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Welcome to a world of magic and illusions - | 0:00:02 | 0:00:04 | |
a place where the most surprising things happen | 0:00:04 | 0:00:07 | |
and where your dreams really can come true. | 0:00:07 | 0:00:09 | |
Think that one's a cheese dream. | 0:00:11 | 0:00:13 | |
Tonight, you will witness | 0:00:13 | 0:00:15 | |
commuters who have lost their way, | 0:00:15 | 0:00:17 | |
a man eating his five-a-day... | 0:00:17 | 0:00:19 | |
..and reckless behaviour on the Queen's highway. | 0:00:21 | 0:00:23 | |
Don't worry, he's damaged nothing important. | 0:00:24 | 0:00:28 | |
Some of the magic will be dramatic, | 0:00:28 | 0:00:30 | |
some of the stunts will be spectacular | 0:00:30 | 0:00:32 | |
and some of the illusions will be intense. | 0:00:32 | 0:00:36 | |
This is Now You See It. | 0:00:36 | 0:00:37 | |
Now, before you try any magic trick, | 0:00:51 | 0:00:53 | |
you're going to need a wand... | 0:00:53 | 0:00:54 | |
or two... | 0:00:54 | 0:00:57 | |
Well, seeing as we're here, | 0:00:57 | 0:00:58 | |
let's go for three. | 0:00:58 | 0:01:00 | |
I'd suggest we give him a big hand, | 0:01:00 | 0:01:02 | |
but I guess he must already have one. | 0:01:02 | 0:01:04 | |
Either way that was WAND-erful. | 0:01:04 | 0:01:06 | |
Peter Valance has got amazing skills. | 0:01:08 | 0:01:10 | |
Though, on the downside, table 12 are having to eat soup with a fork. | 0:01:12 | 0:01:16 | |
BEATBOXING | 0:01:17 | 0:01:19 | |
How often do you see magic involving an obsolete music format? | 0:01:19 | 0:01:22 | |
Yes, it's Lee Ryan and Anthony Costa from Blue | 0:01:22 | 0:01:25 | |
launching their new careers as a human beatbox and CD rack combo. | 0:01:25 | 0:01:30 | |
These guys really know how to throw a party(!) | 0:01:30 | 0:01:32 | |
How long did they say the cab would be? | 0:01:36 | 0:01:38 | |
Oh, really? | 0:01:38 | 0:01:40 | |
Now here's a sight that's all too familiar in homes across Britain. | 0:01:43 | 0:01:48 | |
You ask some friends round to help assemble that Ikea bookshelf | 0:01:48 | 0:01:51 | |
and then get in a bit of a muddle over the instructions. | 0:01:51 | 0:01:54 | |
And even more annoyingly for this lot... | 0:01:55 | 0:01:57 | |
DOORBELL RINGS ..there's the doorbell. | 0:01:57 | 0:02:00 | |
That'll be the pizza. | 0:02:00 | 0:02:02 | |
Hey, I wonder if that works with just one person and a chair. | 0:02:02 | 0:02:05 | |
Here goes. | 0:02:05 | 0:02:07 | |
Take it away. | 0:02:07 | 0:02:09 | |
THUD | 0:02:09 | 0:02:11 | |
No. No, it doesn't. | 0:02:11 | 0:02:13 | |
Right, enough of human beings for a second, | 0:02:16 | 0:02:18 | |
let's take a look at some Animal Magic - | 0:02:18 | 0:02:21 | |
and here's a sentence you don't often hear. | 0:02:21 | 0:02:23 | |
We're going to make four elephants vanish! | 0:02:23 | 0:02:28 | |
Yep, Criss Angel's going to make four sizable creatures vanish | 0:02:28 | 0:02:32 | |
and, just to clarify, he means the animals, | 0:02:32 | 0:02:34 | |
he's not being rude about his American audience. Thank you. | 0:02:34 | 0:02:37 | |
Attach to your left hand. | 0:02:37 | 0:02:38 | |
Criss has got a foolproof way of ensuring his audience stay to watch. | 0:02:38 | 0:02:42 | |
...that are handcuffing everybody to each other. | 0:02:42 | 0:02:46 | |
We have our human chain complete, is that true? | 0:02:46 | 0:02:49 | |
Everybody good back there? | 0:02:49 | 0:02:50 | |
THEY CHEER | 0:02:50 | 0:02:51 | |
Let's raise... | 0:02:51 | 0:02:53 | |
the back curtain up. | 0:02:53 | 0:02:56 | |
Elephants are perfect for magic as they're very easy to train. | 0:02:56 | 0:02:59 | |
Whenever you tell them something, they're all ears. | 0:02:59 | 0:03:01 | |
...of the curtain, creating an extra layer of impossibility. | 0:03:01 | 0:03:05 | |
Oh good, I like my impossibility to come in layers - | 0:03:05 | 0:03:08 | |
like a magic Viennetta. | 0:03:08 | 0:03:10 | |
Raise up the front curtain. | 0:03:10 | 0:03:11 | |
Let's do this bad boy! | 0:03:11 | 0:03:14 | |
Raise it up. | 0:03:14 | 0:03:15 | |
Raise it up. | 0:03:15 | 0:03:17 | |
Nice to see Criss has his own monogram sheets. | 0:03:17 | 0:03:19 | |
I aspire to that. | 0:03:19 | 0:03:21 | |
You can't take this off. | 0:03:23 | 0:03:25 | |
Here's a peanut. Wait till I give you a peanut. | 0:03:25 | 0:03:27 | |
There you go. There's a peanut. There you go. | 0:03:27 | 0:03:29 | |
Are you ready? | 0:03:29 | 0:03:30 | |
Now that's what I call a dazzling trick. | 0:03:30 | 0:03:33 | |
Oh, the four elephants, by the way, are absolutely fine. | 0:03:33 | 0:03:36 | |
I've no idea what happened to the four elephant handlers, | 0:03:36 | 0:03:38 | |
however, who also vanished. | 0:03:38 | 0:03:40 | |
Oh, well. | 0:03:40 | 0:03:42 | |
-Katie and... -Al. -Al. Katie and Al. | 0:03:42 | 0:03:43 | |
For those who like their tricks like they like their coffee, | 0:03:43 | 0:03:46 | |
here's one that's scalding hot, | 0:03:46 | 0:03:48 | |
a bit liquidy and costs about, oh, £2.70. | 0:03:48 | 0:03:51 | |
You're not going to drink that now, are you? | 0:03:51 | 0:03:53 | |
