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In the world of magic, speed is everything. | 0:00:03 | 0:00:05 | |
From a fast buck to the fast lane. MAN LAUGHS | 0:00:06 | 0:00:10 | |
As quick as a flash, things can change. | 0:00:12 | 0:00:14 | |
So don't be sheepish, and keep your head... | 0:00:15 | 0:00:18 | |
That was, like, impossible! | 0:00:19 | 0:00:22 | |
..as we plunge right in. | 0:00:22 | 0:00:24 | |
Welcome to Now You See It. | 0:00:24 | 0:00:26 | |
Let's start off as I never do, with a workout at the gym. | 0:00:42 | 0:00:45 | |
And a ball that magically gets bigger. | 0:00:48 | 0:00:51 | |
I think someone's going to notice when he puts that back on the snooker table. | 0:00:51 | 0:00:55 | |
Does that count as eating your greens? | 0:00:58 | 0:01:01 | |
Meanwhile, sports day at Hogwarts descends into chaos. | 0:01:01 | 0:01:04 | |
Ten points to Hufflepuff. | 0:01:06 | 0:01:07 | |
A lovely sunny day at the beach. But watch out, Troy's about. | 0:01:08 | 0:01:12 | |
Do you mind if I open it? | 0:01:12 | 0:01:14 | |
I'll give it back to you. | 0:01:14 | 0:01:16 | |
She's not happy. | 0:01:16 | 0:01:17 | |
Right. | 0:01:19 | 0:01:20 | |
-Perfect. You just want to take a bite out of it, right? -Yeah. | 0:01:23 | 0:01:27 | |
But I take a bite out of it a different way. | 0:01:27 | 0:01:29 | |
-Want me to show you? -Yeah. -All you have to do is watch my mouth. | 0:01:29 | 0:01:32 | |
OK? Watch. | 0:01:32 | 0:01:34 | |
Right here. | 0:01:34 | 0:01:36 | |
THEY LAUGH | 0:01:38 | 0:01:40 | |
How do you do that? | 0:01:40 | 0:01:42 | |
It's good. I like it. | 0:01:42 | 0:01:44 | |
Let me give it back to you. | 0:01:44 | 0:01:46 | |
Thank you. | 0:01:46 | 0:01:47 | |
Enjoy your ice creams, OK? See you later. | 0:01:47 | 0:01:50 | |
What's he going to do now? Wrestle a chip off a seagull? | 0:01:50 | 0:01:53 | |
It's illusionist Darcy Oake on the Megabus. | 0:01:55 | 0:01:57 | |
Cut out the horseplay - you'll distract the driver. | 0:01:57 | 0:02:01 | |
THEY LAUGH | 0:02:01 | 0:02:03 | |
-What the...?! -He's bunked off. | 0:02:04 | 0:02:06 | |
-What's up? -He's gone. -What do you mean, he's gone? | 0:02:06 | 0:02:09 | |
-He's gone. -Yes, I know he's gone, but where's he gone? | 0:02:09 | 0:02:14 | |
Great trick, mate. | 0:02:14 | 0:02:15 | |
But the lights have turned green. See you later. | 0:02:17 | 0:02:19 | |
This is one traffic warden you don't want to mess with. | 0:02:21 | 0:02:24 | |
You've got to move the car. Just doing my job. | 0:02:26 | 0:02:28 | |
There's a sign right there that says no standing. You can't be here. | 0:02:28 | 0:02:31 | |
Why should I move now? You just gave me a ticket. | 0:02:31 | 0:02:34 | |
-Just doing my job, so how about you move that car, huh? -I'm not moving. | 0:02:34 | 0:02:37 | |
I'm going to give you some help, all right? | 0:02:37 | 0:02:40 | |
SHE GROANS | 0:02:40 | 0:02:43 | |
Oh, that's impressive. | 0:02:43 | 0:02:44 | |
Normally it's the cab that picks up the person. | 0:02:44 | 0:02:47 | |
MAN LAUGHS | 0:02:47 | 0:02:49 | |
SHE GROANS | 0:02:49 | 0:02:51 | |
They're amazed. | 0:02:51 | 0:02:52 | |
They've never seen a New York taxi go this long without beeping its horn. | 0:02:52 | 0:02:56 | |
-Girl power. -Right. | 0:02:56 | 0:02:58 | |
You're standing right in front of a bus stop, sir. | 0:02:58 | 0:03:00 | |
-You've got to move. -No, I'm not moving. -How about I show you? | 0:03:00 | 0:03:03 | |
-How about I show you how to move? -Bite me. | 0:03:03 | 0:03:05 | |
-Yeah? -Yeah. -How about this, huh? | 0:03:05 | 0:03:07 | |
How about I show you, huh? | 0:03:07 | 0:03:09 | |
And it was at this point that she remembered she needed a cab home. | 0:03:09 | 0:03:13 | |
Good luck with that. | 0:03:13 | 0:03:14 | |
Whoo! Yeah! | 0:03:14 | 0:03:17 | |
Not all magic requires a show of brute force. | 0:03:17 | 0:03:20 | |
Here's Moritz Mueller showing its gentler side. | 0:03:20 | 0:03:22 | |
Great fun, unless you're stuck behind him | 0:03:25 | 0:03:27 | |
in the queue at the vending machine. | 0:03:27 | 0:03:29 | |
And I'm loving those fairy lights. | 0:03:32 | 0:03:34 | |
Hi! | 0:03:35 | 0:03:37 | |
