | 0:00:59 | |
These glasses are even more impressive. | 0:01:02 | 0:01:04 | |
ALL SHOUT | 0:01:04 | 0:01:06 | |
This gentleman thinks so. | 0:01:08 | 0:01:09 | |
Imagine what he'd be like if they were ultraflex varifocals. | 0:01:09 | 0:01:13 | |
LAUGHTER | 0:01:13 | 0:01:14 | |
Stop making a spectacle of yourself. | 0:01:14 | 0:01:16 | |
Normally, it's catch it, bin it, kill it, | 0:01:25 | 0:01:27 | |
but magicians tend to go for the more showbiz | 0:01:27 | 0:01:30 | |
catch it, bounce it, make an elaborate origami swan from it. | 0:01:30 | 0:01:33 | |
Back to this guy, who can do so much more than magic up sunglasses. | 0:01:34 | 0:01:38 | |
He can do tricks with tissue paper, too. | 0:01:38 | 0:01:41 | |
Though the end result seems to be sunglasses again. | 0:01:41 | 0:01:44 | |
-LAUGHTER -Oh! | 0:01:44 | 0:01:46 | |
You could call these "optical illusions". | 0:01:46 | 0:01:49 | |
Now, who should a wife turn to | 0:01:49 | 0:01:51 | |
when her hubby's hobby is driving her mad? | 0:01:51 | 0:01:53 | |
Marriage guidance counsellor? A close friend or relative? | 0:01:53 | 0:01:56 | |
No. Magician Andrew Maine, of course. | 0:01:56 | 0:01:59 | |
Here to stop one husband from spending all his time fishing. | 0:01:59 | 0:02:02 | |
-Nothing yet? -Not yet, no. | 0:02:02 | 0:02:04 | |
I could fix that for you. | 0:02:04 | 0:02:05 | |
By bringing the fish... | 0:02:07 | 0:02:09 | |
to you. | 0:02:09 | 0:02:10 | |
What? | 0:02:12 | 0:02:13 | |
How did you do that? | 0:02:15 | 0:02:16 | |
I don't think that's enough. | 0:02:16 | 0:02:17 | |
I think... | 0:02:17 | 0:02:19 | |
He's turned the petrol tank into a fish tank! | 0:02:19 | 0:02:21 | |
-No. -I'm bringing the ocean to you, | 0:02:21 | 0:02:24 | |
so you don't have to go fishing anymore. | 0:02:24 | 0:02:27 | |
Now I'm getting scared at what's going on. | 0:02:27 | 0:02:29 | |
Here's the point, Urgen. | 0:02:29 | 0:02:30 | |
Your wife feels like she's drowning. | 0:02:30 | 0:02:32 | |
What is going onto my car right now? | 0:02:37 | 0:02:39 | |
This chap doesn't know whether to call the AA or the coastguard. | 0:02:41 | 0:02:44 | |
You have enough fish for a lifetime! | 0:02:44 | 0:02:47 | |
-How? -This is what you wanted. | 0:02:47 | 0:02:49 | |
No, this is not what I wanted. | 0:02:49 | 0:02:51 | |
Let me air it out for you. | 0:02:51 | 0:02:53 | |
Whoo! | 0:02:55 | 0:02:56 | |
And it was at this point that the fishing fan told Andrew | 0:02:56 | 0:02:58 | |
that that was actually a hire car. | 0:02:58 | 0:03:00 | |
Over to France, where the kids attend school on a Saturday. | 0:03:03 | 0:03:08 | |
Presumably that's where they learn advanced creepy telekinesis skills. | 0:03:08 | 0:03:12 | |
Very continental, | 0:03:17 | 0:03:18 | |
and thankfully not on the curriculum over here. | 0:03:18 | 0:03:21 | |
LAUGHTER | 0:03:21 | 0:03:22 | |
Oh, the joyous sound of nervous laughter from petrified adults. | 0:03:22 | 0:03:26 | |
THEY SPEAK FRENCH | 0:03:30 | 0:03:32 | |
Everyone's impressed, | 0:03:34 | 0:03:35 | |
except the waiter, whose tip she's messing with. | 0:03:35 | 0:03:38 | |
Oh, there he is. | 0:03:38 | 0:03:40 | |
Oh, hang on. | 0:03:40 | 0:03:41 | |
WHISPERS: Stop looking at me like that! | 0:03:43 | 0:03:47 | |
Kids plus magic equals trouble, | 0:03:47 | 0:03:48 | |
but what about animals? | 0:03:48 | 0:03:50 | |
Let's take a look in tonight's Animal Magic. | 0:03:50 | 0:03:53 | |
And he knows how to sit. | 0:03:53 | 0:03:55 | |
Roll over. | 0:03:55 | 0:03:57 | |
We're at home with Criss Angel and his kin. | 0:03:57 | 0:04:00 | |
Chris has come up with a novel way of removing | 0:04:00 | 0:04:02 | |
unwanted animal hair from the furniture. | 0:04:02 | 0:04:05 | |
HE PANTS HEAVILY | 0:04:05 | 0:04:07 | |
-Come on! -Look at the cat! | 0:04:08 | 0:04:11 | |
-Come on! -Whoa! | 0:04:11 | 0:04:13 | |
The cat's thinking, | 0:04:13 | 0:04:14 | |
"Nine lives and I had to spend one of them with him?" | 0:04:14 | 0:04:17 | |
-ALL: -Yeah! -Wow. | 0:04:17 | 0:04:18 | |
Rick Lax is determined to prove cats love magic | 0:04:22 | 0:04:24 | |
almost as much as they love dogs, baths and loud noises. | 0:04:24 | 0:04:28 | |