Well, we're going to do something kind of cool. | 0:03:53 | 0:03:55 | |
Good thing it's a double cup. We'll try a... | 0:03:55 | 0:03:56 | |
I'm going to pour half into this one. | 0:03:56 | 0:03:58 | |
Like that, OK? | 0:03:58 | 0:04:00 | |
-And are you right-handed or left-handed? -Right-handed. | 0:04:00 | 0:04:02 | |
Take your right hand, take this one and hold it, like, over your head. | 0:04:02 | 0:04:05 | |
Don't drop it, don't spill it on yourself. | 0:04:05 | 0:04:07 | |
-Are you right or left? -Right-handed. -OK, same thing as her. | 0:04:07 | 0:04:10 | |
-Hold that up over your head. -OK. | 0:04:10 | 0:04:11 | |
All right, don't sit it on your head, hold it over your head. | 0:04:11 | 0:04:14 | |
-All right, Katie you're going to go first. OK? -OK. | 0:04:14 | 0:04:16 | |
Now, what I want you to do is step this way just a bit, | 0:04:16 | 0:04:19 | |
yes, to give you guys some room. | 0:04:19 | 0:04:20 | |
You don't want to step off the edge a little bit too, | 0:04:20 | 0:04:23 | |
like over... Away from the edge. OK. | 0:04:23 | 0:04:25 | |
Well, just do this a sec. | 0:04:25 | 0:04:26 | |
Katie, what you're going to do is you're going to close your eyes | 0:04:26 | 0:04:29 | |
-and slowly turn in a circle. -Oh, boy, OK. | 0:04:29 | 0:04:31 | |
-Now, try and make a perfect 360 with your eyes closed. -OK. | 0:04:31 | 0:04:33 | |
That's, that's... Give it a go. Whenever you're ready. | 0:04:33 | 0:04:36 | |
Nice and slow, nice and slow. | 0:04:36 | 0:04:38 | |
That's pretty good. | 0:04:38 | 0:04:40 | |
OK, you're good. All right? Good job. | 0:04:40 | 0:04:42 | |
All right, Al, you're going to try the exact same thing, | 0:04:42 | 0:04:44 | |
but I would go a little slower too. That one's pretty quick | 0:04:44 | 0:04:47 | |
and you're close to the edge, so go nice and slow. | 0:04:47 | 0:04:49 | |
Ooh, sneaky! | 0:04:49 | 0:04:51 | |
He's drinking the girl's coffee | 0:04:51 | 0:04:52 | |
while her friend's got his eyes closed. | 0:04:52 | 0:04:54 | |
Al, you did a good job. Now, Katie, you're going to try this. | 0:04:54 | 0:04:56 | |
You're going to do me one favour, you're going to go like this | 0:04:56 | 0:04:59 | |
-and you're going to just turn it over. -Turn it over? -Yep. -OK. | 0:04:59 | 0:05:03 | |
Unsurprisingly to us, her cup's empty | 0:05:03 | 0:05:06 | |
but HE doesn't know that. | 0:05:06 | 0:05:08 | |
-Al, you give that a try. -Man, I'm scared. | 0:05:08 | 0:05:10 | |
-It's OK, you can handle it. -It feels really heavy. | 0:05:10 | 0:05:12 | |
No, you'll be all right. | 0:05:12 | 0:05:13 | |
Give it a try. | 0:05:13 | 0:05:15 | |
-Can I pour it behind me? -No, come on! | 0:05:15 | 0:05:18 | |
-I can feel it in there. -No, you'll be fine. -All right. | 0:05:18 | 0:05:20 | |
I just bought this shirt. | 0:05:20 | 0:05:21 | |
Oh! | 0:05:21 | 0:05:23 | |
Like a magician would. | 0:05:23 | 0:05:25 | |
Brilliant. We were the ones being fooled all along. | 0:05:25 | 0:05:28 | |
Thanks, guys. | 0:05:28 | 0:05:29 | |
OK, it's time to showcase | 0:05:30 | 0:05:32 | |
another of the best magicians on the planet | 0:05:32 | 0:05:34 | |
as we look at... | 0:05:34 | 0:05:37 | |
Hey. | 0:05:37 | 0:05:39 | |
-Hi, guys. -And Cyril seems to be on his holidays, | 0:05:39 | 0:05:41 | |
though that's meaningless when you're on 24-hour magic alert. | 0:05:41 | 0:05:45 | |
Can I show you something? | 0:05:45 | 0:05:46 | |
See? He can't stop himself. | 0:05:46 | 0:05:48 | |
Lobster mould here. | 0:05:48 | 0:05:50 | |
Follow me, follow me. | 0:05:51 | 0:05:52 | |
All right, so what did I make back there? | 0:05:52 | 0:05:54 | |
-Lobsters. -A lobster. | 0:05:54 | 0:05:56 | |
Check this out. | 0:05:56 | 0:05:57 | |
Perfect. Can you hold that? | 0:06:01 | 0:06:03 | |
Hold that, OK? | 0:06:03 | 0:06:05 | |
Now I want you to watch this. Watch. | 0:06:05 | 0:06:08 | |
-Whoa! -Whoa! | 0:06:15 | 0:06:17 | |
If he's been hiding that down his trunks, | 0:06:17 | 0:06:19 | |
he is one very brave magician. | 0:06:19 | 0:06:22 | |
THEY LAUGH AND GASP | 0:06:22 | 0:06:25 | |
If he can rustle up some lemon and a bib, I'll be very grateful. | 0:06:25 | 0:06:28 | |
Meanwhile, Troy's back in less sunny Britain | 0:06:30 | 0:06:33 | |
and has invited some big fans to witness his trick with a... | 0:06:33 | 0:06:35 | |
Oh, a big fan. | 0:06:35 | 0:06:37 | |
I'm a big fan of Michael Jackson. | 0:06:37 | 0:06:38 | |
OK, I've got him tattooed onto my arm. | 0:06:38 | 0:06:41 | |
I want you to do me a favour. | 0:06:41 | 0:06:42 | |
I want you to think of an icon like Michael Jackson. | 0:06:42 | 0:06:44 | |
-Someone whose... -Oh... | 0:06:44 | 0:06:46 | |
Val Doonican? | 0:06:46 | 0:06:47 | |
Maybe Chas and Dave? | 0:06:47 | 0:06:49 | |
-Who is it? -Marilyn Monroe. | 0:06:49 | 0:06:51 | |
Ah, yes, good one. | 0:06:51 | 0:06:53 | |
I'm trying to think of what she looks like. | 0:06:53 | 0:06:55 | |
You're trying to think what Marilyn Monroe looks like? | 0:06:55 | 0:06:58 | |
She looks like Marilyn Monroe, Troy! | 0:06:58 | 0:07:02 | |