A trip to the aquarium now, | 0:03:37 | 0:03:39 | |
and a heavily disguised Cyril Takayama is up to something fishy. | 0:03:39 | 0:03:42 | |
This one right here. | 0:03:45 | 0:03:46 | |
Let's see, how about that pearl right there? | 0:03:46 | 0:03:50 | |
-You like that one? -The black one? -Yeah, the black pearl right there. -It's beautiful. | 0:03:50 | 0:03:54 | |
Let me try this. | 0:03:54 | 0:03:55 | |
Let's put that right there like this, and just push through. | 0:03:55 | 0:04:00 | |
Oh! Oh! | 0:04:00 | 0:04:02 | |
Oh! Oh! Oh! | 0:04:03 | 0:04:07 | |
They're thinking, "She's got a very hairy hand for an old lady." | 0:04:07 | 0:04:12 | |
Just grab that ring right here. That one. | 0:04:13 | 0:04:17 | |
Let me just pull that out right here like this. | 0:04:19 | 0:04:22 | |
That terrified the goldfish. But on the plus side, | 0:04:22 | 0:04:25 | |
two seconds later it had forgotten all about it. | 0:04:25 | 0:04:28 | |
Look at that! That is so beautiful. | 0:04:28 | 0:04:31 | |
I love this. | 0:04:34 | 0:04:37 | |
-Do you like this one? -I love it. | 0:04:37 | 0:04:39 | |
Then this one is going to be the gift for my granddaughter. | 0:04:39 | 0:04:42 | |
-I love it. -I think you have to pay for that. | 0:04:42 | 0:04:45 | |
Yeah, because her walking off without paying would be the weirdest thing to happen here(!) | 0:04:45 | 0:04:49 | |
You know what I haven't seen enough of? Magic tricks with cups of coffee. | 0:04:51 | 0:04:54 | |
So let's put that right with a section I call Magic Tricks With Cups Of Coffee. | 0:04:54 | 0:04:59 | |
And look who's first up. | 0:05:01 | 0:05:03 | |
-I'm Dynamo, what's your name? -Nicasio. -Nicasio? -Yes. | 0:05:03 | 0:05:06 | |
-Brian. -Brian. -Karim. -Karim. | 0:05:06 | 0:05:08 | |
Sorry, what was that? Nicasio, Karim, and...? | 0:05:08 | 0:05:13 | |
Brian. | 0:05:13 | 0:05:14 | |
Brian. Yeah. OK, carry on. Sorry, Dynamo. | 0:05:14 | 0:05:17 | |
-Can I try something with you, Karim? -Absolutely. | 0:05:17 | 0:05:19 | |
Just think of someone kind of close to you. | 0:05:19 | 0:05:22 | |
Just visualise them in your mind right now. Look at me. | 0:05:24 | 0:05:27 | |
This might sound really weird, but | 0:05:30 | 0:05:33 | |
I'm kind of getting the name Nicole. | 0:05:33 | 0:05:36 | |
I'm getting someone called Nicole. | 0:05:36 | 0:05:39 | |
-Who is Nicole? -My sister. | 0:05:39 | 0:05:41 | |
-Your sister? Can I take one of these coffees? -Go for it. -All right. | 0:05:41 | 0:05:46 | |
Can you just take the lid off, actually? | 0:05:46 | 0:05:48 | |
-Take a sip? Oh, take the lid off? -Take the lid. | 0:05:48 | 0:05:51 | |
Watch. | 0:05:51 | 0:05:52 | |
Whoa! | 0:05:58 | 0:05:59 | |
Pretty clever, and slightly more personal than just | 0:05:59 | 0:06:02 | |
writing your name on the side of the cup. | 0:06:02 | 0:06:04 | |
Wow! | 0:06:04 | 0:06:06 | |
-Wow! -Wow! | 0:06:08 | 0:06:10 | |
I'll drink to my sister. | 0:06:13 | 0:06:15 | |
Only in the world of magic would you end up drinking your sister's face. | 0:06:15 | 0:06:19 | |
Justin Flom's enjoying an instant coffee. | 0:06:20 | 0:06:23 | |
So called because it vanishes in an instant. | 0:06:32 | 0:06:35 | |
Now it's Ben Hart with his very own BLEND of coffee magic. | 0:06:38 | 0:06:42 | |
I'm going to unmake this cup of coffee using magic | 0:06:42 | 0:06:46 | |
quicker than you can make a cup of coffee. | 0:06:46 | 0:06:48 | |
I take my coffee milk with one sugar, so that's what you need to make. | 0:06:48 | 0:06:52 | |
-Are you ready? -Yes. -Ready, steady, kettle! | 0:06:52 | 0:06:54 | |
-Great catchphrase. -Connie, would you bring your hand over here? | 0:06:54 | 0:06:57 | |
Just touch the side of this mug and check that the coffee is indeed hot coffee. | 0:06:57 | 0:07:00 | |
-It's hot coffee. -OK. I'm going to cover it with a saucer. | 0:07:00 | 0:07:03 | |
The first step in unmaking coffee | 0:07:03 | 0:07:05 | |
is I'm going to try | 0:07:05 | 0:07:06 | |
and bring all the milk | 0:07:06 | 0:07:07 | |
out of the coffee, like this, see? | 0:07:07 | 0:07:09 | |
I'll be very impressed if he can now get that milk back into the cow. | 0:07:09 | 0:07:13 | |