It's amazing what you can get a research grant for these days. | 0:04:29 | 0:04:33 | |
Yeah, pull a rabbit out of that hat, | 0:04:37 | 0:04:39 | |
then I'll be interested. | 0:04:39 | 0:04:40 | |
They hate it. | 0:04:43 | 0:04:44 | |
Well, cats may be sceptical about magic, | 0:04:46 | 0:04:48 | |
but what about man's best friend? | 0:04:48 | 0:04:51 | |
Here's a budding magician with his assistant, Doggy McGee. | 0:04:51 | 0:04:54 | |
Actually, the name's Fudge and he's pretty nonplussed. | 0:04:54 | 0:04:57 | |
"That collar's far too big for me!" | 0:04:57 | 0:05:00 | |
But wait... | 0:05:00 | 0:05:01 | |
Fudge vanishes! | 0:05:01 | 0:05:03 | |
Did somebody rattle the biscuit box in the kitchen? | 0:05:03 | 0:05:06 | |
And Fudge is back! | 0:05:14 | 0:05:16 | |
Who says you can't teach an old dog new tricks? | 0:05:16 | 0:05:18 | |
Well, the owner seems to think he's in charge, | 0:05:31 | 0:05:33 | |
but who's really pulling the strings? | 0:05:33 | 0:05:36 | |
Fudge is now the master! | 0:05:36 | 0:05:38 | |
It's the weekend so... | 0:05:41 | 0:05:42 | |
Who better than Dynamo to whip a crowd into a frenzy | 0:05:42 | 0:05:45 | |
over a small piece of paper. | 0:05:45 | 0:05:46 | |
Anyone got any receipts? | 0:05:46 | 0:05:47 | |
HE SPEAKS INDISTINCTLY | 0:05:47 | 0:05:49 | |
I hope it's the receipt for a sexy panda t-shirt, | 0:05:49 | 0:05:51 | |
so he can take it back. | 0:05:51 | 0:05:53 | |
-Don't judge me though. -Oh, this is perfect. I think. | 0:05:53 | 0:05:56 | |
Yeah, this is for £32.10. | 0:05:56 | 0:05:58 | |
-Oh, I see, vodka. -Yeah. -Absolut. | 0:05:58 | 0:06:02 | |
That's my best friend. | 0:06:02 | 0:06:04 | |
Let me try this. | 0:06:04 | 0:06:05 | |
-ALL SHOUT -What?! What? | 0:06:12 | 0:06:15 | |
Maybe it's a receipt for his trousers, as they clearly don't fit. | 0:06:15 | 0:06:19 | |
Should've spent that £32.10 on a belt. | 0:06:19 | 0:06:22 | |
This is yours, mate. | 0:06:22 | 0:06:23 | |
Aye aye aye! | 0:06:25 | 0:06:27 | |
No! | 0:06:27 | 0:06:28 | |
On the downside, the bottle of vodka vanished back to the shop. | 0:06:28 | 0:06:31 | |
Now, over to the World Magic Awards, | 0:06:32 | 0:06:34 | |
and some amazing card manipulation from Jeff McBride. | 0:06:34 | 0:06:38 | |
Now, if you're wondering why Jeff is dressed like that, | 0:06:38 | 0:06:40 | |
he's just had an audition for Game of Thrones. | 0:06:40 | 0:06:43 | |
Sadly, he didn't get the part, | 0:06:43 | 0:06:45 | |
but he has landed a role in House of Cards. | 0:06:45 | 0:06:47 | |
Jeff's incredible sleight of hand card skills have got him | 0:06:50 | 0:06:54 | |
barred from every branch of Clintons. | 0:06:54 | 0:06:56 | |
Fancy doing some trickery yourself? | 0:07:01 | 0:07:03 | |
Well, pay close attention, | 0:07:03 | 0:07:05 | |
as we open up our Beginner's Guide to Magic. | 0:07:05 | 0:07:08 | |
And tonight there's just one simple rule, | 0:07:08 | 0:07:10 | |
but it's an important one. | 0:07:10 | 0:07:12 | |
Be very, very careful when choosing your venue. | 0:07:12 | 0:07:15 | |
Sharp-eyed viewers may just spot a fatal mistake. | 0:07:17 | 0:07:20 | |
Magic's all smoke and mirrors, | 0:07:24 | 0:07:26 | |
but this trick needs a lot more smoke and a bit less mirror. | 0:07:26 | 0:07:30 | |
And if you've filmed a trick that hasn't quite gone to plan, | 0:07:30 | 0:07:32 | |
go on, share it with us. | 0:07:32 | 0:07:34 | |
Check out the website for all the details. | 0:07:34 | 0:07:38 | |
Er, we can still see you, I'm afraid. | 0:07:39 | 0:07:42 | |
Want to know how to do a trick yourself? | 0:07:49 | 0:07:51 | |
Let's find out in How Do They Do That!? | 0:07:51 | 0:07:53 | |
Thank you, wish me the best of luck. | 0:07:53 | 0:07:55 | |
Magicians Wayne Houchin and Nate Staniforth are playing | 0:07:55 | 0:07:57 | |
the most elaborate and deadly game of Find the Lady. | 0:07:57 | 0:08:01 | |
Or should that be Bloke? | 0:08:01 | 0:08:03 | |
Wayne hides in one of five metal boxes, | 0:08:04 | 0:08:06 | |
and it's up to Nate to find him. | 0:08:06 | 0:08:09 | |
Ooh, he doesn't look happy in there. | 0:08:09 | 0:08:11 | |
Mix 'em up, mix 'em up. | 0:08:11 | 0:08:12 | |
Spin 'em around. If you've stopped... | 0:08:12 | 0:08:13 | |