Obviously this is really fast, but I want to try... | 0:07:02 | 0:07:04 | |
Still, Marilyn on a fan. | 0:07:04 | 0:07:05 | |
Presumably it's a fan in case some don't like it hot? | 0:07:05 | 0:07:09 | |
I'm trying to just go for this one blade here. | 0:07:09 | 0:07:12 | |
Can you see it's starting to take shape? | 0:07:12 | 0:07:13 | |
-I can't even see a blade. -Can you not see it? | 0:07:13 | 0:07:15 | |
There's a black bit going around and that's it. | 0:07:15 | 0:07:17 | |
-A little, black dot whirring. -Just a black bit. | 0:07:17 | 0:07:20 | |
I need to get this. | 0:07:21 | 0:07:23 | |
I need to get this slight... | 0:07:23 | 0:07:24 | |
Oh, don't get your nose caught, Troy! | 0:07:24 | 0:07:26 | |
Are you feeling confident? | 0:07:30 | 0:07:31 | |
Tension. | 0:07:35 | 0:07:36 | |
I know I've made a couple of mistakes but... | 0:07:36 | 0:07:39 | |
-No! -Oh, my gosh! | 0:07:39 | 0:07:42 | |
No way! | 0:07:42 | 0:07:43 | |
Incredible trick. | 0:07:46 | 0:07:48 | |
Not only is Marilyn's face on that fan, | 0:07:48 | 0:07:50 | |
but the rest of it is blowing her skirt up. | 0:07:50 | 0:07:52 | |
From one blonde bombshell to another. | 0:07:53 | 0:07:55 | |
This is Scott and his glamorous assistant Muriel. | 0:07:55 | 0:07:58 | |
She's a real doll. | 0:07:58 | 0:08:00 | |
LAUGHTER | 0:08:00 | 0:08:02 | |
So, the dummy's in pieces and gets shoved in a box. | 0:08:10 | 0:08:13 | |
Now, at this stage of the trick, Scott needs a hand. | 0:08:13 | 0:08:16 | |
Oh, there it is. | 0:08:16 | 0:08:18 | |
LAUGHTER | 0:08:18 | 0:08:20 | |
But look, the dummy's come alive! | 0:08:24 | 0:08:26 | |
Which is quite handy, as it says here | 0:08:26 | 0:08:28 | |
they're real life husband and wife. | 0:08:28 | 0:08:31 | |
Still, an unconventional coupling | 0:08:31 | 0:08:33 | |
of man and animated mannequin, | 0:08:33 | 0:08:35 | |
but who am I to judge? | 0:08:35 | 0:08:36 | |
APPLAUSE | 0:08:38 | 0:08:41 | |
ORGAN MUSIC PLAYS | 0:08:42 | 0:08:48 | |
She's pretty happy to have escaped. | 0:08:48 | 0:08:50 | |
He only lets her out on Tuesdays. | 0:08:50 | 0:08:52 | |
Still, nice to see an early appearance there by Grayson Perry. | 0:08:52 | 0:08:56 | |
Enough of shouting, "Why are they doing that?" | 0:08:57 | 0:09:00 | |
Let's now ask, "How do they do that?" | 0:09:00 | 0:09:02 | |
And if you've been keeping up | 0:09:02 | 0:09:04 | |
with your Hollywood superhero blockbusters, this one's for you. | 0:09:04 | 0:09:07 | |
We're going to see if we can find someone who can lift Thor's hammer. | 0:09:07 | 0:09:10 | |
Ooh, it takes a lot of effort to lift a hammer. | 0:09:10 | 0:09:12 | |
Well, for me it does, I hate DIY. | 0:09:12 | 0:09:14 | |
Worthy. | 0:09:16 | 0:09:18 | |
This is a replica of the Mjolnir, | 0:09:18 | 0:09:20 | |
the weapon of choice of the mythical Norse god Thor. | 0:09:20 | 0:09:23 | |
But the only thing that looks THOR here | 0:09:23 | 0:09:25 | |
ith their hand ath they try to lift it. He-he. | 0:09:25 | 0:09:29 | |
Wait, I just...? | 0:09:29 | 0:09:30 | |
It just moved! | 0:09:30 | 0:09:32 | |
Oh, did it wobble? You're a little worthy, you're like Captain America. | 0:09:32 | 0:09:35 | |
You're a little worthy. | 0:09:35 | 0:09:36 | |
Something tells me she's not really trying. | 0:09:41 | 0:09:43 | |
Nice boots, though. | 0:09:43 | 0:09:45 | |
But in comes the God of Thunder himself and behold. | 0:09:48 | 0:09:52 | |
Now, this chap, here, reckons he knows what's going on. | 0:09:56 | 0:09:58 | |
LeBron James, straight from Akron, Ohio, | 0:09:58 | 0:10:01 | |
-and we're out here on this beach... -Mm-hmm, really? | 0:10:01 | 0:10:03 | |
-Now, the reality is that only Thor can... -Mm-hmm. | 0:10:03 | 0:10:06 | |
-Do you know what I'm saying? -Mm-hmm. | 0:10:06 | 0:10:08 | |
-I got brawn though. -Absolutely, yeah. Hmm. | 0:10:08 | 0:10:10 | |
Let's see what we got! | 0:10:10 | 0:10:12 | |
Supreme confidence. | 0:10:12 | 0:10:13 | |
Prepare to be impressed. | 0:10:13 | 0:10:15 | |
Use both hands! | 0:10:18 | 0:10:20 | |
-Bend your knees! -Wait a minute. | 0:10:20 | 0:10:22 | |
Ah, well. Keep watching, mate, | 0:10:22 | 0:10:23 | |
and we'll show you how it was done later in the show. | 0:10:23 | 0:10:27 | |
Now, here's something you don't see every day, | 0:10:27 | 0:10:29 | |
in an item we like to call... | 0:10:29 | 0:10:31 | |
Being a magician can be stressful, | 0:10:34 | 0:10:36 | |
so here's the perfect invention | 0:10:36 | 0:10:38 | |
to help them keep calm before a show. | 0:10:38 | 0:10:41 | |
While ordinary people would just pop bubble wrap, | 0:10:41 | 0:10:43 | |
illusionist Eric Bust just has to go one step further. | 0:10:43 | 0:10:47 | |
Right, now all you've got to do, Eric, is roll it back up again. | 0:10:49 | 0:10:52 | |
Yeah? Not so stress relieving now, is it? | 0:10:52 | 0:10:55 | |
Yeah! | 0:10:55 | 0:10:56 | |
Over to the corner shop now, | 0:10:56 | 0:10:58 | |
with magician and part-time checkout guy Ben Hanlin. | 0:10:58 | 0:11:01 | |
That is £7.50 please. | 0:11:01 | 0:11:03 | |
-Thanks very much. -It's all right. | 0:11:03 | 0:11:05 | |