Just nice, black coffee. | 0:07:13 | 0:07:15 | |
And having just removed the milk, | 0:07:17 | 0:07:18 | |
now I'm going to try and remove the sugar. | 0:07:18 | 0:07:21 | |
Connie, will you pick up the sugar bowl for me? | 0:07:21 | 0:07:23 | |
I'm going to try and bring out | 0:07:23 | 0:07:25 | |
just dry, bone-dry sugar. | 0:07:25 | 0:07:28 | |
Would you touch that for me? | 0:07:28 | 0:07:30 | |
-Examine every single granule. -Totally dry. -It's very dry. | 0:07:30 | 0:07:34 | |
THEY LAUGH | 0:07:34 | 0:07:36 | |
Thanks. You can put it down now | 0:07:36 | 0:07:37 | |
because I'm up against the clock. Quick, put it down! | 0:07:37 | 0:07:40 | |
Strictly speaking, Ben, you're up against the kettle, but do carry on. | 0:07:40 | 0:07:43 | |
Connie, would you hold out your hand for me? | 0:07:43 | 0:07:45 | |
-Would you have a look at this dish for me, check it is empty? -Yep. | 0:07:45 | 0:07:48 | |
Yes. We're going to put it down here. | 0:07:48 | 0:07:50 | |
Put your hand flat on top for me. | 0:07:50 | 0:07:52 | |
Now I'm going to remove all the coffee, one granule at a time. | 0:07:52 | 0:07:55 | |
So, watch the coffee. | 0:07:55 | 0:07:56 | |
As I stir it, you'll see something really amazing starts to happen. | 0:07:56 | 0:08:00 | |
You see, what happens is those granules | 0:08:00 | 0:08:02 | |
start to leave one at a time. | 0:08:02 | 0:08:03 | |
They start to leave. Do you see it happening? | 0:08:03 | 0:08:05 | |
-It's getting lighter. -SHE LAUGHS | 0:08:05 | 0:08:07 | |
And the amazing thing is, now this coffee has just returned to | 0:08:07 | 0:08:09 | |
just being just clear, perfect water. | 0:08:09 | 0:08:14 | |
And if you wonder where the granules have gone, | 0:08:14 | 0:08:16 | |
lift your hand, have a look. See? The granules are now here. | 0:08:16 | 0:08:19 | |
And the amazing thing, dip your finger in there, | 0:08:19 | 0:08:21 | |
is the water is not even hot any more. | 0:08:21 | 0:08:23 | |
Which means I win! | 0:08:23 | 0:08:24 | |
How's my coffee doing? | 0:08:24 | 0:08:26 | |
-It's not even boiled. -Not even boiled! | 0:08:26 | 0:08:28 | |
It turns out magic wins on this occasion. | 0:08:28 | 0:08:32 | |
Back to Justin now for some animal magic. | 0:08:32 | 0:08:34 | |
Specifically, animals joining in with magic. | 0:08:36 | 0:08:39 | |
He's picked a card, he's eaten the card. | 0:08:41 | 0:08:44 | |
Don't worry, Justin, you'll get that back in 24 hours - | 0:08:44 | 0:08:46 | |
a finale I really don't want to see. | 0:08:46 | 0:08:49 | |
Right, so, doing magic with camels is a disaster. | 0:08:49 | 0:08:52 | |
Let's be a bit more sensible | 0:08:52 | 0:08:54 | |
and get some sheep to join in instead. | 0:08:54 | 0:08:57 | |
LAUGHTER | 0:08:57 | 0:09:00 | |
OK! | 0:09:00 | 0:09:01 | |
And the sheep's picked the three of spa-a-a-a-ades. | 0:09:01 | 0:09:04 | |
What about this sheep? | 0:09:06 | 0:09:07 | |
Yeah, three of spades again. | 0:09:09 | 0:09:11 | |
Is it just me, or are farmers not as busy as they make out? | 0:09:14 | 0:09:17 | |
Don't try this at home. | 0:09:19 | 0:09:20 | |
It's not dangerous, you just wouldn't believe the mess | 0:09:20 | 0:09:22 | |
they can make on your living-room carpet. | 0:09:22 | 0:09:25 | |
Over now to the Walk Of Fame on Hollywood Boulevard. | 0:09:25 | 0:09:30 | |
Three. Good! | 0:09:30 | 0:09:32 | |
Did you want it just the two of you? | 0:09:34 | 0:09:37 | |
Yes, I've bombed your photo. | 0:09:37 | 0:09:38 | |
You want me to take one of you guys. One, two, three. | 0:09:42 | 0:09:45 | |
I got in there with you. | 0:09:45 | 0:09:46 | |
THEY LAUGH | 0:09:46 | 0:09:49 | |
I just got in real fast, took the picture. Is that cool? | 0:09:49 | 0:09:52 | |
He's convinced these people that although he's taking the photos, | 0:09:52 | 0:09:55 | |
he's also in them. | 0:09:55 | 0:09:57 | |
Perfect. Hope you don't mind, I got in there with you guys. | 0:09:57 | 0:10:01 | |
If he really wanted to get them excited, | 0:10:01 | 0:10:03 | |
he should have held up a life-size photo of Elvis. | 0:10:03 | 0:10:06 | |
Got it! | 0:10:06 | 0:10:08 | |
One, two, three! | 0:10:10 | 0:10:12 | |