A quick shuffle by some volunteers prevents it from being | 0:08:13 | 0:08:16 | |
the easiest trick ever for Nate. | 0:08:16 | 0:08:18 | |
All right, very good. | 0:08:18 | 0:08:19 | |
But where's the deadly bit? | 0:08:19 | 0:08:21 | |
Here! | 0:08:21 | 0:08:22 | |
-RADIO: -Right, Dave, I want you to start by destroying this one here. | 0:08:22 | 0:08:26 | |
Ooh, has he picked one of the empty boxes? | 0:08:31 | 0:08:34 | |
Fingers crossed for you, mate. | 0:08:34 | 0:08:36 | |
-RADIO: -Yeah, Dave, destroy this one. | 0:08:41 | 0:08:42 | |
-RADIO: -Destroy this one. | 0:08:50 | 0:08:51 | |
He's having a right old laugh in that box, isn't he? | 0:08:54 | 0:08:57 | |
-RADIO: -Right, Dave, I want you to... | 0:09:03 | 0:09:06 | |
No, I want you to destroy this one. Take this one out. | 0:09:06 | 0:09:08 | |
Oh, make your mind up, love, it's only life or death! | 0:09:08 | 0:09:11 | |
Mind you, stylishly done. | 0:09:16 | 0:09:18 | |
But is Wayne safe? | 0:09:18 | 0:09:19 | |
Oh, no, it's empty! | 0:09:22 | 0:09:24 | |
-Ho-ho. -APPLAUSE | 0:09:26 | 0:09:27 | |
Only joking, he's safe. Not even a stubbed toe. | 0:09:27 | 0:09:31 | |
But how on earth did they manage it? | 0:09:31 | 0:09:33 | |
We'll find out later. | 0:09:33 | 0:09:34 | |
Well, I've not seen anyone tidy like this since Mary Poppins. | 0:09:36 | 0:09:40 | |
Incredible stuff, and just think how much more he could achieve | 0:09:40 | 0:09:43 | |
if he had both hands free. | 0:09:43 | 0:09:44 | |
Is it a ball? | 0:09:48 | 0:09:49 | |
Is it a bird? | 0:09:49 | 0:09:51 | |
Is it a...? | 0:09:51 | 0:09:52 | |
Oh, yeah, it's a bird. APPLAUSE | 0:09:52 | 0:09:54 | |
The world's largest slingshot. | 0:09:54 | 0:09:56 | |
Well, for anyone watching on a tiny smartphone, | 0:09:56 | 0:09:58 | |
here's a much bigger catapult trick with a basketball. | 0:09:58 | 0:10:02 | |
Oh, yeah! | 0:10:02 | 0:10:04 | |
-BOTH: -Yeah! | 0:10:04 | 0:10:06 | |
THEY SHOUT | 0:10:06 | 0:10:07 | |
Never thought THAT guy would be a tree-hugger. | 0:10:07 | 0:10:10 | |
Yes! | 0:10:10 | 0:10:11 | |
Something tells me they're pretty happy with that. | 0:10:11 | 0:10:13 | |
No wonder, they've been trying to do it solidly for six weeks. | 0:10:13 | 0:10:16 | |
Time for a change of clothes, guys, come on. | 0:10:16 | 0:10:18 | |
-HE SHOUTS: -Oh, my God! | 0:10:19 | 0:10:22 | |
Alex Ramone has a novel way of making magic even more exciting. | 0:10:23 | 0:10:27 | |
Watch the card very carefully. | 0:10:27 | 0:10:29 | |
It changes from the four | 0:10:29 | 0:10:31 | |
to the six of diamonds. | 0:10:31 | 0:10:32 | |
Brilliant. | 0:10:32 | 0:10:34 | |
Plus he managed to complete the trick | 0:10:34 | 0:10:35 | |
before he smashed into a tree. | 0:10:35 | 0:10:37 | |
Whooo! | 0:10:37 | 0:10:39 | |
Ladies and gentlemen, Ed Sheeran! | 0:10:39 | 0:10:42 | |
WHISPERS: Not really. | 0:10:42 | 0:10:44 | |
Actually, it's an amazing escapology stunt | 0:10:44 | 0:10:46 | |
from the Safronov brothers in Russia. | 0:10:46 | 0:10:49 | |
They are tied to that post | 0:10:55 | 0:10:56 | |
and must escape before the red van drops on them. | 0:10:56 | 0:10:59 | |
Simple set-up, although utterly insane. | 0:10:59 | 0:11:01 | |
CROWD COUNTS IN RUSSIAN | 0:11:01 | 0:11:04 | |
One's out. | 0:11:07 | 0:11:08 | |
And another. | 0:11:09 | 0:11:10 | |
Come on, Ed-alike! | 0:11:10 | 0:11:12 | |
Oh, dear. Well, I'm really glad this IS a trick, | 0:11:14 | 0:11:16 | |
or now I'd be very worried. | 0:11:16 | 0:11:18 | |
After all, the suspension on that van is totally done in. | 0:11:18 | 0:11:22 | |
THEY SHOUT | 0:11:22 | 0:11:24 | |
Oh, ooh! Wait! | 0:11:31 | 0:11:32 | |
It's Ed! He's done it! | 0:11:32 | 0:11:34 | |
CHEERING To celebrate he sings a song | 0:11:34 | 0:11:35 | |
from his latest unplugged album. | 0:11:35 | 0:11:38 | |
Yeah! | 0:11:38 | 0:11:39 | |
Yeah! | 0:11:39 | 0:11:40 | |
It's not a classic. | 0:11:41 | 0:11:43 | |
APPLAUSE AND CHEERING | 0:11:43 | 0:11:44 | |
CHEERING | 0:11:48 | 0:11:49 | |
I don't normally say no to a doughnut, | 0:11:59 | 0:12:01 | |
but, on this occasion... | 0:12:01 | 0:12:04 | |
What's your name? | 0:12:04 | 0:12:05 | |