There you go, there's your change. | 0:11:12 | 0:11:14 | |
Ben does his best to win sales assistant of the month | 0:11:14 | 0:11:16 | |
by really wowing this customer. | 0:11:16 | 0:11:18 | |
It's your change. | 0:11:19 | 0:11:21 | |
-For the... For the wine. -I've just given you a tenner. | 0:11:21 | 0:11:23 | |
Yeah, and there's part of the tenner back, so the change. | 0:11:23 | 0:11:26 | |
Well, I can't really use that. | 0:11:26 | 0:11:28 | |
You can, you can spend that like money. | 0:11:28 | 0:11:30 | |
-Have you never done that before? -No, never before. | 0:11:30 | 0:11:32 | |
Yeah, you can buy a choc with that... Chocolate bar. | 0:11:32 | 0:11:34 | |
Go on the bus with that. Get a few of them, put them together, | 0:11:34 | 0:11:37 | |
you've got an actual tenner. | 0:11:37 | 0:11:38 | |
-I'd prefer £4 change, if that's all right? -Oh, you'd rather the coins? -If that's OK, yeah. | 0:11:38 | 0:11:42 | |
All right, I tell you what, I've messed you about a bit, | 0:11:42 | 0:11:44 | |
you can have it on me if you want. | 0:11:44 | 0:11:46 | |
I'll just give you your money back. | 0:11:46 | 0:11:48 | |
How on Earth did you do that? | 0:11:51 | 0:11:53 | |
I think it's fair to say, "Not a happy shopper." | 0:11:53 | 0:11:56 | |
-Here you are. -Thanks. | 0:11:56 | 0:11:58 | |
-Enjoy your wine. -Thanks very much. | 0:12:00 | 0:12:02 | |
Now, when you think magic, you think tents. | 0:12:02 | 0:12:05 | |
Well, I do anyway. | 0:12:05 | 0:12:06 | |
I've had this problem. | 0:12:06 | 0:12:08 | |
Trying to find the peg holes | 0:12:08 | 0:12:09 | |
for the inner mesh is right pain - | 0:12:09 | 0:12:11 | |
especially in the dark. | 0:12:11 | 0:12:13 | |
Nope, he can't find them either. | 0:12:13 | 0:12:16 | |
I'd give up. | 0:12:16 | 0:12:17 | |
Well, come on, what's a few mosquito bites? | 0:12:17 | 0:12:19 | |
A bright lamp in a tent is not a good idea. | 0:12:24 | 0:12:27 | |
I did that once and the whole campsite saw my silhouette | 0:12:27 | 0:12:29 | |
eating an entire Toblerone in one sitting. | 0:12:29 | 0:12:32 | |
Lovely zipping technique. | 0:12:35 | 0:12:37 | |
Now look at this. | 0:12:42 | 0:12:44 | |
It's like a low rent James Bond title sequence, | 0:12:45 | 0:12:49 | |
camping-based. | 0:12:49 | 0:12:51 | |
The Man With The Golden Guy Rope? | 0:12:51 | 0:12:53 | |
Dr No... Dogs Allowed? | 0:12:53 | 0:12:56 | |
You Only Camp Once? | 0:12:56 | 0:12:57 | |
That's my trick. | 0:12:58 | 0:12:59 | |
Only arrive when you know the tent's already been put up. | 0:12:59 | 0:13:02 | |
Good timing, Madam! | 0:13:02 | 0:13:03 | |
Daniel Dovel's gone to Womad | 0:13:05 | 0:13:06 | |
and he doesn't want to miss Jah Wobble. | 0:13:06 | 0:13:09 | |
Who needs a yurt? | 0:13:09 | 0:13:11 | |
And here's a magical way to put on some headgear. | 0:13:11 | 0:13:14 | |
Argh! | 0:13:14 | 0:13:15 | |
Ooh, maybe he should have been wearing a hard hat! | 0:13:15 | 0:13:19 | |
Coming up, | 0:13:19 | 0:13:21 | |
Ben Hart shows us another trick in a hurry. | 0:13:21 | 0:13:23 | |
Look, he didn't even make it out of his PJs. | 0:13:23 | 0:13:26 | |
Derren Brown ruins a man's journey to work | 0:13:26 | 0:13:29 | |
by telling him he looks like David Mellor. | 0:13:29 | 0:13:32 | |
And in our big finish, not only do we show you a great trick, | 0:13:32 | 0:13:35 | |
but the most effective way of preventing lawn weeds. | 0:13:35 | 0:13:37 | |
They never come back. | 0:13:39 | 0:13:41 | |
But first, mentalist Haim Goldenberg | 0:13:42 | 0:13:44 | |
has gone to all the effort of setting up a stall on his hols. | 0:13:44 | 0:13:47 | |
He's using his amazing mind skills | 0:13:47 | 0:13:49 | |
to guess the birthdates of everyone he meets. | 0:13:49 | 0:13:53 | |
What is your birthday? | 0:13:53 | 0:13:54 | |
April 15th. | 0:13:54 | 0:13:56 | |
-Not August? -No. | 0:13:56 | 0:13:58 | |
Ah. | 0:13:58 | 0:13:59 | |
You're lucky today. | 0:14:00 | 0:14:02 | |
-Ah, thank you. -Thank you. | 0:14:02 | 0:14:03 | |
August 5th, '87? | 0:14:05 | 0:14:07 | |
-No. -No? | 0:14:07 | 0:14:09 | |
July 6th, '87. | 0:14:09 | 0:14:10 | |
Hmm, I'm sorry. | 0:14:10 | 0:14:12 | |
So, he got it right, | 0:14:12 | 0:14:14 | |
but he pretends it's wrong. | 0:14:14 | 0:14:15 | |
Of course, he wasn't born yesterday | 0:14:15 | 0:14:17 | |
and knows that they won't resist taking a peek at what his guess was. | 0:14:17 | 0:14:20 | |
What is your birthday? | 0:14:20 | 0:14:22 | |
March 16th. | 0:14:22 | 0:14:23 | |
March 16th? | 0:14:23 | 0:14:25 | |
Not August? | 0:14:25 | 0:14:26 | |
-No. -Oh, this is for you. | 0:14:26 | 0:14:28 | |
-Can I see what you wrote? -If you ask. | 0:14:28 | 0:14:31 | |
You're kidding! | 0:14:31 | 0:14:33 | |
-What did you guess? -You want to see? -Yes, please. | 0:14:33 | 0:14:35 | |
-Why not? -Ah. | 0:14:35 | 0:14:37 | |
May 25th, 1968. | 0:14:38 | 0:14:40 | |
'68? No way. | 0:14:40 | 0:14:43 | |
Be warned, guessing a woman's age | 0:14:43 | 0:14:44 | |
should only be undertaken by a skilled professional, | 0:14:44 | 0:14:47 | |
as it may result in physical injury. | 0:14:47 | 0:14:49 | |