Right before I took the picture I just ran around. | 0:10:15 | 0:10:18 | |
This guy was obviously CUT OUT to be a magician. | 0:10:18 | 0:10:21 | |
Let's leave LA behind now as we fly east to Boston to enjoy | 0:10:24 | 0:10:27 | |
the magic of Mat Franco... | 0:10:27 | 0:10:29 | |
..where he'll be dumbfounding top American footballer Rob Gronkowski. | 0:10:30 | 0:10:35 | |
-How you doing? -This is my trainer, Dana. -What's up, Dana? | 0:10:35 | 0:10:38 | |
Yeah, sorry to keep interrupting, but can I just hear that name again? | 0:10:38 | 0:10:41 | |
This is my trainer, Dana. | 0:10:41 | 0:10:43 | |
He's got a trainer called Dana! Brilliant! | 0:10:43 | 0:10:45 | |
Right, back to the trick. | 0:10:45 | 0:10:46 | |
You play football, I do a little magic, but both... | 0:10:46 | 0:10:49 | |
You know, precision and accuracy is important for both. | 0:10:49 | 0:10:52 | |
-Let's try a little something. -That's true. -Is that cool? | 0:10:52 | 0:10:54 | |
-You see that cone behind you? -Yeah. | 0:10:54 | 0:10:56 | |
I want you to throw the ball and just try to get it as close to that cone as you can. | 0:10:56 | 0:11:00 | |
-Really? -Yeah. | 0:11:00 | 0:11:01 | |
That was good on the first bounce, though. That's cool. | 0:11:04 | 0:11:06 | |
-All right, stand together, face me. Can I borrow that towel? -Sure. | 0:11:06 | 0:11:09 | |
-Thank you. And do you have your phone on you? -Yeah. | 0:11:09 | 0:11:11 | |
Let me steal that from you for a second, if I can. | 0:11:11 | 0:11:14 | |
I'll take it. Great. | 0:11:14 | 0:11:16 | |
Now, if I were to throw the phone, and try to get it as close to the | 0:11:16 | 0:11:19 | |
cone as possible, would you feel OK with me doing that or not? | 0:11:19 | 0:11:23 | |
-I'm OK with you throwing his phone. -You're OK with me doing it? | 0:11:23 | 0:11:26 | |
Trainer Dana is happy for his phone to be thrown at a cone. | 0:11:26 | 0:11:28 | |
All right? | 0:11:28 | 0:11:30 | |
Let's see how close I can get it. | 0:11:31 | 0:11:33 | |
Where did my phone go? | 0:11:36 | 0:11:38 | |
-Dude. -Stop for a second. Can you call him? | 0:11:38 | 0:11:41 | |
-I'm calling it. -Do you hear anything? -No. | 0:11:43 | 0:11:47 | |
Come this way a little bit. | 0:11:47 | 0:11:49 | |
PHONE RINGS | 0:11:49 | 0:11:52 | |
This trick doesn't work quite so well when the phone's on silent. | 0:11:52 | 0:11:55 | |
-I don't see anything. -That's crazy. | 0:11:55 | 0:11:57 | |
Anyone... Someone have something sharp like a knife? | 0:11:57 | 0:12:02 | |
Something sharp like a knife. Or, better still, a knife. | 0:12:02 | 0:12:05 | |
-Dude. -Can I shake it? -Yeah. Careful. | 0:12:06 | 0:12:11 | |
-Dude! -Come down here with me. Ready? | 0:12:13 | 0:12:15 | |
When I threw the ball... | 0:12:15 | 0:12:17 | |
Look inside there. | 0:12:25 | 0:12:26 | |
-You see something in there? -No way! Seriously, no way. | 0:12:28 | 0:12:31 | |
Hold out your hand. Hold out your hand. Actually... | 0:12:31 | 0:12:34 | |
Can you grab it? Reach in there. | 0:12:34 | 0:12:37 | |
You got it? Check that out. | 0:12:37 | 0:12:39 | |
-Dude! Seriously, no way. -And I got a missed call from you. | 0:12:39 | 0:12:44 | |
LAUGHTER | 0:12:44 | 0:12:47 | |
-Who called you? -He did. | 0:12:47 | 0:12:49 | |
Dude, that was, like, impossible. | 0:12:49 | 0:12:53 | |
-Let me see this football. -Check it out. | 0:12:53 | 0:12:55 | |
How did the phone get from there to here? | 0:12:55 | 0:12:57 | |
For real, how do you do that? | 0:12:57 | 0:12:59 | |
What do I do when I'm not | 0:13:01 | 0:13:03 | |
doing magic tricks? | 0:13:03 | 0:13:04 | |
Read, watch TV, | 0:13:05 | 0:13:07 | |
hit a ping-pong ball up some stairs | 0:13:07 | 0:13:09 | |
and into a jar of sweets. | 0:13:09 | 0:13:11 | |
The usual. | 0:13:11 | 0:13:13 | |
OK, if you fancy trying your hand at a few tricks, | 0:13:13 | 0:13:15 | |
here's our beginner's guide to magic. | 0:13:15 | 0:13:18 | |
This week, levitation. | 0:13:18 | 0:13:20 | |
When you're starting out, careful preparation is important. | 0:13:20 | 0:13:24 | |
Millimetres can make the difference between success and failure. | 0:13:24 | 0:13:28 | |