Coming up... | 0:12:05 | 0:12:06 | |
Troy's out on a date, but what's on the menu? | 0:12:06 | 0:12:09 | |
Probably a large drink stain. | 0:12:09 | 0:12:11 | |
Sue Barker faces the harsh reality of BBC cuts. | 0:12:12 | 0:12:16 | |
And, in our big finish... | 0:12:16 | 0:12:17 | |
DMC must act PDQ, | 0:12:17 | 0:12:20 | |
or he faces the biggest split up since JLS. | 0:12:20 | 0:12:22 | |
OMG! | 0:12:22 | 0:12:24 | |
HE SHOUTS | 0:12:24 | 0:12:25 | |
But now, more expert trickery as we showcase the magic of | 0:12:25 | 0:12:28 | |
Dee Christopher. | 0:12:28 | 0:12:29 | |
Erm, have any of you guys heard of alchemy? | 0:12:30 | 0:12:33 | |
The definition is it's "the profound art of taking base substances | 0:12:33 | 0:12:37 | |
"and changing them into precious metals". | 0:12:37 | 0:12:39 | |
Come on, look like you understand! | 0:12:39 | 0:12:41 | |
Yeah, that's better. | 0:12:41 | 0:12:42 | |
Fire... | 0:12:42 | 0:12:43 | |
..was often used as the catalyst for these experiments, | 0:12:44 | 0:12:47 | |
where they'd take something worthless... | 0:12:47 | 0:12:51 | |
..and change it... | 0:12:53 | 0:12:55 | |
-ALL: -Oh! -..into something... | 0:12:58 | 0:13:00 | |
QUIET LAUGHTER | 0:13:00 | 0:13:01 | |
..very precious. | 0:13:01 | 0:13:02 | |
I've got a silver ring here. | 0:13:04 | 0:13:06 | |
It's my understanding that, perhaps, | 0:13:07 | 0:13:10 | |
if I was to heat up the metal... | 0:13:10 | 0:13:13 | |
..and melt it down... | 0:13:14 | 0:13:15 | |
LAUGHTER | 0:13:16 | 0:13:18 | |
..we could potentially analyse the solution, | 0:13:18 | 0:13:22 | |
and figure out a way to replicate it. | 0:13:22 | 0:13:25 | |
Use a straw. | 0:13:25 | 0:13:26 | |
If I was to take a drop of this. | 0:13:26 | 0:13:29 | |
Just a single drop. | 0:13:29 | 0:13:30 | |
That'll do. | 0:13:32 | 0:13:33 | |
And try and cool it down... | 0:13:36 | 0:13:37 | |
..we should be able to solidify it... | 0:13:43 | 0:13:46 | |
-..into something new. -LAUGHTER | 0:13:47 | 0:13:50 | |
But, you know, I mean, these old-fashioned silver coins | 0:13:50 | 0:13:53 | |
are no good to us here, really. | 0:13:53 | 0:13:55 | |
They're not accepted as currency. | 0:13:55 | 0:13:56 | |
To have the maximum get out of this, | 0:13:56 | 0:13:59 | |
you'd have to really deposit it. | 0:13:59 | 0:14:00 | |
Blimey! That is clever. | 0:14:00 | 0:14:02 | |
APPLAUSE | 0:14:02 | 0:14:03 | |
Now, could I have the two small glasses of wine I ordered? | 0:14:03 | 0:14:07 | |
Now we challenge everything you hold dear about magic, | 0:14:07 | 0:14:09 | |
as we introduce you to tonight's | 0:14:09 | 0:14:11 | |
not-so-glamorous assistants. | 0:14:11 | 0:14:13 | |
This time it's an enormous chicken. | 0:14:15 | 0:14:17 | |
Oh, the hormones they put in food these days, eh? | 0:14:17 | 0:14:20 | |
Oh, no. It's actually a Charlie Chaplin lookalike. | 0:14:23 | 0:14:27 | |
So let's just see how appealing this fun-filled creature is to children. | 0:14:27 | 0:14:32 | |
Oh, dear. | 0:14:32 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:35 | |
HE SPEAKS KOREAN | 0:14:35 | 0:14:36 | |
More insanity here. | 0:14:39 | 0:14:40 | |
Has anyone told Network Rail about this? | 0:14:40 | 0:14:44 | |
HEAVY BREATHING | 0:14:44 | 0:14:45 | |
AS DARTH VADER: "You are unwise to raise those defences." | 0:14:45 | 0:14:48 | |
Star Wars line, terrible impression. | 0:14:48 | 0:14:51 | |
More pole-ish stunts here. And watch this. | 0:14:51 | 0:14:54 | |
If you feel like your life's going round in circles, | 0:14:57 | 0:14:59 | |
this hobby isn't the one for you. | 0:14:59 | 0:15:02 | |
Pretty dazzling, though. | 0:15:02 | 0:15:04 | |
Just like an OAP on the release date of Daniel O'Donnell's new calendar, | 0:15:09 | 0:15:12 | |
Ben Hart is in a hurry. | 0:15:12 | 0:15:15 | |
And tonight he seems a little bit peckish. | 0:15:15 | 0:15:17 | |
So I'm probably overdressed for cookery, but don't worry. | 0:15:17 | 0:15:21 | |
LAUGHTER | 0:15:21 | 0:15:22 | |
So the aim today is I'm going to try and use magic to do some cookery | 0:15:23 | 0:15:27 | |
quicker than that toaster can cook a piece of toast. | 0:15:27 | 0:15:30 | |
It's going to be machine versus magic. | 0:15:30 | 0:15:33 | |