Oh, ha-ha! | 0:14:49 | 0:14:51 | |
It's Jonathan Pendragon at the World Magic Awards. | 0:14:51 | 0:14:55 | |
SINISTER ORGAN MUSIC PLAYS | 0:14:55 | 0:14:57 | |
Oh, Jonathan, I've got Simon Cowell on the phone, | 0:14:57 | 0:14:59 | |
he wants to know why you're wearing his trousers. | 0:14:59 | 0:15:02 | |
Oh, look, a cat in a box. | 0:15:03 | 0:15:05 | |
It's like a showbiz trip to the vets. | 0:15:05 | 0:15:07 | |
Ooh! Ooh, now it's a big white dog! | 0:15:13 | 0:15:15 | |
Or is it a tiny polar bear? | 0:15:15 | 0:15:17 | |
He didn't fight the cat, though - that's a bit magic, too. | 0:15:17 | 0:15:21 | |
Oh, don't lie in there like that! | 0:15:28 | 0:15:29 | |
You don't know what the cat's done in there. | 0:15:29 | 0:15:31 | |
What's next? I'm thinking it's got to be a pony. | 0:15:31 | 0:15:34 | |
Oh, no, it's a woman! | 0:15:34 | 0:15:36 | |
And for an extra trick, | 0:15:36 | 0:15:38 | |
the back half of her top's disappeared. | 0:15:38 | 0:15:40 | |
To the Keith Chegwin of magic now. | 0:15:44 | 0:15:46 | |
Stevie Pink and Ghost Hanky. | 0:15:46 | 0:15:48 | |
Ghost Hanky. | 0:15:51 | 0:15:52 | |
If a ghost wants to blow its nose, | 0:15:52 | 0:15:54 | |
surely they'd use their own sheet. | 0:15:54 | 0:15:56 | |
Stevie is actually giving a running commentary as he does the trick | 0:16:00 | 0:16:03 | |
but you can't hear him as his suit is too loud. | 0:16:03 | 0:16:07 | |
If you've had a magic trick go wrong | 0:16:09 | 0:16:11 | |
or you've done brilliantly well, like Stevie here... | 0:16:11 | 0:16:13 | |
Well, anyway, if you've done brilliantly well, we want to see it. | 0:16:13 | 0:16:17 | |
Go to... | 0:16:17 | 0:16:20 | |
for more details. | 0:16:20 | 0:16:22 | |
How does he do that? | 0:16:24 | 0:16:25 | |
And by "that" I mean "wear that suit with such confidence." | 0:16:25 | 0:16:29 | |
Now, here's the VERY famous Derren Brown | 0:16:33 | 0:16:35 | |
actually talking to somebody on public transport. | 0:16:35 | 0:16:38 | |
No-one does that, surely! | 0:16:38 | 0:16:40 | |
Can I ask you what stop you're getting off at? | 0:16:40 | 0:16:42 | |
-Warren Street. -Pardon? -Warren Street. | 0:16:42 | 0:16:44 | |
Warren Street, excellent. | 0:16:44 | 0:16:45 | |
-What stop are you getting off at? -Euston. | 0:16:45 | 0:16:47 | |
Euston. Excellent. | 0:16:47 | 0:16:49 | |
Yeah, the documentary is sort of about | 0:16:49 | 0:16:51 | |
how easily trains... | 0:16:51 | 0:16:52 | |
of thought can become confused | 0:16:52 | 0:16:53 | |
and you can have a piece of information | 0:16:53 | 0:16:56 | |
that you know that you should know | 0:16:56 | 0:16:57 | |
and, suddenly, it's just literally just gone from your mind, like that. | 0:16:57 | 0:17:00 | |
Sorry, what was the stop you were getting off at? | 0:17:00 | 0:17:04 | |
Look at me. What was the stop you were getting off at? | 0:17:04 | 0:17:07 | |
Does it say it up there? | 0:17:09 | 0:17:11 | |
What was it? | 0:17:13 | 0:17:15 | |
Right, what stop? Thinking about it now, what was it? | 0:17:15 | 0:17:18 | |
I can't remember. | 0:17:20 | 0:17:21 | |
-It's just... It's just gone. -What is it? | 0:17:21 | 0:17:25 | |
What was the stop? | 0:17:25 | 0:17:26 | |
He hasn't felt that confused on London Underground | 0:17:28 | 0:17:30 | |
since there were planned engineering works at Cockfosters. | 0:17:30 | 0:17:34 | |
Do you remember why you're going there? | 0:17:34 | 0:17:36 | |
-To visit friends. -To visit a friend. | 0:17:36 | 0:17:38 | |
And where is it? What stop? | 0:17:38 | 0:17:40 | |
I don't know. | 0:17:43 | 0:17:45 | |
I'm just trying to find it at the moment. | 0:17:46 | 0:17:48 | |
I can't remember. | 0:17:49 | 0:17:51 | |
-Is that weird? -Yeah. | 0:17:51 | 0:17:53 | |
-Look, there it is. What is it? -Euston. | 0:17:53 | 0:17:55 | |
Have you got it? What is it? | 0:17:55 | 0:17:56 | |
-Warren Street. -Warren Street. | 0:17:56 | 0:17:59 | |
Archway. | 0:17:59 | 0:18:00 | |
Archway. Oh, this is Archway now! | 0:18:00 | 0:18:02 | |
You'd better go! | 0:18:02 | 0:18:03 | |
Oh, that'll be a tough excuse to use. | 0:18:03 | 0:18:05 | |
"Er, sorry I'm late, Derren Brown hypnotised me." | 0:18:05 | 0:18:08 | |
Um, sorry you missed that one. | 0:18:08 | 0:18:11 | |
Danny Cole now with the purse that holds the budget for this very show. | 0:18:11 | 0:18:15 | |
This is a coin purse | 0:18:15 | 0:18:17 | |
with an invisible bag | 0:18:17 | 0:18:19 | |
and anything I drop inside of it | 0:18:19 | 0:18:21 | |
will turn invisible also. | 0:18:21 | 0:18:23 | |
There's an object in there now. | 0:18:23 | 0:18:25 | |
Of course, you can't see it and, | 0:18:25 | 0:18:27 | |
even if you look down in there, | 0:18:27 | 0:18:29 | |
you shouldn't be able to see it. | 0:18:29 | 0:18:31 | |
It's not until I pour it out | 0:18:31 | 0:18:34 | |
that it becomes visible. | 0:18:34 | 0:18:37 | |
Now, when I drop objects inside the purse, | 0:18:37 | 0:18:40 | |
as long as I'm holding on to it, | 0:18:40 | 0:18:42 | |
you're going to be able to see it, OK? | 0:18:42 | 0:18:45 | |