Choosing the right person from the audience | 0:13:30 | 0:13:33 | |
to assist you on stage is key. | 0:13:33 | 0:13:34 | |
Someone who will not only follow your instructions to the letter, | 0:13:34 | 0:13:38 | |
but can also pull off that tricky jeans/blazer combo. | 0:13:38 | 0:13:41 | |
Breathe deeply. | 0:13:45 | 0:13:46 | |
You need to be completely relaxed in order to successfully | 0:13:46 | 0:13:49 | |
defy the laws of gravity and astound your audience | 0:13:49 | 0:13:51 | |
with your ability to float in midair. | 0:13:51 | 0:13:53 | |
And most importantly... | 0:14:02 | 0:14:04 | |
..don't forget levitation is actually impossible without | 0:14:05 | 0:14:09 | |
some sort of magic prop. | 0:14:09 | 0:14:10 | |
If you've filmed yourself messing up a trick, we'd love to see it. | 0:14:12 | 0:14:15 | |
For details, go to: | 0:14:15 | 0:14:18 | |
And for more inside knowledge, let's join legendary double act | 0:14:21 | 0:14:25 | |
Penn and Teller and a brilliant reveal in: | 0:14:25 | 0:14:29 | |
The nearly impossible vanishing cordless drill. A classic of magic. | 0:14:29 | 0:14:35 | |
The drill's vanished, but once you learn the secret, | 0:14:45 | 0:14:48 | |
you'll see exactly how it went down. | 0:14:48 | 0:14:50 | |
Not your comedy magic tricks again. | 0:14:50 | 0:14:53 | |
Get rid of that thread. Take her up, Robbie. | 0:14:53 | 0:14:56 | |
The handkerchief floating upwards. | 0:14:56 | 0:14:58 | |
There you go. | 0:14:58 | 0:14:59 | |
The dancing handkerchief. | 0:14:59 | 0:15:02 | |
APPLAUSE | 0:15:02 | 0:15:04 | |
OK, enough, enough. Enough, enough. | 0:15:06 | 0:15:08 | |
We can do one better than the dancing handkerchief. | 0:15:08 | 0:15:11 | |
How about the floating light bulb? | 0:15:11 | 0:15:13 | |
And how do they do that? | 0:15:13 | 0:15:16 | |
If there were wires there, you would be able to see them. | 0:15:16 | 0:15:18 | |
LAUGHTER | 0:15:18 | 0:15:20 | |
But there is still one wire. So just to make sure you are impressed... | 0:15:20 | 0:15:24 | |
LAUGHTER | 0:15:25 | 0:15:27 | |
Are we live? | 0:15:29 | 0:15:30 | |
AUDIENCE: Yeah! | 0:15:30 | 0:15:32 | |
Light bulbs, cards, paper cups, everything is flying upwards. | 0:15:34 | 0:15:37 | |
Or is it? | 0:15:39 | 0:15:41 | |
Actually, the trick is simple if you don't mind hanging upside down | 0:15:42 | 0:15:46 | |
during the entire performance. | 0:15:46 | 0:15:48 | |
APPLAUSE AND CHEERING | 0:15:48 | 0:15:51 | |
So, let's look at some of those tricks again. | 0:15:55 | 0:15:57 | |
The drill doesn't so much magically disappear as drop to the floor. | 0:15:59 | 0:16:03 | |
And the light bulb is just hanging down, as light bulbs do. | 0:16:03 | 0:16:08 | |
Simple but brilliant. | 0:16:08 | 0:16:10 | |
Still to come, a troublesome magician is told to get on his bike... | 0:16:13 | 0:16:16 | |
..things come to a surprising head, and... | 0:16:18 | 0:16:21 | |
# Two tea-towel doves and a man run over by a plane. # | 0:16:21 | 0:16:24 | |
Now, Young and Strange - not just the phrase that | 0:16:27 | 0:16:30 | |
appeared on all my school reports but also the name of this act. | 0:16:30 | 0:16:34 | |
One day, they hope to perform in Las Vegas. But, for now, it's Swindon. | 0:16:34 | 0:16:39 | |
Is he going to disappear into that massive trophy in the shop window? | 0:16:45 | 0:16:48 | |
Whoa! And he's up there. Brilliant. | 0:16:57 | 0:17:00 | |
Who could fail to be impressed by that? | 0:17:00 | 0:17:02 | |
This lady. | 0:17:02 | 0:17:04 | |
Although to be fair, he is in her flat. | 0:17:04 | 0:17:07 | |
Now, from Young and Strange to simply strange, | 0:17:07 | 0:17:10 | |
and I'm not just talking about this man's leather trousers. | 0:17:10 | 0:17:13 | |
You relaxing? Do you want to see some tricks? | 0:17:13 | 0:17:15 | |
I'll show you one trick. It's unbelievable. | 0:17:15 | 0:17:17 | |
Just got some rope here in one of the shops. | 0:17:17 | 0:17:19 | |
That'll be the money for old rope shop. | 0:17:19 | 0:17:21 | |
Give it a pull. | 0:17:21 | 0:17:23 | |
-It's a normal rope, yeah? OK? -Yah. | 0:17:23 | 0:17:26 | |
What I want you to do is I want you to come and stand here next to me. | 0:17:26 | 0:17:30 | |