Toast versus the host. | 0:15:33 | 0:15:34 | |
The only thing I haven't got is I haven't got any actual ingredients. | 0:15:34 | 0:15:37 | |
Damilo, would you come up here and join me? | 0:15:37 | 0:15:39 | |
-Yeah. -We're going to be cooking an omelette. | 0:15:39 | 0:15:41 | |
-OK. -So what do we need to cook an omelette? | 0:15:41 | 0:15:43 | |
-An egg. -An egg. So I've got here an imaginary egg. | 0:15:43 | 0:15:46 | |
We just need to crack it. | 0:15:46 | 0:15:47 | |
TAPPING | 0:15:49 | 0:15:50 | |
I heard something. | 0:15:51 | 0:15:52 | |
That was the sound of an imaginary egg, obviously. | 0:15:52 | 0:15:54 | |
Thank you, you can sit back down. Would you take that plate with you? | 0:15:54 | 0:15:57 | |
Remember, I'm up against the clock, I'm up against that toaster, | 0:15:58 | 0:16:01 | |
so, three, two, one... | 0:16:01 | 0:16:03 | |
Toast, go on. OK. | 0:16:03 | 0:16:05 | |
So I'm going to whisk up our imaginary egg. | 0:16:05 | 0:16:08 | |
Here we go. | 0:16:08 | 0:16:09 | |
Well, the good thing is, there's no washing up. | 0:16:09 | 0:16:11 | |
Then I'm just going to pour it into the pan here. | 0:16:11 | 0:16:13 | |
Like that. | 0:16:16 | 0:16:17 | |
And I'm just going to start cooking with my imagination. | 0:16:17 | 0:16:19 | |
Bit of herbs, I think, bit of imaginary herbs, that should do it. | 0:16:19 | 0:16:22 | |
Collecting imaginary herbs! | 0:16:22 | 0:16:24 | |
Where does he find the time? | 0:16:24 | 0:16:27 | |
I think... | 0:16:27 | 0:16:28 | |
Yes, yes, hold out the plate for me. | 0:16:28 | 0:16:30 | |
I think it's worked, you've got very good imaginations. | 0:16:30 | 0:16:33 | |
Because, look, now there is a real imaginary omelette. | 0:16:33 | 0:16:36 | |
Yeah, it looked a bit nicer when it was imaginary. | 0:16:36 | 0:16:39 | |
-And I won! -CHEERING | 0:16:39 | 0:16:41 | |
Proof indeed that you can make an omelette without breaking eggs. | 0:16:41 | 0:16:45 | |
OK, let's put you out of your misery and reveal the answer | 0:16:47 | 0:16:50 | |
to How Do They Do That!? | 0:16:50 | 0:16:52 | |
Ladies and gentlemen, I want you to turn around, | 0:16:53 | 0:16:55 | |
pick out something on the horizon and stare at it. | 0:16:55 | 0:16:58 | |
You'll remember magician, Wayne Houchin | 0:16:58 | 0:17:00 | |
hid in one of five metal boxes, | 0:17:00 | 0:17:02 | |
while his pal, Nate Staniforth, looked away | 0:17:02 | 0:17:04 | |
and the boxes were mixed up. | 0:17:04 | 0:17:06 | |
Using an industrial digger and the power of his mind, | 0:17:06 | 0:17:10 | |
Nate managed to crush the four empty boxes, | 0:17:10 | 0:17:12 | |
leaving Wayne without a scratch. | 0:17:12 | 0:17:15 | |
But how did Nate know which was the right one? | 0:17:15 | 0:17:17 | |
Well, Wayne sent an infrared beam | 0:17:19 | 0:17:22 | |
from a small breathing hole in his box. | 0:17:22 | 0:17:24 | |
Invisible to the naked eye, | 0:17:24 | 0:17:26 | |
but not to a sensor in Nate's trousers, | 0:17:26 | 0:17:29 | |
which picked up the beam as he walked past. | 0:17:29 | 0:17:31 | |
As soon as Nate felt a vibration in his trousers, | 0:17:31 | 0:17:34 | |
he knew Wayne was in the box he'd just passed. | 0:17:34 | 0:17:37 | |
Would you want your life to depend on your mate's vibrating trousers? | 0:17:37 | 0:17:42 | |
Cos I tell you what, | 0:17:42 | 0:17:43 | |
I ruddy wouldn't. | 0:17:43 | 0:17:44 | |
Now, Justin Flom has a first-world problem. | 0:17:48 | 0:17:52 | |
Plastic wrap, I hate plastic wrap. | 0:17:52 | 0:17:55 | |
It's hard to tear, it sticks to things that you don't want it to, | 0:17:55 | 0:17:58 | |
it sticks to itself, it sticks to everything, | 0:17:58 | 0:18:00 | |
except what you need it to stick to - | 0:18:00 | 0:18:02 | |
-your plate of pizza. -LAUGHTER | 0:18:02 | 0:18:04 | |
What we're going to do is I wanted to | 0:18:04 | 0:18:06 | |
create a piece of magic using plastic wrap. | 0:18:06 | 0:18:07 | |
Billy's going to help me out. Billy, can you come up on stage? | 0:18:07 | 0:18:10 | |
Give her a big round of applause. | 0:18:10 | 0:18:12 | |
APPLAUSE AND CHEERING | 0:18:12 | 0:18:14 | |
And give Billy the plastic wrap. | 0:18:14 | 0:18:17 | |