But as soon as I let go... | 0:18:45 | 0:18:46 | |
Yeah, one of my friends has this problem. | 0:18:46 | 0:18:48 | |
Whenever we go out for dinner, her purse becomes invisible too. | 0:18:48 | 0:18:52 | |
With great power comes great responsibility, | 0:18:52 | 0:18:54 | |
so I guess we'd better reveal our superhero-themed... | 0:18:54 | 0:18:57 | |
You'll remember that no-one could lift | 0:18:59 | 0:19:01 | |
the God of Thunder's mighty weapon, | 0:19:01 | 0:19:03 | |
apart from this gentleman. | 0:19:03 | 0:19:05 | |
-Worthy. -How was it done? | 0:19:05 | 0:19:06 | |
Well, it's all rather simple really. | 0:19:06 | 0:19:08 | |
Let's look inside the hammer. | 0:19:08 | 0:19:10 | |
Ah, yeah, you see, | 0:19:12 | 0:19:14 | |
that's the old capacitive touch sensor and Arduino set up. | 0:19:14 | 0:19:16 | |
Mm-hmm. Oh, yeah. Yeah, yeah. | 0:19:16 | 0:19:18 | |
And the solid state relay. Yeah, I knew that. | 0:19:18 | 0:19:20 | |
Absolutely essential. | 0:19:20 | 0:19:22 | |
Oh, oh, I hope his mum didn't need that microwave oven. | 0:19:22 | 0:19:24 | |
Oh, yeah, of course, yeah, batteries, | 0:19:24 | 0:19:26 | |
you shouldn't forget your batteries. | 0:19:26 | 0:19:28 | |
Ah, now, I understand that - | 0:19:28 | 0:19:30 | |
a fingerprint sensor, so only the inventor could pick it up. | 0:19:30 | 0:19:34 | |
I think he sums it up best here. | 0:19:34 | 0:19:36 | |
So, magnets! That's what... | 0:19:36 | 0:19:38 | |
Yeah, magnets that get turned off if you're me. | 0:19:38 | 0:19:42 | |
Exactly. | 0:19:42 | 0:19:44 | |
Bananas, they're lovely, aren't they? | 0:19:44 | 0:19:46 | |
So, why have one when you can have three? | 0:19:46 | 0:19:48 | |
After all, it is the magic number. | 0:19:48 | 0:19:50 | |
First up, Tumba Ping Pong | 0:19:52 | 0:19:54 | |
with a trick that will put a smile on anyone's face - | 0:19:54 | 0:19:56 | |
especially if the banana gets knocked in sideways. | 0:19:56 | 0:19:59 | |
Oh, don't eat the skin! | 0:20:03 | 0:20:05 | |
Secondly, we have this gentleman. | 0:20:08 | 0:20:11 | |
Hmm. Hmm? | 0:20:14 | 0:20:16 | |
He does like to put a lot of fruit into his kid's lunchbox, doesn't he? | 0:20:16 | 0:20:20 | |
Finally, for some reason, this chap wants rid of his bananas. | 0:20:20 | 0:20:23 | |
I think he's just invented a bananarang. | 0:20:26 | 0:20:29 | |
He's been anxiously waiting for over 20 minutes now, | 0:20:29 | 0:20:32 | |
so let's put him out of his misery. | 0:20:32 | 0:20:34 | |
Yes... | 0:20:34 | 0:20:35 | |
Well, it is past his bedtime. | 0:20:35 | 0:20:37 | |
I'm a terrible sleeper. | 0:20:38 | 0:20:40 | |
Some people count sheep to get to sleep, | 0:20:40 | 0:20:42 | |
I lay out dominoes. | 0:20:42 | 0:20:43 | |
And what you're looking at here | 0:20:43 | 0:20:45 | |
is a whole month without sleep. | 0:20:45 | 0:20:47 | |
Before we go any further, I need to call your attention to one thing | 0:20:47 | 0:20:50 | |
-and it's that envelope up there with the little window in. -Yeah. | 0:20:50 | 0:20:54 | |
That's going to be very important later. | 0:20:54 | 0:20:55 | |
-Do not forget about it, whatever happens. -OK. | 0:20:55 | 0:20:58 | |
Now, I've got a pack of cards. | 0:20:58 | 0:20:59 | |
I need you, if it's possible, | 0:20:59 | 0:21:01 | |
to choose a card for me. | 0:21:01 | 0:21:03 | |
Now they are all different and that's very important. | 0:21:03 | 0:21:05 | |
-What's your name? -Lucky. | 0:21:05 | 0:21:07 | |
Lucky, would you touch the back of any card you'd like for me, Lucky? | 0:21:07 | 0:21:10 | |
-Just touch the back of any one, I don't mind. -That one. | 0:21:10 | 0:21:12 | |
Take it out. Show the camera, but don't show me. | 0:21:12 | 0:21:14 | |
Whatever happens, do not show me. | 0:21:14 | 0:21:17 | |
I've also got a pen. | 0:21:17 | 0:21:18 | |
-Would you sign your name on the face of the card for me? -OK. | 0:21:18 | 0:21:21 | |
Trying not to show me. I'm not looking, I promise. | 0:21:21 | 0:21:23 | |
-Yeah. -You've done that? -Mm-hmm. | 0:21:24 | 0:21:26 | |
OK, I'm going to take the pen back. | 0:21:26 | 0:21:27 | |
I'm also going to take the card back and put it right into the middle. | 0:21:27 | 0:21:32 | |
OK? | 0:21:32 | 0:21:33 | |
-Would you mix this half for me? -OK. | 0:21:33 | 0:21:35 | |
We're not all judging the way that you shuffle. | 0:21:35 | 0:21:37 | |
That's how I shuffle. That's how I shuffle. | 0:21:37 | 0:21:39 | |
-And would you shuffle this half for me? -OK. | 0:21:39 | 0:21:42 | |
-So, now your card is completely lost somewhere in the pack. -Yeah. | 0:21:42 | 0:21:45 | |
-And there's nothing in my hands. -Nothing. -Pass the cards back to me. | 0:21:45 | 0:21:48 | |
Thank you. Thank you. | 0:21:48 | 0:21:49 | |
Now, I'm going to attempt to find your card | 0:21:49 | 0:21:51 | |
and I'm going to try and do it quicker | 0:21:51 | 0:21:54 | |
than it takes this chain of dominoes to all fall down. | 0:21:54 | 0:21:56 | |
-Really? -Yes. -Wow. | 0:21:56 | 0:21:58 | |
-So, I'm going to be up against the clock. Are you ready? -Yeah. | 0:21:58 | 0:22:00 | |
Then I'm ready. | 0:22:00 | 0:22:02 | |