Here we go. And I want you to come and stand here next to me. | 0:17:30 | 0:17:32 | |
So, I'm going to take this rope and wrap it around me. | 0:17:32 | 0:17:35 | |
I want you to hold that piece | 0:17:35 | 0:17:36 | |
and I want you to hold that piece. There we go. | 0:17:36 | 0:17:38 | |
A little loosely, like that. So, there's the rope behind me, yes? | 0:17:38 | 0:17:42 | |
Please don't floss him. | 0:17:42 | 0:17:43 | |
Now, what I want you to do is I want you to face the front | 0:17:43 | 0:17:46 | |
and concentrate. | 0:17:46 | 0:17:47 | |
I'm going to take the rope behind me like this. And watch it, | 0:17:47 | 0:17:50 | |
I'm just going to pull it through me. | 0:17:50 | 0:17:52 | |
Like that. | 0:17:52 | 0:17:54 | |
THEY LAUGH | 0:17:54 | 0:17:55 | |
Great trick. | 0:17:55 | 0:17:57 | |
And incidentally, | 0:17:57 | 0:17:58 | |
what are the chances that both these guys are called Albert Carpets? | 0:17:58 | 0:18:02 | |
Now, nothing to see here, just a man | 0:18:06 | 0:18:08 | |
nonchalantly carrying a mannequin down the street in Brazil. | 0:18:08 | 0:18:12 | |
The mannequin loses her head. | 0:18:12 | 0:18:14 | |
Then, simply by having some fake workmen walk past with some wood, | 0:18:14 | 0:18:19 | |
a fake paving slab and a real woman willing to stand in a sewer, | 0:18:19 | 0:18:22 | |
the illusion is all set. | 0:18:22 | 0:18:24 | |
Yeah, if I saw a body part on the ground, | 0:18:40 | 0:18:42 | |
I would probably leave it. But I'm weird like that. | 0:18:42 | 0:18:45 | |
Let's just see one more and then we'll knock it on the head. | 0:18:46 | 0:18:49 | |
Now, here's Wayne Hoffman trying to get inside someone's head. | 0:18:56 | 0:18:59 | |
-Right here right now is the first time you and I have ever met. Correct? -Absolutely. | 0:18:59 | 0:19:03 | |
OK. That's very important, | 0:19:03 | 0:19:05 | |
-that you weren't asked to write anything down backstage, nothing sneaky. -No. | 0:19:05 | 0:19:08 | |
-Is there an image in your mind you think you can draw? -Anything? | 0:19:08 | 0:19:11 | |
-Yes. Did you have an image in your mind? -I have one. -OK. | 0:19:11 | 0:19:13 | |
-I want you to think of it now. -OK. -Now, change your mind. | 0:19:13 | 0:19:17 | |
-All right. -Change your mind again. | 0:19:19 | 0:19:21 | |
-You've settled on a new image? -Yeah. -Step over here. | 0:19:21 | 0:19:23 | |
We have markers. I want you to draw the image right here. | 0:19:23 | 0:19:26 | |
And, by the way, it doesn't matter if your artwork is good or bad, | 0:19:26 | 0:19:28 | |
just draw. You have about ten or 15 seconds. | 0:19:28 | 0:19:30 | |
And while she does that, I want you guys to check out a video clip | 0:19:30 | 0:19:33 | |
of something I did about a month ago. Check this out. | 0:19:33 | 0:19:36 | |
All right, guys, I'm here and my man Mike is about to ink up my arm. | 0:19:36 | 0:19:40 | |
This is what you call an extreme prediction. | 0:19:40 | 0:19:43 | |
And I think this officially proves my insanity. | 0:19:43 | 0:19:46 | |
TATTOO PEN BUZZES | 0:19:46 | 0:19:47 | |
Oh, man, here we go. | 0:19:47 | 0:19:49 | |
That's right, guys. One month ago, I actually got a tattoo on my arm. | 0:19:55 | 0:20:01 | |
What did you draw? | 0:20:01 | 0:20:02 | |
LAUGHTER | 0:20:02 | 0:20:04 | |
-A... What... A Yin Yang? -It just says, "Hi, Mom." | 0:20:04 | 0:20:08 | |
-But, yeah, a Yin Yang. -So, is it possible to get into someone's mind | 0:20:08 | 0:20:13 | |
and have any influence over their actions? | 0:20:13 | 0:20:16 | |
Shut up, shut up. | 0:20:16 | 0:20:18 | |
-Here's your answer. -Let me see. | 0:20:18 | 0:20:19 | |
It could have been worse, she could have written "I Heart Justin Bieber". | 0:20:19 | 0:20:23 | |
That was incredible, wasn't it? | 0:20:23 | 0:20:25 | |
Now, it's the time in the show where we are reminded three is the magic number. | 0:20:26 | 0:20:30 | |
This week, money, money, money. | 0:20:30 | 0:20:32 | |
Ooh, Stephanie Jayne is good at making money. | 0:20:35 | 0:20:38 | |
All you need is cardboard with a hole cut in it | 0:20:38 | 0:20:40 | |