We got a little cabinet up onstage with a curtain | 0:18:17 | 0:18:19 | |
and a pole that Billy now gets to wrap me to. | 0:18:19 | 0:18:23 | |
-So, Billy, come on around. -All right. -Er, I need to... | 0:18:23 | 0:18:25 | |
-I'll take a whole bunch. -You take that. | 0:18:25 | 0:18:27 | |
-Yeah, and go ahead. -Nice and tight. Here we go. -Wrap me tight. | 0:18:27 | 0:18:30 | |
Excellent, this'll be good. | 0:18:30 | 0:18:32 | |
This is, er... | 0:18:32 | 0:18:33 | |
-perfect. Tear it, yeah. -Yeah. | 0:18:33 | 0:18:35 | |
-It's hard. Very good. -OK. | 0:18:35 | 0:18:37 | |
-LAUGHTER -Now, Billy, you're going to be | 0:18:37 | 0:18:40 | |
with me in the cabinet here, | 0:18:40 | 0:18:41 | |
but what I need you to do is I need you to grab that curtain, | 0:18:41 | 0:18:44 | |
and you're going to close that curtain for me. | 0:18:44 | 0:18:46 | |
-So... -And you want me in the cabinet with you? | 0:18:46 | 0:18:48 | |
-I know it's awkward. -OK. | 0:18:48 | 0:18:50 | |
Just, just... Yeah. | 0:18:50 | 0:18:52 | |
Just so you know that there's nothing going on | 0:18:52 | 0:18:54 | |
-between me and Justin. -Yeah. So we're going to close the curtains. | 0:18:54 | 0:18:56 | |
This is strictly a working relationship. | 0:18:56 | 0:18:58 | |
-LAUGHTER -That's right. Close the curtain. | 0:18:58 | 0:19:00 | |
Very good. Hang on, I'm going to... | 0:19:00 | 0:19:02 | |
I'm going to adjust that a bit. | 0:19:02 | 0:19:03 | |
-GASPING -Right there. I think I should... | 0:19:03 | 0:19:05 | |
That's, that's good, right. | 0:19:05 | 0:19:06 | |
Incredible trick. And Billy stays fresh for up to 48 hours. | 0:19:06 | 0:19:09 | |
Xavier Mortimer's trying to magic up the perfect implement | 0:19:12 | 0:19:15 | |
for eating ice cream. | 0:19:15 | 0:19:17 | |
Hm, a knife. | 0:19:17 | 0:19:18 | |
Well, that's no good. | 0:19:18 | 0:19:20 | |
Chopsticks? I don't think so. | 0:19:29 | 0:19:31 | |
Ah, at last! A spoon! | 0:19:37 | 0:19:39 | |
But I wouldn't hang about for too much longer if I were you. | 0:19:42 | 0:19:45 | |
Too late. Yeah, the ice cream's melted. | 0:19:45 | 0:19:48 | |
It's Troy on his first date with this nice lady. | 0:19:48 | 0:19:51 | |
Bit forward to secretly film it, though. | 0:19:51 | 0:19:53 | |
-What's your name? -Erm, Amadea. -Amadea? -Yeah. | 0:19:53 | 0:19:55 | |
Amadea? | 0:19:55 | 0:19:57 | |
Well, I'm a magician. | 0:19:57 | 0:19:58 | |
Oh, dear. | 0:19:58 | 0:20:00 | |
I would recommend the Long Island iced tea. | 0:20:00 | 0:20:04 | |
-Yeah? -Yeah. | 0:20:04 | 0:20:05 | |
-I can make it for you if you want. -Really? | 0:20:05 | 0:20:06 | |
All we need is a, er... | 0:20:06 | 0:20:07 | |
-a glass. -SHE LAUGHS | 0:20:07 | 0:20:10 | |
Oh my God, I'm going to get so freaked out. | 0:20:10 | 0:20:12 | |
But genuinely! | 0:20:12 | 0:20:13 | |
Quick, Amadea, see if he's got a bag of crisps in there as well! | 0:20:19 | 0:20:22 | |
You can't drink it without this, right? | 0:20:22 | 0:20:24 | |
Need a straw. | 0:20:24 | 0:20:26 | |
BELL RINGS | 0:20:28 | 0:20:29 | |
Now, you'll love this. Watch and learn. | 0:20:32 | 0:20:35 | |
This paperclip is made from nitinol, | 0:20:37 | 0:20:39 | |
an alloy with very special powers. | 0:20:39 | 0:20:41 | |
When you bend it into a totally different shape, | 0:20:44 | 0:20:46 | |
like this representation of Brands Hatch race circuit | 0:20:46 | 0:20:49 | |
and drop it into hot water... | 0:20:49 | 0:20:51 | |
voila! | 0:20:51 | 0:20:52 | |
It's a paperclip again! | 0:20:53 | 0:20:55 | |
And there was me thinking nitinol just helps you sleep at night. | 0:20:55 | 0:20:58 | |
God, you learn something new every day. | 0:20:58 | 0:21:00 | |
There are lots of things you can do with paperclips, | 0:21:02 | 0:21:04 | |
but when it comes to stationery products, nothing can compete | 0:21:04 | 0:21:07 | |
with the versatility of the rubber band. | 0:21:07 | 0:21:09 | |
Sounds like a BBC Four series. | 0:21:09 | 0:21:11 | |
DRAMATIC MUSIC | 0:21:13 | 0:21:19 | |
Have you ever noticed even the smallest of tricks | 0:21:19 | 0:21:21 | |
can seem a lot bigger with suitably dramatic music? | 0:21:21 | 0:21:25 | |
MUSIC BUILDS | 0:21:25 | 0:21:27 | |