Three, | 0:22:02 | 0:22:03 | |
two, | 0:22:03 | 0:22:04 | |
one. OK, here we go, I'm going to try and find the card. | 0:22:04 | 0:22:07 | |
Is it here? This one, I think it's this one, yes? | 0:22:07 | 0:22:09 | |
Was that right? No, it would have your name on, hang on. | 0:22:09 | 0:22:11 | |
Wait, what about this? This one? Is it this one here? No. | 0:22:11 | 0:22:14 | |
Or that one? Hang on, wait, what about these? No. Hang on. Wait. | 0:22:14 | 0:22:17 | |
Oh! I know, it can't be any of these | 0:22:17 | 0:22:18 | |
-because, remember that envelope up there? -Yeah. -Remember that? | 0:22:18 | 0:22:21 | |
Come with me. Don't knock over the dominoes. Come this way quickly. | 0:22:21 | 0:22:24 | |
Come on. It couldn't be, could it? | 0:22:24 | 0:22:26 | |
That card that's been up there in the envelope all the time. | 0:22:26 | 0:22:28 | |
Come this way, come this way. Follow me, follow me. | 0:22:28 | 0:22:31 | |
Watch your step, watch your step. Stand here, stand here for me. | 0:22:31 | 0:22:34 | |
Look, see this one, here? | 0:22:34 | 0:22:36 | |
This card inside the envelope? | 0:22:36 | 0:22:38 | |
Look, I think it is. | 0:22:38 | 0:22:39 | |
Look, turn it over for me, | 0:22:39 | 0:22:40 | |
-I don't even want to look. Yes! -THEY GASP | 0:22:40 | 0:22:44 | |
Now it all makes sense. | 0:22:44 | 0:22:45 | |
Now I know why I can't sleep because look, | 0:22:45 | 0:22:47 | |
I always knew you'd choose the seven of diamonds. | 0:22:47 | 0:22:51 | |
And I managed to beat it. | 0:22:51 | 0:22:53 | |
It is mine as well. | 0:22:53 | 0:22:54 | |
Cables, cables, cables. | 0:22:58 | 0:22:59 | |
I didn't know they had ten-footers. That's great. | 0:22:59 | 0:23:02 | |
Supreme magic prankster Michael Carbonaro now, | 0:23:02 | 0:23:04 | |
who's got a part-time Saturday job | 0:23:04 | 0:23:06 | |
to supplement his successful prime time US Cable TV career. | 0:23:06 | 0:23:10 | |
The sticker speakers. | 0:23:10 | 0:23:12 | |
They're taking over the whole market, | 0:23:12 | 0:23:14 | |
so everything will be wireless. Yeah. | 0:23:14 | 0:23:16 | |
-You seen those things work? -No, I haven't. | 0:23:16 | 0:23:18 | |
Oh, my gosh, we... I don't know how they do it actually. | 0:23:18 | 0:23:21 | |
It's just on a sticker. | 0:23:21 | 0:23:22 | |
Like, the whole component's just like a... | 0:23:22 | 0:23:24 | |
-That's the speaker. -That's the speaker. | 0:23:24 | 0:23:26 | |
Yeah, and it will pick up the closest, like, playing... | 0:23:26 | 0:23:29 | |
-And how's the quality? -Uh, it's like this. | 0:23:29 | 0:23:31 | |
MUSIC PLAYS | 0:23:31 | 0:23:34 | |
Yeah? You could amp it up with something, though, | 0:23:34 | 0:23:37 | |
-if you put it on something like... -MUSIC GETS LOUDER | 0:23:37 | 0:23:40 | |
-It'll, like, pick up the resonance of something. -It's a big difference. | 0:23:40 | 0:23:43 | |
It is a big difference. | 0:23:43 | 0:23:46 | |
You can use sticker speakers anywhere, | 0:23:46 | 0:23:48 | |
but for the best effect, stick them on regular speakers. | 0:23:48 | 0:23:51 | |
-Huh? -Are these for sale now? -Yeah. -How much are they? | 0:23:51 | 0:23:54 | |
They're 25 cents each. | 0:23:54 | 0:23:55 | |
-You're kidding me?! -No. | 0:23:55 | 0:23:58 | |
Yeah. | 0:23:58 | 0:23:59 | |
-I want to buy some. -You want to buy them? -Yeah. -OK. | 0:23:59 | 0:24:01 | |
One press starts it on, | 0:24:01 | 0:24:03 | |
one press starts it off. | 0:24:03 | 0:24:04 | |
Three clicks will change to the next station. | 0:24:04 | 0:24:07 | |
HIP-HOP MUSIC PLAYS | 0:24:07 | 0:24:10 | |
-Sometimes you have to... -# Great big butt | 0:24:10 | 0:24:12 | |
# Great big butt | 0:24:12 | 0:24:13 | |
# Great big butt... # | 0:24:13 | 0:24:15 | |
This one got glitched. | 0:24:15 | 0:24:17 | |
There, hold on. | 0:24:17 | 0:24:19 | |
MUSIC GETS LOUDER | 0:24:19 | 0:24:22 | |
One second, sorry about that. One second. Give me one second. | 0:24:22 | 0:24:25 | |
He looks pretty embarrassed there. | 0:24:25 | 0:24:26 | |
And so he should - sleeveless vest AND sandals. | 0:24:26 | 0:24:29 | |
Ever wondered what it's like to be an illusionist? | 0:24:32 | 0:24:34 | |
Well, now's the chance to find out. | 0:24:34 | 0:24:36 | |
For the next 57 seconds... | 0:24:36 | 0:24:38 | |
Here we are. We've got our cards. | 0:24:41 | 0:24:42 | |
Go on, go on, pick one. | 0:24:42 | 0:24:44 | |
That's lovely. | 0:24:44 | 0:24:45 | |
Ooh! Crikey, did I eat all of that on my own? | 0:24:45 | 0:24:48 | |
We good? OK, you can place that card right on top. | 0:24:48 | 0:24:51 | |
-Ah, I see, she's memorised the card. -A little shuffle. | 0:24:51 | 0:24:54 | |
Now, normally, I would find the card - | 0:24:54 | 0:24:57 | |
but tonight, I'm going to have you be the magician. | 0:24:57 | 0:24:59 | |
-You're going to... -Hang on, I thought it was us. | 0:24:59 | 0:25:01 | |
All you have to do is tap on the top. | 0:25:01 | 0:25:04 | |
Believe it or not, that's going to bring your card | 0:25:04 | 0:25:07 | |
right to the top of the deck, kind of like that. | 0:25:07 | 0:25:10 | |