and a five-dollar bill. You shake it. | 0:20:40 | 0:20:42 | |
And I've heard of taking money out of a hole in the wall... | 0:20:42 | 0:20:44 | |
Here is Stephanie again | 0:20:46 | 0:20:48 | |
with what is possibly the world's smallest magazine. | 0:20:48 | 0:20:50 | |
Strike up the band, it is time for David and Dania's | 0:21:02 | 0:21:05 | |
fabulous Quick Change Act. | 0:21:05 | 0:21:07 | |
Oh, one of my all-time favourites. | 0:21:08 | 0:21:10 | |
Anyone else suddenly fancy a Liquorice Allsort? | 0:21:19 | 0:21:21 | |
This is a high-pressure act | 0:21:24 | 0:21:26 | |
but he doesn't look like a man who's easily ruffled, | 0:21:26 | 0:21:29 | |
unlike his shirt. | 0:21:29 | 0:21:30 | |
New clothes and hair. | 0:21:37 | 0:21:39 | |
Well, she's worth it. | 0:21:39 | 0:21:40 | |
Oh, yeah, now she's a Quality Street. | 0:21:43 | 0:21:45 | |
It's his turn. Can't wait. | 0:21:49 | 0:21:51 | |
Ah, she's sorry to see that shirt go. | 0:21:55 | 0:21:57 | |
And it's not over yet. | 0:22:00 | 0:22:02 | |
She's still got the handbag and shoes to decide on. | 0:22:02 | 0:22:05 | |
If either of them end up naked, I'm switching off. | 0:22:09 | 0:22:11 | |
And, finally, for Dave and Dania, it's Rule Britannia. | 0:22:15 | 0:22:18 | |
Now, we seem to be at a car wash, and by the music, | 0:22:22 | 0:22:25 | |
I think I can guess what country we're in. | 0:22:25 | 0:22:27 | |
That's right, Spain. | 0:22:27 | 0:22:29 | |
FRENCH ACCORDION MUSIC PLAYS | 0:22:29 | 0:22:31 | |
This wizard is just polishing up la voiture | 0:22:33 | 0:22:36 | |
before his next magic show. | 0:22:36 | 0:22:37 | |
He specialises in bird magic | 0:22:39 | 0:22:41 | |
but I hear a rumour that the dove wants to quit the act. | 0:22:41 | 0:22:44 | |
Well, that's one way to hand in your notice. | 0:22:50 | 0:22:53 | |
COOING | 0:23:02 | 0:23:06 | |
Still, covering your car in bird poo will stop traffic wardens doing this. | 0:23:06 | 0:23:10 | |
Haaaaaargh! | 0:23:10 | 0:23:13 | |
What are you, crazy?! | 0:23:13 | 0:23:14 | |
Haargh! | 0:23:18 | 0:23:20 | |
Ha! | 0:23:20 | 0:23:22 | |
Here's the best pet-shop salesman ever. | 0:23:22 | 0:23:24 | |
Bird in a cage, sir? | 0:23:24 | 0:23:26 | |
Bird in a party popper, madam? | 0:23:26 | 0:23:28 | |
Couple of cages? | 0:23:28 | 0:23:29 | |
Plain dove. Go on, take a dove. | 0:23:29 | 0:23:31 | |
Bird in a cage? | 0:23:31 | 0:23:33 | |
Plain dove. | 0:23:33 | 0:23:34 | |
Roast dove. | 0:23:34 | 0:23:36 | |
Two for one. Just buy something. | 0:23:37 | 0:23:39 | |
Over to Russia now for another incredible transport-based illusion. | 0:23:41 | 0:23:45 | |
I'm hoping when they drop that cover, | 0:23:49 | 0:23:50 | |
he's going to be wearing a dress made from a Union Jack. | 0:23:50 | 0:23:53 | |
He's still in there. | 0:23:59 | 0:24:01 | |
Hang on. | 0:24:01 | 0:24:03 | |
Where's he gone? | 0:24:04 | 0:24:05 | |
Oh, wow. | 0:24:08 | 0:24:10 | |
I hope he can magic himself home because that was his train | 0:24:10 | 0:24:12 | |
and he just missed it. | 0:24:12 | 0:24:14 | |
Let's have a bit more mind-reading now. | 0:24:16 | 0:24:18 | |
Here's Keith Barry. | 0:24:18 | 0:24:20 | |
-Excuse me, can I stop you for two seconds? -Yeah. | 0:24:20 | 0:24:22 | |
I know this sounds strange, but very quickly, | 0:24:22 | 0:24:24 | |
think of a flower. Change your mind to a different flower. | 0:24:24 | 0:24:27 | |
-Change your mind again. -All right. | 0:24:27 | 0:24:30 | |
Change your mind, that's the flower right now. | 0:24:30 | 0:24:32 | |
Have you got a flower in mind? | 0:24:32 | 0:24:33 | |
-Yes. -'Go on, say self-raising.' | 0:24:33 | 0:24:35 | |
-An orchid. -An orchid? | 0:24:35 | 0:24:37 | |
It's for you. Have a nice day. | 0:24:40 | 0:24:41 | |
-A hydrangea. -That's an unusual flower. | 0:24:41 | 0:24:43 | |
Thank you. | 0:24:46 | 0:24:48 | |
-Daisy. -Really? | 0:24:48 | 0:24:49 | |
-What? -It's for you, thank you. | 0:24:51 | 0:24:53 | |
Master magician Andrew Mayne is out and about causing more mischief. | 0:24:55 | 0:24:59 | |
I'm going to help you secure your bike so nobody steals it. | 0:24:59 | 0:25:02 | |
Sound good? We don't need that. | 0:25:04 | 0:25:06 | |