Actually, that's pretty good. | 0:21:27 | 0:21:29 | |
Let's see if I can copy it. | 0:21:29 | 0:21:31 | |
You cross the band on this finger. | 0:21:31 | 0:21:34 | |
Right, OK. Yeah. | 0:21:34 | 0:21:36 | |
-You put this finger on this here. -Ooh. yeah. | 0:21:36 | 0:21:38 | |
Erm, finger under there. | 0:21:38 | 0:21:39 | |
Oh, 'ang on. Where's me thumb? | 0:21:39 | 0:21:41 | |
Underneath? Oh, it's tight. | 0:21:41 | 0:21:43 | |
WHISPERS: I'm losing circulation! Yeah. | 0:21:43 | 0:21:45 | |
It just looks like this. | 0:21:45 | 0:21:47 | |
Oh, hang on, where's that gone? | 0:21:47 | 0:21:48 | |
You take this finger... | 0:21:48 | 0:21:50 | |
I think I'll leave it to the experts. | 0:21:50 | 0:21:52 | |
All I wanted was my own stab of dramatic music. | 0:21:52 | 0:21:54 | |
DRAMATIC MUSIC | 0:21:54 | 0:21:56 | |
Oh, thanks. | 0:21:56 | 0:21:57 | |
Rubber band ball, it's just rubber bands. | 0:21:57 | 0:22:00 | |
Like a rubber band ball, | 0:22:00 | 0:22:02 | |
takes four days before he can do it again. | 0:22:02 | 0:22:04 | |
Philip Blue here became so obsessed with rubber band tricks, | 0:22:04 | 0:22:07 | |
his wife made him leave the house and do them in the car. | 0:22:07 | 0:22:10 | |
Yeah, that was worth it. | 0:22:16 | 0:22:19 | |
As it goes, rubber bands are pretty simple. | 0:22:19 | 0:22:22 | |
For more advanced office magic, come and join us | 0:22:22 | 0:22:24 | |
walking in a Printer Wonderland. | 0:22:24 | 0:22:26 | |
HE SPEAKS ANOTHER LANGUAGE | 0:22:27 | 0:22:29 | |
HE SHOUTS | 0:22:30 | 0:22:32 | |
That once got me thrown out of Ryman's. | 0:22:32 | 0:22:34 | |
When you don't have a printer... | 0:22:34 | 0:22:36 | |
..oh, you don't need one. | 0:22:39 | 0:22:40 | |
Interesting place for a button. WHIRRING | 0:22:43 | 0:22:45 | |
You don't know where the batteries are. | 0:22:45 | 0:22:47 | |
Yes, sir, you. | 0:22:47 | 0:22:48 | |
IN AMERICAN ACCENT: To New York's Times Square, | 0:22:48 | 0:22:50 | |
where we've seen legendary performances from U2, Taylor Swift... | 0:22:50 | 0:22:53 | |
this guy! | 0:22:53 | 0:22:54 | |
Commit it to memory. | 0:22:54 | 0:22:56 | |
Ladies and gentlemen, | 0:22:56 | 0:22:57 | |
this deck of cards looks like it's a regular ordinary deck. | 0:22:57 | 0:23:01 | |
It is, but it means a great deal to me, ladies and gentlemen. | 0:23:01 | 0:23:06 | |
And now we're going to shuffle the deck a little more. | 0:23:06 | 0:23:09 | |
Sorry, it can't mean THAT much to you | 0:23:10 | 0:23:12 | |
if you're going to sling it on the pavement. | 0:23:12 | 0:23:14 | |
Oh, sorry... | 0:23:14 | 0:23:15 | |
IN AMERICAN ACCENT: ..sidewalk. | 0:23:15 | 0:23:16 | |
GASPING Ooh, look at this, though. | 0:23:16 | 0:23:18 | |
Wow! | 0:23:20 | 0:23:21 | |
Well, I think I'm more impressed than that crowd. | 0:23:21 | 0:23:25 | |
Nice to see a deck dancing round. | 0:23:27 | 0:23:29 | |
All we need is Ant and we're ready to rumble. | 0:23:29 | 0:23:32 | |
He's not quite anatomically correct - | 0:23:34 | 0:23:35 | |
he's got a heart where his nose should be. | 0:23:35 | 0:23:37 | |
And is that a club foot? | 0:23:37 | 0:23:39 | |
-Is that your card? -Yeah. -That's your card? | 0:23:39 | 0:23:42 | |
-Yeah. -Round of applause. | 0:23:42 | 0:23:43 | |
It's Israeli magician Hezi Dean, | 0:23:45 | 0:23:48 | |
whose assistant's sunglasses suggest a heavy night last night. | 0:23:48 | 0:23:52 | |
Oh, poor love. | 0:23:52 | 0:23:53 | |
Luckily, when they're off sick, | 0:23:56 | 0:23:58 | |
magicians draft in a locum assistant - | 0:23:58 | 0:24:00 | |
this guy! Great trousers. | 0:24:00 | 0:24:02 | |
Well, it must've been a heavy night, | 0:24:07 | 0:24:09 | |
as Hezi cures her tense, nervous headache. | 0:24:09 | 0:24:12 | |
Ow! | 0:24:12 | 0:24:13 | |
Very well done. | 0:24:14 | 0:24:15 | |
Wow! The box magically moves on his command. | 0:24:25 | 0:24:28 | |
That's just showing off. | 0:24:28 | 0:24:30 | |
I'd use the carrying handles, love. | 0:24:30 | 0:24:33 | |
Oh, he actually heard me. | 0:24:33 | 0:24:35 | |
Now this could be gruesome. | 0:24:41 | 0:24:43 | |
Oh, no! She's fine. | 0:24:43 | 0:24:45 | |
Not saying much, though, as her vocal cords are 20 feet away. | 0:24:45 | 0:24:49 | |