Little hand clap there. I thank you. | 0:25:10 | 0:25:12 | |
-Once or twice? -Once. | 0:25:12 | 0:25:14 | |
So, you've got to do a double tap. Let's try... | 0:25:14 | 0:25:16 | |
Cor, I've never been able to shuffle before. This is fun. | 0:25:16 | 0:25:18 | |
Double tap. Excellent. | 0:25:18 | 0:25:20 | |
That should bring your card right to the top of the deck. | 0:25:20 | 0:25:23 | |
Whoa, impressed even myself there. | 0:25:23 | 0:25:25 | |
Did you see that? Once more, then. | 0:25:25 | 0:25:28 | |
Tap on the top. That should bring it up. | 0:25:28 | 0:25:30 | |
Like that. | 0:25:30 | 0:25:31 | |
I enjoyed that. And next week, | 0:25:31 | 0:25:33 | |
we'll do it all again with you as the back of a pantomime horse. | 0:25:33 | 0:25:36 | |
Now to end the show, | 0:25:38 | 0:25:39 | |
over to Irish magician Keith Barry for our big finish. | 0:25:39 | 0:25:43 | |
This is going to be dynamite. | 0:25:43 | 0:25:45 | |
What we're about to use is a couple of sticks of dynamite today. | 0:25:45 | 0:25:49 | |
Told you. | 0:25:49 | 0:25:50 | |
Here's the catch. | 0:25:50 | 0:25:51 | |
This stick of dynamite, right here, is NOT a real stick of dynamite. | 0:25:51 | 0:25:55 | |
-Although, it looks the exact same as these other five, agreed? -Yes, yes. | 0:25:55 | 0:25:58 | |
What we're going to do is take this stick | 0:25:58 | 0:26:00 | |
and mix it amongst these other five. | 0:26:00 | 0:26:02 | |
Ooh, careful. | 0:26:02 | 0:26:03 | |
-So, now, you probably don't know which one is the fake, do you? -No. | 0:26:03 | 0:26:06 | |
OK, tie this blindfold onto me. | 0:26:06 | 0:26:08 | |
Do a double knot so it doesn't come off. | 0:26:10 | 0:26:12 | |
Excellent job. | 0:26:12 | 0:26:13 | |
Now, give them a good mix up | 0:26:13 | 0:26:15 | |
and then line them all up. | 0:26:15 | 0:26:17 | |
Keith's got an audience member mixing volatile explosives, | 0:26:17 | 0:26:20 | |
who's probably thinking, "Hmm, I wish I'd chosen to watch the trick | 0:26:20 | 0:26:23 | |
"that just has a load of dominoes falling over." | 0:26:23 | 0:26:26 | |
-OK. -Now I want you to take my right hand... | 0:26:26 | 0:26:28 | |
..and place it over the outer most stick | 0:26:29 | 0:26:32 | |
and tell me when we're over it. | 0:26:32 | 0:26:34 | |
-Am I over it? -Yes. | 0:26:34 | 0:26:35 | |
OK, place it on the next one. | 0:26:35 | 0:26:36 | |
OK, for some reason I'm getting a feeling | 0:26:36 | 0:26:38 | |
that the fake one could be that one. | 0:26:38 | 0:26:40 | |
Not sure, but it could... | 0:26:40 | 0:26:42 | |
Can you just let me grab a hold of it? | 0:26:42 | 0:26:44 | |
I'm not sure, take my left hand | 0:26:44 | 0:26:45 | |
and place it over the outermost one out here. | 0:26:45 | 0:26:48 | |
OK, the next one. | 0:26:48 | 0:26:50 | |
Now go back. | 0:26:50 | 0:26:52 | |
OK, give me that one. | 0:26:52 | 0:26:53 | |
I think it might be one of these two. | 0:26:55 | 0:26:57 | |
Yeah, now's not the time to be doubtful, Keith. | 0:26:57 | 0:26:59 | |
David, can you lead me up somewhere safe away from all these people? | 0:26:59 | 0:27:02 | |
-OK. -So, he thinks one of these two sticks isn't real dynamite, | 0:27:02 | 0:27:06 | |
but has he got it right? | 0:27:06 | 0:27:08 | |
Dave leads explosive-clutching Keith away from the crowd for safety | 0:27:08 | 0:27:12 | |
to a position about six feet away, | 0:27:12 | 0:27:14 | |
so that'll be fine(!) | 0:27:14 | 0:27:15 | |
Sensibly, the crowd are taking the best precautions - | 0:27:18 | 0:27:21 | |
sticking their fingers in their ears. | 0:27:21 | 0:27:25 | |
The rejected dynamite has been planted and lit, | 0:27:25 | 0:27:27 | |
and Keith still hasn't worked out if one of the sticks in his hands | 0:27:27 | 0:27:30 | |
is the dummy. | 0:27:30 | 0:27:32 | |
Well, this is a good way to find out. | 0:27:34 | 0:27:36 | |
This really is very dangerous stuff, | 0:27:36 | 0:27:38 | |
so please don't copy this at home with anything explosive - | 0:27:38 | 0:27:41 | |
especially if you live near me. | 0:27:41 | 0:27:43 | |
He still looks confused. Come on, Keith! | 0:27:45 | 0:27:47 | |
Ah, hurray, he's thrown away an exploder | 0:27:50 | 0:27:53 | |
but he still doesn't know if the other stick is the dummy. | 0:27:53 | 0:27:56 | |
And there goes the others. | 0:28:00 | 0:28:02 | |
He's done it! | 0:28:02 | 0:28:03 | |
And let's face it, if he hadn't, | 0:28:03 | 0:28:05 | |
that would've been a really weird day out for all those people. | 0:28:05 | 0:28:09 | |
Well, the audience are suitably impressed, | 0:28:09 | 0:28:11 | |
the caravan club members in the next field aren't too happy. | 0:28:11 | 0:28:15 | |
In fact, after a complaint, | 0:28:15 | 0:28:16 | |
Keith is now helping police with their enquiries. | 0:28:16 | 0:28:19 | |
That's all for now. | 0:28:21 | 0:28:22 | |
I'm off to sell my camping James Bond ideas to the Broccoli family. | 0:28:22 | 0:28:26 | |
The Spy Who Towed Me, | 0:28:26 | 0:28:27 | |
Live And Let Down The Airbed, | 0:28:27 | 0:28:29 | |
Never Say Backpacking Again, | 0:28:29 | 0:28:30 | |
From The New Forest With Love... | 0:28:30 | 0:28:32 |