What you need to do is go grab your back tyre. | 0:25:06 | 0:25:08 | |
You're going to pick this up. OK. Hold on to it. | 0:25:08 | 0:25:12 | |
Right? Just like that. | 0:25:12 | 0:25:14 | |
You're secure. | 0:25:14 | 0:25:15 | |
What did you just do, bro? | 0:25:15 | 0:25:17 | |
How am I going to get home? | 0:25:19 | 0:25:21 | |
Can I be honest? I don't quite trust your bike lock system. | 0:25:21 | 0:25:25 | |
I don't trust your shampoo. Let me show you something. | 0:25:25 | 0:25:28 | |
Just like that. Right? | 0:25:28 | 0:25:30 | |
Just... Boom. | 0:25:30 | 0:25:32 | |
He's the best bike magician ever. | 0:25:33 | 0:25:35 | |
At least he is according to his "spokes"person. | 0:25:35 | 0:25:38 | |
Excuse me. | 0:25:38 | 0:25:39 | |
I want you to have the peace of mind tonight to know that your bike won't get stolen. | 0:25:39 | 0:25:42 | |
The whole night? | 0:25:42 | 0:25:44 | |
Eternity? Sure. Yeah. | 0:25:46 | 0:25:47 | |
Grab your back tyre. | 0:25:47 | 0:25:49 | |
Just like that. | 0:25:50 | 0:25:53 | |
Oh, snap. | 0:25:53 | 0:25:54 | |
Oh, that's actually pretty good. | 0:25:56 | 0:25:57 | |
-I'll never be able to get that out. -That's the idea. | 0:25:57 | 0:26:00 | |
Thanks! | 0:26:01 | 0:26:03 | |
-Hey! -Go on, catch him. | 0:26:05 | 0:26:06 | |
Ah, if only you had a bike. | 0:26:06 | 0:26:09 | |
This sucks. | 0:26:09 | 0:26:10 | |
Dude. | 0:26:10 | 0:26:12 | |
Dude? | 0:26:12 | 0:26:13 | |
Is he coming back? | 0:26:13 | 0:26:14 | |
Ah, let's hope Keith Barry pops up and offers her a gladioli. | 0:26:14 | 0:26:18 | |
We've seen magic with bikes and trains | 0:26:20 | 0:26:22 | |
but now, it's time for Franz Harary | 0:26:22 | 0:26:25 | |
to make an actual real live plane vanish in The Big Finish. | 0:26:25 | 0:26:28 | |
In my business, there's an old adage - | 0:26:30 | 0:26:32 | |
to make something disappear in a puff of smoke. | 0:26:32 | 0:26:34 | |
I wanted to make a stunt plane disappear in a puff of smoke. | 0:26:34 | 0:26:37 | |
We had one plane coming directly at me at 180 miles an hour. | 0:26:40 | 0:26:45 | |
We had a second plane which is about to come perpendicular | 0:26:45 | 0:26:48 | |
and cross in front of me at 200 miles an hour. | 0:26:48 | 0:26:51 | |
Now, we would have to time our illusion such | 0:26:51 | 0:26:54 | |
that both of these planes would align themselves up perfectly. | 0:26:54 | 0:26:59 | |
If for some reason, God forbid, the illusion should fail, | 0:26:59 | 0:27:02 | |
the stunt plane would come ploughing into me at over 200 miles an hour. | 0:27:02 | 0:27:06 | |
Now, I don't know about you, but I'm a bit nervous. | 0:27:06 | 0:27:09 | |
Plus, I haven't understood a word he's saying. | 0:27:09 | 0:27:11 | |
'Ready for takeoff.' | 0:27:11 | 0:27:13 | |
'Fox ground RV triple 90 or tango, do you copy? | 0:27:13 | 0:27:17 | |
John, we're good. | 0:27:17 | 0:27:18 | |
What's he doing on top of that giant ironing board? | 0:27:22 | 0:27:25 | |
-Checkpoint one. -'Checkpoint one is looking good.' -Checkpoint B. | 0:27:28 | 0:27:32 | |
'I have a visual on ten. It looks great from here.' | 0:27:32 | 0:27:35 | |
See Mark? | 0:27:35 | 0:27:37 | |
'All good from here. On your mark.' | 0:27:37 | 0:27:38 | |
'Er, Franz, Roger, I don't know what I'm supposed to be doing. Over.' | 0:27:38 | 0:27:42 | |
All points checked and clear. | 0:27:42 | 0:27:44 | |
Give it to me, guys. | 0:27:44 | 0:27:46 | |
'All looks good.' | 0:27:46 | 0:27:49 | |
All right, let's do this. | 0:27:50 | 0:27:52 | |
'Franz, please don't do this. You'll get knocked over. Over.' | 0:27:52 | 0:27:55 | |
Go! | 0:27:59 | 0:28:00 | |
The entire plane has vanished. | 0:28:08 | 0:28:10 | |
Normally, it's just the luggage. | 0:28:10 | 0:28:12 | |
That is so cool! | 0:28:13 | 0:28:15 | |
Join us next time to enjoy more cool magic from around the planet | 0:28:17 | 0:28:21 | |
as the world's greatest | 0:28:21 | 0:28:22 | |
and not-so-great magicians keep us entertained. | 0:28:22 | 0:28:25 | |
Now, saddle up the, erm, camel, | 0:28:27 | 0:28:29 | |
I'm out of here. It could be a bumpy ride. | 0:28:29 | 0:28:32 | |
'Over and out.' | 0:28:32 | 0:28:33 |