Remaining calm, too. | 0:24:53 | 0:24:55 | |
Well, she's kept her head. | 0:24:55 | 0:24:57 | |
Outstanding! | 0:24:57 | 0:24:59 | |
And the secret to the trick? | 0:24:59 | 0:25:01 | |
She was an android all along. | 0:25:01 | 0:25:03 | |
Going to roll it up, and put it into this air can. Watch. | 0:25:05 | 0:25:08 | |
Calen Morelli now, who's overslept and needs to get dressed in a hurry. | 0:25:08 | 0:25:12 | |
Good. All right. I want you guys to watch closely. | 0:25:12 | 0:25:14 | |
All you got to do is watch my chest. | 0:25:14 | 0:25:16 | |
That's not your chest, Calen, that's your stomach! | 0:25:16 | 0:25:19 | |
All right, on the count of three. | 0:25:22 | 0:25:24 | |
One, two... | 0:25:24 | 0:25:26 | |
three. | 0:25:26 | 0:25:27 | |
And if you think that's impressive, | 0:25:28 | 0:25:30 | |
you should see him putting on his underpants. | 0:25:30 | 0:25:33 | |
Now it's time for our Big Finish. | 0:25:35 | 0:25:38 | |
Over to DMC, who's risking life and all his limbs | 0:25:38 | 0:25:41 | |
in one amazing stunt. | 0:25:41 | 0:25:43 | |
Using just two trucks, pulling in opposite directions, | 0:25:46 | 0:25:49 | |
this wooden pallet will split in two. | 0:25:49 | 0:25:52 | |
Ta-dah! | 0:25:52 | 0:25:53 | |
Oh, that's not much of a trick. | 0:25:53 | 0:25:55 | |
Oh, hang on... | 0:25:55 | 0:25:57 | |
There's no going back. | 0:25:58 | 0:26:00 | |
There are many factors that could go wrong with the stunt | 0:26:01 | 0:26:04 | |
I'm about to perform, | 0:26:04 | 0:26:07 | |
but right now the biggest danger I face | 0:26:07 | 0:26:09 | |
is my own fear. | 0:26:09 | 0:26:10 | |
That and the danger of not looking to your left and right, | 0:26:10 | 0:26:13 | |
with all these speeding trucks on the road. | 0:26:13 | 0:26:16 | |
Ladies and gentlemen, thank you very much for coming. | 0:26:17 | 0:26:21 | |
WHISPERS: So posh! | 0:26:21 | 0:26:22 | |
Please place your fists out, like this. | 0:26:22 | 0:26:25 | |
And this one goes on here. | 0:26:25 | 0:26:26 | |
Why is he handcuffing his mum? | 0:26:26 | 0:26:28 | |
This one here. | 0:26:28 | 0:26:29 | |
-Give them a good wrestle. -Mm-hm. | 0:26:29 | 0:26:31 | |
Play with them. | 0:26:31 | 0:26:33 | |
Press something, see if anything gives. | 0:26:33 | 0:26:35 | |
-LAUGHTER -OK. So what I'm going to do... | 0:26:35 | 0:26:36 | |
Two ways to get out of these. | 0:26:36 | 0:26:39 | |
One is with this handcuff key, | 0:26:39 | 0:26:42 | |
which I'm going to leave with you. | 0:26:42 | 0:26:44 | |
-That is for you, so could you hold onto that? -Yep. | 0:26:44 | 0:26:46 | |
And the other... | 0:26:46 | 0:26:48 | |
is this bobby pin, which I will use to pick the lock. | 0:26:48 | 0:26:52 | |
Apparently you can't take part in this trick | 0:26:54 | 0:26:56 | |
if you've got any hair. | 0:26:56 | 0:26:59 | |
DRAMATIC MUSIC | 0:26:59 | 0:27:00 | |
HE SIGHS | 0:27:18 | 0:27:19 | |
Now it's just him, his mum, the crowd, the trucks, | 0:27:19 | 0:27:22 | |
and, just out of shot, | 0:27:22 | 0:27:23 | |
a 30-piece orchestra making that music. | 0:27:23 | 0:27:26 | |
DRAMATIC MUSIC | 0:27:26 | 0:27:28 | |
And... | 0:27:30 | 0:27:31 | |
three, two, one. | 0:27:31 | 0:27:32 | |
Action! | 0:27:34 | 0:27:36 | |
TIMER TICKS | 0:27:36 | 0:27:37 | |
HE GRUNTS | 0:27:41 | 0:27:42 | |
I think that helicopter is so they can look for his arms | 0:27:42 | 0:27:45 | |
if the trick goes wrong. | 0:27:45 | 0:27:46 | |
HE SHOUTS | 0:27:50 | 0:27:52 | |
Come on, you've got to get it off. Get it off. Agh! | 0:27:52 | 0:27:55 | |
Get it off! | 0:27:55 | 0:27:57 | |
-No, no, no. -Ooh! -No, no! -ALL SHOUT | 0:27:57 | 0:28:01 | |
-HE GRUNTS ALL: -Ooh! | 0:28:01 | 0:28:03 | |
HELICOPTER WHIRS | 0:28:03 | 0:28:05 | |
HE SIGHS | 0:28:11 | 0:28:13 | |
Ooh, his glands are up. | 0:28:13 | 0:28:14 | |
Obviously, it goes without saying - don't try this at home. | 0:28:14 | 0:28:18 | |
It does work better on a deserted runway. | 0:28:18 | 0:28:20 | |
That's all for now, but join me next time for more spellbinding magic | 0:28:22 | 0:28:26 | |
and extraordinary feats on Now You See It. | 0:28:26 | 0:28:30 | |
-CHEERING -Yeah! | 0:28:30 | 0:28:31 |